In the mid-1950s, literary iconoclast and beat icon Jack Kerouac (March 12, 1922–October 21, 1969) became intensely interested in Buddhism, which began permeating his writing. It was the golden age of Eastern ideas drawing Western minds, from legendary composer John Cage to pioneering philosopher Alan Watts, credited with popularizing Zen thinking in mainstream Western society. Watts, in fact, at one point criticized Kerouac’s writing as being “always a shade too self-conscious, too subjective, and too strident to have the flavor of Zen.” But when stripped of his literary self-consciousness, as he was in his private letters, Kerouac had a special way of articulating the most beautiful and eternal concepts of Zen Buddhism with equal parts expansive awareness and crystalline precision.

Kerouac sent one such letter to his first wife, Edie Kerouac Parker, in late January of 1957, a decade after their marriage had been annulled. Found in The Portable Jack Kerouac (public library) — an altogether terrific treasure trove of his stories, poems, letters, and essays on Buddhism — the missive is nothing short of exquisite.

Kerouac writes:

I have lots of things to teach you now, in case we ever meet, concerning the message that was transmitted to me under a pine tree in North Carolina on a cold winter moonlit night. It said that Nothing Ever Happened, so don’t worry. It’s all like a dream. Everything is ecstasy, inside. We just don’t know it because of our thinking-minds. But in our true blissful essence of mind is known that everything is alright forever and forever and forever. Close your eyes, let your hands and nerve-ends drop, stop breathing for 3 seconds, listen to the silence inside the illusion of the world, and you will remember the lesson you forgot, which was taught in immense milky way soft cloud innumerable worlds long ago and not even at all. It is all one vast awakened thing. I call it the golden eternity. It is perfect.

Echoing Watts’s philosophy on death, Kerouac considers the illusion of the solid “self” as he contemplates the life and death of mountains:

We were never really born, we will never really die. It has nothing to do with the imaginary idea of a personal self, other selves, many selves everywhere: Self is only an idea, a mortal idea. That which passes into everything is one thing. It’s a dream already ended. There’s nothing to be afraid of and nothing to be glad about. I know this from staring at mountains months on end. They never show any expression, they are like empty space. Do you think the emptiness of space will ever crumble away? Mountains will crumble, but the emptiness of space, which is the one universal essence of mind, the vast awakenerhood, empty and awake, will never crumble away because it was never born.

He ends the letter with one of his free-flowing, uninhibited poems:

The world you see is just a movie in your mind.

Rocks dont see it.

Bless and sit down.

Forgive and forget.

Practice kindness all day to everybody

and you will realize you’re already

in heaven now.

That’s the story.

That’s the message.

Nobody understands it,

nobody listens, they’re

all running around like chickens with heads cut

off. I will try to teach it but it will

be in vain, s’why I’ll

end up in a shack

praying and being

cool and singing

by my woodstove

making pancakes.

More than half a century after Kerouac penned that beautiful letter, director Sergi Castella and filmmaker Hector Ferreño transformed the writer’s words into a magnificent cinematic adaptation for Dosnoventa Bikes, with a haunting, Johnny-Cashlike voiceover by James Phillips and beautifully curated music by Pink Floyd and Cash himself. As an intense lover of both bikes and literature, it makes my heart sing in multiple octaves.

The Portable Jack Kerouac offers a richer glimpse into one of modern history’s most extraordinary minds. Complement it with Kerouac’s beat tour of NYC’s nightlife and his 30 beliefs and techniques for prose and life.