“It’s just honesty, you know? The whole thing is honest,” Nash continues, discussing “Industrial Accident’s” direct framing of part of her family’s history. “And, to be completely transparent on the whole gay culture/AIDS – again, to really embrace that and discuss that in the movie, there are so many levels and different stories throughout this film, you couldn’t – we simply could not, we had to stay focused on this particular flow that we had. You could go right into the early ’80s and the ’90s with the AIDS epidemic, and I wanted to, and originally we had different footage – but eventually it was like ‘Look, we all know what happened. Why do we need to re-educate? This is the facts.’”