This was an impulse buy from Ebay. I always liked this tank: it looks like a clumsy little cousin of the “big boys”… A small tank that desperately wants to be taken seriously, so it has as much armor as a Tiger, but somehow forgotten to upgrade the armament. I guess this makes it look more like a joke, than an actual threat: you can run away from it, and the pea-shooters it has for guns are not looking very menacing, either. I always think of “Hans the Tank Engine” when I see this guy. Everything seems oversized: the roadwheels, the tracks, the armor except for the tiny-winy little guns and the turret.

There are a couple of reasons I regretted buying this model. One is the scale; 1/35 became a bit too large for me lately. (I’ve gotten used to faster builds in Braille scale.) For this reason I would rather have preferred to get the Armory model in 1/72 scale (or the new Flyhawk one). The other is that I realized Bronco issued the same kit (what is it with these companies suddenly coming out with obscure tanks at the same time, anyway?), with full interior, no less… This actually made me weep.

Anyhow.

This tank has a designation of Pz.KPfw. I. but it has almost nothing in common with the Ausf A, B or C versions. It has an incredibly thick armor for its size (80mm max), and it’s armed with two MG-34s. It did reach 25kmph on roads, though. Thirty of these little guys were made during the early years of the war.

Incredibly, a couple of these tanks did see combat at Kursk… the rest were used as training tanks.

The building was simple, straightforward and easy. The kit is a very well-engineered one, and not difficult to build at all. The prominent hatch on the side is modelled closed- even though it IS open in the box art. The other annoying thing is the lack of clear parts for the headlights. They give you a plastic lens. A pair of grey plastic lens. (As soon as I find my two-part clear epoxy, I’ll fill the headlights in.)

I decided to go with the panzer grey theme; it does look a bit boring at first look, but it gave me an opportunity to experiment with filters and pre-shading. The aim was to depict a tank after a couple of days of training: dusty, somewhat battered learner’s tank.

As a first step after applying the black primer and the grey paint was to add lighter version of the base paint to the outstanding areas: periscope covers, hatch, edges, headlights, etc.

It does look unrealistic, but it still looks pleasing to the eye. The question was: how much of this will blend in after the filters? After all you’d only want a slight hint of the contrast remain; something your eye sees but your brain does not.

Next step: washes. With burned umber and black oil paints. (I left the paints on some cardboard to drain it from the excess linseed oil.) After adding the pinwashes, and waiting about 1 hours, I removed the excess with a damp brush.

Sorry for the poor quality photos… my new phone does have a bad camera, and I was lazy to set up the lightbox and the actual digital camera I use.

Next came the filter. After sealing the paint with a semi-matt clear coat, I thought of what sort of hues I want to achieve on the base color. I ended up using blue, black, white, yellow, raw umber and burned umber in different quantities on different panels. After the oil dried I applied some scratches using black-brown to the edges and other areas where I expect the paint to be damaged. (It should have been done earlier, but I really wanted to carry on with the filters.) I also tried making actual scratches lightly over the black primer; if you are careful, the black shows through, forming a pretty convincing scratch.)

The result can be -kind of- seen in the photos I’ve taken with the crappy smartphone camera… some hint of color on the grey surface does show.

In the meanwhile the tools were painted as well. The wooden handles were painted in a light tan color, and then I used brown oil paint to simulate the grain of the wood. Add the undiluted paint to the ends, and use a brush to pull it down towards the middle – easy and very convincing.

After this step I attached the tools to the model; I usually weather them at the same time as the models, which blends their color together a bit. (With the dot method I leave the tools off as the brush tends to remove them during the more vigorous movements…)

I also applied several pre-mixed filters (fading and aging effects) by True Earth using an airbrush. They are water soluble, and contain no pigments. I found that they don’t spread evenly; when sprayed or brushed onto the surface, they tend to break up into tiny droplets. I’ll experiment with some surfactants to see if this can be remedied. Using Citadell’s Lahmian medium might also be a solution to the problem – we’ll see.

The next step was the pigments. For this I only used water diluted pigments: I made an industrial slurry-looking thin mixture, and using a brush I applied it to the crevices and panel lines. Once dry I used my finger to wipe/smear the extra off. They were applied in heavier layers on the bottom/sides of the hull. I used several layers of all sorts of earth/dust-colored pigments to have variation.

The filters and the pigments look pretty convincing in my opinion. Some fibers from the cotton swabs can be spotted, unfortunately; they were an early (and aborted) attempt in removing the oil washes. As a finishing touch I used a lead pencil on the edges of the tank, and on the tracks to simulate the metallic sheen of actual metal. This does make the tank look more real.

Now that it’s done, it will go into it’s little display case which it will share with a Hobby Boss Toldi I, as soon as the Toldi is finished.