Ansel Adams, Street Photographer: 1940s Los Angeles

We've all seen the landscapes. Maybe too many of them. But Ansel Adams as a street photographer? Who knew!

Hide caption Cole Weston, son of photographer Edward Weston, kisses his wife, Dorothy, goodbye outside their home before heading off to work. At the time, Weston worked as a metalsmith at the Lockheed Aircraft Company plant in Burbank, earning 51 cents an hour. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption Residents of the Olympic Trailer Court in Santa Monica relax and play with their dog outside their trailer. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption An exterior view of the "The Pup," a hot dog and hamburger stand located in the community of Venice. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption A Los Angeles Railway bus travels past a Van de Kamp's Bakery in Beverly Hills. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption A young girl, seen with her baby doll, stands outside of Olympic Grocery in Santa Monica. Some residential trailers can be seen in the background on the right. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption People stand on the Ocean Park Pier, looking north toward the Santa Monica Pier. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption Women who work at the Santa Monica Douglas Company plant eat lunch at the Cape Cod Cottage. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption An exterior view of the photography studio owned by John E. Reed in Hollywood. On the lawn is a large photograph of entertainer Jimmy Durante. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption A drummer plays with brushes at an unidentified location in the Los Angeles area. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption A man walks on an unidentified Burbank street. The Lockheed Aircraft plant and the Verdugo Mountains are seen in the background. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption Hundreds of Burbank Lockheed Aircraft employees take a lunch break around a covered eating area. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library

Hide caption Cole Weston, his wife, Dorothy (right), and their friend watch a bowling tournament at Burbank Bowl. Previous Next Ansel Adams/Courtesy of Los Angeles Public Library 1 of 12 i View slideshow

Although well-respected by the 1930s, the famous landscape photographer could not have sustained his Sierra series, for example, if it were not supplemented by commercial work. According to the Ansel Adams Gallery: "Clients ran the gamut, including the Yosemite concessionaire ... Kodak, Zeiss, IBM, AT&T, a small women's college, a dried fruit company, and Life, Fortune ... in short, everything from portraits to catalogues to Coloramas."

So street scenes are not entirely surprising. There is, however, some surprise behind this series, which sits quietly in storage at the Los Angeles Public Library. In 1939, Fortune magazine commissioned Adams to document the "aviation history" of the L.A. area, as the library site says. I'm no expert on the subject of L.A. aviation, so I can't really fill in the historical holes.

But one interesting tidbit is the young man, Cole Weston, who appears in many of the images. His father, Edward Weston, was also a famous photographer and a good friend of Adams. Cole would eventually become a photographer as well, but at the time of these photographs, he was a metalsmith at Lockheed Aircraft Company. (A somewhat strange coincidence?)

Adams donated the photographs to the library in the 1960s. He wrote in a letter: "The weather was bad over a rather long period and none of the pictures were very good. ... I would imagine that they represent about $100.00 minimum value. ... At any event, I do not want them back."

To which the librarian responded: "Even though you say they are not your best work, they present an interesting and useful study ... We have consulted our Art Department ... and have concluded that a fair value would be one hundred and fifty dollars ($150.00)."

Ha!

Christina Rice, acting senior librarian of photos at the Los Angeles Public Library, could not give an estimate of the collection's actual value. I'd venture to say you could tack on several zeros to that initial price tag. Rice has been at the library for about five years, and to her knowledge, few historians have researched the collection. Perhaps that's because it's one of the most unassuming, barely advertised collections in Adams' photographic canon. Which makes me wonder: What else is out there off the radar?