Swarm Intelligence



Hello Attack. Welcome to my studio… Related Hello Attack. Welcome to my studio…

Bastl Instruments microGranny 2.0 First up is my Bastl Instruments microGranny 2.0. This is a gloriously lo-fi miniature granular sampler. I used it throughout my “Against the Dying Light” album on Voitax, mainly using the (awesomely) crap in-built microphone to record bits from old horror movies. My favourite thing about this little box is that you can tempo-sync the grain size and then dial in some very slow movement so that it gradually scans through the sample. This gives some really nice fizzling textures that slowly transform in sync with the beat. Related

Jomox T-Resonator II This brute has gotten knocked about over the years! The Jomox T-Resonator II has been a staple of my live setup for quite some time – here it is in use during my Boiler Room set back in 2015. I generally use it for thickening up pads and leads – all of the cross-modulation and feedback is perfect for this and it’s also great for buildings walls of noise. There are two sets of controls, one for the left and the right input. You can get some really odd stereo widening effects by dialling in opposing settings. Related

Elektron Analog Ryth MKII Funnily enough, I tend to use the Elektron Analog Rytm MKII more for my live show than I do in the studio. I really like the scene and performance controls – they really help you to keep the drums moving. These machines are so deep that I feel I have only scratched the surface of them. There are a lot of tricks I’ve been picking up from various people. Lots more to learn. I do have a couple of gripes with it though. The file management is a pain in the ass, you have to tread very carefully or you risk destroying all your kits in a project. Also, I was pretty disappointed with the responsiveness of the pads – you basically have to hit them with a hammer to get full velocity. That said, there is nothing like the punch of it on a big system. Makes it all worth it! Related

Ableton Live Speaking of Ableton Live, that is realistically where I do 90% of my work. I am definitely not someone who feels the need to ‘get away from the computer’ when making music – it is where most of the magic happens for me. The machines are there to provide some kind of input, then everything usually gets very heavily processed and edited afterwards. Live has become an extension of myself at this point. It’s so quick that I can go from the first idea to a fleshed-out arrangement in one session. The hardest part is to stop myself from whittling the track away to nothing. I definitely strive for perfection when sound designing and mixing, but the problem is there is no such thing! Alongside Live’s native devices, which I use heavily, I have a lot of plug-ins for sound mangling from the likes of Unfiltered Audio, Inear Display and Glitchmachines. I also have a huge amount of mixing tools from Waves, Sonnox and iZotope. Related