Our DSLRs have confused us. We obssess over the wrong things. Sharpness at 400%; bokeh characteristics of lenses produced from what-must-surely-be prancing magical unicorns; high speed burst frame rates that make cameras sound like gatling guns; 4k resolution to shoot better cat videos; 100 auto focus points that still won’t focus on what we need them to; and noise performance at 400,000 ISO. Absolutely none of these will make your photographs better. Shooting film will though, here's why.

Last month, I bought my first film camera in a decade. A Leica M6. Yep say all you want to say about Leica users (it's probably all true), this camera has changed the way I shoot, and been the single best investment in any piece of gear in years.

I grew up shooting film as a kid and we actually had an attic darkroom, thanks to my dad’s hobbyist photographer leanings. Shooting on film again isn’t some indulgent trip down a nostalgic lane though. It has snapped me out of the digital malaise and reminded me what it means to actually make a photograph.

What on earth am I actually talking about here? Well, our DSLRs turned us into the equivalent of photographic sloths. We wander about with too much gear, sluggish pulling the camera up, staring at our LCDs and wondering where all the love and emotion went.

Ok I’m being somewhat ridiculous, but I’m sure some of you out there in the back row are nodding in solidarity and agreement.

It’s not just me that feels this way. Last month I shot some video for Emily Soto for her NYC fashion photography workshop. As you can see from the video I shot, what is amazing to see is how much film features throughout the learning experience. The polaroids, the Impossible Project film, and even the medium format and large format systems the attendees had brought along themslves – it all added to the overall aesthetic of the style of fashion photography that was being taught. Sure digital was being shot too - everyone had their DSLR, even a digital medium format camera was in attendance - but there was a definite sense of excitement when people shot polaroid and revealed what had been captured.

The ability to shoot thousands of RAW images to a single card, to take a dozen images in a single second and to basically shoot as much as we want with almost no direct costs involved is turning us into brain dead zombies. So what can we do about it?

Is Film The Answer?

Film is just the medium. I don’t care so much about the medium (although I do love the look of film) - it’s the process that interests me.

Film forces you to work different “photographic muscles” much harder than when shooting digital. Here’s the ten things I’m now doing differently through the process of shooting film:

1.) I’m making selects in-camera, not in Lightroom

Film forces you to think about each shot, because each shot costs money. Film and developer costs are about 30 cents each time I click the shutter. That finite value of a limited number of shots on a roll, and developer expense makes me assess if it’s worth it before the shot, not try to weight it up after the fact in Lightroom. Less time in front of the computer, more time shooting makes me happy.

My new workflow for Lightroom - more fun than my old workflow

2.) I feel "the moment" more, and get a true sense of achievement

"What on earth is he smoking?", you're probably wondering? Well hippy'isms aside, you have no idea what you’ve got. No way to check an LCD. Each shot must be made to count (even if it doesn’t, there is a sense it should). Your confidence about “the shot” increases as you get more shots that work. When you get the developed film back and see you nailed it, there is no better feeling. Digital doesn’t come close to this sense of achievement. This isn't about being elitist and shouting from your moutains "Look at me, I am the greatest photographer in the city because I understand how to shoot film!". It's about better understanding exposure, motion and light - and how that can help you in the digital world.

Contrary to popular belief amongst my photographer friends, I was not hiding in the bushes while shooting this image

3.) You become more aware (particularly of backgrounds, light and composition)

This is easily one of the best skills I’ve become attuned to, and it’s translating into my digital stills and video work. Shooting black and white only has got me thinking much more about background and composition, and how light is falling on my subject. It’s adding greater depth to the images I take.

Background separation and subject movement are all coming together to produce what is essential an image of what I'm seeing looking in one of New York's dirtiest puddles. Beautiful moments captured amongst the finest dirt that New York has to offer!

4.) I am being forced to better understand light

Although my camera has a built in light meter, I’ve become accustomed to different shutter and aperture settings in different lighting conditions. At first it’s a little tricky, even if you shoot manual in your DSLR. I also have a greater understanding of my reciprocals and have become much more adept at quickly adjusting shutter and aperture simultaneously, all of which translates into the digital world very readily. This is about being ready to capture moments while others are still fumbling with dials and settings.

After i took this shot, this guy reached level 2000 of Candy Crush and fist pumped the air for 20 minutes straight, but this was the last shot on my roll so I missed the action.

5.) I can anticipate the moment better

My lens is manual focus, the camera is a rangefinder. I shoot at a snails pace now. This is a good thing. This is a great benefit of shooting with film, because it forces you to try and pre-visualize what you want to happen. If you are shooting sports, weddings, people or anything that is not still life, this is an essential skill to hone. The best photographs tend to be the in-between moments, those unexpected instances. Being quicker to anticipate these is a great skill

This image combines so many things I love - reflections, New York streets, a slight tilt used with restraint, and an old weathered man with awesome facial hair in some sick-looking mirrored shades looking somewhat perplexed. Ah, the things we love and are drawn to shoot!

6.) I’m much more patient

I live in New York - any time I get a chance to practice patience, I take it. The more time I spend doing any type of photography, the more I realize it’s about shooting less, slowing down and observing more. Sure, there might be times you want to shoot off a huge number of frames each second, but if you’re trying to convey an emotion or evoke a mood, I think it’s far more worthwhile to wait, watch, direct a little and have a clear vision in your head AHEAD of what you shoot, rather than shooting and looking at images, trying to work out what you were trying to say. Shooting film is a cure for the over-shoot-because-we-can digital sickness I often find infected with.

This was one of my first shots with film after a 10 year hiatus. It took me forever. Fortunately the subjects in this shot didn't move a muscle. They might have been dead and propped up, I have no way of knowing, I hope not. Either way, fortunately they were still enough for me to compose around them

7.) I’m no longer weighed down with gear

I cannot tell you how transcendentally magical it is to carry one lightweight film camera and one lens, a 35mm. I’m not only lighter, but I can see and frame an image with my eyes before I even pull the camera up. Shooting one camera and one lens allows you to pre-compose with practice, and is a great way to practice photography without shooting a single photograph. “Know thy tools so they get out of thy way” was some famous saying someone once probably said, and it’s definitely true.

Not being weighed down means you can respond when the action calls for it! Like this shot, when I saw a horse walking a woman along a New York City cross walk (a much more common occurrence in this city than you might otherwise think)

8.) Between sharpness and a better photograph, sharpness loses everytime.

I love sharp digital images, don’t get me wrong, but I firmly believe our ongoing obsession with it is causing us to overlook our connection to the image. I mean, who doesn't love poring over lens charts? Over sharpened, perfect images are like digital razors to my eyeballs. Imperfection is beautiful. Sharpness doesn’t make a good image, it can make a good image better (if used tactfully) but focusing on just getting something sharp can make an image lifeless and boring. I love the emotion of motion blur, and grain in film, it gives us something organic that connects us to the images we see. We're humans, not robots, and some of the images I see could easily have come from the brain of an awesomely-cool-looking-yet-emotionally-barren android photographer.

Is this image sharp? Sort of. Does it convey a man who looks trapped and caged like an animal? I think so. Do i prefer the way it makes me feel over how sharp it is or isn't? Definitely.

9.) Post processing an image takes 30 seconds, not 30 minutes

Because I love the natural look of film, I’m rarely spending more than 30 seconds on each image when I am messing with them in Lightroom. I’m not spending as much time in front of a computer, I’m just shooting more and that’s what makes me happiest.

If this was a digital file, I'd probably still be at my computer pulling 18 slides around, wondering what looks better. As it is, I now have more free time to wait on subway stations, trying to frame people in small squares while surrounded by other small squares. I know where I'd rather be! (I'm not sure why, but at least I know where I'd rather be)

10.) Film is timeless

Whichever way you cut it, you cannot beat the look of film or it’s archival properties. It’s why Scorsese, Abrams, Tarantino, Nolan and other Hollywood directors pulled together last month, to try and save Kodak film stock. Sure, it’s dying – Kodak film stock sales have fallen 96% over the last ten years, but the fact it’s still around, and still in demand by many top directors says a lot about the special place film has in many of our hearts

Film - making beautiful people look naturally beautiful since 1851 (or whenever film was invented). Thanks to this young lady and to Lindsay Adler for allowing me to shoot her model after their awesome editorial shoot together

Here is an image of the lovely patient Spencer, from Emily Soto's recent NYC workshop. She only had to hold this pose for a mere 18 minutes while I fumbled around while I manually focused a rangefinder and tried to work out how to expose correctly (I'm joking for comedic value here - it wasn't that long at all, probably about 16 minutes in reality)

Final Thoughts

So am I done with digital? Of course not. In the space of a few days last week, I shot a Polaroid land camera and a Phase medium format camera. Different tools, different jobs.

Here I am traveling back in time with Vic Soto's Polaroid film camera...

...and then later the same week, shooting into the future with the awesome that is a digital 50megapixel Phase. Remember - use what works best for the job at hand - or if you fancy a challenge, don't, but that might be harder

Will my film camera replace my digital camera? Not on your nelly. That’s not the point of the article. Digital is great, but with all the cheap advancement in technology and limitless opportunity it brings, it can turn us into stumbling, photographic zombies if we're not careful.

I am thoroughly enjoying the process of film again because I feel like I’ve been snapped out of the digital daze. It’s not so much a trip down memory lane but rather, a useful sharpener for my photographic skillset. You don’t need a Leica. A few hundred dollars gets you a cheap 35mm film camera, a lens, a basic-but-effective film scanner and some rolls of Tri-X to get you started. It’s hardly a serious financial risk and I’m wholly confident you’ll get a sense of at least some of my experiences. At the price of a cheap second hand piece of glass, what have you got to lose?

When was the last time you saw a digital camera look this cool? Exactly. Case closed. Go shoot some film. (side note: if anyone DOES have a digital camera mounted on a thing like this, please post in the comments)

Thanks: all images used are my own apart from the two of me - thanks to Vic Soto and Manny Tejeda respectively for each of those. Thanks to Lindsay Adler and Emily Soto for their kind permission to shoot some film test shots during their shoots last month.