Blu-ray + DVD + Digital HD

Zootopia Blu-ray Review

Reviewed by Martin Liebman, June 2, 2016



Nick and Judy.

Disney Animation is on a roll. Hot on the heels of the monster success that was Frozen and the lovable Big Hero 6 comes, a hilarious, tender, and action-packed animal-centric movie that's about individuality, acceptance, and co-existence. The movie's themes aren't really new, but they're interwoven into a pleasing package rich with well developed characters existing in a fun, colorful, and extraordinarily detailed world. Co-Directors Byron Howard ( Bolt Tangled ) and Rich Moore ( Wreck-it Ralph ) leave no stone unturned, crafting the movie with a near perfect blend of humor, heart, characterization, and detail. The story, themes, and laughs all play in harmony, yielding a seamless and enjoyable film that's sure to hold up for years to come and be remembered as an integral part of Disney's current run of success in the digital animation era.Judy Hopps (voiced by Ginnifer Goodwin) wants to be a cop. It's her one and only dream, but she's told "no" at every turn. She's too small, they say. No rabbit has ever gotten into law enforcement. Her parents (voiced by Bonnie Hunt and Don Lake) want her to continue on in the family business of carrot farming. But she's a determined little cottontail, goes to the police academy, defies the odds, and not only graduates, but graduates at the top of her class. She heads out on her own, for the first time in her life, to Zootopia, where she hopes to fulfill her dream of busting bad guys and keeping the world safe for animals of all shapes and sizes. Unfortunately, she's treated to her size. None of her co-workers, including her chief, Bogo (voiced by Idris Elba), believe in her abilities. She's relegated to meter maid duty, but she becomes determined to be the best meter maid she can be. That leads her to a chance meeting with a sly fox scam artist named Nick Wilde (voiced by Jason Bateman). She falls for his ploy but quickly learns the truth about who he is. She also finagles her way into real police work: a missing person's case. Bono gives her 48 hours to solve the case or turn in her badge for disobeying orders. If she's going to work that fast, she'll needs help. She turns to Nick, blackmailing him to her cause. The two develop a friendship as they unravel a mystery that could have dire consequences and unseat the harmonious balance between predator and prey animals.doesn't really explore new and exciting themes, so the movie is better enjoyed for its characters, locations, and, to a lesser extent, its technical qualities. The story is more than adequate in framing the movie's quirky fun and setting a stage through which it can explore those themes, but the film shines brightest elsewhere. Judy and Nick are strong characters, more similar than one would think going in, with largely parallel arcs that move apart but come closer together again as their adventures reveal who they are below the surface, particularly as Nick's backstory is revealed. There's no shortage of supportive thematic imagery -- the fox repellant Judy's parents give her being the most obvious -- that helps prop up the movie's overt themes that it chooses to wear on its sleeve rather than more subtly woven into the story. That's arguably the movie's biggest weakness, but there's at least enough fun around it all to make up for the central bluntness and parallels to today's headlines (xenophobia, personal identity, adherence to societal norms vs. individuality, etc.) that adults, for sure, will grasp early and often. But the story and themes allow the movie to journey through some really great moments and have a lot of fun exploring its world, a world that, even physically, is all too familiar but reworked for the contemporary, clothes wearing, headphone listening, car driving, busy-busy-busy biped animal kingdom.'s richness in detail is its primary strength. Few, if any, digitally animated movies feel this alive, involved, and lovingly assembled. With all the diversity in the movie -- the animal kingdom is represented widely and fiercely -- there's no shortage of opportunity to exploit every last little bit of potential zaniness, which the movie does with confidence, keen insight, and aplomb. Characters are very well drawn, and scope and scale are used to excellent effect, implemented not in one-off gags but made integral to most every scene in the movie, in some form or fashion. Judy's diminutive size next to her fellow officers -- who are elephants, lions, buffalos, animals much bigger than she -- is certainly one of the film's central focuses, but several scenes are built around other characteristics, such as a chase through "Little Rodentia," a sealed-off section of the city where Judy is as proportionality large as Godzilla and must avoid trampling on scurrying residents and toppling over rows of buildings while chasing her bad guy. Little touches throughout theuniverse keep it fresh and enticing with usually perfectly designed and executed touches that have a recognizable center but an animal-centric, and often species-specific, construction. Then there's the DMV sequence, one of the absolute funniest moments in Disney movie history. It's a perfect storm of perfect timing, excellent use of a particular animal, and a clash between urgency and slow motion. Never has a slow sequence been so wonderfully executed and begged to stay on the screen as long as possible, and it's sure to leave the audience in tears and stitches.