All images by Steve Gullick. Used with permission

“NIRVANA entered my life in October 1990 when I heard ‘Sliver’ on the John Peel show, the deal was sealed upon hearing the beautifully brutal session they recorded for John’s show and their first London headline performance at the Astoria theatre that same month. At the time I was a photographer for weekly music paper Sounds, it instantly became my ambition to work with the band.”

Think about a single band that you’d want to photograph. Steve Gullick has photographed Nick Cave, The Prodigy, Patti Smith, Pearl Jam, Foo Fighters and many more, and his photos have appeared in The Times, Mojo, Rolling Stone, Wire, Q and NME to name but a few. But Gullick fell in love with Nirvana back in the 1990s and went on to have the opportunity to photograph Kurt, Krist and Dave and their crazy times. Steve is releasing “The Nirvana Diary” soon, which he describes as a photograph journey of the times that he spent shooting the band.

April 5th, 2014 will mark 20 years since Cobain committed suicide and who helped further a genre of music that changed everything to come after it. And Steve’s photos take us back in time to when he was still around.

Be sure to also check out Steve’s Facebook Page, Twitter and Instagram. Plus, you might digg his personal project on the images and his Loose Lips Sink Ships project.



Phoblographer: Lots of photographers aspire to be able to tour with their favorite bands or artists and shoot with them on the road. And you essentially lived the dream of many. What were your first in person interactions with the band members like?

Steve: Great – we were all there to do a job we loved… Nirvana were very accommodating, respectful and humorous.

Phoblographer: Those photographers that had the opportunity to photograph Kurt all say that he was an extremely nice man. What did you think? Band mates traveling together on the road have to at times have moments where they break down? And what about Krist and Dave?

Steve: Kurt was a lovely man, as are Krist and Dave. They were close and looked after one another like brothers. They were also close with their crew – Alex McLoud was their tour manager for the duration of the time I shot the band.

Phoblographer: Kurt always had this almost unpredictable stage presence. What was that like for you as a photographer to be able to just react to his body language?

Steve: That was the score back then – I worked with a lot of primal punk rockers. I think if you love and understand what’s going on, synchronicity takes over – I was fast, fit and ready for anything. I wouldn’t claim to do it better, but I was and remain a die hard music fan. It was always music first, photography second. I was also always happy in the pit. Getting pulled, walked on, kicked and punched was just part of the job.

Phoblographer: Many people talk about what it was like for the band, but what about you as a photographer? You’re out there touring with them. What was it like for you? Would you do it again?

Steve: I’ve never toured intensely like bands do, I’ve only ever done a few days at a time. Remember, I had stories to turn in, and that didn’t involve an hour on Capture One & photoshop with a beer and a wi-fi connection. It involved film processing and darkroom printing. I have been known to use hotel rooms as darkrooms and I often worked all night and delivered the prints in the morning.

Generally, my presence on a tour bus has been fun. Bands enjoy a new face to break up the monotony of travel. Nirvana was no exception. Their bus was a place for quiet contemplation and a place for a great party.

We ended one evening with a party on the tour bus. which involved us watching Frogs and Queen videos. Krist awarded me the prize of a bowling ball and a piece of smashed TV screen for having pulled off the best Freddie Mercury impression.

Phoblographer: Who among the band members did you feel closest to and what about them made you warm up to them specifically?

Steve: That’s like asking me which of my three sons is my favorite. I love them all equally.

Phoblographer: Given the way that the band was going when you were shooting them, if someone had told you that Kurt would commit suicide and Dave would go on to form one of the most influential alternative bands around, how would you have reacted?

Steve: I deal in reality. Kurt’s suicide is a very sad and upsetting fact. Dave has always worked hard and is an unstoppable, creative and lovable bloke. The success of Foo Fighters is well deserved and unsurprising to me.

Phoblographer: Between traveling and shooting, how did you manage your work with film development, sending negatives, archiving, etc?

Steve: Well, as I mentioned earlier, I had to work darkroom time into everything I did. It’s quite simple really. Wake, travel, avoid calls, arrive, take photos, get drunk, travel, avoid calls, arrive, process, print, make developer cocktails, deliver photos, sleep. Repeat for about 10 years.

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