Quote: andy-cytomic Originally Posted by Is it the same sound with open filters and with bypassed filters?

Quote: andy-cytomic Originally Posted by So, first up, Dom can you please provide an example of the filter sound you are after ITB? The best thing for me to listen to will be a basic sawtooth sweep with the filter you want, and also the dry sawtooth, and make sure not to clip the output DAC - in fact if you can take the digital output from the e6400 (if it has one) and record that then we can bypass the DAC contributing to the sound.

This is great news Andy, I'd definitely be interested in this.You can't bypass the filters, the nearest you get to that is selecting the 2 Pole Low Pass.What filters do you want sweeped? The highpass filters are very good, others not so much unless combined with the chorus and modulation options such the multi stage envelopes and cord section etc. I will probably just provide the high pass filters to begin with.I'm thinking one sweep with resonance and another without? Is this okay?Here is a list of the different filter types:-Lowpass filter with 12dB/octave rolloff and Q control.Lowpass filter with 24dB/octave rolloff and Q control.Lowpass filter with 36 dB/octave rolloff and Q control.Highpass filter with 12 dB/octave rolloff and Q control.Highpass filter with 24 dB/octave rolloff and Q control.Bandpass filter with 6 dB/octave rolloff on either side of the passband andQ control.Bandpass filter with 12 dB/octave rolloff on either side of the passband andQ control.A novel bandpass filter where the frequency peaks and dips cross midway inthe frequency range.Parametric filter with 24 dB of boost or cut and a one octave bandwidth.Swept EQ, 2->1-octaveParametric filter with 24 dB of boost or cut. The bandwidth of the filter istwo octaves wide at the low end of the audio spectrum, gradually changingto one octave wide at the upper end of the spectrum., 3->1-octaveParametric filter with 24 dB of boost or cut. The bandwidth of the filter isthree octaves wide at the low end of the audio spectrum, graduallychanging to one octave wide at the upper end of the spectrum.Recreates a comb filter effect typical of phase shifters. Frequency movesposition of notches. Resonance varies the depth of the notches.Comb filter with slightly different notch spacing than Phaser 1. Frequencymoves position of notches. Resonance varies the depth of the notches.Phase shift filter with peaks as well as notches.Contains three notches. Frequency moves frequency and spacing ofnotches. Resonance increases flanging depth.Vowel formant filter which sweeps from “Ah” sound, through “Ay” soundto “Ee” sound at maximum morph. Body size varies the apparent size ofmouth cavity.Vowel formant filter which sweeps from “Oo” sound, through “Oh” soundto “Ah” sound at maximum morph. Body size varies the size of mouthcavity.This is a programmable 2-frame Morphing filter with two EQ sections. Asthe Morph value is increased, the filter interpolates from the low to highsettings. The Gain of each section remains constant during the Morph, butcan be scaled at note-on time by controlling the Initial Gain parameter.This filter can be used to create your own vocal formant filters.This unusual filter has two EQ sections and a lowpass filter whose Fc is alsocontrolled by the Morph parameter. The Lowpass filter is completely openat a setting of 255. As the Morph value is increased, the filter interpolatesfrom the low to high settings and the lowpass filter allows more highfrequencies to pass. The Q of the lowpass filter has an initial setting and canbe also modulated at note-on time.This filter also has two EQ sections and a lowpass filter with independentcontrol over the lowpass filter frequency (Expression). This allows you touse velocity (for example) to control expressive timbre via the lowpassfilter, while the Morph parameter is modulated for another effect. As theMorph value is increased, the filter interpolates from the low to highsettings.This 2-frame morphing filter offers independent control over frequency,shelving and peak for each of the two filter “frames”. The Peak parametercan also be scaled at note-on time by controlling the Initial Peak parameter.When the Shelf parameter is negative, the filter will have a low shelvingresponse. When the Shelf parameter is positive, the filter will assume a highshelving response. With Shelf at zero, the filter assumes a peak filterresponse.