The Minneapolis rapper/singer Lizzo keeps an arsenal of sharp musical tricks up her sleeve. Whether it’s her crackling sense of humor, ear for sticky hooks, or pointedly feminist, sex-positive lyrics, Lizzo twists rap and pop conventions into her own hilarious, no-fucks-given image. On her bouncy new single “Boys,” each of those talents is given equal shine, this time in service of an ecstatic, endlessly replayable tribute to the depths of Lizzo’s dating pool.

“Boys” plays around with some retro funk flourishes, drawing on a heavy bassline, tinkling cowbell, and groovy guitar licks. Meanwhile, Lizzo’s verses detail all varieties of boys lucky enough to get her attention, “from the playboys to the gay boys.” (As she notes, “I don’t discriminate/Come and get a taste.”) She makes sure to center on her own pleasure amid all the ogling, as well: “Baby, I don’t need you/I just wanna freak you,” she assures. Lizzo defines her own sexual freedom through a fun summer banger in a way that channels the spirit of Missy Elliott’s likewise nondiscriminating, sex-obsessed “Work It.” For both artists, self-affirmed songs frame their desire through a distinctly female gaze rather than flatter their subjects. In the accompanying video, Lizzo draws a line to another important influence: In the black-and-white clip, she dances in front of the historic, three-story music note mural on Minneapolis’ Schmitt Music building, hair styled in the same Afro that Prince sported when he posed there for a famous 1977 photo shoot. With the unbridled joy, energy, and sexuality coursing through “Boys,” there’s no question he’d be proud of the homage.