Three sudden jarring cries carry the 75 yards from the middle. A pause and then a broader chorus cheers, still high-pitched, but with less urgency. The batsman walks away from the wicket. The chorus members converge from their fielding positions. A wicket has fallen.

How?

Evidence of the eyes: the stumps stand upright, location of bails unclear; the ball has now been returned to the umpire.

Rewind a few seconds. Grab a memory of this, the sixth, sixtieth, perhaps, 360th delivery watched today. Scan for clues: the batsman’s movement, the ball’s destination, keeper’s line, close fielders’ inclined heads.

Apply heuristics of many years of watching, layer with knowledge of the competitors, inject with understanding of the conditions of the pitch and the ball.

Settle on a theory: a thin edge, to a good-length, seaming delivery, gathered to the keeper’s left.

Away to your right, the scoreboard flatly conveys the truth: LAST MAN lbw b 9.

Watching cricket live is a challenge of concentration and observation. The difference between an edge behind, a drive to the boundary or a cautious leave, is found in a fraction of the seconds the ball is live. An experienced eye can make a lot of those fleeting images. But much of the appreciation when watching play at the ground is in the aftermath of the delivery and interpreting the movement of batsmen, fielders and bowler.

There are exceptions, where the key moments of action play out at the same pace as an alert spectator’s attention. My favourite, an incident that can crown any day at the cricket, is the running catch. The usual pulse of action is extended, introducing jeopardy, with just enough time for speculation and ‘will he, won’t he’ thoughts.

The flash of activity that ushers the chance is articulated: an advance down the wicket perhaps, invariably a full swing of the bat that grabs the eye. Following the ball’s course, the brain calibrates trajectory with boundary and deep fielder. Swapping focus, before settling on the fielder, carrying out her own speedy calculations.

While writing, I’m thinking of Damien Martyn ending Kevin Pietersen’s daring first Test innings, Alex Hales (and Moeen Ali) sucker-punching Misbah at Lord’s, a full-length dive at long-on by Cameron Bancroft at a T20 at Cheltenham. None was the most significant moment of that day’s cricket, but each imprinted deeply because I watched them unfold.

The fielder’s athleticism plays a part in the appeal: foot speed to gain ground towards the ball, agility to stretch or even dive to reach it on the full and dexterity to clasp and cling onto the ball while moving at pace. Yet, the running catch that resounds the strongest featured a greying cricketer, most comfortable scheming at slip. But it was from mid-on, in the closing overs of a one-day game, that he pitter-pattered with flat feet down the slope towards the Tavern, like an uncle chasing a paper plate blown away at a family picnic. Mike Brearley, at the 1979 World Cup Final, ran and ran before taking Andy Roberts’ skied pull over his left shoulder.