Hi, my name is David Leitch. I’m the director of ‘Fast & Furious Presents Hobbs & Shaw.’ So the goal here was to really define these characters quickly for the audience. A lot of people know Hobbs and Shaw from the previous “Fast” films, but I wanted to do something really specific. So you can see, using this split screen technique, we got to have these fun vignettes with the characters obviously demonstrating Shaw being more precise and more methodical and Hobbs just being a rough and tumble, get-it-done kind of guy. You know, the idea that they’re different but they’re the same was sort of the subliminal message I was trying to get. So to achieve that, I worked with cinematographer Jonathan Sela and David Scheunemann in production design to create these sets that were perfect in size and focal lengths that were exactly the same. “Where?” So we could create this, and it was sort of a painstaking process, even to that drone shot that you see, the top shots of the cars. Like, we really were particular in how we measured focal lengths to make this happen. The use of color was really specific as well, especially in the beginning of the montage, you see defining Hobbs’s world as a little bit more warm, a little more jovial, a little bit more human I guess and maybe making Shaw’s a little bit more standoffish and sterile and cold. The visual nature, again, going back to this sort of very graphic composition that is telling us that these guys are the same, ultimately they just have different ways of achieving their goal. We thought it’d be really interesting if we could not only do something graphically, but then the first time we hear them speak, they have these sort of iconic, classic, action star catchphrases. “Who the hell are you?” “Oh, I’m what you call a nice, cold can of whoop ass.” It sort of demonstrates how alike they are but again, how different they are. “Who the hell are you?” “I’m what you might call a champagne problem.” We made sure we defined their fighting styles very precisely and made sure those fighting styles define their characters. So Shaw is obviously more of a technician, more of a refined martial artist. So we got to have some fun with some found objects in the champagne bottle. You look at Hobbs’ side, he’s using found objects as well, but it’s in a very different way. He’s taking that tray and just smashing guys over the head with it. And it is sort of indicative of who these guys are as characters, and we wanted to make it happen as quickly as possible to get into the movie. “Would have thought that would have broke.”