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Skyfall, the 23rd “official” James Bond film, is about as perfect an escapist adventure film as I’ve seen. By the way, the spoofy, 60s Casino Royale and the unauthorized Thunderball remake Never Say Never Again don’t count in the sanctioned tally of Bond films…BUT, if they did, that would make for a niftyfilms inyears…ah well.

I did not get a chance to see Quantum of Solace, which, from what I understand, was a wise choice, but I adored Daniel Craig’s first Bond outing Casino Royale. That would be the serious, gritty one with the villain who cried blood while gambling…ewwww. To my mind, the actorly, rugged Craig is the perfect Bond, barely masking what appears to be contempt for and occasional bemusement with a world gone horribly awry as he kicks said world in its collective teeth.

This latest film fires on all cylinders – action, drama, emotion, and even a bit of comedy. The comic moments blessedly never veer into high-camp Roger Moore territory… there are more than a few clever allusions, however, to the goofy charms of early films in the series. Director Sam Mendes brings gravitas to the proceedings, working with screenwriters John Logan, Neal Purvis, and Robert Wade to give us a backstory for 007 that leads to a powerful, engaging, and rather heartbreaking finale. The film owes a bit of its DNA to classic cat-and-mouse thrillers like Charade as well as more recent popcorn fare like Silence of the Lambs (for its villain’s creepy plexiglass cell escape) and The Dark Knight/Dark Knight Rises (with its backdrop of have/have not inequality that supercharges social anarchy against a flawed social system). Ensemble players Judi Dench, Ralph Fiennes, Albert Finney, Naomie Harris, Ben Whishaw, and Helen McCrory are all reliably excellent – what a cast!

But beyond Craig’s nuanced, charmingly surly performance, supported by a dream BBC miniseries-style cast, what is the film’s best “special effect”? That would be none other than Javier Bardem. He internalizes the epic, broadly drawn supervillainy of previous Bond antagonists, turning it into a charmingly twisted, Freudian pretzel of a characterization. Bardem’s Silva is fascinating, transfixing, and utterly relatable/revolting. The chemistry between Craig and Bardem is electric. Don’t miss this one, folks. Smart, sharp fun.