That's entertainment.

Houdini's renown was such that he was known around the world by a single name long before Sting or Madonna.

"We know Houdini was a hero," said Sloman. "He could get out of anything _ which was a myth, of course."

Kalush said the myth eventually overshadowed the man. "It's part of us: He's a human, I'm a human, he can beat anything, so maybe I can beat some things," Kalush said.

The biography's other hook is the suggestion that Houdini's relentless debunking of the Spiritualist movement, whose proponents included "Sherlock Holmes" author Sir Arthur Conan Doyle, led to his death. The group believed they could contact the dead; Houdini believed they were frauds.

Houdini, at the turn of the century, joined his wife Bess _ "The Celebrated Clairvoyant" _ in presenting a trumped-up act in which he worked as the barker and she as the medium. But Houdini eventually crossed over to the other side, exposing phony mediums much as he'd once exposed copycat escape artists.

"I like the way that Houdini comes off as a real tough guy, which is no doubt true," said Teller. "He's not afraid to show up at somebody else's performance and scream, `This is my act you're doing. Why don't you try this trick?'

"That's a rough and tumble thing you'll never see a modern magician do."

The authors recount a pair of October 1926 incidents in which Houdini was viciously punched in the stomach, once by a college student in his dressing room and later by a stranger in a hotel lobby.

Houdini _ the book suggests the Spiritualists may have arranged the attacks _ died days later in Room 401 at Grace Hospital in Detroit. His aura of invincibility seemed over. But as the authors discovered, it still lives on today.

"He's compelling because of that myth, that he could not be restrained by anything," said Sloman. "The more successful he was, the more he became a symbol of the lone man resisting authority."

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