Among the things you’ll soon be able to find on every street corner in Manhattan: a Chase bank; a fresh fruit stand; a Duane Reade; and a theater presenting a musical based on Spider-Man. To an embarrassment of riches that already includes “Spider-Man: Turn Off the Dark” (which opens – maybe – at Broadway’s Foxwoods Theater on March 15) and “The Spidey Project: With Great Power Comes Great Responsibility” (which comes to the Peoples Improv Theater on March 14), you can now add “Spidermann,” which will arrive at the Tank on W. 45th Street in Manhattan for three performances beginning March 13, possibly in an attempt to capitalize on the outsize publicity generated by one of the two aforementioned projects.

“Spidermann,” which was presented earlier this year in Seattle, is the handiwork of Jose Bold, the stage name of the artist John Osebold, and is described in a press release as “a hastily-constructed abstract musical” that “threads together elements of the original comic book story, references to the buzz-heavy Broadway debacle, songs stripped down to their essential core, and dreamlike video sequences to create a new mythology in an art-house style.” The cast includes Mr. Osebold as the title character; Kirk Anderson as his alter ego, Peter Parkre; Erin Jorgensen and Sara Edwards, who both play the character Mary Jane Taymor; Mark Siano as Radioactive Steve Winwood; and Evan Mosher as Everyone Else.

Reviewing the musical’s Seattle run, The Stranger wrote: “As much as ‘Spidermann’ pierced the heart of Spider-Man’s self-importance, it relished the dumb bombast in its own way, too.”