



Upcoming Arrow Academy Blu-ray Releases Posted March 20, 2017 03:31 PM by



Aquarius (2016), The Sorrow and the Pity (1969), One-Eyed Jacks (1961), and Seijun Suzuki's The Taisho Trilogy.



Aquarius



Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighboring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company, a confrontation which is both mysterious, frightening and nerve wracking. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future.



Sonia Braga delivers a tour-de-force performance as Dona Clara in Kleber Mendonça Filho's follow up to his audacious 2012 debut, Neighbouring Sounds, where, once again, the Brazilian film critic, turned director, examines human life in urban spaces in his home town of Recife. Clara's eclectic collection of LP's and her vintage French 3-sheet poster of Stanley Kubrick's Barry Lyndon, the latter item belonging to the director, will delight lovers of packaged media and memorabilia, items that Clara herself calls 'special objects'.



Special Features: Original 5.1 lossless audio

Optional English subtitles

New interview with Director Kleber Mendonça Filho conducted by critic Ian Haydn Smith

Making-of featurette

Trailer

First pressing only: Booklet featuring writing on the film by Sophie Monks Kaufman STREET DATE: JUNE 26.



The Sorrow and the Pity



Marcel Ophuls' four-and-a-half hour portrait of the French town of Clermont-Ferrand under German occupation from 1940-44 is one of the greatest documentaries ever made, as important as Claude Lanzmann's Shoah in its value not just as a film but as an essential historical record in its own right not least since its interviewees are all long dead.



Describing the fall of France and the rise of the Resistance, with the aid of newly-shot interviews and eye-opening archive footage including newsreels and propaganda films, Ophuls painstakingly crafts a complex, nuanced picture of what really happened in France over this period. He also demolishes numerous self-serving national myths to such an extent that, although he made the film for French television, they wouldn't show it for over a decade.



But, as he demonstrates again and again, the overwhelming majority of French citizens during this period weren't heroes, villains or cowards, but simply ordinary people trying to make the best of an impossible situation. And it's Ophuls portrayal of these people, their hopes, their fears and their appalling moral quandaries, that remains unmatched in film history.



Special Features: High Definition Blu-ray (1080p) presentation, from materials supplied by Gaumont

Original French mono audio (uncompressed LPCM on the Blu-ray)

Optional English subtitles

Interview with director Marcel Ophuls, filmed in 2004

Le Nouveau Vendredi: The Sorrow and the Pity, a 55-minute debate that followed the film's belated 1981 French television premiere, in which Ophuls and historians Henri Amouroux and Alain Guérin discuss the film and the issues that it raises with an audience of students from Clermont-Ferrand

Reversible sleeve featuring new and original artwork

First pressing only: Booklet featuring writing on the film by Pauline Kael and Jean-Pierre Melville, plus extensive historical context. STREET DATE: JUNE 5.



Seijun Suzuki's The Taisho Trilogy



After over a decade in the wilderness following his firing from Nikkatsu for Branded to Kill (1967), maverick director Seijun Suzuki returned with a vengeance with his critically-praised tryptic of cryptic supernatural dramas set during the liberal enlightenment of Japan's Taisho Era (1912-26).



In the multiple Japanese Academy Award-winning Zigeunerweisen (1980), two intellectuals and former colleagues from military academy involve their wives in a series of dangerous sexual games. In Kageroza (1981), a playwright is drawn like a moth to a flame to a mysterious beauty who might be a ghost, while Yumeji (1991) imagines the real-life painter-poet Takehisa Yumeji's encounter with a beautiful widow with a dark past.



Presented together on Blu-ray for the first time outside of Japan, the films in the Taisho Trilogy are considered Suzuki's masterpieces in his homeland. Presenting a dramatic turn from more his familiar tales of cops, gangsters and unruly youth, these surrealistic psychological puzzles drip with a lush exoticism, distinctively capturing the pandemonium of a bygone age of decadence and excess, when Western ideas, fashions, technologies and art fused into everyday aspect of Japanese life.



Special Features: Original stereo audio (uncompressed on the Blu-ray)

Optional English subtitles

New introductions to each film by critic Tony Rayns

Making-of featurette

Vintage interview with Seijun Suzuki

More to be announced...

First pressing only: Booklet featuring writing on the films by critic Jasper Sharp and more. STREET DATE: JUNE 5.



One-Eyed Jacks



One-Eyed Jacks is a film with a troubled history. It was almost the feature debut of emerging television director Sam Peckinpah, who penned the original draft screenplay, and it was almost the only Western to be directed by Stanley Kubrick before he too left the project. The eventual director was Marlon Brando, stepping behind the camera for the first and only time.



Brando is Rio, a bank-robber who is double-crossed by his friend and mentor, Dad (Karl Malden). Rio is imprisoned for his role in the crime, but escapes with thoughts of revenge. He tracks down Dad only to find that, during those years spent behind bars, Dad has used his ill-gotten wealth to become the sheriff of Monterey...



A strange, baroque Western, One-Eyed Jacks met with bewilderment by critics and audiences upon release, but slowly developed a cult following despite a succession of below-par masters. Now, thanks to an outstanding new 4K restoration from Martin Scorsese's The Film Foundation, audiences can finally see the film as intended once again and recognize the masterpiece it always was.



Special Features: New 4K restoration by Universal Pictures and The Film Foundation, in consultation with Martin Scorsese and Steven Spielberg

Uncompressed Mono 1.0 PCM Audio

Optional English subtitles for the deaf and hard of hearing

Brand new audio commentary by Stephen Prince, author of Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies, recorded exclusively for this release

Introduction by Martin Scorsese

Marlon Brando: The Wild One, Paul Joyce s 1996 documentary on the actor, featuring interviews with Dennis Hopper, Shelley Winters, Martin Sheen and Anthony Hopkins

Additional, previously unseen interview material from Marlon Brando: The Wild One with Francis Ford Coppola and Arthur Penn

Theatrical trailer

Reversible sleeve featuring original and newly commissioned artwork by Jacob Phillips

First pressing only: Illustrated collector s booklet containing new writing on the film by Jason Wood and Filippo Ulivieri, Karl Malden on Marlon Brando, Paul Joyce on Marlon Brando: The Wild One and an excerpt from Stefan Kanfer s Somebody: The Reckless Life and Remarkable Career of Marlon Brando. STREET DATE: JUNE 12.





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Alex DeLarge Mar 20, 2017 The Suzuki Trilogy and Ophul's classic are day one for me! thrashbat Mar 20, 2017 Suzuki Trilogy for sure. Sorrow and the Pity looks good enough for a blind buy. nitin Mar 20, 2017 Taisho trilogy!!

vanscottie Mar 20, 2017 Why bother with, "One-Eyed Jacks" when Criterion just released it?

Top contributor

Top contributor qw0aszx Mar 20, 2017 OMG Seijun Suzuki!!!! I never thought this would get a release outside Japan!

sjt Mar 21, 2017 @vanscottie



Because Criterion only released it in the US, region-locked, and the UK remains an important and lucrative market. Also because Arrow at least doesn't usually spend most of its energies in duplicating other people's releases pointlessly, as Criterion in the UK has done - and continues to do - repeatedly, and is the likeliest UK independent to produce something even better than the US edition, both in terms of filmic appearance and supplementary content. And packaging.



That's "why bother". Bruce Morrison Mar 21, 2017 I'll double dip on 'One-Eyed Jacks' for the Stephen Prince commentary and the other extras, which are markedly superior to the Criterion package. And 'The Sorrow & The Pity' is a must. I'm not familiar with the Suzuki trilogy, so I might rent it first to check it out.

tisdivine Mar 21, 2017 This might be a stipid question but do the Academy releases get US releases? The Suzuki Trilogy has me drooling all over myself lol henry001 Mar 21, 2017 Taisho Trilogy is great masterpiece

lamotta Mar 21, 2017 Nice edition of 'One-Eyed Jacks' from ARROW, won't have to worry about the Criterion now. nitin Mar 22, 2017 tjsdivine,



Some do, the Taisho trilogy will be released in the US and the UK.

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