Netflix’s documentary The Death and Life of Marsha P. Johnson is receiving excellent reviews, giving viewers a better understanding of the black trans woman who was at the center of the Stonewall Riots of 1969. Considering how white and cisgender-focused the LGBTQIA movement can be, media that aims to educate and correct our understanding of the history becomes incredibly essential. No, we haven’t forgotten about Stonewall.

However, a recent accusation directed at the film suggests that it may be replicating the same kind of erasure it strives to combat. Transgender activist, filmmaker, writer, and researcher Reina Gossett has claimed that director David France made The Death and Life of Marsha P. Johnson based on a grant application video she made with Sasha G. Wortzel (Happy Birthday, Marsha!), which was “sent to the Kalamazoo/Arcus Foundation social justice center while he was visiting.”

Gossett posted to Instagram:

Pointing out the frustration of seeing the Netflix film gain as much attention as it has while she’s “borrowing money to make rent,” Gossett writes:

“He told the people who worked there -i shit you not- that he should be the one to do this film, got a grant from Sundance/Arcus using my language and research about STAR, got Vimeo to remove my video of Sylvia’s critical “y’all better quiet down” speech, ripped off decades of my archival research that i experienced so much violence to get, had his staff call Sasha up at work to get our contacts then hired my and Sasha’s *ADVISOR* to our Marsha film Kimberly Reed to be his producer. And that’s just the shit I have the spoons to name…This kind of extraction/excavation of black life, disabled life, poor life, trans life is so old and so deeply connected to the violence Marsha had to deal with throughout her life.”

Activist Janet Mock also uploaded a post in support of Gossett, detailing the extensive archival work she’s done about trans women of color essential to the revolution.

France has denied these claims in a response on Twitter. There, he insisted he paid all artist collaborators and stated, “Reina thinks her work is in my film, but when she sees it she will know.” He also spoke in support of Happy Birthday, Marsha! and states he took steps to make sure they were not “duplicating efforts.”

My crew consisted of trans and GNC artists at every level, from producer to bookkeeper, and 18 trans people (almost all of color) advisors — David France (@ByDavidFrance) October 7, 2017

Mock responded:

“Fully support” is an action, not an intention/thought. Support looks like stepping aside, using your access/priv to produce Reina’s work. https://t.co/urZx6YkTtW — Janet Mock (@janetmock) October 7, 2017

France eventually responded with a long Facebook post, talking about his connection with the film and writing:

“I admire Reina Gossett and look forward to her beautiful film. Alone among researchers, she has dedicated her work to the legacy of Marsha and early trans activism. Yet in terms of funding and support, I witnessed the obstacles she faces as an artist who is also a transgender woman of color, obstacles that have been far less onerous for me in pursuit of my craft. Racism and transphobia are hideous cancers.

By joining my voice to the campaign for Marsha’s justice, I hoped to amplify that call, not complicate it, and to bring whatever attention I could draw to this history and those who defend it. But I have complicated it nonetheless. I know that history-telling is not a zero sum equation. But funding and cultural power can be. It is wrong that our projects have not received equal attention. I re-double my commitment to bringing “Happy Birthday, Marsha” the attention and backing it needs and deserves, and hope that you will too. www.facebook.com/HBDmarsha”

While France’s expresses support for Happy Birthday, Marsha! and acknowledges his privilege, it’s nevertheless leaves a poor taste in the mouth that Gossett’s crucial, unpaid work in preserving the legacy and history of Marsha P. Johnson sits in the backdrop rather than forefront. Too often, as we see in Johnson’s story, society benefits from the contributions of trans women of color without acknowledging them. That cannot happen here:

Support Reina Gossett — she made @hbdmarsha w/ @sashawortzel! Book her as a speaker! Let others know about her work! https://t.co/CM86S8ckYF — Janet Mock (@janetmock) October 7, 2017

If you’re angry about the ripping off of Reina Gossett’s work, make a donation if you can to #HappyBirthdayMarsha: https://t.co/DTtwKSN7QN — Lola Phoenix (@TheLolaPhoenix) October 7, 2017



(via Teen Vogue, image: screencap)

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