Kevin Eldon is described as British comedy's most prolific supporting star – and for the first time, he’s got his own show, It’s Kevin, starting on BBC Two. Kevin’s friend and long time collaborator Stewart Lee introduces who exactly this Kevin Eldon bloke is. The teenage Kevin Eldon occupied half a page in a book called Volume, Oliver Gray's history of punk-era Southampton, where, in 1980, Kevin fronted a band called The Time. "His between song patter was laden with mimicry and improvisational flair and he obviously had a bright quick mind," writes Gray, "If stand-up comedy had been around then, Kevin would probably never have been in a band at all." I met Kevin a decade or so later, at a stand-up gig at the De Hems pub in Soho, London, where we were both on the bill. He had a manic amphetamine energy, delivering a rolling cascade of obscure impressions at impossible velocity, a trait I later learned was the result of nothing other than terrible nerves.

A fictional man from the north of England with fictional tales from, about, or pertaining to the north of England

Watching him I realised there didn’t appear to be any voice he couldn’t do, and resolved to ask him to be the funny accent guy on a radio show I was working on with Richard Herring. Kevin has kindly credited us with 'discovering' him, but he already knew exactly where he was, and someone would have stumbled over him sooner or later. That night, I remember being confused by what this ancient figure - he must have been all of 31 - had been doing for 10 years, between his 1979 John Peel session and his 1990 stand-up debut, but Kevin has never been one to rush things.

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Kevin's grateful collaborators, whose TV and radio shows have always been massively improved over the last 20 years by his supporting contributions, have all noted his meticulous, almost insane, attention to detail in voice and characterisation, and I have rarely seen the comedian Simon Munnery laugh more than when describing sitting backstage during one of Kevin’s multi-character live shows, and watching him trying to get methodically into character, whilst also trying to get into a succession of hats and wigs, all within the space of a 20 second turnaround. Kevin's become a Zelig-like figure in British comedy, instantly recognisable to fans of quality shows, but rarely featured above the title.

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