“When did people start identifying so relentlessly with victims, and when did the victim’s world view become the lens through which we began to look at everything?” So begins Bret Easton Ellis’s take on, of all things, Barry Jenkins’s film “Moonlight,” which he describes as “an elegy to pain.” Ellis’s first work of nonfiction, “White,” is an interlocking set of essays on America in 2019, combining memoir, social commentary, and criticism; more specifically, it’s a sustained howl of displeasure aimed at liberal hand-wringers, people obsessively concerned with racism, and everyone who is not over Donald Trump’s election. His targets range from the media to Michelle Obama to millennials (including his boyfriend). Ellis also defends less popular people, from Roseanne Barr to Kanye West, whom he perceives as having been given a raw deal by the mob.

For those who follow Ellis on Twitter, none of this will be particularly surprising. He has been involved in several online controversies, including one that stemmed from him calling the filmmaker Kathryn Bigelow “really overrated” because she is “a very hot woman.” The more interesting question is how much of a departure this material represents from his fiction. When Ellis was in his twenties, he published three novels—“Less Than Zero,” “The Rules of Attraction,” and “American Psycho”—that are considered some of the most biting and lasting satires of Ronald Reagan’s America. But their protagonists’ materialism, misogyny, and amorality, along with Ellis’s early Brat Pack persona, have persistently raised questions regarding the depth of his social critique. “American Psycho,” about an investment banker and serial killer (who happens to worship Donald Trump), has been described as a masterpiece of postmodern literature, but it has also been condemned by prominent feminists.

In recent years, Ellis has continued to publish fiction while also writing screenplays, including for Paul Schrader’s “The Canyons,” which became notorious for its troubled production. Since 2013, he has hosted the “Bret Easton Ellis Podcast,” on Patreon. Ellis and I recently spoke by phone. During our conversation, which has been edited for length and clarity, we discussed how people respond to allegations of sexual assault, whether the President is a racist, and why he finds liberal outrage so annoying.

You have a section in your book where you talk about President Trump’s comment about Mexicans being rapists. And then you have another section where you talk about Michelle Obama being “breathlessly condescending” when she said, “When they go low, we go high.” I am trying to understand why one of those things sets you off and the other you seem kind of neutral about.

You know, I think “sets me off” suggests that I am enraged, and I think the voice in the book is pretty chill and neutral. And what I am talking about is all in context. With the Trump thing, that is true. He said that once, in his very first speech, and didn’t say it again, and there were people who had picked up on it and were still repeating it a year or two years later. Without putting that in context, yeah, I guess that bothered me.

O.K., but Trump says lots of racist things. We can all agree on that, right?

[Pauses.] Sure.

So he says lots of racist things. This thing was only said once. Why does people being upset about it, or people being upset about the fact that we have a President who regularly says bigoted things, bother you?

No, no, no, no, no. That just twisted up what I meant.

Tell me what you meant.

You think I am defending a racist.

No, I asked why liberals repeating Trump’s remark about Mexican immigrants being rapists bothers you so much.

Because it didn’t seem to be truthful, and it seemed to be exaggerated and said over and over again. You think I am defending Trump somehow? I am bothered by people using that one thing two years later.

There are a lot of things to get angry about: children being separated from their parents, Trump saying nice things about marchers in Charlottesville. What is it that bothers you about this?

You do know that plenty of people don’t think that? You do understand that?

Don’t think what?

Don’t think all these things you are saying about Charlottesville. What does he have, a ninety-three-per-cent approval rating, or, let’s say, a hundred per cent, from his base? Let’s say it is, over all, way up, from thirty-eight per cent to fifty per cent, or even higher. And let’s say Latinos are now fifty-per-cent approval for Trump.

That’s not true, but O.K.

Well, whatever.

I am looking at the FiveThirtyEight average. He is at forty-two per cent.

O.K., but whatever. There is another side of the aisle.

I am not arguing that people don’t support him. You aren’t denying Trump says racist things regularly. I am just trying to understand why liberal opposition to Trump bothers you so much.

I don’t know if he does think racist things so regularly. I am not sure if I do.

Oh, O.K. What did you think birtherism was?

I do think birtherism was racist and the Tea Party was an abomination. The hysteria over Trump is what I am talking about. It’s not about his policies or supposed racism. It’s about what I see as an overreaction to Trump.

Sorry, you keep going back and forth here between racism and supposed racism. Do you think he is racist or not?

Yeah, probably he is. Because, when I was doing research on him, way back in the nineteen-eighties, during “American Psycho,” the policies he and his father were talking about—in terms of not letting people live in certain buildings, and the overreaction to the Central Park jogging case—was annoying enough to make him a figure in “American Psycho,” where Patrick Bateman sees him as the father he never had.

The animating feature of the book is that you are frustrated and annoyed with the liberal consensus, which is “shrilly” and “condescendingly” looks down on Trump voters. Would that be a fair way of putting it?

I would say that’s a fair way to put it, sure.

Is it that you think there are terrible things going on but we should all take a deep breath, or is it that you don’t think there are a lot of terrible things going on?

I just think that there is a man that got elected President. He is in the White House. He has vast support from his base. He was elected fairly and legally. And I think what happened is that the left is so hurt by this that they have overreacted to the Presidency. Now, look, I live with a Democratic, socialist-bordering-on-communist millennial. I hear it every day.

He’s a character in the book.

He is in the next room right now. And I do put myself in his shoes, and I do look at the world through his lens, because I have to. I live with him, and I love him. And I do hear this, and some of it changes my mind, and some of it doesn’t. I am certainly much more of a centrist than he is. I do listen, and I think that [lack of a] sense of neutrality—of standing in the other side’s shoes and looking at this from the other side—has bothered me among a lot of my friends and from the media.