Image caption The Globe re-created in London: Did the original theatre have a double billing with Thomas Middleton?

All's Well That Ends Well has another author as well as William Shakespeare, according to research from Oxford University academics.

Thomas Middleton has been revealed as the most likely co-author, according to in-depth analysis of the play's vocabulary, rhyming, style and grammar.

Professor Laurie Maguire says the latest literary research shows groups of writers working together on plays.

"The picture that's emerging is of much more collaboration," said Prof Maguire.

"We need to think of it more as a film studio with teams of writers."

'Two hands'

This major study of All's Well That Ends Well says that the most likely and logical explanation for differences in style and inconsistencies in the text is that it is the work of two authors.

THOMAS MIDDLETON Born and died in London - 1580 to 1627

Claimed as the only playwright of his era, other than Shakespeare, to have successfully written masterpieces in comedy, tragedy and history

Remembered for works such as the Revenger's Tragedy, the Changeling, A Chaste Maid in Cheapside

His collected works were not published until 1840 Source: Oxford Middleton Project

Prof Maguire says that a majority of plays written in this era had more than one writer - but the iconic status of Shakespeare has meant a reluctance to consider his work in this way.

She says she is "very confident" that there is "a second hand" in the authorship of the play.

The research by Prof Maguire and Dr Emma Smith, from Oxford University's English faculty, suggests that the playwright Thomas Middleton, a contemporary of Shakespeare's, appears to be the likely candidate.

Writers have their own distinctive literary "fingerprints" - a kind of stylistic DNA - and a highly-detailed analysis of the language in the play shows "markers" strongly linked to Middleton.

The rhyming and rhythms of sections of the play, the phrasing, spelling and even individual words suggest the involvement of Thomas Middleton.

As an example, the word "ruttish" appears in the play, meaning lustful - and its only other usage at that time is in a work by Middleton.

The distinctive way that stage directions are used in places is much closer to Middleton's style than to Shakespeare, says the study.

There cannot be any definite conclusion to this kind of literary detective work - and the academics say there could be other candidates such as John Fletcher - but Prof Maguire says there is an "arresting" stylistic match with Middleton.

Changelings

Thomas Middleton, who lived between 1580 and 1627, was a Londoner, younger than Shakespeare, and Prof Maguire says his more modern grammar can be detected in the text.

Image caption Authors worked together on plays, say researchers: All's Well That Ends Well adapted in 1981

Middleton became a celebrated writer - remembered for works such as The Changeling and Women Beware Women.

But Dr Smith says that his collaboration with Shakespeare in about 1607 could be likened to an established musician working with a rising star.

The question of the authorship of Shakespeare's plays has been a continued source of speculation and conspiracy.

Prof Maguire says that there is no serious scholarship which challenges the idea that Shakespeare wrote the plays attributed to him.

But she says the latest research suggests a much more collaborative approach to writing plays for the Elizabethan and Jacobean stage.

Image caption Dressed for the part: A radio version of All's Well That Ends Well in 1952

Plays were written quickly and for a commercial audience - and there were often stables of writers who worked together to produce a play.

Writers within these teams had specialised roles, she says, such as people who were particularly good at writing plots.

Prof Maguire says the cultural reverence for Shakespeare - so-called "bardolatry" - has helped to support the idea of the playwright as a creative genius, producing his works in isolation.

While much of Shakespeare's writing is his work alone, she says that in All's Well That Ends Well there is another writer - so much so that in places one author seems to be handing over to the other.

The play itself recognises the mixing and matching of life.

"The web of our life is of a mingled yarn, good and ill together."

Or else, as it says later: "It is like a barber's chair that fits all buttocks."