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â¦we see Peter Dinklage, a few feet away, doing this:

"I will never get married, for weddings turn lovers into relatives." Hell yeah, Maurice. It wasn't a picnic wedding, and Maurice wasn't invited. They just hung out near the wedding kickin' it like... like a couple of Marxists. Highlight This image requires no explanation.

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Just know that it's in the movie, and if you're not already renting it, go rent it now.appears in a cameo as a celebrity in a distractingly terrible wig who likes to fuck midgets.He only exists in this movie to have sex with midgets in ways that shake up the plot, and that is precisely what he does.

Wait for it.

The Conflict

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Boom!You already know the conflict: Carol and Steve are pregnant with a baby that might be a midget. What you don't know is that this movie has a quota of people who despise midgets that must always be maintained. In the beginning, as stated, it's Carol, who isn't sure if she's morally okay with bringing another dwarf into the world. Once she realizes she's confusing "dwarves" with "mobile AIDS unit," she softens and learns to love all things tiny. When that happens, a switch is flipped and Steve, who up until that point was fine with dwarves, considering he was raised by them, turns into a self-hating almost-dwarf. Here he is reacting to the news that his baby is a dwarf.

The Script

He screams and punches a hole in the wall of the hospital room that holds his wife, newborn son and their doctor who, yes, is also a little person. There are a lot of tear-filled arguments and, eventually, Steve has to leave because (ready?) he doesn't love and understand dwarves the way Carol does. She has to raise their baby on her own, because of Steve's prejudice and hitherto concealed anger issues.I'll be honest, I'm not sure there was one. A lot of the scenes in this movie play like improvisation exercises. Imagine you had a scene partner, and whatever that partner said of you, you had to accept it without question and continue the scene with your new information, even if that information conflicted with previous information. Either that or the director is bored off screen and occasionally shouts "CHANGE ARGUMENTS." I'll give you an example, this is towards the end of the movie. Steve and Carol had the baby, but Steve's already decided it's best for the baby if he's not around to bother it with his anger. Several months later, this scene takes place. Keep in mind these lines are just about verbatim (except the director's, which I've clearly added based on assumption). Just watch how many times "Steve's Problem" changes throughout: