“What if I told you that the world was gonna end, and you had fifteen minutes to spend with me or your friends?”

Steven and the Stevens and Hit the Diamond are my two favorite episodes of Steven Universe for reasons I’ve written about at length, but beyond encapsulating the essence of the series and characters and all that, it should be noted that they’re just plain fun. Last One Out of Beach City is smaller in scale, zeroing in on one of the show’s earliest defined relationships and basking in its evolution from a feud to a deep friendship, so it’s harder to use as a stand-in for the show as a whole. But even if it isn’t my third-favorite episode of the series, it stands hand in hand with my top two when it comes to the charm factor.

Last One Out of Beach City is a delight from start to finish. Jesse Zuke’s legendary “Bad Pearl” sketch comes to life in the best way imaginable, and Deedee Magno Hall solidifies her place as my MVP of a killer lineup of voice actors. Actual human being Mike Krol gets tossed into this alternate universe like it was nothing. Crimes are committed. Swears are censored by screeching tires. Juice is spat. Cups, spilt.

This is the promise of Zuke’n’Florido’s brilliant opening sequence of Beta fulfilled: Steven and some Gems hanging out not for half an episode, but an entire one. It’s got sight gags aplenty, supplementing some of the best comedy writing in the series, mixed with the soul-warming joy of watching characters we love getting along. So lest I just turn this review into gushing about individual jokes and lines and moments, let’s dive into why each character we see is terrific, starting with the scofflaw herself.

Last One Out of Beach City does for Pearl what Back to the Moon does for Amethyst and Mindful Education does for Garnet: we see the result of her character growth in Act II, and even if the Mystery Girl looks a lot like Rose, it’s still a huge step forward for our lady of perpetual mourning to develop a crush on someone new (and to be so low-key polite to Greg). The romantic subplot alone could drive an episode, but Pearl gets so many more hats than “girl with a crush” here: she’s a nerd, a badass, a criminal, and a middle-aged mom all at once. She vacillates between genuinely cool and desperately uncool until she fuses these extremes together to become a confident square; it’s perhaps Deedee Magno Hall’s best Pearlformance that doesn’t include singing, and that’s saying a lot. Between her voice acting, the lines themselves (“This is why we buckle up”), and the sheer sense of catharsis from seeing her choosing to move forward with her life, this is my favorite Pearl episode. And that’s saying a lot.

Pearl has always had a weird relationship with humanity. She’s distant from modern culture compared to Amethyst, and her misunderstandings about human stuff is often played for laughs, but she’s also a crack car mechanic and is enamored with human concepts like knighthood. She’s not completely removed from society, but chooses not to engage unless something in particular catches her fancy. So it’s fascinating to see her associating moving forward with performing more human activities; she’s embracing Earth as it is, not as it was when the Gem War was raging, and she’s not letting lingering envy from Rose’s love of humans like Greg get in her way.

The reason this works so well is that it’s clearly performative, rather than an actual sudden personality shift. She’s still a homebody who likes puzzles and hanging out with her kid. She’s still snooty, both with her friends (dismissing the idea that anyone could be nostalgic for something as “new” as suburbs) and with her crush (“By the way, I saved your planet and your species and you’re welcome”). And she’s still nervous as all get-out, but brave enough to push forward anyway.

Pearl’s maternal nature isn’t ignored, but used as fuel for her attempt at rebirth. There’s a huge difference between an awkward person putting themselves out there for the first time and a semi-retired hellraiser who, after settling into a comfortable groove, seeks to relive her glory days. She’s been dwelling on the negative for so long that she feels out of touch with her adventurous side, to the point where wearing pants and drinking juice is adventurous, but because we know Pearl so well by now we can actually appreciate how big of a deal these minor accomplishments are for her.

While it’s refreshing to see Pearl moving on from Rose, it’s perhaps even greater to see how far her relationship with Amethyst has come. While their longstanding rivalry softened during the Week of Sardonyx, we haven’t gotten them alone together since, and it just feels so nice to see Amethyst ribbing Pearl with that extra burst of sisterly affection, and Pearl loosening up enough to not take every slight personally.

As with Pearl, Amethyst works here because her personality hasn’t been erased; again, she’s still ragging on Pearl. The plot gets rolling because of Amethyst’s well-established fascination with humanity, and Pearl’s decision to see the show is prompted in part by wanting to impress Amethyst, something she never would’ve cared about in Season 1. And for all her teasing, Amethyst encourages Pearl every step of the way, not just out of solidarity but because she’s legitimately impressed.

And in a world where Pearl and Amethyst are egging each other on, Steven has to step up and be practical. I appreciate that his sense of responsibility and realism doesn’t make him a jerk or a brat, but more of a peer than ever among his fellow Crystal Gems. When pointing out the pink-haired elephant in the room, he’s not condemning or teasing Pearl: he’s just clearing the tension, and showing that he’s more aware of the situation than a younger Steven might have been. In this episode, Steven is the friend who looks for a gas station when his buds are freaking out about running out of fuel.

By now Steven feels comfortable with his place in the team, and with his relationships with Amethyst and Pearl as individuals. A version of this episode placed earlier in the series might’ve been about Pearl and Amethyst fighting for his attention, or Steven vying for attention from either of them, but by now he’s happy to do a puzzle with Pearl and to go to a concert with Amethyst, and there’s zero conflict. Immaturity shouldn’t be a go-to character beat anymore, and I love that Steven is acting his age.

Mystery Girl turns out to be more of a device than a character, as we never see her again. But I honestly think that’s fine; what matters is that Pearl is willing to put herself out there, and the result isn’t a new relationship with a new love interest but a new relationship with humanity. The Pearl of Bismuth Casual, hanging out with a posse of human friends and showing off her Gem powers with glee, owes everything to the Pearl of Last One Out of Beach City, and thus everything to Mystery Girl. Perhaps they had a thing at some point. Perhaps they still do have a thing. We don’t know, because Pearl has new hobbies outside of being a Crystal Gem, and that’s the victory.



An in terms of the show’s greater plot, if our new friend never gave Pearl her number, Pearl never would’ve gotten a phone, so A Single Pale Rose never would’ve happened. Perhaps one day he would’ve learned the truth, but certainly not before Yellow and Blue Diamond arrived to wage war on the planet. So thanks for saving the world, Mystery Girl!



The use of music from our universe lends Last One Out of Beach City a uniquely realistic tone compared to the rest of the series; perhaps any such music would do the trick, but a garage rocker is an apt choice for setting a grounded mood. We get a glimpse of Greg’s life outside of being a dad, as he socializes not only with Amethyst but Barb and Vidalia. The car chase lurches to reality when we learn that Pearl doesn’t have a driver’s license, and explicit references are made to the DMV and Pearl’s citizenship. It’s like knowing Steven’s exact age, or having Greg break his leg in Ocean Gem instead of getting a nondescript injury, or hearing Dr. Maheswaran describe PTSD using terms like “cortisol”: these concrete details make these characters feel more like real people. And considering this is a character-centric episode in a show where characters are pretty much always at the center anyway, that realism gives us a deeper connection to what our heroes are going through.



Pearl is by no means a teenager, and the critical element of reclaiming her mojo muddles direct comparisons to a teen protagonist, but the emotional honesty of Last One Out of Beach City makes me feel nostalgic, and not just for the suburbs. Driving around, not quite following the rules, and bouts of chasing meaning when you’re not as interested in traditional adolescent social activities? Those were my teenage years. I don’t always miss them, but this episode brings out the best of my memories.

There’s really not much else to say. I could spend another few paragraphs incoherently gushing about the writing and the animation and the voice work, but I promise the time you’d spend reading that would be better spent rewatching the episode. While I maintain my comparison to Beta, Last One Out of Beach City does stand in opposition to Peridot’s first Meep Morp: it has no functional purpose, it just makes me feel good.

Future Vision!

I already brought up how Mystery Girl’s number prompts A Single Pale Rose, but that episode itself shows that Pearl’s a lot slicker than she thought she was. That’s a lot of codes!

I’ve never been to this…how do you say…school?

Not sure why we get a Halloween-themed promo for an episode that has nothing to do with Halloween and aired in early September, but this is me not complaining about that. (Apparently it’s actually a reference to a Japanese tradition but I don’t watch enough anime to know more about that.)

We’re the one, we’re the ONE! TWO! THREE! FOUR!



It’s not my third favorite, but this episode is really high up there. The cream of the crop are episodes that give me the purest emotional reactions: Mirror Gem nails dread, Lion 3 and Alone Together embody two different kinds of wonder, and Steven and the Stevens, Hit the Diamond, and Last One Out of Beach City just make me unspeakably happy.

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5. Horror Club

4. Fusion Cuisine

3. House Guest

2. Sadie’s Song

1. Island Adventure