These photos were taken on three nonconsecutive days exclusively utilizing a wide angle lens. With the exception of the cover image, the exterior photos featured were intentionally taken on a single cloudy day, as the large trees and asymmetry of the Church cast problematic shadows for wider shots on sunny days. The tight framing of the St. Mary Chapel was due to this photographer’s shadow being awkwardly cast by the Madonna spotlight from any other angle. As the Main Sanctuary is only open on Sundays, a wide perspective on the Transept was not featured due to it having just been used for the fellowship hour. Acknowledgments and gratitude go to The Reverend John David van Dooren for his warm greetings during photography of the Jefferson Window, to Dave, Millicent, and Bonnie for the pleasant conversations, to NYC Architecture for the convenient historical aggregation, and to Joan Seymour for the informative tour and graciously reviewing the draft of this photo-essay.