Line 3.0.0 In the US, parents

Line 3.0.1 and responsible

Line 3.0.2 authorities are more

Line 3.0.3 than worried over

Line 3.0.4 the grip which the

Line 3.0.5 violent, semi-jungle

Line 3.0.6 rhythm of Rock 'n

Line 3.0.7 Roll has imposed on

Line 3.0.8 young America.

Line 3.0.9 Elvis Presley, America's

Line 3.0.10 top Rock 'n Roll singer,

Line 3.0.11 is achieving fame and

Line 3.0.12 fortune with his magnetic

Line 3.0.13 renderings, but is creating

Line 3.0.14 a Frankenstein monster

Line 3.0.15 as he realised when cow-

Line 3.0.16 ering in his dressing room

Line 3.0.17 waiting to be rescued

Line 3.0.18 from 5000 screaming,

Line 3.0.19 hysterical fans.

Line 3.0.20 He eventually reached

Line 3.0.21 safety with the aid of a

Line 3.0.22 strong police escort.

Line 3.0.23 Serious side

Line 3.0.24 This is a fair example

Line 3.0.25 of the Rock 'n Roll in-

Line 3.0.26 fluence but by no means

Line 3.0.27 the worst.

Line 3.0.28 Perhaps America would

Line 3.0.29 not have been unduly

Line 3.0.30 worried if the screaming

Line 3.0.31 youngsters had reached

Line 3.0.32 the crooner — in fact,

Line 3.0.33 many would have let

Line 3.0.34 them in.

Line 3.0.35 But the more serious

Line 3.0.36 side of the violence and

Line 3.0.37 mayhem which has been

Line 3.0.38 unleashed since the Rock

Line 3.0.39 'n Roll boys started their

Line 3.0.40 damaging dirges is best

Line 3.0.41 shown in the comment

Line 3.0.42 from District Attorney

Line 3.0.43 Garret Byrne, of Suffolk

Line 3.0.44 County, Massachusetts:

Line 3.0.45 'The music inflames

Line 3.0.46 teenagers and is obscene-

Line 3.0.47 ly suggestive. . . Some of

Line 3.0.48 these records are so vul-

Line 3.0.49 gar they are sold under

Line 3.0.50 the counter.''

Line 3.0.51 Went mad

Line 3.0.52 Violence seems to go

Line 3.0.53 hand in hand with Rock

Line 3.0.54 'n Roll effects if a recent

Line 3.0.55 incident in Brooklyn can

Line 3.0.56 be taken as a guide.

Line 3.0.57 In the Paramount

Line 3.0.58 Theater over-excited

Line 3.0.59 youngsters broke up the

Line 3.0.60 seats, kicked the walls

Line 3.0.61 and burned the carpets.

Line 3.0.62 And one evening on

Line 3.0.63 their way home a Rock

Line 3.0.64 'n Roll-drugged group

Line 3.0.65 went mad in an under-

Line 3.0.66 ground carriage, tossed

Line 3.0.67 the seats out of the train,

Line 3.0.68 broke the windows, shat-

Line 3.0.69 tered the lights and drove

Line 3.0.70 out terrified passengers.

Line 3.0.71 This state of affairs is

Line 3.0.72 by no means localised.

Line 3.0.73 From far-flung States

Line 3.0.74 come reports of teenage

Line 3.0.75 delinquency from Rock

Line 3.0.76 'n Roll exhilaration.

Line 3.0.77 "Too hot"

Line 3.0.78 In Minneapolis a local

Line 3.0.79 newspaper described a

Line 3.0.80 "midnight music mania

Line 3.0.81 session" in which hun-

Line 3.0.82 dreds of teenagers staged

Line 3.0.83 a near riot during the

Line 3.0.84 climax of a concert.

Line 3.0.85 A police squad was

Line 3.0.86 called in and was greeted

Line 3.0.87 with screams and boos

Line 3.0.88 and made the target of a

Line 3.0.89 barrage of empty beer

Line 3.0.90 cans.

Line 3.0.91 The show finally end-

Line 3.0.92 ed at 1.20 a.m.

Line 3.0.93 In New York City, at