The novel won the Pulitzer Prize for Fiction and the National Book Critics Circle Award for Fiction. The Pulitzer Prize Board noted that the novel was an “inventive investigation of growing up and growing old in the digital age, displaying a big-hearted curiosity about cultural change at warp speed”. In commenting on her Pulitzer, NPR critic Jonathan Bastian noted that “Egan is the one of the most recent and successful examples of a trend that has been steadily seeping into the world of contemporary literature.” The unusual format of the novel, taking place across multiple platforms, has led some critics to label the novel “post-postmodern”. Many critics were impressed by Egan’s experiments with structure, such as a section formatted like a PowerPoint printout.

Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. With music pulsing on every page, A Visit from the Goon Squad is a startling, exhilarating novel of self-destruction and redemption.

Because of its unusual narrative structure, some critics have characterized the book as a novel and others as a collection of linked short stories. A Visit from the Goon Squad has 13 chapters, all of which can be read as individual stories, and does not focus on any single central character or narrative arc. In addition, many of the chapters were originally published as short stories in magazines such as The New Yorker[4][5][6] and Harper’s. In an interview with Salon.com’s Laura Miller, Egan said she leaned toward calling the book a novel rather than a short story collection. She has also said that she considers the book to be neither a story collection or a novel.