I got this by listening 50 times or more to the scene and to the clean out track. Links given below

Take into consideration that first using Spader’s voice would have been a dead giveaway, and second that he sounded very different at 30 years old. Listen to a scene in Sex, Lies and Videotape.

Woman 1 has a diction that is precise and she does not sound necessarily American.

Woman 2: is the one giving orders to search from the attic to the basement every inch (so not looking for Liz). She could be Woman 1, but to me sounds different.

Woman 3: this sounds much different that Woman 1. She sounds American and her diction is less precise. It might be me, bur she sounds like Carla. (Note the way she says crazy and compare to Carla saying “crazier than I imagine”)

Man: is the man speaking most of the time, but I am not sure if is the man with the ring.

there is a woman in the tangent memory. There is too much echo to distinguish is she sounds like either of of the three women. But it would seem she calls Liz Lizzy.

Red is our present day Red. Liz is our present day Liz.

there is a man in the tangent memory. Not sure if it is the man we hear, but he calls Liz Lizzie too.

Man with red ring: Okay, stay here, sweetheart. No matter what happens, you need to stay here and not come out until I come get you. Understand?

Katarina: Where is she?

Man: You shouldn’t be here. You can’t be here

Liz to Little Liz: Hey, what’s your bunny’s name?

Woman 1: I’m not leaving without Masha. `

Man: Her name is Elizabeth

Woman 1: Masha!

Man: She’s not going back with you.

Woman 1:You can’t take her from me . How could you steal her from me?

Man: I had to. You wouldn’t let me see her

Woman 1: Masha

Man: Get out.

Man: Now!

Woman 1: Get your hands off me.

[SCENE BREAK. LIZ IS HYPERTENSIVE]

Woman 1:: Did you think you could get away with it? That I wouldn’t find you?

Liz to Little Liz: I know you’re scared, but it’s okay.

Liz mimicking someone: Where is she?

Man: Okay. You’re not here for her.

Woman 1: Listen, you’re in trouble

Man: Because of you!

Liz to Little Liz : Don’t be afraid.

Woman 1: Yes

Man: You told them

Woman 1:Yes, I did. I told them

SO CALLED TANGENT MEMORY STARTS

Little Liz to Liz: - Come on!

Liz to Little Liz: Wait!

Little Liz: Come on!

Liz: Lizzy.

Little Liz: Come on. Come on!

Little Liz: where’d he go? Liz: Where’d he go?

Liz to Little Liz: I don’t know

Little Liz: Up here! Here!

A Woman: Catch me.

Man in coat: Lizzy.

Liz: Lizzy, wait! [As Little Liz runs to the man]

Liz mimicking: Stay here. Don’t go anywhere.

THERE ARE BACK IN THE CLOSET

Woman 1: it was my job

Man: It was your job? To spy on me?

Woman 1: Yes, yes. No, I didn’t want to. I-I tried to protect you.

Man: Is that what you call it?

Liz to Little Liz: What are they fighting about?

Little Liz: It’s a secret.

Liz to Little Liz: Who’s Masha?

Little Liz: You are.

Woman 1: I did it because they threaten Masha

Little Liz to Liz: Don’t go out there. You can’t go out there.

Woman 1: …because they threaten Masha [sounds like a repeat from the previous]

Man: And that’s what you tell me now?

Woman 1: I did it because I love you

Little Liz: [ Echoing ] Turn around, Lizzy! Go back!

(she was in the hallway) [Little Liz appears as a huge figure]

Little Liz: No! No! Don’t! Daddy said not to come out!

and she runs back into the closet screaming. Liz goes into the room, starts hyperventilating and in present day wakes up after an injection and says:

My father. My father was there.

SCENE BREAK

Woman 1: They’ll kill you if you don’t give it back.

Man: They’ll kill me if I do.

Man: She’s not here.

Woman 1: Did you really think I’d let this happen, that I wouldn’t come for her?

Man: Hey!

Woman 1: That I wouldn’t find you?

Man: Get away from there! It’s not here.

Present day Liz: The Fulcrum.

[SCENE BREAK ]

Man: Is the only thing keeping me alive.

Man: Who the hell are they?

[Liz is walking into the hallway]

Woman 2: Split up. Let’s cover the basement; the attic…

Red: Can you see it? Can you hear me, Lizzy?

Woman 2: Take it apart comb every inch

Man: It’s not here!

Red: I need you to tell me where it is. Where is the fulcrum Lizzy

Liz is struggling with a dark haired woman in the hallway as she is struggling with Red in present time. She can see the men fighting as shadows.

Liz: Let me go! Get away from me!

Red: No. You don’t want to see this. What you want to see, what you need to find is the Fulcrum.

Man: It’s not here

Red: Where is it, Lizzy? Can you see it? –

Man: You’re not taking her!

Woman 3 : Are you crazy?

Red: Lizzy, turn around and go back. Go back, go back.

woman (not sure if it is woman 1 or woman 3): Stop!

Man: No! No!

Red: Shh, shh, shh! You don’t want to see this. You don’t want to go in there

Woman 3: Get away! Right now!

Woman 1: Raymond…let go I…got a gun.

Man: No!

Red: What happened? What’d she see?

Woman 1: Masha!

Liz to Little Liz: Listen to me. You have to say something. There’s a fire. I know you saw something out there and you don’t want to go out there but you can’t stay here. You have to scream. Do you hear me? As loud as you can, you have to scream! You have to—

Little Liz: Daddy! No!

hear it yourself. let me know if you have comments:

Sound cloud clean track of 2.10

soundcloud argument from 2.22

Answering concerns of @goldgirl about no one sounding like Spader, the show runners could not use Spader, because of his distinctive voice nowadays will give it away, and Spader did not sound like that when he was 30. hear it here:

James Spader at 30 years old

2:19 pm • 7 March 2016 • 24 notes