The most over-the-top festival for social impact, size of crowd, quality of vibe, and quantity of mud, plus nausea-inducing porta-potties, was the 1969 Woodstock Music & Art Fair. It was held on 600 or so acres leased from Max Yasgur’s dairy farm near Bethel, New York (more than 40 miles southwest of Woodstock, New York; I guess the “Bethel Festival” just didn’t have the right ring to it). The Woodstock festival was three days of cultural and musical experimentation, melded with a very, very heavy dose of, well, doses.

Jim Marshall’s outpouring of work from the original Woodstock festival was prodigious. His images capture what it was like to be there from all perspectives—onstage, offstage, behind the scenes. He was reportedly a dervish of nonstop shooting until he collapsed in a heap backstage sometime during day three.

On assignment for Newsweek, Jim seemed to bring an extra focus to capturing the energy of the crowd, including his incredibly striking shot of the technicolor masses. Jim said he had to climb up one of the huge lighting scaffolds bracketing the stage to get this bird’s-eye view, taken with a wide angle “fish-eye” lens. This shot was used as the centerpiece of the live three-album set Woodstock: The Original Soundtrack and More, released in 1970. Jim was a bit afraid of heights, but he had been dosed with acid by the Grateful Dead earlier in the day, and that was the only way he had the guts to climb up on the stanchion and get this now world-famous shot.

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Photos and text are from Jim Marshall: Show Me the Picture by Amelia Davis, published by Chronicle Books 2019.