Situated between the capitalist West and the socialist East, Yugoslavia’s postwar architects responded to contradictory demands and influences by developing an architecture both in line with and distinct from the design approaches seen elsewhere in Europe and beyond. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980 at New York’s Museum of Modern Art from 15 July to 13 January. Monument to the Battle of the Sutjeska, Miodrag Živković, 1965–71, Tjentište, Bosnia and Herzegovina