With this show, they decided to make it have a full-fledged war, with loads of carnage peppered throughout. The concept is very interesting, especially since the war consists of famous people from many different eras of different countries. It's sort of like the Fate/ series, except that this time, all of the combatants were based on real people instead of sprinkling mythological people into the mix. So, was this a true breath of fresh air for the genre? Did it manage to do that while being a genuinely great war story? Well, let's find out, shall we?So, there is some kind of conflict between Easy and Murasaki (which doesn't get explained or fleshed out) that caused them to start sending people to this unidentified new world in which there are two main factions at war: Drifters (deceased war heroes), and Ends (once noble beings who have gone bad for their own reasons tying into their demise, but not all of them have their backstory shown to us). There are also humans who enslave two kinds of demi-humans: elves, and dwarves. Drifters are fighting to bring down the human governments of this world via conquest, and destroy the Ends, while the Ends are fighting to destroy the world and all inhabitants (despite the fact that their leader just wants the demi-humans to be the main inhabitants). So, what the hell happened here?Ultimately, the first few episodes were rough. Not only were there some minor plot holes, but there is one gigantic issue that really damages this series: the tone shifts. You can have a moment in which villagers all horrifyingly stab a man to death in brutal fashion, and then seconds later, they show cracks a random joke. They do this so often, and sometimes, in the most inopportune of times, ruining some of the darker and heavier moments of the show. Sure, this means that, inevitably, a few of these end up being funny, but, for most part, they end up harming more than helping.The series does pick up, but a few new issues really hamper this show. Every time one of the Ends is about to die or be defeated, we suddenly get their backstory in order to make the story sad, and that just doesn't work. In order for that to work, we need the characters to be more than just one-dimensional baddies before-hand, and they pull this stunt three times! Also, the finale just...ends, without any major resolution. Just, a battle ends, and here is one image of where each Drifter is at the moment, in an obvious, and quite frankly, rushed sequel-hook, particularly because some of the characters, like Scipio and Butch Cassidy, have been left by the wayside, especially Scipio with the fact that he has been left in the jungle but suddenly he's in a navy ship with a character that has only been seen for one brief moment. Hell, there are other moments that required some time to explain, like how the Drifters suddenly got human armor when their last battle (which was two episodes prior) didn't have nearly as many people killed to remotely equal the amount of armor and weapons present. Shame too, since if this concept was explored more and the story were tightened up, this would've definitely been a good first season to what looks to be an otherworldly war epic.It's really hard to tolerate these "Drifters" early on. I mean, they were all a bunch of quarreling assholes without anything interesting about their character, and by the end of it, some of the more minor additions (like Hannibal and Scipio) were still like that. Luckily, our main trio grew. Toyo is a crazed warrior who loves decapitating enemy warriors, as long as they are male. His culture and all Japanese war cultures at the time do not like the thought of women engaged in combat. He ends up also being a bot more chivalrous towards females and children than his cohorts while understanding people more than he probably should (reminding me a lot of Ragna the Bloodedge, from the Blazblue game series) and I'll touch on that in a bit. Nobunaga is a much more brutal tactician as well as being a hardier individual than his allies. His violent streak, as a result of his culture and his multiple times being betrayed, makes for some of the best usages of military tactics I've seen in a war anime in quite some time. Yoichi ends up being more in between when it comes to his companions' traits, but with more of a tragic war past, which is shallowly explored via his commander, who ends up chatting with him once, and that's it. He's probably the least interesting of the trio, but at least, he ends up being the crux of some of the better comedy moments of the first 3 episodes.Butch Cassidy and the other Drifters are infinitely less interesting, but he is easily the most tolerable of them (along with The Sundance Kid for how little he shows up), with him actually doing some cool stuff. Sure, Naoshi takes down some dragons in a WWII plane, but he's just there to provide some refreshing amounts of swearing, which ends up becoming excessive. There is also Count Saint-Germi (the son of Hitler) with his coup d'etat scheme, and his annoying posse (Alester and Flemi), but they are mostly there to be annoying and provide bad comedy until the count himself starts that plan with the Drifters to overthrow the human government.The Octobrists are overall very uninteresting, except for Olmine, who is constantly made fun of for her voluptuous breasts, but has some genuinely great interactions with Toyo, as he shows her some good chivalry and allows her to use her spells to great effect in the latter half of the series. She is literally the only remotely interesting Octobrist. As for the Ends, with exception of The Black King, all of them are as plain as they come (with the slight exception of Anastasia, who is barely in this show). Then, they (except for Anestasia and Rasputin) get their backstories to explain why they are so evil and a bit about how that ties in with their powers (Only Joan of Arc does. Gilles de Rais and Hijikata doesn't get anything relating to his powers, and nobody gets their power origins outright explained) in a poor attempt at making these lame characters come off as tragic, which is really horrible given their real-life counterparts.The Black King is an interesting figure, wanting better civilization for the demi-humans, and being able to create food as well as grow cells (to regenerate, but also to harm, as shown with the Bronze Dragon in episode 10), but even with his somewhat interesting motivations and enigmatic figure, he can't really make up for how bland his subordinates are. Easy is the one who sends the bad guys in, is moody, and that's about it aside from having a cutesy and girly room to herself. Murasaki is even more bland, though. Overall, despite a few characters that grew to be legitimately interesting and compelling, the cast is stupidly bland at best, and irritating at worst.Hoods Drifters Studio (not to get confused with Hoods Entertainment, though they may or may not be affiliated) is brand new to this game, and they did a really good job with their first series, which is, of course, this. As if to make up for the writing quality, the action is refreshingly brutal, with loads of decapitation and blood, and no censorship anywhere. It's pretty fun seeing how much of a chaotic gore-fest the action scenes are, and they detail some of the bullet moments and impacts very well. The character models, while looking similar to Kouta Hirano's most popular work, Hellsing Ultimate, they also feel realistic and sorta unique. The only problem I have isn't with the art-stye change during most of the comedy moments, but rather with the usage of CGI for the dragons and some of the soldiers. They try to cover it up and make it work with everything, but it doesn't really help much, as it looks awkward. Luckily, that problem is barely present in the second half. Some moments in the earlier episodes are a bit off though. Still, I really hope to see this studio grow since they did such an impressive job with their first project.I don't have such high praises for the music, sadly. Gospel of the Throttle (by Minutes 'Til Midnight), the OP of the series, doesn't fit the show as well as I wish. On its own, it's a slick piece, but I don't feel it works here. Luckily, the ED, Vermillion (by Maon Kurosaki) is a very good song, with a more epic and buildup heavy feel to it that really fits with how gruesome and heavy the show can be. The rest of the OST isn't memorable or worthwhile at all, save for one ok piece. The dub is pretty alright. No major hiccups here, but nothing spectacular in terms of performances. It's a relatively solid dub so far.Honestly, despite how cool and refreshing the action scenes were, this show kinda left me feeling bored and annoyed every now and then, especially in the first half. I admit, the action is fun, and some moments were definitely bleak, the horrible tone-shifts really leave me dazed and confused, and completely taken out of the experience, which is horrible given that one of these moments take place immediately after the darkest moment of the show! If not for the cool action, this wouldn't have engaged me at all, especially since the first 3 episodes left me with the feeling of darkness-induced apathy. I nearly dropped it during those first 3 episodes and even then, outside of fight scenes, this show is still very boring at times. Plus, not a lot of the gags make me laugh, but at least some of them do.Unfortunately, while this is a very gruesome action show and some of the gags get a laugh here and there, this show is a tonal mess that's hard to care about on any level that isn't related to primal, epic bloodbaths. At the very least, I hope that this series ends up bringing some notoriety for Hoods Drifters Studio. Still, this show is a bit of a disappointment. With all that said, I bid you adieu.