The fake winner: Pixels

With £2.66m including previews, Adam Sandler sci-fi comedy Pixels storms to the top of the UK box office, dethroning Fantastic Four. However, the key words here are “including previews”, since the Pixels number is, in fact, based on seven days of play, including takings the previous Saturday and Sunday as well as Wednesday and Thursday last week. All of that added up to £1.33m, essentially doubling the Pixels opening tally. Without previews, Pixels opened in fourth place, behind Inside Out, Mission: Impossible – Rogue Nation and newcomer The Man from UNCLE. Even so, the real weekend number represented the best opening for a Sandler film since Grown Ups 2 began with £1.65m plus £421,000 previews two years ago. That film was an ensemble. For a bigger Sandler star vehicle, you’d have to go back to February 2011 and romantic comedy Just Go With It, which began with £1.63m. On that occasion, co-star Jennifer Aniston provided another strong marketable name.

The real winner: Inside Out

Ignoring previews from the Pixels total, box-office honours at the weekend belong to Inside Out. The Pixar hit declined a very slim 3% from the previous frame, for fourth-weekend takings of £1.91m, and a total so far of £27.41m. Only three 2015 releases have earned more in their fourth weekend of play: Jurassic World, Minions and, surprisingly, Disney’s Big Hero 6. Inside Out has now overtaken DreamWorks Animation’s Home to be the second-biggest animated hit of 2015, behind Minions (£43.24m so far). Minions saw a 13% rise in box office at the weekend. Presumably families who went abroad at the start of the school holiday are now returning to the UK, and catching up on cinema visits. The past week saw Inside Out overtake Ratatouille (£24.80m) to rise another place in the Pixar all-time box office chart. Next in its sights: A Bug’s Life, with £29.45m.

The spy battle: M:I v UNCLE

Two films originating as 1960s TV spy shows are battling for audiences. Mission: Impossible – Rogue Nation held well in its third week of play, declining 34%. After 18 days, its total stands at £14.77m. A place below it in the chart is Guy Ritchie’s The Man from UNCLE, which begins with a so-so £1.45m. Rogue Nation, of course, is the latest sequel in a star franchise with proven box-office appeal. UNCLE represented a significantly riskier proposition – reviving a spy property that has been little seen in decades, and without the benefit of an A-list star (Henry Cavill is relatively unproven outside his Superman role). Ritchie also took the decision to retain UNCLE’s original 1960s cold war setting, which makes the film more distinctive, but also potentially more niche. For comparison, the first of Ritchie’s Sherlock Holmes films began with £3.08m in December 2009, earned from just two days of play (the Friday that weekend was Christmas Day, when cinemas are closed. That movie had the advantage of a more famous character, as well as major star Robert Downey Jr. The sequel opened with £3.83m two years later. As for Rogue Nation, franchise predecessor Ghost Protocol stood at £15.37m at the same stage of its run, although that film benefited from a more aggressive previews strategy. The film maxed out at £18.31m, which is a realistic target for Rogue Nation. It should soon overtake the lowest-grossing film in the series, Mission: Impossible 3 (lifetime of £15.45m).

The new comedies: Trainwreck and Absolutely Anything

Few consumers of UK entertainment media in the past month could have been unaware that a) Amy Schumer is a rising US comedy star earning comparisons with Lena Dunham, and b) she has a new film called Trainwreck. Universal’s well-orchestrated publicity campaign translated to a UK opening of £932,000, which is a nice number for an actress with zero box-office track record in the UK, although unremarkable for director Judd Apatow. His last effort as director, This Is 40, kicked off with £911,000 plus £319,000 in previews, in February 2013. Discounting previews, Apatow’s best opening as director came from Knocked Up in 2007, with £1.58m.

Simon Pegg comedy Absolutely Anything, from director Terry Jones, begins with a mediocre £487,000 from 314 venues. That’s slightly down on the first frame for Pegg’s last lead role, romcom Man Up (£529,000). But it’s a big improvement on the opening salvo for the one before that, Hector and the Search for Happiness (£240,000 from 279 cinemas). (Pegg’s 2014 hitman comedy Kill Me Three Times has yet to have a UK theatrical release.) Reviews for Absolutely Anything were discouraging, with a poor 14% Fresh rating at Rotten Tomatoes. “Watch absolutely anything else,” advised the Observer’s Jonathan Romney. “One of the worst movies yet made,” cautioned Kevin Maher in the Times. “Lightly feeble,” advised a slightly more positive Robbie Collin in the Telegraph.

The arthouse scene

Following six straight weeks when Amy was the top attraction for indie cinema fans, the documentary yields to Noah Baumbach’s Mistress America, starring Greta Gerwig and Lola Kirke. The film’s debut of £165,000 from 78 cinemas doesn’t make an easy comparison with Baumbach’s previous feature While We’re Young, which opened more aggressively at 250 cinemas, delivering a £427,000 first frame. A more apt comparison is Frances Ha, which, like Mistress America, is co-written by and stars Gerwig. It began in July 2013 with £151,000 from 60 venues, on its way to a lifetime £743,000. Amy’s latest cume is £3.42m, taking it past both March of the Penguins (£3.31m) and Deep Sea 3D (£3.40m) to make it the second-biggest non-concert documentary in the UK, behind Fahrenheit 9/11 (£6.55m). Director Asif Kapadia now occupies both second and fifth place in this all-time chart, with Senna at £3.17m.

The future

Despite the lack of big new releases, takings are 18% up on the previous frame, and level with the equivalent weekend a year ago, when The Inbetweeners 2 retained the top spot and The Expendables 3 was the biggest newcomer. The coming session offers one film that is hard to call: The Bad Education Movie, co-written by and starring Jack Whitehall. It’s hard to imagine it having the same impact as The Inbetweeners Movie, but how many of the show’s viewers will convert to ticket buyers, and how widely it will appeal beyond the TV base, are anyone’s guess. In addition, Fox released Paper Towns, from The Fault in Our Stars author John Green, on Monday, giving the teen drama a whole week of play in its opening session. Franchise reboot Vacation offers National Lampoon road-trip laughs. Sinister 2 is the latest genre flick from prolific producer Jason Blum. Benicio Del Toro stars as the famed drug kingpin in Escobar: Paradise Lost, with Hunger Games’ Josh Hutcherson. Following Tamara Drewe, Gemma Bovery is the latest adaptation of a Posy Simmonds graphic novel playing on a literary classic (in this case Flaubert’s Madame Bovary) and starring Gemma Arterton. The Wolfpack won the documentary grand jury prize at Sundance. Good People is the latest to feature the ever busy James Franco.

Top 10 films August 14-16

1. Pixels, £2,660,772 from 511 sites (new)

2. Inside Out, £1,912,671 from 615 sites. Total: £27,414,119

3. Mission: Impossible – Rogue Nation, £1,585,062 from 525 sites. Total: £14,773,294

4. The Man from UNCLE, £1,448,298 from 503 sites (new)

5. Trainwreck, £931,981 from 464 sites (new)

6. Fantastic Four, £701,406 from 524 sites. Total: £4,836,085

7. Southpaw, £625,828 from 377 sites. Total: £7,033,990

8. Minions, £581,573 from 524 sites. Total: £43,237,367

9. Absolutely Anything, £487,147 from 314 sites (new)

10. The Gift, £330,679 from 327 sites. Total: £1,449,135

Other openers

Mistress America, £164,691 from 78 sites

Brothers, £142,403 from 63 sites

Vasuvum Saravananum Onna Padichavanga, £31,383 from 14 sites

Precinct Seven Five, £21,441 from 31 sites

Theeb, £10,792 from 13 sites

Karachi to Lahore, £3,581 from 9 sites

Captain Webb, £3,108 from 2 sites

Vaalu, £1,612 from 5 sites

Pleasure Island, £1,470 from 1 site

Ramta Jogi, £1,168 from 5 sites

The Confessions of Thomas Quick, £713 from 2 sites



• Thanks to Rentrak