THE FILM

A 13-year-old boy named Billy runs from home as his parents forget his birthday. Making his way through thick woods, he encounters a drifter who is violently slashed to death after Billy leaves. Billy stumbles on an old mansion where a room is decorated for birthday celebrations. Thinking it is a surprise by his parents, he opens a present to discover a severed head. Running away, he is attacked by the drifter's killer, a cat-like human with a hook on one hand, and subsequently buried alive.

Meanwhile, a group of teenagers and some older adults come across the mansion intending to have a party, believing the mansion to be abandoned. However, a sorcerer named Kreon resides there, keeping watch over his bride who he has kept preserved for over 70 years using an unrevealed method, but it is known that he needs human victims in order to do it. He possesses one of teenagers in the group to use a Ouija board and summons a variety of monsters to pick off the group one by one. These include farting mud-men, small reptilian demons, giant spiders, an arachnid woman, an octopus-like creature with electric tentacles, a skeletal witch, a Grim Reaper statue, a vampiric boy in a monk's habit, and a large group of zombies.

THE PICTURE AND THE SOUND

THE PACKAGING

REGION FREE

THE MENUS

DISC 1









DISC 2









THE FEATURES

DISC 1: THE FILM (1H 25M 22S, HD)

DISC 2: SPECIAL FEATURES

THE CONCLUSION

THE SCREENSHOTS

Vinegar Syndrome brings one of the most notorious "so bad it's good" films to blu-ray for the first time and we do a deep dive to find everything we can about this blu-ray.March 1986 (theatrical) / February 25th, 2020 (blu-ray)85 minsFREE1080p (1.85:1 aspect ratio)English DTS-HD Master Audio 2.0English SDHNoNoFelix Ward, Maria Pechukas, Dan Scott, Alec Nemser, A.J. Lowenthal, Pat Wesley BryanThomas Doran, Frank M. Farel, Brendan Faulkner (Twisted Souls scenes) / Ann Burgund (additional scenes)Thomas Doran and Brendan Faulkner (Twisted Souls footage) / Eugenie Joseph (additional footage)R (horror violence and gore)is a cult film through and through, but is it any good? There are plenty of cult films that aren’t even worth the time:andare all films that people enjoy because they are so bad, but taken on their own merits, they are really bad films.falls into this latter category.is a bad film, but it wasn’t always like that. The film was actually calledwhen it was shot in 1985, but the producer wanted something different, so he fired the filmmakers and hired another director to shoot different footage to be added to the Twisted Souls footage to make a brand new film. We will never know ifwas going to be a good film, but if you judge that by the footage left in, I would have to say that there was a very good chance it would have been pretty good.Watching, the first thing that popped into my head was “what the hell is going on?” This is a very valid question as the film is a muddled mess. The film begins with a kid in the woods, at night, complaining about how his family forgot his birthday. He then meets a stranger who asks the kid for a lighter because kids always carry lighters. The kid then leaves and something kills the stranger. The kid then happens upon the house the rest of the film will take place in and enters the house. He goes into a room where he finds all the trappings of a birthday party: balloons, festive decorations, and a cake with his name on it. This kid actually thinks that his family came to this house where the kid had never been before and set up a birthday party on the off chance that the kid would show up. Then the family splits before the kid shows up and the kid, being the Mensa member that he is, believes that his family did all of this for him.That scene is from the new footage shot after the original filmmakers were fired. As you can tell, the added footage is terrible. The original footage is much better. This is where most of the monsters in the film come into play and the effects work is truly amazing. There is a scene where these creatures burst through the floor and start attacking our cast of characters. This is known as the “Muckmen scene”. The scene is almost perfect… and then the fart noises start. The film’s financier, Michael Lee, thought that the footage was boring and needed some pepping up, so he had the sound guys add in fart noises. Had the fart noises not been added, the scene would have been great. Hell, it might have actually been scary too, but the farts kill anything the scene was buildingThat's really whatis: a film that could have been. Most of the reshot footage is bland and boring, making us wonder what Michael Lee loved about this footage but hated with the real footage. I know bad movie lovers eat this film up but for me it is just bad. There are scenes that would have been so much better had they been edited right but we will never see that footage. What we are left with is a mess of a film that could have been.Featuring a brand new scan and remastered in 4K from the original camera negative, and presented in the film’s original aspect ratio of 1.85:1, this transfer ofis nothing short of jawdropping. We see all levels of transfers, from terrible to amazing, and Vinegar Syndrome’s work onsurpasses the majority of them all. The first thing that you will notice is that this looks like a film. Film grain is there to remind us that this was shot on film and there is a nice amount of depth to the picture throughout the film. Colors and skin tones look great and black levels are just so deep. There has been nothing applied to the picture that will detract from the picture itself. This is just an amazing transfer that Vinegar Syndrome should be proud of and something the studios should use as a benchmark of what a transfer should look like.The English track is presented as a DTS-HD Master Audio track and it sounds great. Dialogue is clear and the score, which is a highlight of the film, comes through nice and clear.Both discs are-with director Thomas Doran (1m 7s, HD)-with co-writer/prodcuer Frank Farel (4m 7s, HD, 1.33:1)actorsPeter Iasillo and Anthony Valbrio, and production assistant Tom Sciacca areon hand to introduceand then do a Q&A afterward. The answers tothe questions are all found in the making of doc on disc 2, so there really isn’tmuch here that isn’t told elsewhere. Still, it is nice to see a crowd turnout fora film likeIasillo takes us on a tour of the property which houses everything that we seein. He never goes inside the house but shows us everything there ison the outside of the house.I had no idea what a“pinreel” was until I watched the making of doc on the second discwhere they explain that anyone who messed up while on set had towear clothespins on their head for the rest of the day and appear onfilm doing so. This reel also shows that everyone was working hardand having a really good time. This whole reel is silent.The gallery autoplaywhile selections from the film’s score, by James Calabrese and Kenneth Higgins.The storybehind the making ofbelongs up there with the likesandwhen it comes to films that saw manyproblems on their way to release. Only those films saw releases thatwere fairly close to what the filmmakers had in mind (maybe notbecause Richard Stanley got replaced BEFORE production began, butI know you see my point) whereasbarely resembles the filmthe original filmmakers shot. The story, better told in this doc, is awhopper of a story and something that all filmmakers should be requiredto learn about. This doc covers everything about the story and does it really well.-Commentary with co-directors Michael Gingold and Glen Baisley-Deleted Scenes (13m 5s, HD)The other doc on disc 2, thisone covers the story of VIPCO, the most notorious of all U.K. videodistributors. I was really looking forward to this doc as I love storieslike this, but I can not recommend this. The story is told in a scattershotway with no real focus other than telling the stories. The problem withthis approach lies in the fact that there are many people out there who donot know anything about VIPCO and thus the stories being told out oforder will confuse many. I know a bit about VIPCO and I was still kindof lost trying to follow all the different paths this doc takes. Some willlove this doc, others will hate it.-Extended Interview Footage with Michael Lee (26m 4s, HD)-Trailer (1m 35s, HD)is a bad film. There are so many unnecessary scenes and the scenes that do work aren't edited right. This leaves you with a film that has no idea what it wants to be and that is bad for any film. Still, the film does have its charms even if they are earned through laughs at the wrong things. Vinegar Syndrome has done a wonderful job bringingto blu-ray. The making of doc is a must givingthe advantage above other bad films. Even if you get this release as a curiosity, it will have been worth it once you are done.