Set 1



Deep Elem Blues, Candyman, Silver Threads, Friend Of The Devil, Cumberland Blues, Wake Up Little Susie, Swing Low Sweet Chariot, Uncle John's Band



Set 2



Casey Jones, Me & My Uncle, Hard To Handle, Not Fade Away-> Midnight Hour, E: It's All Over Now Baby Blue



Other artist(s): GD; NRPS; Southern Comfort

Related Music (Beta) question-dark Versions - Different performances of the song by the same artist Compilations - Other albums which feature this performance of the song Covers - Performances of a song with the same name by different artists Song Title Versions Compilations Covers Intro Monkey and the Engineer Deep Elem Blues Candyman Silver Threads and Golden Needles Friend of the Devil Black Peter Cumberland Blues* Wake Up Little Suzie* Swing Low Sweet Chariot* Uncle John's Band Intro > Casey Jones Me and My Uncle Hard to Handle //It's a Sin //China Cat Sunflower > I Know You Rider Attics of My Life It's a Man's World New, New Minglewood Blues Good Lovin' St. Stephen > Not Fade Away > Midnight Hour It's All Over Now Baby Blue

Notes

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***Audience source for both sets***







gd70-06-04.xxxxx.gdnrps.sonyTC124.olsen.droncit.flat.flac16







Audience Recording by Gerry Olsen.







Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW



(hand-held). 120 minute BASF normal bias tape.







Lineage via Dan McDonald (droncit@yahoo.com):



Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz);



DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz



using 32-bit interpolation and a triangular high pass dither.







After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost



harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.











Notes from Gerry: "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night"



home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...."



also, in regards to the question as to whether that was potato chips that you hear occasionally:



"My then 14 year old brother was on one side and a friend, ..., was on the other. Although my hands were otherwise



occupied, I probably snacked some too, plus my brother had a cough to boot."







Notes from Dan: This is a tape I can only call "charming." Just a totally enjoyable experience. Very nicely done, the



band is in fine form, and the tapers are having a great time. There are some cuts where the tape broke and where Gerry was



unable to get the whole song. There is also some distortion on certain songs - it's not in



the tape or the wav file, it's from the stage. There are comments from the audience and the band occasionally. It's most



noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals. I tried to minimize it but



it was too difficult to work with, so I left it as it is. I lowered coughing and potato chip bag noises when it distracted



from the music. Otherwise, I left it in. Sit back and relax, and spend an evening back in 1970. Many thanks to Gerry for



trusting me with the tapes. They were a pleasure to work with.







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---Thank you Gerry Olsen for recording the show.



---Thank you miogi for your work with the acoustic sbd.



---Thank you Charlie Miller for your work on the electric sbd.



---Thank you Dan McDonald for your transfer and master of the audience.



---Thank you Germain for your advice, encouragement, guidance and seeding.







Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0







Final Master by Dan McDonald







02-08-2013



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Tagging notes:



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dusborne 02-08-2013



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