We did a Nirvana track. So it was like five days before the 20th death day of Kurt Cobain or something, so I was checking out the shortest song of Nirvana, it was on "In Utero", Very Ape.

So we played it together and then I overdubbed on the cassette, I overdubbed the bass and the vocals, and I really, really enjoyed the sound, so I said 'Ah, fuck it! Let's just record our album it on cassette'.

Nearly everyone is saying something about the sound of the new album, they are like : 'This sounds so great' or they say 'It's not so heavy, it doesn't have a lot of pressure'

and then I say to them 'Yeah, there is not so much space on this little tiny tape'.

'So what kind of tape?'

'Cassette'

'You recorded on cassette?!'

And then everybody likes it somehow just because of that fact we did it on this small cassette recorder.

For me it was also always important to record live, to represent the band, the performance of a sound...

As I said I'm an experimental guy and I think that there are so many ways to record, like how you did it in the 60's, how you did it in the 70's, how you did it in the 80's and even the 90's, like doing it very perfect and cut the drums and all that stuff, and nothing is wrong. Nothing is wrong. Everything has its aesthetics and I think that every sound in every song needs to get the right aesthetic to it in the production.

I'm very open minded to do anything. I'm also open to sample a song with the drums for example. Though I'd have to convince Thomas a little bit, but you know, I'm very open.