Overview (1)

Mini Bio (1)

Spouse (1)

Susan Ringo (1989 - present) ( 1 child)

Trade Mark (6)

Directs mainstream films that have an offbeat quality to them



Often shoots from below eye-level for comic effect





Often casts Carel Struycken in his films

Known for his sense of physical comedy and slapstick scenes





Large opening credits that combine his handwriting and a thin chalk drawn font that pays homage to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Trivia (12)

Was uninjured when a private jet he was travelling in collided with five empty 'planes after a rough landing in Van Nuys, California. [February 1999]





Started his career as a cinematographer in porn films. He's quoted in the January 26, 1998 Newsweek magazine (page 60) saying that he was depressed when he heard that Boogie Nights (1997) was being made (a film about making pornos) because he had wanted to make a movie about the time he shot 9 feature length pornos in nine days.



NYU Film School Assistant to Elliott Erwitt



Was offered the job of directing Forrest Gump (1994), but declined. The job then went to Robert Zemeckis , who won an Academy Award for it.

Has a private bathroom designed to look like a public bathroom, complete with stalls and urinals in his house in New York.





One of his most embarrassing moments occurred when he was a teenager attending his first rock concert. His mom had the PA announcer say, " Barry Sonnenfeld , call your mother.".



Nephew of Vaudeville and screen comedian Gus Schilling , whose voice likeness he inherited genetically.



Was set to direct Fun with Dick and Jane (2005), but bowed out citing personal reasons.



Was at one time attached to direct The Heartbreak Kid (2007).

Stepfather of Amelia A. Erwitt (born in 1981).



Personal Quotes (4)

A director sits on the set 11 and a half hours a day. And for 30 minutes they get to direct.



[on what he took away from each "Men in Black" film] - The first one was unique because it was the first one in the series and we got to create this world. What we realized in the second movie is that we thought the first movie was a comedy, and we realized that it was funny, but not a comedy. And the second one was too, "funny" or "joke-y," and we were trying for comic-beats as apposed to telling a great story. And the third Men in Black, we went back to the roots and it's much more like the first Men in Black, which is that it's really about emotion, character, and relationships. And if it's funny, it's funny because of those things, but we're not cutting to singing dogs.



[on directing Will Smith and Tommy Lee Jones] Although Will would always be deferential and charming he's an eight-month-old Great Dane puppy, and he's got way too much energy, way too much joy, too much karmic perfection. And I think that may have affected Tommy. But from the entire first movie [they] loved each other. Will genuinely feels Tommy's one of the funniest people he's ever met because Tommy is George Burns and Will is Gracie Allen. You need both.

