Like the Simpsons before them, the Belcher clan doesn’t shy away from expressing themselves through song. While “Bob’s Burgers” may not yet have yielded an all-time novelty classic like “We Do (The Stonecutter’s Song)” or sang the praises of monorails and mediocre presidents, the Belchers remain a musical bunch, from Gene’s Casio to Linda’s erstwhile frontwoman gig on an all-girl band to Bob singing about his newfound joy of community gardening. Not every musical moment blows up into a theatrical spectacle (though they have a few of those too), and that’s what makes The Bob’s Burgers Music Album such a pleasure for fans of the show: we get 112 tracks that cover everything from the impressively arranged Thomas Edison/elephant murder-themed “Electric Love” on down to six seconds of Bob and the kids chanting “Buckle it up or you’ll die!” in their car. There’s also a fair amount of the runtime dedicated to butts.

This collection is arranged chronologically and naturally opens with the show’s distinctive, ukulele-fueled theme song. For fans who haven’t re-watched older episodes in a while, the album helps jog the memory to some of the early gems. “Weekend at Mort’s,” from a first-season episode of the same name, recalls a time when the show was just finding its legs and demonstrates how the family can break into impromptu song about virtually anything (in this case, spending the weekend with their next-door neighbor because their restaurant/home has become infested with mold). There’s the occasional parody (a riff on Tori Amos in her stand-in’s “not subtle” song about vaginas on “Oil Spill”) and even zany covers (health inspector Hugo’s off-key version of ‘80s staple “You’re the Best,”), but it’s the truly original material that’s the meat of the album here.

Guest stars certainly do add some extra flavor. Aziz Ansari lays down some romantic nonsense in “Darryl’s Slow Jam” and Fred Armisen’s Tommy character plays a few of his off-color songs, most notably “Sex Sex Sex Sex Sex,” but it’s the primary and secondary characters (especially Kevin Kline’s Mr. Fischoeder and Megan Mullally in various roles) who stand out. The album also interestingly includes five songs covered by St. Vincent, Stephin Merritt and the National (who do three). While Merritt and guest Kenny Mellman are a good fit for the cabaret feel of “Electric Love,” its quirk can’t surpass the gonzo spectacle of the original (sung by Kline and Mullally). In fact, of the five, only St. Vincent’s fuzzed-out “Bad Girls” improves upon the original, adding a riot grrl vibe to the soundtrack to Tina’s uncharacteristic teenage rebellion.

And yes, there will be butts. So many songs about butts and farts and poop. While the show manages to make this focus an endearing aspect of its various characters—you can set your watch to Bob’s BMs, Linda makes weekly special trips to go number-two at a fancy hotel, Tina’s obsessed with cute boys’ butts, Gene has a designated fart key on his Casio—there’s little need to let Linda’s “The Diarrhea Song” flow through your ear buds. The freewheeling “Mad Pooper” is perhaps better left to the context of the show as well. However, the infectiously melodic “Bad Things Happen in the Bathroom,” a duet between Bob and Louise, the latter of whom glued the former to a toilet seat, actually turns out to be one of the highlights of the album. While this expansive record may have been better off whittling away the brief tracks and random musical moments to focus on streamlining its tracklist to the show’s best songs, there’s something to be said for having virtually all of “Bob’s Burgers” previous musical moments in one place, butts and all.