Comcast and NBCUniversal’s streaming service Seeso, launched in January 2016, had great potential to flourish in the increasingly fractured era of Peak TV. Featuring an impressive back catalogue of comedy classics as well as original programming from L.A. comedians and popular podcasters, it was targeted at a niche audience that may not have been content with the offerings on other services. But not all happy homes are destined to stay that way—and Seeso joined their ranks last week, when the site announced that it was shutting down.

Unfortunately, while a number of its fun and quirky original programs, like The Cyanide & Happiness Show, HarmonQuest, Hidden America with Jonah Ray, and My Brother, My Brother and Me have already moved to VRV, a platform dedicated to “anime, animation, gaming, comedy, fantasy, and technology,” Seeso’s deepest and most urgent show—the sweet, funny, and politically sharp Take My Wife—is still homeless. Its creators, stars, and showrunners, Cameron Esposito and Rhea Butcher, have completed a second season of their deeply personal, semi-autobiographical show—but they have nowhere to show it.

Though Esposito and Butcher have overseen every aspect of their critically acclaimed comedy about a couple of L.A.-based comedians, as Butcher sadly confirms to Vanity Fair “we don’t own it. . . . If it doesn’t find a new home, we can’t release it ourselves.” In other words, if she and Esposito can’t find a new platform for the episodes that are already done and dusted, the second season of the politically relevant and utterly charming Take My Wife may never see the light of day. An online campaign—#TakeMyWife was trending nationally during the past week, which has been, to put it mildly, a busy one on Twitter—and impassioned feedback from fans has, according to Esposito, already landed the homeless show a few meetings with potential buyers. But they’re looking for even more.

Fan-driven social media campaigns have successfully saved shows before, particularly in the recent past. In June, Lana Wachowski credited the social-media-active fandom of her series Sense8 for convincing Netflix to revive the show at least long enough for it to have a proper send-off. “In this world it is easy to believe that you cannot make a difference; that when a government or an institution or corporation makes a decision, there is something irrevocable about the decision; that love is always less important than the bottom line,” Wachowski wrote at the time. “But here is a gift from the fans of this show that I will carry forever in my heart: while it is often true those decisions are irreversible, it is not always true. Improbably, unforeseeably, your love has brought Sense8 back to life. I could kiss every single one of you!”

The reason fans fought so hard to keep Sense8 is the same reason #TakeMyWife was trending last week. Both shows offer a diverse and L.G.B.T.-positive message, the sort that is still shockingly hard to find on TV. In a climate where the president of the United States can make bruising (if, eventually, ignored) policy announcements about transgender soldiers at the drop of a careless tweet, Take My Wife quietly went to war with a culture seemingly in danger of going backwards.

As fictional lesbian characters continue to drop like flies on TV shows like The 100, The Walking Dead, Orange Is the New Black, and Game of Thrones, Take My Wife offers an alternative to what Esposito describes as “the endless coming out/falling in love/dying cycle” in which gay women onscreen too often find themselves trapped.