Then Harvey started Help! magazine. I just discovered it one day, and said, hello, what’s this? For me, the best thing about Help! were the fumetti, the funny photo-stories that Harvey was doing. I’d never seen anything like that before. So we started doing those. That was the next step for me towards film-making: suddenly we were going out and doing photo-shoots, dressing people up and finding locations and telling stories. I started sending the magazines to Harvey, because I just wanted him to see who was out there copying him, the monster he’d helped create. He sent back a really nice letter which was the beginning of the end, or the beginning of the beginning.