One such luxurious Wound Man copied from print into manuscript could perhaps be that found in a group of images bound into the back of a late medieval anatomical manuscript now in the Wellcome Library, MS. 290 (see above). This particularly artful figure is either drawn from the same model as the Fasciculus, or possibly stands as an interesting example in which technological progress was reversed: line drawings from the new technology of print could here have been converted and aesthetically amplified through colour and shading back into the old technology of hand-drawn manuscripts. If so, the process does not seem to have been without error. The Wound Man has lost many of his explanatory labels and his accompanying surgical text. Visual details, too, appear to have been lost in translation: a stone, which in the printed version strikes the top of the figure’s head, has been strangely refashioned into a miniature helmet.