Resting Soldiers A Watercolor By Ghost Army Soldier John Jarvie.

(Image Courtesy Of Rick Beyer, ghostarmy.org .)

An invisible army, operating in obscurity, mastering the arts of illusion, deception, and disinformation to defeat the Nazis in World War II. This could be a description of the French Resistance fighters, the band of brothers who operated in utmost secrecy under the noses of the German occupation forces, and have been called “The Army of Shadows.” But it also describes an amazing division of American troops stationed in the European Theatre : the 23rd Headquarters Special Troops, AKA “The Ghost Army.” This top-secret unit, so highly classified that its very existence was denied by the Pentagon for 50 years, is finally being not just exposed but placed in the spotlight, by a Michigan Library and an award-winning documentary filmmaker.

The University of Michgan‘s Harlan Hatcher Graduate Library is presenting a “Ghost Army” exhibit through April 30, 2010. It consists of photographs, drawings, and paintings, along with quotations from the soldiers who created them. An accompanying narrative text was written by Exhibits and Outreach Librarian Karen Jordan, and based on research conducted by University of Michigan Art History Ph.D. student Diana Mankowski.

And if you’re expecting amateurish pencil sketches by doodling G.I.’s, think again. There’s a reason an art history student spent time researching The Ghost Army: the 23rd was an elite unit made up of artists, designers, sound technicians, press agents, makeup artists, and professional photographers. And if you think that description sounds more like a film crew than an army, you’re on the right track. The Ghost Army was the brainchild of a movie star, who knew a thing or two about fooling an audience with optical illusions and special effects.

Swashbuckler and Navy Man: Douglas Fairbanks, Jr.

Swashbuckling action star Douglas Fairbanks, Jr. lobbied the Navy brass (he was serving in the United States Naval Reserve) to create a unit based on deception after he completed a tour of England and its special forces installations. Fairbanks had friends in high places, up to and including Franklin D. Roosevelt. The unit ended up as part of the Army in 1944, but the original idea remained unchanged: the 23rd’s mission was to deceive the German Army into believing that the Allies possessed more troops and material than they actually did and, even more heroically, to draw enemy fire on themselves, allowing regular combat units to advance with fewer casualties.

The deceptions of The Ghost Army used every theatrical tool at their command. Sound engineers created elaborate, multi-layered recordings of the noises made by infantry, tank, and artillery units in all kinds of weather and from a variety of distances. A few sound trucks armed with nothing more than loud speakers could “impersonate” a battalion of tanks or an entire infantry division. A radio deception section of the unit contributed fake transmissions so convincing they fooled the notorious German radio propagandist, Axis Sally, into reporting an entire Allied division was gearing up for battle in a location where there were no troops at all.

Four Ghost Army Soldiers: Strong Enough To Lift An Inflatable Tank.

(Image Courtesy Of Rick Beyer/Hatcher Graduate Library. )

Another tool of trickery involved visual deceptions, created using life-size mock-ups of artillery, trucks, planes, tanks, and even buildings. Jack Masey, who was drafted into the 23rd at age 18, recalled: “We were told we were going to be using inflatable equipment to try and fool the Germans into thinking that we were a real army, when we were in effect, I suppose, a rubber army.” The rubber “big boys,” as they were known, were covered with deliberately ineffective camouflage by the artists of the unit, the better to be noticed, reported, and attacked by the Germans, while real weapons were left alone. Mississippi-born soldier A.B. Wilson said maintaining secrecy and the illusion of realism were the keys to these full-of-hot-air operations: “We had one occasion in France where a fellow decided his tank would look better on the other side of the road, it would be a more natural place for it. So these four guys pick up this tank and go walking across the road with it. And there was a Frenchman coming down the road that sees it, and he thought he was hallucinating to see four men pick up a tank. But the MP’s got him right quick, and I’m sure he was never able to tell anyone what he saw for the rest of the war.”

A “Dummy Convoy”: Every Vehicle And Weapon In This Photo Is Rubber.

(Image Courtesy of Rick Beyer.)

An actor’s skills were often required of members of the 23rd, too. This part of the job ranged from the pleasurable to the tedious. Play-acting assignments sometimes resembled R&R. Jack Masey said sometimes the soldiers would visit villages in an effort to fool informants: “We were to be seen, mill around, go to pubs, have a good time, pick up girls, enjoy.” Having memorized the recent history of the unit they were pretending to be part of, the 23rd’s repertory company convincingly dropped tidbits of information only the real deal would know. Then they offered a sincere recitation of entirely bogus battle plans, revealing the future position of their battle-scarred unit. Oscar-worthy performances were played out in taverns by these careless “drunks” who spilled vital military intelligence more often than their beers. Lucky members of the unit got instantaneous, if temporary, promotions, according to A.B. Wilson: “Sometimes you’d portray a different rank than what you actually were. Sometimes our colonel was a two-star general, you know, a brigadier general.”

Two Masters Of Illusion: Camouflage Engineer Joe Spence Meets Actress Marlene Dietrich .

(Image Courtesy of Rick Beyer.)

But most assignments were far less enjoyable. Soldiers would drive though villages for hours in looping convoys of trucks meant to transport dozens of men. In fact, they held only the driver and two passengers positioned in the rear, wearing the proper uniforms and patches to mimic the “division” arriving to prepare for battle. Members of the Ghost Army impersonated parts of so many different outfits, redesigning uniforms and attaching and removing shoulder patches so often, some became expert tailors by the end of the war. A.B. Wilson remembered: “We wore the same patches other units wore. We didn’t fasten them too tight, because you knew they were going to come off shortly.” (The Ghost Army’s real shoulder insignia was never allowed to be worn. It featured a ghost, and Latin slogans meaning “Let’s simulate those that do not exist,” and “Those that exist should really be disguised.”)

The Never To Be Worn Insignia Of The Ghost Army.