Warner Brothers’ latest New Line horror title The Curse of La Llorona posted some impressive numbers in its opening weekend, though it wasn’t enough to keep this weekend from being one of the slowest Easter weekends in recent memory. Meanwhile, Shazam had another solid hold, while the other two openers of the weekend, Penguins and Breakthrough, had fairly slow results.

Going into the weekend, La Llorona was tracking for an opening in the mid teen range, generally about what Shazam was expected to do in its third weekend, but wound up significantly higher at an impressive $26.5 million opening. Among other horror titles, this was on par with films like Don’t Breathe and a bit above the recent Pet Sematary remake. Produced for just $9 million, this is another example of how the New Line Cinema horror brand has become one of the most bankable names at the box office, following the massively successful Conjuring franchise, as well as the mega-blockbuster It, which is set to have a second installment released in September.

While the number itself may be above expectations, it really shouldn’t come as much of a surprise that La Llorona was such a success; historically, Hispanic audiences make up a disproportionately high percentage of the audience of supernatural and possession related horror films, and this isn’t the first time Hollywood has produced a film to try and capitalize on that. It seems to have worked, however, as Hispanic audiences made up just under half of the crowd for Llorona. With a 26% drop on Saturday and the mega-blockbuster Avengers: Endgame on the horizon, don’t expect this to make much more than double its opening weekend, but that’s still a very impressive tally for a film which was so cheap to produce.

Shazam lifted its total to $121 million domestic this weekend, while surpassing the $300 million mark worldwide. Even considering it’s going to get annihilated in just a few days, this is still a solid result. Meanwhile, Captain Marvel flew past $400 million domestic as it jumped up 6% this weekend in anticipation of Endgame next weekend.

The faith-based drama Breakthrough opened with $14.6 million since it opened on Wednesday, which is on the lower end of Christian films that have opened near Easter in the past few years; Heaven is for Real managed double this back in 2014, while last years I Can Only Imagine did $17 million from just 1,629 locations before legging it out past $80 million. Meanwhile, Disneynature’s first wide release in several years failed to impress, as Penguins managed just $3.2 million in five days from 1,815 locations. The nature documentary series has been averaging openings in the mid-range single digits, so an opening this low implies interest in them may simply be waning.

Last weekends two openers didn’t exactly do particularly impressive business in their second weekends, as Little was down a so-so 45%, while Hellboy plummeted 68% to 10th place. The only title to expand into nationwide release was Teen Spirit, which was a rather baffling decision considering it averaged just $10K from four locations last weekend, and as a result unsurprisingly was ignored; in 696 locations, the film pulled in just $250K for an average of $360 per location, one of the worst openings in history for a film in wide release.