Before I start this, I wanted to give a quick shout-out to the Las Vegas Victims’ Fund GoFundMe campaign. Any massacre is horrific of course but especially with the connection AGT has with the city I thought it’d be good to share.

I’ve thought a lot about what to do with this blog during the off-season. I know I don’t want it to go completely dormant like last year, so I’m going to try to post at least twice per month. One post will be a roundup of any notable alumni updates and the other will vary a bit. For this month I recently grabbed a copy of Mandy Harvey’s book “Sensing the Rhythm” which was released last week, so I’ll get a review of that up once I’ve finished reading it!

For now, let’s get to the top 10 list! Note that I didn’t allow myself to include multiple performances from the same act so I wouldn’t run out of things to say. 😛

10. Preacher Lawson Proves Himself to be a “Driving” Force in the Competition (Auditions)

While I’ve made it clear I didn’t agree with some of the representation of certain act genres we had in the Season 12 live shows, I think Preacher Lawson was definitely the best comedian of all those we saw by miles, so if we could only have one make it through, I’m glad it was him. Most of his performances were on a similar level for me – all around solid, with a couple laugh-out-loud jokes and good personality to make the lesser material palatable. After re-watching each of them, I still think his best performance was his very first audition.

He started by easing into the jokes by answering each question from the judges with a hint of humor, which made a nice segue into the set itself. As the season went on, Preacher slowly began incorporating more and more of his “over-the-top” bits into his performances, culminating in one long joke in the Finals that lasted about 30 seconds (you know the one :P). But here, we don’t get it until late in the act, giving us time to warm up to his style of humor before taking it to the next level with the grandma impression.

This performance was so good that even though it was one of the very first acts shown in the season premiere, it stuck out in my mind through the following weeks of auditions, and by the time we got to Preacher’s next set in the third episode of the Judge Cuts round, I was on the edge of my seat in anticipation to see what he would bring us next.

9. Billy & Emily England Go for a Spin, Game of Thrones-style (Semi-Finals)

Like most danger performers who’ve gone on AGT, Billy & Emily England were certainly one of the more controversial acts of Season 12. Some people loved them, others feared them, and a few thought their act was more suited to a “redneck family reunion” than a primetime TV talent show (Facebook’s words, not mine).

I was concerned early on that the “wow” factor of the extreme roller-skating would wear off a little too quickly, but in a surprise result (at least to me) they avoided Quarter-Finals Dunkin’ Save territory and spun on straight to the Semis. By the time their second live show rolled around, not only had there been many a comment stating they needed to “step it up” but also many questioning their relationship as siblings. I don’t know if the concept for their Semi-Finals performance was an intentional nod to the speculation of incest, but either way, the Game of Thrones-esque set-up added an extra sense of intensity to the act.

Of course, the theme wasn’t the only thing that made this performance epic; Billy and Emily started out somewhat slow, but that helped them build tension and suspense as they kept adding to the danger with each passing trick. They even maintained strong showmanship whenever they had to pause the actual spinning to maintain their balance. It all culminated in one final daring move we hadn’t seen from them in any of their previous AGT showings; Billy tossing Emily off the platform, ending as the victor of the storyline.

8. Sara & Hero are “Walking on Sunshine” at the Beach (Semi-Finals)

Sara & Hero had kind of a rough start to the season, narrowly making it to the Judge Cuts round. But from there, they charmed the judges and viewers enough to make it all the way the 5th place without ever being on the Dunkin’ Save bubble! I really love Sara’s commitment to training dogs using positive reinforcement, and she managed to raise the bar with pretty much every AGT performance.

The Semi-Finals act is the one that I think worked the best. The beach theme was very well-suited to the “girl and her dogs” storyline and it had the biggest variety of tricks we hadn’t seen from them yet. The beginning with the CPR was arguably the best part since it was the only real “story” section of the performance, but the level of the tricks that followed made up for it. (The volleyball stuff was particularly impressive.) None of them went on for too long, and most of the transitions were smooth enough for Hero and Loki to keep up nicely. There were a couple of mistakes but none of the prevented the routine from progressing as it should (I really liked how Sara just kind of rolled with everything). I would have to say this was probably the most uplifting performance of the season, and it was no surprise for them to make the Finals as a result!

7. Colin Cloud Goes Undercover (Semi-Finals)

I feel like illusion-based acts are always at least a little controversial (“it’s not REAL magic”) but mentalism tends to stir up particularly heated debates. A lot of people are convinced there are plants in the audience or the judges are in on the trick (I highly doubt the latter is true, but I know of an instance or two when the host knew what was up). I know how quite a few of the tricks we’ve seen from this genre over the years are done, and there are a variety of different methods the performers have used. I know a lot of people like to make fun of Colin’s label as the “Real-Life Sherlock Holmes” but since the season ended a couple weeks ago I’ve looked up some videos of him online and the claims of forensic studies seem pretty legit and tied to a lot of his tricks. Granted, most of what he did beyond the Judge Cuts round incorporated less of that stuff, but it still helped me understand/appreciate some of his performances (ie. the Quarter-Finals one) more.

I actually almost selected Colin’s Judge Cuts act for his entry on the list, but I decided that while I did like the tricks in that one better, I think his Semi-Finals showing was stronger as an overall performance. Sometimes it’s not only what we’re seeing, but how it’s presented to us. While watching this on the night it aired I was disappointed at first; we’d seen a very similar illusion performed by Tom London earlier in the season, and that hadn’t boded well for his status in the competition. I was so confused. Why would a mentalist who’d shown he could perform all kinds of cool tricks chose to go down the route of doing one that didn’t even involve those skills? (Well, aside from the first bit with Howie’s phone unlock code.)

Just as I was about ready to give up on Colin, the flashback video started. While it didn’t change the essence of the trick, it added a whole new layer to the performance. The amount of effort put behind all those “clues” (especially in the burger place) was very impressive, and the thing with the board at the end was pretty funny (I’d been confused by the seemingly arbitrary “number of possibilities” since the video calling for tweet submissions was posted online a week prior). Suddenly, a disappointingly lackluster performance became one of my favorites of the entire season. Just goes to show that the delivery and presentation of an act can be equally as impactful as the material itself.

6. Merrick Hanna Dances to “I Built a Friend” (Auditions)

Real talk: the Season 12 premiere was probably one of the best AGT audition round episodes I’ve ever seen. Most of the really memorable auditions were shown in those two hours, and they made for a very strong start to the season. One of the acts in this episode that captivated me the most was Merrick Hanna.

I’d seen lots of animation dancing in the past, but rarely any that actually told a story. Merrick chose a great song to use; it wasn’t mainstream (so everyone would associate it with him) and was about a kind an his robot so the dancing really connected to the music well. His acting was also amazing and really sold the performance. In later rounds, we didn’t get this kind of rawness from Merrick (though he was still very good) but I’m glad we at least got to see it once on AGT.

5. Light Balance Stars a Party in the Dolby (Finals)

As the only Golden Buzzer act that didn’t involve singing, I think a lot of the dance and variety fans were really pulling for Light Balance to go far in the competition…and they did! They actually managed to beat all but two of the singing Golden Buzzers, not to mention every other act of the season!

We’ve seen several light-up dance crews over the years, but what I think made Light Balance special was their polished-ness and memorable characters, most noticeably the Abe Lincoln-esque fellow and the Wolfman. They frequently appeared in their performances and the Wolfman in particular gave way to some neat tricks (like the jail cell escape in this act).

The light-up dance acts can get old after awhile, but the trick is to incorporate different levels of movement, character, and tricks to them to keep things from getting stale. That’s exactly what Light Balance gave us this season, and it all culminated in this full-out dance party of a performance.

4. Diavolo Takes Us on a Journey Through Time and Space (Semi-Finals)

Diavolo is a great example of an act utilizing set pieces well without letting them take over the whole show. Their scenery is carefully selected to showcase what the dancers can do, and what I loved about this performance in particular was the variety of things they incorporated into it. They used several set pieces – each in a different way – and the transitions between each segment were seamless which made the whole act flow very naturally. I’m not entirely sure what the “story” of this performance was supposed to be, but I have a feeling it may have been purposefully vague in order to try to get the audience’s minds working to try to come up with their own unique interpretations.

I really don’t know what else to say about this. How does one even describe Diavolo? “Dance troupe” certainly doesn’t cover it, and neither does “acrobatics group”. I guess the best way to explain Diavolo in a nutshell would simply be “art”.

3. Bello Nock Conquerors the “Wheel of Death” (Quarter-Finals)

Bello Nock may be a seasoned professional at daredevil performances (let’s be real, a lot of the variety acts on AGT are) but that didn’t change the fear we all faced when he took a spin on the “Wheel of Death” for us in the Quarter-Finals.

When Sophie – who was at the live shows that week – first told me what Bello’s act was, I was kind of disappointed. It just didn’t seem very exciting. How could spinning on a giant wheel keep people entertained for three minutes? It just seemed like the awe factor would disappear very quickly. Luckily, Bello managed to create enough intrigue and suspense to keep us on our toes for the entire performance. He started by doing some fun tricks inside the wheel, then suddenly made things much more dramatic by climbing onto the outside of it and slowed things down, making it seem like he might fall off.

The tone change came at just the right time; as soon as the first segment was starting to wear out its welcome, a sudden shift in stakes brought the excitement back. Bello wasn’t just entertaining the audience anymore, but making them root for him. He built the tension at just the right pace and ended with a nail-biting but ultimately satisfying conclusion.

I really thought this performance played into the “fan-favorite Wildcard” storyline quite nicely, and was baffled it sent him packing. (I know some viewers have a disdain for danger acts, but remember, this was the same week that resulted in Billy & Emily making the top 5, so I’m still confused about Bello’s elimination.)

2. Mandy Harvey Semi-Finals: “Release Me” (Semi-Finals)

At first, Mandy’s AGT journey seemed oddly familiar…she came out with a ukulele at the end of the second episode, performed an original song, and received a Golden Buzzer. It felt like she was the second coming of Grace VanderWaal, only with a tragic backstory tacked on for good measure, which – fair or not – made me feel more weary than excited.

Her next showing in the Quarter-Finals was quite nice, but it was her Semi-Finals performance that really got me on board the Mandy train. Her first two songs were light, pretty, and overall pleasant, but in this performance, Mandy shed the sweetness (and the ukulele) and got raw. “Release Me” showed a much darker side of Mandy that we hadn’t yet seen, and there seemed to be so much weight behind every note she sang. Without the ukulele, her body language was much more expressive; the decision to sign the lyrics reminded us of her roadblock in life, but also was a way to use her body to express the sentiment behind the music, and her face was also much more expressive than we’d seen in her previous AGT showings.

Everything came together and made for a powerful performance that dramatically stood out from all the other solo singing acts in Season 12, and I really wish she’d saved this for the last week since her actual performance in the Finals felt like the wall that had been torn down in this one had been rebuilt to a degree.

1. Darci Lynne Farmer Helps Edna Doorknocker Serenade Simon (Semi-Finals)

Darci Lynne Farmer was one of the rare AGT acts that combined three very distinct talents, and I think her showing in the Semi-Finals was her best combination of her ventriloquism, comedy, and singing skills.

Right from when she opened the box, it was clear how dedicated Darci was to making Edna seem like a separate being from herself. The speaking voice was clearly distinct from her own, and when it came time for the song she not only had to nail the complexities of the vocal performance (which involved belting) but had to do it in the character’s voice, which she nailed.

Darci’s comedic chops were as strong as ever, not only in the delivery of the material (especially the hilarious meta AGT references) but also in her facial expressions, even when she was doing the ventriloquism. The best example of this was when she was walking over to Simon while singing. Her voice as Edna was passionate, but her own facial expression was clearly reluctant. It takes a lot of skill for someone to perform one way with their voice and the opposite way with their face, and she had it down pat.

I’ve seen a lot of criticism for Darci’s victory, most of it not actually having anything to do with her or the act itself, but for being “too obvious”. While I found it annoying that the champions of both Seasons 11 and 12 felt determined pretty early on and get wanting to be surprised, that’s more on the producers than the actual talent. I think Darci fully deserved her win, being one of those rare acts that can appeal to music fans and variety-lovers alike.