The symbolism of the ITNJ is full of references to Jesuits, the Vatican, black nobility and Freemasons. Some imagery is totally inappropriate for victims because it can trigger memories of the traumatic abuse. All this contributes to the controversy that arose around the organization. The more reason to take a closer look at their symbolism.



Nederlandse versie

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What are appropriate symbols for an organisation that claims to rectify a corrupt legal system? An organisation that declares to address institutionalised injustice and human rights violations? In any case no symbolism that can trigger victims. Or refers to the very institutes of which is known that they play a key role in the abuse. Yet this is exactly what we identify.

In a research into symbolism you dissect the overall images into separate parts, in order to clarify the (possible) meaning. I do not imply that the creators or users have intentionally added all these references to their symbols. These are my personal interpretations. Moreover, some symbols have multiple meanings and therefore you cannot draw clear conclusions based on the individual components. This is about the big picture, the sum of all parts. The explanation below is a report of this investigation and my findings.

The Black Sun

The ITNJ is the legal branch of the umbrella organisation Humanitad. When you place the Humanitad logo next to the Jesuit logo you see a strong resemblance in design. Especially with the H in the centre of the sun. Does the H simply refer to Humanitad, or to the Holy See? The sun in the Jesuit logo is the black sun, the emblem of the Order of the Black Sun. The sun in both the Humanitad logo, as well as the ITNJ emblem shows a strong resemblance with this symbol.

In the ITNJ emblem the (black) sun is positioned in the centre. This can be interpreted as a reference to the Jesuits, the military intelligence of the Vatican. Do the eight pentagrams around it refer to the eight satanic organisations or countries that work for this intelligence service in order to harvest? Does the crop-circle symbolise the harvest? The outer serrated edge can be interpreted as a cog-wheel that will crush something.

Possibly this interpretation is a bit far fetched. When creating symbols and logos, people often unknowingly borrow elements from other symbols that surround us in our daily lives. People are not always aware of the (hidden) symbolism, or simply aim to convey another message with the symbol. Before we draw all kinds of premature conclusions, let’s investigate it a bit further.

The laurel wreath

The laurel wreath refers to the Roman empire. In Rome it was a symbol of an heroic act. A successful commander was crowned with a laurel wreath during his triumph. The laurel wreath is often (unconsciously) added to a symbol to give it a formal appeal. Laurel wreaths are also associated with the academic world. Organisations like the UN and the World Health Organisation also use a laurel wreath in their logo. In the case of Humanitad the connection with the UN logo is not coincidental as can be seen on their website.

The pine cone

Another prominent symbol of the ITNJ is the pine cone. It is incorporated into their logo. The pine cone refers to the pineal gland, the third eye and is thereby a symbol of human enlightenment. The pine cone is also a pagan fertility symbol, associated with the god Baal and the cult of the goddess Cybele.

The pine cone in the ITNJ logo has a long stem, something that pine cones do not have. It therefore can also symbolise the artichoke. The leafs of the artichoke refer to the crown chakra. An artichoke is also called a “Fleur Magique” (magic flower) and represents hope and a prosperous future.

The artichoke comes from the Mediterranean and goes back to 500 BC. when the fruit found its way to Naples and Florence via Sicily. In the 18th century, the artichoke was a culinary privilege reserved for the exclusive members of the aristocracy. Therefore you can also say that the artichoke refers to the (Italian) aristocracy. The artichoke is also a symbol of the Italian Mafia. After all, it has many compartments and different layers with a juicy heart.

Project Artichoke was a CIA program with a questionable form of interrogation. It was the precursor of Project MK Ultra, a form of brainwashing that used hypnosis, morphine addiction and deprivation, drugging with LSD and other drugs and sleep deprivation. Many victims of sexual and satanic ritual abuse by church and state have also been subjected to MK Ultra techniques. The use of a pine cone symbol that can be interpreted as an artichoke as well, is therefore a questionable choice for that reason alone.

The peacock

The peacock is a very prominent symbol on many publications of the ITNJ Commission. Not just on the website, but also the brochures are full of peacocks and peacock feathers. Particularly, but not exclusively, the white peacock. What on earth does a (white) peacock have to do with sexual and satanic ritual abuse? All the more reason to take a closer look at this symbolism.

The peacock is a symbol of the spiritual awakening of the kundalini. Although the kundalini itself is often depicted as a curled snake, the peacock can thereby act as a spiritual protector. Particularly the white peacock symbolises higher consciousness and spiritual development. So far so good. On the web page of the ITNJ Commission two white peacocks are facing each other. This refers to duality, just like the opposite hearts in the lemniscate below the pine cone symbol (see below).

The peacock has been a symbol of the nobility and especially kingship for centuries. For that reason it was common that kings bought one or two peacocks for their estate. We also see peacocks in the interiors of royal palaces and as a motif on royal gowns. The peacock is also the symbol of the Vatican and therefore we see it in Vatican City as well. In Christianity the peacock symbolises the all-seeing church and holiness. In Persia and Babylonia the peacock was seen as the protector of the kingship and was often engraved into the thrones of monarchs.

Where the entire peacock is the symbol of a 100 eyes and the all-seeing knowledge, one peacock feather symbolises the all-seeing eye. On one end it refers to the top of the pyramid with the all-seeing eye, on the other hand it might also refer to the organisations that are part of the Five Eyes.

Five Eyes is an anglophone intelligence alliance comprising of Australia, Canada, New Zealand, the United Kingdom and the United States. Or in other words: the collaboration between the CIA, NSA, MI5, MI6 and other intelligence organisations. Remarkably enough, a number of representatives from these organizations appear to be on the ITNJ-commission.

The secret Vatican archive

That brings us back to the pine cone. The pine cone is a prominent symbol in Vatican City. There is a big statue of a pine cone on the square “Cortile della Pigna” (courtyard of the pine cone). This square is in fact the armoured roof of “Archivio Segreto Vaticano”, the secret Vatican archive, where all secret gnostic and historical documents and art treasures are stored. The secrets that they want to guard, to prevent the truth from coming to light.

This Vatican archive also contains the papal bull (charter) “Unam Sanctam”. This papal bull, written by Boniface XIII, declares that the whole of humanity is owned by church and state. The system that not only enslaved humanity, but also abused it in all kinds of dark rituals. The Vatican is therefore one of the most criminal organizations in the world.

The pine cone symbolises that the Catholic Church hijacked humanity’s enlightenment and replaced it with a religious surrogate. In order to better understand the symbolism of the pine cone I went looking for a photo of the square with this pine cone statue. When I saw the picture I immediately understood the two facing peacocks, as we also see them on the ITNJ’s website. It is all hidden in plain sight. The peacocks on the square are the guardians of the Vatican’s secrets. Why would the ITNJ use symbolism that refers to exactly this location and this criminal institute, unless they represent their interests?

The lemniscate

A lemniscate is an infinity sign. The loop of the reincarnation trap, whereby humanity like hamsters keep running in circles in a wheel, yet arrive nowhere. Below the pine cone/artichoke symbol is a lemniscate with two opposite hearts inside. This opposition is a reference to the Freemasons and duality. You could interpret this as striving for an infinite struggle of opposing forces under the direction of the Vatican.

Blood contract

The treaty of the ITNJ is signed with the signatures and fingerprints of the founders. Red ink was used for this. This is an unmistakable reference to a blood contract and blood sacrifices. Who in heaven’s name can think of using this symbolism for an organization that claims to represent the interests of victims of satanic ritual abuse and blood sacrifice rituals?

This reference to blood contracts either shows a total lack of insight into the victims that are triggered by this image, or it was deliberately done by an arrogant psychopathic mind. It is shocking.

The rosette

The symbol of the ITNJ commission is a rosette consisting of infinite loops with opposite hearts. There is a large similarity in design with the lemniscate of the ITNJ logo. The opposite hearts represent duality in an infinite struggle.

A rosette is essentially a rose-shaped decoration. An object or arrangement that looks like a rose, usually made of ribbon. The rose is the emblem of the Orsini family. One of the papal bloodlines. It’s in their family crest. Ciro Orsini is closely involved in the creation of the ITNJ and the best friend of Sacha Stone. He is directly related to Pepe Orsini, the grey pope.

The black pope is the supreme commander of the Jesuits who rules the world. The white pope is the official pope, but essentially a puppet. According to some sources, the grey pope is the most powerful man in the world. He would be in command of both the white and the black pope. The grey pope is seen as the “King of the Holy Roman Papal bloodlines.”

The Orsinis belong to the Italian black nobility and the papal bloodlines. This is the group behind the P2 lodge, the head of the Order. The group that founded the Mafia. The group that controls the Vatican. All in all, these are quite a few references to the Vatican. Is this all a coincidence, or the result of misinterpretations? Judge for yourself.

ITNJ symbolism: coincidence or intent?

The controversy about the symbolism used by Humanitad exists for a long time, even before the ITNJ was founded. In a response to a critical article about Humanitad’s logos that is removed at the request of Sacha Stone, he writes in a rectification: “As for the funders and the logos — you got that bit all wrong. If you read the site you would learn that all of those are sub-organisations initiated by Humanitad. They were dreamed up by me — and I designed all of the logos personally. I did so in order to retrieve some of the symbols from the covert elites — and to effectively do so in plain sight. The NWO we named specifically with that acronym in order to put the New World Order folks on notice in a gentle but meaningful way.”*

“Just about every ancient symbol in the world has been bastardized by the Luciferian system. The ITNJ is bringing back the original frequencies of two symbols – the pine cone/pineal and infinity loop. Together they represent ‘consciousness continuously moving.’” From an ITNJ internal memo

Furthermore he writes: “Finally – I know more about the Jesuit Code, the Illuminati bloodlines, the Luciferian complex, the Babylonian Priesthood, Neo-Canaanite Ritualism and the shenanigans of shadow-governments and institutions than you can shake a stick at. I have written extensively on these subjects and published widely the State of the World Reports and other essays which shed LIGHT on these covert subjects for many years. Or is that part of the Jesuits diabolical plan as well?”

*) This article was from 2013 and was referring to Humantad’s and New Earth logos, before the ITNJ was founded.

Based on this I conclude that the ITNJ founder Sacha Stone is not only well informed about the possible meaning of symbols, but also makes well-considered choices in the creation of symbols that represent his many organisations. The fact there are a number of clear referrals to the Vatican’s symbolism, the Italian aristocracy and Freemasons is at least suspicious, because we might assume that Sacha Stone would not have overlooked these affiliations.

Or should we accept his claim that he wanted to put dark symbols in a positive light and simply take this for face value? From the perspective of the victims this symbolism and referrals to a MK Ultra program, the Vatican archive and blood sacrifices is problematic to say the least.

Protector or opponent of the Vatican and British monarchy?

Let’s put it differently:

knowing the Vatican and Black Nobility operates as the hidden hand in the institutionalised abuse of humanity;

knowing the Vatican and Black Nobility are guilty of dark rituals and child sacrifice practises;

knowing the Catholic Church protected paedophiles for decades;

knowing that the Catholic Church plays a key role in the genocide against the native Indian population in North America;

knowing that the royal family is involved in satanic ritual abuse, a form of abuse that extends far beyond Prince Andrew’s scandal;

I would like to ask the following:

Which ITNJ witness statements are a threat for the Vatican?

What did the ITNJ undertake so far in order to dismantle this totally criminal institute?

Which witness statements undermine the power of the British royal family?

Which witness statements are being censored?

Why does Sacha Stone accuses the protagonist of the dismantling of the British Crown of “sedition” which means “rebel against the authority of a state or monarch?”

Which statements have been made about the refusal to lock up pedo-criminals?

Symbolism is one thing, intent and decisiveness is another.

The many questions in regards to the used symbols make me think about Q: “Their need for symbolism will be their downfall.”

Ella Ster* | bron: ellaster.nl

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