While I felt that there were more good Bollywood movies than bad released in 2014, the year did produce some truly awful Hindi films. (Click on the title of each movie to read my original review.)

Some primarily suffered from poor story construction. In Jai Ho, Salman Khan inexplicably goes on a violent rampage when people fail to embrace his “pay it forward” scheme, resulting in Suniel Shetty plowing through traffic in a tank. Another Khan film — Kick — makes even less sense, as Khan transforms from a dopey slacker into Robin Hood overnight, and none of the supposedly intelligent characters in the film realize it’s him. Koyelaanchal‘s disorganized plot is a problem, but not as big a problem as its multiple flashbacks from the perspective of a baby.

I often write about gender issues in my reviews, so it’s no surprise that many of the worst movies of the year portrayed women negatively. The Xpose is essentially a morality lecture for women delivered by writer-actor-composer Himesh Reshammiya. According to Super Nani, a woman’s only real asset is her beauty, even if she’s old enough to be a grandmother.

A few lousy 2014 movies actually fancy themselves as socially progressive, even though they aren’t. Kaanchi inaccurately characterizes the heroine’s personal revenge as representative of a youth uprising against systemic corruption. The hero of Heropanti denounces arranged marriage while simultaneously affirming a father’s right to choose his daughter’s husband. Daawat-e-Ishq — the most disappointing Hindi film of 2014, given the quality of its cast and crew — depicts men as the real victims of dowry tradition.

The delightfully inept Karle Pyaar Karle could have been a perfect “so bad, it’s good” movie, were it not for a racist subplot. The movie’s heroine is threatened with forced marriage to a dark-skinned African man, a character introduced solely to represent the worst fate imaginable for an Indian woman. The hero and heroine use racial slurs, and the heroine’s mother proposes suicide for herself and her daughter as a way to avoid the marriage. It’s an offensive and frustrating end to an otherwise unintentionally hilarious movie.

The absolute worst Hindi movie of 2014 combines the shortcomings of the other films on the list and multiplies them exponentially. That film is the loud and tacky Humshakals. Offensive jokes are aimed at almost every group except straight Indian men, with director Sajid Khan’s preferred target being overweight women. As one can infer from the female characters Khan wrote for the movie, his ideal woman is a brainless sex object.

Unlike Karle Pyaar Karle, there’s nothing funny about Humshakals, intentional or unintentional. It’s a cynical film, pandering to the basest prejudices of the lowest common denominator. Sajid Khan writes the mean-spirited jokes he does because he thinks he can get away with them. It’s time for not only the audience but members of the industry to tell him that we deserve better.

Worst Hindi Movies of 2014

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