Regarding the list of films I typically stay away from as a general rule, anything with Clint Eastwood is usually found among that list. That’s not to say I have anything against the man. I believe him to be an extremely talented actor that deserves the utmost respect. I just don’t fit into Regarding the list of films I typically stay away from as a general rule, anything with Clint Eastwood is usually found among that list. That’s not to say I have anything against the man. I believe him to be an extremely talented actor that deserves the utmost respect. I just don’t fit into any of the demographics found in his typical target audience. That’s when The Mule popped up. I would say this movie still falls outside of my specific demographic, but the previews did something specific to gather enough of my interest to watch the film.



For the most part, there’s a lot of empty space in this film that feels rather filler and repetitive. Strangely enough, some of that repetitive nature in the film feels specifically like a director’s input for theme and feel. That being said, as unique as that can be, it hurts the narrative structure in the flick as a whole – as most of the movie feels as if it’s not really going anywhere. Not surprising, given how this film was based upon a true story – even though everyone’s names were changed for some reason unbeknownst to me. Thing is, Clint Eastwood has a way with directing his films that makes a technically mundane film feel instantly nostalgic, and the same can be said here. His portrayal of this universally lovable senior citizen shines a different light on the Mexican Cartel in relation to the DEA officers. In short: it’s not what you expect, but you welcome it anyway – but the film isn’t without its flaws. … Expand