Matt Jones, the chief executive of Songkick’s parent company, Complete Entertainment Resources Group, thanked employees and artists “who contributed so much to our many successes over the last decade.”

Last summer, Songkick sold one of its main businesses, a concert-recommendation app, to the Warner Music Group — owned by one of Songkick’s major investors, Access Industries — and later shut down its remaining operations.

Songkick’s case hinged on the rights to sell a ticket. The company specialized in so-called artist presales, or selling batches of advance tickets — often around 8 percent of the inventory for a show — to fans. Presales serve, in part, as a way to thwart scalpers.

Songkick contended that Live Nation was interfering in its business by blocking its access to presale tickets and by demanding fees on the sale of tickets that Songkick handled. But Live Nation, which countersued, argued that its contracts with venues gave it the right to determine how those tickets should be sold. Songkick’s suit also accused Live Nation of threatening artists not to do business with Songkick.

The case was also punctuated by accusations of corporate espionage by Ticketmaster, and had voluminous court filings showing sometimes embarrassing internal communications among top Live Nation executives.