Oregon, August 1939. “Unemployed lumber worker goes with his wife to the bean harvest. Note Social Security number tattooed on arm.” Shorpy determined through a public records search that 535-07-5248 belonged to one Thomas Cave, born July 1912, died in 1980 in Portland, OR. Which would make him 27 years old when this picture was taken. This pic has long been a favorite of mine. First, there’s the handsome rake with his devilish “cat that just ate the canary” grin, and his beautiful bride lounging in the background with her equally impressive model-worthy looks. Second, there is more than a little irony for me in this image, as we so often equate physical beauty with material success these days– but here’s a stunning couple eking out a living through sweat and toil one meal at a time. I’m tellin’ you, as sure as I live and breathe– poverty is the ultimate equalizer, folks.

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California, March 1937. “Toward Los Angeles.” Another ironic pic– “Next Time Try The Train– Relax.” Well– give me the fare and I will, buddy. We ain’t walkin’ for our health…

The American photographer Dorothea Lange was a product of Hoboken, NJ (May 26, 1895 – October 11, 1965). She started out her career in photography taking commercial portraits in 1920s San Francisco. Dorothea then worked in the Southwest with her first husband, painter Maynard Dixon. In the early 1930s, Lange intuitively took her camera to the streets, recording the breadlines and waterfront strikes of Depression era San Francisco. That marked the beginning of a radical shift in her philosophy & photography, that would mark her life and give us some of the most iconic American images known.

In 1935, Lange began her landmark work for the Farm Security Administration, a Federal Agency. Collaborating with her second husband, labor economist Paul S. Taylor, she documented the troubled exodus of farm families migrating West in search of work. Lange’s documentary style achieved its fullest expression in these years, with photographs such as Migrant Mother becoming instantly recognized symbols of the Depression.

California, February 1936. “Destitute peapickers in California; a 32 year old mother of seven children.” This iconic image has become known as “Migrant Mother” is one of a series of photographs that Dorothea Lange made of Florence Owens Thompson and her children in Nipomo, California. Lange was concluding a month’s trip photographing migratory farm labor around the state for what was then the Resettlement Administration.

In 1960, Dorothea Lange gave this account of the Migrant Mother experience–

“I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed. She had just sold the tires from her car to buy food. There she sat in that lean- to tent with her children huddled around her, and seemed to know that my pictures might help her, and so she helped me. There was a sort of equality about it.” (From: Popular Photography , Feb. 1960).

November 1936. “Drought refugee from Polk, Missouri. Awaiting the opening of orange picking season at Porterville, California.”

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October 1939. “Mrs. Sam Cates, wife of Cow Hollow farmer. Malheur County, Oregon.”

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February 1939. Calipatria, Imperial Valley. Car on siding across tracks from pea packing plant. Twenty-five year old itinerant, originally from Oregon. “On the road eight years, all over the country, every state in the union, back and forth, pick up a job here and there, traveling all the time.”

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June 1938. Outskirts of El Paso, Texas. “Young Negro wife cooking breakfast. ‘Do you suppose I’d be out on the highway cooking my steak if I had it good at home?’ Occupations: hotel maid, cook, laundress.”

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December 1935. “Resettled farm child. From Taos Junction to Bosque Farms project, New Mexico.”

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October 1939. “Tavern on main street of potato town during harvest season. Merrill, Oregon.”

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Fourth of July 1939 near Chapel Hill, North Carolina. Rural filling stations become community centers and general loafing grounds. Cedargrove Team members about to play in a baseball game.

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November 1938. “Farm woman beside her barn door. Tulare County, California. No more horseshoes!”

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July 1939. Gordonton, N.C. “Country store on dirt road. Sunday afternoon. Note kerosene pump on the right and the gasoline pump on the left. Rough, unfinished timber posts have been used as supports for porch roof. Negro men sitting on the porch. Brother of store owner stands in doorway.”

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November 1936. “Daughter of migrant Tennessee coal miner. Living in American River camp near Sacramento, California.”

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July 1937. “Man who worked in Fullerton, Louisiana, lumber mill for 15 years. He is now left stranded in the cut-over area.”

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August 1936. Drought refugees from Abilene, Texas, following the crops of California as migratory workers. Said the father: “The finest people in this world live in Texas but I just can’t seem to accomplish nothin’ there. Two year drought, then a crop, then two years drought and so on. I got two brothers still trying to make it back there.”

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May 1939. “Between Tulare and Fresno on U.S. 99. Farmer from Independence, Kansas, on the road at cotton chopping time. He and his family have been in California for six months.”

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Dorothea Lange, Resettlement Administration photographer, in California atop car with her giant camera. February 1936.