But it does fundamentally link up to this question that we’re asking in the film, which is: Does art matter? Does it matter in the face of tragedy? Does it matter in the face of poverty or political turmoil or unrest? Because all of us who are involved in art or movies, we spend a lot of energy and time and money discussing it and making it and talking about it — and you want to ask, is this all part of the distraction of our modern times or can it make a difference?