Published on 8. Januar 2019, 10:23 h

Is the Mona Lisa looking at her viewers, or not? Prof. Dr. Gernot Horstmann and Dr. Sebastian Loth from the Cluster of Excellence CITEC pursued this question in their new study. Photo: CITEC/ Bielefeld University

For their study, the researchers used folding rulers for measurement. Study participants indicated the number they thought her gaze was directed at. Photo: CITEC/ Bielefeld University

“People are very good at gauging whether or not they are being looked at by others. Perceptual psychology demonstrated this in the 1960s,” says Professor Dr. Gernot Horstmann. Dr. Horstmann is a member of the Neuro-Cognitive Psychology research group at Bielefeld University’s Department of Psychology and the Cluster of Excellence CITEC. Horstmann specializes in eye movement and attention, and is one of the two authors of this new study.“People can feel like they’re being looked at from both photographs and paintings – if the person portrayed looks straight ahead out of the image, that is, at a gaze angle of 0 degrees,” explains Horstmann. “With a slightly sideward glance, you may still feel as if you were being looked at. This was perceived as if the portrayed person were looking at your ear, and corresponds to about 5 degrees from a normal viewing distance. But as the angle increases, you would not have the impression of being looked at.”“Curiously enough, we don’t have to stand right in front of the image in order to have the impression of being looked at – even if the person portrayed in the image looks straight ahead,” says Dr. Sebastian Loth. Dr. Loth is a member of the Social Cognitive Systems research group, which is part of the Faculty of Technology and CITEC. “This impression emerges if we stand to the left or right and at different distances from the image. The robust sensation of ‘being looked at’ is precisely the Mona Lisa effect.”In his research on communication with robots and avatars, Loth repeatedly encountered the term “Mona Lisa Effect”, coined after the famous 16th century oil painting. “The effect itself is undeniable and demonstrable,” says Loth. “But with the Mona Lisa, of all paintings, we didn’t get this impression.”

Horstmann and Loth gathered more than 2000 assessments this way – and almost every single measurement indicated that the Mona gaze is not straight on but to the viewer’s right-hand side. The result: “The participants in our study had the impression that Mona Lisa’s gaze was aimed to their right-hand side. More specifically, the gaze angle was 15.4 degrees on average,” says Gernot Horstmann. “Thus, it is clear that the term “Mona Lisa Effect” is nothing but a misnomer. It illustrates the strong desire to be looked at and to be someone else’s centre of attention – to be relevant to someone, even if you don’t know the person at all.”



Gaze direction plays an important role in designing virtual characters or avatars for assistive systems or computer games. “When communicating with an avatar, for example in a virtual environment, gaze improves our understanding of the avatar,” says Sebastian Loth. “Using their eye gaze, the virtual agent can express its attention, and it can point at objects that are or will become relevant to the task – just like a human.”



Original Publication:

Gernot Horstmann, Sebastian Loth: The Mona Lisa Illusion—Scientists See Her Looking at Them Though She Isn't. Eye Perception, https://journals.sagepub.com/doi/full/10.1177/2041669518821702, published on 07 January 2019.

Contact:

Prof. Dr. Gernot Horstmann, Bielefeld University

Cluster of Excellence Cognitive Interaction Technology (CITEC)

Telephone: + 49 521 106-12391

E-mail: gernot.horstmann@uni-bielefeld.de



