“The director of the first film, Andrew Adamson, was very focused on preserving real emotion, on seeing things for the first time, and having, like, a real sense of wonder.“

“So he didn’t actually show me the set of Narnia where the lamppost is until we shot it. I was blindfolded and guided into my place, and he told me to just walk around, that the camera would follow me.”



“And so I turned around and I saw it for the first time. It was in a studio but it was ri-dic-ul-ous-ly real. I couldn’t get my head around it. And so what you see is my real reaction to everything. It was incredible.”





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