NOTE: This post was previously written for the website Geek Binge back in the summer of 2014. With the unfortunate news of creator Stephen Hillenburg’s passing earlier today, we thought it would be appropriate to repost it its 25,000 word entirety here. The man leaves behind a legacy of some of the best pieces of animated comedy to ever exist. He will be missed.

Ladies and gentlemen, welcome to the official list of the best episodes of SpongeBob Squarepants! In this article, we’ll dive into the rich history of the show and give you a definitive list of the greatest episodes. Ten episodes will drop here every single day for the next two weeks, culminating in the final spots near the 15th anniversary of the show’s premiere. So read around, comment, bask in the nostalgia, and enjoy all the funny images, memes, videos, and memories from the last fifteen years in one of the greatest TV shows of all time. We here at Geek Binge love SpongeBob, and we hope you do too.

You may notice the interchangeable nature of the word “episode” in this list. Really, an episode of SpongeBob is two segments put together with commercials, and so technically this is a list of the 100 greatest segments. But some episodes are only one long segment, and sometimes there are three in one, since this show doesn’t like being pinned down to one structure. So just know that you are not crazy, and that I am purposefully being weird about the jargon. Ignore it and you’ll be fine, trust me.

100. “Help Wanted” (May 1st, 1999)

What better place to start on this list than the first episode of SpongeBob? The pilot for the show is the only episode in history to have three segments instead of the usual two, and “Help Wanted” is the second best of the bunch (another is further down the list). It helped establish SpongeBob’s enthusiasm for The Krusty Krab, Squidward’s apathy towards The Krusty Krab, and the tone for the series, all within a brisk eight minutes. It’s an ambitious premiere for a kid’s show, and has a diverse range of humor and animation styles. It’s hard to think what the world would be like without the yellow sponge, and it’s a good thing this initial pitch episode not only did well enough to land it into a full series, but is good enough to still enjoy fifteen years later.

You may remember this particular segment from:

99. “The Great Patty Caper” (November 11th, 2010)

From the oldest entry on the list, we now get to the newest one. The TV special known as “Mystery with a Twistery” is actually a thinly veiled adaptation of Agatha Christie’s Murder on the Orient Express but I use the word adaptation very very loosely. For a full length episode (22 minutes instead of the typical 11) it has a lot of references and call-backs, and has a lot of time to successfully pull off an entire mystery story. It features a terrific new character and straight man in Orin J. Ruffy (The Butler) who counteracts the goofiness of Spongebob and Patrick, only to be later exposed as the real bandit. It’s one of the better special episodes, and is surprisingly funny and clever for being such a recent episode. If you watch modern SpongeBob you know it isn’t up to snuff, but I’m glad there is still the capacity for this show to knock one out of the ballpark every once in a while.

You may remember this particular segment from:

98. “Opposite Day” (September 11th, 1999)

A nefarious plan by Squidward to make sure Spongebob doesn’t get in the way of selling his house, “Opposite Day” challenges the preconceived notions of who Spongebob and Patrick are by forcing them to be someone they aren’t. The characters do the opposite of what they normally do, and at the end straight up pretend to be Squidward. It’s sort of dark if you think about it; a lot of insults are thrown around without sarcasm and the only reason they aren’t taken seriously is because they’re taken as compliments thanks to the holiday. It can be pretty mean in parts, but doesn’t come off as being written that way, just that the characters have the potential to be so. Squidward impersonations aren’t uncommon, but having a climax consist of two Mr. Tentacles is genius.

You may remember this particular segment from:

97. “Jellyfish Jam” (August 28th, 1999)

A relatively straightforward episode (Jellyfish enter Spongebob’s house, he makes them leave, the end), “Jellyfish Jam” focuses not on its plot, but on its sight gags, its catchy music, and commitment to being as silly as it possibly can. There’s a lot of animation on display here: various insert shots of dolphins playing in the ocean, live action underwater footage of sea critters, flashy colors and multiple jellyfish dancing about in fun creative ways. Not every Spongebob story has to be witty, or make you burst into tears with laughter; sometimes you can simply be entertained with what’s going on. “Jellyfish Jam” certainly falls into that category, and suffice it to say, that techno song is still stuck in my head. Not the first time this show has done that though, there’s a lot of fantastic music that’s bound to pop up further down this list.

You may remember this particular segment from:

96. “Scardey Pants” (October 28th, 1999)

This is the first Halloween episode of the show and it premiered just in time for the 31st. The SpongeBob writers have a propensity towards the spooky, scary, and the occult, but at the end of “Scardey Pants” it goes straight Cronenberg with its creepiness. But, it makes the list for reasons non-gore related, including a classic first appearance by The Flying Dutchman, and a lot of really good jokes and an attention to detail that remains an intricate part of the show (Halloween decorations, music cues, ambient sounds, Mr. Krabs writing ‘souls’ on that bag, Squidward not knowing what a goldfish is doing in a bowl of water). There are funnier episodes that deal with fear, and better Halloween themed shows, but this is certainly a good first step.

95. “Tea at the Treedome” (May 1st, 1999)

It’s hard to imagine SpongeBob Squarepants without Sandy Cheeks, the show’s only above-water animal to venture into the depths of the ocean. A lot is established within this segment: the Treedome, Sandy’s love of karate, and the water helmets that Patrick and SpongeBob use for the rest of the series. But this doesn’t get on the list for being a stepping stone, it actually holds up on its own merits. The main running gag of the episode is “putting on airs”, which no child would ever understand, and it leads to a nicely paced and tension filled storyline where SpongeBob dries up and could potentially die. On paper that sounds rather hardcore, but it’s not so harsh when you put whimsical comedy around it. We all remember “pinky out” and “I’m a quitter”, and episode also gave us some delightful live action jokes and a bit of karate.

You may remember this particular segment from:

94. “Texas” (March 22nd, 2000)

If you can stomach all the stereotypes, “Texas” has a big heart underneath all the snark. It’s a bit on the heavy side at times, and speaks to something we can all relate to: feeling home sick in a place we just aren’t familiar to. But thankfully, a lot of endearingly stupid and goofy moments bring enough levity to balance out how sad Sandy is most of the time. I mean, that song about missing Texas, it’s so good. And, if you hate Texas, that’s certainly a plus I guess. I don’t know how much people from Texas actually use quotes from this episode, but I imagine it’s more than you think. Unless Texans don’t have TVs or electricity there yet, or can’t understand cartoons. I’m kidding, of course, relax, readers from Texas.

You may remember this particular segment from:

93. “Culture Shock” (September 18, 1999)

In typical SpongeBob style, some things do not make sense, no matter how much you break it down. Why do people go wild for someone mopping rotten tomatoes? And only when SpongeBob does it? Who cares. “Culture Shock” doesn’t have much going for it, other than the sheer lunacy of the jokes and the absurd number of non-sequiturs (‘Mouth Full of Clams Day’, Squidward’s interpretive dance, “free socks with every meal”, Gary’s incomprehensible poetry). But somehow it all clicks, and the end sequence at the talent show cements “Culture Shock” onto the list and into the classic repertoire of signature moments for the show. For a good while, there is absolutely no dialogue, which is hard enough to pull off, and you might not even realize it. That’s good writing. Plus, there’s a reference to Allen Ginsburg. How cool is that?

You may remember this particular segment from:

92. “Krusty Love” (September 6th, 2002)

Falling in love can be an incredibly complicated and often taxing thing to do. I mean, how can we impress the person we are dating when Spongebob keeps spending all of our hard earned cash? The premise of “Krusty Love” doesn’t sound all that funny on paper, but it’s all in the execution. Despite the story ending very abruptly, it’s always interesting to watch a character like Mr. Krabs have to struggle to keep two things he loves in his life simultaneously: Mrs. Puff, and money. Throw in some terrific jokes, like the ‘imported music’, seeing what Mr. Puff looks like, and ‘renovations’ in the Krusty Krab being gigantic bandages, and I think “Krusty Love” turns out to be an underrated and under appreciated episode.

91. “Skill Crane” (May 20th, 2005)

I love episodes where Squidward is obsessed with something he shouldn’t be (like Krabby Patties). And with “Skill Crane”, the central joke is how easy it is for SpongeBob to win at a crane vending game, and how Squidward can just never seem to win. A lot of well-timed audio cues (the sounds the machine makes when someone wins or losses), strong editing, and the manipulative behavior of Mr. Krabs makes watching Squidward’s misery all the funnier. What’s most impressive about this episode is how a good portion of the story takes place in one corner of the Krusty Krab, which might categorize this as a bottle episode. Not once do you notice how much of it takes place in front of that skill crane, and for that I tip my hat to this episode.

Click the next page on the handy dandy slider to read picks number 90-81!