After Donald Trump’s election, economic anxiety became a go-to explanation for what had happened—and almost as quickly, became a punchline for critics who thought that term distracted from the more urgent reasons for Trump’s rise. Most of those critics were on the left and pointed to the racism, sexism, and xenophobia plain in the statements of many pro-Trump voters. Others said that even outwardly tolerant Trump supporters had endorsed exclusionary policies. Yet some critics on the right, too, warned against overemphasizing the pocketbook in understanding the president’s appeal. “Trump’s populism sprang directly from culture wars, not from economic issues,” Daily Wire’s Ben Shapiro wrote in a review of the new Roseanne. “It sprang from anger at intersectional politics, coastal elitism, and disdain for traditional values.”

ABC’s sitcom, though, centered on a pro-Trumper who was basically neutral on culture. Roseanne and her husband, Dan, were mostly ever only confused, not antagonized, by signs of feminism or gay acceptance. If “culture clashes” did figure in, they were mostly in disagreements over how strictly to parent kids and grandkids. The reboot’s most controversial joke was a meta one about Dan dozing through “all the shows about black and Asian families,” a reference to sitcoms like Black-ish and Fresh Off the Boat. The punchline, delivered by Roseanne: “They’re just like us. There, now you’re all caught up.” Dismissive? Absolutely. Outwardly racist? No. All in all, the show was such a benign portrayal of Trumpland that Trump himself applauded it.

Of course, were the partisan debates unfolding both on talk radio and around breakfast tables only about tax rates and the affordability of health care, politics wouldn’t be such a tricky subject for pop culture right now (nor would it command the share of attention it currently does). But what’s actually happening involves a lot of people who speak and tweet exactly like the real Roseanne does. Her conspiracy rhetoric has merely echoed the messages of the pro-Trump media ecosystem. Her crack about Valerie Jarrett was far from original, too. As journalists who’ve written about the Obama administration can well attest, someone, somewhere, tweets similar vileness every time a black Democrat is mentioned online. The difference is that Roseanne was famous.

As my colleague David Sims has written, the overtness of the Jarrett tweet has made it untenable for ABC to continue with the show. There’s plausibly even an aesthetic component to this threshold of cancellation: The distance between Roseanne’s Roseanne and the actual one has been made so blatant that the show would be hard to watch with a straight face. Now, one question moving forward is whether and how Hollywood will continue in its overtures to Trump voters. Because that’s what this sitcom was: an outreach effort (and ratings grab) conceived immediately after the election by TV executives who, as Dungey put it, “had not been thinking nearly enough about economic diversity and some of the other cultural divisions within our own country.”