Based on sheer unanimous appreciation alone, Creepshow may be one of the greatest horror films ever made. Truly: I’ve never heard one disparaging comment made about it. Inquire, and those who’ve seen it will excitedly describe their favorite segment, their eyes alight and hands animated. For those raised on it, it’s like a plateful of comfort food. And, due to its fall-tinged intro, it has become a Halloween staple. Needless to say, it’s a horror classic.

One of the things that helped cement Creepshow among horror royalty is its incredible score. Composed by frequent Romero collaborator John Harrison (using only a Prophet V synthesizer), the score successfully manages to craft a hauntingly Gothic aura punctuated by goofy camp – no easy task, but one that compliments the vibe of the comic book-inspired film perfectly. Romero himself has said that Harrison’s score delivers on the promise the tagline of the film avows: “the most fun you’ll have being scared”.

Not long ago I discovered Harrison wasn’t solely responsible for creating the amazingly spot-on EC comics-era sensation the score elicited. Many of the recognizable cues, it turned out, were from Capitol Records’ stock catalog. It was a trick Romero had used since the beginning of his career: pacing and editing his films using old stock music, which he often left in once the film was finished. (Just look at Night of the Living Dead‘s score – all stock music, some of which would later find its way into Romero’s Tales from the Darkside television show, as well as, you guessed it, Creepshow.)

Most recently, Waxwork Records released the original Creepshow soundtrack, but it was missing all of those additional stock music cues. In 2014, La-La Records released an “expanded” version of the soundtrack, which included a few of the music pieces, though not many – 14 in all, including only one from “Father’s Day”.

But, thanks to the help of the Internet (and my own dogged searching), I’ve collected almost 30 pieces of missing music cues, including 6 from “Father’s Day”. These pieces were incredibly difficult to track down. There are a few message boards which (thankfully, gratefully) have the music cues listed by name (and Creepshow‘s IMDB page is a wealth of info), but locating the actual audio files proved to be almost impossible. Even though some of these tracks were released on the Creepshow Expanded OST, they don’t even exist on Youtube.

(Complicating the search was the fact that a.) several of the songs have near identical names, and b.) many of the composers worked under different aliases. Whew, exhausting.)

It’s important to hear these cues in full because they’re just incredible. Bill Loose’s work, especially, which is all at once gorgeous, lush, and dramatic. It’s amazing these composers created these beautiful pieces with the knowledge they were to be cataloged anonymously along with hundreds of other pieces for the sole purpose of filling out a record company’s stock music library. It seems almost unjust, in a way – relegating these tunes to a lifetime of obscurity, only to be showcased for literal seconds at a time in the background of some nondescript cartoon or low-budget film.

(And check out Loose’s “Sonar Waves”, specifically about 45 seconds in – any horror fan worth their salt ought to recognize those notes instantly.)

As far as I know, this page is the only place online you can listen to the (almost) entire collection of missing cues from Creepshow in one spot. Unfortunately, it is not complete. I am still missing about 20 tracks, which is mind-boggling. Like I said, these have been hard hard hard to find. But I will continue to update this page as I discover the final, missing cues. Below, the tracks are listed in the order that they appear in the film.

None of this would be possible if it weren’t for the fine, informative folks at YowpYowp and Film Score Monthly (specifically, a member named PrimeEvil whose own keyboard handiwork I’ve included below).

I won’t bore you with my blathering any longer. If you’ve read this far, you deserve to be rewarded with the music. Enjoy, and if you happen to have a hot tip on any of the missing tracks, please email me!

