TM, ®, Copyright © 2011 Piero Scaruffi All rights reserved. When the earliest civilizations appeared (in Mesopotamia, Egypt, India and China), they were largely constrained by their natural environment and by the climate. Religion, Science and Art were largely determined by extra-human factors, such as seasons and floods. Over the course of many centuries, humans have managed to change the equation in their favor, reducing the impact of natural events on their civilization and increasing the impact of their civilization on nature (for better and for worse). How this happened to be is pretty much the history of knowledge. Knowledge has been, first and foremost, a tool to become the "subject" of change, as opposed to being the "object" of change. One could claim that the most important inventions date from prehistory, and that "history" has been nothing more than an application of those inventions. Here is a quick rundown (in parentheses the earliest specimen we found so far and the place where it was found): tools (2 million years ago, Africa), fire (1.9 million years ago, Africa), buildings (400,000 BC, France), burial (70,000 BC, Germany), art (28,000 BC), Farming (14,000 BC, Mesopotamia), animal domestication (12,000 BC), boat (8,000 BC, Holland), weapons (8,000 BC), pottery (7,900 BC, China), weaving (6,500 BC, Palestine), money (sometime before the invention of writing, Mesopotamia), musical instruments (5,000 BC, Mesopotamia), metal (4,500 BC, Egypt), wheel (3,500 BC, Mesopotamia), writing (3,300 BC, Mesopotamia), glass (3,000 BC, Phoenicia), sundial (3,000 BC, Egypt). The first major civilizations were born in river valleys. Centralized authoritarian regimes are a direct consequence of large-scale irrigation agriculture: the problem of exploiting a river's power, i.e. of building precise and timely waterworks, can only be solved by mass labor, by the mobilization and coordination of thousands of people, which is only possible in societies organized around centralized planning and capable of imposing absolute discipline. The biggest river the greater the promise of wealth the stronger the "hydraulic state" has to be. The masses mobilized for waterworks can then be mobilized for other collective efforts, such as pyramids, temples and fortifications. A navigable river then provided the infrastructure for interacting with other communities, i.e. for both trade and warfare. Once the infrastructure was in place, knowledge increased rapidly on all fronts: agriculture, architecture (from the ziggurat of the Sumerians to the pyramids of the Egyptians to the temples of the Greeks), bureaucracy (from the city-states of the Sumerians to the kingdom of Egypt, from the empire of Persia to the economic empire of Athens), politics (from the theocracies of Mesopotamia and Egypt to the democracy of Athens), religion (from the anthropomorphic deities of Mesopotamia to the complex metaphysics of Egypt, from the tolerant pantheon of the Greeks to the one God of the Persians and the Jews), writing (from the "Gilgamesh" in Mesopotamia to the "Adventures of Sinuhe" in Egypt to the "Bible" of the Jews to Homer's epics in Greece), economics (from the agricultural societies of Mesopotamia and Egypt to the trade-based societies of Phoenicia and Athens), transportation (from to the horse-driven chariots of Mesopotamia to the Greek trireme), art (from the funerary painting of the Egyptians to the realistic sculptures of the Greeks), etc. For a while, Religion acted as, basically, a compendium of knowledge (about life, society and the universe). In India, the Vedas and the Upanishads painted a cyclical picture of the universe. Right and wrong actions increase the positive and negative potential energy ("apurva") associated with each person. Apurva is eventually released (in this or the next life) and causes good or evil to the person. Basically, misfortune is caused by prior wrongful deeds. It is not only deserved but even required. Life is a loop from the individual back to the individual. This was cosmic justice totally independent of the gods. Wisdom is the realization that everything is suffering, but the realization of suffering does not lead to pessimism: it leads to salvation. Salvation does not require any change in the world. It requires a realization that everything is part of an absolute, or Brahman. Salvation comes from the union of the individual soul ("atman") with the universal soul ("brahman"). "Maya", the plurality of the world is an illusion of the senses. Salvation comes from "moksha": liberation from maya and experience of Brahman. By experiencing the divine within the self, one reaches pure knowledge and becomes one with the eternal, infinite, and conscious being. Nothing has changed in the world: it is the individual's state of mind that has changed. Self-knowledge is knowledge of the absolute. Buddha focused on the suffering, a ubiquitous state of living beings, but ended up denying the existence of the self: only events exist, the enduring self is an illusion (the "atman" is an illusion). Each moment is an entirely new existence, influenced by all other moments. To quote a Buddhist scripture, "only suffering exists, but no sufferer is to be found". Suffering can be ended by overcoming ignorance and attachment to Earthly things. From ancient times, China displayed a holistic approach to nature, man, and government. Chinese religion realized the fundamental unity of the physical, the emotional and the social. Particularly during the Zhou dynasty, Chinese religion was natural philosophy. There was no fear of damnation, no anxiety of salvation, no prophets, no dogmas. Confucius was much more interested in the fate of society than in the fate of the souls of ordinary people. He believed that the power of example was the ideal foundation of the social contract: a ruler, a father, a husband have to "deserve" the obedience that is due to them. Thus, Confucius' philosophy was about the cultivation of the self, how to transform the ordinary individual into the ideal man. The ultimate goal of an individual's life is self-realization through socialization. If Confucius focused on society, Lao-tzu focused on nature. He believe in a "tao", an ultimate unity that underlies the world's multiplicity. There is a fundamental reality in the continuous flow and change of the world: the "way" things do what they do. Understanding the "tao" means identifying with the patterns of nature, achieving harmony with nature. The ideal course of action is "action through inaction" ("wuwei"): to flow with the natural order. The "tao" is the infinite potential energy of the universe. "Qi" is vital energy/matter in constant flux that arises from the "Tao", and "Qi" is regulated by the opposites of "Yin" and "Yang". Everything is made of yin and yang. Note that neither Buddhism nor Confucianism nor Taoism were "religions", in the sense of worshipping a God. In fact, they all denied the importance of gods. In Persia, on the other hand, Zarathustra believed in one supreme God that was similar to the Indian "absolute" of Brahman, except that it was opposed by a divine enemy, and the world was due to the titanic battle between these two supernatural beings: Ahura-Mazda, the spiritual, immaterial, creator god who is full of light and good, and Ahriman, the god of darkness and evil. Unlike previous religions, this one was eschatological: at the end of time, Ahura-mazda shall emerge victorious, and, after the apocalyptic ending and a universal judgement that will take place on Earth, all humans (even sinners) shall resurrect. Judaism, which grew out of a synthesis of Mesopotamian, Arabian, Persian and Egyptian religious cults was originally only the religion of the Jews, and El was originally the nomadic god of a nomadic people (not tied to a sanctuary but "god of the father"). It was a god of punishment and wrath, and Jewish religion was conceived as, basically, obedience to El, with the reward for the Jewish people being the Promised Land. The "Old Testament" is largely silent about the rest of humanity, and largely silent about the afterlife. This was a god who spoke directly to its people (the Jews). The earliest prophets of the kingdom of Mari has been visionary mystics in charge of foretelling the future and interpreting natural events as divine messages on behalf of the royalty. The Biblical prophets, on the other hand, addressed the people (and, eventually, "all nations") and their main mission was to promote a higher form of morality and justice. Judaism, in its expectation that a Messiah would come and deliverer the Jews from their suffering, was largely indifference towards unbelievers. In the meantime, the misadventures of the Jewish people were due to the fact that the Jews disobeyed their god. But, at some point, El and Yahweh became synonymous, and, eventually, Yahweh became the "only" god ("There is no other god besides me"). The "Old Testament", which originally was a history of the Jews, acquired a universal meaning. Both Mazdaism and Judaism became monotheistic religions and denounced all other gods as mere "idols" not worthy of worship. A major step in the evolution of knowledge was the advent of Philosophy. Both in Greece and India, the explosion in Philosophy and Science was enabled by a lack of organized religion: both regions had a form of "rational superstition" rather than the theocracies of Mesopotamia and Egypt. The gods of the Greek and of the Indian pantheon were superhuman, but never tried to explain all that happens on this planet. Philosophers and scientists were able to speculate on the nature of the universe, of the human life and of the afterlife without offending the state and fearing for their lives. In India, six "darshana" (philosophical schools) tried to answer the fundamental questions: is there a God? Is the world real? Samkhya believed that there is no God and that the world is real (due to the interaction between two substances, prakriti and purusha). Yoga believed in a supreme being (Isvara) and that the world is real. Vedanta believed in Brahman and that the world is not real (it is an emanation of Brahman, the only substance that truly exists). In Greece, Pythagoras was perhaps the first philosopher to speculate about the immortality of soul. Heraclitus could not believe in the immortality of anything, because he noticed that everything changes all the time ("you cannot enter the same river twice"), including us ("we are and we are not"). On the contrary, Parmenides, the most "Indian" of the Greek philosophers, believed that nothing ever changes: there is only one, infinite, eternal and indivisible reality, and we are part of this unchanging "one", despite the illusion of a changing world that comes from our senses. Zeno even proved the impossibility of change with his famous paradoxes (for example, fast Achilles can never catch up with a slow turtle if the turtle starts ahead, because Achilles has to reach the current position of the turtle before passing it, and, when he does, the turtle has already moved ahead, a process that can be repeated forever). Democritus argued in favor of atomism and materialism: everything is made of atoms, including the soul. Socrates was a philosopher of wisdom, and noticed that wisdom is knowing what one does not know. His trial (the most famous religious trial before Jesus') signaled the end of the dictatorship of traditional religion. Plato ruled out the senses as a reliable source of knowledge, and focused instead on "ideas", which exist in a world of their own, are eternal and are unchangeable. He too believed in an immortal soul, trapped in a mortal body. By increasing its knowledge, the soul can become one with the ultimate idea of the universe, the idea of all ideas. On the contrary, Aristotle believed that knowledge "only" comes from the senses, and a mind is physically shaped by perceptions over a lifetime. He proceeded to create different disciplines to study different kinds of knowledge. The Hellenistic age that followed Alexander's unification of the "oikoumene" (the world that the Greeks knew) on a level never seen before fostered a new synthesis of views of the world. Hellenistic philosophy placed more emphasis on happiness of the individual, while Hellenistic religion place more emphasis on salvation of the individual. Cynics, who thought that knowledge is impossible, saw attachment to material things as the root problem, and advocated a return to nature. Skeptics, who agreed that knowledge is impossible, thought that the search for knowledge causes angst, and therefore one should avoid having beliefs of any sort. Epicureans, who had a material view of the world (the universe is a machine and humans have no special status), claimed that superstitions and fear of death cause angst. Stoics viewed the entire universe as a manifestation of god and happiness as surrendering the self to the divine order of the cosmos, as living in harmony with nature. From the very beginning, knowledge was also the by-product of the human quest for an answer to the fundamental questions: Why are we here? What is the meaning of our lives? What happens when we die? Is it possible that we live forever in some other form? The afterlife and immortality are not knowledge, since we don't "know" them yet, but humans used knowledge to reach different conclusions about these themes. The civilizations of Mesopotamia were mainly interested in "this" life. The Egyptians were obsessed with the afterlife, with immortality originally granted only to the pharaoh but eventually extended to everybody (via the mysteries of Osiris, the first major ritual about the resurrection). The ancient Greeks did not care much for immortality, as Ulysses showed when he declined the goddess' invitation to spend eternity with her and preferred to return to his home; but later, in the Hellenistic period, a number of religious cults focused on resurrection: the Eleusinian mysteries (about Demeter's search through the underworld for her daughter Persephone), the Orphic mysteries (about Orpheus' attempt to bring back his wife Eurydice from the underworld) and the Dionysian mysteries (about Dionysus, resurrected by his father Zeus). The Romans cared for the immortality of their empire, and were resigned to the mortality of the individual; but it was under Roman rule that a new Jewish religion, Christianity, was founded on the notion that Jesus' death and resurrection can save all humans. The other great theme of knowledge was (and still is) the universe: what is the structure of the world that we live in? Neither the Indian nor the Greek philosophers could provide credible answers. They could only speculate. Nonetheless, the Hellenistic age fostered progress in mathematics (Euclid's "Geometry" and Diophantus' "Arithmetic") and science (Erarosthenes' calculation of the circumference of the Earth, Archimedes' laws of mechanics and hydrostatics, Aristarchus' heliocentric theory, Ptolemy's geocentric theory). The Romans' main contribution to the history of knowledge may well be engineering, which, after all, is but the practical application of science to daily life. The Romans, ever the practical people, made a quantum leap in construction: from aqueducts to public baths, from villas to amphitheaters. At the same time, they too created a new level of unification: the unification of the Mediterranean world. The intellectual orgy of Greek philosophy opened the western mind. The Romans closed it when they adopted Christianity as "the" imperial religion and turned it into a dogma. Christianity was born a Jewish religion, but it was "relocated" to Rome and thus, automatically, turned into a universal religion. Jesus' god was substantially different from the original El/Yahweh of the "Old Testament": it was, first and foremost, a god of love. Jesus was the very son of God, sent to the Earth to die for humans and thus save them from the original sin. St Paul made it clear that it was love for everybody, not just for the Jews; and that the "kingdom" of the Christian faith, God's reward for the faithful, was in heaven, not on Earth. The catch was that unbelievers were no longer immune from God's judgement: they risked eternal damnation. The reward for the faithful was resurrection, just like Jesus had resurrected. Christianity was the culmination of a tradition of mysteries for the salvation of the individual, of religion for the ordinary man and woman, even for the slaves. Its central theme was one of resurrection and eternal life available to everybody. Indirectly, it was also an ideology of universality and equality. In fact, both Buddhism and Christianity, and, to some extent, Confucianism, were universal and egalitarian. They were not exclusive of a race, a gender, or a social class. This achievement in religion marks a conceptual step in which ordinary people (even slaves) were beginning to see themselves as equal to the kings, albeit powerless. Islam, another offshoot of Judaism, was the culmination of the trend towards monotheist, eschatological, egalitarian and universal religions. Islam borrowed from the Persian philosopher Mani the idea of a succession of revelations given to different peoples by the very same God (Allah) and it borrowed from Christianity the idea of universal brotherhood and the mission to convert the unbelievers. But, unlike its predecessors, Islam was also an ideology, because it prescribed how to build a state. It made it the duty of every Muslim to struggle for the creation of a universal Islamic state. Islam's Earthly mission was to reform society and to form a nation. Islam's mission was inherently political. The ultimate aim of the Islamic state is to develop social justice. What had been a subtle message in Christianity became an explicit message in Islam. In fact, the entire Muslim population (not just the priestly class) is in charge of running the Islamic state. Humans are granted limited popular sovereignty under the suzerainty of God. The Islamic philosophers felt the need to reconcile Islam and Greek philosophy. The two who exerted the strongest influence on the West, Abu Ali al-Husain ibn Abdallah ibn Sina Avicenna and Abu al-Walid Muhammad ibn Ahmad ibn Muhammad ibn Rushd Averroes, achieved such a momentous unification of religion and philosophy by envisioning the universe as a series of emanations from Allah, from the first intelligence to the intelligence of humans. This allowed them to claim that there is only one truth, that appears like two truths: religion for the uneducated masses and philosophy for the educated elite. But there is no conflict between reason and revelation: ultimately, they both reach the same conclusions about the existence of Allah. The sufists, best represented by Ibn Arabi, added an almost Buddhist element: human consciousness is a mirror of the universal, eternal, infinite consciousness of Allah. Allah reveals himself to himself through human consciousness. The Sufi wants to achieve a state of participation in the act of self-revelation. The human condition is one of longing, of both joy (for having experienced the divine) and sorrow (for having lost the divine). The invasions of the "barbaric" people of the east, the Arab invasion from the south and the wars against the Persian empire, led to the decadence of Roman civilization and to the "dark age" that lasted a few centuries. The obliteration of culture was such that, eventually, Europe had to re-learn its philosophy, science and mathematics from the Arabs. The Christian dogma contributed to the decline of the Greek ideal. Rationality was replaced by superstition. Virtue was replaced by faith. Justice in this world was replaced with justice in the next world. The free exercise of reason was replaced with obedience to the Church. The Greek tolerance for foreign faiths was replaced by the intolerance of the Church. Nonetheless, Christianity emulated Islam in trying to reconcile religion and philosophy. St Augustine preached the separation (grounded in Greek philosophy) of body and soul, of bodily life and spiritual life: the pleasures of the body detract/distract from the truth of the soul. During the "dark ages", the Christian conversion of the European pagans, from Russia to Scandinavia, was completed. The Church, in fact, replaced the Roman empire as the unifying element of Europe. The Church controlled education. The Church controlled the arts. The Church even controlled the language: Latin. The Arab invasion disrupted the economic and political unity of the Mediterranean Sea, and the rise of the Frankish kingdom, soon to be renamed "Holy Roman Empire" (a mostly landlocked empire) caused a redesign of the main trade routes away from the sea. Venice alone remained a sea-trading power, and, de facto, the only economic link between Holy and Eastern Roman Empires. This "inland" trade eventually caused a "commercial" revolution. Trade fairs appeared in Champagne, the Flanders, and northern Germany, creating a new kind of wealth in those regions. The Italian communes became rich enough to be able to afford their own armies and thus become de-facto independent and develop economies entirely based on trade. In northern Europe, a new kind of town was born, that did not rely on Mediterranean sea. Both in the north and in the south, a real bourgeois class was born. The medieval town was organized around the merchants, and then the artisans and the peasants. As the horse became the main element in warfare, the landowner became the most powerful warrior. A new kind of nobility was created, a land-owning nobility. The collapse of central authority in western Europe led to feudalism, a system in which the nobility enjoyed ever greater power and freedom, a global "political" revolution. Thus the "medieval synthesis": Church, cities, kings (clergy, bourgeoisie, nobility). But a fourth element was even more important for the history of knowledge. As Rome decayed, and Alexandria and Antioch fell to the Muslims, the capital of Christian civilization moved to Constantinople (Byzantium). Despite the Greek influence, this cosmopolitan city created great art but little or no philosophy or science. It was left to the monasteries of western Europe to preserve the speculative traditions of the Greek world, except that they were mainly used to prove the Christian dogma. Monasticism was nonetheless crucial for the development of philosophy, music, painting. The anarchy of the "dark age" helped monasteries become a sort of refuge for the intellectuals. As the choice of lay society came down to being a warrior or a peasant, being a monk became a more and more appealing alternative. Eventually, the erudite atmosphere of the monasteries inspire the creation of universities. And universities conferred degrees that allowed graduates to teach in any Christian country, thus fueling an "educational" revolution. Johannes Scotus Erigena, Peter Abelard, Thomas Aquinas, Johannes Eckhart, John Duns Scotus (the "scholastics") were some of the beneficiaries. Western philosophy restarted with them. As their inquiries into the nature of the world became more and more "logical", their demands on philosophy became stricter. Eventually, Roger Bacon came to advocate that Science be founded on logic and observation; and William Occam came to advocate the separation of Logic and Metaphysics, i.e. of Science and Church. The commercial revolution of the new towns was matched by an "agricultural" revolution of the new manors. The plough (the first application of non-human power to agriculture), the three-field rotation (wheat/rye, oats/legumes, fallow) and the horseshoe caused an agricultural revolution in northern Europe that fostered rapid urbanization and higher standards of living. Improved agricultural techniques motivated the expansion of arable land via massive deforestation. In the cities, a "technological" revolution took place. It started with the technology of the mill, which was pioneered by the monasteries. Mills became pervasive for grinding grain, fulling clothes, pressing olives and tanning. Textile manufacturing was improved by the spinning wheel (the first instance of belt transmission of power). And that was only the most popular instance of a machine, because this was the first age of the machines. The mechanical clock was the first machine made entirely of metal. There also was a military revolution, due to the arrival of gunpowder. Milan became the center of weapon and armor manufacturing. Demand for cannons and handguns created a whole new industry. Finally, an "engineering/artistic" revolution also took place, as more and more daring cathedrals started dotting the landscape of Christianity. Each cathedral was an example of "total art", encompassing architecture, sculpture, painting, carpentry, glasswork. The construction of a cathedral was a massive enterprise that involved masons, workers, quarrymen, smiths, carpenters, etc. Not since the Egyptian pyramids had something so spectacular been tried. Each cathedral was a veritable summa of European civilization. The political, commercial, agricultural, educational, technological and artistic revolutions of the Middle Ages converged in the 13th century (the "golden century") to create an economic boom as it had not been seen for almost a millennium. Improved communications between Europe and Asia, thanks to the Mongol Empire that had made travel safe from the Middle East to China, particularly on the "silk road", and to the decline of the Viking and Saracen pirates, led to a revival of sea trade, especially by the Italian city-states that profited from a triangular trade Byzantium-Arabs-Italy. Florence, benefiting from the trade of wool, and Venice, benefiting from the sea trade with the East, became capitalistic empires Venice sponsored technological innovation that enabled long-distance and winter voyages, while Florence sponsored financial innovation that enabled to lend/borrow and invest capital worldwide. The Italian cities had a vested interest in improved education, as they need people skilled in geography, writing, accounting, technology, etc. It is not a coincidence that the first universities were established in Italy. The economic boom came to an abruptly stop by a plague epidemics ("the Black Death") that decimated the European population. But the Black Death also had its beneficial effects. The dramatic decrease in population led to a higher standard of living for the survivors, as the farmers obtained more land per capita and the city dwellers could command higher wages. The higher cost of labor prompted investments in technological innovation. At the same time, wealthy people bequeated their fortunes to the creation of national universities which greatly increased the demand for books. The scarcity of educated people prompted the adoption of vernacular languages instead of Latin in the universities. Throughout the Middle Ages, the national literatures had produced national epics such as "Beowulf" (900, Britain), "Edda" (1100, Scandinavia), "Cantar del Cid" (1140, Spain), Chretien de Troyes' "Perceval" (1175, France), "Slovo o Ploku Igoreve" (1185, Russia), "Nibelungen" (1205, Germany), "Chanson de Roland" (1200, France), Wolfram Von Eschenbach's "Parzival" (1210, Germany). Dante Alighieri' "Divine Comedy" (1300) heralded a new age, in which the vernacular was used for the highest possible artistic aims, a veritable compendium of knowledge. After languishing for centuries, European poetry bloomed with Francesco Petrarca's "Canti" (1374, Italy), Geoffrey Chaucer's "Canterbury Tales" (1400, England), Inigo Santillana's "Cancionero" (1449, Spain), Francois de Villon's "Testament" (1462, France). And Giovanni Boccaccio's "Decameron" (1353, Italy) laid the foundations for narrative prose. In observance with the diktat of the Second Council of Nicaea (787), that the visual artist must work for the Church and remain faithful to the letter of the Bible, medieval art was permeated by an aesthetics of "imitation". Christian art was almost a reversal of Greek art, because the emphasis shifted from the body (mortal, whose movement is driven by emotions) to the soul (immortal, immune to emotions), from realism and movement to spirituality and immanence. Christian art rediscovered Egyptian and Middle-eastern simplicity via Byzantine art. Nonetheless, centuries of illuminated manuscripts, mosaics, frescoes and icons eventually led to the revolution in painting best represented by Giotto's "Scrovegni Chapel" (1305). While Italian artists were re-founding Greco-Roman art based on mathematical relationships and a sense of three-dimensional space, as in Paolo Uccello's "Battle of St Romano" (1456), Masaccio's "Trinity" (1427) and Piero della Francesca's "Holy Conversation" (1474), Northern European painters became masters of a "photographic" realism as in Jan Van Eyck's "The Virgin of the Chancellor Rolin" (1436) and "The Arnolfini Marriage" (1434). Before Europe had time to recover from the Black Death, the unity of the Mediterranean was shattered again by the fall of Byzantium (1453) and the emergence of the Ottoman empire (a Muslim empire) as a major European power. However, Europe was coming out of the "dark age" with a new awareness of the world. Marco Polo had brought news of the Far East. Albertus Magnus did not hesitate to state that the Earth is a sphere. Nicolas Oresme figured out that the rotation of the Earth on an axis explains the daily motion of the universe. In China, the Han and Tang dynasties had been characterized by the emergence of a class of officials-scholars and by a cultural boom. The Sung dynasty amplified those social and cultural innovations. The scholar-officials become the dominant class in Chinese society. The state was run like an autocratic meritocracy, but nonetheless a meritocracy. As education was encouraged by the state, China experienced a rapid increase in literacy which led to a large urban literate class. The level of competence by the ruling class fosterd technological and agrarian innovations that created the most advanced agriculture, industry and trade in the world. When Europe was just beginning to get out of its "dark age", China was the world's most populous, prosperous and cultured nation in the world. The Mongol invasion (the Yuan dynasty) did not change the character of that society, but, in fact, added an element of peace: the "pax tatarica" guaranteed by the invincible Mongol armies. India was the only part of the non-Chinese world that Chinese scholars were fascinated with. They absorbed Indian culture over the centuries, and particularly adopted one philosophical school of India: Buddhism. First came "Pure Land" or Jodo Buddhism (4th c), with its emphasis on devotion instead of meditation, Then Tiantai/Tendai (6th c), Huayan/Kegon (7th c) and Chan/Zen (6th c). The latter, a fusion of Buddhism and Taoism, focused on attainment of sudden enlightenment ("satori"). According to the Northern school (Shen-hsiu) satori was to be obtained by gradual enlightenment through guided meditation, while the Southern school (Huineng) allowed for satori through individual meditation. Zen promoted spontaneous thinking, as opposed to the philosophical investigation of Confucianism, spontaneous behavior as opposed to the calculated behavior of Confucianism. Zen is the "everyday mind". Japan had adopted Buddhism as a state religion already in 604, under prince Shotoku Taishi, next to a Confucian-style constitution and the native shinto cult. The various Buddhist schools arrived from China in the following centuries (the Tendai school in the 9th century, the Jodo school in the 12th century), until Zen Buddhism reached Japan during the 13th century. Zen became popular among the military class (the "samurai") that embodied the noble values in an age of anarchy. In turn, the Zen monk came to behave like a spiritual samurai. From 1192 till 1333, Japan was ruled by "shogun" (military leaders) with residence in Kamakura (the "bakufu" system of government), while the emperor (or "mikado") became a figurehead. Even the equivalent of the scholar-official of China was military: during the 17th century, the ideal man was the literate warrior who lived according to "bushido" ("way of the warrior"). Japan remained largely isolated until 1854, when the USA forced Japan to sign a treaty that opened Japan to foreign trade, a humiliation that led to the restoration of imperial power (1868) after so many centuries of military rule. Japan's native religion, Shinto, provides the bases for the imperial institutions. It is, in fact, a form of Japanese patriotism. It declares Japan a divine country, and the emperor a descendant of the gods. Shinto is polytheist to the extreme, admitting in its pantheon not only thousands of spirits ("kami"), personifying the various aspects of the natural world, and ancestors, but also the emperors and the deified heroes of the Japanese nation, and even foreign deities. Shinto is non-exclusive: a Shintoist can be a Buddhist, a Catholic, etc. The reason is that there is no competition between Shinto and the metaphysics of the other religions. Shinto is a religion to deal with ordinary lives, based on the belief that humans can affect Nature by properly honoring the spirits. When Japan adopted Buddhism, the Native spirits were recast as manifestations of Buddha. The "Rinzai" school of Zen Buddhism believed in sudden enlightenment while concentrating to solve a koan ("sanzen", or conversation with a master). The "Soto" school believed in gradual enlightenment through meditation in daily life ("zazen", or sitting meditation). But the traditions of Japanese society surfaced also in Zen Buddhism: satori can be facilitated by martial arts, tea ceremonies, gardening, Haiku poetry, calligraphy, No drama, etc. In marked contrast to the western civilizations, the eastern civilizations of India, China and Japan displayed little interested in the forceful spread of their religious beliefs. Luckily for Christian Europe, in 1492 Spain opened a new front of knowledge: having freed itself of the last Arab kingdom, it sponsored the journey of Christopher Columbus to the "West Indies", which turned out to be a new continent. That more or less accidental event marked the beginning of the "colonial" era, of "world trade", and of the Atlantic slave trade; and, in general, of a whole new set of mind. Other factors were shaping the European mind: Gutenberg's printing press (1456), which made it possible to satisfy the growing demand for books; Martin Luther's Reformation (1517), which freed the northern regions from the Catholic dogma; Copernicus' heliocentric theory (1530), that removed the Earth (and thus Man) from the center of the universe; and the advent of the nation states (France, Austria, Spain, England and, later, Prussia). However, it was not the small European nations that ruled the world at the end of the Middle Ages. The largest empires (the "gunpowder empires") were located outside Europe. Gunpowder was only one reason for their success. They had also mastered the skills of administering a strong, centralized bureaucracy required to support an expensive military. In general, they dwarfed Europe at one basic dimension: knowledge. While Europe was just coming out of its "dark age", the gunpowder empires were at their cultural peak. The Ottoman Empire, whose capital Istanbul was the largest city in Europe, was a melting pot of races, languages and religions. It was a sophisticated urban society, rich in universities and libraries, devoted to mathematics, medicine and manufacturing. The Safavid Empire of Persia, that controlled the silk trade, was a homogeneous state of Muslim Persians. The Mughal Empire of India, an Islamic state in a Hindu country, was also a melting pot of races, languages and religions. Ming China was perhaps the most technologically and culturally advanced of all countries. The small European countries could hardly match the knowledge and power of these empires. And, still, a small country like Portugal or Holland ended up controlling a larger territory (stretching multiple continents) than any of those empires. A dis-united Europe of small and poor states caught up in an endless loop of intestine wars, speaking different languages, technologically backwards, that had to import science, philosophy and technology from the Muslims, that had fewer people and resources than the Asian empires, managed to conquer the entire world (with the only notable exception of Japan). Perhaps the problem was with the large-scale bureaucracies of those Asian empires, that, in the long term, became less and less competitive, more and more obscurantist. In some cases, their multi-ethnic nature caused centrifugal forces. Or perhaps Europe benefited from its own anarchy: continuous warfare created continuous competition and a perennial arms race. Perhaps the fact that no European power decisively defeated the others provided a motivation to improve that was missing in the more stable empires of the East. After all, the long-range armed sailing ships, which opened the doors to extra-European colonization, were the product of military build-up. Soon, world trade came to be based on sea transportation, which was controlled by Europeans. The printing press, which the gunpowder empire were slow to adopt (or even banned), slowly changed the balance of knowledge. World trade was creating more demand for technological innovation (and science), while the printing press was spreading knowledge throughout the continent. And all of this was funded with the wealth generated by colonialism. While the Asian empires were busy enjoying their stability, the small European countries were fighting for supremacy, anywhere anytime; and, eventually, they even overthrew those much larger empires. Nowhere was the apparent oxymoron more intriguing than in Italy, a fragmented, war-torn peninsula that, nonetheless, became the cultural center of Europe. On a smaller scale, it was the same paradox: the tiny states of Italy and the Netherlands were superior in the arts to the powerful kingdoms of Spain, France and England. In this case, though, the reason is to be found in the socio-economic transformation of the Middle Ages that had introduced a new social class: the wealthy bourgeoisie. This class was more interested in the arts than the courts (which were mainly interested in warfare). The main "customer" of the arts was still the Church, but private patronage of art became more and more common. This, in turn, led to an elite of art collectors and critics. Aesthetics led to appreciation of genius: originality, individuality, creativity. Medieval art was imitation, Renaissance art was creation. Perhaps the greatest invention of the Renaissance was the most basic of all from the point of view of knowledge: the self. The Egyptians and the Greeks did not have a truly unified view of the self, a unique way to refer to the "I" who is the protagonist of a life and, incidentally, is also a walking body. The Greeks used different terms (pneuma, logos, nous, psyche) to refer to different aspects of the "I". The Middle Ages were the formative stage of the self, when the "soul" came to be identified with the thinking "I". The Renaissance simply exalted that great medieval invention, the "I", that had long been enslaved to religion. The "I" was now free to express and affirm itself. In a nutshell, the "Rinascimento" (Renaissance art) adapted classical antiquity to Biblical themes. This was its fundamental contradiction: a Christian art based on Pagan art. An art that was invented (by the Greeks) to please the pagan gods and (by the Romans) to exalt pagan emperors was translated into an art to pay tribute to the Christian dogma. Leonardo da Vinci's "The Last Supper" (1497) and Michelangelo Buonarroti's "The Universal Judgement" (1541) are possibly the supreme examples in painting, while architects such as Donato Bramante and Gianlorenzo Bernini dramatically altered the urban landscapes. But there was also an obsession with ordering space, as manifested in Sandro Botticelli's "Allegory of Spring" (1478) and Raffaello Sanzio's "The School of Athens" (1511). In the Netherlands, Hieronymous Bosch's "The Garden of Delights" (1504) was perhaps the most fantastic piece of art in centuries. The Renaissance segued into the Baroque age, whose opulence really signified the triumph of European royalty and religion. Aesthetically speaking, the baroque was a restoration of order after the creative disorder of the Renaissance. The least predictable of the visual arts remained painting, with Pieter Bruegel's "Triumph of Death" (1562), Domenico El Greco's "Toledo" (1599), Pieter Rubens' "Debarquement de Marie de Medicis" (1625), Rembrandt's "Nightwatch" (1642), Jan Vermeer's Malkunst (1666). In Italy, Giovanni Palestrina, Claudio Monteverdi (1567) and Girolamo Frescobaldi (1583) laid the foundations for classical music and the opera. The national literary scenes bloomed. Masterpieces of poetry included Ludovico Ariosto's "Orlando Furioso" (1532), Luiz Vas de Camoes' "Os Lusiadas" (1572), Torquato Tasso's "Gerusalemme Liberata" (1575), Pierre de Ronsard's "Sonnets pour Helene" (1578), John Donne's "Holy Sonnets" (1615), John Milton's "Paradise Lost" (1667). Even more characteristic of the era was theater: Gil Vicente's "Auto da Barca do Inferno" (1516), Christopher Marlowe's "Faust" (1592), William Shakespeare's "Hamlet" (1601) and "King Lear" (1605), Lope de Vega Carpio's "Fuente Ovejuna" (1614), Pedro Calderon's "El Gran Teatro del Mundo" (1633), Moliere's "Le Misanthrope" (1666) and JeanBaptiste Racine's "Phedre" (1677). Francois Rabelais' "Gargantua et Pantagruel" (1552) and Miguel Cervantes' "Don Quijote" (1615) laid the foundations of the novel. Progress in science was as revolutionary as progress in the arts. Tycho Brahe, who discovered a new star, and Johannes Kepler, who discovered the laws of planetary motion, Francis Bacon, who advocated knowledge based on objective empirical observation and inductive reasoning, and finally Galileo Galilei, who envisioned that linear uniform motion (not rest) is the natural motion of all objects and that forces cause acceleration (which is the same for all falling objects, i.e. the same force must cause objects to fall), Suddenly, the universe did not look like the perfect, eternal, static order that humans had been used to for centuries. Instead, it looked as disordered, imperfect and dynamic as the human world. New inventions included: the telescope (1608), the microscope (1590s), the pendulum clock (1657), the thermometer (1611), the barometer (1644). Both the self and the world were now open again to philosophical investigation. Rene‚ Descartes neatly separated matter and mind, two different substances, each governed by its set of laws (physical or mental). While the material world, including the body, is ultimately a machine, the soul is not: it cannot be "reduced" to the material world. His "dualism" was opposed by Thomas Hobbes' "materialism", according to which the soul is merely a feature of the body and human behavior is caused by physical laws. Baruch Spinoza disagreed with both. He thought that only one substance exists: God. Nature is God ("pantheism"). The universe is God. This one substance is neither physical nor mental, and it is both. Things and souls are (finite) aspects (or "modes") of that one (infinite) substance. Immortality is becoming one with God/Nature, realizing the eternity of everything. Gottfried Leibniz went in the other direction: only minds exist, and everything has a mind. Matter is made of minds ("panpsychism"). Minds come in degrees, starting with matter (whose minds are very simple) and ending with God (whose mind is infinite). The universe is the set of all finite minds (or "monads") that God has created. Their actions have been pre-determined by God. Monads are "clocks that strike hours together". Clearly, the scientific study of reality depended on perception, on the reliability of the senses. John Locke thought that all knowledge derives from experience ("empiricism"), and noticed that we only know the ideas and sensations in our mind. Those ideas and sensations are produced by perceptions, but we will never know for sure what caused those perceptions, how reality truly is out there: we only know the ideas that are created in our mind. Ideas rule our mind On the contrary, George Berkeley, starting from the same premises (all we know is our perceptions) reached the opposite conclusion: that matter does not even exist, that only mind exists ("idealism"). Reality is inside our mind: an object is an experience. Objects do not exist apart from a subject that thinks them. The whole universe is a set of subjective experiences. Locke thought that we can never know how the world really is, but Berkeley replied that the world is exactly how it appears: it "is" what appears, and it is inside our mind. Our mind rules ideas David Hume increased the dose of skepticism: if all ideas come from perception, then mind is only a theater in which perceptions play their parts in rapid succession. The self is an illusion. Mental life is a series of thoughts, feelings, sensations. A mind is a series of mental events. The mental events do exist. The self that is supposed to be thinking or feeling those mental events is a fiction. Observation led physicists to their own view of the world. By studying gases, Robert Boyle concluded that matter must be made of innumerable elementary particles, or atoms. The features of an object are due to the features and to the motion of the particles that compose it. Following Galileo's intuitions and adopting Boyle's atomistic view, Isaac Newton worked out a mathematical description of the motion of bodies in space and over time. He posited an absolute time and an absolute space, made of ordered instants and points. He assumed that forces can act at distance, and introduced an invisible "gravitational force" as the cause of planetary motion. He thus unified terrestrial and celestial Mechanics: all acceleration is caused by forces, the force that causes free fall being the gravitational force, that force being also the same force that causes the Earth to revolve around the Sun. Forces act on masses, a mass being the quantitative property that expressed Galileo’s inertia (the property of a material object to either remain at rest or in a uniform motion in the absence of external forces). Philosophers had been speculating that the universe might be a machine, but Newton did not just speculate: he wrote down the formulas. Significant innovations were also introduced, for the first time in a long time, in Mathematics. Blaise Pascal invented the mathematical theory of probability (and built the first mechanical adding machine). Leibniz envisioned a universal language of logic (a "lingua characteristica") that would allow to derive all possible knowledge simply by applying combinatorial rules of logic. Arabic numbers had been adopted in the 16th century. Signs for addition, subtraction, multiplication were introduced by Francois Vieta. John Napier invented logarithms. Descartes had developed analytical geometry, and Newton and Leibnitz independently developed calculus. It might not be a coincidence that a similar scientific, mathematical approach can be found in the great composers of the era: Antonio Vivaldi, George-Frideric Handel and Johann Sebastian Bach. The next big quantum leap in knowledge came with the "industrial" revolution. It is hard to pinpoint the birth date of the industrial revolution (in 1721 Thomas Lombe built perhaps the first factory in the world, in 1741 Lewis Paul opened the first cotton mill, in 1757 James Watt improved the steam engine), but it is clear where it happened: Manchester, England. That city benefited from a fortunate combination of factors: water mills, coal mines, Liverpool's port and, last but not least, clock-making technology (the earliest factory mechanics were clock-makers). These factors were all in the hands of the middle class, so it is not surprising that the middle class (not the aristocracy or the government) ended up managing most of the enterprises. The quantum leap in production translated into a quantum leap in transportation: in 1782 the first steamboat sailed up the Clyde, in 1787 John Wilkinson built the first iron boat, in 1812 Henry Bell started the first commercial steamboat service in Glasgow, in 1819 the "Savannah" completed the first transatlantic crossing by a steamboat, in 1820 the first iron steamship was built, etc. By 1892 Britain's tonnage and sea-trade exceeds the rest of the world together. ). At its peak, Britain had only 2% of the world's population, but produced almost 20% of the world's manufacturing output One of the most tangible side-effects of the industrial revolution was the British Empire. There had been "empires" before, and even larger ones (the Mongol empire). But never before had an empire stretched over so many continents: Africa, America, Oceania, Asia. The Roman empire had viewed itself as an exporter of "civilization" to the barbaric world, but the British Empire upped the ante by conceiving its imperialism as a self-appointed mission to redeem the world. Its empire was a fantastic business venture, that exported people, capital and goods, and created "world trade", not just regional trade. This enterprise was supported by a military might that was largely due to financial responsibility at home. Despite the fact that France had a larger population and more resources, Britain managed to defeat France in the War of the Spanish Succession (1702-1713), in the Seven Years' war (1756-1763) and in the Napoleonic wars (1795-1815. Managing the British Empire was no easy task. One area that had to be vastly improved to manage a global empire was the area of global communications: steamships, railroads, the telegraph, the first undersea cable and a national post system unified the colonies as one nation. They created the first worldwide logistical system. Coal, a key element in a country in which wood was scarce, generated additional momentum for the improvement of shipbuilding technology and the invention of railroads (1825). Other areas that the British Empire needed to standardize were finance and law. Thus the first economic and legal systems that were global, not only regional, were born. British economic supremacy lasted until 1869, when the first transcontinental railroad connecting the American prairies with the Atlantic Coast introduced a new formidable competitor: the USA. No wonder, thus, that Adam Smith felt a new discipline had to be created, one that studied the dynamics of a complex economy based on the production and distribution of wealth. He explained the benefits of free competition and free trade, and how competition can work for the common good (as an "invisible hand"). Jeremy Bentham (1789) introduced "utilitarian" criteria to decide what is good and what is bad: goodness is what guarantees "the greatest happiness for the greatest number of people". The philosophy of "utilitarianism" was later perfected by John Stuart Mill, who wrote that "pleasure and freedom from pain are the only things desirable as ends" thus implying that good is whatever promote pleasure and prevents pain France was much slower in adopting the industrial revolution, and never came even close to matching the pace of Britain industrialization, but the kingdom of the Bourbons went through a parallel "intellectual" revolution that was no less radical and influential: "Les Lumieres", or the Enlightenment. It started in the salons of the aristocracy, usually run by the ladies, and then it spread throughout the French society. The "philosophes" believed, first and foremost, in the power of Reason and in Knowledge, as opposed to the religious and political dogmas. They hailed progress and scorned conservative attitudes. The mood changed dramatically, as these philosophers were able to openly say things that a century earlier would have been anathema. Scientific discoveries (Copernicus, Galileo, Newton), the exploration of the world, the printing press and a religious fatigue after so many religious wars led to cultural relativism: there are no dogmas, and only facts and logic should determine opinions. So they questioned authority (Aristotle, the Bible) across the board. Charles de Montesquieu, Denis Diderot, Voltaire, Jean-Jacques Rousseau favored a purely rational religion and carried out a moral crusade against intolerance, tyranny, superstition. Julien LaMettrie was the ultimate materialist: he thought the mind is nothing but a machine (a computer, basically) and thoughts are due to the physical processes of the brain. There is nothing special about a mind or a life. Humans are just like all other animals. Charles Bonnet speculated that the mind may not be able to influence the body, but might simply be a side-effect of the brain ("epiphenomenalism"). Paul-Henri Holbach believed that humankind's miseries are mostly caused by religion and superstition, that there is no God handing out rewards or punishment, that the soul dies when the body dies, that all phenomena can be understood in terms of the features of matter. Georges Buffon concocted the first western account of the history of life and of the Earth that was not based on the Bible. The American revolution (1776) was, ultimately, a practical application of the Enlightenment, a feasibility study of the ideas of the Enlightenment. The French Revolution (1789-94) was a consequence of the new political discourse, but also signaled an alliance between the rising bourgeoisie, the starving peasants and the exploited workers. Its outcome was that the "nation" replaced "God" and "King": nationalism was born. By the turn of the century, the Enlightenment had also fathered a series of utopian ideologies, from Charles Fourier's phalanxes to Claude Saint-Simon's proto-socialism to Pierre Proudhon's anarchy. In marked contrast with the British and French philosophers, the Germans developed a more "spiritual" and less "materialistic" philosophy. The Germans were less interested in economy, society and politics, and much more interested in explaining the universe and the human mind, what we are and what is the thing out there that we perceive. Immanuel Kant single-handedly framed the problem for future generations of philosophers. Noticing that the mind cannot perceive reality as it is, he believed that phenomena exist only insofar as the mind turns perceptions into ideas. The empirical world that appears to us is only a representation that takes place inside our mind. Our mind builds that representation thanks to some a-priori knowledge in the form of categories (such as space and time). These categories allow us to organize the chaotic flow of perceptions into an ordered meaningful world. Knowledge consists in categorizing perceptions. In other words, Kant said that knowledge depends on the structure of the mind. Other German philosophers envisioned an even more "idealistic" philosophy. Johann Fichte thought the natural world is construed by an infinite self as a challenge to itself and as a field in which to operate. The Self needs the non-Self in order to be. Peter Schelling believed in a fundamental underlying unity of nature, which led to view Nature as God, and to deny the distinction between subject and object. The spiritual theory of reality reached its apex with Georg-Wilhelm-Friedrich Hegel. He too believed in the unity of nature, that only the absolute (infinite pure mind) exists, and that everything else is an illusion. He proved it by noticing that every "thesis" has an "antithesis" that can be resolved at a higher level by a "synthesis", and each synthesis becomes, in turns, a thesis with its own antithesis, which is resolved at a higher level of synthesis, and so forth. This endless loop leads to higher and higher levels of abstraction. The limit of this process is the synthesis of all syntheses: Hegel's absolute. Reality is the "dialectical" unfolding of the absolute. Since we are part of the absolute as we develop our dialectical knowledge, it is, in a sense, the absolute that is trying to know itself. We suffer because we are alienated from the absolute instead of being united with it. Hegel applied the same "dialectical" method to history, believing that history is due to the conflict of nations, conflicts that are resolved on a higher plane of political order. Arthur Schopenhauer (1819) opened a new dimension to the "idealistic" discourse by arguing that a human being is both a "knower" and a "willer". As knowers, humans experience the world "from without" (the "cognitive" view). As free-willing beings, humans are also provided with a "view from within" (the "conative" view). The knowing intellect can only scratch the surface of reality, while the will is able to grasp its essence. Unfortunately, the will's constant urge for ever more knowledge and action causes human unhappiness: we are victims of our insatiable will. In Buddhist-like fashion, Schopenhauer reasoned that the will is the origin of humansufferings: the less one "wills", the less one suffers. Salvation can come through an "euthanasia of the will". Ludwig Feuerbach inverted Hegel's relationship between the individual and the Absolute and saw religion as a way to project the human experience ("species being") into the concept of God. Soren Kierkegaard (1846) saw philosophy and science as vain and pointless, because the thinker can never be a detached, objective, external observer: the thinker is someone who exists and is part of what is observed. Existence is both the thinker's object and condition. He thought that philosophers and scientists missed the point. What truly matters is the pathos of existing, not the truth of Logic. Logic is defined by necessity, but existence is dominated by possibility. Necessity is a feature of being, possibility is a feature of becoming. He focused on the fact that existence is possibility, possibility means choice, and choice causes angst. We are trapped in an "aut-aut", between the aesthetic being (whose life is paralyzed by multiple possibilities) and the ethic being (whose life is committed to one choice). The only way out of the impasse is faith in God. Inventions and discoveries of this age include Alessandro Volta's battery, a device that converts chemical energy into electricity, John Dalton's theory that matter is made of atoms of differing weights. By taking Newton to the letter, Pierre-Simon LaPlace argued that the future is fully determined: given the initial conditions, every future event in the universe can be calculated. The primacy of empirical science ("positivism") was championed by Auguste Comte, who described the evolution of human civilization as three stages, corresponding to three stages of the human mind: the theological stage (in which events are explained by gods and kings rule); the abstract stage (in which events are explained by philosophy, and democracy rules); and the scientific ("positive") stage (in which there is no absolute truth, but science provides generalizations that can be applied to the real world). Hermann von Helmholtz offered a detailed picture of how perception works, one that emphasized how an unconscious process in the brain was responsible for turning sense data into thought and for mediating between perception and action. In Mathematics, George Boole resuscitated Leibniz's program of a "lingua characteristica" by applying algebraic methods to a variety of fields. His idea was that the systematic use of symbols eliminated the ambiguities of natural language. A number of mathematicians realized that the traditional (Euclidean) geometry was not the only possible geometry. Joseph Fourier discovered that any periodic function can be decomposed into since and cosine functions. Non-Euclidean geometries were developed by Carl-Friedrich Gauss, Nikolaj Lobachevsky (1826), Janos Bolyai (1829) and Georg Riemann (1854). The latter realized that the flat space of Euclidean geometry (the flat space used by Newton) was not necessarily the only possible kind of space: space could be curved, and he developed a geometry for curved space (in which even a straight line is curved, by definition). Each point of that space can be more or less curved, according to a "curvature tensor". Somehow, the convergence of utopianism, idealism and positivism yielded Karl Marx's historical materialism. Marx was fully aware that humans are natural beings who have to interact with nature (work) in order to survive. Labor converts the raw materials of nature into the products that help humans survive. But in the industrial society the difference between the time/cost of manufacturing a product versus the price that people are willing to pay for it: had created a "surplus value" that was making the capitalist class richer and richer, while hardly benefiting the working class at all. Marx set out to analyze the "alienation" caused to the working class by the fact that producer and product had been separated. He envisioned the society of his time as divided into two antagonistic classes: the proletariat and the bourgeoisie. And he envisioned the whole of human history as a conflict not of nations but of classes. His remedy was socialism: all citizens should own the tools of production. After socialism, the final stage of human history was to be communism: the: full equality of a class-less society. While human knowledge was expanding so rapidly, literature was entering the "romantic" age. The great poets of the age were William Blake and William Wordsworth in England, Friedrich Hoelderlin and Johann-Wolfgang Goethe in Germany, Giacomo Leopardi in Italy. With the exception of Carlo Goldoni's comedies in Italy, theater was dominated by German drama: Gotthold-Ephraim Lessing in Germany), Friedrich von Schiller, Georg Buchner. The novel became a genre of equal standing with poetry and theater via Goethe's "Wilhelm Meister" (1796), Stendhal's "Le Rouge et Le Noir" (1830), Honore' de Balzac's "Le Pere Goriot" (1834), Emily Bronte's "Wuthering Heights" (1847), ), Herman Melville's "Moby Dick" (1851), Nikolaj Gogol's "Dead Souls" (1852), Gustave Flaubert's "Madame Bovary" (1857), Victor Hugo's "Les Miserables" (1862 While painting was relatively uneventful compared with the previous age, despite the originality of works such as Francisco Goya's"Aquelarre" (1821) and Jean-Francois Millet's "The Gleaners" (1851), this was the age of classical music, that boasted the geniuses of Wolfgang-Amadeus Mozart, Franz-Peter Schubert and Ludwig Van Beethoven. In the meantime, the world had become a European world. The partition of Africa (1885) had given Congo to Belgium, Mozambique and Angola to Portugal, Namibia and Tanzania to Germany, Somalia to Italy, Western Africa and Madagascar to France, and then Egypt, Sudan, Nigeria, Uganda, Kenya, South Africa, Zambia, Zimbabwe, Botswana to Britain. Then there were the "settler societies" created by the European immigrants who displaced the natives: Canada, USA, Australia, South Africa. In subject societies such as India's (and, de facto, China's), few Europeans ruled over huge masses of natives. The mixed-race societies of Latin America were actually the least "European". There were fewer and shorter Intra-European wars but many more wars of conquest elsewhere. Europeans controlled about 35% of the planet in 1800, 67% in 1878, 84% in 1914. Japan was the notable exception. It had been the least "friendly" to the European traders, and it became the first (and only) non-European civilization to "modernize" rapidly. In a sense, it became a "nation" in the European sense of the word. It was also the first non-European nation to defeat a European power (Russia). No wonder that the Japanese came to see themselves as the saviors of Asia: they were the only ones that had resisted European colonization. To ordinary people, the age of wars among the European powers seemed to be only a distant memory. The world was becoming more homogeneous and less dangerous. One could travel from Cairo to Cape Town, from Lisbon to Beijing carrying with minimal formalities. It was "globalization" on a scale never seen before and not seen again for a century. Such a sense of security had not been felt since the days of the Roman empire, although, invisible to most, this was also the age of a delirious arms race that the world never had seen before. No wonder that European population increased dramatically at the end of the 19th century. In 30 years, Germany's population grew by 43%, Austria-Hungary's by 35%, Britain's by 26%. A continuous flow of people emigrated to the Americas. After the French revolution, nationalism became the main factor of war. Wars were no longer feuds between kings, they were conflicts between peoples. This also led to national aspirations by the European peoples who did not have a country yet: notably Italians and Germans, who were finally united in 1861 and 1871 (but also the Jews, who had to wait much longer for a homeland). Nationalism was fed by mass education (history, geography, literature), which included, more or less subtly, the exaltation of the national past. France lived its "Belle Epoque" (the 40 years of peace between 1871 and 1914). It was the age in which cafes (i.e., the lower classes) replaced the salons (i.e., the higher classes) as the cultural centers. And this new kind of cultural center witnessed an unprecedented convergence of sex, art and politics. Poetry turned towards "Decadentism" and "Symbolism", movements pioneered by Charles Baudelaire's "Les Fleurs du Mal" (1857), Isidore de Lautreamont's "Les Chants de Maldoror" (1868), Arthur Rimbaud's "Le Bateau Ivre" (1871), Paul Verlaine's "Romances sans Paroles" (1874) and Stephane Mallarme's "L'apres-midi d'un Faune" (1876). Painters developed "Impressionism", which peaked with Claude Monet, and then "Cubism", which peaked with Pablo Picasso, and, in between, original styles were pursued by Pierre Renoir, Georges Seurat, Henry Rousseau, Paul Gaugin and Henri Matisse. France had most of the influential artistic movements of the time. In the rest of Europe, painting relied on great individualities: Vincent van Gogh in Holland, Edvard Munch in Norway, Gustav Klimt in Austria and Marc Chagall in Russia. French writers founded "Dadaism" (1916) and "Surrealism" (1924), and an Italian in Paris founded "Futurism" (1909). They inherited the principle of the "Philosophes": question authority and defy conventions, negate aesthetic and moral values. At the same time, they reacted against the ideological values of the Enlightenment itself: Dadaism exalted irrationality, Surrealism was fascinated by dreams, Futurism worshipped machines. TM, ®, Copyright © 2011 Piero Scaruffi All rights reserved. Berlin, in the meantime, had become not only the capital of a united Germany but also the capital of electricity. Germany's pace of industrialization had been frantic. Werner Von Siemens founded Siemens in 1847. In 1866 that company invented the first practical dynamo. In 1879 Siemens demonstrated the first electric railway and In 1881 it demonstrated the first electric tram system. In 1887 Emil Rathenau founded Siemens' main competitor, the Algemeine Elektrizitats Gesellschaft (AEG), specializing in electrical engineering, whereas Siemens was specializing in communication and information. In1890 AEG developed the alternating-current motor (invented in the USA by Nikola Tesla) and the generator, which allowed to build the first power plants: alternating current made it easier to transmit electricity over long distances. In 1910, Berlin was the greatest center of electrical production in the world Germany's industrial output had passed from France's (in 1875) and Britain's (in 1900). Berlin was becoming a megalopolis, as its population grew from 1.9 million in 1890 to 3 million in 1910. Electricity changed the daily lives of millions of people, mainly in the USA, because it enabled the advent of appliances, for example Josephine Cochrane's dishwasher (1886), Willis Carrier's air conditioner (1902), and General Electric's commercial refrigerator (1911). Life in the office also changed dramatically. First (in 1868) Christopher Latham Sholes introduced a practical typewriter that changed the concept of corresponding, and then (in 1885) William Burroughs introduced an adding machine that changed the concept of accounting. TM, ®, Copyright © 2011 Piero Scaruffi All rights reserved. Progress in transportation continued with Daimler and Maybach's motorcycle (1885), Karl Benz's gasoline-powered car (1886), Ferdinand von Zeppelin's rigid dirigibile (1900), and Wilbur and Orville Wright's airplane (1903). But, more importantly, the USA introduced a new kind of transportation, not physical (of people) but virtual (of information). The age of communications was born with Samuel Morse's telegraph (1844), Alexander Bell's telephone (1876), Thomas Edison's phonograph (1877), Kodak's first consumer camera (1886). Just like Louis Daguerre had invented the "daguerrotype" in 1839, but his invention had been improved mainly in the USA, so the Lumiere brothers invented cinema (in 1895) but the new invention soon became an American phenomenon. The most dramatic of these events was perhaps Guglielmo Marconi's transatlantic radio transmission of 1901, when the world seemed to shrink. "Creationist" views of the world had already been attacked in France by the "philosophes". In the age of Progress, a new, much more scientific attack, came from Britain. Herbert Spencer attempted a synthesis of human knowledge that led him to posit the formation of order as a pervasive feature of the universe. Basically, the universe is "programmed" to evolve towards more and more complex states. In particular, living matter continuously evolves. The fittest forms of life survive. Human progress (wealth, power) results from a similar survival of more advanced individuals, organizations, societies and cultures over their inferior competitors Charles Darwin explained how animals evolved: through the combination of two processes, one of variation (the fact that children are not identical to the parents, and are not identical to each other) and selection (the fact that only some of the children survive). The indirect consequence of these two processes is "adaptation", whereby species tend to evolve towards the configuration that can best cope with the environment. The "struggle for survival" became one of the fundamental laws of life. In a sense, Darwin had merely transferred Adam Smith's economics to biology. But he had also introduced an important new paradigm: "design without a designer ". Nature can create amazingly complex and efficient organisms without any need for a "designer" (whether human or divine). Humans are used to the idea that someone designs, and then builds, an artifact. A solution to a problem requires some planning. But Darwin showed that Nature uses a different paradigm: it lets species evolve through the combined forces of variation and selection, and the result is a very efficient solution to the problem (survival). No design and no planning are necessary. It was more than a theory of evolution: it was a new way of thinking, that was immediately applied to economics, sociology, history, etc. Ernst Haeckel argued that "ontogeny recapitulates phylogeny": the development of the body in the individual of a species (or ontogeny) summarizes the evolutionary development of that species (phylogeny). Far less publicized, but no less dramatic, was the discovery of Gregor Mendel. He set out to explain why children do not inherit the average of the traits of their parents (e.g., a color in between the black eyes of the mother and the blue eyes of the father) but only the trait of one or the other (black or blue eyes). He came up with a simple but, again, revolutionary explanation: there are units of transmission of traits (which today we call "genes"), and one inherit not a mathematical combination of her parents' traits but either one or the other unit. Mendel introduced an important distinction: the "genotype" (as the program that determines how an organism looks like) versus "the phenotype" (the way the organism looks like). Similar progress was going on in the study of the human mind. Paul Broca studied brain lesions to understand the structure of the brain and how it determines human behavior and personality. The acceleration in Physics had been dramatic since Newton's unification of terrestrial and celestial Mechanics, but the age of steam and electrical power introduced the first strains on its foundations. In 1824, Sadi Carnot had worked out a preliminary science of heat, or Thermodynamics, and in 1864 James Clerk Maxwell unified electricity and magnetism, thus founding Electromagnetism. In 1887 Heinrich Herz discovered radio waves, and in 1895 Wilhelm-Conrad Roentgen discovered X rays. Newton's Physics had not been designed for these phenomena. In 1896 radioactivity was discovered and led Physicists to believe that the atom was not indivisible, that it had its own structure. In 1900 Max Planck invented Quantum Theory by positing that energy can only be transmitted in discrete "quanta". In 1905 Albert Einstein published "The Special Theory of Relativity". In 1911 Ernest Rutherford showed how the atom is made of a nucleus and orbiting electrons. Newton's Physics viewed the world as a static and reversible system that undergoes no evolution, whose information is constant in time. Newton's Physics was the science of being. But his Physics was not very useful to understand the world of machines, a dynamic world of becoming. Thermodynamics describes an evolving world in which irreversible processes occurs: something changes and can never be undone. Thermodynamics was the science of becoming. The science of being and the science of becoming describe dual aspects of nature. Thermodynamics was born to study gases: systems made of a myriad small particles in frantic motion. Newton's Physics would require a dynamic equation for each of them, which is just not feasible. Thermodynamics describes a macroscopic system by global properties (such as temperature, pressure, volume). Global properties are due to the motion of its particles (e.g., temperature is the average kinetic energy of the molecules of a system). They are fundamentally stochastic, which implies that the same macro-state can be realized by different micro-states (e.g., a gas can have the same temperature at different points in time even if its internal status is changing all the time). Sadi Carnot realized that a "perpetual-motion" machine was not possible: it is not possible to continuously convert energy from one form to another and back. The reason is that any transformation of energy has a "cost" that came to be called "entropy". That quantity became the real oddity of Thermodynamics. Everything else was due to a view of a complex system stochastic (as opposed to Newton's deterministic view of a simple system), but entropy was a new concept, that embodied a fundamental feature of our universe: things decay, and some processes are not reversible. Heat flows spontaneously from hot to cold bodies, but the opposite never occurs. You can dissolve a lump of sugar in a cup of coffee, but, once it is dissolved, you can never bring it back. You may calculate the amount of sugar, its temperature and many other properties, but you cannot bring it back. Some happenings cannot be undone. The second law of Thermodynamics states that the entropy (of an isolated system) can never decrease. It is a feature of this universe that natural processes generate "entropy". This translates into a formula that is not an equality. Newton's Physics was built on the equal sign (something equals something else). Thermodynamics introduced the first law of nature that was an inequality. Ludwig Boltzmann interpreted entropy as a measure of disorder in a system. He offered a statistical definition of entropy: the entropy of a macrostate is the logarithm of the number of its microstates. Entropy measures the very fact that many different microscopic states of a system may result in the same macroscopic state. One can interpret this fact as "how disordered the system is". This interpretation combined with the second law of Thermodynamics led to the fear of an "eternal doom": the universe must evolve in the direction of higher and higher entropy, thus towards the state of maximum entropy, which is absolute disorder, or the "heat death". Maxwell's Electromagnetism introduced another paradigm shift: the concept of field (pioneered by Michael Faraday). Maxwell proved that electricity and magnetism, apparently related to different phenomena, are, in reality, the same phenomenon. Depending on circumstances, one can witness only the electrical or only the magnetic side of things, but they actually coexist all the time. The electric force is created by changes in the magnetic field. The magnetic force is created by changes in the electric field. The oddity was that the mathematical expression of these relations between electric and magnetic forces turned out to be "field equations", equations describing not the motion of particles but the behavior of fields. Fields are generated by waves that radiate through space. Gravitation was not any longer the only example of action at distance: just like there was a "gravitational field" associated to any mass, so there turned out to exist an "electromagnetic" field to any electrical charge. Light itself was shown to be made up of electromagnetic waves. Ernst Mach was another influential Physicist who had a powerful intuition. He envisioned the inertia of a body (the tendency of a body at rest to remain at rest and of a body in motion to continue moving in the same direction) as the consequence of a relationship of that body with the rest of the matter in the universe. Basically, he thought that each body in the universe interacts with all the other bodies in the universe, even at gigantic distances, and its inertia is the sum of those myriad interactions. The last of the major ideas in Physics before Relativity came from Henri Poincare, who pioneered "chaos" theory when he pointed out that a slight change in the initial conditions of some equations results in large-scale differences. Some systems live "at the edge": a slight change in the initial conditions can have catastrophic effects on their behavior. The intellectual leadership, though, was passing to the Mathematicians. By inventing "set theory", Georg Cantor emancipated Mathematics from its traditional domain (numbers). He also introduced "numbers" to deal with infinite quantities ("transfinite" numbers) because he realized that space and time are made of infinite points, and that, between any two points, there exists always an infinite number of points. Nonetheless, an infinite series of numbers can have a finite sum. These were, after all, the same notions that, centuries before Cantor, had puzzled Zeno. Cantor gave them mathematical legitimacy. Gottlob Frege (1884) aimed at removing intuition from arithmetic. He thus set out, just like Leibniz and Boole before him, to replacing natural language with the language of Logic, "predicate calculus". Extending Cantor's program, Frege turned Mathematics itself into a branch of Logic: using Cantor's "sets", he reconstructed the cardinal numbers by a purely logical method that did not rely on intuition. Frege realized that Logic was about the "syntax", not the "semantics" of propositions. An expression has a "sense" (or intension) and "a reference" (or extension): "red" is the word for the concept of redness and the word for all the things that are red. In some cases, expressions with different senses actually have the same referent. For example, "the star of the morning" and "the star of the evening", that both refer to Venus. In particular, propositions of Logic can have many senses, but only have one of two referents: true or false. Giuseppe Peano was pursuing a similar program at the same time, an "axiomatization" of the theory of natural numbers. Charles Peirce gave a pragmatic definition of "truth": something is true if it can be used and validated. Thus, truth is defined by consensus. Truth is not agreement with reality, it is agreement among humans. Truth is "true enough". Truth is not eternal. Truth is a process, a process of self-verification. In general, he believed that an object is defined by the effects of its use: a definition that works well is a good definition. An object "is" its behavior. The meaning of a concept consists in its practical effects on our daily lives: if two ideas have the same practical effects on us, they have the same meaning. Peirce was therefore more interested in "beliefs" than in "truths". Beliefs lead to habits that get reinforced through experience. He saw that the process of habit creation is pervasive in nature: all matter can be said to acquire habits, except that the "beliefs" of inert matter have been fixed to the extent that they can't be changed anymore. Habit is, ultimately, what makes objects what they are. It is also what makes us what we are: I am my habits. Habits are progressively removing chance from the universe. The universe is evolving from an original chaos in which chance prevailed and there were no habits towards an absolute order in which all habits have been fixed. At the same time, Peirce realized that Frege's theory of sense and referent was limited. Peirce introduced the first version of "semiotics" that focused on what signs are. An index is a sign that bears a causal relation with its referent (for example, cigarette smokes "means" that someone was in the room). An icon is a sign that bears a relation of similarity with its referent (for example, the image of a car refers to the car). A symbol is a sign that bears a relation with its referent that is purely conventional (for example, the letters "car" refers to a car). A sign refers to an object only through the mediation of other signs (or "interpretants"). There is an infinite regression of interpretants from the signifier (the sign) to the signified (the referent). A dictionary defines a word in terms of other words, which are defined in terms of other words, which are defined in terms of other words, and so forth. Peirce believed that knowing is "semiosis" (making signs) and semiosis is an endless process. Philosophy was less interested in Logic and more interested in the human condition, the "existentialist" direction that Schopenhauer and Kierkegaard had inaugurated. Friedrich Nietzsche believed that humans are driven by the "will to power", an irresistible urge to order the course of one's experiences (an extension of Schopenhauer's will to live). All living beings strive for a higher order of their living condition to overcome their present state's limitations. Human limitations are exemplified by Science: Science is only an interpretation of the world. Truth and knowledge are only relative to how useful they are to our "will to power". He viewed Christian morality as a device invented by the weak to assert their will to power over the strong, a "slave morality". He believed that Christian values had become obsolete ("God is dead") and advocated a new morality founded on the ideal of the "superman", who rises above the masses and solves the problems of this world, not of the otherworld. Henri Bergson was, instead, a very spiritual philosopher, for whom reality was merely the eternal flow of a pantheistic whole. This flow has two directions: the upward flow is life, the downward flow is inert matter. Humans are torn between Intellect and Intuition: Intellect is life observing inert matter (in space), whereas Intuition is life observing life (in time). Intellect can "understand" inert matter, not only Intuition can "grasp" life. In order to understand matter, Intellect breaks it down into objects located in space. Intuition, instead, grasps the flow of life as a whole in time. Francis-Herbert Bradley was the last major "idealist". He argued that all categories of science (e.g., space and time) can be proven to be contradictory, which proves that the world is a fiction, a product of the mind. The only reality has to be a unity of all things, the absolute. Inevitably, the focus of knowledge shifted towards the psyche. William James adapted Peirce's "pragmatism" to the realm of the mind. He believed that the function of mind is to help the body to live in an environment, just like any other organ. The brain is an organ that evolved because of its usefulness for survival. The brain is organized as an associative network, and associations are governed by a rule of reinforcement, so that it creates "habits" out of regularities (stimulus-response patterns). A habit gets reinforced as it succeeds. The function of thinking is pragmatic: to produce habits of action. James was intrigued by the fact that the brain, in doing so, also produced "consciousness", but thought that mental life is not a substance, it is a process ("the stream of consciousness"). Edward Thorndike postulated the "law of effect": animals learn based on the outcome of their actions. He envisioned the brain as a network: learning occurs when elements are connected. Behavior is due to the association of stimuli with responses that is generated through those connections. A habit is a chain of "stimulus-response" pairs. Wilhelm-Max Wundt had founded Psychology to study the psyche via experiments and logic, not mere speculation. The classical model of Psychology was roughly this. Actions have a motive. Motives are hosted in our minds and controlled by our minds. Motives express an imbalance between desire and reality that the mind tries to remedy by changing the reality via action. An action, therefore, is meant to restore the balance between reality and our desires. But what about dreams? Sigmund Freud was less revolutionary than he seemed to be, because, in principle, he simply applied the classical model of Psychology. He decided that dreams have a motive, that those motives are in the mind, and that they are meant to remedy an imbalance. Except that the motives of dreams are not conscious: the mind contains both conscious motives and unconscious motives. There is a repertory of motives that our mind, independent of our will, has created over the years, and they participate daily in determining our actions. Freud's revolution was in separating motive and awareness. A dream is only apparently meaningless: it is meaningless if interpreted from the conscious motives. But the dream is perfectly logical if one considers also the unconscious motives. The meaning of dreams are hidden and reflect memories of emotionally meaningful experience. Dreams are not prophecies, as ancient oracles believed, but hidden memories. Psychoanalysis was the discipline invented by Freud to sort out the unconscious mess. Freud divided the self in different parts that coexist. The ego perceives, learns and acts consciously. The super-ego is the (largely unconscious) moral conscience which was created during childhood by parental guidance as an instrument of self-repression The id is the repertory of unconscious memories created by "libido". Somewhat unnecessarily, Freud painted a repulsive picture of the human soul. He believed that the main motive was "libido" (sexual desires) and that a child is, first and foremost, a sexual being. As parents repress the child's sexuality, the child undergoes oral, anal and phallic stages. Boys desire sex with their mother and are afraid their father wants to castrate them. Girls envy the penis and are attracted to their father. And so forth. Carl Jung shifted the focus towards a different kind of unconscious, the collective unconscious. He saw motives not so much in the history of the individual as in the history of the entire human race. His unconscious is a repertory of motives created over the millennia and shared by all humakind. Its "archetypes" spontaneously emerge in all minds. All human brains are "wired" to create some myths rather than others. Thus mythology is the key to understanding the human mind, because myths are precisely the keys to unlock those motives. Dreams reflect this collective unconscious, and therefore connect the individual with the rest of humankind and its archaic past. For Jung, the goal of Psychoanalysis is a spiritual renewal through the mystical connection with our primitive ancestors. Another discipline invented at the turn of the century was Hermeneutics. Wilhelm Dilthey argued that human knowledge can only be understood by placing the knower's life in its historical context. Understanding a text implies understanding the relationship between the author and its age. This applies in general to all cultural products, because they are all analogous to written texts. Ferdinand Saussure was the father of "Structuralism". The meaning of any human phenomenon (e.g, language) lies the network of relationships that it is part of. A sign is meaningful only within the entire network of signs, and the meaning of a sign "is" its relationship to other signs. Language is a system of signs having no reference to anything outside itself. He also separated "parole" (a specific utterance in a language, or a speaker's performance) from "langue" (the entire body of the language, or a speaker's competence), thus laying the foundations for Linguistics. Edmund Husserl's aim was to found "Phenomenology", the science of phenomena. He believed that the essence of events is not their physical description provided by science, but the way we experience them. In fact, science caused a crisis by denying humans the truth of what they experience, by moving away from phenomena as they are. He pointed out that consciousness is "consciousness of": it correlates the act of knowing ("noesis") of the subject and the object that is known ("noema"). The self knows a phenomenon "intuitively". The essence ("eidos") of a phenomenon is the sum of all possible "intuitive" ways of knowing that phenomenon. The eidos can be achieve only after "bracketing out" the physical description of the phenomenon, only after removing the pollution of science from the human experience, so that the self can experience a purely transcendental knowledge of the phenomenon. This would restore the unity of subject and object that science separated. In Physics, a number of ideas were converging towards the same view of the world. Henri Poincare` showed that the speed of light has to be the maximum speed and that mass depends on speed. Hendrik Lorentz unified Newton's equations for the dynamics of bodies and Maxwell's equations for the dynamics of electromagnetic waves in one set of equations, the "Lorentz transformations". These equations, which were hard to dispute because both Newton's and Maxwell's theories were confirmed by countless experiments, contained a couple of odd implications: bodies seemed to contract with speed, while clocks seemed to slow down. Albert Einstein devised an elegant unification of all these ideas that matched, in scope, the one provided two centuries earlier by Newton. He used strict logic. His axioms were that the laws of nature must be uniform, that those laws must be the same in all frames of reference that are "inertial" (at rest or moving of linear uniform motion), and that the speed of light was the same in all directions. He took the oddities of the Lorentz transformations literally: length and duration appear different to different observers, depending on their state of motion, because space and time are relative. "Now" and "here" became meaningless concepts. The implications of his axioms were even more powerful. All physical quantities were now expressed in four dimensions, a time component and a three-dimensional space component. One, in particular, represented both energy and momentum, depending on the space-time coordinate that one examined. It also yield the equivalence between mass and energy (E=mc2). Time does not flow (no more than space does): it is just a dimension. A life is a series of points in space-time, points that have both a spatial and a temporal component. Einstein's world was still Newton's world, though, in some fundamental ways. For example, it was deterministic: the past determines the future. There was one major limitation: because nothing can travel faster than light, there is a limit to what can happen in one's life. Each observer's history is constrained by a cone of light within the space-time continuum radiating from the point (space and time) where the observer "is". Einstein's next step was to look for a science that was not limited to "inertial" systems. He believed that phenomena should appear the same for all systems accelerated with respect to one another. His new formulas had new startling implications. The dynamic of the universe was reduced to the interaction between masses and the geometry of space-time: masses curve space-time, and the curvature of space-time determines how masses move. Space-time is warped by all the masses that is studded with. Every object left to itself moves along a "geodesic" of space-time (the shortest route between two points on the warped surface of space-time). It so happens that space-time is warped, and thus objects appear to be "attracted" by the objects in space-time that have warped it. But each object is simply moving on a geodesic (the equivalent of a straight line in traditional "flat" space). It is space-time that is curved, not the geodesic (the trajectory) of the body. Space-time "is" the gravitational field. Einstein thus reduced Physics to Geometry. The curvature of space-time is measured by a "curvature tensor" (as in Riemann's geometry) such that each point in space-time is described by ten numbers (the "metric tensor"). If the metric tensor is reduced to zero curvature, one obtains traditional Physics in traditional flat space. Curvature (i.e., a gravitational field) also causes clocks to slow down and light to be deflected. Surprisingly, Einstein's Relativity, that granted a special status to the observer, re-opened the doors to Eastern spirituality. Nishida Kitaro was perhaps the most distinguished Eastern philosopher to attempt a unification of western science and Zen Buddhism. In Kitaro's system, western science is like a robot without feelings or ethics that provides the rational foundations for life, while Zen provides the feelings and the ethics. "Mu" is the immeasurable moment in space-time ("less than a moment") that has to be "lived" in order to reach the next "mu". The flow of "mu" creates a space-time topology. Mu's infinitesemal brief presence creates past, present, and future. The "eternal now" contains one's whole being and also the being of all other things. The present is merely an aspect of the eternal. The eternal generates all the time a present. Mu also creates self-consciousness and free will. There is a fundamental unity of the universe, in particular between the self and the world. Each self and each thing are expressions of the same reality, God. The self is not a substance: it is nothingness ("to study the self is to forget the self"). Religion, not science, is the culmination of knowledge. It is also the culmination of love. The European countries (and at least two of their former colonies, Brazil and the USA) experienced an unprecedented boom in literature. The great novels of the time expanded over the genres invented by the previous generations: Leo Tolstoj's "War and Peace" (1869), George Eliot's "Middlemarch" (1872), Emile Zola's "L'Assommoir" (1877), Fodor Dostoevsky's "Brothers Karamazov" (1880), Joaquim-Maria Machado de Assis' "Memorias Postumas" (1881), Joris Huysmans' "A Rebours" (1884), Perez Galdos' "Tristana" (1892), Jose-Maria Eca de Queiros' "Casa de Ramires" (1897), Thomas Mann's "Buddenbrooks" (1901), Henry James' Golden Bowl (1904), Luigi Pirandello's "Il Fu Mattia Pascal" (1904), Joseph Conrad's "Nostromo" (1904), Maksim Gorkij's "The Mother" (1907) and Franz Kafka's "Der Prozess" (1915). Theatre was largely reinvented both as a realist and as a fantastic art through Henrik Ibsen's "Wild Duck" (1884), Alfred Jarry's "Ubu Roi" (1894), August Strindberg's "The Dream" (1902), Anton Chekhov's "The Cherries Garden" (1904), Gerhart Hauptmann's "The Weavers" (1892), Arthur Schnitzler's "Reigen " (1896), Frank Wedekind's "The Book of Pandora" (1904), Bernard Shaw's "Pygmalion" (1914). Poetry works outside of France's "isms" ranged from Robert Browning's "The Ring And The Book" (1869) to Gerald-Manley Hopkins' "The Wreck Of The Deutschland" (1876), from Ruben Dario's "Prosas Profanas" (1896) to Giovanni Pascoli's "Canti di Castelvecchio" (1903), from Antonio Machado's "Campos de Castilla" (1912) to Rabindranath Tagore's "Gitanjali" (1913). In the new century, France still led the way of literary fashion with Guillaume Apollinaire's "Alcools" (1913) and Paul Valery's "La Jeune Parque" (1917). Classical music reflected the nationalist spirit of the age (Richard Wagner in Germany, Hector Berlioz in France, Modest Moussorgsky in Russia, Giuseppe Verdi in Italy, Antonin Dvorak in the Czech Republic, Fryderyk Chopin in Poland, Ferencz Liszt in Hungary) and the impact of Beethoven's symphonies on the German-speaking world (Johannes Brahms, Richard Strauss, Joseph Bruckner and Gustav Mahler). At the beginning of the new century, a number of compositions announced that the classical format was about to exhaust its mission: Aleksandr Skrjabin's "Divine Poem" (1905), Arnold Schoenberg's "Pierrot Lunaire" (1912), Claude Debussy's "Jeux" (1912), Igor Stravinskij's "Le Sacre du Printemps" (1913), Charles Ives' "Symphony 4" (1916), Sergej Prokofev' "Classic Symphony" (1917) and Erik Satie's "Socrates" (1918). All the progress in Science, Philosophy and the Arts did not help avert a new international war, one so large that was called a "world war". Its immediate causes (1914) were insignificant. The real causes were the "nations" themselves. The nationalistic spirit caused the confrontation, and the confrontation caused a massive arms race, and this race turned each European nation into a formidable war machine. Soldiers were transported by battleship, submarine, zeppelin, air fighter, train, car and tank. Enemies were killed with grenades, cannons, machine guns, torpedoes, bombs. 60 million men were mobilized. 8 million died. Serbia, Russia, France, Britain, Japan, Canada, Australia, Italy (1915), China (1917) and the USA (1917) won against Austria, Germany and Turkey. Russia was allied with the winners, but had to withdraw to take care of its own revolution (1917). The post-war age opened with three new political "isms": Vladimir Ilic Lenin's communism (1917), Benito Mussolini's fascism (1922) and Adolf Hitler's nazism (1933). Mussolini and Hitler capitalized on the nationalist spirit of the two youngest nations of Europe. The Russian revolution was two revolutions in one. The first one (in february) was caused by food shortages, and involved women, workers and soldiers. The second one (in october) was in reality a coup by Lenin's Bolshevik Party, determined to apply Leon Trotsky's program of "permanent revolution" (bypass the bourgeoise-democratic 