How to be a HOOD-lum: Medieval hoods

A Workshop & Notes

by Cynthia Virtue aka Cynthia du Pré Argent



Hoods are a particularly useful item of clothing. They add another layer over the top of the body--head, neck and shoulders--which is exceedingly effective in keeping us warm outside, or keeping off the sun. It seems that most medieval cloaks/capes did not have an attached hood, instead they were worn with a separate hood like these.



The mere act of covering your head, even if it's with only one layer of cotton, will make you a lot warmer on chilly nights, or while you sleep, and it protects you from that annoying hair-part sunburn during the day. In addition to these practical matters, hoods are fun! You can wear them many ways, you can trim them, you can use them as pockets, you can tie your friends' liripipes together, and they are easy and quick to make. Suggested fabrics: anything. Well, anything you'd wear to an SCA event. In general, use woven natural fabrics, such as cotton, linen or wool. If you find a lovely fabric that is scratchy, line it with a softer one. You can trim them with dags, bells, "nailheads", beads, etc., and you can "parti"

them, too. If you're not sure what sort of hood you want, or don't trust your design skills, copy one of the ones in this handout, or from a medieval illustration.

See the Men's Hats page for more medieval illustrations of hoods.

The "evolution" of the hood.



Hoods, started out as basic, efficient clothing for everyone. They were worn both "normally," as well as on top of the head as hats. Then they started mutating, depending on the social class of the wearer, and as time went on. Although I've used the word "evolution" it seems that the simpler versions continued in use, even while the more stylish hoods where being used by the upper classes, or by middle class folks on special occasions.

Basic hoods: not much different than a folded piece of cloth with a seam in the back to make a poncho-like hood. Then they start being fitted at the neck, to reduce bulk, make a better line, and keep them on the head better. Then they finally get way out of hand -- peasant women with liripipes that go to the ankles (not very useful for a working woman), ornate dags on the liripipe and hood skirts, folding them so that the skirts become very ornamental cockscombs when worn as a hat, or wearing them on top of the head with the skirts hanging down behind.









Illustration sources:

Man from "Peasants Dancing" end of 15th century, French Man with hood on head from the Devonshire Hunting Tapestries, 15th c. English Drawing by the author Woman from "Peasants Dancing" end of 15th century, French Man with long dagged liripipe from the Devonshire Hunting Tapestries Man with apparently fur hat and hood on shoulders from Histoire du Grand Alexandre, Fr 15th c Man with long pointy liripipe, illustration from an Arthur story, 1450, French Lorenzo de Medici

Patterns for Hoods



There are lots of ways to achieve the hood shape. Here are two: Mistress Tangwystyl's, from her period patterns class, and the adapted version that I tend to use, which is less tailored.



From Mistress Tangwystyl's Class:

Heather Rose Jones was the first person to put out the word in my area that patterns and extant items of this sort were in museums. This news excited me tremendously, and got me started anew with medieval clothing. This was around 1994.



She notes that this pattern was interpreted from two 14th century English hoods. (Crowford et al pp 190-2) and has been scaled up from the original. She reports that her main innovation was the pattern layout to make best use of the fabric.





Cynthia's versions:

You can make this with a wide neck, sewn shut, so that you won't have to make buttons & buttonholes, (see first digram) or with a narrow neck and have some sort of closures which can be left open, or closed, for a closer fit (second diagram.)



How to measure for your head:

Take measurements of your victim -- one around the widest part of the head (parallel to the ground, like a crown) and also measure the height of the neck from chin to collarbone.

Use one half of the head measurement, plus two inches, to be the dimensions for an imaginary square drawn on folded fabric (see the diagram, measure A.)

From this central square, extend the square in one direction for the "cuff" of the face opening (however far you like; 3 inches is a good start; longer if you want to wear it rolled up a lot.) If you're making a single-layer hood, life is easier if this cuff edge is on the selvedge -- you won't have to hem it.

From the lower corner of the square on the cuff side, draw straight down as long as you want the 'skirts' to go.

Do the same for the back edge. You may wish to angle this out slightly for more shoulder room. You will be putting a gore at this seam as well.

From that back-edge lower point of the square, draw a smooth curve upwards to extend into the liripipe.

The other place that gores go is on either side of your neck in the front -- which on this pattern is about 4-5" from the front seam. Cut a slit from the hem upwards.

Finally, cut the gores. My skirts tend to be about 8" long (plus the neck dimension) and maybe 4" wide at the end, but the gores need to be as long as the skirts. Be sure to round them off like pie-pieces. They don't need to be very wide -- use scraps.



The larger picture at left is a quick version without gores. It does tend to be less graceful across the front of your chest than if you'd put gores in like the smaller diagram shows. However, there's no reason you couldn't cut it like this and put in gores from the scraps. Note that the large schematic shows two different "cape" sizes. Follow the cutting lines for whichever one you want. The long cape will go down to mid-upper-arm. The measurements are for an Adult Large size; adjust as needed.

Assembly:



Sew one gore each in the front two slits. Additional gore(s) on the back seam is optional. Add on the liripipe if you have a pieced, long liripipe. Sew front neck seam and then seam the back together; finish the edge of the skirt and the face opening.



Some suggestions on construction: