Silver Cha Cha

Silver Cha Cha Routine 1

This routine builds off the first, adding Rope Spinning and taking the first set of Cuban Breaks toward the audience in LSP for added effect. The strong rotation of the Natural Top is followed up on by a Reverse Top, ending the routine with one of the more playful moves in Cha Cha, the Chase.

1) The Rope Spinning must be adjusted slightly to end at the proper alignment. Between steps 7 and 8 the Man will turn 1/4 to L to face the Lady, and the Lady will face the Man in turn, to take steps 8-10 as a Side Chasse directly toward the Wall.

2) The Natural Top must end at the correct alignment, in order to continue with the routine Closed Hip Twist toward the audience

3) Although Aida ending 1 is given in the routine above, you should choose between ending 1 or 2 depending on which looks better on you

Silver Cha Cha Routine 2

This routine is no more difficult than routine 1, but it has a different overall design and uses a few different figures. The Cuban Breaks are arranged in a different manner, and ending 2 is used for the Aida. Here, the Time Steps are used to their full potential, where at first the Man and Lady dance the natural opposites of each other, when all of a sudden the Man does something (choreographed to appear) unexpected, and the Lady responds the following measure. During these periods where the Man and Lady dance different steps, the Lady's timing is given in parentheses.

1) Although Aida ending 1 is given in the routine above, you should choose between ending 1 or 2 depending on which looks better on you.

2) The Natural Top must end at the correct alignment, in order to continue with the routine Closed Hip Twist toward the audience