VST Plug-Ins

These VST plug-ins run natively on any VST compatible audio application under Windows 32bit. On 64bit systems a bridging software is needed which is already included in many applications. If this is not the case you can acquire a VST bridge separately.

Mac users please read this.



If you find these plug-ins useful for your projects please make a donation:



best regards

Daniel aka The Interruptor





BIONIC SUPA DELAY

Tape delay section:

- high and low frequency roll-off

- tape wow and flutter

- smooth parameter for continuous delay time changes

- freeze function

- x2 button, doubles the delay time

- delay time is syncronized with host tempo

- set any delay time between tripplet and doted note timing

- set different delay times in left and right channel

- high and low frequency roll-off - tape wow and flutter - smooth parameter for continuous delay time changes - freeze function - x2 button, doubles the delay time - delay time is syncronized with host tempo - set any delay time between tripplet and doted note timing - set different delay times in left and right channel Stereo section

- balance control pans the effect left and right

- stereo width control

- ping pong delay switch

- delays drifting from the center to the left or to the right

- auto panner

- balance control pans the effect left and right - stereo width control - ping pong delay switch - delays drifting from the center to the left or to the right - auto panner Filter section

- 12 filter types

- LFO to modulate cutoff frequency (host synchronized)

- flexible routing: before or after the delay

- 12 filter types - LFO to modulate cutoff frequency (host synchronized) - flexible routing: before or after the delay Pitch shift section

- 5 algorithms

- can be used also for chorus effect

- flexible routing: before or after the delay

- 5 algorithms - can be used also for chorus effect - flexible routing: before or after the delay Reverb section

- 2 reverbs A, B with different characters can be mixed

- flexible routing: before or after the delay

- 2 reverbs A, B with different characters can be mixed - flexible routing: before or after the delay Each section can be disabled. Using the flexible routing options many different effects chains can be achieved. Examples:

- Send Reverb into Filter with LFO modulation

- Pitch shifter inside the delay feedback loop for continuous shifts with each delay repetition

- Send Reverb into Filter with LFO modulation - Pitch shifter inside the delay feedback loop for continuous shifts with each delay repetition Signal flow diagram: shows the currently selected routing of the different sections

Pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.

MIDI learn: Each control can be automated via MIDI controllers.

NIGHT FLIGHT - DEMO

Night Flight is a VSTi plug-in emulating the analogue string ensemble keyboards invented in the early seventies.



See and hear more on the product page.



download demo version (4.8 MB)





TWIN BASS

VSTi Bass Synthesizer with a double filter architecture allowing to create rich mid-range bass textures together with a solid sub bass foundation. Also vocal-like timbres can be easily created. Features an extensive modulation matrix and individual outs for the filters.



download rel 1.2 (9529 KB)

download rel 1.1 (5202 KB)



Please post your comments and suggestions regarding this device on the dedicated forum page.

2 Oscillators: Sine, Saw, Ramp, Triangle, Pulse, Noise

2 Filters operating in parallel (connection in series is also possible).

- Filter 1: 2 x Low pass, 2 x High pass, Bandpass

- Filter 2: stereo filter with separate cut-off for left and right side (2 x Low pass, 2 x High pass, Bandpass)

- Filter 1: 2 x Low pass, 2 x High pass, Bandpass - Filter 2: stereo filter with separate cut-off for left and right side (2 x Low pass, 2 x High pass, Bandpass) Feedback loop for the entire filter section

Distortion effect with two modes

- hard: metallic distortion sound

- soft: tube-like warm distortion

The distortion effect can be applied pre- or post-filter. Also it is possible to distort only the signal in filter 2, thus preserving a clean signal from filter 1. This setup is predestined to generate a sub bass with filter 1 whereas filter 2 can provide interesting midrange textures in stereo.

- hard: metallic distortion sound - soft: tube-like warm distortion The distortion effect can be applied pre- or post-filter. Also it is possible to distort only the signal in filter 2, thus preserving a clean signal from filter 1. This setup is predestined to generate a sub bass with filter 1 whereas filter 2 can provide interesting midrange textures in stereo. Modulation

- 3 x LFO, synchronized to host application

- 3 x ADSR Envelope

- Matrix: 5 modulation slots connect 12 modulation sources to 26 modulation destinations. Pitch bend, amplifier envelope and filter envelope are pre-wired.

- 3 x LFO, synchronized to host application - 3 x ADSR Envelope - Matrix: 5 modulation slots connect 12 modulation sources to 26 modulation destinations. Pitch bend, amplifier envelope and filter envelope are pre-wired. Process external signals: In Oscillator 2 an external signal can be selected as the waveform.

MIDI learn: Right-click any control to assign a midi control and automate the parameter from you DAW.

Monophonic modes with glide

Polyphonic modes with max. 8 simultaneous notes

Individual Outs are available for the two Filters. This feature helps to integrate the bass sound in your mix. For example apply additional effects like reverb to the mid range signal from filter 2 while keeping the sub bass form filter 1 clean.

Structure display: This panel shows the signal flow of the synth as it results from your settings of the filter and FX routings.

Pop-up hints: While the mouse hovers over a control a hint appears explaining the function of the control.

Beat Magazine from Germany gave Twin Bass a 6 out of 6 review plus a "recommendation from the editorial staff". Read the review here.

WOW & FLUTTER

playback speed is modulated in realtime by up to six oscillators

intuitive controls: Non-linearly scaled controls allow to directly set the perceived pitch deviation depth and rate resulting from the playback speed modulation.

dual mode: In dual mode the left and the right channel are modulated separately.

flange mode: When the modulated signal is mixed with the original signal a flanging effect occurs. This feature recalls the times when recording engineers created a flange effect by applying pressure on the tape reel with their hand. Additional controls for feedback and delay allow to create more intense flange effects. Although the unit can be pushed to self-oscillation in extreme settings it will never cause digital clipping thanks to a compressor algorithm inserted into the feedback path.

A built-in test tone generator makes it easy to quickly check a particular setting with different signals or to use the plug-in as a self-contained "noise maker".

If a control has no influence on the sound in a certain mode it will disappear from the surface.

All parameters are controllable by midi controllers.

Pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.

Also the assignment of midi controllers is documented in the pop-up hints.

ECHOLIVE

the delay time can be defined by tapping the tempo with the mouse or on a midi keyboard or midi controller

alternatively the delaytime can also be set manually or synchronized with the host application.

latency compensation: you can compensate your soundcard's latency for perfectly timed echoes in live applications.

tape model including tape saturation, tape hiss, wow & flutter, low and high pass filtering, smooth parameter for continuous delay time changes like on a real tape delay

stereo-control: ping pong delay, time symmetry, stereo width

all parameters are controllable by midi controllers.

pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.

also the assignement of midi controllers is documented in the pop-up hints

DUB SIREN

simple synthesizer architecture with 1 Oscillator and 2 independent LFOs (LFO1: rectified sine LFO2: pulse) additional chopper circuit to mute the sound during the low phase of LFO2

tape delay emulation with highpass and lowpass filter in the feedback path. adjustable simulation of tape hiss (useful for endless delays at high tape saturation levels).

all parameters controllable by midi, assign any controller you want using the right-click context menu. (by default controllers #20 - #32 are assigned)

TAPE DELAY

highpass and lowpass filter in the feedback path.

adjustable simulation of tape hiss (useful for endless delays at high tape saturation levels).

all parameters are controllable by midi controllers. the assigned midi cc numbers are written on the front panel beside each pot.

ANALOGIC DELAY

tape model including tape saturation, wow, flutter, low and high pass filtering

The delay time is not entered in milliseconds but as a notelength (in relation to the song tempo in your sequencer). The Groove parameter allows fine tuning from tripplet to dotted note timing.

parameter "Smooth" creates continuous delay time changes like on a real tape delay (no digital clicks when changing delay time during the song)

MIDI learn: Right-click any control to assign a midi control and automate the parameter from you DAW.

pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.

BIONIC DELAY

This enhanced version of the Analogic Delay gives you separate control over the delay times on left and right channel. suitable for ping pong delays and drifting delays



download rel 1.3 (1593 KB)

download rel 1.2 (933 KB)



Please post your comments and suggestions regarding this device on the dedicated forum page.

tape model including tape saturation, wow, flutter, low and high pass filtering

separate control of delay time for left and right channel

The delay time is not entered in milliseconds but as a notelength (in relation to the song tempo in your sequencer). The Groove parameter allows fine tuning from tripplet to dotted note timing.

"Drift" parameter gives you the possibility to create delays wandering to the left or to right in the stereo field

press the "Ping Pong" button to create delays alternating between left and right speaker.

parameter "Smooth" creates continuous delay time changes like on a real tape delay (no digital clicks when changing delay time during the song)

parameter "Stereo Width" varies stereo effect from subtle to drastic

MIDI learn: Right-click any control to assign a midi control and automate the parameter from you DAW.

pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.

ECHOMANIA