That Thing You Do! Blu-ray Review

When you / put a film on Blu / you better use a new HD remaster / it ain't so hard to do...

Reviewed by Casey Broadwater, April 8, 2013



A slight exaggeration of what the film looks like on Blu-ray.

I watchedyesterday for the first time since, oh, the late 1990sI remember renting it from Family Video on VHSand for the past twenty-four hours, I've had the bubble-gummy title song on a loop in my brain, making me absentmindedly hum the chorus and drum the beat on my thighs and wonder,GleeWritten by Fountains of Wayne bassist Adam Schlesinger, it's a pitch-perfect imitation of an early 1960s rock song, an ode to "She Loves You"-era Beatles with an earworm of a hook and sugar-coated harmonies. It's a good thing the song is so great; not only does it have to be believable as a Billboard chart-climbing single, but we also have to hear it about a dozen times in the movie, which follows a small-town rock group from garage practice sessions to national superstardom to sudden flame-out, all within a few short months.Making his narrative feature debut, the film was written and directed by Tom Hankshe also has a substantial but non-central role as the group's managerwhose vision of the pre-psychedelic 1960s rock scene is somewhat Norman Rockwell-ized, removing sex and drugs from the picture to focus on the dreams of the four fresh-faced bandmates. When's theatrical cut came out in 1996, the critical consensus was that it was charming but dramatically thin, a charge Hanks countered a decade later by releasing his substantially longer director's cut on home video. Via seamless branching, both versions are available on 20th Century Fox's new Blu-ray release, which is unfortunately hampered by a high definition transfer that's rife with compression and other picture quality issues. But more on that down in the "Video Quality" section.The film itself holds up well after seventeen years. Tom Everett Scott stars as the jazz-obsessed Guy Patterson, who works in his overbearing father's Erie, PA appliance shop by day and hangs around the store at night to blast his favorite records and play drums in the back room. Some of his pals have formed a band, and when their drummer, Chad (a young Giovanni Ribisi), breaks his arm, they ask Tom to fill in for a single performance at a local college's talent contest. Control-freak singer- songwriter Jimmy (Johnathon Schaech) is initially irked when Tom speeds up his song, "That Thing You Do"turning it from a doo-wop-ish ballad into an up-tempo rockerbut the crowd goes nuts, the band wins first-prize, and Tom is made a permanent member, joining party-hard pretty boy guitarist Lennie (Steve Zahn) and a squeaky clean bassist (Ethan Embry) who's never actually named in the film. They call themselves The One-ders, and the running gag here is that their neophyte fans constantly mispronounce it as "The Oh-need-ers."traces the band's unexpected, rocket-like trajectory to household name recognition. They get a recurring gig at a scuzzy pizza joint down by the airport, record their hit singlelook out for Chris Isaak in a cameo as the sound engineerand attract the attention of Phil Horace (Chris Ellis), a small-time manager who lives out of his Winnebago and offers the disbelieving boys a contract. Jimmy is suspicious, but Lenniewho has all of the film's best linesresponds, "A man in a really nice camper wants to put our songs on the radio. I'm signing...you're signing...we're all signing!" It's impossible not to burst into a wide smile when they hear their tune broadcast across the airwaves for the first time, dancing and hugging and generally freaking out with all of the hi-fis in Mr. Patterson's shop turned up to 10.Never expecting to play outside of Erielet alone Pittsburg, or anywhere else beyond Pennsylvaniathe guys treat every success with a baffled and infectious "how did we get here?" joy. Naive and over-awed, they're primed for exploitation, and the savvy agent Mr. White (Tom Hanks)who signs them to Play-Tone Records and becomes their new managerremolds and refines the band, putting them in new suits, giving Tom a signature pair of sunglasses, and changing their name to The Wonders. ("As in," asks Lennie, "Iwhat happened to The Oh-need-ers?") Mr. White takes them from the state fair circuit to a nationally televised appearance on an Ed Sullivan-esque variety show, but with stardom comes compromise. While some of the guys are more than willing to sell outLennie's just in it for the chicksthe uber-serious Jimmy can't stomach indignities like guest starring as the clam shack house band in a low-budget beach movie, or being forced to record covers of Play-Tone catalog songs. Worse, his girlfriend Fay (Liv Tyler) has joined them on tour as "wardrobe mistress," and it becomes increasingly clear that he doesn't really love her. Meanwhile, Tomwhose own girlfriend (Charlize Theron) left him for her hunky dentistbegins falling for Fay almost obliviously, even as the dream of the band falls apart.The film's theatrical cut does feel short and drama-less and underdevelopedit's more of a wispy evocation of an era than a groundedbut Hanks' extended cut helps rectify some of those wrongs, expanding on the characters' histories, giving us a better sense of the intra-band relations, and filling out the on-tour experience. The most interesting revelation here is that Mr. White is gaywhich isn't even hinted at in the original versionbut the biggest boon to the additional 39 minutes of material is simply the pleasure of enjoying this world a little longer. More than anything,is afilm, alive with period details and full of good humor and heart. It's unavoidable noting that the actors who play The Wonders have subsequently been one-hit wonders themselvesonly Steve Zahn remains a "name," and barelybut they're perfectly cast. Zahn is as hilarious as he's ever been, Johnathon Schaech broods with the best of 'em, Ethan Embry is all boyish glee, and Tom Everett Scott is warm and relatable, ideal as the eyes through which we watch the narrative unfold. We buy these guys as a band. Better yet, they make us want toin a band; you can't make it throughwithout feeling a pang of desire to be up on stage, wowing the crowd.