The situation in Ukraine remains perilous – with the Russian annexation of Crimea, the uncertainty over who is ruling in Kyiv and the rise of the far-right into positions of power within local and national structures of authority. However, as this blog hopefully reflects, in contrast to what remains the focus of the general media, in everyday life a certain normality or normalisation is (re)-emerging. An everyday order that has emerged as a mixture of what went before Euromaidan, the revolution and Crimea, and something new, overshadowed by tragedy, danger and fear.

So, although the most popular posts here have been about Right Sector and far-right marches, there’s little new to report on that front. I’m not hiding or censoring anything – simply, there was a purge of right-wing imagery from public spaces, the revived rallies were largely a failure, while protesters claiming to represent the people of the Ivano-Frankivsk region have disappeared from the police HQ and instead their leaders seem content to occupy, now legitimately with keys and suits rather than violently, offices within the regional administration.

When there were demonstrations, protests, arson attacks or torchlight processions, this blog covered it. Now there are none, the everyday prevails. Hence the perhaps, for some, flippant title and subject matter of today’s post.

For several years, a historical building – namely a brewery first opened in 1767 – in the centre of Ivano-Frankivsk close to the market on Novhorodska Street was being renovated which here, most often, equates to a complete rebuilding. This is what happened in the case of the city brewery which under communist rule and indeed in the early years of independent Ukraine still produced beer. (My father-in-law chose this company for his free shares that were issued to all Ukrainians at the time of marketisation of the economy. Not a wise choice, it turned out, although the rest of my wife’s family chose better, opting for the local energy company.)

The brewery closed down and fell into disrepair, a situation so grave that the old brewery was torn down and replaced with this replica, or simulacrum, belonging to the category of fake heritage. It is now a restaurant belonging to the local chain Royal Burger.

The plaque here states that this building is ‘a monument of architecture’, so the equivalent of being listed in Britain. It was the ‘malthouse of a brewery’ and is protected under No 1137-N. ‘It is protected by the state and any damage is punishable by law.’

It is noticeable that this plaque, unlike others in the city, makes no mention of the year of construction. It is unclear how this building can be considered a ‘monument of architecture’ and a listed building when it is a replica. And if damage is punishable by law, then whoever gave permission for this “reconstruction” and then for Royal Burger to take over the building without making any effort on the internal decoration to reference the building’s heritage should be prosecuted.

For some reason, the architects decided to attempt some fake authenticity by leaving two fried-egg-shaped patches of uncovered brick, as if the plaster had fallen off the walls of this brand new construction. Indeed, beneath these plaster cast prostheses of authenticity there is one of the few signs of any history to the building. The bared bricks reveal the names of Polish and presumably Austrian brick companies, a handful of which may have been salvaged from the original. However, such bricks are easy to come by and theme pubs around the area are full of them without making any pretence to authenticity.

If you want some genuine plaster-falling-off-the-walls experiences, then you don’t have to walk far. You could walk fifty metres around the corner to see this building.

Or you could just look out of the window of Royal Burger and see across the road another building that belongs/belonged to the brewery complex. It won’t be long at all now until this building disappears from the city’s architectural landscape. Unlikely to be replaced by the Royal-Burger-type fake heritage, I’d imagine an apartment block springing up in this prime real estate location quite soon.

The situation is quite desperate, as the back wall has partly collapsed, even if the walls appear quite smooth and may have been treated in the not-too-distant past, perhaps when the brewery was still active.

Further attempts at referencing the heritage and history of the building are evident in including the name of the owners who took over the brewery in the nineteenth century, the Sedelmajers, who took over from the founders of the city, the Potockis, who had owned the brewery. The link that provided that information also notes that the original promise in 2007 was that a condition of rebuilding was that beer would continue to be brewed on the site. That never happened, of course.

A further attempt at referencing the history of the building is in the writing forged – an apt word – into the windows. It states ‘Piwo w Stanislawowie’, which doesn’t really make any sense reading it. It means ‘Beer in Stanislawow’, with the ‘l’ appearing particularly inauthentic as it ought to be a Polish ‘ł’. If anything, it should say ‘Piwo z Stanisławowa’, Beer from Stanisławów, or better still actually refer to the name of the beer once made there, Stanisławowskie.

This is perhaps the most egregious example of a masking of the destruction of the city’s heritage in the twenty first century, although the destruction of buildings continues apace whether deliberately, by allowing huge apartment blocks to spring up on the site of small, one-storey houses, or by allowing old buildings to fall deliberately into disrepair before being replaced more cheaply and by more profitable buildings that pay lip-service, if that, to what had been there.

Inside Royal Burger there is no attempt to even make passing reference to the building’s history. It is simply a generic fast-food joint that even in its menu effaces any indication that this building is in Ukraine or central Europe. Even McDonald’s make the effort, when moving into another foreign country, to make food which include some citation of local ingredients or classic dishes. The menu at Royal Burger is a purely generic interpretation of what was once American-style fast food. And the name and logo themselves reflects the building, as a kind of rip off of Burger King.

My wife and I got some food in the restaurant – if I frame these whims as anthropological expeditions, I get away with doing a lot more stuff like this with her and have a chance of eating unhealthy food. I opted for the signature dish, the Royal Burger, er, Royal Burger meal. It’s two meat patties – possibly a pork and beef mix, that’s what it tasted like – in a sesame seed bun with decent sauce and salad. The chips were pretty decent, to be honest. However, the burger was problematic.

Unlike Burger King, these patties were not flame grilled, more slopped in some oil and fried or heated a bit, school-dinner style. And they were of an odd size and oddly positioned, so being smaller than the bun they shifted about like hockey pucks and meant the whole burger was quickly destroyed, falling into pieces and the salad going everywhere.

The coke that accompanied the burger meal only arrived after about fifteen minutes, together with this Caesar Salad. To be fair, the salad was definitely fresh as when we ordered we were told there would be a wait while it was prepared, so perhaps defying the idea of fast food, and it was pretty alright. And both meals, the burger and the salad, were brought to our table. We won’t be going back to Royal Burger, as it’s quite pricey for what you get, and not really a nice place to be, especially with the horrors wrought upon the building.

Now, in media news, a bit of shameless self promotion. I found out today that I have been featured in a glossy magazine, Ivano-Frankivsk’s Versal which is like Vogue in terms of content and approach. For anyone who hasn’t read Ukrainian Vogue, it’s quite an upmarket magazine that includes some serious social commentary and cultural news, alongside loads of adverts. This magazine, Versal, aspires to that. A former student got in touch and asked for my views. So I wrote an email, having not eaten for forty eight hours, as it was while I was suffering from food poisoning. So were I fully functioning, I may have said something more profound on my debut in a glossy magazine. (This was not the interview with a journalist I mentioned in a previous blog – that’s still to come out).

So on the cover of this ‘fashion magazine’, aside from the adverts, the featured topics are ‘Sexual training in Ivano-Frankivsk?’ (Answer: you might have to go to Lviv for now.); The Psychosomatics of Women; and Be Trendy – Love Ukrainian products.

Inside, a feature with yours truly above an advert for a very good restaurant, Franko, which seems to be getting into austerity mode by promoting its three-course deal for 75 UAH, now less than £5 ($8) with the gradual collapse of the currency. The transliteration of my surname is technically correct but stylistically questionable, but not qualms as my words aren’t changed too much (Ukrainian journalistic practice isn’t always up to scratch on this point). I talk about my rising awareness of the seriousness of the situation in Ukraine in November 2013, trying to get students then to realise the same, while I end on an appeal for people here not to live in fear of the minor powers who have demanded bribes in the past and to rise above that. Then I make a call for people to realise the multicultural, multinational history of the city, rather than submit to the quixotic but ultimately dangerous appeal of nationalism, which writing this email in late February I sensed was on the rise. Indeed, a day later the torchlight procession took place.

What is particularly touching is that I have been included in a feature which presents ‘conscious, passionate Ivano-Frankivskians’, three people who talk about ‘what to do to make things better in their own country’. I have been accepted as a full resident of the city, and indeed even an honorary Ukrainian! I recall that when I first posted about the torchlight procession, a response even from people who have been friends and colleagues for years was that I didn’t have the authority to write and that people could do what they want in ‘their city’. Implicitly, despite having spent over two years living here, even friends didn’t judge that the city could ever be mind, I’d always be an outsider.

It’s also nice to feature in a magazine that it so eclectic – social commentary alongside adverts for ‘Hair Empire’ salon and a wonderfully insightful history of Hutsul, so local mountain-dwellers, jewellery and traditions.

This evening, meanwhile, my wife and I attended the booklaunch of a collection of articles written since November 2013 by five leading male Ukrainian authors. Four – Taras Prokhasko, Ivan Tsyperdiuk, Yuriy Andrukhovych and Yuriy Vinnychuk were present today in Ivano-Frankivsk, while Serhij Zhadan was absent, possibly still recovering after being badly beaten up during what proved to be fatal protests in Kharkiv earlier this month. The book is title ‘Euromaidan: Chronicle of Perceptions/Feelings (відчуття)’.

The four authors spoke, but did not enter into discussion, then read from their book. It would possibly have been more interesting to have attended their talk held at 5pm at Hotel Stanislaviv, rather than this 6:30 pm meeting at Ye Bookshop, but I had other commitments. Here there was some attempt, I felt, particularly by Andrukhovych, to overstate his role and literary figures’ role more generally in the protests. However, he did have interesting insights into censorship practices employed until the collapse of the Yanukovych regime, with the entire block he was staying in in Kyiv having its internet quite literally cut – the cable was removed – once the authorities worked out he was blogging and translating from there.

Vinnychuk was the most humourous and irreverent of the four, while the whole book generally should give something of an impression of the changing emotions, feelings and perceptions as the protests then revolution proceeded. The local press have covered this book in more detail here.

It is useful and insightful that the authors have chronicled their articles, their views, as this will prove a useful document in challenging the totalising narratives and histories that will inevitably emerge shortly and continue to be battled over in future, as to what the real “Euromaidan” or “revolution” was. Here, five authors with differing views and experiences, who themselves changed their minds and their feelings changed over time, create a stumbling block to that kind of totalising claim, even if the role of literary figures might come to be exaggerated somewhat, as it has done in the past (Milan Kundera, looking at you).

In an architectural aside, the ceiling and colour scheme more generally differs very little from that in Royal Burger. But the Ye Bookshop is an evidently new building with no pretence to heritage.

And to finish off for today, two posters from the university – No to War in Ukrainian and Russian, both accompanied by calls to reject bribes. The two strands of what seems to concern Ukrainians here most right now in one place – a civil revolution and saving the country from war.