Nastya Muravyova played Cxema for the first time in 2017. It was a turning point in the history of the organisation - the parties left the sweaty, DIY territory of the Gavan' skatepark straight to the site of Dovzhenko, one of the largest film studios in Eastern Europe with a vast dancefloor and high ceilings. It was a moment for Nastya: "I was just puzzled by everything that was happening around. I was catching the buzz, playing in front of such a crowd. I needed just one set, and people started recognising me, coming to the parties I played."

Now the demand for Nastya Muravyova's sound is growing exponentially. Her set at the Boiler Room party has clocked up more than 100k views, and her gigging schedule updates weekly with new bookings on the world club map.

"Through the platform of Cxema, I realised how I should sound," says Dmitriy Avksentiev, better known as Voin Oruwu, recalling his first performance at Cxema under the Gavan' Bridge. "I've still got goosebumps, seriously," he continues enthusiastically.

Dmitriy Avksentiev’s musical path began in 2007. He entered the field of electronic music by writing and sending out his first compositions to artists and labels, and playing Kievbass parties and small bars for 50-70 people, where dub and 2-step were common. After absorbing the influences of jungle, dubstep and future garage, he merged these with his love for movies and created the Voin Oruwu project.