They can’t all be winners, like the entries on our list of the 25 best movies of 2018.

The year brought plenty of clunkers, too, from R-rated puppet comedies (The Happytime Murders) to biopics (Gotti) to sequels (Fantastic Beasts: The Crimes of Grindelwald) to remakes (Death Wish) to reboots (The Predator) to whatever in the world that Robin Hood movie was.

Hold your nose as we briefly revisit these 10 stinkers.

The sequel to Jurassic World promised to bring the film’s genetically modified dinosaurs off the island and onto the mainland. The possibilities seemed endless: Would the dinos rampage across the United States? Would the military transform them into living weapons? At the very least, audiences expected an upgrade from Jurassic Park: The Lost World (1997), which unleashed the prehistoric beasts on San Diego. Alas, Fallen Kingdom decided to confine the dinosaurs to a single house. And while “velociraptors in a mansion” isn’t the worst idea, the film’s lackluster story and absence of character development made audiences even more nostalgic for the days of Laura Dern and Sam Neill. — Gwynne Watkins

Dwayne Johnson in Skyscraper. (Photo: Universal) More

Dwayne Johnson gets himself and his family embroiled with some evildoers doing evil in a burning 240-floor, uh, building. What do you call a really tall building that touches the sky? Never mind. Even Steven Seagal was able to pull off a good Die Hard rip-off, but this free-falling head scratcher couldn’t hold Under Siege’s water bottle. Could it be possible that you can have too much of a good thing? The Rock has had a few clunkers recently, with Baywatch, Rampage and Skyscraper. The latter does have at least two things going for it: Neve Campbell is great, and the production employed over 3,000 people. So there’s that. — John Santo

Director Eli Roth insisted he wasn’t making a “pro-gun” movie, but the timing couldn’t have been worse for Bruce Willis’s spin on the 1970s Charles Bronson bullet-fest: Its marketing blitz arrived around the same time a gunman opened fire at a high school in Parkland, Fla., and killed 17 students. Death Wish is hardly the first — and is surely not the last — film to glorify gun violence, but that was just one of the many problems this ill-fated remake faced, like the boneheaded decision to base it in Chicago as real-life shootings continue to plague the city. As a movie, it’s shallow, too self-serious, and, worst of all, boring. — Kevin Polowy

Hear ye, hear ye: Here are the crimes that the second entry in J.K. Rowling’s Harry Potter prequel franchise stands accused of: (1) Needlessly warping Wizarding World mythology ; (2) making major continuity mistakes ; (3) forgetting to feature any fantastic beasts; (4) shamelessly cribbing from The Empire Strikes Back; (5) continuing to employ Johnny Depp. Verdict: Guilty on all counts. — Ethan Alter

The Predator (Photo: Fox) More

Even without the real-world controversy that engulfed Shane Black’s misbegotten franchise reboot, it’s hard to imagine anyone coming out of The Predator eager to see a sequel. Black’s way with (profane) words and a gifted cast couldn’t enliven a prolonged Predator-and-mouse game marred by drab visuals and so-so action. Like the song goes, maybe it’s time to let the old aliens die. — E.A.