Cinema

Volume 7 / Issue 2, 22-07-2020

Edited by Agon Hamza & Frank Ruda

Introduction: Cinema Frank Ruda & Agon Hamza PDF

Table of Contents

“Who Do We Shoot?”: Capitalism and the Problem of Its Image by Pietro Bianchi PDF

After Finitude It’s a Wonderful Life by Rex Butler PDF

The Documentary Form and Lacan’s Four Discourses by David Denny PDF

Defending Representation; or, Thinking the Paradox to the Limit by Matthew Flisfeder PDF

“Repeating the Square: From Satisfaction to Jouissance” by Jennifer Friedlander PDF

A Hand for Hitchcock by Tom Gunning PDF

The End of Cinema as We Used to Know It: Or How a Medium Turned From a Promising Graduate Into an Old Folk by Petra Kettl & Robert Pfaller PDF

In Defense of Happy Endings, or, Where Lies the Trap of Never-Ending Stories by Jela Krečič PDF

Parasite and the Parallax of Social Relations Under Capitalism by Sheila Kunkle PDF

Industry of Boredom: On the Discord between Cinematic Telos and Ethos by Michael Kurtov PDF

Anger, grief, and dark humour: Three Billboards Outside Ebbing, Missouri as an ‘emotional hybrid’ by Tarja Laine PDF

The Object of Silent Cinema by Todd McGowan PDF

Bacurau — on blood, maps and museums by Patrícia Mourão de Andrade PDF

Animal filmicum: Notes on Some Scenes from Béla Tarr by Peter Szendy PDF

Preston Sturges and The End of Laughter by Alenka Zupančič PDF

Interview with Sophie Fiennes, Risk is the Holy Grail We Need to Hold Onto by Agon Hamza & Frank Ruda PDF

Interview with Todd McGowan: Politics of Moviegoing by Agon Hamza & Frank Ruda PDF

Notes on ContributorsPDF