Why It Worked: The Prince of Egypt

Introduction: The Prince of Egypt is a 1998 animated Biblical historic epic directed by Brenda Chapman, Steve Hickner and Simon Wells. Produced by Penny Finkelman Cox and Sandra Rabins, with the screenplay written by Phillip LaZebnik and Nicholas Meyer, the film retells the Biblical story of Moses and how he freed the Hebrews from slavery in Egypt. The film stars Val Kilmer, Ralph Fiennes, Sandra Bullock, Jeff Goldblum, Michelle Pfeiffer, Sir Patrick Stewart, Helen Mirren, Steve Martin and Martin Short and features music and songs by Hans Zimmer and Stephen Schwartz respectively. Released on December 18, 1998, the film received very positive reviews (scoring an 80% out of 87 critics aggregated on Rotten Tomatoes, with a 7.08/10 average rating), was financially successful (making $218.6 million on a budget of $70 million), won an Academy Award for Best Original Song (When You Believe), spawned a direct-to-video prequel focusing on Joseph (the dream interpreter) and a stage musical at TheaterWorks in California in 2017. Out of the 37 animated films DreamWorks has made, I always viewed The Prince of Egypt as not just my favorite, but also their best film in terms of quality. In this post, I’m going to explain why that is and why we need more films like this.





The Plot: For those who aren’t familiar with the story of Moses, it’s a tale about hardship, sacrifice and deliverance. A young Hebrew baby is saved from the slaughter of Hebrew babies ordered by Pharaoh out of fear. That baby is picked up by Pharaoh’s wife and is named Moses, for he was pulled out from the Nile river. Moses grows up being Pharaoh’s son until he finds out his true heritage and essentially exiles himself in the wilderness. There he meets God in the form of a burning bush who tells him that He has heard the Hebrews suffering and has chosen Moses to free them. 12 plagues and 1 crossing of the Red Sea later, the Hebrews are free and Moses is hailed a hero. While this film stays true to the original text for the most part, it does make a few additions and subtractions so that the film flows naturally at an hour and 40 minutes. I could talk all day about the changes made from the text to the film (such as Moses having a stutter and Mirriam giving Moses to the Queen) but in an instance I wish was more common place when it comes to adaptations, the filmmakers provided an opening statement at the start of the film. “The motion picture you are about to see is an adaptation of the Exodus story. While artistic and historical license has been taken, we believe that this film is true to the essence, value and integrity of a story that is a cornerstone of faith for millions of people worldwide. The Biblical story of Moses can be found in the Book of Exodus.” It’s clear that the filmmakers had nothing but respect for the material and told a strong story about two brothers going on different paths in life. They also don’t shy away from the brutality of the story, while still making it accessible for children. People are whipped, drowned, attacked by locus, and even straight up killed. What makes this film stand out from other Biblical films is that it’s animated, but not like that of Disney. Where Disney tends to go for the fantastical and colorful, The Prince of Egypt is more reserved and grounded. The characters move more like humans and are designed more like Egyptian hieroglyphics and paintings than fairy tale illustrations. This grounded approach makes the fantastical stuff all the more powerful. The parting of the Red Sea (with blends 2D and 3D animation perfectly) is still one of the most iconic scenes in animation history. The animation in this film is so unlike anything I’ve seen before or since and it also helps that the story is well written and is brutally honest with it’s depiction of slavery and a tyrant ruler.





Cast and Characters: The cast they got for this film is excellent. Sure they’re celebrities who (at the time) didn’t have prior experience in voice acting (with the exceptions of Michelle Pfeiffer, Jeff Goldblum, Danny Glover, Sir Patrick Stewart, Helen Mirren, Steve Martin and Martin Short). That said, in this film they nailed their respective characters. Starting off with our hero, Val Kilmer gives such a nuanced performance as Moses, making him cockey and arrogant at the start and then making him so well spoken and wise by the end. Moses is such a relatable protagonist and has a genuine arc through the film. His brash and fun loving demeanor is in direct contrast to his uptight older stepbrother, Rameses. Speaking of which, before he was Voldemort, Ralph Fiennes gave such an amazing performance as Rameses, who’s at the top of my list for the best villain is DreamWorks’ animated catalog. The thing about Rameses is before he became a ruthless tyrant, he strived to be just like his father, who he saw as wise, percise and a real king. At the same time he had such a good relationship with his stepbrother, Moses, that he hoped that they’d make Egypt a better place together. That all changed when Moses came back from his self imposed exile and asked him to release the Hebrews in the name of God. Ralph Fiennes showcases the right amount of worry, stubbornness and sadness of this character, and the chemistry he shares with Moses is perfect. Everyone else does a great job voicing their respective characters as well. Michelle Pfeiffer gives Tzipporah such a snarky personality and makes for a good wife to Moses, Sandra Bullock makes Mirriam such a motherly sister, Jeff Goldblum made Aaron as essentially the voice of the cynical people which this film couldn’t function without (also Jeff Goldblum is always a win), and Steve Martin and Martin Short work off each other perfectly as Hotep and Huy. Then there’s our Lord and Savior Himself, God. In this film, God is portrayed as the all powerful being He is as described in the Bible. He protects His people, He tells Moses exactly what to do and how to do it, He shows mercy and good favor towards the Hebrews, and He does keep His promise in bringing His people out of Egypt. Val Kilmer provides the voice of God and it sounds so majestic and calm, it’s like listening to your best friend.





Songs and Music: There is not a single song in this film that I don’t catch myself humming to on a daily basis. That is how powerful these songs are. The opening number, Deliver Us, perfectly captures the oppression of the Hebrews as they are whipped, pushed, and yelled at by the Egyptians. Oh and also babies are slaughtered during this scene, making the song even more powerful. Moses’ song, All I Ever Wanted, plays after his encounter with Miriam and Aaron and brilliantly showcases his doubts to his upbringing; right before he’s hit with that amazing dream sequence done in the style of Egypt wall paintings. Look at Your Life Through Heaven’s Eyes was such an upbeat and fun song that shows you your life has meaning and you should look at it with a more optimistic perspective (through Heaven’s eyes, if you will). Playing With The Big Boys is an amazing number, showing the dark mockery of God from Hotep and Huy as well as some impressive visuals (also there’s this dope rock cover of the song by Jonathan Young and Caleb Hyles you should really check out: https://m.youtube.com/watch?v=gqlNY5iX-nA). The 12 plagues are shown via a reprise as All I Ever Wanted and it is genius. The visuals get noticeably darker with each passing plague until all of Egypt is covered in darkness. And Moses and Rameses’ duet perfectly captures their opposing viewpoints during this time. Then there’s the Oscar winning song, When You Believe. It’s the ultimate song of hope, of faith, of belief; it’s the song that should be song and heard around the world, especially today when hope and optimism are seen as being ignorant. Also, Hans Zimmer’s score for this film is nothing short of magical. The way he uses brass instruments to emphasize God’s power is just glorious and the choir is used in the exact place you expect there to be a choir. It’s so soothing and majestic, I wish I had the soundtrack.





Where it Falters: My only gripe with the film is the ending. Not that it’s bad, but that, well, it ends. Despite the film promising to bring the Hebrews to the promise land, we never actually go there. I thought they’d get to that in a sequel, but that’s not likely to happen anytime soon because DreamWorks Animation swore off 2D animated films after Sinbad tanked and they’re not nearly as ambitious now as they were back in the 90s and 2000s. Cosmodore made this really insightful video about how DreamWorks Animation almost went bankrupt twice and why their recent output has been geared more towards families (https://m.youtube.com/watch?v=dLa7xe5GTWw) but the tl;dr is DreamWorks Animation was 1 more financially disappointing year away from closing up shop completely. Still though, I would love to have seen a sequel to The Prince of Egypt focusing on how Moses lead the people through the wilderness.





Conclusion: The Prince of Egypt stands as one of the best animated films ever made. With an amazing soundtrack, memorable characters, beautiful animation, and a stellar voice cast, it’s one of a select few films I consider a masterpiece. You could argue that it’s not accurate to the story told in the Bible (a fact the filmmakers themselves acknowledge), but it does stay true to the spirit of the story and it doesn’t go out of it’s way to convince nonbelievers that this is truth. As a film on it’s own, it’s great and I hope it’s watched and remembered for generations to come. Thanks so much for reading and I’ll see you soon ;)