King Thranduil

Posted on May 19, 2013. Filed under: Uncategorized |

A cult is building on online, for a person that does not exist. This cult revolves around a fictional character, King Thranduil. The Elvenking of the Wood Elves, from Tolkien’s “The Hobbit”

Culture is an expression of genetics. People create a culture. Art is an expression of culture. Of genes. Art is an expression of the genetic gifts of a People. A healthy society promotes the most able and talented individuals, in every sphere of endeavor, in order to sustain and recreate the society. The people and their Culture and Art become a self-creating ans sustaining entity – an ouroboros. Each element sustains each other element.

We Men and Women of the West have allowed The Other, racial and thus cultural aliens, inside our Tenemos. Our Sacred Space. Our world. These hostile, vicious murderous aliens seek to destroy us, and claim our works and our world as their own. They’ve advanced very, very far. Our Tenemos has been breached and defiled. Our culture has been systematically distorted, to reflect the genetic imperatives of the Invading Destroyers. Every place you look, literally look – you will witness traditional and healthy Western aka White cultural values and norms mocked and perverted, and finally destroyed, and replaced with the values and mores of the Destroyers.

There’s one stronghold left, though. assailed, but not breached. The realm of “The Hobbit” and “The Lord of the Rings” sagas. The literary works of John Ronald Reuel Tolkien. The English writer, poet, philologist, and university professor. The works of Tolkien are perhaps the last wholly pro-White works of Art, in the disintegrating Western Cannon of literature. Tolkien is our Racial Light in the Descending Darkness. He left a template, a “way back” for the Men of Laketown. The scattered White refugees, from an incinerated White Civilization.

Tolkien wrote about White People. The cultural values and philosophies of the White Race. The “diverse” Races, in Tolkien’s literary world, are merely a merely emanations of the varying subsets of White genotypes. Nordics, Celts, Normans, Alpinids, etc. Even the Orcs are only subverted and corrupted Elves.

Elves are the Idealized Aryans. Aryan means “Noble”. The most prominent Elves are Elrond , Legolas, Galadriel, Arwen and Thranduil.

I’m not going to discuss Galadriel, Arwen, or Legolas. They are very important characters, in the White Saga (that’s what I will term the collected works of Tolkien.). I am going to deal with the two most prominent male Elven leaders, Thranduil and Elrond. Both are introduced in the First Work of the White Saga, “The Hobbit”.

Elrond is “Half-Elven”. This term does not describe his genetic status; Elrond was presented with a choice,on the thresh-hold of adulthood, to become a mortal Human man, or an Immortal Elf. He chose to be an Elf. His twin brother Elros chose mortality. Mortality as a King, but mortality non-the -less.

Elrond is Lord of Rivendell. Not a King. He’s a Lord. There’s not much a genuine practical distinction, in terms of functionality, but a distinction in rank was established. Elrond is a High Elf. He’s very accomplished. He’s a warrior, a builder, and a scholar. He’s fought in battles, on the ground. By the time that the events of “The Hobbit” and “The Lord of the Rings” occurs, Elrond’s put down his sword. He’s off the battlefield, as a warrior, and has become a behind-the-scenes strategist. He’s a director and manager of events. Once Sauron is defeated, Elrond leaves Middle Earth, to retire to the Undying Lands, at the end of the Saga.

Thranduil is the King of the Wood Elves. He’s not “in” very many “scenes”, in the books, but he is a rather complex character, for the limited space allotted him. Regarding his physical appearance, we know he has”golden hair”. That’s it. Elrond gets a much more detailed description, when introduced, in “The Hobbit”.



Thranduil has a very interesting personality. His initial appearance does not inspire sympathy. He’s not “nice” to the Dwarves. He’s autocratic, and imperious, yet insightful and wise. He gives Thorin a bit of a hard time, when the Dwarves are passing through Mirkwood, his forest realm. Thraindul wants to know what the Dwarves are doing, in Mirkwood. Thorin refuses to full explain why he’s moving through, because he doesn’t want the Elves to be able to lay claim to any of the Dwarves’ historic treasure hoard, stolen and jealously guarded by the great dragon Smaug (my persnal favorite character, nthe Tolkein Saga). Thorin guards his purpose, for Thranduil’s “one weakness” is a love of treasure, especially silver and white gems. (Hint hint hint. White White White).Thranduil is not truly greedy though, like Thorin or Smaug, is. Tolkien noted that his people, the Wood Elves, do not engage in mining or trading. They mostly enjoy their lives, in and about the Mirkwood. Thranduil knows about the treasure hoard, in Lonely Mountain, but he’s refused to expose his People to death, in order to win the treasure. Thranduil does not force his People to work, to create a vast treasure hoard, like “The Elf Kings of old”. He, instead, does enough to keep his people safe and well fed. He feasts with his people. He is very fond of wine.

He is generous with others. When Laketown is incinerated by Smaug’s assault, Thranduil gives aid and comfort to the scattered Human survivors. He was not asked to do so. He offered. He knows the Men and Elves are “different Races” – but there’s an easy and natural alliance. The Raftmen of the Wood Elves, and the men of Laketown, work together to protect the river that runs through and sustains their lands.

Thranduil is physically brave. He fights, on the ground, in the Battle of Five Armies. His forces help repel the Goblin Army. He is compassionate, when necessity compels him. He comforts his rival Thorin, the Dwarf King of the Mountain, as Thorin lays dying, after he’s been wounded in the battle.



The most telling and moving aspect of Thranduil, for me, is his crown. He does not wear a metal crown. He wears flowers in the Spring, and leaves and red berries in the Autumn.

He has not forced his people fight and slave and die, so he can wear a crown made of hard-won of metal, and rare and costly jewels, This crown is wholly “organic”. Common materials, lovely but temporal in their physical matter, but Eternal, in their meaning. A Crown of flowers and berries and leaves symbolizes a literal and endless connection to the cycles of the Earth. The Seasons of Being. The seasonal glories of the Natural World literally crown Thranduil the King. His crown embodies his eternal connection to the Natural World. He glorifies Nature, by wearing Nature as his Crown, and Nature enthrones him, for doing so. This, for me, is Tolkien’s most inspired, profound and magnificent conception.

Thranduil a Tribal King. He lives and breathes for and with his People. There is no distance between him and his People. Rank, yes – but separation – no. He is the Ideal King., He’s what a real King should be. And he’s never existed in the flesh..

The fans of Tolkien are attempting to make him flesh. They are trying to summon him from the imagination, into the flesh. They are trying to will him into Being. We long for a Leader. We are leaderless. Our own so-called Elite have abandoned us centuries ago. We Whites long for a King of our own.

The White Nationalist “leadership” rarely pays attention to Popular Culture, or culture, in general. Oh – they’ll discuss certain things that they deem worthy, but they rarely actively engage. The dominant Popular Culture is generally ignored, or disdained, to our great misfortune. “The Lord of The Rings” saga is a constant topic of thought and discussion in White Circles but the larger reaction to the Common Fan Base has never truly been deeply studied, or put to use.

There is immense excitement building, up to the release of the next film, in “The Hobbit” trilogy. Peter Jackson, the Director of the Ring Cycle, has actually expanded and created new Mirkwood scenes. He and his People have created new Elf characters. Jackson is very enthusiastic about the scenes in Mirkwood. He’s a fan of Tolkien’s White Saga, himself, you see. The Tolkien Saga speaks to his blood. His Race. His genes. It doesn’t matter if he’s “awake” or not. His entire life revolves around Implicit Whiteness.

I adore seeing talented, energetic White men, of any age, transform into happy, positive, exuberant boys again, when speaking of that which they love. Peter Jackson positively glows, like a living White Gem, when he speaks of his plans for the Film Reality he’s creating. His eyes sparkle brighter than the Arkenstone ever could! Jackson, the film director, is a real world Leader. Whether he knows it, or not. He is the Leader of the Fans. The “ordinary Volk”. Our Folk. He, and they, and we, are trying to summon a Leader of a White World into physical existence. Ideas CREATE action. Jackson’s film company is creating the physical embodiment of the White World.

Thranduil is the Ideal King.



To any-one reading my words – go online and research Thranduil. There is probably a 100-1 ratio, in the imagery of Thranduil, versus Elrond. There are loads and loads of all sorts of tributes to “The Lord of the Rings” sagas, over every aspect of the Net. Thranduil appears very briefly, in two very short scenes, in Peter Jackson’s “The Hobbit – an Unexpected Journey”, but he’s fired the fevered imaginations of the Fanbase. The Folk. The Folk are going bonkers over him. Drooling, practically. They “get ” him. They “get” who he is.

Legolas if the beautiful son of Thranduil. Legolas is often depicted, on the literature of any modern “Rings'” material. He embodies an ancient White Imago. He’s the Archer. A traditional and beautiful Warrior Figure. Legolas is tall, pure-hearted, utterly fearless, confident, athletic-in-extremis, spunky, and meltingly beautiful. He possesses a beautiful face, and long, long, straight golden hair.

He gets it from his Dad.

Legolas is the Prince of Mirkwood, the Realm of the Wood Elves. Thranduil is King.

Go to You Tube, and behold all the Thranduil videos. They are all based on perhaps less than a minute of film time.

Go to Deviant Art, and behold the dazzling myriad of Thranduil depictions.

http://browse.deviantart.com/?q=Thranduil

Elrond, who figures much more prominently in the books, doesn’t hold a candle to the fervor Thranduil inspires, in the Collective Unconscious of the Folk. The young artists, displaying their wares on Deviant Art, are not getting paid to do what they do. They do it for love. They deal in whatever inspires their imaginations.

They love Thranduil.

The pictures created are simply gorgeous. Thranduil is not merely a fictional character, or a Tribal King – he’s a full-stop Super Model. He’s GORGEOUS. He’s depicted as an Iconic Aryan Physical Ideal. Always. His facial features can verge on the androgynous; his features are pretty enough to grace a woman’s face. He never comes across as un-masculine, however, not even when he’s depicted as slouching on his Throne, like a dissipated rock star.

He’s the Beautiful Male. He has a fiery personality, but it’s tempered and controlled by wisdom, intelligence, insight, and patience. And he loves to Party.

He’s a Party King. This is a huge theme, in the myriad depictions of Thranduil. Our People love to party. Sing, and dance, and enjoy the fruits of the Earth. We love to enjoy ourselves. We love fun. Fun is healthy. I’d warrant that 99.9% of all the artists, on Deviant Art, would rear in horror at the idea of thinking of themselves as pro-White “racists” – but their work s infinitely more pro-White, than just about all of the things that formal White Advocates have ever done. We Whites love fun! The artists know it, and celebrate fun. Thranduil is fun! A King who knows how to revel with his People, while managing his realm beautifully, will engender eternal love and devotion. No thought of uprising or rebellion will ever trouble the minds of his subjects. His People will gladly, joyfully serve him, with all their hearts, as he serves them.

The very best thing about Thranduil, the very best thing, is that he’s “still around”. Nothing in Tolkien’s works indicates that Thranduil bailed out of Middle Earth, like Galadriel, Celeborn ,and Elrond, the “High Elves”, did. They left us to fend and flounder for ourselves. Just like our the White one-Ruling, once-Elite did. Thranduil didn’t bail on his Folk. There’s not hint that he’s ever died. He’s still “out there”, somewhere, with his band of Wood Elves, hunting and feasting and partying and watching and waiting. With his People. Thranduil and the Wood Elves are the King and Folk that the White Fan Base, the Real World Folk, as summoning into being.

Come to Us, Thranduil. Your Crown awaits. Your People welcome you with open arms.

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