Well, there shouldn't be [a limit to the storytelling], as it's a canvas that's so infinite. With the standalone films they can all have their own identity. Rogue One can be gritty, and like a war film... I'm assuming, I don't know, but I would assume that Solo will be more comedic-ly oriented because he's a rogue, a scoundrel, and a gambler, and a womanizer and all those things. So I think the advantage of the standalone films is that they don't have to follow the formula of a trilogy, so they can establish their premise, get it on, get it done and get out leaving the audience wanting more. So there's infinite possibilities.