Resampled Space [Image: Photo by Filip Dujardin, courtesy of the artist].



Belgian photographer Mark Magazine explains.

The resulting projects look like old factory sites in the American rust belt – Mark describes them as "informal and often dilapidated structures with unspecified functions" – or, in some cases, new projects by



[Image: Photo by Filip Dujardin, courtesy of the artist].



From Mark Magazine: Every montage, says Dujardin, is one project. It begins with an idea for a specific image. Often he starts off by building a model of the form he is trying to achieve – at first in cardboard, but he has recently discovered SketchUp. He then goes on a photo safari, often just around the corner, to find suitable buildings "with a lot of the same things," so that they can be cut and pasted and serve as building material. In fact most of the fictional structures are buildings in Ghent, just resampled There seem to be multiple sub-themes, and even sub-projects, within the larger effort. There are surreal detached structures, for instance, like the image that opens this post, standing free amidst a recognizable but anonymous landscape. In some of these we see that even geological forms become subject to resampling.



[Image: Photo by Filip Dujardin, courtesy of the artist].



But then there are also what could be called a back series – that is, the backs of incredible buildings whose facades you can barely imagine.

These are groves of architecture, weird islands of form, like the city as seen from a rail line: sheds and retaining walls, stained by rain, their bricks chipped away behind piles of rubbish, their corrugated steel repeating ever onward in infinite ridges.



[Images: Photos by Filip Dujardin, courtesy of the artist].



Then there are Dujardin's relatively well-known images of impossible structures, buildings made from ambitious cantilevers and strained central masts. They form vertical braidworks of halls and corridors woven through the sky above otherwise empty parks and dead fields.



[Images: Photos by Filip Dujardin, courtesy of the artist].



As Dujardin comments to Mark Magazine, "Perhaps the works come out of frustration. That I actually want to play at being an architect, instead of only recording the buildings of others."

You can read more about the photographer on



[Image: Photo by Filip Dujardin, courtesy of the artist].



(Related: Fictional ruins from fictional worlds). Belgian photographer Filip Dujardin makes images of unexpected buildings – that is, he "combines photographs of parts of buildings into new, fictional, architectonic structures,"explains.The resulting projects look like old factory sites in the American rust belt –describes them as "informal and often dilapidated structures with unspecified functions" – or, in some cases, new projects by LOT-EK Simon Ungers , or OMA FromThere seem to be multiple sub-themes, and even sub-projects, within the larger effort. There are surreal detached structures, for instance, like the image that opens this post, standing free amidst a recognizable but anonymous landscape. In some of these we see that even geological forms become subject to resampling.But then there are also what could be called aseries – that is, the backs of incredible buildings whose facades you can barely imagine.These are groves of architecture, weird islands of form, like the city as seen from a rail line: sheds and retaining walls, stained by rain, their bricks chipped away behind piles of rubbish, their corrugated steel repeating ever onward in infinite ridges.Then there are Dujardin's relatively well-known images of impossible structures, buildings made from ambitious cantilevers and strained central masts. They form vertical braidworks of halls and corridors woven through the sky above otherwise empty parks and dead fields.As Dujardin comments to, "Perhaps the works come out of frustration. That I actually want to play at being an architect, instead of only recording the buildings of others."You can read more about the photographer on his website

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