“Can you blame ‘em?”

Every Western story about a return journey can be compared to The Odyssey if you squint hard enough, and while Steven’s rescue of Greg has already featured poor decisions and a cyclops, The Zoo is our most obvious reference point to a trial of Odysseus: in this case, the Lotus Eaters.

Does it make sense that such a small population could genetically reproduce this long? Let alone that distinct races would still be a thing in this inevitably incestuous family tree spanning millennia? Does it make sense that everyone here is roughly the same age, with barely any old people or children? Or that they’re speaking English, a language thousands of years younger than the last human abducted for the Zoo before Greg? Of course not, this is a nonsensical system. But if the choice was eleven minutes going over hyper-realistic minutia of how this system works (most likely, these folks are divided into small packs and we’re just seeing one of many groups) versus an interesting fable about free will and the conflict between hedonism and responsibility, I’m good ignoring the massive leaps required for the Zoo to hold logical water.

A thorny ethical question presents itself here: if the Zoomans are eternally happy and safe, to the point where they don’t understand the concept of “hurt,” is it such a bad thing that they lack free will? To us, freedom is such an obviously good thing that its value is taken as a given, but all choice does here is make the Zoomans unhappy for the first time since an incident long ago enough to be the stuff of legend. This is a group of people whose culture predates Ancient Greece and is still going strong, outlasting any human civilization that’s ever existed on Earth by an impossibly huge degree, so what right do we have to think our moral code is superior to theirs?

The Zoo is dystopia by way of Dora the Explorer, a perfect prison that has babied its inhabitants for so many lifespans that they can’t even fathom disrupting the system. A friendly voice tells them what actions to take to have fun (Smell the flowers! Go to bed! Swiper, no swiping!) and the Zoomans obey without hesitation; they are essentially to humans what modern dogs are to wolves, a domesticated and perpetually juvenile version of the original model. But they certainly aren’t a different species in that way (dogs diverged from wolves genetically tens of thousands of years ago, rather than a paltry 5,000); we see that the Zoomans are quickly capable of making choice when the idea is planted, but they choose to listen to the little voice. Is it ethical to give them the information to make a more informed choice? My gut says yes, but that’s based on a moral code developed by a society that, like English, is much younger than Zooman society.

The second question that arises from the first is the morality of Pink Diamond’s actions. From a Gem perspective, it’s a no-brainer: free will isn’t a societal good to them, so even if Earth wasn’t destroyed as originally planned when the Zoo was built, bringing people to a paradise whose only cost is freedom is an obvious win. This matters a lot for Blue Diamond, who’s still patronizing in her “saving” of Greg but clearly means well by her own alien metrics of good and bad. And in that way, on first viewing, Pink’s behavior becomes far less ambiguous than “evil alien kidnaps humans.” If she’s anything like Blue, she considered it a favor, and that alone characterizes her more than anything else we know at this point.

In retrospect, the Zoo is more clearly a half-measure taken when Pink was trying and failing to stop the colonization she began. This conflict wasn’t short, and it’s great to see evidence of Pink trying smaller ways to help humans before realizing that more drastic actions were necessary, rather than her just jumping straight to full revolution. The fact that the Zoo is still a thing after her permanent shift to Rose Quartz, however, is one of many indicators of Pink’s childish selfishness. She didn’t release the humans she abducted, just as she didn’t think of how her faked murder might have more violent consequences than a freed Earth. I call the selfishness childish because it comes not from malice, but seemingly not knowing any better. This is the self-centeredness of somebody who’s never had any reason to not be self-centered, which doesn’t absolve the harm she causes, but makes her more interesting than a true monster.

While the Gem perspective is clear, Steven provides an ardent opposition to the concept of paradise without choice. At no point is he tempted by a life free of worries, valuing his ties to an existing life despite its many warts. And while Greg shows a few hints of falling for the Lotus Eater trap in his more relaxed attitude towards captivity, it’s crucial that his support of Steven trumps the comfort of this new reality; an entire episode about Greg measuring an easy life versus his son’s happiness, while in keeping from the weird shitty version of Greg we met in House Guest, would’ve been ruinous to his actual character. He’s still chill, and encourages Steven to chill as well for his own well-being, but never goes further in trying to stay at the Zoo; we even know that he tried to escape before Steven arrived.

While their long-awaited reunion is sweet, my favorite Steven'n’Greg moment is the realization that amethysts will likely arrive in response to pain. Steven’s insistence that Greg hit him comes from both impatience and the knowledge that he can take a punch, but Tom Scharpling perfectly captures how insane this sounds to Greg. Even though he’s physically weaker than his superhumanly powerful son, Greg’s willing to get hurt in his kid’s place. And still, Steven hesitates, because neither of these people wants to hit the other despite the circumstances. Finally, after Steven’s punch sends Greg flying, I appreciate his idea to try punching him again; to me, it’s representative of how much Steven thinks of his dad, because he just assumes this middle aged dude is tough enough to shrug off such a blow.

The two lead Zooman representatives sorta blend together, but I think that’s the point: in a society where conformity is the only option, everyone’s bound to act similarly. They’re both portrayed well enough to avoid boring tropes associated with characters like this (we don’t get airy hippies or droning disciples): Cristina Vee’s Jay-Ten and Lamar Abrams’s Wy-Six are delightfully dopey and just a little bit self-superior when things they find obvious are a mystery to our heroes. Vee doubles as the Little Voice, which is correctly played without a hint of menace, and while Abrams has already proven himself as Buck Dewey, I’m impressed by his ability to play a fully different character just as well (he’s also Garbanzo, who also sounds distinct, but he only says his own name so there’s not much room to measure differences).

While I have no idea whether the pun is intentional, I am all about these people raised beyond the stars being spacier than our more grounded Earthlings. Still, their one-note nature means that my favorite Zooman moments are actually Steven’s reactions to them. His quick decision to escape after being told to do “the bits” bit is low key hilarious, as is his bewilderment at their tiny splashes. These aren’t people that are going to make jokes or clever observations on their own, at least in a way that can match what their terrestrial counterparts can accomplish, but at least I never feel bored with the routine in a way that detracts from the episode.

In contrast to the mundane hedonism of daily life, the Choosening is just the sort of cultish jargon that one might expect from a society like this, and I love the familiarity implied in Greg’s world-weary comment that there’s always a catch with this sort of thing. We have no way of knowing how arbitrary the Choosening is, but considering Greg gets chosen Choosened right after arriving, it certainly seems random. While arranged marriage is obviously a thing on Earth as well, the power dynamics on the Zoo are more akin to forced marriage. But even this is colored by an earthly glimpse at an alien culture, because we don’t have any societies with an all-powerful overclass and a genuinely content and cared-for underclass. Is it really forced marriage if the parties involved are happy about it? Even if this is due to them being happy about everything that happens in this society? Are they really capable of true happiness when they’ve experienced no alternate emotions?

This is where the theme of choice versus happiness comes to a head, and it’s so important that we don’t get a tidy ending where free will is presented as a liberating alternative to a peaceful life of following orders. Choices allow for more meaningful happiness, but can lead to sadness as well; while this might seem obvious, I’m always down for children’s media explaining why negative emotions can be okay sometimes (see: Inside Out) and that a life free of pain isn’t necessarily good. It would be disingenuous for real choice to be presented without backlash to a society without free will, and we don’t even get to see how the situation resolves in the original series.



The amethysts march in to help, and Michaela Dietz wonderfully captures gruff warriors helping with emotional wounds. But we end the episode with the Zoomans in turmoil, abandoned by our heroes without a second thought. Based on how the system works, all it takes to reject the Little Voice is just deciding not to listen, and it hadn’t been done before because the Zoomans wanted to listen; again, it’s a tricky situation, because perhaps they do have free will and have chosen obedience. .

As in the last few episodes, we get a cliffhanger ending, but The Zoo bounces back from Gem Heist by having an actual complete story within the chapter. Steven and Greg make a meaningful impact on the Zoomans, but whether it’s for better or worse is up in the air. Our heroes gain the option to eat lotuses in peace for the rest of their days, but choose freedom instead. And they reinforce their bond by sticking together through it all. Now they just have to escape a space station crawling with Gems and find their missing friends and fly home, and that will be all!

Future Vision!

The Zoomans finally return in Steven Universe Future, where their utopia has been expanded to include the Famethyst and Holly Blue. They may be running the station, but they choose to live the way they always have. They’re also petty as hell, which is an excellent development for their passive society.

We’re the one, we’re the ONE! TWO! THREE! FOUR!



While I appreciate the moral questions prompted by The Zoo, and enjoy the episode itself, it’s not quite something that I’d say I love. There’s nothing I find wrong with it, but it lacks a certain amount of oomph that might make it worthy to stand alongside the likes of Alone at Sea or Maximum Capacity in my rankings; this is a high concept episode that has decent character work, but ratio of focus on concept to character doesn’t align with what I love about Steven Universe.

It’s weird to put it in the same category as Gem Heist, because I like The Zoo a lot more, but this is what I get for not having way too many categories. Enh, I can live with it.

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