I’ve made no secret of the fact that I hated RWBY’s fifth volume. I felt it was a slog that started on the right foot but as time went on more and more cracks started to appear until the Battle of Haven episodes which were… unpleasant. I made my thoughts on them very clear over the summer. I will also note that I was very cynical regarding Volume 6 during the period between the V5 finale launching and RTX Austin, where we got Adam’s character short. Even with the short being good I remained only tentatively interested in Volume 6, since Volume 5 had good shorts too and look where that got the season proper. Volume 5 was a failure on many levels for RWBY, and while I’ve found things to enjoy about it, it’s ultimately my least favorite volume in the show. Coming off Volume 5, I felt concern that RWBY had peaked in Volume 3, and everything from there on in would just be a painful slide downwards in quality.

Thankfully, I’ve never been happier to be wrong.

ALL HAIL THE BRINGER OF END TIMES AS SHE BESTOWS THE FLAMING MERCY OF DEATH WITH A SMILE ON HER FACE

RWBY Volume 6 Chapter 7 is now out for First members, and as such, we’re now at the halfway mark of the volume. I have to say, going in with lowered expectations even in light of the Adam short, I have utterly adored this entire volume thus far, in fact it’s probably my favorite set of episodes in the entire show to date, and I’ve had very little to criticize in each episode beyond just “Give me more Mercury and Emerald.”

As such, this week at the perfect halfway mark of the volume, and to celebrate my third hundred post, I’m doing a retrospective of each episode of Volume 6 and see how the chapters do their best to avoid the slights that dragged down Volume 5. As well, I’ll be consulting comments made by Miles and Kerry pre-release of Volume 6, specifically concerning what they wanted to focus on this year. In particular, I’ll be cross-referencing Miles’ three points that the crew wanted to improve on for Volume 6. I’ll also look at most of the episodes and see how they handle elements that were previously condemned in Volume 5 (which also means some potshots at Volume 5 if that’s a thing you need to know). This gets long, forward warning, hope you enjoy.

0.5) Adam’s short

Adam’s short might have been thinly veiled damage control made with the intent of re-building Adam’s fear factor after the disaster that was his outing at Haven, but the short proved to be good damage control nonetheless. From an acting perspective, Garrett continues to grow his vocal talents and for fans of the gone-too-soon Sienna Khan, the short gave her some posthumous feats and showed her in the field. Really, none of my criticisms about the short were significant enough to lower my enjoyment- barring CRWBY’s continued love of the weapon spinning circle, both Adam’s solo fight and the fight that makes up the back half of the short were both enjoyable bouts. Adam’s short was the only short we got this year, but it proved to be an entertaining short that provided some fun battles and a killer song by Jeff- Lionized is already one of my favorite vocal songs in the show, I must have watched the first battle in the short like fifty times now just so I can hear the first verse.

You’ll see, I’m their hero, I’ll be Lionized!

All in all, a very solid short and a great way to win back some fans after Haven before the season started off.

1) Argus Limited, the beginning of the redemption arc.

Despite Adam’s short, my expectations were low for Volume 6, almost deliberately so. Volume 5 had burned me hard, and I wanted to avoid getting burned by my own hype. But you know what? Argus Limited might be the best premiere in the entire show. It’s damn near flawless in everything it sets out to do.

In the AMA, Miles set out three things that the CRWBY needed to improve on for Volume 6- more fights that better utilize abilities and weapons, giving Ruby more agency in the plot, and fixing the “tell don’t show” problem that plagued Volumes 4 and 5, especially whenever RNJR were stuck listening to exposition monologues. And for the most part, Argus Limited does take steps towards all three of these problems. RWBY get a great fight which sees Ruby and Weiss especially using a lot of their skill-set that had been left to the curb in Volume 5, which is my nice way of pointing out that Ruby never used her Semblance in Volume 5 and Weiss over-relied on her Summons, which was a huge point of contention among Weiss’s fans in the now-infamous “Weiss vs Vernal” debacle. Ruby’s also given a stronger sense of being a leader than she’s conveyed for much of the past few years, being quick to take command of the situation when Qrow and Dudley start getting into an argument and forcing the team to focus on the Grimm instead of Oz’s newest round of omitting the truth. While there is a fair bit of exposition in regards to the timeskip, we do get a lot of information shown to us- particularly the sendoffs of Sun and Ilia.

While I’m still bummed that Ilia didn’t join the team going to to Atlas since I feel her character would have greatly benefited that arc, alongside her interactions with Weiss, she still gets a touching sendoff. And my Sunny boi shines as he usually does when in the spotlight. Absence makes the heart go fonder and Christ I miss Sun already.

Argus Limited is unique in that barring Adam’s short scene at the beginning, it’s the only premiere entirely focused on the heroes. The even numbered volumes beforehand had started with Emerald and Mercury, with Volume 4 also formally introducing the rest of Team WTCH. Argus Limited focusing only on RWBY and JNR allows for each member of the team to contribute during the episode, and also allows for more time to be spent on JNR’s departure for the rest of the first half. Jaune and Ruby’s quick scene near the middle has a great dynamic to it.

And of course it goes without saying that the music is to die for. Be it the soft acoustic of Like Morning Follows Night as Sun bids Blake farewell, or the two new songs in Miracle and Rising, Jeff, Alex and Casey came out of the gate running musically. Argus Limited to conclude was a fantastic opening episode, so good that even notorious RWBY critic FatManFalling was impressed. And if that’s not a sign that even the most diehard of RWBY critics was impressed… I dunno what is.

2) Uncovered- the truth comes out

Uncovered is a setup episode for a lot of the remaining first half, but one that executes its set up well. We immediately open with confirmation that Cinder survived the Battle of Haven, which is as much the crew going “Look you know we didn’t kill her, she’s on the damn poster,” as it is an acceptance that everyone capable of narrative comprehension understood that she wasn’t dead. Cinder gets a new outfit, meets a board game villain, and displays shreds of character development that I hope are carried up on. Meanwhile with RWBY we get one last scene in the Dreaded House where Ozpin flat out lies and Nora undoes the bad will of “They really ARE magic!” with some fantastically funny lines.

“Can we ask for more wishes? CAN WE ASK FOR MORE WISHES?!” I also love the camera shot of Ruby promising they’ll protect the Relic before cutting to her digging it out of the snow. I’m easily impressed with camera trickery like that.

Uncovered addresses a significant criticism of V5, specifically how RNJR’s plot devolved into them just sitting around and receiving exposition from Ozcar and Qrow. While we get another such scene in the House where Ozcar explains the Relic and its powers, it’s much more lively- the kids weigh in more and are much more dynamic, particularly Nora. They’re not just sitting in chairs in a circle, they actively move around or are on the floor packing. It’s the same vector of information delivery, but it’s much less passively received.

Ozpin’s debate with RWBY is also similarly well-executed. The kids were soundly mocked last year for just blindly accepting Ozpin at face value barring the one instance of Yang bringing up the birds. Here, Yang and Weiss are openly confrontational of Ozpin, and while his argument of not telling the team about the Relic attracting Grimm has a logical reason behind it, the girls are tired of being spoon-fed information, especially after Oz bluntly promised no more lies or half-truths (Yang really should have included “omissions” in that list too in hindsight). It’s an argument where both sides have their reasons and both have good points that are presented, with everyone getting to weigh in (barring Maria, who is super chill during all these shenanigans).

What’s that again? Oh. Good writing. Sorry, wasn’t used to it being there after “OZPIIIIIIIIIIIIIIIIIN,” “Because you’re afraid of Salem!” and “This is bad.”



Regardless, Uncovered is a stellar setup episode that flows smoothly into…

3) The Lost Fable- OZPIN FUCKED

The longest episode barring the Volume 3 and 4 finales, Lost Fable is an episode I was cold on when I first watched it- after Volume 5, numerous times, spelled out that Ozpin was shady and not to be trusted, I was expected some deep skeletons in his closet- that he created the Grimm, that he caused Salem to become evil, something so horrifying that the Gods saw fit to curse him with eternal life.

I didn’t expect the secrets to be “Ozpin’s first life looked like an isekai protagonist, he died of herpes, got Thanos’d like six times, fucked Salem at least four times and fathered the spiritual predecessors to the Maidens, had a life where he looked like my Starbucks server and… isn’t actually the bad guy.”

That Ozpin wasn’t too evil- more his secrets are because of lifetimes of dying over and over, he just has severe trust issues to work through- was something that caught me off guard. That everything is the Gods of Light and Darkness’s fault rubbed me the wrong way at first, since it felt like revisionism, the show going “We can’t have Oz be too evil so let’s just put most of the blame on the Gods and Salem.” That said I do like how the God of Darkness is actually surprised and pleased when Salem came to him for help. It was a nice bit of character to the God that no one ever came to him for help, just punishment, so he basically gave Salem what she wanted on the spot just because of that. As he says to Light, “you may bask in the powers of creation but you do not own them.”

Granted, there is still one massive story flaw in the episode- the handling of the Faunus just showing up during Ozma’s vacation in purgatory and slavery having already been implemented. It just feels like an awkward last-minute addition and one I do not very much like. It’s pretty much the one thing I outright hate about the episode, the rest execution wise is spot on. Hats off to CRWBY for the technical side of this tale, and to Salem, Ozma and Jinn’s actors for carrying this as well as they did.

I’m still not sure where I sit exactly on Lost Fable- it’s no doubt a well executed episode and answers/raises a lot of questions about Remnant and its mythologies (like how the moon is shattered because Satan yeeted out too hard), and the animation is some of the best in the show, barring some slight irritation at the understandable reasons for not seeing Ozma vs Salem onscreen. It’s technically very proficient, my problems are just a few small preconceptions of my own holding me back.

This planet empty. YEEEET.

… also that plushy dog was the cutest fucking thing and if we learn Salem kept that toy after digging it out of the rubble I may actually cry.

I will buy this dog plush if you just make it RT, you are passing up my money for God’s sake!

Also just so we’re all clear, that holy war Ozma accidentally helped start was totally Remnant’s version of the Crusades, right?

Also also, no, the kids weren’t the first Maidens, they’re the spiritual successors. Let’s just get that clear while I’m on a soapbox.

4) So That’s How It Is- Best Kids Finally Show Up

Merc and Em were in this episode so I’m contractually obliged to love it. Good thing I really do love their scene. It was good to finally see what the villains at large were up to while RWBY processed the knowledge Jinn had bestowed… while Qrow bestowed his fist unto Oscar’s jaw. In all seriousness, it’s good to see that RWBY retain the dynamic nature in the short final argument with Ozcar. Volume 5′s nightmarish scenes of just sitting around and passively listening are a thing of the past.

Mercury as usual is relegated to short but sweet moments, namely “Back off, freak!” and his being the first to realize that Salem’s about to snap. Please RT, give him things to do, don’t waste Spider Man while you have him in the booth. Pacing wise I suppose this was really the earliest we could have gotten Em, Merc and WTH unless the first episode got a lot of additional padding, but it still hurts to see my favorite characters all of once in the entire first half of the season. Like I said, absence makes the heart go fonder, and I miss the kids.

Also props for making me give a shit about Hazel again. Turns out he’s not a bad dad when you ignore the whole… “OZPIIIIIIIIIIIIIIIIIIIIN” thing.

Ruby also gets a few short but sweet moments- she’s initially calm at the beginning, allowing Ozpin to explain his plan. She only gets more visibly angry after Ozpin admits that he has no plan, but doesn’t lose her cool like Yang does. She’s also the only member of the team to separate Ozpin from Oscar at this stage, taking the time to reassure him before they leave the train wreckage. It shows again that the crew are striving to make Ruby feel like a leader, by having her take charge and be there for everyone under her wing.

Meanwhile Yang’s only interaction with Oscar is to demand he bring Ozpin back. … When you think about it Oscar must have so many issues that he refuses to talk about Jesus Christ someone give this kid a therapist.

I wrote about how much I loved how Salem conducted herself in the short clip released for RWBY Rewind, and while ultimately her temper did snap rather explosively, I love that she visibly tries to contain her rage, something the animators put a lot of painstaking work into.

On the hero’s side, this is largely a cooldown episode and a conclusion to the “arc” surrounding Jinn in the first half while getting the team in place for the Brunswick episodes. For the villains it’s a chance to check in, and also see what they’ll be up for the year. The villain scene alone makes this a delight, with Watts being snarky and Tyrian continuing to be a walking :D in every scene he’s in.

… also who flew the airship that MEH took to Evernight? We never see the pilot.

5) The Coming Storm-

Let’s get the obvious praise out of the way, Neo vs Cinder? One of the best fights in the entire damn show, like damn they knocked it out of the park!

Fun fact, I got an ask the day before this dropped asking if I thought Neo would be in this episode and I said no. This is where you all laugh at me.

Neo vs Cinder is a sterling example of the fights becoming more creative and better utilizing abilities. Neo’s Semblance shattering looks great in Maya (shame it came at the cost of her hair) and the fight flows smoothly. I was worried that if Neo came back, her fighting style wouldn’t be well-represented without Monty able to bring his magic, but the crew have managed to create a fight on par with Neo vs Yang in sheer spectacle. I especially loved the segment on the bar top where Neo used bowls as weapons. And if it wasn’t great enough, One Thing grants an additional look under the mirrors into Neo’s inner turmoil over Roman’s death- Casey finally got her wish of voicing Neo, at least.

Also between this and Lionized, why do the villains get the best songs?

The Brunswick segment may not be as dynamic, and I’m sure some people groaned when they saw RWBY would be in another house, but at least this time they use more than one room. Weiss and Ruby get a nice scene near the end and there’s a great unspoken moment of Weiss getting why Ruby doesn’t want Qrow to find the beer stash- since remember, her mother’s been a drunk for at least seven years.

I appreciate the continuity touch in the garage scene that Yang saw Adam in his Beacon outfit when she hallucinated him, as she hasn’t seen his newer outfit. Regarding the garage scene, I can’t help but feel like it was misread by… a lot of people who were looking more for romantic validation than they were actual character reasoning. I’m not a fan of how Blake has acted around Yang this year, she’s been almost… condescending to her. Rushing for her bag in chapter 1 when Yang already had, the whole “I’ll protect you” line. Blake doesn’t see Yang as the strong person who stared a Maiden down and won, she sees… damaged goods. And that’s the last thing Yang wants or needs to hear. Yang didn’t crawl her way into recovery and ride off to another continent just so the girl who ditched her the first time without even waiting for Yang to regain consciousness could provide empty platitudes about not leaving and then assume that Yang needs protection in a manner that felt very patronizing to me. I particularly disliked how Blake reached over Yang’s real hand to grasp the cybernetic one, and how that got spun hard. Yes, the gesture was well meaning from Blake but all it takes is one look at Yang’s reaction and that moment is just… not great at all for them. Yang is still hurting and shut off when she made that good intentioned but horribly misunderstanding gesture. Blake is trying to be there for Yang like Sun had been for her, but she can’t help her because Yang isn’t communicating what’s wrong. That’s not romantic. It’s so awfully, bitterly sad. Yang is hurting and Blake can’t undo the damage that she did when she left during the Fall of Beacon. It’s not development, it’s insight into the poor state of their relationship (regardless of how you view it, I just mean friendship here myself) after the events and the distance they suffered. Barbara herself has said that Volume 6 would see Blake and Yang’s relationship would never return to the way it was pre-Beacon after Volume 6, and this may have been what she was referring to.

The Coming Storm has a great fight, so it’s already a great episode in my book, but it adds a cherry on top in some quietly good character moments as well.

And of course, Burrito Weiss is Best Girl.

6) Alone In The Woods- Ruby’s Redemption Arc

Right before Volume 6 started, I wrote a whole post about why the fandom had grown cold on Ruby in Volume 5. At the time I noted that part of me wanted to wait until Volume 6 just in case things either improved or Ruby’s character failed to develop for another season, giving me more citations regarding her developmental stump since Volume 3.

But thankfully, Volume 6 has been very good for Ruby so far, and this episode is the peak of that. Ruby takes initiative, drives the team forward, and actually gets angry at a few points. Lindsay sells this so well and I’m so glad she finally toned down Ruby’s squeak in the more serious moments, because this episode would have otherwise died on its feet if Ruby still had the Squeak. In fact, if this positive trend of Ruby development continues into the back half of Volume 6, I’m planning on a post talking in more detail about Ruby and her development.

The Apathy were terrifying, and are easily my new favorite Grimm. Funnily enough, in another case of me writing a post before Volume 6 that was partly addressed, I asked why the Grimm failed to scare the audience, and one of my ideas was just that with the protagonists being so strong, no Grimm can really pose a threat. Well the Apathy prove that such a thing is possible. Fans have been suggesting that the Grimm employ more psychological or emotional based attacks over sheer physicality for some time now, and it seems that all this time, the answer has just been waiting for the right moment. Miles revealed on Reddit that the Apathy was his “favorite Grimm” that he’s been working on getting into the show for a few years, and later added on Twitter that he’s been sitting on the idea of the Apathy since the start of the show’s creation, well over six years ago. It’s proof to me that Miles can have some stunning ideas when his heart and soul is dedicated into a project, and regardless of what some people on Tumblr, Twitter and/or Youtube may think, Miles cares about this. Add in the unsettling atmosphere and the amazing work that went into everyone’s eyes and making them dull and disturbing, and you have a stellar attempt at horror by relative newcomers to the genre. The Apathy worked at being terrifying for a large portion of the vocal audience, creating a villain that solved a problem that the Grimm have had since Volume 2, while also letting Ruby finally step up and gain the agency she’s needed for several years.

While Maria being a SEW was something most everyone guessed, it was good to finally see Maria gain plot prominence, since some people had been complaining about Maria joining RWBY feeling somewhat arbitrary. Regardless, she’ll serve as an important vector into getting SEW lore, which is one of the only major significant mysteries left now that we know about Salem, the Gods and the Moon.

I haven’t mentioned it in the prior segments, but I’ll stop here to give the writers praise for finally giving Qrow an arc. While it is a bit odd to go from Volumes 3 through 5, where Qrow’s alcoholism is played for comedy (in fact it’s the punchline of the first episode) to Volume 6 playing it very seriously, I will still take any development for Qrow. He was the hardest hit by Ozpin’s secrecy, learning Raven was at least partly right in leaving Ozpin and as a consequence, learning that Summer likely died for nothing. He fell into depression, becoming an invalid wreck of a man. The Apathy had little to do to make Qrow a desolate waste, had he been left in that bar he’d probably have drunk himself to death while his nieces died just feet away from him. It takes seeing the Apathy to finally break him out of the stupor that hung around his neck like a noose, and I wouldn’t be shocked if we see Qrow hanging up the flask for good by the end of the volume.

Alone In The Woods is probably the best episode of the season so far. Somewhat sloppy running animations aside it’s a stupendous attempt at horror in an action show, and signals our protagonist finally becoming our lead.

7) The Grimm Reaper- Tick tock, tick tock

I’ll be honest, when I saw the Haven vault in the Rewind for this episode, I expected Cinder to open the episode by kicking Vernal’s corpse into the water out of jealousy. I’m not sure if I’m impressed or not at how brazen Cinder’s loophole abuse is, but I am impressed at how both Cinder and Neo are visibly hesitant at different points in the scene to trust the other- the show is clearly setting up Neo backstabbing Cinder.

Maria’s flashback was amazing. I didn’t expect a new fight scene so soon after Neo vs Cinder but Maria hasn’t got time to waste on my opinions. She was such a badass in her youth. I loved her weapons (I still think they’re a reference to Darksiders 2, fight me) and as someone who’s wanted to see Gravity Dust in action for years, my expectations were more than met. Continuing the promise in the AMA of unique fights, we get Maria using Gravity Dust to whirl around the battlefield like a hurricane of sharp death, her weapons combining into a scythe was a cool moment. I loved how ferocious the fight felt, like there was barely any stopping for posing and everyone was moving. They even avoided using the Weapon Spinning Circles for much of the fight, which is always a nice touch. The ending was viscerally brutal too. I think it’s safe to say Maria vs Tock might break my top 10 favorite fights of the entire show, easily top 5 Maya era fights at least.

Tock continues the show’s trend of one-off villains having really cool first outings and making me wish they’d stop dying so quickly. Regardless, Tock was a great one-off villain. She got a fantastic fight, had cool weapons, a unique design, and she wasn’t a reference to Tracer you idiots go read Peter Pan. Anyway, Maria’s flashback was really cool and I loved every second of it.

Ruby got another great moment when after Maria destroyed herself and Qrow in the most vicious self-burn in recorded history, she tried to lift Maria’s spirits by asking her to teach Ruby to use the eyes. Ruby was said in 4 and 5 to be inspiring without much to back it up, and we see that now. Her bonds have grown closer with everyone on the team over the first half- even with Blake. Let me repeat, Ruby and Blake have interacted onscreen. I never thought this day would come.

I didn’t expect the show to reach Argus by the halfway mark, in all honesty. The city looks breathtaking, I love the San Francisco vibe to it and how the entire trip to Saphron’s house is in 3D environments, unlike the Mistral scenes in V5E1. I have to admit, I did miss JNR a little. Nora was in peak comedy this episode, Ren was… back to being the exposition guy, nothing much changed there but Jaune was pretty decent. Miles remains a criminally underrated voice actor, if he doesn’t go pro in the event he leaves RT, the VA community is worse off.

The handling of Saphron and Terra’s marriage was masterful, and I love the two of them already. V6′s new characters have been very consistently good I must say. I love how despite the first half of the episode being very dark and having someone lose their eyes onscreen, the back half is very cutesy. This time last volume we had the dinner scene, and the sandwich scene blows it out of the water. I love how everyone who talks to Oscar is far softer than they were to Ozpin, it’s good to see that the gang know the difference, and it’s good for the team to unwind before the next few storms hit their shores. Ruby and Qrow in particular were peak adorable.

I guess the baby was cute too but… look at them wiggling! :D :D

The Grimm Reaper was a great mid-season checkpoint. Getting another new fight was a surprise to be sure, but it being easy “standout fight of the year” material made it a welcome one. Argus looks like a fantastic location and I would kill for a spinoff here, it seems like such an interesting city.

8) Conclusion

Volume 6 had a lot of problems facing it on the onset- Volumes 4 and 5, 5 especially, had received lukewarm to poor reviews from the fans, and the pressure was on to prove that RWBY was a show worth watching. And judging by the first half of the Volume, Volume 6 is on its way to becoming the best volume in the entire damn show. We haven’t had a string of episodes this consistently good since Volume 3′s back half, and if Chapter 8 retains the quality, it’ll have exceeded that half numerically. Almost every major grievance I had with Volume 5- the protagonists being too passive, the excessive exposition, weak fights, the lackluster threat of the Grimm and Ruby’s placid lack of solid character growth- have all been addressed with gusto, as I hope I’ve explained above. At the very least, it does seem that the crew are meeting the three goals posted in the AMA with gusto. Add in some genuinely hilarious lines, spine-tingling horror and suspenseful action that rivals and at times exceeds what Monty was doing, and Volume 6 part 1 is this show’s redemption arc. While the second half could and likely will take a dip in quality, nothing short of a Battle of Haven level disaster can taint this volume, and I feel comfortable at this halfway mark saying we may be witnessing the new best volume of RWBY… if they gave Emerald and Mercury more screentime. But otherwise! New best volume.

I think it’s telling that while I roughly knew what to expect around this time last year for Volume 5, I have no idea where Volume 6′s back half could take us and that excites me. I’m being led along for the ride and loving every damn minute of it. Keep it up CRWBY, let’s make Volume 5 a distant memory in the rear-view mirror as the show and fans go onwards to greener pastures.

Or to put it in a more comedic way:

Thank you for reading. If you enjoyed the piece, please share it around, Tumblr’s current state means that I can never be sure what works and what doesn’t so outside sharing goes miles.