Printer Friendly Version Love The Country By Gurazada Appa Rao 02 April, 2016

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Gurazada Venkata Apparao (1862–1915) This is to remember and celebrate Gurazada in his 110th year and his all-time great poem DESA BHAKTI, written 1910, which is highly relevant today in the context of debate on nationalism, patriotism and sedition. This is note is compiled from Wikipedia and other sources



Gurazada Venkata Apparao (1862–1915) (also often transliterated as 'Gurajada') was a Telugu poet and writer of Andhra Pradesh, India. He wrote his Magnum opus, the Telugu play, Kanyasulkam, staged for the first time in 1892, which became an instant hit. It was the first Telugu drama expressly written in spoken dialect, which is often considered the greatest play in the Telugu language. In 1897, kanyASulkaM was published by Vavilla Ramaswamy Sastrulu and Sons, Madras. This drama was written more as an accessory to his crusade against social evils than for literary enjoyment. The Kanyasulkam was the first to achieve both the aims. And an unparalleled achievement it was! It was staged countless times from 1892 to this day, the last was in 2015. He himself re-wrote the second edition of kanyasulakam and published it in 1909. This edition was completely revised and greatly expanded compared to the original version. It is this edition that made the drama a truly outstanding work of art. This all-prose drama that runs over 7-8 hours, if played full length ( as indeed it was staged, the latest 5-6 times in the last few years, during his centenary celebrations and after) was staged countless times but in abbreviated form of 3 hours or so. Each character developed a life of its own and they all came together in an unforgettable comedy in form, but a tragedy about feudal values in content. It was made into a film in 1955 with lead actors NT Rama Rao ( as Gireesam, an immortal character who had all trappings of English education, sophistry and reformist outlook but a sheer opportunist, an anti-hero) and Savitri, the greatest film actress in Telugu, who acted in a few other languages too, as heroine Madhuravaani, the immortal character of a prostitute, an honorable profession of those times, who was honest and more virtuous than many pious characters in the drama. . Kanyasulkam ( Bride price, literally. In those days men used to buy brides, often too young, aged 8 or more, but before she attains puberty) is about the deplorable condition of widows in traditional Brahmin families in the Andhra region of India during the 19th century. The play is a highly thought-provoking social drama dealing with social issues relevant to the time. Gurajada Apparao was deeply troubled by the double standards, hypocrisy and social inequalities in the Indian society. The English preface to the first edition of his play states: "Such a scandalous state of things is a disgrace to society, and literature can not have a higher function than to show up such practices and give currency to a high standard of moral ideas. Until reading habits prevail among masses, one must look only to the stage to exert such healthy influence." Perhaps for the first time in Telugu literary history, a prostitute was given a very positive image so much so that she is shown to better the lives of many people during the course of the play. The play is ageless in the sense that its projection of the Indian mindset and psyche is very relevant and applicable in Indian Society today. The play was in some ways way ahead of its time and was very bold in criticizing the popular opinions and practices during that era. It frequently jabs at the male-dominated society of India, by bringing to the forefront certain egoistic idiosyncrasies of a typical Indian male, in an unflattering manner. It also questions the practices of witchcraft, sorcery, and their popular usage in medical practice during that period in India. He wrote poetry in a modern metre he devised, Mutyala Saralu ( strings of pearls, literally ), in matra Chandassu. Desa Bhakti was also written in that simple, beautiful form. Many poems and short stories in modern style were written during that early period. These were perhaps the earliest instances of modern short stories in Telugu. Also published several essays supporting the use of vernacular as formal language. He championed the cause of spoken language in Universities also and his DISSENT NOTE to the University became a historic document. (Asammati patram Minuet of Dissent - Report against the decision of Madras University to retain classical language as the platform for curriculum development -1914) Finally spoken language forced itself through the print media and ultimately into universities too. Madras University honoured him by making him a "Fellow." He was a lecturer who taught the F.A. and B.A. classes several subjects including English Grammar, Sanskrit Literature, Translation, Greek and Roman Histories. In 1891, Gurajada was appointed to the post of Epigraphist (saMsthAna SAsana pariSOdhaka) to the Maharaja of Vizianagaram. Gurajada Apparao was an influential social reformer of his age and was lauded as Mahakavi, meaning "the great poet". In 1911, he was appointed to the Board of Studies by Madras University. The same year, Gurajada and his friends started the Andhra Sahitya Parishat to promote the use of spoken dialects. The next year, he was invited to attend the meeting of the Bangeeya Sahitya Parishat (Bengal Literary Association) at Calcutta. His was a universal lyric for all times which proclaimed : Desamante matti kaadoyi, desamante manushuloyi meaning, A country is not made of land; a country is made of its people. Gurajada Apparao is popularly known in Andhra pradesh as Gurazada, his surname. He is the most popular poet among Telugu writers, pioneer of modern Telugu literature. . The townhall is constructed on his name at Vijayanagaram, his home town, and Vijag by the Govt of A.P. Almost every popular town has a street named after Gurazada. Statues of Gurajada are seen in Hyderabad, Vizag, Vijayawada, Rajahmundry, Vijayanagaram and many more towns. His poem 'desamunu preminchumanna' is the most popular patriotic song in the Telugu language. His all-time Great poem Desa Bhakti is a lyric with universal appeal. It is highly relevant today in the context of the debate on nationalism, patriotism and sedition. It is a contrast from Rayaprolu Subba Rao's (1892 - 1984) , another popular Telugu poet of nationalist school. His most popular lyric begins as follows : Edesameginaa Endukalidinaa,

Pogadara Nee talli Bhoomi Bharatini,

Nilupara Nee jaati Nindu Gauravamu . Whichever country you go to, wherever you set foot,

Whatever dais you ascend, whatever anyone says,

Praise your Motherland Bharati,

Keep up your nation’s whole dignity! However , the poet goes into ecstacy and says : leduraa ituvanti bhoodevi endu,

leruraa manavanti pourulinkendu, ( Nowhere there is motherland like this ,

and no-where-else could be found citizens like ours ). Both songs were popular in their own way, but due to indiscriminate, Nehruvian nationalist fervour of that era, its chauvinist tone was not taken note of by many. Together, they sum up and reflect today's approaches to nationalism etc, Gurazada’s being the modern, progressive, universal anthem. And Rayaprolu’s blinded by chauvinism, inobjective as it was and remains. (Desamunu preminchumanna)

Love the country

Telugu original : By Gurajada Appa Rao (1862–1915), written in 1910 ( Translated By Ch J Satyananda Kumar, 29 September 2010 ) (1)

Desamunu preminchumannA

Manchi annadi penchumannA

vaTTi mATalu kaTTi peTToi

gatti mEl talapeTTavoi Love the country brother

Promote that is good hither

Stop loose talk all together

Think to do solid help brother (2)

pAdi pamTalu pomgi poralE

dArilO nuvu pATu paDavOi

timid kaligite kamDa kaladoi

kamDa kalavADe manishoi Where milk and crops run over

In that way you toil for ever

When food stuff is there, muscle too would be there

One who has muscle is the real man beware! (3)

IsurO mani manushulumTe

dESamEgati bAgu paDunoi

jaldukoni kaLalella nErchuku

dESa sarukulu nimchavoyi If men are distressed and depressed

How the country will be advanced

Be in haste to learn all arts and skills

And pile up country- made goods (4)

Anni dESaal kramma valenoi

deSi sarukulu nammavalenoi

dabbu tElEnatti narulaku

keerti sampada labbavoi Spread to many a country

the goods made and sold by your gentry

The men who can’t fetch riches

Their name and fame shall be in ditches (5)

Venuka choosina kAryamEmOi

Mamchi gatamuna komchemEnoi

Mamdagimchaka mumdu aDugEi

Venuka paDitE venakenOi What effect when you turn back and ponder

Little good in the past, no wonder

Don’t be dull, march and leap ahead

If you get back, you shall backslide behind (6)

Poonu spardhanu vidhyalamdE

Vairamulu vaanijyamamdE

Vyardha kalaham pemcha bOkOy

Katti vairam kAlchavoi Have rivalry in learning alone

Competitions are in trade alone

Don’t rake-up futile squabbles

Set fire to the hostility of swords (7)

dEsAbhimAanamu nAku kaddani

voTTi goppalu cheppukOkOi

pUni yEdainaanu voka mEl

koorchi janulaku choopavoi Don’t claim patriotism as virtue of you alone

Don’t boast of false claims in high tone

With resolve do some good thing

To show the people that fine thing (8)

vOrvalEmi piSAchi dESam

mUlugulu pIlchEsenOi

orula mEluku samtasistU

aikamatyamu nErchavOi The demon of envy and jealousy

Sucks and swindles the country

Be elated to help the others and

Learn the sense of unity (9)

Parula kalimiki porli yEDchE

pApikekkada sukham kaddOi

okarimEl tana mEla nemchE

nErpariki mEl kollalOi One who envies and weeps when others prosper

Where is comfort to such a sinner

One who deems others good as his good

For such deft person blessings are many (10)

Swanta lAbhamu komta maanuku

Porugu vADiki tODupadavoi

dESamamTE maTTi kAdOi

dESamamTe manushulOi Giving-up a bit of your profit

Help the neighbour for his uplift

Country means not mere mud

But, country means, the men (11)

cheTTa paTTAl paTTukoni

dESastulamtA naDava valEnOi

annadammula valenu jAtulu

matamulannI melugavalenOi Holding hand with other’s hand

All the country men should walk in a band

Like brothers and sisters

All castes and creeds should stand in a strand (12)

Matamu vEraitEnu yEmoi

Manasu kalasi manushulumTE

jAti yannadi lEchi perigi

lOkamuna rANimchunOi What if the faiths diverge

Uniting hearts if men can merge

The nation shall rise up

And shall shine and stand out in the world (13)

deSamaniyedi doDDa vrukshamu

prEmalanu pUletta valenoi

narulu chamaTanu tadasi mUlam

dhanam pamTalu paDavalenoi The great tree which is the country

Should bloom the flowers of love

Drenched in the perspiration of men

The crops of wealth should yield (14)

Akulamduna aNigimaNigi

Kavita kOyila paluka valenoI

Kalukulanu vini dESamdabhi

mAnamumulu molakettavalenOi Sinking and slipping behind tree leaves

The Cuckoo should sing sweet lyrics

Listening to its poesy

Fondness should sprout up in the country (15)

Malina dEhula mAlalanuchunu

Malina chittula kadhika kulamula

Nelavosamgina varNa dharmama

Dharma dharmambE Branding dirty bodied men as untouchables and

Placing the real filthy-hearted men in high castes,

The moral code that made such unjust classification

Is indeed an act of immorality without justification (16)

Mamchi cheDDalu manujulamduna

Yemchi chUDaga reMDe kulamulu

Mamchi yannadi mAla yaitE

mAla nEnavudun When pondered in mankind

Good and bad are the two castes found

If good is viewed as untouchable

I shall indeed become an untouchable (17)

Matamulanniyu mAsipOvunu

GnanamokkaTi nilachi velugunu

Amta swarga sukhambulannavi

Yavani vilasillun All religions shall fade away

Wisdom alone shall stand and glow

Then all the comforts of heaven

Shall shine in the world (18)

kapaTam vamchana krouryam netturu

dhana vrukshaniki AhAram

adhikArAniki AdhAram Hypocrisy, fraud, cruelty and blood-thirst

Are the food for the tree of money

And the base and support of power





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