I didn’t start reviewing theater in Chicago until the following year, but by many accounts, Finney’s work in “Another Time” was extraordinary. The Tribune’s Richard Christiansen certainly thought so. And the Washington Post sent its outstanding critic, Lloyd Rose, to take a look. Rose (who went on to write Doctor Who spinoff novels) utterly was transfixed by Finney, devoting almost all of her review to one actor’s work. “He does the kind of physical acting that leaves you thinking about nothing but the characters' souls,” she wrote. But it was Rose’s last paragraph that got to the heart of the Finney matter — she was arguing that Finney may have been British and already a movie star, but he was, at his core, a working-class guy and thus a Steppenwolf-type actor.