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To my recollection, the song cycle <em>Penelope</em> is the most vivid, mesmerizing psychological nightmare set to music I've heard. <em>Penelope</em> is in effect a re-imagining of Homer's <em>Odyssey</em>, told from the perspective of Homer's wife. Stylistically, the cycle at once possesses an unabashed pop sensibility and a subtle sophistication, as it merges more traditional chamber orchestra instrumentation with the thoughtful incorporation of quintessential rock sonics--electric guitar and drums. In order to communicate through music the mental disorientation, the contagion of dizzying desperation that comes with the realization of a life built together but now decimated, Ms. Snider gives vocalist Shara Worden beautifully understated step-wise melodies that captivate as they meander, and quickly embed themselves in your consciousness, never to relinquish their spell. One of many highlights from this song cycle, "The Lotus Eaters" is nearly impossible to banish from your mind once it nestles in and finds its home there. <a href="http://penelope-music.com/" target="_hplink">http://penelope-music.com/</a> <em>Video: "The Lotus Eaters" from the album "Penelope" by Sarah Kirkland Snider, featuring Shara Worden and Signal, conducted by Brad Lubman. New Amsterdam Records. Lyrics by Ellen McLaughlin. Filmed and directed by Murat Eyuboglu; edited by David Sarno.</em>