“It can’t be all ‘Bam!’ ‘Pow!’ action all the time.”

(First things first: Lamar Abrams’s delightful promo art leans away from traditional cards with the title and storyboarders, and this is my favorite of the bunch. He really knocks the visual pun out of the park.)

Dr. Maheswaran is a titanic presence in her daughter’s life, and while she does have a canonical first name—Priyanka, according to Ian Jones-Quartey—it says a lot that the show itself only presents her as “Doctor” or “Mom.” She, not Doug, is the person Connie must reconcile with in Nightmare Hospital. She, not Doug, is the one that’s late picking Connie up in Storm in the Room. She, not Doug, takes the role of Yellow Diamond in Stevonnie’s psychic dream from Jungle Moon. And Doug, as should be clear now, has a first name that we actually hear on the show. Hell, it’s in the name of the episode.

Doug’s status as a background character allows his characterization to be more fluid than his wife’s. In Fusion Cuisine, which is a weird episode period in terms of Maheswaran behavior, he tells a joke to break the tension and disapproves of Steven and Connie hugging. In the far superior Winter Forecast, he’s frustrated with Greg in the bad timelines, appreciative of Greg’s cherry sweater in the good timeline, and we learn that he can’t drive in the snow (but thinks he can). Connie has told us that her parents are strict, which logically means he’s strict, but we see more impatience than strictness in his voiced appearances.

None of what we’ve witnessed lines up too well with the Doug we get in Doug Out: sure, we’ve seen his awkwardness, and I guess his tendency towards jokes at inopportune times means he can be funny, but he’s super silly in this episode. Normally such a huge shift in characterization would bug me, buuuut:

Doug is such a minor character that it’s not a huge deal that his personality adjusts to fit the story better, and We’ve only seen Doug with Dr. Maheswaran nearby and I can totally buy that he acts differently when she’s not around.

It would’ve been nice for the canon if a little more of Doug’s behavior from Doug Out had been established earlier, but yeah this isn’t a dealbreaker for me. It’s already weird that Connie said in Bubble Buddies that her family moves around a lot because of his security job, considering they don’t move at all over the course of the show and her mother’s job certainly pays more than her father’s, so at least showing Doug at work lends some consistency to her claim.

Entering the episode by pulling a prank on Steven is a succinct way for the show to tell us this is a new Doug. We do get references to the Maheswarans being all about safety, namely his concern over Steven’s hydration after eating salty fry bits, but he’s simultaneously silly with the kids and proud that his daughter is a “swashbuckling swashbuckler.” Plus his dopey smile is the same as his daughter’s dopey smile and it’s the most precious thing in the world.

There hasn’t been any indication that Connie is distant from her father, despite his lack of screentime; in fact, one of my favorite unspoken bits of characterization for the family is how she (and through her, Stevonnie) often wears his signature flight jacket. But it’s still great to see them get along so well, keeping up the light mood from the beginning of the episode and amplifying it through paternal playfulness.

While bringing kids along for a security mission after hours doesn’t sound like something an ultra-responsible parent would do, I choose to see it as a sign of Doug’s respect for his kid and her friend. He knows they’ve handled dangerous situations before, and it’s neat to see him acknowledge this by allowing them to ride along. Moreover, the whole point of the episode is that he doesn’t think his job is exciting, so it’s not like he thinks he’s throwing the kids into a violent situation. And considering he wants to see more action like his daughter does in missions or his wife does in the hospital, I’m glad that this jealousy never turns petty or mean-spirited: this wasn’t a given, as he’s been unfriendly in the past. Doug sort of rules in this episode, and it’s nice that veteran voice actor Crispin Freeman finally gets something to do with him.

The goofiness isn’t limited to Doug, as half of what makes him great is his playing along with Connie and Steven’s prepackaged goofiness. The kids are in top form in Doug Out, dressing as ridiculously-named parodies of Carmen Sandiego and Mario while they’re on the case (Connie’s assertion that Pizzapoppolis sounds more Greek than Italian is in contention with her bemoaning the laws of physics in the Gravitron for the best “Connie’s A Nerd” joke of the night). They’re down to mess around and ruin a teen’s night, and I’m here for it.

Still, I wouldn’t call this a full-on goofy episode, particularly when it evolves into a sequel of sorts to Gem Hunt. Aivi and Surasshu’s soundtrack evokes exaggerated noir as Doug talks shop, but shifts to a menacing drone as the trio encounters evidence of something sinister afoot at Funland. Steven and Connie stay in-character during the chase, but drop the act when discussing the possibility of a Gem Mutant or Homeworld Gem. Whatever they’re hunting is clearly hunting them, and perhaps the most impressive aspect of Doug Out is maintaining a tone of genuine looming danger that isn’t undermined by the episode’s numerous jokes.

The mystery, as in Gem Hunt, is complicated by a red herring. During Connie’s first big mission we’re led to believe that a Corrupted Gem might be healing itself, given the multiple distinct footprints, but we learn in the third act that it was Jasper all along. This time we get a wide array of dangerous possibilities, so the third act Onion reveal initially comes as a relief. But we’ve never seen him this scared before, and his distinct silhouette doesn’t match that of the shadowy figure on the roof.

Before we can think about the hints that Onion isn’t our perp, the focus shifts back to Doug as we conclude his character’s episode-long arc. He wants to be taken seriously, projecting a badass vibe that’s often undermined moments later by an intentional joke (like calling his daughter by her “Cucamonga” alias with a straight face) or by the emergence of his inner square (pretending to be undercover by removing his glasses then instantly relenting because he needs them to see). He’s not incompetent, correctly deducing that the culprit isn’t a regular teen and quieting the children to listen for clues, but he’s just a normal security guard in a family with a surgeon and a kid hero. You can’t blame the guy for developing a bit of an inferiority complex.

So again, I really appreciate that his behavior doesn’t devolve into toxic overcompensation, because that’s the obvious route to go and it would’ve made this episode so much worse. He respects the kids and doesn’t pretend he needs to protect them, and he doesn’t let his desire for action let him get in over his head—in another similarity to Gem Hunt, he stresses the importance of calling for backup instead of stubbornly going it alone. When Connie talks about how much she loves and values him, we’re allowed to feel it, because she’s reiterating what we’ve seen rather than letting a petty control freak off the hook.

We’re coming off another terrific Dad Moment in Lion 4, but Greg being great is par for the course. Most Dad Episodes are understandably about him: other father/child relationships have their days in the limelight (Fryman and Peedee in Frybo, Kofi and the Pizza Twins in Beach Party, Bill and Buck in Shirt Club, and Yellowtail/Marty and Sour Cream in Drop Beat Dad), but Greg gets more focus episodes than all of those combined. So while I would’ve liked to see more of him in an arc that hinges on the phrase “my dad,” I love that we get one last new Dad Episode to kick off the end of Season 4, especially if it lets us see Connie again before her kidnapping.

Onion may be a red herring, but the whole ending with Doug and Connie’s sweet talk is another red herring, tricking us into thinking the episode is wrapping up and that despite the suspicious inconsistencies, Onion was just being Onion. Unlike Gem Hunt, our heroes don’t solve the mystery, and because they don’t, neither do we. We have more information than Steven that something sinister is afoot, with an alien threat that for some reason is going after Onion, but before our sleuths can learn more, we cut to black.

After the victories of taking the ocean back from Lapis and saving the world from the Cluster, Act III of Steven Universe is the first with a tragic midpoint, and the fallout of Steven’s sacrifice at the end of Season 4 ripples through the first third of Season 5. Episodes like Storm in the Room and Lion 4 bring plenty of angst as well, so Doug Out wisely gives us some comic relief before the sweet-and-somber flavor of The Good Lars and the tension that follows. That tension is still present here (we get a cliffhanger, after all), but I’ll take moments of pure happiness where I can. This isn’t a silly episode in the vein of The New Crystal Gems, but it’ll still be a while until we have this much fun in one episode again.



We’re the one, we’re the ONE! TWO! THREE! FOUR!



It’s time again to expand our Top List, from a Top Twenty to a Top Twenty-Five! Most are Act II classics that got pushed down by the sheer volume of great episodes, but Lion 4 makes the cut as well. We’ll keep it at 25 until Change Your Mind; normally I’d switch to 30 at Episode 150 to keep up the Top 20% trend, but it seems more fitting to expand when the original series concludes.

Doug Out sadly does not make the cut, but it’s still an episode I love. We’ve had plenty of cliffhanger episodes that feel incomplete, and while this one also leaves us wanting more, it still works as a full story and not just setup. And the story is great!

Top Twenty-Five



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6. Horror Club

5. Fusion Cuisine

4. House Guest

3. Onion Gang

2. Sadie’s Song

1. Island Adventure