Epstein, R. Kelly, and Clinton… Oh My!

In the world of culture, we have these fixed points that many of us tend to recognize. Politicians, academia, the media, and Hollywood are all cultural centerpieces that we, the general population, know and can tolerate in terms of exposure. But when certain facets of these centerpieces seem to crumble, the best thing that the cultural warriors can do is interject and intersect to rebuild. Hollywood seems to be crumbling, and we may find ourselves filling an empty void to help the culture we want to reform.

…depending on Hollywood to be the voice of reason for our socio-cultural discussion is just as insane as they are.

The curious case of Jeff Epstein being brought to light is shaking the travesty of the sex trafficking world, and the ills of this poison that stains our culture. That men with billions in their offshore accounts would purchase young girls as commodities for pedophilic sex is a fact we would like to ignore, but cannot once we see the harm it does to children. The emergence of new documents that have been released showing very popular and prominent politicians, cultural icons, and others involved in the Lolita Express is shaking the grounds of our socio-political and socio-cultural arena.

Hollywood Selling Oppression

With how much of the culture is adopting the notion of political correctness, it is no wonder that the Left is literally eating itself to win oppression points. All the while trying to sell oppression to cover up the sins they themselves have racked up throughout these last few decades. As degenerate as the Epstein case is, and with the recent arrest of noted R&B singer R. Kelly, of “I Believe I Can Fly” fame, the jokes and memes seem to be in endless supply.

Still, we are finding the detestable nature of such figures to be grossly mis-reported. Their crimes are being swept under the rug or not reported on as heavily as they should. A billionaire allowed Bill Clinton 26 separate Secret Service-less trips to his tropical island, and not one word from CNN or MSNBC. There is just one report or two about R. Kelly’s arrest and charges from those same networks.

Drop in Quality

It is no surprise that the Hollywood industry is attempting to succeed in the outrage ponzi scheme, while attempting to juggle their degeneracy and trying to make cash grabs. There is the race bending of noted movies such as black Ariel of the Little Mermaid, and the newly released 007 Bond now gender bent as well as race bent as a black woman. Not to mention how every actor needs to either be gay or trans and must be played by gay or trans people; this seems to be Hollywood’s MO.

Some have come out and said “No!” to the idea of capitulating to Leftist low standards of quality, but then become blacklisted by the Left. Saved By The Bell’s Mario Lopez, “Charles in Charge” Scott Baio, and noted actor Jon Voight are all staunch Conservatives, but we do not see them in prominent roles within the culture like the MCU. The last noted role Jon Voight was probably recognized in was the HBO series “Ray Donovan”. We only know of Mario Lopez from his TV appearances.

Other than that, it seems that the new, up and coming figures in the culture are all playing the outrage ponzi scheme and attempting to win points. And this in turn shows a sheer lack of quality that must be bolstered by the scandal of defending failed movies. This is done with deceptive marketing, increased traffic towards such bad movies, and either using race or gender to decry legitimate criticism of such movies. An example of this was during the release of Captain Marvel, where Disney was seen allegedly buying out theaters in order to increase ticket sales.

Tossing Rotten Tomatoes

Rotten Tomatoes had to change their review concept to only allow “authorized reviewers” to pre-review Captain Marvel. Meanwhile, Brie Larson went on a tirade about how she denigrated “old white guys,” while tooting her own horn at being the most underwhelming character within the Marvel Comic universe, let alone the Marvel Cinematic Universe. Ratings and reviews from the regular public shows just how lackluster that movie is.

But anyone who didn’t enjoy the film are misogynistic pigs afraid of a “strong woman”. And yet, somehow the Brie Larson bots do not like it when a female finds Captain Marvel, shall we say, less than thrilling. We see that here in a review by YouTuber Anna of That Star Wars Girl. This is how they are also marketing the latest Terminator: Dark Fate movie. The Terminator character is replaced with a thin, lesbian-like woman. Even Linda Hamilton is being fashioned to be this strong woman, retconning everything to fit the ultra feminist narrative.

Scarlett Johansson Speaks Out

But in Hollywood, there are some who are finding this type of pandering to one portion of the society as rancid as it appears. Scarlett Johansson, one of the leading figures of the Marvel Avengers franchise, known affectionately as “The Black Widow,” is also known for playing prominent roles. From her iconic role as the Russian spy turned Avenger, to bringing to life the beloved manga character Motoko Kusanagi from “Ghost In the Shell” (among many of her other roles), she has been met with some very interesting controversy.

The first was her playing the titular anime character from “Ghost in the Shell.” Many who subscribe to the race bending among the Asian leftist community have said that this character was whitewashed for the movie. The outrage resulted in ScarJo receiving unwarranted backlash, as she is in fact a “white woman” playing the role of an “Asian” character. Hardcore fans of the anime/manga have declared that Motoko is in fact an android, and that her race is unknown, allowing creative leniency. But race-baiting Asian leftists think because this is a Japanese centered piece of work, the main character of the 2017 movie should have been of Asian background.

The Whole Idea of Acting

And yet, the beauty of acting is for someone in that craft to adopt the full weight of a particular character and embody this image to present to the world on screen. That’s the whole idea of acting. It matters not what race or gender the person is just so long as they can act and do it well and bring a quality performance. So when the movie “Rub & Tug” was announced, the director wanted to bring Scarlett to play the main role of the transgender man, Tex Gill.

But it seems that the LGBTQ+ mafia did not like that a “cisgendered” white woman should play this role. They feel a real trans-actress should be the one to play it. Johansson inevitably dropped out of the role, and yet spoke out that as an actress, she should be allowed to play any role that is presented to her. Her statement was effectively putting a nail into the coffin of political correctness in Hollywood.

We Really Don’t Care What You Think

She said, “I recognize that in reality, there is a wide spread discrepancy amongst my industry that favors Caucasian, cisgendered actors, and that not every actor has been given the same opportunities that I have been privileged to. I continue to support, and always have, diversity in every industry and will continue to fight for projects where everyone is included.”

While it is commendable for Johansson to fight for diversity in her industry, the fact that she was berated by the outrage ponzi scheme pushers and forced to bow out of roles because she does not fit that skin tone or that gender, or not gender (or other gender) is yet another reason why depending on Hollywood to be the voice of reason for our socio-cultural discussion is just as insane as they are. As Conservative figurehead and founder of the Blexit Movement Candace Owens said, “We really don’t care what you think.”