FOREWORD to

The Illustrated Concordance of Marielda, Second Printing

No chronology will be observed here, nor could one ever be observed—Marielda resists sequential arrangement. Where other atlases and dictionaries seek to duplicate the facts of a culture, treat this text instead as a replica of Marielda’s constant reconfiguration.

Thus, the reader should use this concordance as if they were wandering through a city street on the afternoon of an empty day. Follow the the capricious arcs of the written characters from one entry to the next, like the scent of an unseen cafe in the distance. Or, move from entry to entry with the speed and purpose of a busy hour of errands.

But understand that neither of these methods will bring you to more truth than any other. As with a mirror, you will get out of this text only as much as you put into it.

But if I may make one recommendation: Begin with the entry on dreams. Though there may be no worse place to begin than the reveries of those poor citizens, there is neither any better.

-Semiotician Emeritus Uklan Tel, Ed.

Hosted by Austin Walker ( @austin_walker )

Ali Acampora ( @ali_west ), Sylvi Clare ( @captaintrash ), Jack de Quidt ( @notquitereal ) and Andrew Lee Swan ( @swandre3000 Featuring

Produced by Ali Acampora ( @ali_west)

Cover Art by Craig Sheldon (@shoddyrobot)

Episode description by Austin Walker

Music by Jack de Quidt

A transcription is available for this episode here.



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