How Not to Get Lost When Improvising Over Little Wing

A common problem among guitarists is getting lost while improvising. There are many reasons for this, the most notorious one being an over-reliance on patterns. Patterns are a double-edged sword on guitar as they lend themselves well to getting you improvising in a relatively short period of time with a ‘paint-by-numbers’ approach but which in the long run will stifle your creativity, have you running out of ideas, as well as feeling lost on the fretboard. I’m not a fan of improvisation as an intellectual pursuit, so what I’d like to do in this lesson is give you a method for to find the happy medium between improvising freely and having a roadmap to guide you that doesn’t stifle your creativity, and what better tune to do it with than Little Wing by Jimi Hendrix.

Little Wing

Little Wing is a great tune to practice on as the progression forces you to be melodic and think about your phrasing. You can of course wail over it with the E Minor Pentatonic scale and it’ll sound okay; the thing is there’s a big opportunity to carve out a memorable melodic solo here, rather than just mindlessly running up and down a scale pattern. Little Wing is a great tune to practice on as the progression forces you to be melodic and think about your phrasing. You can of course wail over it with the E Minor Pentatonic scale and it’ll sound okay; the thing is there’s a big opportunity to carve out a memorable melodic solo here, rather than just mindlessly running up and down a scale pattern. What are the Chords?

I’ll often ask students to improvise over Little Wing for me, so I can see where they’re at, and more importantly, how they approach a solo. I’ll then ask them to play me the chord progression. You probably won’t be surprised to find out that very few of them know the chord progression they’re soloing over, or they make a lot of mistakes, or play a very simplified cowboy chords version. Other instrumentalists are often bewildered by the fact that a guitarist can solo convincingly over a chord progression without even knowing what that progression is!In this lesson we’re going to learn the chord progression but we’re also going to embed it into box 1 of the E Minor Pentatonic scale, and the two boxes either side of it up at the 12th fret by using triads.What I want you to do is play through the chord progression using triads. In the following diagrams you’ll see them superimposed over the E Minor Pentatonic scale, but just play the triads (in red) for now.

E Minor



G Major



A Minor



E Minor



B Minor



A Minor (slide down to this chord from the previous one using the same shape)



C Major



G Major



F Major



C Major



D Major

Practice the chord progression like this until you no longer need to refer to these diagrams. You should notice a couple of things here: 1) where these triads are in relation to the E Minor Pentatonic scale, and 2) that the progression contains notes from outside the scale that could be used to great effect when soloing.