I told you these theories would be crazy, even for me.

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(This will be a long post.)

Perhaps you’re thinking to yourself, “Vaylon, you crazy person, you, how on earth could you even begin to possibly justify such an outlandish theory?!” Well, what if I told you that it starts all the way back in episode 1b: “Party with a Pony”? But before I can tell you that story, I have to tell you this story: let’s talk about the Holy Grail.

Not This @#$% Again!

If you’re a regular follower of my blog, then I’m sure by now you’re sick to death of me talking about the Holy Grail theory and how I think Lekmet’s horn will come to play a big role in future seasons. Well, too bad! It’s a good theory, and I’m proud of it. There’s plenty of evidence for it, in my opinion – but I missed something related to the Grail. Something big.

You see, I’m kind of an idiot for not realizing the possibility of this Pony Head theory sooner. The answer is literally right in front of my face every day. Have you ever seen my profile picture? It’s the Lance of Longinus from Neon Genesis Evangelion.

Evangelion’s Lance is based on an actual legend in medieval Christian tradition. The legend says that a Roman soldier named Longinus wanted to make sure that Christ was really dead, so he stabbed him in the side with his spear. (The use of the word lance instead of spear is debatable, but I like the alliteration, so I’m going to use it.) All sorts of stories and magical powers are associated with this weapon, and lots of different relics claim to be the “true” Lance. But here’s the thing I had forgotten: in order for the Grail to catch the blood of Christ (and thus become the Grail), there has to be a sizable wound. The Lance, then, is what causes that wound.

The Holy Grail is only half of the picture! You can’t have the Grail without the Lance; they go together. I felt like a fool when I realized the connection I’d been missing – the hint was right in front of me the whole time.



In Arthurian tales, the Grail and Lance often go hand-in-hand – one or both are depicted as continually dripping with blood – and there have been lots (and lots) of books written about the symbolism behind the two mythical objects. One reading is that the Grail and Lance symbolically represent feminine and masculine aspects, respectively. Or, more irreverently, they represent Venus and Mars. Any of this starting to sound familiar yet?

I’ve written previously about Star being associated with the goddess Venus. Marco, then, of course, is associated with the god Mars; not only is his name ultimately derived from Mars, but he has a strong connection to the color red and to martial arts. The Roman god of war is depicted as carrying a spear as a weapon – indeed, it’s part of his symbol, which has now become the traditional symbol for “male.” If there is indeed a Lance in Star vs. the Forces of Evil, then it seems only fitting that Marco – the Lancer of the series – comes to wield it.

Once I started thinking about the Lance, it was easy to find references to it (some more subtle than others). I’ve divided the theory into two sections: the first part will deal with connecting Pony Head to the Lance (and hence to Marco). The second part will deal with the foreshadowing of Pony Head’s death. Let’s begin!

Pony Head and Marco

Remember “Party with a Pony” – the very first episode we see Pony Head in? Do you remember what game Pony Head and Marco play at the Amethyst Arcade?

Lance Lance Revolution! I was stunned when I recalled that scene. (I also wonder if it’s a stealth reference to the opening of Revolutionary Girl Utena – watch for the flying horses!) Notably, Pony Head loses the game to Marco. Indeed, for what it’s worth, there are a number of references to sharp objects in “Party with a Pony”:

The series is trying to establish a comparison between lances and Pony Head. Sound far-fetched? Perhaps – but that’s the point (so to speak) of this post. This theory’s reading opens up the episode to a lot of irony in lines like this, for instance:

Pony Head: Look here, Earth Turd. This night is really important to me. You mess that up, and you’re gonna get the horn.



Marco could literally receive the horn from Pony Head. And there is another line in “Party with a Pony” that is much, much darker upon re-interpretation, but I’ll save that for the second half. For now, let’s move on to some other episodes.

Both Star and Marco make use of Pony Head several times throughout the series as a tool:

Her role as a tool in “St. Olga’s Reform School for Wayward Princesses” and in “Pizza Thing” could foreshadow the eventual use of her horn as a weapon. “Pizza Thing” is particularly interesting as it focuses on Pony Head and Marco’s relationship – indeed, every time we see Pony Head on-screen, she is somehow causing trouble for Marco – and there are odd lines in it like this one that seem to hint at something else going on:

Pony Head, however, does have a sharp edge to stab someone with. Marco using her horn as a weapon would be symbolic of the friendship between him and Pony Head; we would think of her every time he uses it. This shot is probably the most symbolic one in the episode, however:

Bowls, as I noted before in my post on the Holy Grail, are symbolic of the Grail; the symbolism, I think, is reinforced by Pony Head putting eggs into it. (Pizza dough does not ordinarily have eggs in it!) Remember: the Grail and the Lance go together. They are a pair, just like Star and Marco.

Finally, there’s a pretty unusual passage in Star and Marco’s Guide to Mastering Every Dimension:

It seems likely to me that the writers intend far more meaning behind Pony Head and Marco’s relationship than is apparent at first glance; if this theory is correct, then perhaps Marco and Pony Head will become much closer than they are now just before she is killed, and he will commit himself to keeping her memory alive in a way she would have wanted.

Word Associations

I think “The Bounce Lounge” – another often-overlooked episode – is important, too, for establishing darker themes associated with Pony Head: that of old age, finality, and death. Yet, before we get into those themes, there’s something odd going on in this episode, something that I’ve previously remarked on: shot-for-shot, “The Bounce Lounge” and “The Hard Way” have similar composition. (If you play both episodes at the same time, you’ll see for yourself what I’m talking about.) In particular, I would like to focus on these two shots:

Visually, Pony Head is being compared to a pillar. Pillars play an unusual role in the series; for one thing, they’re connected to Indiana Jones and the Last Crusade – a film about the quest for the Holy Grail. For instance, the pillars that mark the clues that Indiana Jones follows are echoed in the second half of season two of Star vs. the Forces of Evil:

Pillar is a word with an interesting etymology. As you can see, it’s ultimately derived from the Latin pila – a word with some interesting connections (among them: mortar and pestle, pistil) – but, more to the point (again, so to speak), it’s also etymologically connected to the Latin word pilum – the famed javelin of the Roman soldier. Both pila and pilum probably have their origin in the proto-Indo-European root *peys- meaning “to crush.”

The word pillar is ultimately derived from a root meaning “to crush.” If you’re skeptical about the significance of this, just consider what a pillar does at the end of “The Battle for Mewni”:

Yeah.

I don’t think there’s any need for us to balk at this sort of word association – with cleaved in “Storm the Castle” and Janna sleeping in the grave in “Bon Bon the Birthday Clown,” the writers have clearly demonstrated that they’re aware of the meanings and etymologies of words. (As an aside, think about how much importance the word crush has in episodes like “Sleepover” and “Starcrushed”!) If Pony Head can be compared to a pillar, then she certainly can be compared to a javelin (or, more aptly, a spear).

The amount of suffering in “The Battle for Mewni” – and the sheer number of times that the words dead or kill are used – hint that the series as a whole is moving toward a darker, more serious tone. Would the death of a supporting character really be that out of place? There are some elements scattered throughout the series so far which hint at Pony Head’s death; let’s take a look at them.

The Shadow of Death

Even from the beginning of Pony Head’s introduction, there’s an air of danger and death around her; after all, in “Party with a Pony,” she does try to kill Marco:

In the same episode, Marco responds to Pony Head with some violence of his own:

If this theory is right, and Pony Head is destined to die, consider how darkly ironic King Pony Head’s incredible line at the end of “Party with a Pony” becomes:

King Pony Head: Ah, kids… You have ‘em, and then you… wish they weren’t around.

And that episode isn’t the only one like that; as I noted earlier, “The Bounce Lounge” is entirely themed around old age, finality, and endings. There’s a crow in the decrepit Bounce Lounge, an omen of death (if you watch the scene, note how the sound travels to the left channel, drawing your attention to the crow):

There’s some visual metaphor going on as well: when Star starts to cry, all of her glass unicorn figurines shatter into pieces. Could this be foreshadowing Star’s sorrow at her best friend’s death? Indeed, the entire episode seems dedicated to priming the audience for – something – some kind of major loss or death:

Furthermore, Milly Sparkles says “six customers” – and the show wants us to pay attention to what she says and how she says it – but there are actually seven characters present:

At first, I wondered if something would happen to Marco, since he’s the only one not reflected in Milly’s shades, but in light of this theory, I now think it’s Pony Head. A stretch, admittedly (isn’t it all?), but it’s hard to deny that “The Bounce Lounge” is a grim portent. To a lesser extent, “Running with Scissors” also presages death in what could be an ironic fashion:

This theory of mine about Pony Head may also help explain something I’d been puzzling over for quite a while during the season two finale livestream, which featured Marco and StarFan13 talking about Easter eggs to watch for during “Face the Music” and “Starcrushed”:

StarFan13: Did you find all the Easter eggs? Did you find the unicorn skull, the pizza nuggets, and the shoulder tassels?

As far as I know, there’s no unicorn skull in either “Face the Music” or “Starcrushed.” However, there are some bones near the flytrap-like plant in “Face the Music”:

But those don’t look like unicorns to me; look at their teeth. (Also, the clues indicate we’re looking for a single unicorn skull.) Perhaps this connection is far-fetched, but I always thought the hint of “unicorn skull” prefigured some other death – and now I think it may be referring to Pony Head’s eventual demise. (If someone has an alternate explanation for the unicorn skull hint, I would be happy to hear it!) But this is just a minor point compared to what I think is the biggest clue of all…

In a post about “Starcrushed,” I wrote about how, among other things, the Magic High Commission and Star’s group of friends all seem to run parallel to one another:

Emergency Friend Meeting: Star, Pony Head, Kelly, Janna, and StarFan13.

Magic High Commission: Moon, Lekmet, Omnitraxus Prime, Hekapoo, and Rhombulus.

Thanks to Moon in “Return to Mewni,” we know for a fact that Lekmet is gone for good:

Since “Starcrushed” implicitly compares Star’s group of friends to the Magic High Commission, I don’t think it’s too much of a stretch to posit that one of Star’s friends could die as well – and the closest one to Lekmet in terms of kind and symbolism is Pony Head.

Lekmet is associated with healing (as is the Holy Grail); similarly, real-life legends about unicorns are also associated with healing – their alleged horns were valuable, sought-after items believed to be cure-alls and were purchased by medieval nobles wanting to protect themselves against poison and disease. Both Lekmet and Pony Head have prominent horns, although Pony Head uses hers for magic, and it hasn’t been revealed – yet, anyway – whether or not Lekmet’s horn is magic (but I think it will be soon).

If Lekmet’s horn is to be used as a magic item by Star, then is it really that much of a stretch to imagine Pony Head dying and her horn being used as a weapon by Marco?

How It All Goes Down

From what I’ve been reading, plenty of fans dislike Pony Head; in any case, I would certainly not characterize her as a popular character. I think she’s fine in small doses, and at times she can even be hilariously off-beat: her appearance in “Running with Scissors” attests to that! A moment of redemption for her – something to truly bolster audience opinion of her, perhaps even a heroic sacrifice – would fit perfectly, I think, into the development of an otherwise unlikable character. It makes a whole lot of sense to me.

And, if it is to happen, then it seems obvious how: Miss Heinous. From “Heinous” – an episode that I love due to how utterly off-the-rails demented it is – it’s clear that Miss Heinous is quite involved in the process of losing her grip on reality, and she’s also become far more bloody-minded than previously shown. Here’s a possible chain of events:

Miss Heinous threatens to kill Marco.

Pony Head sacrifices herself to save Marco.

Marco takes Pony Head’s horn for revenge.

Implausible? Sure. I freely admit that this theory is crazy – it’s in the title, after all – but I absolutely think it could happen, and that’s what makes it so deliciously tantalizing. Given the show’s running theme of transition, I think it would also be influential in terms of character development for Star if she lost her childhood friend; not only would it be symbolic of her transition to adulthood, but it would provide Pony Head a means of redeeming herself and allow the show to reveal just how dark it can truly be. I can’t wait for November!



I hope you enjoyed reading this! Feel free to complain here (or just send questions). Until next time! Take care of yourselves.