Comments:

NOTE: These Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: Criterion - Region 'A' - Blu-ray (December 18'): Notorious benefits from Criterion's 'New 4K digital restoration' looking a tinge sharper in spots (see Cary Grant on the horse), shows fewer marks and speckles, and the image is a shade wider where the MGM is a horizontally squished with thinner faces. It's not much but the 4K in-motion, even with a lower bitrate - has an appealing film-like thickness. It supports the film grain to a higher degree and the 1080P, 4K-restored, visuals are impressive. Criterion use a linear PCM mono track in the original English language (24-bit). There are few effects but the depth of the lossless is notable in t he score by Roy Webb ( The Spiral Staircase, The Curse of the Cat People, I Married a Witch, The Fallen Sparrow,The Window, Journey Into Fear, I Walked with a Zombie etc.) which sounds excellent - very clean and it carries some impacting depth . Criterion include optional English subtitles (see sample) and their Blu-ray disc is Region 'A'-locked. Criterion include the previous audio commentaries from 1990 and 2001 featuring film historian Rudy Behlmer and Alfred Hitchcock scholar Marian Keane. They are both excellent in their own style exporting valuable insight, analysis and information into Hitchcock's more enigmatic production. We get a new 21-minute interview with Hitchcock biographer Donald Spoto (The Dark Side of Genius: The Life of Alfred Hitchcock) discussing Notorious. There is a new, 23-minute, program about the film’s visual style with cinematographer John Bailey. I found a lot of value in the new scene analysis by film scholar David Bordwell running over 1/2 hour. Bordwell analyzes the climactic final scene of Notorious, in which, he believes, all of director Alfred Hitchcock's cinematic preoccupations during this period of his career can be discovered. Once Upon a Time . . . “Notorious,” is the 2009, 52-minute, documentary about the film featuring actor Isabella Rossellini; filmmakers Peter Bogdanovich, Claude Chabrol, and Stephen Frears; and others. It was made for the French DVD series Once Upon a Time ... and details the making of Notorious and the sociopolitical climate in which it was created. Running almost 20-minutes is another new program about Hitchcock’s storyboarding and previsualization process by filmmaker Daniel Raim. There is some short Newsreel footage from 1948 of actor Ingrid Bergman and Hitchcock two years after the release of Notorious, evinces the chemistry between director and star. We get an hour-long Lux Radio Theatre adaptation of Notorious from 1948, with Ingrid Bergman reprising her screen role. Also appearing are Joseph Cotten, Joseph Kearns, Gerald Mohr, and Janet Scott. There are 4 trailers and teasers and the package has a liner notes booklet with an essay by critic Angelica Jade Bastién. Most don't require my endorsement - Criterion have added more than enough analysis into Notorious that adds significantly to understanding the complexities of the film. This 4K-restored Blu-ray package is a must-own... for everyone. *** ADDITION: MGM - Region 'A' - Blu-ray (January 12'): Notorious comes to 1080P, on a dual-layered. transfer by MGM. The film's thick textures are more apparent. The Criterion DVD was strong for the SD format but the Blu-ray ratchets up another solid notch. Contrast is a bit more layered but detail doesn't rise substantially. Grain is more prevalent but noise still exists in some of the darker scenes. Overall the improvements will depend on your system and discerning eye. It is easy to see that it has a far more film-like representation but depth is not a feature exhibited by the HD rendering, in this case. The image remains very clean with only a few speckles. Predictably a shade more information appears in all 4 sides of the frame. MGM offer a DTS-HD Master mono at 2026 kbps. This lossless track is competent exporting the film's dialogue and Roy Webb's original score - which is isolated in a simple Dolby transfer for those who wish to partake. It is rendered to a flawless state with some depth notable. There are optional English subtitles and I determine it to be a Region 'A' Blu-ray disc. Extras mimic the last MGM (Premiere Collection) DVD release with the dual commentaries, radio broadcast, Hitch interviews and featurettes. Nothing new - but still quite excellent. This seems essential to me - especially at the price offered. One of Hitchcock's most sullen films with two of the best looking people ever to grace the screen. I envisioned seeing this in its initial theatrical run when I watched the Blu-ray . That alone is worth the reasonable price. Recommended! *** NOTE: Defective MGM Hitchcock Premiere Collection

Reports are coming in by the droves about the MGM Hitchcock Premiere Collection . We do not yet own the entire set and have only covered Notorious and Rebecca which played without issue on my Malata - but we understand many individual's players are having problems with all, or selective transfers from the set. These represent faults such as the disc wobbling in the tray, unsubstantiated noise in playback, freezing and chapter skips. MGM must recall this set immediately. If you own the set please verify if you too have these problems and report them to the outlet you purchased them or MGM directly. If we find an email to use we will post it here. ADDITION: MGM - Region - Premiere Collection - October 08': This ends up being a real toss up. The Criterion and new MGM are very close in all categories. Image-wise the MGM is brighter and I think it comes down to what you might prefer - personally I like the darker look of the Criterion. The Premiere Collection issue, being brighter, can give the impression, in some sequences, of being sharper (when I don't believe that it really is) - but it also has tendency to show both more grain and digital noise. In fact the Criterion may be slightly more detailed. I could make comments about the marginal differences in contrast and black levels but without putting the magnifying glass too close I'd have to say that both editions give a fine SD-DVD presentation of the image of Hitchcock's Notorious. This is akin to our feelings about Rebecca. Audio - I noted no discernable differences. The MGM also offers Spanish and French subtitles (as well as the English that are included on the Criterion). Extras - what it seems to me is that MGM have used the Criterion as a standard to achieve towards or attempt to minutely advance upon. They have included two new commentaries (Rick Jewell and Drew Casper) and both are excellent (I especially enjoyed the Casper one). I also greatly enjoyed the Keane/Behlmer ones on the Criterion. Both have the complete broadcast of the 1948 Lux Radio Theater adaptation, starring Ingrid Bergman and Joseph Cotten. MGM add two decent featurettes - The Ultimate Romance: the Making of Notorious (28:20) and Alfred Hitchcock The Ultimate Spymaster (13:09). Like on Rebecca there are more Hitchcock Interviews - excerpts from the director's conversations with filmmaker Francois Truffaut (16:22) and Peter Bogdanovich (2:19). There is also some minor supplements - The American Film Institute Award: The Key to Hitchcock (3:19), a restoration comparison (2:54), trailer and some stills galleries (Posters, Portraits, Behind the Scenes). It's pretty complete and impressive. This is one of Hitchcock's most discussed and enigmatic films and both SD-DVD editions (MGM and Criterion) do an upstanding job of presenting the films and adding relevant discussion material. My opinion is that serious Hitchcock fans will want both editions - otherwise as the Criterion is out-of-print, the MGM seems a ridiculous deal at the offered price. Most should probably indulge in the entire Premier Collection - especially if all the DVDs are as stacked as this and Rebecca - it will probably amount to being one of the THE DVD packages of the year. MGM have really impressed me. This will be one amazing Blu-ray (vastly improving the compression and limiting the noise) if it eventually reaches that lofty plateau. Gary W. Tooze *** ON THE CRITERION vs. the ANCHOR BAY : These are two discs that make for a sterling comparison. The Anchor Bay released almost 2 years earlier looks quite poor in certain capture comparisons. I am interested in how much the Criterion appears cropped on the left hand vertical side. Another intriguing difference is in the title credits - this is similar to the Rebecca DVDs where Criterion used a totally different font title than the Anchor Bay one. The sound, although very close to the Criterion... has a bit of a hiss in the Anchor Bay version. The soundtrack for Notorious was restored and preserved from a 1954 35mm acetate release print, a 35mm nitrate fine-grain master, and a 35mm nitrate optical music & effects track positive. New 35mm magnetic analog masters and DA-88 digital masters were created utilizing Sonic Solutions noise reduction software. The Extras are obviously Criterions as well. In the Anchor Bay version, a whole minute disappears. the Criterion title sequence only takes 13 seconds so I don't know what is missing, only that something is. In the capture where Bergman and Grant are in the car together, you can plainly see where the Criterion version does not have the print scratch, but also the extent of the vertical cropping by Criterion. But the Criterion is far too sharp ( 2nd last captures ) and the black levels and contrast superbly done. The picture for Notorious was restored and preserved from the original 35mm nitrate camera negative, a 35mm nitrate fine-grain master, and a 35mm nitrate copyright print. A newly printed 35mm fine-grain master, and the 35mm nitrate fine-grain master for Reels 4A and 5B, were used for the digital film-to-tape transfer. Inherent film artifacts were corrected in video with the MTI Digital Restoration System. I don't think I need to say it but "Go for the Criterion... all the way. Gary W. Tooze