Lenses and perspective, or distortion on a face for beauty.

Q. Why do you use long lenses and what's the advantage or disadvantage for it?

A. I use them because the allow for a more comfortable working distance, and more importantly, they diminish distortion of the face and the compression allows for a more flattering perspective. What does that mean? well the best and fastest way to see it is to first click here STRIPPAGE and read that, it says what is below here as well, but offers two views to choose from as well as larger images to compare, they are all from the camera, no retouching, only thing was the addition of the text to identify which focal length was used for each.

CHECK THE LINK!!!! HERE OR EVEN HERE

OK Real World Numbers

On a 35mm full frame 24mm x 36mm chip or piece of film.

I use them because the allow for a more comfortable working distance, and more importantly, they diminish distortion of the face and the compression allows for a more flattering perspective.



Lens tip to subject, not making allowance for background here.



Lens tip to subject 7 feet



300mm 11inches

200mm 17inches

135mm 24inches

85mm 40inches

50mm 65inches





average head from tip of head to chin 10 1/2 inches



1 inch above head to nipple line of average large (tall) woman,

average 6'2inch male, 18 1/2 inches



Now realize, if the background were behind them by several 3 1/2 feet the angle of view would mean if you gave 1 inch head clearance your image would have approximately 5 inches above the head in frame.



Look at my work and the close up face shots for some great examples of long lenses and the flattened face you all say is present and tell me if a bigger nose and further backset ears would be better for you.



By comparison a 50MM on the same 35MM format Full Frame gives the following realize that a full face as stated above from tip of the head to the chin is 10 1/2 inches you would need to be almost but not quite 1 foot from the subject just to fit the whole head in frame, and closer if you crop into the head at all

50mm ___ 24inches at 3 feet 36inches

50mm ____ 17inches at 2 feet or 24inches

50mm ____ 9.5inches at 1 foot or 12inches

I suggest you try this at the next shoot. Take a len maybe a zoom is best, and shoot the same straight on face shot at the widest you can get (maybe 24mm) than again at say 35mm, than at 50mm than at 100mm than at the longest you can get maybe 200 or better 300mm and keep the framing of the head and face the same for all shots, that's important to see this easily. It does not take a lot of room really if you are shooting a face top to bottom, so you do not need a huge studio to try this. Important things to do is keep the same framing of the face for all shots and keep the lighting the same for all the shots, you may need an extension tube or close up step to keep the same framing on all shots with all the lenses as some may not allow you to focus as close as you would need too.

Next with the face in the same framing, look through the images one by one to see the face change dramatically. That will make you more aware of what to look for, and also determine what your preferences are. OR BETTER YET CHECK HERE OR EVEN HERE

Yes, moving in closer allows for you to cheat perspective at times, as there is no reference to go by, but in general if their is a reference like a nose, ears, eyes, forehead, there is perspective that alters and the viewer can see it, it may be what you want, or it may not, you choose how to use it and for what purpose. There is no right or wrong, only what you want to achieve and get across to the viewer.

here is a small version of whats on the other pages linked several times above

©Stephen Eastwood 2008 www.StephenEastwood.com www.StephenEastwood.com/bio www.StephenEastwood.com/tutorials