I’m Ryan Coogler, co-writer and director of “Black Panther”. This scene is an extension of an action set piece that happens inside of a casino in Busan, South Korea. Now, T’Challa is in pursuit of Ulysses Klaue, who’s escaped the casino. He’s eliciting the help of his younger sister, Shuri, here, who’s back home in Wakanda. And she’s remote driving this Lexus sports car. And she’s driving from Wakanda. She’s actually in Wakanda. T’Challa’s in his panther suit on top of the car in pursuit. These are two of T’Challa’s comrades here. It’s Nakia who’s a spy, driving, and Okoye who’s a leader of the Dora Milaje in the passenger’s seat in pursuit of Klaue. The whole idea for this scene is we wanted to have our car chase that was unlike any car chase that we had seen before in combining the technology of Wakanda and juxtaposing that with the tradition of this African warrior culture. And in our film we kind of broke down characters between traditionalists and innovators. We always thought it would be fun to contrast these pairings of an innovator with a traditionalist. T’Challa, we kind of see in this film, is a traditionalist when you first meet him. His younger sister, Shuri, who runs Wakanda’s tech, is an innovator. So we paired them together. In the other car we have Nakia and Okoye, who’s also a traditionalist-innovator pairing. Nakia is a spy who we learn is kind of unconventional. And Okoye, who’s a staunch traditionalist, probably one of our most traditional characters in the film, you know, she doesn’t really like being in clothes that aren’t Wakandan. And this scene is kind of about her really bringing the Wakandan out. One of the images that almost haunted me was this image of this African woman with this red dress just blowing behind her, you know, spear out. And so a big thing was, like, you know, for me was getting the mount right so that the dress would flow the right way. It wouldn’t be impeded by the bracing system she was sitting on. So that took a lot of time. We had to play with the fabric and the amount of the dress to get it right.