Sam Elliott has responded to being nominated for his first ever Oscar.

The acclaimed actor, nominated in the Best Supporting Actor category for his role in Bradley Cooper's A Star is Born, gave a wry reply when asked about the prestigious honour.

“I think the thing off the top of my head might be, ‘It’s about f***ing time,'” Elliott told Deadline.

“Beyond that, it’s really about the work; it’s just about the creative process. It’s great to be recognised for that, that’s really all it’s about.”

The 74-year-old is nominated in the category alongside Sam Rockwell for Vice, Adam Driver for BlacKkKlansman, Mahershala Ali for Green Book, and Richard E Grant for Can You Ever Forgive Me? (Grant's response to being nominated was a little different to Elliott's).

The 10 worst Oscar Best Picture winners Show all 10 1 /10 The 10 worst Oscar Best Picture winners The 10 worst Oscar Best Picture winners 10. The Life of Emile Zola Prestige counts at the Oscars. That is why a stodgy literary biopic like The Life of Emile Zola somehow won the main award at the 1937 Oscars. It’s a solid and worthy piece of work, with a grandstanding performance from Paul Muni (under a lot of whiskers) as the campaigning French novelist. The idea, though, that it is one of the “few truly great pictures of all time”, as its own publicity suggested, is clearly idiotic. Rex Features The 10 worst Oscar Best Picture winners 9. Rocky It may seem churlish to go after an underdog like Rocky but this was an undeserving Best Picture winner. The Academy voters in 1976 acted as if they were punch drunk and had spent too long in the ring with Apollo Creed. The problem with its victory wasn’t so much the film itself but with the other nominees that were spurned in its favour. Taxi Driver, All the President’s Men and Network all surely had a better claim to that year’s statuette. Rex Features The 10 worst Oscar Best Picture winners 8. Around the World in 80 Days This was a perfectly amiable big-budget travelogue but you can’t help but suspect its Best Picture Oscar was more to do with the marketing and hustling skills of its producer, Mike Todd, than with any brilliance in the filmmaking. It was directed by the Englishman Michael Anderson, previously best known for The Dam Busters, and featured David Niven as the intrepid traveller, Phileas Fogg, who bets he can travel all the way round the world in a little over two months. Rex Features The 10 worst Oscar Best Picture winners 7. Crash Paul Haggis’s Crash is a decent and well-meaning study of the consequences of racism and violence in contemporary LA. It was independently made and had a large ensemble cast, all giving heartfelt performances. However, Robert Altman had covered similar territory better in Short Cuts and the feeling persisted that it had won the Best Picture award because some Academy voters were determined not to give the Oscar to the gay-themed contemporary western Brokeback Mountain. Rex Features The 10 worst Oscar Best Picture winners 6. Chicago You rarely win an Oscar without a strong marketing campaign. The now disgraced distributor/producer Harvey Weinstein knew the secrets of getting Academy voters on his side better than anyone else in the business. Whether it was the Blitz-like approach to advertising in the trade press, or the timing of the awards screenings, or the way he kept the film’s stars in front of the media or his relentless courtship of the Academy members, he was arguably as important to the Oscar success of the so-so musical Chicago as any of the creative talent behind it. Rex Features The 10 worst Oscar Best Picture winners 5. A Beautiful Mind It’s not bad. It’s a love story that touches on mental illness and mathematics (neither usually subjects that Hollywood embraces). Russell Crowe gives a fine performance as John Nash, the Nobel prize-winning boffin with the beautiful but unstable mind. Nonetheless, Ron Howard’s biopic isn’t any kind of classic. It won its Best Picture Oscar in an unusually thin year. Rex Features The 10 worst Oscar Best Picture winners 4. Marty Marty, the 1955 winner, isn’t even the best version of its own subject matter. This story, scripted by the great Paddy Chayevsky, about an emotionally repressed Italian American butcher from the Bronx looking for love, had already been made as a live TV drama the year before. In the small-screen version, Rod Steiger gave a superlative performance in the lead role. Ernest Borgnine in the film version can’t help but seem like second best to anyone who saw Steiger in the same part. Whereas the puggish Borgnine makes Marty a figure of pity, Steiger turned him into a full blown tragic hero. Rex Features The 10 worst Oscar Best Picture winners 3. Out of Africa You’ll remember the pink flamingos and all those scenes of beautiful Kenyan landscapes that looked as if they were cribbed from a David Attenborough natural history documentary. You won’t ever forget Meryl Streep’s eccentric accent as the Danish baroness and author, Karen Blixen (“I had a farm in Africa at the foot of the Ngong hills”). This is mushy stuff, though, and hardly deserving of its Oscar. Rex Features The 10 worst Oscar Best Picture winners 2. Braveheart This rousing, Scottish-set (but partly Irish-filmed) medieval epic is famous for its scenes of William Wallace’s army in blue faces lifting their kilts and baring their bums. Regardless of how accurate this was as history, it played into ongoing debates about devolution and Scottish independence. The film also did its bit for the Scottish tourism business. Mel Gibson knows how to stage a battle scene. Whether that qualifies his film for a Best Picture Oscar is another matter. Rex Features The 10 worst Oscar Best Picture winners 1. The Greatest Show on Earth From a vantage point 67 years on, the decision to give the Best Picture Oscar to Cecil B DeMille’s circus epic in 1952 is truly baffling. British viewers who have seen it will almost certainly have done so on TV (where its 152-minute running time made it useful for filling in gaps in the schedule). It has a decent cast and some reasonable stunts but Academy voters were surely clowning around when they chose it over other nominees in the same year which have aged far, far better like High Noon and The Quiet Man. Rex Features

Elliott has starred in Hollywood movies for 50 years, starting with a brief appearance in Butch Cassidy and the Sundance Kid. The actor later appeared in classic films such as The Big Lebowski and Road House.

Questioned further about the Oscar nomination, he continued: “I think my biggest takeaway is just how fortunate I am.

"Number one, to still be in the game, but to have an opportunity to work with two people like Bradley and Stefani (Lady Gaga), it’s just extraordinary.

"Fifty years into the game and all of a sudden to have anything to do with this, to be connected with a film like this, it’s just a wonderful gift.”