Below is an article about how the CIA created the so called “Hippie Movement”, it details how they introduced LSD and contraculture through Manchurian candidates and MK-Ultra operatives in Laurel Canyon, the crib of hippie generation. My guess is Burnt Out Hippie’s were not aware that the music and movie industry icon’s they worshiped were tied in with Military Intelligence, the CIA and the Illuminati bloodlines. According to the article they were also were involved in organized crime, drug dealing, murder, prostitution, child pornography, snuff movies and black magic.



Crosby, Stills, Nash & Young At least this is what we are led to believe.hen everything else in the world seems to be upside down, at least we can find our comfort in rock music, by listening to our old heroes, who truly know what the world is about and how to rebel against it.

As I write this, it’s been ten years since I published my first article on the Internet and at the same time established the “Illuminati News Website”. Although it has been a challenge and I have had wonderful, and not so wonderful, responses over the years, there is one subject I have brought up that has caused more upsets and uproar than any other, and that is the exposure of the music industry, to which I havededicated a whole section. It is a holy cow, indeed.

Of course, most people who are blues and rock’n'roll fans have heard about Robert Johnson and how he sold his soul to the Devil at the Crossroads in exchange for brilliant musical skills. Whether this is a myth or if it’s true, I leave for you to decide, but strange things are happening behind the scenes in the Music Industry and unfortunately, the rock stars most of us have worshipped are not always what we thought they were. Although the Robert Johnson story could be a myth, he is not the only one claiming to have sold his soul to the Devil for fame and fortune. There are quite a few admitting to the same thing, where Bob Dylan is one of them as we shall see later in this article.



The Music Industry as a Propaganda Machine

First of all, before we start putting the pieces together, we need to dissolve the myth that the Music Industry has our best interests in mind. By now, more and more people become aware of that this world is to a major degree controlled by a secret cabal we call the Illuminati, a Shadow Government if you will, who wants to create a New World Order and a One World Government. They have already taken over a big part of world politics, business, education and religious movements. This fact is accepted by many, because the evidence is overwhelming, so why would this cabal, who wants total control and the ability to take over our minds and thinking processes, leave the film and music industries alone?



Bob Dylan

Put yourself in these people’s shoes and you will understand what I’m talking about. If I were them, the music and film industries would be two of the first things I wanted to control. Why? Because here you have a golden opportunity to influence the masses and lead them in any direction you want. All you need to do is to create super heroes (Gods) that people can look up to and follow. Although Bob Dylan sings in ”Subterranean Homesick Blues” in 1965,

“Don’t follow leaders

Watch the Parking Meters”

he must have known pretty well that although they are true, these are just empty words. By writing those lines, his audience would be even more attached to him and he would really create followers. So it’s a contradiction, and some would call it “reversed psychology”.



Black Sabbath

We see a similar phenomenon when Black Sabbath is singing about how we should fear the Devil and cry to God for help. How come then they are not creating a Christian fellowship, but instead it has the opposite effect? It is because they are actually leading the audience into violence and darkness by tuning down the guitars to lower vibrations, turning up the volume to maximum and repeating hypnotic riffs over and over again. What stays in people’s minds is not that we should turn to God, but that Black Sabbath is singing about the Devil and demon possession and it’s cool. People start getting interested in mysticism and occultism of the darkest kind instead, as per the plan. It’s mind control, my friends. But it’s not just the audience that is mind controlled, so are many of the artists as well, which brings me to the real purpose of this article – to expose who is pulling the strings on the artists and ultimately – us!



Military and Intelligence Connection

It’s public knowledge now, due to the “Freedom of Information Act”, that MK ULTRA mind control is the real deal and that psychiatrists working for the CIA used sophisticated mind control techniques on people who had no wish to participate[0]. This destroyed the lives of the victims and many of them died as a result of the experiments. The government created Manchurian Candidates to use in the Cold War, but also as political assassins in general. However, we are told that these experiments stopped some time in the 1970s and are now just another dark chapter in American history. Victims and researchers are telling us different, though. These experiments have continued up to this day, but under other code names and are now even more sophisticated. The Illuminati scientists are very knowledgeable about how the human mind works and understand how to manipulate it.

These mind control techniques are what has been used in the music industry and are still used today in Grunge, Gangsta Rap, Hip Hop or any new genre. Same old techniques with new labels…

David McGowan, a brilliant researcher, is in the process of publishing a very detailed and lengthy series of articles called ”Inside The LC: The Strange but Mostly True Story of Laurel Canyon and the Birth of the Hippie Generation”, and the first twelve parts are published here on the Illuminati News Website and the rest will be published as soon as David has finished them. It is an amazing body of research, where he effectively is pointing out the fact that more often than not, the top artists within the music and film industries, their managers and producers have military and/or military intelligence connections. Many are also involved in organized crime, drug dealing, murder, prostitution, child pornography, snuff movies and black magic. Here are a few examples of musicians from the hippie era, who have family ties to people within the U.S. Military:

Jim Morrison of “The Doors”: His father was the U.S. Navy Admiral George Stephen Morrison[1]. Jim was more or less brought up on military bases and abused by his father.

Frank Zappa: Son of Francis Zappa, a mathematician and a chemist, working for the U.S. defense industry[2]. Frank himself, although one of those who was in the frontline of creating the Hippie Movement, never made it a secret that he had nothing but contempt for this culture. He was also a great supporter of the Vietnam War[3]. Frank was married to Adelaide Gail Sloatman, who comes from a “long line of career Naval officers, including her father, who spent his life working on classified nuclear weapons research for the U.S. Navy. Gail herself had once worked as a secretary for the Office of Naval Research and Development (she also once told an interviewer that she had “heard voices all [her] life”). Many years before their nearly simultaneous arrival in Laurel Canyon, Gail had attended a Naval kindergarten with “Mr. ‘Mojo Risin’” himself, Jim Morrison (it is claimed that, as children, Gail once hit Jim over the head with a hammer). The very same Jim Morrison had later attended the same Alexandria, Virginia high school as two other future Laurel Canyon luminaries – John Phillips and Cass Elliott.”[4].

“Papa” John Phillips of “The Mamas and the Papas”: Son of a retired Marine Corps officer (Captain Claude Andrew Phillips)[5]. “John attended a series of elite military prep schools in the Washington, D.C. area, culminating in an appointment to the prestigious U.S. Naval Academy at Annapolis…John married Susie Adams, a direct descendant of ‘Founding Father’ John Adams. Susie’s father, James Adams, Jr., had been involved in what Susie described as “cloak-and-dagger stuff with the Air Force in Vienna,” or what we like to call covert intelligence operations. Susie herself would later find employment at the Pentagon, alongside John Phillip’s older sister, Rosie, who dutifully reported to work at the complex for nearly thirty years. John’s mother, ‘Dene’ Phillips, also worked for most of her life for the federal government in some unspecified capacity.”[6]

Stephen Stills of “Buffalo Springfield” and “Crosby, Stills, Nash (and Young): Born to a Military family[7]. Stills was educated primarily at schools on military bases and at elite military academies.[8]

David Crosby of “The Byrds” and “Crosby, Stills, Nash (and Young)”: “…the son of an Annapolis graduate and WW II military intelligence officer, Major Floyd Delafield Crosby. Like others in this story, Floyd Crosby spent much of his post-service time traveling the world. Those travels landed him in places like Haiti, where he paid a visit in 1927, when the country just happened to be, coincidentally of course, under military occupation by the U.S. Marines. One of the Marines doing that occupying was a guy that we met earlier by the name of Captain Claude Andrew Phillips”[9] (father of “Papa” John Phillips. Small world, Wes Penre’s comment).

“Suffice it to say that the Crosby family tree includes a truly dizzying array of US senators and congressmen, state senators and assemblymen, governors, mayors, judges, Supreme Court justices, Revolutionary and Civil War generals, signers of the Declaration of Independence, and members of the Continental Congress. It also includes, I should hasten to add – for those of you with a taste for such things – more than a few high-ranking Masons. Stephen Van Rensselaer III, for example, reportedly served as Grand Master of Masons for New York. And if all that isn’t impressive enough, according to the New England Genealogical Society, David Van Cortlandt Crosby is also a direct descendant of ‘Founding Fathers’ and Federalist Papers’ authors Alexander Hamilton and John Jay.”[10]

Jackson Browne: “…the product of a career military family. Browne’s father was assigned to post-war ‘reconstruction’ work in Germany, which very likely means that he was in the employ of the OSS, precursor to the CIA. As readers of my “Understanding the F-Word” may recall, U.S. involvement in post-war reconstruction in Germany largely consisted of maintaining as much of the Nazi infrastructure as possible while shielding war criminals from capture and prosecution. Against that backdrop, Jackson Browne was born in a military hospital in Heidelberg, Germany.”[11]

Gram Parsons of “The Flying Burrito Brothers”: “…was the son of Major Cecil Ingram “Coon Dog” Connor II, a decorated military officer and bomber pilot who reportedly flew over 50 combat missions.”[12]

Jimi Hendrix of “The Jimi Hendrix Experience”: “Hendrix was born on November 27, 1942, in Seattle, Washington, USA, while his father was stationed at anArmy base in Oklahoma.”[13]

Michael Jeffrey, Jimi Hendrix’ Manager: Michael Jeffrey admitted to being an Intelligence Agent. Information was uncovered by Hendrix’ biographers Harry Shapiro and Caesar Glebeek in their book, ”Jimi Hendrix: Electric Gypsy; from rock historian R. Gary Patterson in his book, Hellbounds on Their Trail: Tales from the Rock ‘n’ Roll Graveyard”[14]; and from John McDermott and Eddie Kramer in their book, “Hendrix: Setting the Record Straight”[15]. The following is a summary of their collective findings:



* Jeffrey often boasted of “undercover work against the Russians, or murder, mayhem and torture in foreign countries.” Jeffrey’s father said his son had been stationed in Egypt years earlier and could speak Russian.

* Friends of Hendrix suspected Jeffrey was crooked and they (the friends) confiscated documents from his office which indicated he was embezzling large amounts of money from Jimi’s concert performances. The friends gave the documents to Hendrix, who reportedly took legal actions to recover the embezzled money.

* In July 1970, two months before his death, Hendrix broke all communications with Jeffrey. At that time, Hendrix told film director Chuck Wein: “The next time I go to Seattle will be in a pine box.”89



* Two days after Hendrix’s death, Michael Jeffrey confessed to recording engineer Alan Douglas that he was involved in the murder. “In my opinion,” Douglas reportedly stated, “Jeffrey hated Hendrix”.

Joni Mitchell: “…her father [Bill Anderson] [was] an officer in the Royal Canadian Air Force. During the war years, she moved with her parents to a number of bases in western Canada.”[16]

“Colonel” Tom Parker, Elvis Presley’s Manager: “…at about the age of 20 [he] joined the United States Army, despite the fact he was not a U.S. citizen [he was Dutch and his real name was Andreas Cornelis (Dries) van Kuijk, Wes Penre's comment]. Van Kuijk was stationed in Hawaii, at a base commanded by a Captain Tom Parker. After leaving the service, van Kuijk adopted the name Tom Parker.[18]

All these military connections are hardly coincidences. I strongly recommend that you read the whole series of articles by David McGowan. It is stunning to learn that all these people mentioned above (except Col. Tom Parker) moved approximately at the same time to Laurel Canyon in California, without knowing each other beforehand (at least that’s what we are supposed to believe), and there they started the Hippie Movement together. And here is the key: they all had military connections!

For us who used to believe that the Hippie Movement was a grass root movement against the Vietnam War and authority better think again. David shows us without any doubt that the Hippie Culture which started out in Laurel Canyon, California, had shady origins to say the least, and corruption, crime, murder and you name it followed in its trail and was part of the daily life of the so-called “peace movement”, which escalated into the Charles Manson murders. Manson himself, of course, was a central figure in the Hippie Peace Movement and good friends with among others Dennis Wilson of the Beach Boys and Neil Young.



Mind Control, Occultism, and Satanism in Rock Music



Fritz Springmeier

Occultism and science go hand in hand and one wouldn’t do well without the other. There are several excellent books written on the subject of occultism and Satanism, among which Fritz Springmeier’s and Cisco Wheeler’s, ”The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave”[17] is perhaps one of the better in the genre. In this book, among other things, they mention that the music industry (and the Country Music Industry in particular) is loaded with artists who work as mind control programmers, and many of the musicians are mind control slaves with split personalities, themselves victims of MK ULTRA mind control. Mentioned are Kris Kristofferson, Jerry Lee Lewis, Glen Campbell, and Willie Nelson as being programmers, working for the Illuminati. The Country Music Industry is nothing but a front for secret Illuminati drug smuggling, according to Fritz Springmeier, Cisco Wheeler, former Illuminati mind controlled slave Cathy O’Brien, and other victims of MK ULTRA who have come forth to speak the truth, fearing for their lives while doing so.

In Monarch Programming [an MK ULTRA offspring] the use of mirrors is a basic, important tool to make split multiple personalities. This may sound esoteric and unbelievable to those who are not at all familiar with the techniques, but after reading Springmeier’s and Wheeler’s book, the following becomes much clearer:

The “mental mirrors”, which are programmed into the victim, create thousands of alters (artificial personalities), which can then be programmed in whatever way the Illuminati programmer wants. It’s very similar to partitioning a computer hard drive into hundreds, (sometimes even thousands) of partitions and fill each partition with whatever information you want. When opening one of the hard drive partitions, you can access what is in there, but the specific section of the hard drive “doesn’t know” what the other sections contain. When the mind is split, the handler and/or the programmer can then make any partition in the brain the “active” one, which means the personality which is programmed into that partition will be the main personality. By using trigger words or codes embedded into the program, the programmer/handler can then switch between the pre-programmed personalities of the victim and bring forth a totally different character, setting that one as “active”.

This is very useful if you for example want to create a public person who is an excellent entertainer with a gentle personality as a front, someone who appears to be a balanced family person, and then by using trigger words he/she can change into a cold-blooded killer, a drug dealer, a spy or whatever you want to use him for. No one would have suspected this person, because whatever criminal act he/she is programmed to do, it’s literally “out of character”. And just like the example with the hard drive, the victim himself is often not aware of his different personalities and often doesn’t even remember the crime he committed.

Here are some more excerpts from Springmeier/Wheeler’s book in regards to mirrors:

“The child must learn to match identical items very early–even before they can speak. This is so they will be able to build mirror images into their mind. All the senses are trained for building the mirror images; for instance such as silks and cottons can be used for the sense of touch” Chapter 1 page 12. “The elements that make up who a person is–i.e. personality elements such as memories, are fractured. These fragments have in turn often been built up into full-blown personalities with all the elements of full-blown personalities. There is no “real” person, just as if you smash a mirror into a thousand pieces, there is no single piece that is the “real” original mirror but rather simply fragments that can in turn operate as mirrors. However, there is still a primal self. Early splits are led to believe they are the core” Chapter 1 page 28. “Children are set in front of circus mirrors that make them taller or smaller for programming. They are set in front of mirrors which duplicate their image.” Chapter 4 page 64. “pg. 90 Book 3 Ozma of Oz, “Princess Langwidere’s sitting-room was paneled with great mirrors, which reached from the ceiling to the floor; also the ceiling was composed of mirrors, and the floor was of polished silver that reflected every object upon it. So when Langwidere sat in her easy chair and played soft melodies upon her mandolin, her form was mirrored hundreds of times, in walls, and ceilings and floor, and whichever way…” This is the mirror programming that has been done to so many victims! Chapter 5 page 112. “Mirrors, and lots of them, are important in occult programming because they make images. They create so many internal images one doesn’t know which way to go “ [Chapter 10]. The following format the words in italic are direct quotes from Lena Pepitone’s book which is entitled Marilyn Monroe Confidential An Intimate Personal Account, NY: Simon & Schuster, 1979. Â· p.16- “Floor-to-ceiling mirrors were everywhere. Even the dining alcove at the rear of the living room had a table with a mirrored top. All these mirrors didn’t cheer things up.” In programming Monarch slaves, mirrors are used a great deal. Within the Monarch slave’s mind, countless mirror images are made. The slave sees thousands of mirrors everywhere in their mind. Because Marilyn was so stripped of any personal identity, she decorated her house as her mind looked on the inside–full of mirrors. Although other Monarchs may have some desires to decorate with mirrors, Marilyn is the most extreme case I know of filling one’s house full of mirrors” [Chapter 12].

With this in mind, it’s interesting to read the lyrics from the song called “Room full of mirrors” by Jimi Hendrix. The lyrics go:

“I USED TO LIVE IN A ROOM FULL OF MIRRORS

ALL I COULD SEE WAS ME

WELL I TOOK MY SPIRIT AND I CRASHED MY MIRRORS

NOW THE WHOLE WORLD IS HERE FOR ME TO SEE

I’VE GOT A WHOLE WORLD THAT’S HERE FOR ME TO SEE

NOW I’M SEARCHING FOR MY LOVE TO BE

BROKEN GLASS WAS FALLING IN MY BRAIN

CUTTIN’ AND SCREAMIN’ AND CRYING IN MY HEAD

BROKEN GLASS WAS FALLING IN MY BRAIN

IT USED TO FALL ON MY DREAMS AND CUT ME IN MY BED

IT USED TO FALL ON MY DREAMS AND CUT ME IN MY BED

I SAID MAKING LOVE WAS STRANGE IN MY BED”



Jimi Hendrix

The book (and movie) ”The Wizard of Oz” is used in Illuminati mind control on a regular basis; this has been confirmed by many mind control survivors. Therefore it is interesting to note that Pink Floyd’s incredibly successful album, ”The Dark Side Of The Moon”[19] from 1973 seems to be tightly connected to ”The Wizard of Oz”movie from 1939 in an interesting way, possibly to trigger mind control survivors. Here is a quote from Wikipedia:

“When the album is played simultaneously with the 1939 film The Wizard of Oz, numerous images from the film appear to synchronise with the music and lyrics. Band members firmly state the phenomenon, dubbed “Dark Side of the Rainbow” or “Dark Side of Oz” by fans, is a coincidence.”[20]



Jim Morrison

Jim Morrison, the lead singer in “The Doors”, who died from a heart attack at the age of 27, admitted to being possessed, and his band members, interviewed after his death, acknowledged the fact and that they themselves noticed this, especially when they played on stage. Jim was convinced he was possessed by the spirit of a dead shaman, who also was his musical guide and from whom he got his charisma. Whether this entity was actually what possessed him or not is up for debate, but there is no doubt that Jim was possessed by something. It shows clearly in this video clip. After Jim left The Doors, he claimed that the shaman had abandoned him and he was “alone with himself”, which made him very lost and confused. He complained that his charisma and musical drive were gone due to that the shaman had left Jim’s body.

Bob Dylan, Jewish singer, composer and poet, is perhaps one of our most admired artists now living. Though he supposedly converted to Christianity in the late 70s, he has been dedicated to the Jewish Mystery Religions and the occult most of his career. His “Christian Period” may very well have been sincere, but he is once again back where he started and his logo is that of Jewish Freemasonry and Egyptian Mystery Cults, as we can see here:



[The above items come from bobdylanstore.com]

Another thing about Dylan, which I find quite interesting, is from an interview with Ed Bradley on “60 Minutes”, around the time when Dylan released the first volume of his book, the trilogy: ”Chronicles”. I happened to watch it on video.google, more or less by accident (the video clip has since then been removed). Here Dylan suggests he made a bargain with the Devil. This is how the story goes:

Ed Bradley, in the beginning of the interview, asks Dylan how he could write such incredible songs in the 60s. Dylan replies that he really doesn’t know; that they were “magically written”, and that he can’t write songs like that anymore. He also tells Bradley that he felt pretty early in his life that he had a certain “destiny” that he had to keep silent about. By the end of the interview, about 14 minutes and 50 seconds into it, Bradley asks:

- Why do you still do it…why are you still out here?

Dylan replies: – Well, it goes back to that destiny thing. I made a bargain with the…(here Dylan catches himself and doesn’t complete the sentence. He continues): You know, a long time ago and…I’m…holding up my end…

Bradley: – What was your bargain?

Dylan: – To get where…ah…I am now.

Bradley (smiling): – Should I ask whom you made the bargain with?

Dylan (nervously smiling and stuttering) – With…with…with…yeah, with the Chief…eh…the Chief Commander…

Bradley: – Of this Earth??? (which is the Devil)

Dylan: – Uhm…of…of this Earth and the world we can’t see (Dylan’s smile and nervous laughter is shifting back to the melancholy sadness that has been his only expression throughout the whole interview up until Bradley asks about the Devil).

One important thing to remember, though, is that not all artists and musicians are mind controlled, and some don’t know anything about what is really going on in the business. Besides that some parts of the industry don’t make much sense, they just write it off as oddities. In fact, you don’t need to put everybody under mind control to accomplish your goal. As long as the trend makers are either controlled or “one of them” by free will, the rest will follow. When a new trend is created by one or a few artists, more artists will start creating similar kind of music, and the snowball is rolling. The ones who follow often do so without any knowledge of what’s going on behind the scenes; they are just milk cows to the Industry.



The Origins of Rock Music

Most people think that rock music started in the 1950s and was a new musical invention. In fact, rock music is an ancient music form, originating from the old Mystery Religions:

“Since the launching of the Beatles as an international project via TV in 1963, “rock” has been the most influential recruiter to Satanism. Rock was created, and is still coordinated by Crowley’s followers and by the OTO network, in cooperation with WICCA. It is, not so incidentally, also the Satanist’s biggest money-maker, and believed to provide the chief logistical support for deployments and other activities of the OTO-WICCA efforts world-wide. There is nothing spontaneous or accidental about “rock.” It is a product of classical studies of the ancient Phrygian terrorist cult of Satan-Dionysos, the model for the Roman Bacchic cults of similar characteristics. Crowley’s control of the “rock industry” has been documented by a team of [private] investigators, who have also noted, that in addition to the Satanist lyrics, Satanist messages embedded sublimely in rock recordings are a key feature of this subversive operation. The “rock rhythm” itself is copied from the old Dionysian-Bacchic cults. Even without the drugs and sexual orgies which are characteristic features of hard-core rock affairs, repeated, frequent, hours-long exposure to constant repetition of “rock rhythms” produces lasting, drug-like effects on the mind of the victim. Reducing sexual practices to the level of bestiality, is a crucial feature of Satanism in all historical periods studied, from Phrygian Cybele-Dionysos cult-period onward.”[21]



Aleister Crowley (with the same occult symbol in the middle of the pyramid as on Bob Dylan’s logo above)

For those unfamiliar with Aleister Crowley mentioned in the quote above, he was a Freemason, a magician, an occultist and the Grand Master of the OTO (Ordo Templi Orientis), which is an occult order, based on the teaching of the old Egyptian and Eastern Mystery Religions, still alive and practiced in today’s society, often by people in high positions inside business, politics and entertainment. Many rock musicians, such as Jimmy Page and John Bonham (deceased) in former Led Zeppelin, Sting, The Beatles, The Rolling Stones, Ozzy Osbourne, The Eagles, David Bowie and The Doors, to name a few, see Crowley as their mentor and spiritual guide. Jimmy Page has one of the largest collections of Crowley’s books in the world and even bought his property by Lake Lochness in Scotland. Crowley named himself “The Beast 666″, which is Satan’s number.[22]

Gavin Baddeley[23], another Crowley student, is the head of Church of Satan in Great Britain, and the author of the book, ”Lucifer Rising: Sin, Devil Worship, and Rock’n'Roll”[24]. This is actually an excellent resource if you really want to know what the music industry is all about. In the book he is interviewing artists that are overtly and covertly satanic, many of them also admitting to being members of the Church of Satan, which makes shocking reading. The book definitely kills the myth that occultism and Satanism in rock music is just a gimmick; it’s the real thing. The information comes directly from the horse’s mouth.



The Destruction of Fine Art

Years ago, I believe in the 1990s, there was a documentary on Television about a famous young New York “painter”, who sat in a bar with a reporter, bragging over his art, drinking whisky like water. Then he showed the reporter his art gallery. Well in there, you could see about twenty painters creating paintings like if it was in a factory. Ten, maybe twenty unfinished canvases were lined up against the wall, and the painters walked from painting to paining, back and forth, and added something new to each one. Our famous, bragging “painter phenomenon” with the whisky glass looked at the finished paintings and either accepted or rejected them. Then he put HIS signature on them, although he never even used one brush stroke on any of them. Later he sold a painting for around $800,000.00. The real painters, who had created his work, were nothing more than slave labor and were poorly paid.

This is the effect of the OTO-connected Andy Warhol, who finally destroyed fine art in the 60′s with his so called pop-art. He said in an interview something to the effect that “fine art is dead – this is the art of the New Era” (referring to his own pop-art). An act of rebellion or an act with a purpose to degrade art like they’ve done with music? Warhol was a big puppet for the Illuminati Elite; by degrading the art we also degrade the human spirit.

Picasso once said that to be able to create a good “alternative” art form and even abstract art, you basically must be an excellent traditional painter first. He was right, and if you look at his early work, you can see that he was mastering traditional painting before he changed styles into what he became famous for. But his wise words now seem to be forgotten.



Put in Perspective

In the beginning of this article we talked about Hollywood and the Music Industry as propaganda machines, which is exactly what they are. Entertainment – yes, but with a specific message. You may say that of course there are rock groups that are overtly Satanic and destructive, but there are also artists that are gentle, writing beautiful songs about love and harmony. How can they possibly be part of the Agenda? But they are, often without their knowledge. This is how it works, in a nutshell:

The Illuminati works with the principles of Yin and Yang. There has to be a balance; that’s why many of them also are philanthropists to counter the negativity they are involved in. If all music was dark and Satanic in its nature, most people would reject it. There has to be music for everybody, but they also know that where you put your intention and your energy, that’s where you get results. And if you watch Hollywood movies and listen to the lyrics of your music heroes and are knowledgeable about the occult and the Illuminati Agenda, you will soon discover how much occult symbolism and covert promotion for a World Government and a unity of all people and races into one united world there is in the context. There is nothing wrong with being united, and many people embrace it, such as the New Age Movement (another culture created by the Illuminati). However, they don’t know what uniting means in this case and what the end product will be. They only know that their heroes are singing about love and unity and it sounds like a good thing. The Power Elite is not stupid, they know how the human mind works.

This is how art, music and film are intertwined with the New World Order Agenda:

1. Let’s say that the Illuminati is ready to move on to the next level of control over the world and they need to indoctrinate people in a new way to have their support. Much of the planning is political and financial in nature and is happening behind the scenes, but two of their most powerful instruments are Hollywood and the Music Industry, because that is where they can reach the masses. So they are deciding to set a new trend to promote their latest strategy. 2. They use mind controlled people (musicians/actors/producers etc.) and other greedy artists, who have sworn obedience to the cause to set this trend, in exchange for wealth, drugs, groupies and/or whatever they want, in order to be satisfied. Those controlled artists and actors are heavily promoted with techniques learnt from Nazi Germany, which developed the most extraordinary techniques to manipulate the masses that this world has ever seen. L. Ron Hubbard, the founder of Scientology, confessed to his disciples in writing that he used Goebbels’ Propaganda Machine to get people into the cult (and keep them there). The Illuminati have no problems promoting whatever they want, and have people respond like they want them to. 3. The “trend-makers” set the direction for the new trends, and people will start worshipping those new idols. 4. Other (often more talented) musicians follow up on that trend and create their own version of the new idea. Those musicians also get contracts with the Record Companies, and can be ordinary people like you and I, who have never been tampered with in mind control programs like MK ULTRA and Project Monarch. Those musicians (and actors) don’t have to be severely mind controlled to unwittingly help out with the Agenda of the Elite. They just jump on the same bandwagon as the trend-makers, and the snowball is starting to roll. Thus, the Illuminati, who basically invented the trend, can sit back and watch. We, the citizens, are doing the rest for them. And of course, there is a financial aspect to it as well; whatever it takes to make an extra buck. Thus, they also sign up artists they know will probably only have one hit and then they throw them out. 5. Other gifted musicians and actors, who are creating art that goes outside the Agenda – or against it – have little chance to get their message out broadly, because nobody at the top of the Industry (where the money is) is willing to promote them. It is the same pattern as within politics. Only those who are promoted by the super-wealthy Elite stand a chance. The International Bankers (The Illuminati) are the ones who own the Industry. As soon as someone outside the Agenda is creating something new (may it be a new type of music trend, a new label with contrary or new fresh ideas) which is either against their interests or a threat in the sense of competition, the Illuminati is quick to buy them out. If the Company or the persons refuse to sell, they are threatened. We all have seen Mafia Movies. That is exactly how it works.

So are we supposed to stop listening to the music we’ve always liked after have read this article? It’s up to each one of us to make that decision, but for mass mind control like this to work, the receiver has to be ignorant of what is going on or it won’t work. I am torn myself, because I love some of the old music from the 60s-70s and I still listen to it with pleasure, but without being indoctrinated and seeing the musicians as heroes. On the other hand, by buying the music, I support this criminal industry, which I don’t like to do. So that’s where I stand, in all honesty.



Conclusion

From what we have discussed in this article, we can see the pattern. It is no coincidence that so many mega rock stars have military and Intelligence family ties. It’s within the Military complex and the Intelligence Agencies that mind control takes place, and many of those rock stars are either under mind control or just greedy, willing to follow any agenda to get an abundance of money, sex and drugs. We also see that behind it all lurk the secret societies with their occult knowledge. The guru for many rock stars is Aleister Crowley, a magician who spent his life in and out of asylums due to the rituals he practiced and all the drugs he took. Also, people close to him had a strange tendency to die before their time. But he had great occult knowledge and this knowledge is used within the music/film industries as well as high up in the Illuminati.

The reason why we have financial meltdown, why life is so hectic and why all these wars are going on all over the planet is because there is a secret powerful cabal of occult practitioners behind the scenes creating this chaos with a long term goal to accomplish a One World Government where no one is free and nothing but slave labor to those in power. This is a goal they have been working on for centuries and it’s a huge task to accomplish, and they know that they would have little chance to reach there unless they had Hollywood and the Music Industry to use as major propaganda machines.

On the bright side, people are currently waking up to this fact and start getting their voices heard. However, we are racing against time, because the Power Elite is quite close to accomplishing their goals and we need to act now if we will stand a chance. Once they succeed, it will be next to impossible to reverse the effects.