The Film Society of Lincoln Center (FSLC) and African Film Festival, Inc. (AFF) celebrate the silver anniversary of the New York African Film Festival at FSLC from May 16 to 22. Under the theme “25 Years of the New York African Film Festival,” the international film organizations will pay homage to the pioneers of African cinema while marking the passing of the baton to a new generation of African visual storytellers who continue to transform and expand our understanding of the continent and its diaspora. The event also commemorates the 100th birthday of the venerated South African freedom fighter and national leader Nelson Mandela, with a crop of films from his native land. The month-long festival brings 66 films from 25 countries to FSLC, the Brooklyn Academy of Music’s BAMcinématek, and Maysles Cinema in Harlem.

“Since the founding of the New York African Film Festival, African cinema has moved beyond the art house and become the lingua franca of Africa and its diaspora,” said AFF Executive Director and NYAFF Founder Mahen Bonetti. “From Nigeria to South Africa and Brazil, regional film industries are breaking down the artificial demarcations of the colonial era. For this 25th milestone, the festival is proud to showcase this new wave of a borderless cinema, which uses the tactility and immediacy of storytelling to offer audiences opportunities to imagine other futures for Africa and its diaspora.”.

Opening Night will spotlight Apolline Traoré’s award-winning film, Borders, which speaks to migration as well as to African women’s struggles, in a timely echo of the #MeToo movement. The film follows four women as they travel from Mali to Nigeria, supporting each other while battling sexism and corruption. The film won three prizes at FESPACO, including the Paul Robeson Prize for the best film by a director from the African diaspora. Borders will screen with a short film dedicated to the memory of Burkinabé director Idrissa Ouedraogo, who passed away in February and was a mentor to Traoré. A fundraising gala will follow the screening. Tickets for the film and Opening Night Gala are $200 and are available online at africanfilmny.org. Regular festival prices apply to tickets for the screening only, and they can be purchased at filmlinc.org.

French director Berni Goldblat’s Wallay will have its New York premiere as the festival’s Centerpiece film on Friday, May 18. The coming-of-age tale follows Ady, a young troublemaker sent from France to his single father’s homeland of Burkina Faso for the summer. There, the teen finds new challenges as he navigates a different world.

The festival tips a hat to key figures in the history of African film with the U.S. premieres of Abderrahmane Sissako: Beyond Territories, Valérie Osouf’s intimate portrait of the acclaimed director of Bamako and the Oscar-nominated Timbuktu; a 2017 version of the 1983 classic Selbe: One Among Many, by Safi Faye, the first sub-Saharan woman to direct a theatrically released film, now restored to its original Wolof language; and Mohamed Challouf’s Tahar Cheriaa:Under the Shadow of the Baobab, which documents the career of the founder of the Carthage Film Festival, Africa’s first film festival. The festival will include the 1989 documentary short Parlons Grand-mère by the late Senegalese director Djibril Diop Mambéty.

Other highlights include films from a new wave of African directors, including Machérie Ekwa Bahango of the Democratic Republic of the Congo and Jeferson De of Brazil. The festival kicks off with a town hall meeting on Sunday, May 13, at the Film Society of Lincoln Center’s Amphitheater. Titled “Activism & Art: Personal Journeys,” it will bring together storytellers of various mediums to discuss how their art informs their activism.

“Falling,” a free digital and interactive art exhibition exploring youth activism in Southern Africa, will run during the FSLC segment at the Elinor Bunin Munroe Film Center Amphitheater.

Tickets go on sale May 4 and are $15; $12 for students, seniors (62+), and persons with disabilities; and $10 for Film Society members. See more and save with a 3+ film discount package.

The NYAFF heads to the Brooklyn Academy of Music (BAMcinématek) Thursday, May 24, through Monday, May 28, as a part of BAM’s popular dance and music festival DanceAfrica. It closes with a series of classic and contemporary narratives and documentaries at Maysles Cinema in Harlem running Thursday, June 7, through Sunday, June 10.

The programs of AFF are made possible by the generous support of the National Endowment for the Arts, New York State Council on the Arts, NYC Department of Cultural Affairs, Bradley Family Foundation, The Shelley & Donald Rubin Foundation, Domenico Paulon Foundation, NYC & Company, French Cultural Services, Manhattan Portage, City Bakery, Black Hawk Imports, Essentia Water, South African Consulate General, National Film and Video Foundation, Consulate General of Sweden in New York, Hudson Hotel, and Royal Air Maroc.

FILMS & DESCRIPTIONS

All screenings take place at the Elinor Bunin Munroe Film Center (144 West 65th Street) unless otherwise noted.

Opening Night

Borders

Apolline Traoré, Burkina Faso, 2017, 90m

French with English subtitles

New York Premiere

Four women — Adjara, Emma, Sali, and Vishaa — meet while riding buses that cross West African borders, starting in Dakar and traveling through Bamako, Cotonou, Ouagadougou, and on to Lagos. Despite the gorgeous landscapes of the Atlantic coast and the Sahel, not everything is beautiful: they undergo car breakdowns in the stifling heat, face highway robbers, and endure fights between passengers. But their worst fears are realized in the liminal space of the border itself, where they witness great corruption, violence against women, and dangerous traffic. To survive, the women must stick together and take care of each other: the consequences of this trip will change their lives.

Opening Night screening preceded by

Idrissa Ouedraogo, From the Land of the Upright People

Compiled by Burkina Faso National Television, Burkina Faso, 2016, 5m

This short profile pays tribute to the late Burkinabé writer-director Idrissa Ouedraogo.

Wednesday, May 16, 6:30pm – Walter Reade Theater, 165 West 65th Street (Q&A with Apolline Traoré)

Friday, May 18, 2:00pm

Centerpiece

Wallay

Berni Goldblat, France/Burkina Faso, 2017, 82m

Dioula and French with English subtitles

New York Premiere

Thirteen-year-old Ady no longer listens to his father, who is raising Ady on his own in France. Running out of resources, Ady’s father decides to entrust Ady to his Uncle Amadou for the summer. Amadou and his family live on the other side of the Mediterranean Sea, in Burkina Faso. Things are quite different there, however, as boys of Ady’s age are expected to already become men. Ady must learn these lessons as he comes to understand the world a little differently during this life-changing holiday.

Friday, May 18, 7:30pm (Q&A with Berni Goldblat)

Monday, May 21, 3:30pm

Abderrahmane Sissako: Beyond Territories

Valérie Osouf, France, 2017, 72m

French with English subtitles

U.S. Premiere

To be somewhere precise yet stand nowhere at all; to touch the human soul with images. In Valérie Osouf’s portrait of the world-renowned filmmaker Abderrahmane Sissako (Life on Earth, Bamako, Timbuktu), we are invited not only into his physical territory but also his poetic and politically engaged terrain. From Mali to China, from Nouakchott to Moscow, these spaces speak of displacement and exile. Featuring interviews with acclaimed artists, such as Danny Glover and Martin Scorsese, and everyday movie lovers — including a film-loving police officer and philosophy professor — Beyond Territories allows us to walk alongside Sissako and experience his world.

Friday, May 18, 5:30pm (Q&A with Valérie Osouf)

Baby Mamas

Stephina Zwane, South Africa, 2018, 93m

U.S. Premiere

Baby Mamas is a comedic drama about the lives and loves of four professional women in Johannesburg, each in her own stage of “baby mama drama.” Good girl Chantel discovers that she’s pregnant and her whole life is turned upside down. Sandy is still in love with her ex-boyfriend and the father of her child, even though he has decided to move on. Joy is in a tumultuous relationship with bad-boy Sizwe. Toli, a single mom and the leader of the group, must decide how much she is willing to risk as a parent while finding her path to love.

Sunday, May 20, 8:15pm (Q&A with Stephina Zwane)

Black Sun

Alexei Speshnev, USSR, 1970, 97m

Russian with English subtitles

U.S. Premiere

This long-unseen Russian drama, never before released in the U.S., follows the life and death of Robert Moussombe, the leader of an unnamed African state. Moussombe is a fictionalized portrait of assassinated Congolese leader Patrice Lumumba, and the film’s events are a pastiche of the Congo Crisis in the 1960s, which signified the ascent of the Cold War that unraveled the newly minted post-independence nations on the continent of Africa.

Sunday, May 20, 1:30pm (Q&A with Alexander Markov)

Burkinabé Rising

Iara Lee, Burkina Faso, 2017, 72m

English, French and Moore with English subtitles

The beautifully filmed and intensely political documentary showcases the contemporary reality of creative nonviolent resistance in Burkina Faso. A small, landlocked country in West Africa, Burkina Faso is home to a vibrant community of artists and engaged citizens, who prove that political change can be achieved when people come together. Burkinabé Rising shows that Burkina Faso is an inspiration, not only to the rest of Africa but also to the rest of the world.

Saturday, May 19, 1:30pm (with Q&A)

The Delivery Boy

Adekunle “Nodash” Adejuyigbe, Nigeria, 2017, 65m

Hausa and Pidgin with English subtitles

U.S. Premiere

Amir, a young orphan raised in an African extremist group, runs away on the eve of a suicide mission, taking his bomb vest with him. He has a mission of his own. On his way, he runs into Nkem, a young prostitute escaping a lynch mob for a crime committed while trying to get money to save her dying brother. Before the night is over, they traverse the underbelly of the Nigerian metropolis as they search for their identities, their stolen pasts, money, and any semblance of peace they can find.

Preceded by

Meokgo and the Stick Fighter

Teboho Mahlatsi, South Africa/Lesotho, 2005, 19m

Reclusive stick fighter Kgotso lives a solitary life high up in the Maluti Mountains of Lesotho. Whilst tending sheep and playing his concertina, he sees a beautiful and mysterious woman dreamily staring at him from the water. This story of unrequited love and sacrifice is a haunting tale spiced with magical realism.

Sunday, May 20, 6:00pm (Q&A with Adekunle Adejuyigbe)

Five Fingers for Marseilles

Michael Matthews, South Africa, 2017, 120m

English and Sotho with English subtitles

New York Premiere

Five Fingers for Marseilles fuses western influences — from classic John Ford to “spaghetti” to revisionist eras — into a contemporary South African crime drama with a local flavor. Twenty years ago, the young “Five Fingers” fought for the rural town of Marseilles against brutal police oppression. After fleeing in disgrace, the freedom-fighter-turned-outlaw returns to Marseilles seeking a peaceful, pastoral life. When he finds the town under new threat, he must reluctantly fight to free it. The great westerns have always contained sociopolitical threads, and Five Fingers’ loose allegory on current South African politics is dark, edge-of-the-seat, and starkly human.

Saturday, May 19, 8:00pm (Q&A with Michael Matthews)

Monday, May 21, 1:00pm

Maki’la

Machérie Ekwa Bahango, Democratic Republic of the Congo/France, 2018, 78m

Lingala and French with English subtitles

U.S. Premiere

Nineteen-year-old Maki’la, nicknamed Maki, has been living on the streets since she was 13, and has long been friends with young hoodlum Mbingazor, who has become the boss of a criminal gang. The two end up getting married; however, the relationship is founded on exploitation and violence and soon leaves Maki feeling trapped. She manages to escape and goes into hiding, when she meets Acha, a 12-year-old who has recently wound up on the streets herself after losing her parents. Soon the two forge a close bond, though Mbingazor, angrier than ever, is close behind.

Saturday, May 19, 3:30pm (Q&A with Machérie Ekwa Bahango)

Tuesday, May 22, 3:30pm

Purple Dreams

Joanne Hock, U.S., 2017, 73m

Stereotypes of black youth are turned upside down in this inspirational documentary shadowing six high-school students on an emotionally powerful, three-year journey of transformation in racially biased Charlotte, North Carolina. With access to arts and academic mentors, the film’s teenage subjects have the potential to break the cycle of poverty, homelessness, and gang-related violence. They are given an opportunity to transcend their circumstances through a triumphant musical production, an experience that ultimately propels them into a world of opportunity they never expected. Purple Dreams bears witness to the need for arts in education, especially in underserved communities.

Sunday, May 20, 4:00pm (Q&A with Joanne Hock)

Running After

Jeferson De, Brazil, 2018, 86m

New York Premiere

Eking out a living selling trinkets amidst the traffic-clogged streets of Rio de Janeiro, Paulo Gale sees an opportunity to change his life by becoming a football manager. While searching for his own Neymar in Rio’s suburbs, he discovers the remarkably talented Glanderson, a boy who dreams of becoming a professional soccer player despite the fact that he has only three toes on his right foot. Gale uses his entrepreneurial spirit and creativity to try and make Glanderson a star. A film of comic verve, Running After offers a glimpse of life on the peripheries of Brazil’s capital.

Saturday, May 19, 5:45pm (Q&A with Jeferson De)

Selbe: One Among Many (2017 Version)

Safi Faye, Senegal, 1983/2017, 30m

Wolof with English subtitles

U.S. Premiere of Reissue in Wolof

In focusing on the daily life of a Senegalese village woman, Selbe: One Among Many examines the economic and social roles rural African women are expected to play. Selbe has the heavy responsibility of providing for a large family as her husband searches unsuccessfully for work in a neighboring town. On his return, he joins the other unemployed men of the village, who will not help the women, but are as dependent on them as the children for food and shelter. This reissue marks the first time the film has been issued in its original Wolof language.

Preceded by

On Monday of Last Week

Akosua Adoma Owusu, U.S., 2018, 14m

New York Premiere

Kamara, a Nigerian woman, works as a nanny for Josh, the five-year-old son of an interracial couple, Tracy and Neil. Tracy is an African American artist working on a commission in her basement studio — a space she rarely leaves. Kamara is intrigued by Tracy’s absence as a mother. When Tracy finally emerges from her studio one afternoon, Kamara’s growing curiosity is piqued. Their brief encounter inspires Kamara to become Tracy’s muse.

Tuesday, May 22, 6:00pm (Q&A with Safi Faye and Akosua Adoma Owusu)

Tahar Cheriaa: Under the Shadow of the Baobab

Mohamed Challouf, Tunisia, 2014, 70m

Arabic and French with English subtitles

U.S. Premiere

Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Tahar used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole. His legacy in African cinema was crucial to nothing less than the modernization of the continent.

Preceded by

Parlons Grand-mère

Djibril Diop Mambéty, Senegal/Burkina Faso, 1989, 34m

Wolof with English subtitles

In his documentary about the making of Yaaba (1989), Idrissa Ouédraogo’s second feature, Djibril Diop Mambéty follows the director and cast to paint a humorous portrait of the dangers of filming in Burkina Faso.

Thursday, May 17, 6:00pm (Q&A with Mohamed Challouf)

The Wedding Ring

Rahmatou Keïta, Niger, 2016, 96m

Songhay, Zarma, Hausa, Fulani, Bambara and Moree with English subtitles

New York Premiere

A student who hails from a prestigious aristocratic family, Tiyaa returns home to the Sultanate of Damagaran, in Niger, for the winter holidays. She is expecting the young man whom she met at university in France — who also comes from a wealthy family, not far from where she grew up — to make a formal proposal of marriage. While waiting for the handsome suitor, she shares her secret with her friends, learning the other women’s stories of love, marriage, and divorce, painting a compelling and revealing portrait of male-female relations in Sahelian society.

Preceded by

Vagabonds

Magaajyia Silberfeld, U.S./France/Niger, 2017, 16m

Rachel is a young woman living with her Nigerien uncle and his American wife. When her aunt has had enough of Rachel’s free-spirited lifestyle, she kicks her out of the house. Soon she runs into a washed-up movie star whose life, she finds out, is surprisingly similar to her own.

Monday, May 21, 6:00pm (Q&A with Rahmatou Keïta and Magaajyia Silberfeld)

Wonder Boy for President

John Barker, South Africa, 2016, 94m

U.S. Premiere

A charismatic young man from the Eastern Cape is coerced into running for president by two corrupt characters in this political satire that delves into the dynamics and challenges of politics in contemporary South Africa. Wonder Boy for President‘s unique “mockumentary” structure creates all kinds of fun. It’s often hard to tell where the documentary ends and the mockumentary begins, and that’s the great strength of this hilarious film.

Friday, May 18, 9:45pm (Q&A with John Barker)

Tuesday, May 22, 1:30pm

Shorts Program 1 — Quartiers Lointains: Self-Image

Quartiers Lointains, a media collective comprised of young Francophonie artists and professionals, curated this shorts program which highlights works by artists of bi-cultural descent who seek to understand and explore their dual identity and engage in a dialogue to better understand the Other. (TRT: 90m)

Thursday, May 17, 8:30pm (Q&A with Claire Diao and Askia Traoré)

Le Bleu blanc rouge de mes cheveux

Josza Anjembe, France, 2016, 21m

French with English subtitles

New York Premiere

Teenage Seyna faces unexpected obstacles on her mission to become a French citizen, from the disapproval of her Cameroonian father to the limitations of the camera lens.

Gagarine

Fanny Liatard and Jérémy Trouilh, France, 2015, 15m

French with English subtitles

New York Premiere

Yuri is 20. He lives with his mother in Ivry, the city where he grew up. But a demolition is approaching, and the scenery of his childhood dreams will soon disappear.

Nulle Part

Askia Traoré, France, 2014, 27m

French with English subtitles

New York Premiere

After a funeral, Jacky returns to his childhood neighborhood, where he reconnects with his friends and his first love.

Retour à Genoa City

Benoît Grimalt, France, 2017, 29m

French with English subtitles

New York Premiere

Since 1989, the director’s grandma and her brother have watched the same soap opera every day at the same time. Twenty years after his departure from Nice, he returns and asks them to tell him about the 3,527 episodes he’s missed.

Shorts Program 2 — Najia (Nigerian) Stories

Short works by filmmakers in Nigeria or diasporic filmmakers making films about Nigerian subjects from around the world. (TRT: 101m)

Monday, May 21, 8:30pm (Q&A with Abbesi Akhamie, Gladys Edeh and Opiyo Okeyo)

Birth of Afrobeat

Opiyo Okeyo, U.S., 2017, 7m

New York Premiere

In September 2017, Tony Allen, a 77-year-old drummer from Nigeria was invited to record the album “What Goes Up” with the American band Chicago Afrobeat Project. In this hybrid live-action/animated film, Allen recounts how he and his partner, the late music legend Fela Kuti, created the Afrobeat genre in Lagos, Nigeria.

Eja Aro

Badewa Ajibade, Nigeria, 2017, 14m

New York Premiere

Lolade is a young woman in her early twenties who has been in a long-distance relationship with Jubril Hassan for one year. Her brother, Seye, and her best friend, Ebele, both find it peculiar that she has yet to see Jubril in person.

Las Gidi Vice

Udoka Oyeka, Nigeria, 2017, 19m

New York Premiere

After a couple years of planning, a girl finally gets her revenge on the guy who ruined her life.

The Good Son

Tomisin Adepeju, UK, 2016, 14m

English and Yoruba with English subtitles

Kunle Owomole is a dutiful Nigerian son, the pride of his family. However, during a traditional family gathering, he is forced to address a secret he has kept from his parents, one that would have a profound impact on his relationship with them.

Mr. Gele: The Man. The Story. The Craft

Gladys Edeh, U.S., 2016, 14m

New York Premiere

Mr. Gele focuses on the man, the story, and the craft of the celebrated Houston-based Nigerian gele (African headwear) artist Mr. Hakeem Oluwasegun Olaleye, popularly known as Mr. Segun Gele, a self-taught creative who has been able to use his skills as a designer and makeup artist to beautify women around the world.

Still Water Runs Deep

Abessi Akhamie, Nigeria/U.S., 2017, 15m

English, Etsako, Hausa, and Pidgin with English subtitles

New York Premiere

Still Water Runs Deep follows a Nigerian patriarch who leads his household with a stern hand. But when his estranged son goes missing, his reluctant search turns into an emotional journey, shaking the core of his steely resolve and revealing his most intimate being.

Visions

Surreal 16 (Abba T. Makama, Michael Gouken Omouna, C.J. “Fiery” Obasi), Nigeria, 2017, 19m

U.S. Premiere

This anthology film, made up of three shorts inspired by dreams and visions, explores a young woman’s identity, relationship, and spirituality. Each short is directed by a member of the collective Surreal 16: Shaitan by Abba Makama, Brood by Michael Omonua, and Bruja by CJ “Fiery” Obasi.

Shorts Program 3 — New York Shorts

A selection of shorts made by filmmakers of African descent living in New York. (TRT: 95m)

Tuesday, May 22, 8:30pm (Q&A with Yusuf Kapadia, Sewra Kidane, Djali Brown-Cepeda, Djibril Drame, Mamedjarra Diop, Tim Naylor, Zainab Jah, Jamil McGinnis and Pat Heywood)

A Christmas Mission, Sierra Leone

Tim Naylor, U.S., 2017, 10m

World Premiere

During the Christmas season, Dr. Hawanatu Jah organized a medical mission to help the poor in Sierra Leone. In four days, with only four volunteer doctors from Europe and Africa, they treated over 600 patients and performed over 20 surgeries. This film shows how the passion of one inspires good health and hope for many.

Larabilaran: Le Talibé et moi

Djibril Drame and Mamedjarra Diop, Senegal/U.S., 2016, 26m

English, French, and Wolof with English subtitles

This film explores social and economic inequality in Dakar through the life of Seydina, a talibé (or student of the Qur’an), who negotiates his identity and relationship with Mariama, a well-educated and privileged girl.

Mamadou Warma: Deliveryman

Yusuf Kapadia, U.S., 2017, 9m

New York Premiere

Mamadou Warma escaped political persecution in Burkina Faso and came to the United States for a new lease on life. He now earns his living as a NYC bicycle deliveryman. A daylong journey alongside Warma reveals a man who looks optimistically toward his future, despite being an underpaid immigrant in a wealthy metropolis.

A Pesar de su Ausencia

Djali Brown-Cepeda, U.S., 2017, 10m

New York Premiere

In 1978 New York, one girl in a city of eight million, finds herself. Follow her journey.

Proclamation Punctuation

Sewra Kidane, U.S., 2016/2017, 5m

In this enthralling fashion film, a fabulously fascinating woman recites a short soliloquy paying homage to her love of exclamation points. Periods are so period, whereas an exclamation point livens up a sentence! There is simply nothing worse than a long dragged-out sentence ending in an uninspiring dull dot! So, when exclamation points are your philosophy on life, one must always keep it on the upbeat!

Via New York

Kagendo Murungi, U.S./Kenya, 1995, 10m

Drawing from memory and narrative, Via New York explores the politicization of African students in New York and the participation of South African lesbians and gays in the anti-apartheid movement. The film illustrates how both migration and the pursuit of formal education can function as catalysts for self-transformation and social change.

word: collected poetry

Jamil McGinnis and Pat Heywood, U.S., 2017, 17m

The videos in this anthology of spoken word poems brought to life were adapted from the work of four poets living in New York City. Together, the collection explores an abundance of systematic and human complexities, as well as the everyday realities of being young and black.