However, those films are always stunted by how their deficiencies from the perspective of the genre steal points from Oebanda’s social endeavors. This time, there is a certain ease in the storytelling. It is as if the film is unburdened by a need to veil itself with unnecessary metaphors or trappings of sophistication. It is also sourced from a more personal space. It is perhaps because the narrative is structured much simpler, with the tall tales and the flashbacks occupying the same space as stories being told by character to character instead of being an arbitrary and convenient device.