If you rely on reviews to decide what books to buy, movies to watch or restaurants to visit, you may have noticed something strange when it comes to pop music: Negative reviews have become extremely rare.

Between 2012 and 2016, Metacritic, a website that aggregates critics’ reviews for music, films, television and video-games, gave just eight out of 7,287 albums a “red” score—a designation that means reviews were “generally unfavorable” or worse.

Movies, by comparison, garner many more negatives: So far this year, Metacritic has given 39 out of 380 movies a red score. For albums, not one out of 787 albums aggregated thus far this year has received a red score.

“It’s actually news at this point when an album does get a bad review,” says Dan Ozzi, a writer at VICE’s music site, Noisey.

The dearth of negative music reviews is due to a number of factors. In the digital era, outlets covering music have become decentralized with fewer dominant players and more outlets running reviews. That’s helped create a new power dynamic between pop stars and the press—one where stars are less dependent on critics and critics are more eager to please artists.