“Comet is my new favorite reverb and probably one of the best plugins on the market for producers and engineers like me who are always looking to create new textures and experimental shapes of sound.”

-Michael Malih (Writer, Producer – Madonna, Leona Lewis)

“Comet is showing up on every song I write/demo and on all my major label productions in Nashville. I can’t get over how lush, clear and smooth the tail is!”

-Clint Lagerberg (Composer – Keith Urban, Blake Shelton)

“It has a simple interface, it sounds good, it looks cooler, and I was able to get my way around it really quickly.”

-Keith Armstrong (Mixing Engineer – Cher, Ra Ra Riot, Local Natives)

“Comet is 4K audio. LOVE it on immersive long tails, the resolution and definition is unbelievable.”

-J. Viewz (Grammy-nominated songwriter and producer)

“As a Sound designer of 20+ years and a reverb snob for even longer, I’ve found a new favorite for sound design, one that delivers lush, deep space reverb of the highest order, that can also double as a traditional algorithmic style room, hall and plate reverb.”

-Paul Vnuk Jr. (Editor – Recording Magazine)