Overview (4)

Mini Bio (1)

Trade Mark (5)

Volcanic tirade, smoke-burnished voice



Frequently plays men of power and/or authority



Surly but essentially moral characters with deep capacity for violence



Jet black hair and dark owl eyes



Diminutive frame, off-set by his formidable bearing



Trivia (94)

Ranked #4 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997]



Was arrested, charged with carrying a concealed weapon. [January 1961]





Son of Sal Pacino (insurance agent) and Rose (nee Gerardi) Pacino; his maternal grandparents originate from Corleone, Sicily. His paternal grandparents originate from San Fratello, Sicily. Aside from his grandparents being from Corleone in Sicily, his real name "Alfredo" and childhood nickname "Sonny" are also indirect references to the names of his siblings in his breakthrough movie "The Godfather" (Fredo and Sonny).



Was offered the role of Harvey Dent / Two-Face on Batman (1992), which went to Richard Moll



Originally asked for $7 million for Der Pate 3 (1990), a figure that so enraged director Francis Ford Coppola that he threatened to write a new script that opened with Michael Corleone's funeral. Pacino settled for $5 million.



Francis Ford Coppola asked Pacino to play Captain Willard in his film Apocalypse Now (1979). Pacino politely turned down the offer, saying he would "do anything" for Francis but he "wouldn't go to war with him!".

Stopped a two-pack-a-day smoking habit to protect his voice (1994). In the mid-1980s, he had been smoking four packs of cigarettes a day. He now only occasionally smokes herbal cigarettes.





Pacino was so much into character (playing a plain-clothes New York City policeman) while filming Serpico (1973) he actually pulled over and threatened to arrest a truck driver for exhaust pollution.

Is one of the few Hollywood stars who has never married.



Despite the fact that he starred in "The Resistable Rise of Arturo Ui" for Off-Broadway scale pay (the minimum salary allowed by Actor's Equity), the production had the highest ticket price in Off-Broadway history at $100 per ticket.



Won two Tony Awards: as Best Supporting or Featured Actor (Dramatic) for "Does a Tiger Wear a Necktie?" (1969) and as Best Actor (Play) for "The Basic Training of Pavlo Hummel" (1977).



Won his first Academy Award twenty-one years after his first nomination.





He and Chris Sarandon improvised their scene on the phone in the film Hundstage (1975).



Studied at the Herbert Berghof (HB) Studio (HB Studio), where he met acting teacher Charlie Laughton (not to be confused with Charles Laughton ), who became his mentor and best friend.



Is an avid fan of William Shakespeare ; "Hamlet" being his favorite play.

Was voted the Number 1 greatest movie star of all time in a Channel 4 (UK) poll.



He was voted the 41st Greatest Movie Star of all time by Entertainment Weekly.





In 2004, he became the 18th performer to win the Triple Crown of Acting. Oscar: Best Actor, Der Duft der Frauen (1992); Tony: Best Supporting Actor-Play "Does a Tiger Wear a Necktie?" (1969) and Best Actor-Play "The Basic Training of Pavlo Hummel" (1977); and Emmy: Best Actor-Miniseries/Movie, Engel in Amerika (2003).



Pacino was rejected repeatedly by studio heads and frequently referred to as "that midget Pacino" by producers of Der Pate (1972) who did not want him for the role of Michael Corleone in Der Pate (1972), but Francis Ford Coppola fought for him. This film was shot briskly because both the director and the leading actor were in constant fear of being fired. Ironically, this turned out to be a breakthrough for both.



Is the stepson of actress and make-up artist Katherin Kovin-Pacino . Has four sisters and half-sisters: Josette (a teacher), twins Roberta Pacino and Paula, and Desiree, whom Pacino's father adopted with his fourth wife.



Was a longtime member of David Wheeler 's Theatre Company of Boston, for which he performed in "Richard III" in Boston from December 1972 to January 1973 and at the Cort Theater in New York City from June 10 to July 15, 1979. He also appeared in their productions of Bertolt Brecht 's "Aurturo Ui" at the Charles Theater in Boston in 1975 and later in New York and London, and in David Rabe 's "The Basic Training of Pavlo Hummel" at the Longacre Theater in New York in 1977, for which Pacino won a Tony Award. Wheeler also directed Pacino in Heathcote Williams ' "The Local Stigmatic" for Joseph Papp 's Public Theater in New York City in 1976. Pacino appeared in a 1989 film of "Stigmatic" ( The Local Stigmatic (1990)) directed by Wheeler that was presented at the Cinémathèque in Los Angeles.

Won the Best Actor Obie (awarded for the best Off-Broadway performances) for "The Indian Wants the Bronx" (1968). Was also nominated for a Best Actor Obie for "Why Is a Crooked Letter" (1966).



His performance in the Broadway play "Does a Tiger Wear a Necktie?" won him a Tony Award for Best Dramatic Supporting Actor, and a Drama Desk Award and Theatre World Award for Best Supporting Actor in 1969.





While Paramount brass dithered over whether to cast him as Michael Corleone in Der Pate (1972), the role that would make him a star, a frustrated Pacino signed up for the role of Mario Trantino in MGM's Spaghetti Killer (1971). When Paramount finally decided to offer him the role in "The Godfather", his binding contract with MGM had to be bought out.

Premiere magazine ranked him as #37 on a list of the Greatest Movie Stars of All Time in their Stars in Our Constellation feature (2005).



Grew up in the South Bronx, New York City and attended the High School of the Performing Arts until he dropped out at age 17.





Has a production company called Chal Productions. The "Ch" is in tribute his friend "Charlie Laughton" (not the actor Charles Laughton ) while the "Al" is for himself.

Worked in the mail room of Commentary magazine.



Briefly worked as a stand-up comedian early in his career.



Early in his acting career, he considered changing his name to "Sonny Scott" to avoid being typecast by his Italian name. "Sonny" was his childhood nickname.





During the making of Der Einsatz (2003), he met and became close friends with Colin Farrell . He went on to call Farrell the most talented actor of his generation.



Turned down the role of Richard Sherman for a remake of Das verflixte 7. Jahr (1955) which was never filmed.

Turned down the role of Michael Corleone in the Godfather videogame.





His performance as Sonny Wortzik in Hundstage (1975) is ranked #4 on Premiere magazine's 100 Greatest Performances of All Time (2006).



His performance as Michael Corleone in Der Pate 2 (1974) is ranked #20 on Premiere magazine's 100 Greatest Performances of All Time (2006).



His performance as Tony Montana in Scarface (1983) is ranked #74 on Premiere magazine's 100 Greatest Movie Characters of All Time.



His performance as Michael Corleone in Der Pate 2 (1974) is ranked #11 on the American Film Institute's 100 Heroes & Villains.



His performance as Frank Serpico in Serpico (1973) is ranked #40 on the American Film Institute's 100 Heroes & Villains.



Was director Bryan Singer 's first choice for the role of Dave Kujan in Die üblichen Verdächtigen (1995). Pacino passed on the role and has since stated that that is the role he regrets passing on the most.

Imprinted his hands and signature in cement at Grauman's Chinese Theatre on November 16, 1997.





Stated in an interview that the movie he most wanted to be in but could not get the role was Schlappschuß (1977). Director George Roy Hill opted not to go with Pacino because he could not ice skate.



Revealed to James Lipton on Inside the Actors Studio (1994) for the first time ever that his maternal grandfather was born in Corleone, Sicily.



At one point, David Cronenberg was in line to direct the film The Singing Detective (2003), with Pacino in the lead.

Has suffered from chronic insomnia.





Has been friends with HRH Prince Charles , The Prince of Wales, for several years, and has stayed as his guest at Highgrove House.

He studied acting at HB Studio in Greenwich Village, New York City.





Former New York deputy mayor Ken Lipper was one of Pacino's classmates in school.



Got co-star Kevin Spacey his first major role in a film. Pacino saw Spacey performing on Broadway and suggested him to the director of Glengarry Glen Ross (1992) for the role of John Williamson.



Is a huge fan of Dick Van Dyke



Lifetime member of the prestigious Actors Studio. He was accepted into the studio in 1966, studying under legendary acting coach Lee Strasberg



The voice of Moe the Bartender from Die Simpsons (1989) was based on Pacino in Hundstage (1975).

Resides in Beverly Hills, California and Palisades, New York.





Spoke three of the American Film Institute's 100 Movie Quotes: "Keep your friends close, but your enemies closer." from Der Pate 2 (1974) at #58, "Say 'hello' to my little friend!" from Scarface (1983) at #61 and "Attica! Attica!" from Hundstage (1975) at #86.

Before becoming a professional actor he held a number of jobs including a messenger, shoe salesman, supermarket checker, shoe shiner, furniture mover, office boy, fresh-fruit polisher, and a newsboy. An avid fan of opera, Pacino once worked as an usher at Carnegie Hall. In a Playboy magazine interview, he claimed that he was fired from his job as a movie theater usher while walking down the staircase and admiring himself in the mirrored wall.



He was awarded the 2011 American National Medal of the Arts for his services to drama on February 13, 2012 at the White House in Washington, D.C.





Is one of the few Razzie Award winners to have won an acting award for playing himself. He won Worst Supporting Actor for Jack und Jill (2011).



Became a father for the first time at age 49 when his [now ex] partner Jan Tarrant gave birth to their daughter Julie Marie Pacino, aka Julie Pacino , on October 16, 1989.



Became a father for the second and third time at age 60 when his [now ex] partner Beverly D'Angelo gave birth to their twins Anton and Olivia Pacino on January 25, 2001.

During the early 1980s, Pacino tried unsuccessfully to develop a biographical film on Amedeo Modigliani.





Claims to have learned more about acting from friend John Cazale than from anybody else.



After completing Der Pate (1972), Pacino was so broke he actually owed a studio $15,000 so he never saw a paycheck for his work on that film.

Pacino has been a recovering alcoholic since the start of his career.





Split with girlfriend of 10 years Lucila Solá in 2018. This was the second time they'd separated, following a brief breakup and patch-up in 2015.



Pacino was mentioned, along with many other celebrities, in Bette Midler 's list song, "Samedi et Vendredi", on the album, "Songs for the New Depression" (1976).



As the Best Supporting Actor Oscar is announced and awarded before the Best Actor Award, he won his first Oscar on this eighth acting Academy Award nomination, when he was given the Best Actor Award for his performance in Der Duft der Frauen (1992), making him the male actor with the most nominations required for his first win. This is the same number as required for the female record holder, Geraldine Page



Was the first choice for the male lead in Cover Me Babe (1970) that instead went to Robert Forster



He has appeared in three films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: Der Pate (1972), Der Pate 2 (1974) and Hundstage (1975).



In a relationship with Meital Dohan since 2018.

Won critical acclaim for his role of a junkie in his film debut in 'Needle Park' which was an entry on the 1971 Cannes Film Festival.



Personal Quotes (76)

The problem with me is, I guess, the way I express myself, you have to be with me 50 years before you can get a sense of what I'm talking about.



I can't say I've been sober though. I don't like that word. What does it mean? 'Sober! He's very sober'.



There are times when I have a temperament. Yes, my temperament is there ... but I hope I'm gentle. Yes, I think I am.



When I try to explain anything I always end up trying to be right usually, but not truthful necessarily. Trying to give the right answer or what I think is the right answer. It's a human instinct. You try to be as clever as you can be. You're trying to come off like you really know what the hell's going on, when you don't!



I'm single and I don't particularly like it. I'm certainly the kind of person who prefers ... it ... it ... It's good to have someone in your life that you're going through this thing with. It's good. That's a thing in life that I aspire to.





I like what Norman Mailer said about alcohol: 'Drink has killed a lot of my brain cells and I think I would have been a better writer without it, but it would be one less way to relax.'

Did you know I started out as a stand-up comic? People don't believe me when I tell them.



[on whether acting and his roles reflected who he is] In the end you're just playing a role.





I'll tell you something. And this is a fact. When I was doing Scarface (1983), I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, 'Look, you really got me through this picture', because I would shed everything when I came home.

That's right! That's right! We know the best feeling in the world is the one between the second and third martini. That was my deal. I just enjoyed who I became when I was drinking, so that was something hard to break. I became much quieter, and funny. I must say, that kind of thing came out.



I hope the perception is that I'm an actor, I never intended to be a movie star.



I'm constantly striving to break through to something new. You try to maintain a neutral approach to your work, and not be too hard on yourself.



I guess you find yourself repeating certain motifs. But at the heart of it all, I'm an actor, always looking for a role. And then you try to make things fresh.



People always said that time, the '70s, was about pretty boys, and then I came along!



One hopes to find out about the [movie] you're in while you're doing it, not several years later, which is usually when I find out. I'm like, 'Wow, that was a dud! I didn't know, nobody would tell me!' I've done things for certain reasons, but it [comes from] thinking on your feet... Sometimes actors do things not because we have a great desire [for it], but because it's work, and I'm starting to wonder about that.





But I was just lucky. People like [ Francis Ford Coppola ] were making films, and I got opportunities.



by Robert Osborne in "Academy Awards 1974 Oscar Annual"] I couldn't exist just doing films. But on the other hand, there is the fame that comes with it, and the money. My problem is I still want to play Hamlet in some little theater somewhere, and time is running out.



[Presenting the Lifetime of Achievement Award to director Sidney Lumet at the 2005 Academy Awards] As an old village poet put it to me in the 1960s. [If you dig it, it's yours]. I dug Sidney Lumet back then. I dig him now because what he had to give, I took and made it mine. I'm forever grateful along with all the other actors and writers who have benefited from Sidney's genius.



[on his friend and Heat (1995) co-star Robert De Niro ] We know each other's minds. We have shared some things that are personal to us, such as our roles. I know Bobby through his roles. But, then, I don't think we actually talked about the actual work of actors.



[on his friend and Heat (1995) co-star Robert De Niro ] I remember seeing things that Bob had done in the past, and very recent times, and have been taken with the work so much that I even wrote [him] about it. Some of his great work -- which is plenty -- I was staggered by the subtlety of his portrayal and the warmth, which is what we often talk about with Bob among us actors who admire him so. It is the warmth and the way he approaches things.



[on doing Asphalt-Blüten (1973) with Gene Hackman ] Gene and I are two people not very similar. We had to play a very close relationship, but I just didn't think we were as connected as we should have been. We seemed apart. We didn't have altercations, we didn't hate each other. But we didn't communicate, didn't think in the same terms. Gene and I were thrown together, but under ordinary circumstances we'd never cavort or be friends. It was two worlds - but I have to say that I was as much responsible as he was.

[on whether or not acting is still challenging for him] The challenge? It's always a challenge of a sort. It's a challenge to get up and go and leave your family and go out there in all different parts of the world and do a picture and try to make it come alive . . . You're still challenged for that. I mean, it's the same story. It's just not changed. It seems to be the same thing it always was. It's this effort. If you get excited about a thing then things are generally a little easier. If you get enthusiastic and you want to do something and you feel you are into something then things start to come. But usually to find the enthusiasm and the appetite, that's the challenge.





[on why his film Chinese Coffee (2000) has yet to be released] 'Coffee' is done, I got a couple of little important things to do about it, like little tiny things, and THEN I will unveil it. It's not a movie that you put in a . . . it needs a certain environment to flourish in. It's just the way it is. It doesn't make it better or worse than the picture. It's just the way it is, the nature of it.



I've always believed, I always hoped . . . I don't think I know what I'm saying when I say this, but I was hoping that we could have a museum where we had films. That there was a museum where films were, like, hung. Like paintings. And you went to the museum. I got the movie The Local Stigmatic (1990) that I made. It's 52 minutes and everybody has seen it now because I've personally got them in to see it, to show it to them and I paid them for it, too. But it's over at the Museum of Modern Art and I love saying . . . This is really pretentious of me, this is what I really like. I love to say: 'Oh, it's at the Museum of Modern Art. Isn't that great?' 'Have you released it?' 'No, I never did.' I love saying that, you know? 'How come?' 'Because I didn't feel like it.' It's fun to do that.

The actor becomes an emotional athlete. The process is painful -- my personal life suffers.



My first language was shy. It's only by having been thrust into the limelight that I have learned to cope with my shyness.



I don't understand the hatred and fear of gays and bisexuals and lesbians...it's a concept I honestly cannot grasp. To me, it's not who you love...a man, a woman, what have you...it's the fact THAT you love. That is all that truly matters.





[When asked what romantic character he would want to be] [ Pablo Picasso ]. I love the idea that he used to just sit and stare at an empty canvas for as long as 12 hours straight. If you keep staring at the canvas, the hope is that something or someone will come to mind. That's a romantic notion in itself.



[When asked what a movie of his life would be called and who would play him] It would be called 'The Dustin Hoffman Story'. When we were starting out, [ Robert De Niro ], me and Hoffman were always sort of mixed up. People mistook us for each other.

In America most everybody who's Italian is half Italian. Except me. I'm all Italian. I'm mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.





[on Der Pate 3 (1990)] You know what the problem with that film is? The real problem? Nobody wants to see Michael have retribution and feel guilty. That's not who he is. In the other scripts, in Michael's mind he is avenging his family and saving them. Michael never thinks of himself as a gangster - not as a child, not while he is one and not afterward. That is not the image he has of himself. He's not a part of the GoodFellas - Drei Jahrzehnte in der Mafia (1990) thing. Michael has this code; he lives by something that makes audiences respond. But once he goes away from that and starts crying over coffins, making confessions and feeling remorse, it isn't right. I applaud [ Francis Ford Coppola ] for trying to get to that, but Michael is so frozen in that image. There is in him a deep feeling of having betrayed his mother by killing his brother. That was a mistake. And we are ruled by these mistakes in life as time goes on. He was wrong. Like in Scarface (1983) when Tony kills Manny - that is wrong, and he pays for it. And in his way, Michael pays for it.

My dad was in the army. World War II. He got his college education from the army. After World War II he became an insurance salesman. Really, I didn't know my dad very well.





[on Julie Christie ] The most poetic of actresses.

The only problem is, I don't have the appetite to make my own pictures. I don't want to direct. So I'm always in a kind of passive position, waiting for someone to come to me with a project... That I sort of don't like.





[on Heat (1995)] I remember chasing Bobby De Niro around at 3 a.m. I didn't warm up and boom, there went my hamstring. I was like, "Great, I feel like old Al." Then I realized, "I AM old Al." I guess I have to keep in shape as I get older. But I don't like to work out. Whenever I get the urge to exercise, I lie down until it passes.



[on Jack Lemmon ] Jack was the most selfless actor I've ever worked with. He was the most considerate and the most generous. He cared a great deal about what he was doing. He was a complete actor who gave 150 percent. But the remarkable thing about Jack was that he kept growing. So his best work was his latest work.



[on making Der Pate (1972)] Every time I'd run into Marlon Brando on set, my face would turn red and I'd start laughing...have you any idea what it was like to do a scene with Brando? I sat in movie houses when I was a kid watching Brando in Endstation Sehnsucht (1951) and Viva Zapata (1952). Now I'm playing a scene with him. He's God, man!



It surprised me, the feeling I got when I won the Oscar for Der Duft der Frauen (1992). It was a new feeling. I'd never felt it. I don't see my Oscar much now. But when I first got it, there was a feeling for weeks afterward that I guess is akin to winning a gold medal in the Olympics. It's like you've won a race and everybody knows you won. It's a wonderful feeling, a complete feeling.

An actor with too much money will usually find a way to get rid of it.



He who persists at his folly will one day be wise.





After every movie, Humphrey Bogart -- even at the end -- was very worried he'd never get another part. If you don't get the job, there's no work, there's no outlet, there's no expression, there's no painting. You just live and hope that another day will come with a role that will serve as a canvas for you.



I recommend watching Ein ungleiches Paar (1983). It's a great movie if you want to know about actors.



I am a dancer, but I don't think I would be on Dancing with the Stars (2005) mainly because I would be too shy.



The most popular movie I've ever made is Scarface (1983), all over the world. It's amazing to me. It's wonderful. We sometimes forget that it was Oliver Stone who wrote it. He is a political creature, and I think that is an undercurrent in the movie. And the combination of him and Brian De Palma made for this kind of fusion or explosion. It worked.

(1979, on Marlon Brando) There's no doubt every time I see Brando that I'm looking at a great actor. Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured. I remember when I first saw On the Waterfront. I had to see it again, right there. I couldn't move, I couldn't leave the theater. I had never seen the likes of it. I couldn't believe it.



(1979, Playboy Magazine) Bang the Drum Slowly is my all-time-favorite film. I saw that three or four times. I'd like to go see it again. The baseball motif, the quality of the relationship between Moriarty and De Niro, is beautiful. Maybe I relate to it because I wanted to be a baseball player. For some reason, people don't talk about that movie.



(1979 quote on his first time at the Oscars) I was at the Oscars once, for Serpico. That was the second time I was nominated. I was sitting in the third or fourth row with Diane Keaton. Jeff Bridges was there with his girl. No one expected me to come. I was a little high. Somebody had done something to my hair, blew it or something, and I looked like I had a bird's nest on my head, a real mess. I sat there and tried to look indifferent because I was so nervous. Any time I'm nervous, I try to put on an indifferent or a cold look. At one point, I turned to Jeff Bridges and said, "Hey, looks like there won't be time to get to the Best Actor awards." He gave me a strange look. He said, "Oh, really?" I said, "It's over, the hour is up." He said, "It's three hours long." I thought it was an hour TV show, can you imagine that? And I had to pee-bad. So I popped a Valium. Actually, I was eating Valium like they were candy. Chewed on them. Finally came the Best Actor. Can you imagine the shape I was in? I couldn't have made it to the stage. I was praying, "Please don't let it be me. Please." And I hear . . . "Jack Lemmon." I was just so happy I didn't have to get up, because I never would have made it.





[1979, Playboy Magazine] I wanted to be a baseball player, naturally, but I wasn't good enough. I didn't know what I was going to do with my life. I just had a kind of energy, I was a fairly happy kid, although I had problems in school. In the eighth grade, the drama teacher wrote my mother a letter saying she should encourage me. I used to recite The Rime of the Ancient Mariner. And I would read the Bible in the auditorium. That was the first time I heard of Marlon Brando . I was in a play and they said, "Hey, Marlon Brando - this guy acts like Marlon Brando." Isn't that weird? I was about 12. I guess it was because I was supposed to get sick onstage and I really did get sick every time we did this play. Actually, the person I related to was James Dean . I grew up with the Dean thing. ...denn sie wissen nicht, was sie tun (1955) had a very powerful effect on me.

(1979, on his beginning as an actor at the High School of Performing Arts) I was never very happy with performing; it didn't turn me on much. If I made a catch at third base, I'd do a double somersault and sprawl out on the ground. I was acting-overacting. They taught Stanislavsky at Performing Arts. That whole thing about the Method and serious acting, having to feel it, I thought it was crazy. What was going on? Where was the fun? So I was kind of bored with it.



(1979, on his pre-fame job as a building superintendent) I was about 26. My friend told me about this job with a rent-free apartment and $14 a week. So I went down and got a boiler's permit and came back and I was a super. It was my first real place that was not a rooming house or sharing with a girl-I had lived with a girl before that. Now I had my own little home. I had no money, hardly anything to eat, but I had a roof over my head. I was a super for 11 months. I drank, actually, but I hung in there and came out of it. It was a very fruitful time and, at the same time, it was the lowest time in my life. I used to hang an 8 x 10 glossy of me on the door.



[on people considering him a legend] I'm very flattered to hear that, that compliment. I don't think of myself as anything but an actor struggling to find the next role and when I do get the role to try and see if I can find any way into it.



With young actors I learn from them, just as hopefully I always will. If I were to advise them in some way, I would say this is a craft that you just have to keep doing. Do it whenever you can and you shouldn't spend too much time dealing with the fact that there's a world out there with a lot of competition. You have to educate yourself. You have to read. You have to see things that are inspiring to you.





[on the casting of Michael Corleone in Der Pate (1972)] Francis [Ford Coppola] knew I could do the part, and so did I. But he kept asking me to test again and again. I didn't want to go. I don't go where I'm not wanted. Once I got the role, I was waking up at four or five in the morning and going into the kitchen to brood over [it].



[on preparing to play the character of Tony Montana in Scarface (1983)] I worked with an expert in knife combat, with a physical education guy who helped me get the kind of body I wanted for the part. I used the boxer Roberto Durán a little bit. There was an aspect of Durán , a certain lion in him that I responded to in this character. And I was very inspired by Meryl Streep 's work in Sophies Entscheidung (1982). I thought that her way of involving herself in playing someone who is from another country and another world was particularly fine and committed and... courageous.

I'm the same now as I've always been - sort of a recluse. People resent me for remaining myself when they think I should be acting like a superstar. I never wanted to be an actor and I don't particularly enjoy it. I have to act. There just isn't anything else for me.



[on being in Dublin, Ireland] I always feel so at home here, it's great. In fact, I just want to do a movie here so then I could really stay for a while, get around and see it, and be a part of it.



[on the tough neighborhood he grew up in] They used to call it Fort Apache - the 41st Precinct. But that was the start of the heroin thing. Around 1948 that's when the drugs came into New York. That's when the trouble started. Of all my dearest, closest friends from that time, none of them survived.





[on his acting teacher Lee Strasberg ] Someone said to him: 'Oh, I know you.' He replied: 'You know my name. You don't know me'.



[on being offered the part of Michael Corleone in Der Pate (1972)] Naturally my first thought was: 'I can't play that. It's a really hard part. Can't I play Sonny? That's a good part.' Then all this screen testing began. It was the Scarlett O'Hara of its day. Francis put that cast together and they okayed everybody except for me and Marlon Brando . Finally, they okayed Marlon. 'But this kid? No way!'



[on working with Marlon Brando in Der Pate (1972)] I loved him. He was such a sensitive person. He saw the difficulties I was having and I think he saw a little of himself when he was young. I was in awe. I remember once he came up behind me and gave me a little massage. 'You okay?' he'd say.



[on Scarface (1983)] We couldn't show our faces after it opened. I was at a party after a screening at Sardi's. I walked in and the faces looked like those in a wax museum. People were sitting so still. Liza Minnelli was there. She hadn't seen the movie. She came up to me and said: 'What did you do to these people?' And yet it survived.



[on rejecting the role of John McClane in Stirb langsam (1988)] I gave that boy [ Bruce Willis ] a career.

I was smoking at nine and smoking a pipe by 12... well, I was dramatic. The cop on the beat used to buy us booze when I was 13 and 14. He was a great guy. He would say, 'Have a little of this', and he would keep a watch on us. I don't know that it would be politically correct but he is not working anymore and is long retired.





[on turning down the part of Han Solo in Krieg der Sterne (1977)] That role was mine for the taking but I couldn't understand the script.

[on The Godfather trilogy] A long, awful, tiring story.



I asked God for a bike, but I know God doesn't work that way. So I stole a bike and asked for forgiveness.



[on directing] I have worked with many great film directors and seen that there is a level of film-making that I can never get to so I don't even bother. I just enjoy engaging in film as an amateur. I don't have the pressure of having to deliver. I am off the hook.





[on being off-screen from 1985 to 1989] I poured my own money into my own film, The Local Stigmatic (1990). Which I never released. I did some plays. All of a sudden the years passed and suddenly I owed some back taxes and the mortgage was due and I was broke. But you know what really hit me? I was walking through Central Park and this guy comes up to me - didn't know him at all - and he says, 'Hey, what happened to you? We don't see you, man.' I said, 'Well, I... uh... uh...' and he said, 'C'mon Al, I want to see you up there.' And I recognized that I was lucky to have what I've been given. You gotta use it.

[on one's career] I think that the idea of resurgence is wonderful. But basically I think it's just luck. Also, if you start to say, 'How about if I made a movie with this person who is really a good director?' or 'How about if I did a movie about something that I feel I've got something to say about?' These things happen and I feel you're lucky when it happens.





[on Diane Keaton getting him back into movies after a four-year hiatus in the 1980s] I'd probably be a short-order cook right now if it wasn't for Diane. I'd become kind of detached from everything and I was enjoying a life out of the mix. She's the one who found Melodie des Todes (1989) and told me I should do it. She said, 'You're not on the A-list anymore, buddy. Are you going to go back to living in a rooming house? You've been rich too long. You're an adult now.'"

[on Johnny Depp] -- Johnny is one of the greatest actors of his generation. He has incredible instincts. He's able to put himself into the head of his character and vary his level according to the needs of each scene. That's a very rare gift.



[on becoming famous] The reaction wasn't positive. I was catapulted out of a cannon. People are more accepting of fame today because of all the media outlets. Young people even aspire to it. I became more aware of myself, constantly reminded that I had this name because strangers kept calling me by it. Being an outsider is part of being an artist. You try to conform. But some of us just can't. I didn't know what was expected of me. I still don't.



The best thing I heard about that once is, 'I don't want you to miss me. I want you to remember me.' [2018, when asked how he'd like to be remembered]



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