Original Years Fawcett/year issued Parade Classics

Peanuts 1950-1952 Note: Not included in any subsequent edition. Covers from basically the strip's beginning (the first strip actually included is from Thursday, October 12, 1950) through the week in March 1952 when Lucy first appeared, although not including either of her appearances that week. Provides about 55% inclusion of strips. Its back cover illustration is a reworking of one of Schulz's Saturday Evening Post cartoons from May 21, 1949.

More Peanuts 1952-1954 The Wonderful World of Peanuts '62 #13 There Goes the Shutout There Goes the Shutout

Hey, Peanuts! '62

Good Grief, More Peanuts! 1952-1956 Good Grief, Charlie Brown! '63 Good Grief, More Peanuts

For the Love of Peanuts! '63 #14 Always Stick Up for the Underbird Not included

Good ol' Charlie Brown 1955-1957 Fun with Peanuts '63 Always Stick Up for the Underbird

Here Comes Charlie Brown! '64

Notes More Peanuts picks up with a four-month gap after where Peanuts left off, in July 1952, and covers through mid-February 1954, providing about 50% inclusion of strips for that period.

picks up with a four-month gap after where left off, in July 1952, and covers through mid-February 1954, providing about 50% inclusion of strips for that period. Good Grief, More Peanuts! covers Sundays ostensibly from their beginning (which was January 6, 1952), but its earliest strip actually included was from June 22, 1952. It continues up through April 1956, providing about 61% inclusion within its actual range of dates. The first two pages that would normally have reprinted Sunday strips are instead devoted to a "gallery" of the strip's nine characters, constituting a formal declaration of the dropping of Charlotte Braun, especially with the space where she could have been shown instead humorously depicting "Beethoven" as a character. With the Peanuts Classics edition of the book, an editorial gaffe resulted in it having only its first half from its original self, with the remainder made up of half of what was originally More Peanuts , repeating part of what was also issued in the Classics edition of There Goes the Shutout .

covers Sundays ostensibly from their beginning (which was January 6, 1952), but its earliest strip actually included was from June 22, 1952. It continues up through April 1956, providing about 61% inclusion within its actual range of dates. The first two pages that would normally have reprinted Sunday strips are instead devoted to a "gallery" of the strip's nine characters, constituting a formal declaration of the dropping of Charlotte Braun, especially with the space where she could have been shown instead humorously depicting "Beethoven" as a character. With the edition of the book, an editorial gaffe resulted in it having only its first half from its original self, with the remainder made up of half of what was originally , repeating part of what was also issued in the edition of . Good ol' Charlie Brown covers daily strips from the beginning of 1955, leaving a 10½-month gap following the end of More Peanuts, skipping over such events as the introduction of "Pig-Pen" and the majority of appearances of Charlotte Braun (besides omitting her three appearances from 1955 as well). It covers through April 1957, providing only about 34% inclusion, or approximately one third.

Snoopy 1955-1958 Here Comes Snoopy '66 #5 What Makes You Think You're Happy? What Makes You Think You're Happy?

Good Ol' Snoopy '67

You're Out of Your Mind, Charlie Brown! 1955-1958 Very Funny, Charlie Brown '65 You're Out of Your Mind, Charlie Brown!

What Next, Charlie Brown? '65 #6 Fly, You Stupid Kite, Fly!

But We Love You, Charlie Brown 1957-1959 We're on Your Side, Charlie Brown '66 Fly, You Stupid Kite, Fly!

You Are Too Much, Charlie Brown '66

Notes Snoopy collects daily strips specifically featuring Snoopy, beginning its coverage, like Good ol' Charlie Brown , at the beginning of 1955. This collection repeats a substantial number of strips from the former (57 out of 65 that include Snoopy), as well as including 104 "new" strips from the same period (raising total coverage to about 48%), and continues its coverage with 87 more strips into late March 1958.

collects daily strips specifically featuring Snoopy, beginning its coverage, like , at the beginning of 1955. This collection repeats a substantial number of strips from the former (57 out of 65 that include Snoopy), as well as including 104 "new" strips from the same period (raising total coverage to about 48%), and continues its coverage with 87 more strips into late March 1958. You're Out of Your Mind, Charlie Brown! continues right where the previous Sunday collection left off, and covers through mid-October 1958. In addition, despite the listed copyrights dates starting with 1956, it "picks up" three previously omitted Sunday strips from September 1955. The book provides near-100% inclusion of its main coverage period, as would all subsequent Sundays-only collections. The listed copyrights include 1959, but it contains no strips from that year, as that apparently stands for the "book" copyright date. Its back cover illustration is the very first appearance of Lucy's psychiatry booth.

continues right where the previous Sunday collection left off, and covers through mid-October 1958. In addition, despite the listed copyrights dates starting with 1956, it "picks up" three previously omitted Sunday strips from September 1955. The book provides near-100% inclusion of its main coverage period, as would all subsequent Sundays-only collections. The listed copyrights include 1959, but it contains no strips from that year, as that apparently stands for the "book" copyright date. Its back cover illustration is the very first appearance of Lucy's psychiatry booth. But We Love You, Charlie Brown continues right after Good ol' Charlie Brown (and "picks up" 18 strips from earlier in 1957, within the prior book's coverage period — final yield about 51% coverage for its entirety), and covers up to late February 1959 (excluding strips that already appeared in Snoopy), resulting in about 56% inclusion from its main period.

Peanuts Revisited 1955-1959 Note: The last "Rinehart" book, hardback; much thicker than other Original books (214 pages). A "retrospective" of 1950s Peanuts, although it contains nothing prior to 1955. Repeats selected dailies from Good Ol' Charlie Brown, Snoopy, and But We Love You, Charlie Brown. Repeats Sundays, in standard "Tabloid" format that omits the top right panel, from You're Out of Your Mind, Charlie Brown! Contains some "new" dailies from 1957 to early 1959, and is the primary reprint of dailies for the period from February to May 1959, with near-100% inclusion. Its last six "new" dailies, the first week of the story of the birth of Sally, were subsequently repeated in Go Fly a Kite, Charlie Brown, and several others in Snoopy, Come Home. Has slightly more than enough "primary" dailies for one Fawcett, but none was ever issued, nor was it included in the Parade or Classics lines. The large-format HRW book entitled Peanuts Treasury picks up precisely where this leaves off. In addition to one short-length Weekly Reader edition, a second volume with the last 122 pages was issued, entitled I Feel Lonely When I'm All Alone.

Go Fly a Kite, Charlie Brown 1959-1960 You're a Winner, Charlie Brown '66 #9 Thank Goodness for People Thank Goodness for People

Let's Face It, Charlie Brown '67

Peanuts Every Sunday 1958-1961 Who Do You Think You Are, Charlie Brown? '68 Peanuts Every Sunday

You're My Hero, Charlie Brown '68 #10 What Makes Musicians So Sarcastic?

It's a Dog's Life, Charlie Brown 1960-1961 This Is Your Life, Charlie Brown '68 What Makes Musicians So Sarcastic?

Slide, Charlie Brown! Slide! '68

Notes Go Fly a Kite, Charlie Brown begins with the last week that had appeared in Peanuts Revisited , starting, and then continuing, the story of the birth of Sally, and proceeds through mid-March 1960, providing near-100% inclusion of that period.

begins with the last week that had appeared in , starting, and then continuing, the story of the birth of Sally, and proceeds through mid-March 1960, providing near-100% inclusion of that period. Peanuts Every Sunday skips one week after the end of the previous Sunday collection, and continues into early March 1961. It also "picks up" the earlier-1958 strip of February 23 of that year.

skips one week after the end of the previous Sunday collection, and continues into early March 1961. It also "picks up" the earlier-1958 strip of February 23 of that year. It's a Dog's Life, Charlie Brown skips one week of dailies after the previous collection (the "whirlydog" story that would ultimately appear in Snoopy, Come Home), and continues into late June 1961, providing about 63% inclusion as of its publication. Once again, the last listed copyright year, 1962, covers none of its strip content, and is apparently the "book" copyright date.

Snoopy, Come Home 1958-1962 We Love You, Snoopy '70 #7 The Mad Punter Strikes Again The Mad Punter Strikes Again

You Can't Win, Charlie Brown 1960-1962 All This and Snoopy, Too '69 You Can't Win, Charlie Brown

Here's to You, Charlie Brown '69 #8 A Kiss on the Nose Turns Anger Aside

You Can Do It, Charlie Brown 1962-1963 Nobody's Perfect, Charlie Brown '69 A Kiss on the Nose Turns Anger Aside

You're a Brave Man, Charlie Brown '69

Notes Snoopy, Come Home was actually published after You Can't Win, Charlie Brown , but is listed first here to illustrate how the books were later re-issued in the Parade line. It is the second collection of dailies focusing on Snoopy, and, like its predecessor, repeats many strips from earlier volumes (including You Can't Win ), as well as including "new" strips from the same period, and continuing with later strips featuring Snoopy (into mid-October 1962). Its stated copyright years go all the way back to 1955, but it actually contains nothing prior to 1958, picking up where Snoopy left off.

was actually published after , but is listed first here to illustrate how the books were later re-issued in the line. It is the second collection of dailies focusing on Snoopy, and, like its predecessor, repeats many strips from earlier volumes (including ), as well as including "new" strips from the same period, and continuing with later strips featuring Snoopy (into mid-October 1962). Its stated copyright years go all the way back to 1955, but it actually contains nothing prior to 1958, picking up where left off. You Can't Win, Charlie Brown continues where It's a Dog's Life, Charlie Brown left off (and in fact "picks up" a good number of strips from the prior book's coverage period), and continues to late March 1962, beginning a period of a few years of near-100% inclusion of daily strips, such that between this book, It's a Dog's Life, Charlie Brown , and Snoopy, Come Home , every single daily strip of 1961 appears in reprint, except the strip of Christmas Day.

continues where left off (and in fact "picks up" a good number of strips from the prior book's coverage period), and continues to late March 1962, beginning a period of a few years of near-100% inclusion of daily strips, such that between this book, , and , every single daily strip of 1961 appears in reprint, except the strip of Christmas Day. You Can Do It, Charlie Brown repeats the last week of strips that appeared in You Can't Win, Charlie Brown (the story of Linus acting as a "baseball scout"), and continues into mid-May 1963. Fawcett editions were issued from this volume before Snoopy, Come Home , and in the first of these, Nobody's Perfect, Charlie Brown , ten strips were left out, including seven that also appeared in other books (the six strips of the Linus-as-baseball-scout story, plus one that would subsequently be repeated in As You Like It, Charlie Brown ) and three that did not appear elsewhere; and the remaining space at the end of You're a Brave Man, Charlie Brown was filled with ten strips actually from the beginning portion of Snoopy, Come Home .

repeats the last week of strips that appeared in (the story of Linus acting as a "baseball scout"), and continues into mid-May 1963. Fawcett editions were issued from this volume before , and in the first of these, , ten strips were left out, including seven that also appeared in other books (the six strips of the Linus-as-baseball-scout story, plus one that would subsequently be repeated in ) and three that did not appear elsewhere; and the remaining space at the end of was filled with ten strips actually from the beginning portion of . We Love You, Snoopy was the only Fawcett edition issued to cover Snoopy, Come Home in particular, being that the source consisted largely of strips repeated from earlier volumes, with the ostensible goal of the Fawcett selections being to avoid that repetition; however, the issued volume achieved far less than perfect results, with some repetition remaining, and much non-repeated material left out.

was the only Fawcett edition issued to cover in particular, being that the source consisted largely of strips repeated from earlier volumes, with the ostensible goal of the Fawcett selections being to avoid that repetition; however, the issued volume achieved far less than perfect results, with some repetition remaining, and much non-repeated material left out. As the Parade book The Mad Punter Strikes Again covered two source volumes with overlapping content, a total of nine daily strips appeared twice within it, occurring in both of its respective source volumes' sections.

book covered two source volumes with overlapping content, a total of nine daily strips appeared twice within it, occurring in both of its respective source volumes' sections. Likewise, the Parade book A Kiss on the Nose Turns Anger Aside contains two occurrences of the Linus-as-baseball-scout story, from the edition's two source volumes respectively.

We're Right Behind You, Charlie Brown 1958-1963 Peanuts for Everybody '70 #3 There's a Vulture Outside There's a Vulture Outside

You've Done it Again, Charlie Brown '70

Sunday's Fun Day, Charlie Brown 1962-1965 It's for You, Snoopy '71 Sunday's Fun Day, Charlie Brown

Have It Your Way, Charlie Brown '71 #4 What's Wrong with Being Crabby?

As You Like It, Charlie Brown 1963-1964 Charlie Brown and Snoopy '70 What's Wrong with Being Crabby?

You're the Greatest, Charlie Brown '71

Notes We're Right Behind You, Charlie Brown "picks up" the Sunday strip skipped right before the previous Sunday collection began, as well as all three of the strips omitted from within its coverage period, including the second part of a two-Sunday story arc whose first part had been included in the earlier volume. This then continues into mid-July 1963. For the third time, the last listed copyright year, 1964, covers none of its strip content, and is apparently the "book" copyright date. The Fawcetts issued from this book leave out one strip from it, that of January 21, 1962.

"picks up" the Sunday strip skipped right before the previous Sunday collection began, as well as all three of the strips omitted from within its coverage period, including the second part of a two-Sunday story arc whose first part had been included in the earlier volume. This then continues into mid-July 1963. For the third time, the last listed copyright year, 1964, covers none of its strip content, and is apparently the "book" copyright date. The Fawcetts issued from this book leave out one strip from it, that of January 21, 1962. Sunday's Fun Day, Charlie Brown was actually published after As You Like It, Charlie Brown , but is listed first here to illustrate how the books were later re-issued in the Parade line. This book repeats 20 strips from the previous Sunday collection, and continues to just the start of August 1965. About half of the 20 repeated strips appear twice in early printings of the Parade volume There's a Vulture Outside ; in later printings an attempt was made to resolve this by re-arranging strips between that volume and What's Wrong with Being Crabby? , but errors were made in the process. When the Peanuts Classics editions were issued, a restoration was attempted, which ended up only compounding the earlier errors.

was actually published after , but is listed first here to illustrate how the books were later re-issued in the line. This book repeats 20 strips from the previous Sunday collection, and continues to just the start of August 1965. About half of the 20 repeated strips appear twice in early printings of the volume ; in later printings an attempt was made to resolve this by re-arranging strips between that volume and , but errors were made in the process. When the editions were issued, a restoration was attempted, which ended up only compounding the earlier errors. As You Like It, Charlie Brown begins where You Can Do It, Charlie Brown left off, and continues to just the start of June 1964, providing about 77% inclusion.

You Need Help, Charlie Brown 1964-1965 You're Not for Real, Snoopy '71 #1 Who's the Funny-Looking Kid with the Big Nose? Who's the Funny-Looking Kid with the Big Nose?

You're a Pal, Snoopy '72

The Unsinkable Charlie Brown 1965-1966 What Now, Charlie Brown? '72 The Unsinkable Charlie Brown

You're Something Special, Snoopy! '72 #2 It's a Long Way to Tipperary

You'll Flip, Charlie Brown 1965-1967 You've Got a Friend, Charlie Brown '72 It's a Long Way to Tipperary

Take It Easy, Charlie Brown '73

Notes You Need Help, Charlie Brown begins where the previous daily collection left off, and continues into mid-December 1965, providing only about 50% inclusion.

begins where the previous daily collection left off, and continues into mid-December 1965, providing only about 50% inclusion. The Unsinkable Charlie Brown begins the practice of combining daily and Sunday comics together, carrying on where the respective previous collections left off, and continuing into early October 1966, providing about 67% inclusion as of its publication. The book's title is a play on the title of the 1964 movie musical The Unsinkable Molly Brown , about the life of the titular heroic survivor of the Titanic .

begins the practice of combining daily and Sunday comics together, carrying on where the respective previous collections left off, and continuing into early October 1966, providing about 67% inclusion as of its publication. The book's title is a play on the title of the 1964 movie musical , about the life of the titular heroic survivor of the . You'll Flip, Charlie Brown largely rehashes the coverage period of its predecessor, and advances to mid-March 1967, achieving near-100% inclusion for the entire period.

You're Something Else, Charlie Brown 1967 Your Choice, Snoopy '73 #17 A Smile Makes a Lousy Umbrella A Smile Makes a Lousy Umbrella

Try It Again, Charlie Brown '74

You're You, Charlie Brown 1967-1968 Who Was that Dog I Saw You With, Charlie Brown? '73 You've Come a Long Way, Charlie Brown

There's No One Like You, Snoopy '73 #18 My Anxieties Have Anxieties Not included

You've Had It, Charlie Brown 1968-1969 You've Got It Made, Snoopy '74 My Anxieties Have Anxieties

Don't Give Up, Charlie Brown '74

Notes You're Something Else, Charlie Brown carries on where its predecessor left off to early December 1967, providing about 85% inclusion.

carries on where its predecessor left off to early December 1967, providing about 85% inclusion. You're You, Charlie Brown continues from its predecessor to late July 1968 (plus the Sunday strip of August 11, 1968), providing about 93% inclusion of its main period. An editorial gaffe in the Peanuts Classics line resulted in its edition of You've Come a Long Way, Charlie Brown containing only the second half of that Original volume followed by the first half of You're You, Charlie Brown , with no other volume issued to cover the missing halves of each.

continues from its predecessor to late July 1968 (plus the Sunday strip of August 11, 1968), providing about 93% inclusion of its main period. An editorial gaffe in the line resulted in its edition of containing only the second half of that Original volume followed by the first half of , with no other volume issued to cover the missing halves of each. You've Had It, Charlie Brown continues after non-coinciding two-week gaps of dailies and Sundays — skipping such events as the introduction of Franklin and the first two weeks of a four-week Sunday story arc about Snoopy losing his supper dish to the cat next door — and proceeds to early May 1969, providing about 78% inclusion.

You're Out of Sight, Charlie Brown 1968-1970 You're So Smart, Snoopy '74 #19 It's Great to be a Super Star It's Great to be a Super Star

Watch Out, Charlie Brown '75

You've Come a Long Way, Charlie Brown 1970-1971 It's All Yours, Snoopy '75 Not included

You've Got to Be You, Snoopy '75 #20 Stop Snowing on My Secretary You've Come a Long Way, Charlie Brown

“Ha Ha Herman,” Charlie Brown 1971-1972 You're on Your Own, Snoopy '75 Stop Snowing on My Secretary

You Can't Win Them All, Charlie Brown '75

Notes You're Out of Sight, Charlie Brown "picks up" three daily strips from December 1968 (not acknowledged in its listed copyright years), and continues from its predecessor to mid-May 1970, providing about 58% inclusion. This book introduces new graphic design to the Original series, now plastic-coated paperbacks with line-framed cover illustrations in full color. Earlier volumes subsequently reprinted were converted to this new style, with the exception of Peanuts Revisited .

"picks up" three daily strips from December 1968 (not acknowledged in its listed copyright years), and continues from its predecessor to mid-May 1970, providing about 58% inclusion. This book introduces new graphic design to the Original series, now plastic-coated paperbacks with line-framed cover illustrations in full color. Earlier volumes subsequently reprinted were converted to this new style, with the exception of . You've Come a Long Way, Charlie Brown continues from its predecessor to the end of May 1971, maintaining a trend of about 58% inclusion. For the Peanuts Classics version of the title, see the note above for You're You, Charlie Brown .

continues from its predecessor to the end of May 1971, maintaining a trend of about 58% inclusion. For the version of the title, see the note above for . “Ha Ha Herman,” Charlie Brown continues from its predecessor to near the end of May 1972, inching up to about 59% inclusion.

Thompson Is in Trouble, Charlie Brown 1972-1973 You've Come a Long Way, Snoopy '76 #15 It's Hard Work Being Bitter It's Hard Work Being Bitter

That's Life, Snoopy '76

You're the Guest of Honor, Charlie Brown 1972-1973 It's Your Turn, Snoopy '76 You're the Guest of Honor, Charlie Brown

You Asked for It, Charlie Brown '76 #16 How Long, Great Pumpkin, How Long?

Win a Few, Lose a Few, Charlie Brown 1973-1974 Play Ball, Snoopy '76 How Long, Great Pumpkin, How Long?

They're Playing Your Song, Charlie Brown '77