It is not often that I return to the same topic so soon, but in light of a second article published on the Daily Mail website , reinforcing the points made in their original report, I feel it is pertinent to do so in this instance.

On Tuesday May 24th the BBC are to broadcast a programme entitled ‘ Last Whites of the East End ’, documenting the dwindling to near extinction of the indigenous White people of London’s East End and the obliteration through uncontrolled mass immigration and enforced multiculturalism of their indigenous Cockney culture. Nowhere could there be a clearer demonstration that culture is a product of race, than the disappearance of Cockney culture accompanying the displacement and dispersal of the East End’s original Cockney, i.e. White working class, population.

Unlike Joseph Curtis and Robert Hardman, the Daily Mail journalists, I have not had the privilege of a preview of the programme and so I cannot speak with certainty and I am forced to rely on what I can glean from the articles they have so far published and from the BBC website, but it would appear that this programme is going to mark a significant milestone in the media’s coverage of the impact that uncontrolled immigration is having on Britain. While the programme makers and the BBC may try to deny it, what we see in London’s East End is a shocking portent of what will happen all across Britain in the years to come if nothing is done to protect the interests and ensure the future survival of we the indigenous British.

As Robert Hardman states, “It will make extremely uncomfortable viewing for all the main political parties, not to mention the local council — which is already disputing some of its assertions. And it seems that there are some within the BBC who are worried about this film, too.

“I am sure the channel will issue plenty of health warnings before the start of Last Whites of the East End. And they won’t be referring to the swearing. If you’re the sort of delicate flower who feels threatened by Germaine Greer’s views on gender change or a statue of Cecil Rhodes, then you should switch channels immediately.”

“This is a beautifully made film which neither patronises nor sensationalises its subjects. And it does not mince its words — which may explain why the BBC has put it in a late-night slot at 10.45pm and given it minimal pre-publicity.

“No doubt, if it was about Tory cuts or the bedroom tax or the arts or was presented by the ubiquitous cross-dressing potter Grayson Perry, it would enjoy loud hurrahs on Newsnight or Radio 4. But I have yet to see a single trailer.”

Such a reaction from a mainstream journalist who is no doubt used to moderating his own reactions to racially sensitive issues, and from his colleague Joseph Curtis, demonstrates that despite every effort to soften the message conveyed by the programme, the production company concerned have been unable to adequately ‘wallpaper over the cracks’ evident in the social fabric of London society and the alarming truth is shining through.

The production company responsible for the programme, Lambent Productions , are well respected for a wide range of documentary programmes that have produced over the last twenty years dealing with a range of social issues, and while this Brighton based company is staffed by the usual left-wing and liberal types that are ubiquitous within the mainstream media, they do pride themselves on maintaining certain journalistic standards, as their website states: “What defines our content, whatever the platform, is quality – and a level of originality and authenticity that marks it out.”

Clearly a point has now been reached in London’s East End at which even the most ‘rose-tinted’ of left-wing, liberal ‘spectacles’, can no longer obscure the stark reality of ethnic cleansing.

While they will not welcome any accolades from Western Spring, qualified though they may be, Lambent productions, the BBC programme scheduler and the Daily Mail journalists are none-the-less to be applauded for the integrity they have shown in at least addressing this subject, albeit reluctantly, with some degree of honesty.

The programme makers have still however attempted to fudge the issue by introducing witnesses to the ethnic cleansing of Whites who of mixed race or from an ethic minority background, and by attempting to present such people as genuine representatives of Cockney culture and of Cockney people.

The Mail journalists provide several quotations from a bus driver, Tony Cunningham, of whom Robert Hardman writes: “Tony is a quintessential child of the East End, raised on pie and mash, West Ham and Nan’s tales of the Blitz.

“But much as Lefties might like to brush him aside as a moaning throwback from UKIP (or something more extreme), it won’t wash. Because Tony knows all about that great liberal shibboleth, ‘community cohesion’.

“His mum was fourth-generation Cockney while his father arrived from Jamaica in the Sixties. ‘We was called “n*****” when we was growing up,’ he says matter of factly. ‘I had to educate my Nan. She had a cat called the same thing. She didn’t really get the gist of it.’”

“In other words, Tony needs no lessons in multi-culturalism” – the implication of course being that people of all White ancestry do need lessons in multiculturalism and cannot be trusted to have a balanced view regarding the impact of immigration on our communities — this being the rational for the BBC and the wider media’s past hostility towards White advocates voicing concerns for the interests of our people.

Photographs of Tony Cunningham accompanying Richard Hardman’s article however show that far from being a Patrick Trueman look-alike, the jovial West Indian character from BBC’s East Enders soap opera, Mr Cunningham exhibits so little non-White admixture in his appearance that he could easily pass for White; this fact reinforcing as I have explained above, that Tony Cunningham’s ‘dab’ of non-White ancestry, insignificant though it may be in any other context, provides him with the ‘green card’ of media approval as far as pronouncements on racially sensitive issues is concerned.

Interestingly, Tony Cunningham’s anecdotal accounts of having been called “N*****” when he was growing up, despite his almost completely White phenotype, is testament to just how White the East End of London must have been even thirty-years ago. If as apologists for mass immigration are to be believed, the East End of London has always had a large non-White population, why would someone as almost completely White as Tony Cunningham have been singled out for racial taunts? The fact that Tony Cunningham was called “N*****”, strongly indicates that someone with even his slightly non-White ancestry was in those days still the exception, rather than the norm.

The programme also calls upon at least one Asian witness to the ethnic cleansing.

“Everything this area stood for is being eradicated slowly but surely,” he is quoted as saying, “In ten years’ time, there’ll be absolutely no trace of Cockney culture.”

“Things used to be different”, the Mail quotes him further. “I miss those days when everyone knew everyone”, now according to the Mail, “his children are growing up with little knowledge of ‘the British way of life’. These days, … some schools are more like ‘Africa or Romania’.”

Robert Hardman states, “He is not being particularly outspoken. In fact, it is hard to find anyone who was born and bred in these streets who would argue with him. No doubt, Shadow Europe Minister Pat Glass — who this week condemned an entire Derbyshire village after a ‘horrible racist’ voter dared to voice concerns about immigration — would like to have him carted off for re-education.

“But what is really astonishing is that these remarks come not from some Alf Garnett-style Cockney dinosaur wailing into his pint down at the Queen Vic.

“They are the thoughts of Usman Hussain, a dad with a young family, who is every bit as proud of his East End roots as his Bangladeshi ancestry. He loves West Ham United and has just started up a Muslim prayer group.

“And he is one of many Cockneys[sic] whose moving lament for a dying way of life is the subject of a powerful documentary next week on BBC1.”

Apparently, in the eyes of the BBC and the Daily Mail, it was not true when thousands of genuine Cockney, indigenous White East Enders demonstrated in the 1970’s in support of the National Front and in protest at the influx at that time of non-White immigrants, they were all “Alf Garnett-style Cockney dinosaurs”, but now that it is seen by many as probably too late to do anything about it, the destruction of the Cockney community and their way of life can now be regarded as true, because a ‘Cockney’ Muslim of Asian immigrant descent says so!

Juxtaposed with the assertion that Usman Hussein is “every bit as proud of his East End roots as his Bangladeshi ancestry”, Robert Hardman and the programme makers don’t appreciate the incongruity that apparently his most notable contribution to ‘Cockney’ culture is that he “has just started up a Muslim prayer group”, that most Cockney of all achievements!

The truth is that there is no way of softening the impact of the realisation that a whole community of indigenous Britons has now been almost entirely ethnically cleansed from their traditional East End neighbourhoods and that their entire culture is now on the verge of being consigned to history.

Back in the 1970s, there was a National Front poster which from memory showed a photograph of immigrant filled Lewisham High Street, with the slogan, “Lewisham 1975, your town 19??” and this poster which was deplored by the liberal/left-wing authorities of the time, has proven an accurate portent, not just of London’s East End, but of so many other inner city districts all across Britain.

Let us encourage as many people as possible to watch Last Whites of the East End, not because the programme will tell our side of the story, but because it appears that despite the best efforts of liberal/left-wing programme makers and BBC content editors to sanitise this tragedy, the awful truth is still apparent, that it is a tragedy, one that was wholly predictable, and one that could have been averted if we nationalists had been listened to several decades ago.

If a White community as closely knit and cohesive as the Cockneys of the East End can be ethnically cleansed in a matter of decades, with the authorities and the media turning a blind eye to the problem and actively encouraging the influx of non-Whites, there can be no traditional folk community on the British Isles that will be safe in future, unless we as a nation open our eyes to the danger and begin to organise as militant consciously White communities, not just hoping to remain White, but willing to take active steps to ensure our future survival.

By Max Musson © 2016

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