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M*A*S*H is an American television series developed by Larry Gelbart, adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors, by Richard Hooker). The series is a medical drama that was produced in association with 20th Century Fox Television for CBS, which follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea during the Korean War. The show's title sequence features an instrumental version of "Suicide Is Painless", the theme song from the original film. The show was created after an attempt to film the original book's sequel, M*A*S*H Goes to Maine, failed. It is the most well known version of the M*A*S*H works.

The series premiered in the U.S. on September 17, 1972, and ended February 28, 1983, with the finale, "Goodbye, Farewell and Amen", becoming the most watched television episode in U.S. television history at the time, with a record-breaking 125 million viewers (60.2 Rating and 77 Share),[1] according to the New York Times.[2] In contrast to the high turnout for the final episode of M*A*S*H, it struggled in its first season and was at risk of being cancelled.[3] However, season two of M*A*S*H placed it in a better time slot (airing after the popular All in the Family) and the show became one of the top ten programs of the year and stayed in the top twenty programs for the rest of its eleven-season run.[3] The show is still broadcast in syndication on various television stations. The series, which covered a three-year military conflict, spanned 251 episodes and lasted eleven seasons.

Many of the stories in the early seasons are based on real-life tales told by real MASH surgeons who were interviewed by the production team. Like the movie, the series was as much an allegory about the Vietnam War (still in progress when the show began) as it was about the Korean War.[4]

In 1997, the episodes "Abyssinia, Henry" and "The Interview" were respectively ranked number 20 and number 80 on TV Guide's 100 Greatest Episodes of All Time.[5] In 2002, M*A*S*H was ranked number 25 on TV Guide's 50 Greatest TV Shows of All Time.[6]

edit] Synopsis

M*A*S*H aired weekly in its original CBS run, with most episodes being a half-hour in length. The series is usually categorized as a situation comedy, though it is sometimes also described as a "dark comedy" or a "dramedy" because of the dramatic subject material often presented.[7] The show was an ensemble piece revolving around key personnel in a United States Army Mobile Army Surgical Hospital (MASH; the asterisks in the name are not part of military nomenclature and were creatively introduced in the novel) in the Korean War (1950–1953). The "4077th MASH" was just one of several surgical units in Korea. As the show developed, the writing took on more of a moralistic tone. Richard Hooker, who wrote the book on which the television and film versions were based, noted that Hawkeye's character was far more liberal in the show than on the page (in one of the MASH books, Hawkeye makes reference to "kicking the bejesus out of lefties just to stay in shape"). While the show is traditionally viewed as a comedy, there were many episodes of a more serious tone. Airing on network primetime while the Vietnam War was still ongoing, the show was forced to walk the fine line of commenting on that war while at the same time not seeming to protest against it. For this reason, the show's discourse, under the cover of comedy, often questioned, mocked and grappled with America's role in the Cold War. Episodes were both plot and character driven, with several episodes being narrated by one of the show's characters as the contents of a letter home. The show's tone could move from silly to sobering from one episode to the next, with dramatic tension often occurring between the civilian draftees of 4077th—Hawkeye, Trapper John, B.J. Hunnicutt, for example—who are forced to leave their homes to tend to the wounded and dying of the war, and the "regular Army" characters, like Margaret Houlihan and Colonel Potter, who tend to represent ideas of patriotism and duty. Other characters like Col. Blake, Maj. Winchester, and Corp. Klinger, help demonstrate various American civilian attitudes towards army life, while guest characters such as Eldon Quick, Herb Voland, Mary Wickes, and Tim O'Connor also help further the show's discussion of America's place as Cold War war-maker and peace-maker.

edit] Laugh track

Series creators Larry Gelbart and Gene Reynolds wanted M*A*S*H broadcast without a laugh track ("Just like the actual Korean War", Gelbart remarked dryly), but CBS rejected the idea. By season two, a compromise had been reached, whereby the producers were allowed to omit the laugh track during operating room scenes if they wished. As a result, few scenes in the operating room contain laughter. Certain episodes omitted the laugh track completely ("O.R.", "The Bus", "Quo Vadis, Captain Chandler?", "The Interview", "Dreams", "Point of View", "Goodbye, Farewell and Amen") as did some international and syndicated airings of the show. The first five seasons of the series contained a noticeable laugh track, similar to other laugh-tracked sitcoms of the period, but by Season Six, newer, significantly quieter, laughs were recorded and employed. In the United Kingdom, where the show was broadcast by the BBC (and therefore also without advertising breaks), the laugh track was removed entirely from all episodes.

On all released DVDs, both in Region 2 (Europe, including the UK) and Region 1 (including the U.S. and Canada), there is an option to watch the show with or without the laugh track.[8][9]

Syndicated broadcasts in the U.S. and UK today retain the original U.S. laugh track.[citation needed]

edit] Characters

M*A*S*H maintained a relatively constant ensemble cast, with four characters—Hawkeye, Father Mulcahy, Margaret Houlihan, and Maxwell Q. Klinger—on the show for all eleven seasons. Several other main characters left or joined the show midway through its run. There were also numerous guest and recurring characters. The writers found creating so many names difficult, and used names from elsewhere; for example, characters on the seventh season were named after the 1978 Los Angeles Dodgers.[10]

Note: Character appearances include double-length episodes as two appearances, making 260 in total.

edit] Recurring characters

Alan and Robert Alda in 1975.

edit] Actors with multiple roles

At least 19 guest stars made appearances as multiple characters:

Hamilton Camp appeared twice, first as the insane Cpl. "Boots" Miller in "Major Topper", and again as a film distributor named Frankenheimer in "The Moon is Not Blue".

Dennis Dugan appeared twice; as O.R. orderly Pvt. McShane in 3.20, "Love and Marriage", and again in 11.11, "Strange Bedfellows", as Col. Potter's philandering son-in-law, Robert "Bob" Wilson.

Tim O'Connor appeared as wounded artillery officer Col. Spiker and as visiting surgeon Norm Traeger. Both characters were noticeably at odds with Hawkeye.

Dick O'Neill appeared three times (each time in a different U.S. service branch): as Navy Admiral Cox, as Army Brigadier General Prescott, and as Marine Colonel Pitts.

Harry Morgan played both the 4077th's second beloved C.O. (Col. Sherman T. Potter) and the mentally unstable Major Gen. Bartford Hamilton Steele in the show's third season, in the episode "The General Flipped at Dawn". This latter character was a reprise of his role as Major Pott in the 1966 Movie, "What Did You Do in the War, Daddy?"

Soon-Tek Oh appeared five times: twice as North Korean POWs (in 4.6, "The Bus", and 8.10, "The Yalu Brick Road"); once as a North Korean doctor (5.9, "The Korean Surgeon"); once as O.R. orderly Mr. Kwang ("Love and Marriage"); and once as a South Korean interpreter who poses as a North Korean POW (11.3, "Foreign Affairs").

Philip Ahn appeared three times: Season 4/18; Season 5/12; Season 6/8. Like Soon-Tek Oh Ahn was one of the few Korean actors to play a Korean on MASH; most of the other "Korean" characters were played by either Japanese, Chinese or Vietnamese ethnic actors. Ironically Ahn played Japanese villains in World War II Movies and Chinese characters on Bonanza and Kung Fu!)

Robert Karnes appeared twice: once as a Colonel in 4.1 and as a General in 6.4.

Clyde Kusatsu appeared four times: twice as a Korean bartender in the Officers' Club, once as a Chinese-American soldier, and once as a Japanese-American surgeon.

Robert Ito played a hood who works for the black market in 1.2, "To Market, To Market"; and a North Korean soldier disguised as a South Korean looking for supplies, in "The Korean Surgeon".

Keye Luke appeared three times. In “Patent 4077” (season 6), he played Mr. Shin, a local jewelry maker hired by the surgeons to make a new surgical clamp; in “A Night at Rosie’s” (season 7), he played Cho Kim, who ran a crooked craps game in the back room at Rosie’s Bar; and in “Death Takes a Holiday” (season 9), he played the headmaster of a local orphanage.

Mako appeared four times; once as a Chinese doctor, once as a South Korean doctor, once as a South Korean officer, and once as a North Korean soldier.

Jerry Fujikawa appeared as crooked Korean matchmaker Dr. Pak in "Love and Marriage"; as Trapper John's tailor in 3.3, "Officer of the Day"; as an acupuncturist named Wu in 8.24, "Back Pay"; as the Uijeongbu Chief of Police in "Rally Round the Flagg, Boys"; and as "Whiplash Wang" in "Deal Me Out".

John Orchard starred as Australian anesthetist Ugly John in the first season, and later appeared in 8.13 as disgruntled and drunken Australian MP Muldoon, who has an arrangement with Rosie the barkeeper: he takes bribes (in the form of liquor in his "coffee" mug) to "look the other way." Orchard's attempts at an Australian accent were a dismal failure as he was unable to disguise his Cockney origins.

Richard Lee Sung appeared ten times as a local Korean who often had merchandise (and in one case, real estate) he wished to sell to the hospital staff; he once sold a backwards-running watch to Major Burns and he also tried to help cost Corporal Klinger his money in a game of craps in A Night at Rosie's .

. Jack Soo appeared twice; once as black market boss Charlie Lee, with whom Hawkeye and Trapper made a trade for supplies in "To Market, To Market"; and in "Payday" as a peddler who sold Frank two sets of pearls: one real, the other fake.

Ted Gehring appeared twice: in 2.12, as moronic Supply Officer Major Morris, who refuses to let the MASH doctors have a badly needed incubator, and in 7.6, as corrupt supply NCO Sgt. Rhoden.

Eldon Quick appeared three times, once as a finance officer and twice as Captain Sloan.

Edward Winter appeared as an Intelligence Officer named "Halloran" in 2.13, and in six episodes as Colonel Flagg (although Halloran may have been one of Flagg's numerous and often mid-episode-changing aliases).

Shizuko Hoshi appeared at least twice: once as "Rosie" of "Rosie's Bar" in episode 3.13, "Mad Dogs and Servicemen"; and once in 4.18, "Hawkeye", as the mother in a Korean family.

John Fujioka, who played the uncredited role of a Japanese Golf Pro in the movie, appeared three times in the series. The first time was in "Dear Ma" (1975) as Colonel Kim; the second time was in "The Tooth Shall Set You Free" (1982) as Duc Phon Jong; and the last time, he played a peasant in "Picture This" (1982).

Stuart Margolin appeared twice, first as psychiatrist Capt. Phillip Sherman in Season 1's "Bananas, Crackers and Nuts" (1.07), and again as plastic surgeon Major Stanley "Stosh" Robbins in Season 2's "Operation Noselift" (2.18).

Oliver Clark appeared twice. In "38 Across" he played the part of Hawkeye's crossword loving friend Lt. Tippy Brooks. In "Mail Call Three" he played the part of 'the other' Captain Ben Pierce.

Jeanne Schulherr appeared in season 3's "There Is Nothing Like a Nurse" as Frank Burns's wife, Louise (in a home movie), and in two other season 3 episodes as an unnamed nurse.

Charles Frank appeared in Season 5 as Capt. Hathaway in "Dear Sigmund" a pilot who admitted to not knowing the victims of his bombings from his plane, and appeared in Season 6 as Lieutenant Martinson in "What's Up, Doc?" a troubled Yale graduate who finds himself in the infantry and holds Maj. Winchester Hostage at gunpoint.

Kevin Hagen appeared twice. In "Some 38th Parallels" (1976) he played the part of Colonel Coner, on whom Hawkeye drops garbage from an airborne helicopter. In "Peace On Us" (1978) he played the part of red-haired Major Goss, sent to warn Hawkeye to stay away from the peace talks.

Yuki Shimoda appeared three times. In "The Price" (1979), he played the part of Cho Pak, a farmer who was a former Korean cavalry officer who steals Col. Potter's horse Sophie only because he is dying and wants one final chance to remember his military days. In "Yessir, That's Our Baby", he plays a Korean consulate who advises Hawkeye and B.J. that to allow an abandoned Amerasian infant to live in Korea would result in dire consequences. And, in "Oh, How We Danced" (which aired almost two months before his death in 1981), he plays the father of a child patient of the 4077th who is a skilled harmonica player.

edit] Character names

Throughout the series, Klinger frequently introduces himself by his full name, Maxwell Q. Klinger, but never says what the Q. stands for.

B.J.'s real name is the subject of an episode's secondary plot line. Hawkeye goes to extreme lengths to learn what "B.J." stands for, but all official paperwork concerning his friend indicates that B.J. really is his first name. Toward the end of the episode, B.J. (in explaining who gave him his name) says, "My mother, Bea Hunnicut, and my father, Jay Hunnicut." A recurring joke in that episode is that upon being asked what B.J. stands for, B.J. merely replies, "Anything you want."

Frank Burns had four different middle names during his time on the show: W. (on the punching bag in "Requiem for a Lightweight"), D., X., and Marion.

Radar's first name is stated as Walter, and once (in "Fade Out, Fade In"), he introduces himself by his full name to Charles Emerson Winchester III as "Walter Eugene O'Reilly". The book says his name is J. Robespierre, and his first name is not revealed in the film.

In the finale ("Goodbye, Farewell and Amen"), Father Mulcahy tells Klinger that his full name is Francis John Patrick Mulcahy, in case Klinger might want to name any children of his after him. Also, in the eighth season episode (Nurse Doctor), he gives his full name as Francis John Patrick Mulcahy. Yet, in all other episodes, his name was John Patrick Francis Mulcahy, and he just wanted others to call him by his confirmation name, Francis.

edit] Notable actors and actor information

Guest star Alex Karras, 1974.

Football player Alex Karras was in one episode ("Springtime") serving as Hawkeye's bodyguard after the doctor saves his life.

Bruno Kirby ( When Harry Met Sally , City Slickers ) played Boone in the first episode. He can be seen tossing a football with Radar, and later helping to carry a drugged-out Major Frank Burns to a bed in post-op.

, ) played Boone in the first episode. He can be seen tossing a football with Radar, and later helping to carry a drugged-out Major Frank Burns to a bed in post-op. Richard Herd appears in the Season 9 episode called "Back Pay".

Laurence Fishburne ( CSI , The Matrix ) appeared in the season-ten episode "The Tooth Shall Set You Free", in which Hawkeye and B.J. encounter a racist commander who is sending his African-American soldiers into dangerous duty. He also appeared in an episode of Trapper John, M.D. (the year before appearing on M*A*S*H). His Matrix costar, Joe Pantoliano, also appeared both on M*A*S*H and Trapper John, M.D. He appeared in the M*A*S*H episode "Identity Crisis" (also season ten), about a soldier (Pantoliano) who had stolen a fallen friend's identity, as well as his discharge papers, to get out of the fighting.

, ) appeared in the season-ten episode "The Tooth Shall Set You Free", in which Hawkeye and B.J. encounter a racist commander who is sending his African-American soldiers into dangerous duty. He also appeared in an episode of Trapper John, M.D. (the year before appearing on M*A*S*H). His costar, Joe Pantoliano, also appeared both on M*A*S*H and He appeared in the episode "Identity Crisis" (also season ten), about a soldier (Pantoliano) who had stolen a fallen friend's identity, as well as his discharge papers, to get out of the fighting. Pat Morita, who was famous for his role as Matsuo "Arnold" Takahashi on Happy Days and as Mr. Miyagi in the Karate Kid franchise, played Captain Sam Pak in season two's episode "Deal Me Out" (also with John Ritter), and again in season two's "The Chosen People".

and as Mr. Miyagi in the franchise, played Captain Sam Pak in season two's episode "Deal Me Out" (also with John Ritter), and again in season two's "The Chosen People". Shelley Long played in the 1980 episode "Bottle Fatigue", as one of Hawkeye's would-be lady friends. She later played alongside Ted Danson in the hit television comedy "Cheers", as Diane Chambers.

George Wendt played in the 1982 episode "Trick or Treatment" as Private La Roche, a Marine treated by Charles Winchester because he had a pool ball stuck in his mouth. He later played alongside Ted Danson and Shelley Long in the hit television comedy Cheers.

Ed Begley, Jr. played in the 1979 episode "Too Many Cooks" as Private Paul Conway, a clumsy infantry soldier who turns out to be a gifted chef.

edit] Changes

edit] Character developments

edit] Spearchucker Jones

During the first season, Hawkeye's, Trapper's and Frank's bunkmate was an African-American character called Spearchucker Jones, played by actor Timothy Brown. (Brown appeared in the film version as a corporal, while neurosurgeon Dr. Oliver Harmon "Spearchucker" Jones was played by former NFL player Fred Williamson.) The character disappeared after the episode "Germ Warfare" because there was, at the time, no record of black doctors serving in Korea during the Korean War.[12]

According to the Memoirs of Harold Secor, a doctor working at the 8055th MASH unit, on which M*A*S*H is based, at least one black doctor did serve in Korea during the Korean War.[13]

edit] Father Francis Mulcahy

Chaplain of the 4077 unit, plays the piano and likes to feel needed. He is a fairly good amateur boxer and poker player, and at one stage takes up jogging. Spends a lot of his time and resources helping the local orphanages. William Christopher plays Mulcahy, replacing actor George Morgan, who played Father Mulcahy in the pilot episode.

edit] Henry Blake

By Season 3 (1974–1975), McLean Stevenson had begun chafing at what he considered to be a supporting role to Alan Alda and Wayne Rogers. Midway through the season, he informed the producers that he wanted to leave M*A*S*H. With ample time to prepare a "Goodbye, Henry" show, it was decided that Henry Blake would be discharged and sent home for the Season 3 finale, which aired on Tuesday, March 18, 1975. In the final scene of his last episode ("Abyssinia, Henry"), Radar tearfully reports that Henry's plane has been shot down over the Sea of Japan, and no survivors were found among the wreckage.

edit] Trapper John McIntyre

Wayne Rogers (Trapper John McIntyre) was planning to return for Season 4 but abruptly withdrew over a disagreement about his contract. Rogers had a dislike of having a supporting role for Alda, and had been threatening to leave since season one.[14] His departure was unexpected and, unlike that of McLean Stevenson, there was no onscreen farewell. Rogers felt his character was never given any real importance and that all the focus was on Alda's character, Hawkeye Pierce.

Rogers' replacement, Mike Farrell, was hastily recruited during the 1975 summer production hiatus. In the season's first episode, "Welcome to Korea", Hawkeye is informed by Radar that Trapper was discharged while Hawkeye was on leave, and B.J. Hunnicutt is Trapper's replacement. Trapper was described by Radar as being so jubilant over his release that "he got drunk for two days, took off all his clothes, and ran naked through the mess tent with no clothes on." He made Radar promise to give Hawkeye a message: a kiss.

Actor Pernell Roberts later played a middle-aged Trapper in the seven-year run of Trapper John, M.D.

edit] Sherman T. Potter

At the end of the first episode of the fourth season, "Change of Command", Col. Sherman T. Potter arrives at the unit to assume command, replacing Frank Burns, who had taken over as commander after Blake's departure (Season 3, episode 24). Harry Morgan, who played Potter, had previously guest-starred in season 3 as a crazy general.

The Colonel is a regular Army man, having served in both World War I and World War II, first in the cavalry and later as a doctor. He is passionate about horses, and keeps an old saddle in his office, which is later put to use when he acquires a horse. It is interesting to note that this horse, which remained with Col. Potter until the end of the series, was referred to as a colt (Potter remarks, "He can't be more than four years old") in its first appearance, after which it is named "Sophie" and referred to as a mare. In his spare time, Potter also enjoys painting. The paintings seen in Potter's office were actually painted by Harry Morgan, the actor who portrayed Col. Potter.[15]

edit] Margaret Houlihan

Margaret Houlihan's role continued to evolve during this time; she became much friendlier toward Hawkeye and B.J., and had a falling-out with Frank. She later married a fellow officer, Lt. Col. Donald Penobscot, but the union did not last for long. The "Hot Lips" nickname was rarely used to describe her after about the midway point in the series. In fact, Loretta Swit wanted to leave the series in the eighth season to pursue other acting roles (most notably the part of Christine Cagney on Cagney & Lacey), but the producers refused to let her out of her contract. However, Swit did originate the Cagney role in the made-for-TV movie that served as that series' pilot.

edit] Frank Burns

Larry Linville noted that his "Frank Burns" character was easier to dump on after head comedy writer Larry Gelbart departed after Season 4 and "Frank" and "Margaret" parted ways. Throughout Season 5, Linville realized he had taken Frank Burns as far as he could, and he decided that since he had signed a five-year contract and his fifth year was coming to an end, he would leave the series.[14] During the first episode of Season 6, "Fade Out, Fade In", Frank Burns (off camera) suffers a nervous breakdown due to Margaret's marriage and is held for psychiatric evaluation. Hawkeye would offer a toast to Frank's departure, pausing only a moment, then stating "goodbye, Ferret Face." In an unexpected twist, Burns is transferred to an Indiana Veterans Administration hospital, near his home in Fort Wayne,[16] and is promoted to Lieutenant Colonel — in a sense, Frank's parting shot at Hawkeye. Unlike McLean Stevenson and Wayne Rogers, Linville had no regrets about leaving the series, saying, "I felt I had done everything possible with the character."[14] Linville was not alone when he left; Executive Producer Gene Reynolds left after the production of Season 5, and Burt Metcalfe and star Alan Alda took over the producing responsibilities. During Season 6, Alda and Metcalfe even consulted Reynolds once a week, mainly to obtain help with their jobs as Executive Producers. These two men would remain as Executive Producers for the remaining five seasons.

edit] Charles Emerson Winchester III

Charles Emerson Winchester III (David Ogden Stiers) was brought in as an antagonist of sorts to the other surgeons, but his relationship with them was not as acrimonious, although he was a more able foil. Unlike Frank Burns, Winchester did not care for the Army. His resentment stemmed, in part, from the fact that he was transferred from Tokyo General Hospital to the 4077th thanks, in part, to a cribbage debt owed to him by his commanding officer, Lt. Col. Horace Baldwin. What set him apart from Burns as an antagonist for Hawkeye and B.J. was that Winchester was clearly an excellent, technically superior surgeon, although his work sometimes suffered from his excessive perfectionism when rapid "meatball surgery" was called for.

Winchester was respected by the others professionally, but at the same time, as a Boston blue blood, he was also snobbish, as when he stated in the scrub room, "I do one thing at a time, I do it very well, and then I move on," which drove much of his conflict with the other characters. Still, the show's writers would occasionally allow Winchester's humanity to shine through, such as in his dealings with a young piano player who had partially lost the use of his right hand; the protection of a stuttering soldier from the bullying of other soldiers (it is revealed later that Winchester's sister stutters); his keeping a vigil with Hawkeye when Hawkeye's father went into surgery back in the States; his willingness to be officer of the day for Hawkeye when Hawkeye was offered three days in Seoul; or his continuing a family tradition of anonymously giving Christmas treats to an orphanage. The episode featuring this tradition is considered by many fans to be among the most moving in the series, as Winchester subjects himself to condemnation after realizing that "it is sadly inappropriate to offer dessert to a child who has had no meal." Isolating himself, he is saved by Klinger's own gift of understanding. Klinger scrapes together a Christmas dinner for Charles, with the provison that the source of the gift remain anonymous (Klinger had overheard Winchester's argument with the manager of the orphanage). For the final moment of the episode, the two are simply friends as Charles says, "Thank you, Max," and Klinger replies, "Merry Christmas, Charles."

edit] Radar O'Reilly

Gary Burghoff (Radar O'Reilly), the only cast member of the original 1970 film to play the same character in the TV series, had been growing restless in his role since at least Season 4. With each successive year, he appeared in fewer episodes; and by Season 7, Radar is barely in half of the shows. Burghoff planned to leave at the end of the seventh season (in 1979), but was convinced by producers Alda and Metcalfe to wait until the beginning of Season 8, when he filmed a two-part farewell episode, "Good-Bye, Radar", as well as a few short scenes that were inserted into episodes preceding it. The series' final nod to Radar came in the penultimate episode of the series, "As Time Goes By", when his iconic teddy bear (though it was a different bear than was used throughout the show) was included in a time capsule of the 4077th's instigated by Margaret, which Hawkeye says is a symbol of those who "came as boys and went home as men."

edit] Max Klinger

Max Klinger also grew away from the cross-dressing reputation that overshadowed him. He dropped his Section 8 pursuit when taking over for Radar as company clerk. Both Farr and the producers felt that there was more to Klinger than a chiffon dress, and tried to develop the character more fully. In the role of company clerk, Klinger's personality turned more to the "wheeler-dealer" aspects of his personality developed in the streets of (Farr's actual hometown) Toledo, Ohio, using those skills to aid the 4077th. Farr stayed throughout the rest of the series. Klinger was later promoted from corporal to sergeant (he and Father Mulcahy were the only two characters to be promoted on screen in the entire series, Frank Burns received his promotion off-screen after having left the series). In the final episode, he is, ironically, the only character who announces that he is staying in Korea. He wants to help his wife, Soon Lee, find her parents (he and Soon Lee marry at the end of the episode). When Klinger announces he is staying in Korea, Hawkeye says, "You don't have to act crazy now. We're all getting out!" However, in the short-lived spin-off, AfterMASH, it becomes clear that soon after the end of the war, Klinger returned to the United States.

edit] Change in tone

As the series progressed, it made a significant shift from being primarily a comedy with dramatic undertones to a drama with comedic undertones. This was a result of changes in writing and production staff, rather than the oft-cited cast defections of McLean Stevenson, Larry Linville, Wayne Rogers and Gary Burghoff. Series co-creator and comedy writer Larry Gelbart departed after Season Four, the first to feature Mike Farrell and Harry Morgan. This resulted in Farrell and Morgan having only a single season reading scripts featuring Gelbart's masterful comic timing, which defined the feel and rhythm of the show's first three seasons with predecessors Rogers and Stevenson, respectively. Larry Linville (the show's comic foil) and Executive Producer Gene Reynolds both departed at the conclusion of Season Five in 1977, resultingM*A*S*H being fully stripped of its original tight comedic foundation.

Whereas Gelbart and Reynolds were the comedic voice of M*A*S*H for the show's first five seasons (1972–1977), Alan Alda and newly promoted Executive Producer Burt Metcalfe became the new dramatic voice of M*A*S*H from Season Six until the show ceased production (1977-1983). By the start of Season Eight (1979-1980), the writing staff had been completely overhauled; with the departure of Gary Burghoff, M*A*S*H displayed a distinctively different feel, consciously moving between comedy and drama, unlike the seamless integration of both in its first five years. Storylines were more political in nature, while several episodes experimented with deviations from the sitcom format:

"Point of View" - shown from the point of view of a soldier with a throat wound

"Dreams" - an idea of Alda's, where during a deluge of casualties, members of the 4077 take naps on a rotation basis, allowing the viewer to see the simultaneously lyrical and disturbing dreams

"A War For All Seasons" - features a storyline that takes place over the course of 1951

"Life Time" - a precursor to the American television series 24, utilizing the real time method of narration

Another change was the infusion of story lines based on actual events and medical developments that materialized during the Korean War. Considerable research was done by the producers, including interviews with actual MASH surgeons and personnel to develop story lines rooted in the war itself. Such early 1950s events as the McCarthy era, various sporting events, and the stardom of Marilyn Monroe were all incorporated into various episodes, a trend that continued until the end of the series.

While the series remained popular through these changes, it eventually began to run out of creative steam. Korean War doctors regularly contacted producers with experiences they thought might make for a good storyline, only to learn the idea had previously been utilized. Harry Morgan admitted that he felt "the cracks were starting to show" by Season Nine (1980–1981).[14] Alda wished to make Season Ten M*A*S*H's last, but was persuaded by CBS to produce a slightly shortened Eleventh season, coupled with a farewell movie finale. In the end, Season 11 had 15 episodes and a 2-hour movie, which was treated as four episodes. The series finale movie, entitled "Goodbye, Farewell, and Amen" became the most watched television broadcast in history, tallying a total of 125 million viewers.[14]

edit] Spinoffs and specials

M*A*S*H had two official spinoff shows: the short-lived AfterMASH, which features several of the show's characters reunited in a midwestern hospital after the war, and an unpurchased television pilot, W*A*L*T*E*R, in which Walter "Radar" O’Reilly joins a police force back in the US. For legal reasons,[citation needed] the more successful Trapper John, M.D. is considered a spinoff of the original theatrical film, rather than the series. If one watches carefully in the pilot, a photograph of Hawkeye and Trapper John from the television series can be seen.

A documentary special titled Making M*A*S*H, narrated by Mary Tyler Moore and taking viewers behind the production of the Season 8 episodes "Old Soldiers" and "Lend a Hand", was produced for PBS in 1981. The special was later included in the syndicated rerun package, with new narration by producer Michael Hirsch.

Two retrospective specials were produced to commemorate the show's 20th and 30th anniversaries. Memories of M*A*S*H, hosted by Shelley Long and featuring clips from the series and interviews with cast members, was aired by CBS on November 25, 1991. A 30th Anniversary Reunion special, in which the surviving cast members and producers gathered to reminisce, aired on the Fox network on May 17, 2002. The two-hour broadcast was hosted by Mike Farrell, who also got to interact with the actor he replaced, Wayne Rogers; previously filmed interviews with McLean Stevenson and Larry Linville (who had died in 1996 and 2000, respectively) were featured as well. The two specials are included as bonuses on the Collector's Edition DVD of "Goodbye, Farewell, and Amen". Also included is "M*A*S*H: Television's Serious Sitcom", a 2002 episode of the A&E cable channel's Biography program that detailed the history of the show.

In the late 1980s, the cast had a partial reunion in a series of commercials for IBM personal computers. All of the front-billed regulars (with the two exceptions of Mike Farrell and McLean Stevenson) appeared in the spots over time.

In 1990, Gary Burghoff appeared in several locally aired BP television advertisements in the United States, explaining that certain local filling stations, such as Sohio, will soon become BP filling stations.

In the mid-2000s (decade), Harry Morgan, Jamie Farr, and Gary Burghoff reunited for a public service announcement promoting information about diabetes (a disease which all three actors have in its Type 1 form).[citation needed] It took place on the company clerk's office set and featured Klinger eating large amounts of chocolate pudding in an attempt to get diabetes in order to be discharged. The commercial is outside of continuity, as it had Klinger wearing his Toledo Mud Hens jersey, which he did primarily after Radar left the series.[citation needed]

edit] Production

edit] Set location

The 4077th actually consisted of two separate sets. An outdoor set in the mountains near Malibu, California (Calabasas, Los Angeles County, California) was used for most exterior and tent scenes for every season. This is the same set used to shoot the movie. The indoor set, on a sound stage at Fox Studios in Century City, was used for the indoor scenes for the run of the series. Later, after the indoor set was renovated to permit many of the "outdoor" scenes to be filmed there, both sets were used for exterior shooting as script requirements dictated (e.g., night scenes were far easier to film on the sound stage, but scenes at the chopper pad required using the ranch).

Just as the series was wrapping production, a major brush fire destroyed most of the outdoor set on October 9, 1982. The fire was written into the final episode as a forest fire caused by enemy incendiary bombs.

The Malibu location is today known as Malibu Creek State Park. Formerly called the Century Ranch and owned by 20th Century Fox Studios until the 1980s, the site today is returning to a natural state, and is marked by a rusted Jeep and an ambulance used in the show. Through the 1990s, the area was occasionally used for television commercial production; for example, a Miller Beer ad with a "Mexican" setting was filmed there.

On February 23, 2008, series stars Mike Farrell, Loretta Swit and William Christopher (along with producers Gene Reynolds and Burt Metcalfe and prolific M*A*S*H director Charles S. Dubin) reunited at the set to celebrate its partial restoration. The rebuilt iconic signpost is now displayed on weekends, along with tent markers and maps and photos of the set. The state park is open to the public. It was also the location where the film How Green Was My Valley (1941) and the Planet of the Apes television series (1974) were filmed, among other productions.

When M*A*S*H was filming its last episode, the producers were contacted by the Smithsonian Institution, which asked to be given a part of the set. The producers quickly agreed and sent the tent, signposts, and contents of "The Swamp", which was home to Hawkeye, Trapper, Frank, Spearchucker, BJ and Charles during the course of the show.[17] Originally found on the Ranch, Radar's teddy bear, once housed at the Smithsonian, was sold at auction on July 29, 2005 for $11,800.

edit] Content

M*A*S*H was the first American network series to use the phrase "son of a bitch" (in the 8th-season episode "Guerilla My Dreams"), and there was brief partial nudity in the series (notably Gary Burghoff's buttocks in "The Sniper" and Hawkeye in one of the "Dear Dad" episodes). A different innovation was the show's producers' not wanting a laugh track, as the network did. They compromised with a "chuckle track", played only occasionally. (DVD releases of the series allow viewers a no-laugh-track option.)

In his blog, writer Ken Levine revealed that on one occasion, when the cast offered too many nitpicking "notes" on a script, he and his writing partner changed the script to a "cold show"—one set during the frigid Korean winter. The cast then had to stand around barrel fires in parkas at the Malibu ranch when the temperatures neared 100 degrees. Levine says, "This happened maybe twice, and we never got a ticky-tack note again."

Jackie Cooper wrote that Alan Alda, whom Cooper directed in M*A*S*H, is concealing a lot of hostility beneath the surface, and that the two of them barely spoke to each other by the time Cooper’s directing of M*A*S*H ended.[18]

edit] Character information

Throughout the run of the series, any "generic" nurses (those who had a line or two but were minor supporting characters otherwise) were generally given the names "Nurse Able", "Nurse Baker", or "Nurse Charlie". These names stem from the enunciated alphabet used by the military and ham radio operators at the time. During the Korean War, the letters A, B, and C in the phonetic alphabet were Able, Baker, and Charlie (since then, the standard has been updated; A and B are now Alpha and Bravo). In later seasons, it became more common for a real character name to be created, especially as several of the nurse actresses became semi-regulars. For example, Kellye Nakahara played both "Able" and "Charlie" characters in Season 3 before becoming the semi-regular "Nurse Kellye"; on the other hand, Judy Farrell (then Mrs. Mike Farrell) played Nurse Able in eight episodes, including the series finale.

By the time the series ended, three of the regulars had been promoted. Klinger (Jamie Farr) went from Corporal to Sergeant, and Father Mulcahy (William Christopher) went from Lieutenant to Captain. Frank Burns (Larry Linville) was promoted from Major to Lieutenant Colonel when he was shipped back to the U.S. following Margaret's marriage. (Farr and Christopher also saw their names move from the closing credits of the show to the opening credits.) Radar O'Reilly was fraudulently "promoted" for a short time (through a machination of Hawkeye and B.J.) to Second Lieutenant, but discovered he disliked officer's duties and asked them to "bust" him back to Corporal.

It was Mike Farrell who asked that his character's daughter's name be Erin, after his real-life daughter (the character's name was originally going to be Melissa). When B.J. spoke on the telephone on-camera, Erin or his then-wife Judy were on the other end.

edit] Character injuries

Three MASH 4077 staff members suffered fatalities on the show: Lieutenant Colonel Blake, when his plane was shot down over the Sea of Japan; an ambulance driver, O'Donnell, in a traffic accident; and a nurse, Millie Carpenter, by a land mine. "Capt. Tuttle", an imaginary person made up by Hawkeye Pierce to provide money for Sister Teresa's orphanage, was killed when he jumped from a helicopter without a parachute; Hawkeye gave him an ironic eulogy.

Among those wounded were Hawkeye Pierce ("Hawkeye"; "Out of Sight, Out of Mind"; "Comrades in Arms [Part I]"; "Good-Bye, Radar [Part I]"; and "Lend a Hand"), Radar O'Reilly ("Fallen Idol"), B.J. Hunnicutt ("The Abduction of Margaret Houlihan" and "Operation Friendship"), Max Klinger ("It Happened One Night"; "Baby, It's Cold Outside"; and "Operation Friendship"), Father Mulcahy ("Goodbye, Farewell and Amen" and "Bombed"), and Sherman Potter ("Dear Ma"). Henry Blake was injured four times: once by a disgruntled chopper pilot ("Cowboy"); once by friendly fire ("The Army-Navy Game"); and in season 3, episode 15 ("Bombed"), Henry is injured when the latrine he is in is blown up. (The gag of Blake's being caught in an exploding latrine is also in the episode "Cowboy".) Henry is also injured when the latrine catches fire. Father Mulcahy is concussed on two separate occasions - first in the episode "Bombed", where he is in the latrine stall next to Blake when it is blown up; and again in Goodbye, Farewell and Amen when he is knocked out by mortar fire which strikes close by him; he also suffers severe hearing loss as a result of this incident. Frank Burns is twice awarded Purple Hearts for spurious injuries: throwing his back out after he gave Margaret a dip and could not move - which was later covered for with a story that he slipped on the way to the showers ("Sometimes You Hear the Bullet", 1.17), and getting an egg-shell fragment in the eye ("The Kids", 4.8). Burns' Purple Heart medals were then given to more deserving people: a GI who was admitted with appendicitis, and a Korean newborn infant who was hit by a bullet in utero.

At least two personnel suffered emotional breakdowns: Hawkeye Pierce ("Goodbye, Farewell and Amen") and Frank Burns ("Fade Out, Fade In [Part 1]" and "Fade Out, Fade In [Part 2]").

edit] Vehicles

The helicopters used on the series were model H-13 Sioux (military designation and nickname of the Bell 47 civilian model). As in the film, some care seems to have been taken to use the correct model of the long-lived Bell 47 series. In the opening credits and many of the episodes, Korean War vintage H-13Ds and Es (Bell 47D-1s) were used complete with period-correct external litters. However, a later (1954–73) 47G would occasionally make an appearance. The helicopters are remarkably similar in appearance (with the later "G" models having larger two-piece fuel tanks, a slightly revised cabin as well as other changes) with differences noticeable only to a serious helicopter fan. In the pilot episode, a later Bell 47J (production began in 1957) was shown flying Henry Blake to Seoul, en-route to a meeting with General Hammond in Tokyo.[19] A Sud Aviation Allouette II helicopter was also shown transporting Henry Blake to the 4077th in the episode Henry, Please Come Home.

The Jeeps used were 1953 military M38 or civil CJ2A Willys Jeeps and also World War II Ford GPWs and Willys MB's. Two of the ambulances were WC-54 Dodges and one was a WC-27. A WC-54 ambulance remains at the site and was burned in the Malibu fires on October 9, 1982. while a second WC-27 survives at a South El Monte, CA museum without any markings. The bus used to transport the wounded was a 1952 Ford model. In the last season an M43 ambulance from the Korean War era also was used in conjunction with the WC-54s and WC-27.

Burned Dodge ambulance at Malibu Creek State Park.

Burned Jeep (most likely an M38) at Malibu Creek State Park.

edit] Broadcast History

NOTE: The most frequent time slot for the series is in bold text.

Sunday at 8:00-8:30 PM on CBS: September 17, 1972—March 25, 1973

Saturday at 8:30-9:00 PM on CBS: September 15, 1973—March 2, 1974

Tuesday at 8:30-9:00 PM on CBS: September 10, 1974—March 18, 1975

Friday at 8:30-9:00 PM on CBS: September 12—November 28, 1975

Tuesday at 9:00-9:30 PM on CBS: December 2, 1975—January 24, 1978

Monday at 9:00-9:30 PM on CBS: January 30, 1978—February 28, 1983

edit] Episodes

edit] Final episode: "Goodbye, Farewell and Amen"

"Goodbye, Farewell and Amen" was the final episode of M*A*S*H. Special television sets were placed in PX parking lots, auditoriums, and dayrooms of the US Army in Korea so that military personnel could watch that episode; this in spite of 14 hours' time zone difference with the east coast of the US. The episode aired on February 28, 1983, and was 2½ hours long. The episode got a Nielsen rating of 60.2 and 77 share[20] according to a New York Times article from 1983, the final episode of M*A*S*H had an astonishing 125 million viewers [2]

When the M*A*S*H finale aired in 1983, there were 83.3 million television homes, compared to almost 115 million in February 2010.[21]

According to articles from the Associated Press from March 1983, "CBS parlayed the final episode of MASH - which got the highest rating and attracted the largest audience ever for a single TV program - into a big ratings victory for the week..."[citation needed]

The record "Goodbye, Farewell and Amen" did break was the highest percentage of homes with television sets to watch a television series. Stories persist that the episode was seen by so many people that, at the end of the episode, the New York City Sanitation/Public Works Department reported that the plumbing systems had broken down in some parts of the city. Said to be the largest use of water ever around the city because so many New Yorkers waited until the episode ended to go to the toilet. Articles copied into Alan Alda's "The Last Days of MASH" include interviews with New York City Sanitation workers citing the definite spike in water usage on that night.[22]

edit] Unusual episodes

The series had several unusual episodes, which differed in tone, structure, and style from the rest of the series and were significant departures from the typical sitcom or dramedy plot. Some of these episodes include:

The "letter episodes", which are flashback episodes narrated by a character as he is writing a letter. Hawkeye writes home to his father (first with a narration done by him at the start of the pilot episode and then as follows: "Dear Dad", "Dear Dad... Again", "Dear Dad... Three", he tape-records a message in "A Full Rich Day" and writes President Truman in "Give 'em Hell, Hawkeye"); Potter writes home to his wife ("Dear Mildred"); BJ writes home to his wife ("Dear Peggy"); Radar composes a weekly report to headquarters ("Radar's Report"), writes home to his mother ("Dear Ma"), and tries his hand at creative writing ("The Most Unforgettable Characters"); Sidney writes to Sigmund Freud ("Dear Sigmund"); Winchester "writes" home by recording an audio message ("The Winchester Tapes"); Winchester's houseboy—a North Korean spy—writes to his superiors ("Dear Comrade"); Father Mulcahy writes to his sister, a nun ("Dear Sis"); Klinger writes home to his uncle ("Dear Uncle Abdul"); and the main characters all write to children in Crabapple Cove ("Letters"). As part of an educational program, the script was published in a local newspaper. Drama classes in local schools were encouraged to use the script in their classes.

The "mail call episodes": "Mail Call", "Mail Call Again", and "Mail Call Three". In these episodes, the members of the 4077th receive letters and packages from home.

"Showtime" (originally aired March 25, 1973), which shows various incidents at the 4077th interspersed with performances from a visiting USO troupe.

"O.R." (originally aired October 8, 1974), which takes place entirely within the confines of the operating room (and was the first episode to omit the laugh track completely).

"Bulletin Board" (originally aired January 14, 1975), an episode showing various camp activities as seen on notices found on the camp bulletin board. These include a sex lecture by Henry, a letter written by Trapper, a Shirley Temple movie, and a charity picnic for an orphanage.

"The Bus" (originally aired October 17, 1975), in which Hawkeye, BJ, Potter, Frank, and Radar find themselves lost and stranded in an unknown area on their way back from a medical convention. (It is one of only three episodes in the series in which the entire story takes place outside the 4077th camp, and is also one of only three episodes that does not include a scene of the surgeons operating in the 4077th O.R. or another operating room.)

"Hawkeye" (originally aired January 13, 1976), in which Hawkeye is taken in by a Korean family (who understand no English) after suffering a head injury in a jeep accident far from the 4077th, and he carries on what amounts to a 23-minute monologue in an attempt to remain conscious until help arrives. (Alan Alda is the only cast member to appear in the episode.)

"Deluge" (originally aired February 17, 1976), "The M*A*S*H Olympics" (originally aired November 22, 1977), and "Give 'em Hell, Hawkeye" (originally aired November 16, 1981) all intersperse vintage Movietone newsreel footage with activities at the 4077th.

"The Interview" (originally aired February 24, 1976), which is a sort of mockumentary about the 4077th. It is shot in black-and-white and presented as a 1950s television broadcast, with the cast partially improvising their responses to interviewer Clete Roberts's questions. Roberts returned for "Our Finest Hour" (originally aired October 9, 1978), which interspersed new black-and-white interview segments with color clips from previous episodes.

"Point of View" (originally aired November 20, 1978), which is shot from the point of view of a soldier who is wounded in the throat and taken to the 4077th for treatment.

"A Night at Rosie's" (originally aired February 26, 1979), which takes place entirely at Rosie's Bar just outside of camp.

"Life Time" (originally aired November 26, 1979), which takes place in real time as the surgeons perform an operation that must be completed within 20 minutes (a clock in the bottom right-hand corner of the screen counts down the time).

"Dreams" (originally aired February 18, 1980), in which the dreams of the overworked and sleep-deprived members of the 4077th are visually depicted, revealing their fears, yearnings, and frustrations. This episode was conceived by James Jay Rubinfier and cowritten with Alan Alda. The episode received two prestigious writing honors: The Humanitas Prize (1980) and a Writers' Guild of America nomination for episodic television writing in the dramatic category, which was a first, as M*A*S*H received WGA nominations in both comedy and drama categories that same year.

category, which was a first, as M*A*S*H received WGA nominations in both comedy and drama categories that same year. "A War for All Seasons" (originally aired December 29, 1980), which compresses an entire year in the life of the 4077th into a single episode.

"Follies of the Living—Concerns of the Dead" (originally aired January 4, 1982), in which a dead soldier's ghost (Kario Salem) wanders around the compound, and only a feverish Klinger is able to see him or speak with him.

"Where There's a Will, There's a War" (originally aired February 22, 1982), which features a series of flashbacks as Hawkeye recalls his friends' most endearing qualities while writing his last will and testament during heavy fighting at a frontline aid station.

edit] Impact

edit] Influences on pop culture

In music, Welsh rock band Manic Street Preachers released a cover version of "Suicide Is Painless" as a charity single to help The Spastics Society (now Scope) in 1992. It was their first UK top-ten hit. Marilyn Manson also released a cover version that was featured on the Blair Witch Project 2 soundtrack album.

Author Paulette Bourgeois credits "C*A*V*E" (episode 164), in which Hawkeye was afraid of being in a dark cave, as the inspiration for the first work in the children's book series Franklin. Glen Charles and Les Charles, the creators of Cheers, started their careers in television by writing "The Late Captain Pierce".

There have been numerous references to M*A*S*H in other series, including several episodes of Family Guy, the Futurama "War is the H-Word", The Simpsons episode "Half-Decent Proposal", and the Scrubs episode "My Super Ego". On Family Guy in homage to the finale of "M*A*S*H," Peter Griffin confesses that instead of eating a bucket of chicken on a bus, he ate a baby (in Season 10 Episode 16 titled "Killer Queen"). On Sesame Street, in homage to Radar O'Reilly and his teddy bear, Big Bird's teddy bear's name is Radar. Jamie Farr appeared as himself on a 1995 episode of Women of the House titled "Guess Who's Sleeping in Lincoln's Bed?" (the series was written and created by former M*A*S*H writer Linda Bloodworth-Thomason), and he ultimately got into drag. He also appeared in an episode of That '70s Show as himself, in which he directly mentions his work on M*A*S*H.

The 1975-1976 children's series Uncle Croc's Block included a recurring animated segment called "M-U-S-H", about a group of police dogs stationed at an Arctic Circle outpost. The segment's premise, title (an acronym for Mangy Unwanted Shabby Heroes), and characters (Bullseye, Trooper Yoe, Cold Lips, Major Hank Sideburns, Colonel Flake, Sonar) all parodied M*A*S*H.

After McLean Stevenson left the show, being 'McLean'd' became a reference to a character that is killed off after its actor departs a given series.

edit] Season ratings

As a Top 20 series, M*A*S*H has an average rating of 24.6.

edit] Awards

M*A*S*H won a total of 14 Emmy Awards during its eleven-year run:

1974 — Outstanding Comedy Series – M*A*S*H ; Larry Gelbart, Gene Reynolds (Producers)

; Larry Gelbart, Gene Reynolds (Producers) 1974 — Best Lead Actor in a Comedy Series – Alan Alda

1974 — Best Directing in Comedy – Jackie Cooper

1974 — Actor of the Year, Series – Alan Alda

1975 — Outstanding Directing in a Comedy Series – Gene Reynolds

1976 — Outstanding Film Editing for Entertainment Programming – Fred W. Berger and Stanford Tischler

1976 — Outstanding Directing in a Comedy Series – Gene Reynolds

1977 — Outstanding Directing in a Comedy Series – Alan Alda

1977 — Outstanding Supporting Actor in a Comedy Series – Gary Burghoff

1979 — Outstanding Writing in a Comedy-Variety or Music Series – Alan Alda

1980 — Outstanding Supporting Actress in a Comedy or Variety or Music Series – Loretta Swit

1980 — Outstanding Supporting Actor in a Comedy or Variety or Music Series – Harry Morgan

1982 — Outstanding Lead Actor in a Comedy Series – Alan Alda

1982 — Outstanding Supporting Actress in a Comedy or Variety or Music Series – Loretta Swit

Alan Alda won the Golden Globe Award for Best Actor in a Television Series (Comedy or Musical) six times: in 1975, 1976, 1980, 1981, 1982, and 1983. McLean Stevenson won the award for Best Supporting Actor in a Television Series in 1974.

The series earned the Directors Guild of America Award for Outstanding Directorial Achievement in a Comedy Series seven times: 1973 (Gene Reynolds), 1974 (Reynolds), 1975 (Hy Averbeck), 1976 (Averbeck), 1977 (Alan Alda), 1982 (Alda), 1983 (Alda).

The show was honored with a Peabody Award in 1976 "for the depth of its humor and the manner in which comedy is used to lift the spirit and, as well, to offer a profound statement on the nature of war." M*A*S*H was cited as "an example of television of high purpose that reveals in universal terms a time and place with such affecting clarity."[34]

Writers for the show received several Humanitas Prize nominations, with Larry Gelbart winning in 1976, Alan Alda winning in 1980, and the team of David Pollock and Elias Davis winning twice in 1982 and 1983.

edit] DVD releases

20th Century Fox has released all 11 seasons of M*A*S*H on DVD in Region 1 and Region 2.

DVD title Ep No. Release dates Region 1 Region 2 M*A*S*H Season 1 24 January 8, 2002 May 19, 2003 M*A*S*H Season 2 24 July 23, 2002 October 13, 2003 M*A*S*H Season 3 24 February 18, 2003 March 15, 2004 M*A*S*H Seasons 1–3 72 N/A October 31, 2005 M*A*S*H Season 4 24 July 15, 2003 June 14, 2004 M*A*S*H Seasons 1–4 96 December 2, 2003 N/A M*A*S*H Season 5 24 December 9, 2003 January 17, 2005 M*A*S*H Season 6 24 June 8, 2004 March 28, 2005 M*A*S*H Season 7 25 December 7, 2004 May 30, 2005 M*A*S*H Season 8 25 May 24, 2005 August 15, 2005 M*A*S*H Season 9 20 December 6, 2005 January 9, 2006 M*A*S*H Seasons 1–9 214 December 6, 2005 N/A M*A*S*H Season 10 21 May 23, 2006 April 17, 2006 M*A*S*H Season 11 16 November 7, 2006 May 29, 2006 Martinis and Medicine Collection

(Complete Series including the Original Movie) 251 November 7, 2006 October 30, 2006 Goodbye, Farewell, and Amen Collector's Edition 1 May 15, 2007 N/A

edit] See also