Please read my first post presenting the first level of communication before proceeding. It must be read to fully understand this post.

I think I need to take a minute to express some thoughts about what I am going to share. I believe this book was a fraud, constructed by a charlatan. Therefore, the information contained is fraudulent and powerless. The specificity will become concerning to some, but it had to be there, to be able to pull off the long con that is; The Voynich Manuscript.

That being said, I am still taking the precaution of not revealing the meaning and necessity of many aspects of the imagery discussed. I, again, do not believe this is real evil knowledge, but it has the power to waste time and lives, chasing nonsense.



DO NOT waste your time chasing inferior knowledge.

Warning: If you believe that forbidden knowledge, of possible satanic origin, does exist, and do not want to have any knowledge of it, turn back!

This foldout is communicating about the act of, Scrying. The summoning of spirits, or demons, as most knew them to be, and considered them as such. This practice was undertaken for the purpose of acquiring Secret Knowledge. This had become a great topic of discussion amongst the Noble Families of Europe ever since Albertus Magnus, Thomas Aquinas, and others began separating; good and Godly knowledge from, dark and demonic knowledge. (And, no matter what you believe about the placement of the demarcation line between good and evil…This type of magic has always been on the left!)

This Foldout communicates a number of concepts about; the process leading up to the communing with the spirit, what to expect during the session, and how to help yourself if you get “lost”.

I need to further reveal the communication of the first level. There is a secondary communication taking place in the “connectors” of the rosettes. This is communicated through the imagery of real and tangible places and walkways, connecting certain “senses” but, not others. This is done to relay important information, ‘orienting’ the viewer.

Starting with rosette #1, The Eye. It is connected, to the rosette to its right, and the one above it.

Swallowtail battlements line the walkway to the bottom side rosette, and a wider path with lookouts, facing right and left, leads to the left side rosette. The side rosettes can be passed through if there is a walkway on the other side; which the left side one does, which means the eye, and the mouth, are connected.

Is the Eye connected with the Nose, on the other side of the bottom side rosette? No. There is no walkway, just clouds, and other non-solids, that can not be walked upon.

The Mouth Rosette has wide, and especially charming, walkways coming out of it. Passing through the Top Rosette, with the most elaborate and secure walkways displayed.

Top side rosette, with the great walkways leading from Mouth to Ear.

The Ear Rosette, is connected with the Mouth through the great walkways, but is closed off from the Nose. It too, has dreamy clouds blocking the path, just like the Eye was blocked from the Nose. Why?

The eyes, the mouth, and the ears, are used in verbal communication, the nose, is not. The nose is separate. During the phase I have referred to as the first, or orienting phase, would have informed the viewer, on first look, what type of magic is being referenced and how to read further.

(Again, this is actually in the first level of communication, and should have been included in the first post, but I wasn’t sure if I even wanted to share this level, and didn’t want to leave too many clues. And, I (family and friends) am not a student of any “dark arts”, I can read this because I know history, and the mind of man.)

Level Two

“You are going to be speaking with a demon,” says the mouth. (Verbal communication, using eyes, mouth, and ears. Level one, just told you so.)

“He is going to Lie and Deceive. He will confuse your Ears…

…And he will confuse your Eyes!”

Both of those rosettes communicate a confused straining mind, trying to remain in control of its faculties, as its senses are being assaulted and confused. These are just a warning as to what is to come… once you conjure the spirit. Reminding the scryer, that this is a contest of powers, a battle of wills. Either, It will control the scryer, and pull him away… or, the scryer will have been properly prepared and will control the demon, and pull out its secrets!

How do you battle when your Eyes and Ears are being influenced by an otherworldly power? And, how could you possibly find your way back if, it pulls you into its realm? You rely on the one sense it can’t confuse: Smell.

Before the contest would begin, the scryer would fumigate the room with specific incense and perfumes. The smoke was thought to purify the space and the participant. More importantly, it was his anchor to reality, and his way back home!

There are many tasks and events that must take place during this initial battle of wills… but, if the scryer has done all his “works”, he will have subdued the Ancient Maw. He will regain his senses and control it’s chaotic speech. He will be able to read the communication from the demon, in his mind, like the stars in his diviners bowl.

Because of some early resistance to this interpretation, I will reveal a little about the side rosettes.

They are there to show how to set up the space used during the session. I will not tell much, but I believe this is further convincing evidence that this is what I am claiming it to be.

The left side rosette is where the scryer would place a candle on a mirror.

The top side rosette, is where the scryer would place a candle.

Finally, the right side rosette (the one connected to the Nose rosette) is where the scryer would place a mirror, and an incense burner.

This revelation should give, those who care, a number of words to be searching for, written near the objects discussed. If Voynichese is real, you guys should be able to crack its code shortly (academia shortly, that is). If you can’t… it’s just gibberish.

Mutemandeafcat

P.S. I did not include secondary evidence, or imagery demonstrating other versions of what was discussed, because; I don’t believe it is needed and/or “good”. I also don’t believe I will continue to document any further research into this codex. I don’t think it’s information has any real value in me sharing. In my mind, I have removed the mystery (except one). I don’t have access to the materials or, the time, I would need to prove my theories of who perpetrated this con and how. If someone wants to grant me access, contact me. If you are an academic with access to the materials I need, and have a skill I don’t (language skills, especially) and want to partner, I would be interested. With your help, I think it could cease to be a mystery for the world. Otherwise, I’m most likely off to another mystery. (And, again. If I helped any of you sleuths crack the language code…you must share with me!)

I know of nowhere else, at least that I have accessed, of anyone else documenting this information. It is the product of my understanding of the nature of reality. Property of Mutemandeafcat.

Copyright © Mutemandeafcat 2016-2020