I think you've made great use of lighting, it really enhances depth of field whilst helping to cut a striking frame for the subjects' profiles. It also helps create a part of the narrative, as if the poacher is on the verge of being spotted while the wild dogs have been distracted (they're uniformly looking toward the observer's POV, while the poacher is looking off frame, towards the source of light). Perhaps

they're trained on a closer possible threat, unseen to the poacher, who's attention has been diverted towards the light. Or

maybe the situation is reversed,

the dogs' senses have been duped by a tactic employed by the rangers (perhaps a different robot), so that don't notice the approach at their flank (judging by the way the poacher's body is turned away from the source of light, he looks like he was caught unaware).





I don't want to detract from the artistry here (it's amazingly good work), and I really like that your series helps promote awareness, however, I'm a bit wary of commercializing the poacher's perspective (though I'll note this isn't available as a print). Just my two cents on this, but I suppose if you're going to create a series, it would be a bit lopsided to not show both sides (perhaps a future one with a bit of carnage to show the horror of their trade, along with a possible engagement between the two sides will be in order).