On the cover of 1981’s Nightclubbing – which captures an androgynous Jones clad in just a men’s Armani tuxedo jacket with an extreme flat-top haircut, unlit cigarette dangling from her mouth – her shoulders have been vastly widened to accentuate the sharp, masculine lines. On these blurred gender boundaries, Jones said simply, “I go feminine, I go masculine – I am both, actually. I think the male side is a bit stronger in me and I have to tone it down sometimes. I’m not like a normal woman, that’s for sure...”

Goude, whose relationship with Jones ended when she became pregnant with their son, Paulo, has confessed that he “was more interested in the virtual character than the real woman – I still am”, while Jones, in an interview with the Daily Mail, confirmed it was ultimately the reason she left him: “I was an object, always.” At that time she was arguably a willing muse, having come to the United States from Jamaica to pursue a modelling career, and let off some steam.