Grammy's Can't Get Streaming Or Audio Right, But Assure You That Free Spotify Is Kinda Like ISIS

from the say-what-now? dept

"So, what does hearing your favorite song mean to you?" asked Neil Portnow, the president of the National Academy of Recording Arts and Sciences, which awards the Grammys.



He then explained that when people use streaming-music services, the artists and others behind those songs earn "a small fraction of a penny" per song.



"Isn't a song worth more than a penny?" he asked, as the audience cheered. "You bet. Listen, we all love the convenience and we support technologies like streaming that connects us to that music. But we also have to make sure the creators and artists — like Joey over there — grow up in a world where music is a viable career."

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We already wrote about how CBS fucked up internet streaming of the Grammy's on Monday night, but a few folks have sent in the various stories about how Grammy's boss Neil Portnow did his now annual whine about how evil tech companies don't pay musicians enough , and how if we don't start giving musicians more money ISIS will win and the 12 year old who just performed on piano might starve or something. The crux of his talk was to whine that when people stream a song it might earn those associated with the music "a fraction of a penny" and somehow that's unfair:Behind him as he said this, was this fabulous clip art visual aid (seriously, can't the Grammy's come up with something a little better as a graphic?)And, yes, there was a weird reference to ISIS and the Paris attacks as a reason for paying musicians more. While there may have been applause inside the theater, the line seemed to flop everywhere else:Of course, the whole penny thing is misleading and ridiculous. It's emotional bullshit that Portnow is using because the truth makes the recording industry who pay his salary look terrible. And it's this: streaming actually pays artists morethan other forms of music acquisition. Multiple studies have shown that when you figure out the cost per listen, streaming is higher than radio, CDs or paid downloads. Sure a fraction of a penny sounds like a small amount, but the missing implicit suggestion is that the streaming companies like Spotify are making much more than that per stream. They're not. Spotify pays significantly more than half of their revenue towards licensing (and often the reason musicians aren't getting paid is because the record labels are keeping most of it from the artists.It also ignores how free streaming services have actually helped bring revenue back into the music industry by decreasing piracy rates drastically and getting people to move to legal options. Demanding ever higher rates only serves to cause these kinds of companies to fail. And all that will do is drive people back to totally unauthorized services where artists and copyright holders don't get any money directly.Of course, this is the way thingswork for the legacy recording industry. They see a new technology -- a technology they didn't support, don't understand, and fought against initially -- suddenly making themand they start demanding more and more and more until they kill the golden goose. They do this over and over again . Remember how ringtones were suddenly making the industry money? They kept demanding more money for them, and no one cares about ringtones any more. Or how about music video games? Once again, the record labels started insisting that they weren't getting paid enough , and look at what happened to those games?It's one thing to negotiate different payment structures, but the constant whining and bullshit about "fairness" when "fair" appears to be something like 200% of any revenue any music tech company makes is beginning to wear a bit thin, don't you think? Once again, these are the same people who fought tooth and nail against any of these technologies, and now that they actually got built AND are helping the industry and musicians actually make some money, these same talking heads whine that it's not enough? Really? Go build your own damn technology service, and you'll quickly discover that it's not that easy . And then maybe they'll stop whining with bullshit claims. But that seems unlikely. The whining never ceases. And yet they call fans "entitled"?

Filed Under: fairness, grammy's, neil portnow, rates, royalties, streaming

Companies: spotify