Academic Festival Overture, Op. 80, German Akademische Festouvertüre, overture composed by Johannes Brahms on the occasion of his receiving an honorary doctorate of music from the University of Breslau (now the University of Wrocław in Wrocław, Poland). The work was composed in 1880 and first performed on January 4, 1881.

Britannica Quiz High Art in Song Which of these poets was not a favorite of the 16th-century Italian madrigal composers?

No doubt the premiere was intended to be a solemn occasion. As an unspoken reciprocation of their award, the University of Breslau had anticipated that Brahms, one of the greatest living composers (albeit one who had not attended college), would write a suitable new work to be played at the award ceremony. There is little doubt that what he provided confounded his hosts’ expectations. Rather than composing some ceremonial equivalent of Pomp and Circumstance—a more standard response—Brahms crafted what he described as a “rollicking potpourri of student songs,” in this case mostly drinking songs. It is easy to imagine the amusement of the assembled students, as well as the somewhat less-amused reaction of the school dignitaries, to Brahms’s lighthearted caprice.

Johannes Brahms. Photos.com/Thinkstock

The Academic Festival Overture showcases four beer-hall songs that were well known to German college students. The first, “Wir hatten gebauet ein stattliches Haus” (“We Have Built a Stately House”), was proclaimed in the trumpets. “Der Landesvater” (“Father of Our Country”) followed in the strings, and the bassoons took the lead for “Was kommt dort von der Höh’? ” (“What Comes from Afar?”), a song that was associated with freshman initiation. Lastly, the entire orchestra joined together for a grand rendition of “Gaudeamus igitur” (“Let Us Rejoice, Therefore”), a song later beloved by operetta fans for its appearance in Sigmund Romberg’s The Student Prince (1924). It was the first melody, however, that was most notorious in the composer’s day. “Wir hatten gebauet” was the theme song of a student organization that advocated the unification of the dozens of independent German principalities. This cause was so objectionable to authorities that the song had been banned for decades. Although the proscription had been lifted in most regions by 1871, it was still in effect in Vienna when Brahms completed his overture. Because of this ban, police delayed the Viennese premiere of the Academic Festival Overture for two weeks, fearing the incitement of the students.