Universal’s Glass easily retained first place in its second weekend, topping the final frame of January with a better than expected hold. Meanwhile, the two new nationwide releases got off to truly awful starts, while a handful of Best Picture candidates expanded to mixed results.

Glass had an impressive 53% drop in its second weekend, collectin $19 million for a running tally of $73.5 million. Granted, this isn’t quite as impressive as Split‘s 36% hold back in 2017, though a bigger drop was to be expected given its sequel status. Shyamalan’s sequel has amassed a very impressive $162 million worldwide, against a budget of just $20 million – all of which was personally funded by Shyamalan himself. Without much in the way of competition next weekend, Glass should have no problem getting past the century mark domestically.

The Upside and Aquaman both had impressive holds as well. Upside dipped just 18% in round three, blowing past my $60 million prediction with plenty more left to go. Aquaman was down just 28% as it inches towards the domestic totals of both Suicide Squad and Batman V Superman.

Fox had one more loser to add to the pile, as their children’s fantasy title The Kid Who Would be King flopped with a terrible $7.2 million. Surprisingly, this is exactly the number I predicted in my weekend forecast, while the studio and rival tracking had expected it closer to $10 million. The only possible bright side is that it had a massive 97% jump on Saturday, though with numbers these low it hardly matters. With The Lego Movie 2 hitting theaters in two weeks, this may top Fox’s own The Darkest Minds for the biggest theater drop of all time, especially since it was playing in a very high 3,521 locations. With a hefty $59 million budget, this is going to wind up as a big write-off for Fox.

Also opening was Serenity, the latest wide release from newbie distributor Aviron Pictures. Unfortunately, thanks to some truly awful reviews from critics and audiences alike, the title opened to just $4.8 million. The only real buzz going into the weekend was from some critics who spoiled the films truly bizarre twist (which, having seen the film, really needs to be seen to be believed). Apparently, that twist didn’t sit too well with audiences, who slapped it with a dismal D+ Cinemascore. Despite that, it still jumped up 10% on Saturday, implying the older audience may not have been too concerned about opening weekend buzz. Produced for a hefty $25 million and moved around the release schedule a number of times, this was more or less a guaranteed flop.

Among the best picture candidates competing for attention, Green Book had the most impressive jump – Universal expanded the title, which had quietly collected over $43 million going into the weekend, into 2,430 theaters, where it proceeded to gross an impressive $5.4 million, just shy of what it made during its nationwide opening back in November. With just shy of $50 million in the bank thus far, Green Book may collect quite a bit more by the time all is said and done.

The Favourite also had its widest weekend yet, with Fox adding 1,023 for a total of 1,540. The comedy added another $2.5 million to its total, one of its biggest weekends to date. So far, Lanthimos’ contender has made $26 million, an impressive tally for a film many would argue isn’t particularly accessible to mainstream audiences.