ALEXANDER: What do you miss about Sweden, other than friends and family and all that? Is there anything specific that you miss when you’re abroad?

BILL: I miss being in my home country; here, I’m always a foreigner. America is, of course, built of people who are not from here. But going home, even just landing at Arlanda, the Stockholm airport, I think, “This is where I’m from. These people are my people.”

ALEXANDER: Does it make you even more proud of Sweden because you have that distance?

BILL: It’s not about being proud of Sweden; it’s just a sense of belonging. Even if you’ve lived in a place for a long time, those first formative years are going to be a part of you forever, and it’s something you can’t replace.

ALEXANDER: Why don’t you have a home?

BILL: I think it’s a commitment issue for me. I have a hard time committing to stuff.

ALEXANDER: What’s wrong with us? I’m also homeless. Maybe it’s a fear of missing out. Like, if I commit to one city and get a place there, then maybe there is something else out there. But wouldn’t it be nice to have somewhere where you can at least drop your bag and unpack?

BILL: 100 percent. I’ve been living like this for the past five or six years, so I’m looking for an apartment in Stockholm. Just like a two-bedroom thing. Every apartment I look at is so nice and tastefully renovated.

ALEXANDER: Great furniture and beautifully done, but they all look identical. I think that kind of sums up the Swedish mentality in a way. It’s all beautiful midcentury modern furniture, and they all have that Moroccan rug. You won’t find originality. Swedes are very safe that way. So, what’s your first memory from a film set other than with Dad when you were a kid?

BILL: Well, my first film was with you.

ALEXANDER: Oh, yeah. I didn’t want to say it, but I got you into this business. I can take you out of it. [laughs]

BILL: I would never have been here if it wasn’t for the role of Klasse in White Water Fury. I was the only kid on set, and I remember I got upset for some reason. Do you remember the story? I ran away from set or something?

ALEXANDER: Oh, I remember what it was. The fruit basket in your trailer wasn’t fresh enough. And they got Evian instead of Perrier, so you stormed off and called your agent.

BILL: [laughs] At 9 years old.

ALEXANDER: You called your agent-slash-kindergarten teacher. I don’t remember you being upset, but I do have a very vivid memory where you wrapped early one day, and they took you back to the hotel, and I had another scene. When I got back, you were just standing outside in the parking lot, waiting for me, and it broke my heart. It was just the two of us. We obviously come from a big family back in Stockholm. I never felt needed. It was always chaos with Mom, Dad, uncles, you know, we all lived in the same building. Dinner parties with 25 people every night. And for the first time, you and I went away together, and suddenly I wasn’t just a big brother. I felt paternal. You were just standing in the parking lot waiting for your big brother to come home, because you didn’t know anyone and you didn’t know what to do. If I ever need a little sense memory for a scene, that vision of coming around the corner and seeing you standing there, this little boy in this massive parking lot, is really beautiful and heartbreaking. It was the first time I ever felt needed.