My name is Brad Peyton. I’m the director of “Rampage.” All right. What you see here is a C-17 starting to crash on the outside. [screaming] Inside you have Davis and Kate trying to figure out what to do now that they’ve knocked George, the gorilla who was rampaging on the plane, unconscious. The challenge here was on the outside we basically did an aerial unit, but on the inside everything was shot on a sound stage and you have Dwayne Johnson and Naomie Harris actually on these rigs, these wire rigs, so that you could have the sense they were falling. We had these massive wind machines. Like there, you see Jeffrey Dean Morgan and these guys flying around. We actually had plane engines that were blowing wind through the whole set. All the fire and the black smoke, everything dangerous, was added in post. But there were a lot of real stunts. Like, you’ll see here in a second. There you go. You see Naomie lets go and flies out. We really pulled her at the back of a plane on a sound stage and then hooked her up with a digital double when she came outside. There’s George, and George is actually waking up, and this stunt’s real. This is Dwayne leaping back to get to Jeffrey Dean Morgan because he realizes at this point that he can’t leave Jeffrey and has to get him off this plane as well. Everything is shot in the direction there where you see George, the gorilla, was just a plate and we added George and the forklift and the fire and all that in post. But this stuff, with the real cast, is all shot for real. And this is a really interesting shot because it actually takes two completely different shots and puts them together, the first one being on the plane and the second one being skydivers. And of course, they would never let us have Jeffrey Dean Morgan and Dwayne actually skydive, so we have real skydivers being photographed, and then we take a face replacement process in post to put them into the scene and focus on the emotion of the scene And what you see here in the last couple of angles of Dwayne is something that I was interested in doing because you just don’t see movies shot this way, where we mounted a camera on the skydiver. So you felt really grounded and real. And then in post, again, we did a facial capture session with Dwayne to get the emotion right. And this is actually a real shot with real skydivers and then we just added the explosion.