I'd be very interested to hear if you've found all that data generated, as a beginner at max I only got xbend at the full range and have yet to discover how to recover or control the 5 dimensions but looking forward to it

Since you can limit or fudge/curve the sensitivity and as a weak-handed keyboardist I cannot wait to play with it set up correctly, let alone spot the minimum workable sensitivity - kitchen scales get less accurate the less you put on them - a case of finishing reading the brilliantly minimalist manual, only this time taking notes!

(PS cat warning - the documenter points out his cat happily clawed / chewed it's way through his silicone surface, bottom of care & cleaning?)

Got a wrapper for the vst~ of equator working with all 200-odd params visible thru live.object. So could turn off delay and reverb and clone those settings for ableton-side delay, reverb etc. Also, Equator doesn't yet have compressor that I can see, or employ pre delay so performing live it's handy to not even launch live or reason if a standalone app like the m4l instrument wrapper can do it. Stage ready!

Making a "octave-down for instrument 1", "up for instrument 3" patch, then building up the church-organ-ness with pipes and chambers out the back automatable from ableton or natively (since we all want to pull out all the stops)

Maybe some kind of loopstation analog to handle loop boundary jumps in cc values which should keep me busy till I can also turn it into a 5D super-sensor!