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A lesser adjunct from the same source (The Loft) werewho were formed by guitarist Andy Strickland and were only lesser known due to the scarcity of releases (just this one full length album). It certainly was not an issue of quality as this band are quite simply superb and were certainly deserving of the attentions of producer(ofand) who signed them to his(also the home toanother JPH favourite) who subsequently added his inimitable flourishes from the production desk to this album.The album has three main stylistics. The initial stylistics sees tracks such asand the stand out track of(see below) take precise aim atlaconic 'indie cool' whilst effectively avoiding parody by virtue Andy Strickland's vocals that hints more at early 1990's angst and anxiety as opposed to the Australian's late 80's lassez faire.The second stylistic substructure can be seen in the gloriously magnified janglepop/sophisti-pop crossover tracks such as(below) andThese tracks are as muchjangle-pop as they aresophisti-pop and fully emphasize the manner in which Stephen Street is always able to add extra plume to even the most luscious of notes.The final stylistic sees Strickland et al add their own characteristics to the C86 sound that had dominated the corridors of indie chic just a few short years before, but had probably now begun its very extended death throes. Tracks such asand the quite brilliantare probably less bass pronounced than the true C86, however they contain the same slow developing jangle-pop crescendo amid the extra aggression that typified this genre. In my opinion they are the least appealing set of tracks on the album, but would still be among the best of most other albums from the era.Strickland later went onto become a highly respected music critic and indeed musical journalistic pioneer at Dotmusic.com in the late 1990's and early 2000's...which is kind of ironic because he would have simply loved himself / his band!