LIGHTNING FAST ATTACK

All of its features have been closely modeled, from its lightning fast attack, a peculiarity of this model, to the “all buttons in” mode: this is a trick that engineer use to create some pretty intense and wild effects, since when all ratio buttons are pressed together distortion drastically increases due to continuous and radical time constants shifts; this is a good way to hit room tracks hard or smack parallel busses for distinctive sonic signatures.

YOUR NEW GO-TO AMPLIFIER

It’s also a “go to” unit for standard compression duties, thanks to the quality of the sound it imparts to a track, even when not compressing, and to the simplicity of its controls: just set the input and output level to get in the ballpark of how much gain reduction is needed, then once set the Ratio the compression is quickly fine tuned with the time constants controls.

GOOD FOR EVERY OCCASION

It is difficult to find a track or source where this compressor won’t sound good; it is practically able to give authority and personality even to the most sterile track; bass is one of the most common uses for this plug-in but its very fast attack makes it very handy on percussive sources, like snare drum; vocals will benefit from its solid compression, standing out in the mix with presence and boldness. It’s not out of the ordinary to see a pair of these compressors stereo-linked across the main bus of a mixer, so the fact that the T-RackS model is either mono or stereo makes it easy to replicate this technique.