Proving once again that there is, in fact, an audience for original ideas in Hollywood, Jordan Peele’s Us launched with a phenomenal debut that was well above tracking going into the weekend. Meanwhile, Captain Marvel continued its excellent performance, while the holdovers were a fairly mixed bag. With no other wide releases other than Us, there wasn’t much to talk about outside the top 2.

Headed into the weekend, the range for Us had gone from initial tracking of $35-40 million to upwards of $50-60 million, especially after users on BoxOfficeTheory pointed out how presales had exploded midway through the week, leaving many to wonder if it may be coming for a debut closer to $100 million. That wasn’t ever a reasonable expectation, however, and serves to underline how these numbers are often finnicky and hard to rely on with any sort of real consistency. A reasonable possibility for the huge bump in ticket sales is that AMC A-List members were waiting for the title to be listed in Premium formats like IMAX and Dolby Cinema, and got their tickets once those became available. Again, this is simply hypothesizing, so take it with a grain of salt.

Breaking down the weekend, Us launched with a hefty $7.4 million on Thursday night, leading to a full opening day of $29 million. It then proceeded to dip a light 12% on Saturday, signifying the supposed polarizing responses may not have been as bad as expected. With a B Cinemascore (compared to Get Out‘s A-) there was talk that perhaps the film was simply too bizarre or unconventional for audience members, but that doesn’t seem to be the case; while there are instances of this happening such as 2017’s mother!, which burned out immediately after opening weekend, there are plenty of others like Hereditary, which managed to leg out more than 3x its opening despite a D+ Cinemascore. Ultimately, if there’s a decent amount of interest in the film, and it gets people talking, audiences will want to see if for themselves, which is exactly what they’re doing.

In terms of longevity, there’s zero chance it has the same incredible length as Get Out, but the question comes of how it will hold; if it holds around the same as 2017’s It, that would mean a final tally of around $186 million, which would be around $10 million higher than Get Out.

In second place, Captain Marvel had another solid hold as it dropped 49%, locking in another $35 million to its impressive running total of $321.5 million, as it now sits just $90 million shy of the billion mark. Wonder Park wasn’t quite as impressive, with a middling 43% drop – far from impressive for a family film. Five Feet Apart fared better, down just 34%, signifying that this may end up quietly legging out an impressive run over the next few weeks, perhaps even ending up above the final tally of Love, Simon from last year.

In the specialty market, Gloria Bell expanded into nationwide release after two weeks, where it pulled in a so-so $1.8 million from 654 locations, though supposedly the vast majority of that came from a handful of major metropolitan areas. However, it has already outgrossed the $2.1 million total of its foreign language predecessor from 2014. The only noteworthy limited opening was Hotel Mumbai, which was set for a nationwide release up until a few weeks ago, but instead opted to open in four locations, where it saw a per theater average of $21K.