As it settles into New York’s cultural fabric, the Shed — the $475 million arts center in Hudson Yards that opened earlier this year — has a question to answer: After a flashy first season that has included a “kung fu musical,” Björk and a concert series conceived by the director Steve McQueen, how do you keep people interested?

The venue’s sophomore season, announced Friday, is a response to that question.

“One thing we wanted to do was to have a wide enough range of commissions in that first season to demonstrate that there was something for most people in our program,” Alex Poots, the Shed’s artistic director and chief executive, said in an interview.

“There’s less pressure on this season to do everything,” he added.

It’s still an eclectic mix.

The 2020 season will include the world premiere of “Help,” a theatrical work by the author and poet Claudia Rankine that explores white male privilege — a subject that Rankine also addressed in an article in The New York Times Magazine this year. “Help” will be directed by Taibi Magar, with movement choreography by the dancer Shamel Pitts. It will debut in March.

The United States premiere of “Misty,” a play by the British playwright and actor Arinze Kene, will come in September. “Misty” had a buzzy debut in London at the Bush Theater last year, before transferring to the West End. The Shed has commissioned an altered version.