Read on to find out some more of the stories behind Taylor Swift's new songs from her Lover Secret Sessions below.

"I Forgot That You Existed"

“So the album's called Lover, it's about all the facets of love that I find really interesting. Love is the broadest thing you could ever write about. And love, even when it's good, has every facet of emotional complexity in it to write from. And so, coming from having released an album called reputation, reputation was an album all in response to something — a lot of things — that happened in my life. So, reputation was pretty much like a coping mechanism. Reputation was like going through all the stages of grief over the loss of one's reputation; kind of like throwing a funeral for something that maybe wasn't even good for you to have in the first place. In doing that, and in picking the first song and writing the first song on this album, I wanted to complete the cycle of grieving, almost, and the cycle of when you go through some drama or some frustrating stuff in your life where a relationship ends, or you're going through this turmoil in your life, there's all these phases you through. And then, when you're really done with it, you hit indifference. The actual definition of getting over something is a shrug. And so, I was working with this production duo, it's Louis Bell and Frank Dukes, and they had worked with my friend Camila [Cabello], and she had made some really cool stuff with them, so I was like, 'Let’s try it.' And so, I played it for them, and they started making the track, and I wrote the song and I wanted it to be just as simple as the emotion of indifference is."

"Cruel Summer"

"This song is one that I wrote about the feeling of a summer romance, and how often times a summer romance can be layered with all these feelings of, like, pining away and sometimes even secrecy. It deals with the idea of being in a relationship where there's some element of desperation and pain in it, where you're yearning for something that you don't quite have yet, it's just right there, and you just, like, can't reach it. So, this has some of my favorite lyrics on it, and it was so fun to write this. Jack and Annie [Clark] did the track and a lot of the instrumentation, and I did the topline in whatever language that is. A topline is all the notes and the lyrics you hear. So whatever you would sing, that is what I wrote on this. It was just so fun to write this one and I really love this one. Jack and I like to do ranting bridges. Like in 'Out of the Woods' where the bridge is the biggest moment of the song — we revisited that concept."

"I Think He Knows"

"Basically, I was playing around with the idea of quiet confidence. There's something so sick about quiet confidence; somebody who, they're not arrogant, they're not cocky, like, that's obnoxious. But, there are certain people who just walk in and they don't need to be arrogant because there's something beaming from within them that they probably aren't even in control of. And when you meet a person like this, you're like, 'Why do I want to walk over there and talk to that person?' I can't explain it, but I think it's this quality. It can be a really shy person, it's not like you gotta be loud. Some people just seem like they know who they are, they don't need to brag about it. And I think that's such an interesting quality because I can't really explain it. And so I wrote a song about that. I mention a street called 16th Avenue, and that's a street in Nashville where I used to write songs. The songwriting/publishing houses are on that street, so if you're wondering if I just picked a random number, I didn't."

"Soon You’ll Get Better"

"This song is one that was hard to write, because it's something that I'm going through right now. My dad got cancer when was 13 and he got better, and it wasn't a very long process, but things with my mom have been very different. This song is special in a lot of ways because when I wrote this one, I recorded it with Jack, and he was working, at the time, with the Dixie Chicks, making their new album. That's the band that made me wanna do this. There's a handful of artists that made me wanna do this. The Dixie Chicks taught me that you can have a strong female voice, saying whatever she wants in music, and experimenting with having a very feminine aesthetic, but very tough resilience to them. And their musicianship, the way that they played their instruments made me wanna play an instrument. Basically, I said to Jack, 'Can you please play this song for the Dixie Chicks? It's a really special song for me and my family, and they were such a big part of my life, and I wonder if maybe they can sing background vocals on it, or maybe even play on it if they wanted to.' And he played it for them, and they got really emotional hearing it, and wanted to sing on it and play fiddle and banjo on it too. So, the background vocals that you're hearing in this song are the Dixie Chicks, who I'm obsessed with."