Dracula Untold is sold both as a re-telling of the Dracula story and the opening salvo to Universal Studios’ Avengers style monsters franchise. Luke Evans (The Hobbit) stars as Vlad, a battle-hardened warrior prince known as ‘The Impaler’ who is forced to make a terrible choice when Turkish Warlord Mehmed (Dominic Cooper) demands a thousand young boys to be taken as soldiers in his army. Unwilling to give up his own son and resigned to war with Mehmed, Vlad makes a pact with a Vampire Master (Charles Dance) to take on the powers of the night in order to defeat his enemies. is sold both as a re-telling of the Dracula story and the opening salvo to Universal Studios’style monsters franchise. Luke Evans () stars as Vlad, a battle-hardened warrior prince known as ‘The Impaler’ who is forced to make a terrible choice when Turkish Warlord Mehmed (Dominic Cooper) demands a thousand young boys to be taken as soldiers in his army. Unwilling to give up his own son and resigned to war with Mehmed, Vlad makes a pact with a Vampire Master (Charles Dance) to take on the powers of the night in order to defeat his enemies.





Untold, as the primary trailer seemed to relay a refreshing take on the story with interesting concepts that could be examined and developed with the continent-spanning war as a dramatic backdrop. Unfortunately, what we actually get is essentially Man-Bat Begins, though to make a comparison to a Nolan movie would convey connotations to intelligence, which Untold is severely lacking. It is important to say that initially I had high hopes for, as the primary trailer seemed to relay a refreshing take on the story with interesting concepts that could be examined and developed with the continent-spanning war as a dramatic backdrop. Unfortunately, what we actually get is essentially, though to make a comparison to a Nolan movie would convey connotations to intelligence, whichis severely lacking.













This is not to say that there are no pleasures to be had: Luke Evans scrubs up well in his role, lending just the right level of physical intimidation and emotional weight to the character (plus he looks pretty swish in a dragon-emblazoned suit of armour) whilst Charles Dance picks the scenery out from between razor sharp fangs. The supporting cast leave a lot to be desired, but this may not be entirely their fault. The usually capable Dominic Cooper is saddled with uninspiring dialogue whilst Sarah Gadon as Vlad’s wife does her best but spends most of her screen time smothered in a facial expression that is supposed to be fear but looks more like boredom.





Lord of the Rings world where fantasy-era battles are grim and dirty that the lesson about hair was never learned: everyone in the Tolkein trilogy looked like they’d been through hell; the cast of Untold emerge from the field of battle with their hair gel still firmly in place. The cinematography is uninvolving and at times all over the place, the fairly interesting gothic production design not given enough room to shine. Action sequences are reduced to disorientating shaky cam that spins all over the place, cutting every two seconds, and at times I had a very hard time working out who was who because it just looked like a pile of medieval props having a fight with itself in a wind-tunnel. It also seems increasingly odd that in a postworld where fantasy-era battles are grim and dirty that the lesson about hair was never learned: everyone in the Tolkein trilogy looked like they’d been through hell; the cast ofemerge from the field of battle with their hair gel still firmly in place.





Developments in the plot are laughably predictable, unsubtly foreshadowed or outright spelled out for the hard of thinking at the back. For a film based around one of the original inspirations of the Dark Knight, there are lines of dialogue directly stolen from Batman Begins (‘Men fear most what they cannot see’ etc.) and the poster campaigns also appear to be mimicking the 2005 blockbuster. But whilst Begins was an incredible setup for an epic trilogy, Untold is strikingly unremarkable as the beginning of a larger cinematic universe.





Dracula Untold is disappointment. The concepts that held such promise are barely paid lip service and all but Evans and Dance feel wasted in a film that doesn’t have the willpower to deliver. I want to believe that said concepts will have time to develop in future installments, but I won’t hold my breath. The overriding feeling upon emerging fromis disappointment. The concepts that held such promise are barely paid lip service and all but Evans and Dance feel wasted in a film that doesn’t have the willpower to deliver. I want to believe that said concepts will have time to develop in future installments, but I won’t hold my breath.



