Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967). More than anything else, Hopper's drawings reveal the continually evolving relationship between observation and invention in the artist's work, and his abiding interest in the spaces and motifs--the street, the movie theatre, the office, the bedroom, the road—that he would return to throughout his career as an artist. This exhibition showcases the Whitney's unparalleled collection of Hopper's work, which includes over 2,500 drawings bequeathed to the museum by his widow Josephine Hopper, many of which have never before been exhibited or researched. The exhibition surveys Hopper's significant and underappreciated achievements as a draftsman, and pairs many of his greatest oil paintings, including Early Sunday Morning (1930), New York Movie (1939), Office at Night (1940), and Nighthawks (1942), with their preparatory drawings and related works. This exhibition also features groundbreaking archival research into the buildings, spaces and urban environments that inspired his work.

Hopper Drawing is organized by Carter E. Foster, Steven and Ann Ames Curator of Drawing.

Significant support for this exhibition is provided by The Horace W. Goldsmith Foundation, the National Endowment for the Arts, The Dietrich Foundation, The Selz Foundation, Barney A. Ebsworth, Steve Martin and Anne Stringfield, The Robert Lehman Foundation, Jane Carroll, Aaron I. Fleischman and Lin Lougheed, Arlene and Robert Kogod, and an anonymous donor.

This exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities.