Working for Green Day is truly a turning point in my career. They were one of the core bands in my teens, so I had a lot in my memories and experiences to search for inspiration... Despite the deadline was something crazy (It was done in 9 days!), I knew instantly that I must do it.It was clear that this was going to be a type driven project, so I decided to ask my friend Pablo Bosch for help with typography and lettering.Inspired by the DIY philosophy, I wanted to do an homage to the hardcore/punk fanzine aesthetic. I used multiple assets of various sources and merged them with a cut and paste collage technique. Photocopied textures and halftones patterns were the key thing to unify the result.I decided to add a little depth to the project by building a really tiny story. That's how I came up with the idea of a couple of punk lovers acting like two super heroes of the disaster. I shot them in front a a green screen intending to compose their actings with old and strange vintage machine images I came across.Finally it was time for animation and compositing, so I asked my good friend Holke79 for help. He did an awesome job with the animation, making some killer transitions and working with the posterize technique to enhance the DIY look and feel.- - - - - - - - - - - - - - - - - - - - - - - - - - - -// Warner Music// Antoni Sendra// Devin Sarno// Holke 79// Pablo Bosch// Edu Seligra// Jara Barrachina//Pepe Ábalos, Vicent Todolí, Marc Guardiola, Deih, Xavi Robles, Jónathan Cremades, Raquel Sánchez- - - - - - - - - - - - - - - - - - - - - - - - - - - -