We love when a good book gets made into an even better movie. Scratch that — sometimes we just love seeing our favorite characters brought to life onscreen, even if it’s all a glorious mess. “The Hunger Games” fans will soon be able to see the second installment of the series, “Catching Fire,” when it opens Friday, and those who devoured “Fifty Shades of Grey” and “Gone Girl” can look forward to film adaptations of those juicy books next year. What other books have successfully made the leap onto the big screen — and which should have been left on the shelf?

The good

Harry Potter: Though they occasionally suffered from being too close to a literal interpretation of the books, the Harry Potter movies by and large proved that a fantasy series could be brought to the big screen in glorious, engaging, humanized detail and satisfy the vast majority of its all-ages readership.

The Shining: Stanley Kubrick’s adaptation of Stephen King’s 1977 novel is still ranked as one of the scariest movies ever made, though King never liked it and recently called its portrayal of Shelley Duvall’s character misogynistic in its two-dimensionality.

The Lord of the Rings: Peter Jackson dusted off the J.R.R. Tolkien trilogy, published in the mid-’50s, in a film trilogy that boasted a first-rate cast and never-before-seen special effects, especially in its creation of Gollum, a CGI creature voiced and embodied by actor Andy Serkis. It won a well-deserved Best Picture Oscar, among others, for the final 2003 installment.

The Wizard of Oz: L. Frank Baum wrote the children’s book in 1900, and in 1939 it was turned into what is still one of the best-loved movies in history.

The Perks of Being a Wallflower: Some eyebrows no doubt rose when author Stephen Chbosky decided he would direct the adaptation of his own cult-favorite teen novel. But it paid off: The soulful indie was one of 2012’s best films.

The Notebook: This weepy 2004 adaptation of romance writer Nicholas Sparks’ first novel about a lifelong, tortured love affair made Ryan Gosling and Rachel McAdams instant stars. Subsequent Sparks books-to-films have not fared as well.

The Princess Bride: William Goldman may be best known as the screenwriter of ’70s films like “Butch Cassidy and the Sundance Kid” and “The Stepford Wives,” but his 1973 novel became an instant ’80s comedy classic, featuring Cary Elwes, Robin Wright and Mandy Patinkin (“Homeland”), who got the immortal line, “Hello. My name is Inigo Montoya. You killed my father. Prepare to die.”

The Girl With the Dragon Tattoo: Stieg Larsson’s pitch-black 2005 crime novel (it came out here in 2008) was a runaway hit, then became two hit films: the first in Swedish, starring Noomi Rapace, and then an American version which introduced Rooney Mara. Both did justice to Larsson’s story of a vengeful computer hacker and a journalist investigating family secrets in a tiny Scandinavian town.

The bad

Twilight: Stephenie Meyer’s series, while beloved of millions of girls, never offered much in the way of great writing, so it’s not surprising that the film series quickly became campy B-movie fare. The exception: Catherine Hardwicke’s original “Twilight,” which brought some nuance to the story of the love between a high school girl and a good-guy vampire.

The Great Gatsby: Often referred to as “unfilmable,” F. Scott Fitzgerald’s thin novel was still made into several movies over the years, most recently Baz Luhrmann’s over-the-top extravaganza starring Leonardo DiCaprio and Carey Mulligan. Though impressive in its scope and 3D, the movie just didn’t have what it took, old sport.

The Time Traveler’s Wife: Audrey Niffenegger’s debut novel was a cracking good read about a man who fell in and out of time — and in love with a woman who had to learn to have a relationship with a chronologically challenged partner. But the movie, starring Eric Bana and Rachel McAdams, failed to channel the book’s magic.

Water for Elephants: A book club favorite, Sara Gruen’s story of love at the circus became one of the first non-“Twilight” outings for heartthrob Robert Pattinson, but neither he nor Reese Witherspoon could save the film from the colossal shrug that audiences gave it.

Eat, Pray, Love: Elizabeth Gilbert’s ridiculously popular best seller seemed a natural fit for the likes of Julia Roberts, who portrayed her in the film directed by “Glee” creator Ryan Murphy. But something was lost in translation — maybe Murphy didn’t pray hard enough.

The Lovely Bones: Alice Sebold’s beautiful, creepy novel about a dead girl watching her loved ones cope with her death at the hands of a kidnapper was brought to the screen by the imaginative Peter Jackson. But his fantastical renderings of the protagonist’s heaven proved that sometimes, no visual can live up to the open-ended possibilities of a book.

The Da Vinci Code: Who didn’t read “The Da Vinci Code”? Who doesn’t love Tom Hanks? And yet the film version fell flat, failing to bring needed depth to Brown’s mediocre yet ridiculously addictive prose.