Over the past two years, I’ve built it into a functional rehearsal and recording space. It’s not Abbey Road and I don’t have vintage 10k Neve Pre-amps, but the vibe is right. Believe it or not hit records are being made in spaces far less equipped.

In my time as Community Manager I’ve chatted with music creators from around the globe. Artists who produce tracks for Drake, sync AAA video games and compose advertisements for Nike, Subway and Fox Films.

What’s crazy about this generation of producers is that the majority of them also make music in basements, sheds and bedrooms — makeshift studios like mine.

And that’s what drew me to this company and this idea in the first place. I want to break down the limitations of the bedroom producer. And A.I. can do just that.

Will Robots Replace Mastering Engineers?

In the year since launching, this question has come up countless times — and while I understand why — I think it’s missing the point. Do I think mastering houses like Metropolis, Sterling Sound, Bernie Grundman or Dubplates have seen a difference to their bottom line since the launch of LANDR?

I doubt it.

To me technology — especially A.I. — solves problems. I look to technology for freedom. A way to experiment while saving time and money. Low risk, high reward.

So with that in mind, my point is this, ask not:

“What can robots do for me?”

but rather: