432 Hz healing tone: This article with more Pythagorean analysis of the 9.6 Hz harmonic 432 Hz acts as a follow up to our first piece Why 9.6 Hz PEMF? This is the final part of a two part series.

“If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.” – Nikola Tesla

Since 2002 the EarthPulse™ has employed a pulsed DC nano-second rise-time signal with a 50% duty-cycle (on 1/2 the time and off 1/2 the time) that is rich with harmonics. A 9.6 Hz square-wave resonates at 432 Hz at it’s 45th harmonic. Pythagorean mathematics would look at 45 as 4 + 5 = 9. Remember that. Since 2002 our primary use frequency has been 9.6 Hz and we’ve looked for evidence to support why it seems to outperform the few other systems that offer 10 Hz.

As you work through angles, 2-D geometric shapes, 3-D geometric shapes and finally sacred geometry you’ll begin to realize as we do that there is something magical happening here. Some astro-physical-biological law that’s being triggered and 432 Hz is part of it.

Babylonian Base 60 Mathematics:

You may have heard of Base 60 Mathematics or 12 base 60 math. Although it was “invented” by the Sumerian – Babylonians somewhere between 4000 – 7000 years ago in Mesopotamia, we use it every day. It is from where we get 60 seconds per minute, 60 minutes per hour and 24 hours per day. We also get 12 months per year, 12 inches per foot, 12 signs in the Zodiac and perhaps even 12 Greek gods and 12 disciples. See this exhaustive list of Twelve. This is all part of 432 Hz tuning.

Although I resisted these kinds of Numerology topics as (far) too esoteric for years, even I can’t deny the uncanny synchronicity of how these numerical values fit together. And in turn, more specifically how 9.6 Hz PEMF “fits” remarkably into the musical geometry of shapes and their tonal sounds.

Factor 9 (Pythagorean) Tuning Based Upon 2nd Octave A-Note Tuned to 432 Hz

Here’s an entertaining and informative video about sacred geometry and what he calls Factor-9 Tuning, where 2nd octave A note = 432 Hz. It is where the chart above is contained. When that A note is tuned at 432 Hz the entire tuning chart is in synchronicity with the universe as defined by Plato’s geometry & 3-D geometry as well as by Sacred Geometry; and a surprising number of terrestrial and extra-terrestrial measurements.

To quickly recap just some facts from our earlier post Why 9.6 Hz?

“If you wish to understand the Universe think in terms of energy, frequency and vibration.” ~ Nikola Tesla

Robert C. Beck (blood electrification / colloidal silver / ozonated water) discovered the terrestrial magnetic field resonated at 9.6 Hz back in the late 1940’s early 50’s by driving a metal rod(s?) into the Earth as an antenna, then hooking it up to an amplifier and then through an oscilloscope (he called it a “frequency counter”). This interview was heard via internet radio broadcast from Beck’s lips in 1996 (or as late as 1998…i just recall that Dad was still alive), but i have no idea when the interview was taped. Beck in the interview was explaining his research into Schumann waves and brain wave of Shamans’ & Energy Healers’ during the development of his Brain-Tuner CES (cranial electric stimulation) system. Curiously, Beck never exploited his discovery or reported any work with 9.6 Hz (or 10 Hz) electric or magnetic fields.

Intact ancient wind instruments found buried in tombs and caves and Tibetan Bowls have been reportedly found to be tuned to 432 Hz. The base tone in Factor-9 Tuning 432 Hz (4 + 3 + 2 = 9) is devisable by 9 -> 432 / 9 = 48 (4 + 8 = 12 & 1 + 2 = 3). 432 Hz is a harmonic of 12 Hz, 9.6 Hz, and each subharmonic at .6 Hz, 1.2 Hz, 2.4 Hz, 4.8 Hz. 432 Hz / 12 = 36 (3 + 6 = 9) 432 Hz / 9.6 = 45 (4 + 5 = 9) 432 Hz / 4.8 = 90 (9) 432 Hz / 2.4 = 180 (1 + 8 = 9) 432 Hz / 1.2 = 360 (3 + 6 = 9) crazy right?

Many esoteric frequency arts refer to 432 Hz as having beneficial effect on our biological systems

Historically, music appears to have been tuned to 2nd A note at 432 Hz After ages (literally) this was systematically standardized to 440 Hz in 1938? Once tuned up by even one Hz the entire numerological synchronicity falls apart miserably



Tuning to 528 Hz C-note destroys these numerological relationships as well.

528 Hz happens to be another harmonic of 9.6 Hz. 9.6 Hz creates harmonics at both 432 Hz and 528 Hz simultaneously !!! CRAZY. 528 Hz is the 55th Harmonic of 9.6 Hz (5 + 5 = 10 & 1 + 0 = 1)



Beat Frequency Brain Wave Entrainment:

If you enjoyed the first video this next one put’s more emphasis of the effects of music and beat frequency on Brain Wave Entrainment. Brain Entrainment was our goal since early 2001 when the first EarthPulse™ was being designed. We seem to have hit the nail on its head. The EarthPulse™ derives it’s effects on sleep and mental performance enhancement from these very same Brain Entrainment effects.

Pythagorean 432 Hz Tuning as Factor-9 Tuning:

Pythagoras combined music and geometry Into what could be called Factor-9 Tuning. If you watched the video above you already understand it’s significance. As we do Pythagorean analysis of each of these tones in the chart, keep Tesla’s quote in mind about 3, 6 and 9 being “a key to the Universe”.



Take for instance; the very first frequency – Low C at 126 Hz -> 1 + 2 + 6 = 9. And 126 / 9 = 14 (1 + 4 = 5). O.k. so how does 9.6 Hz fit into 126? 126 / 9.6 = 13.125. So if we look to the lower harmonics of 9.6 Hz and see that 126 Hz / 1.2 hz (the lower harmonic of 9.6 Hz – the 8th Harmonic of 1.2 = 1.2 x 8 = 9.6) is 105 (1 + 5 = 6). An interesting side note is that if you take 13.125 (the number of times 9.6 Hz goes into 126, in the Pythagorean method, you get 1 + 3 + 1 + 2 + 5 = 12 or 1 + 2 = 3. You’re going to see a lot of 3’s, 6’s and 9’s (and 12’s) as we move along.

Lets try 252 Hz -> 2 + 5 + 2 = 9 again. And 252 / 9 = 28 -> 8 + 2 = 10 or 1. And 9.6 Hz? 252 / 9.6 = 26.25. So, it looks like it’s close, so we go for the lower harmonic of 9.6 Hz at 2.4 Hz. 252 / 2.4 = 105 (again) and 1 + 5 = 6 again. We’ll do 252 / 1.2 and see that it is of course 210 or 2 + 1 + 0 = 3.

If we look at even lower harmonics of 9.6 Hz we find we go from 1.2 Hz to .6 Hz and .3 Hz. We’ll stop there. Well, one more -> .15 Hz (point15 Hz) 1 + 5 = 6. O.k. so there’s definitely some sort of pattern here with 3, 6 and 9. No idea what it means yet other than perhaps why 9.6 Hz seems to outperform competitive PEMF systems. MicroPulse boasts reduced post surgical recovery by 1/2. In a few reports from clients of our v4, they cut post surgical recovery by 60 to 70%. One of them had seen no healing in 10 weeks in hospital due to broken in 1/2 pelvis, and he walked around on it at my birthday party with no crutches just 22 days later. All night. He left his crutches in the car outside. Not sure how to classify that in terms of healing promotion. See Spontaneous Tissue Healing for 3 case histories.

304 is one of the odd numbers in the chart that doesn’t add up to nine and doesn’t look like it belongs in the chart. 3 + 4. It seems like it could be a typo.

The sum of the numbers in tone 1008 = 9 and 1008 / 9 = 112 and 1 + 1 + 2 = 4. And 9.6 Hz? 1008 / 9.6 = 105 and 1 + 5 = 6. So at this point you should be asking yourself why do all these numbers equally divisible by 9 would all be also divisible by 9.6 or it’s lower harmonics 4.8, 2.4 and 1.2. Particularly since they don’t add up to 9? Perhaps the magic is in how 1.2 Hz is 1/10th of 12. Even so, this can’t be coincidence. You’ll find that nearly every number (but perhaps the typos) in the chart above is the same; and each time the numbers reduce to either a 3, 6 or 9.

The sum of the numbers in 2016 = 9 and 2016 / 9 = 224 and 2 + 2 + 4 = 8. And 9.6 Hz? 2016 / 9.6 = 210 and 2 + 1 + 0 = 3.

For sake of argument, we’ll go through C#; 135 Hz = 9 again and 135 / 9 = 15 and 1 + 5 = 6. How about 9.6 hz? 135 / 9.6 = 14.0625; so no harmonics there unless you drop all the way down to .6 Hz (below our frequency range) and then it divides into 135 by 225 and of course 2 + 2 + 5 = 9. Take a look at that number 14.0625 as the number of times 9.6 goes into 135 (1 + 4 + 0 + 6 + 2 + 5 = 18 and 1 + 8 = 9). Hmmmm. Starting to see a pattern here?

Tone 270 Hz = 9 and 270 / 9 = 30 (3). How about 270 / 9.6? = 28.125 ( 2 + 8 + 1 + 2 + 5 = 18 and 1 + 8 = 9 again). 270 / 1.2 = 225 (2 + 2 + 5 = 9 AGAIN).

Tone 540 Hz = 9 and divided by 9 = 60 (6). And 9.6 Hz? 540 / 9.6 = 56.25 not a whole number but interestingly again 5 + 6 + 2 + 5 = 18 and 1 + 8 = 9 again. Hmmm. How about 1.2 Hz into 540 = 450 and 4 + 5 = 9 AGAIN.

Hopefully you’re seeing the pattern. Somehow in geometry and you’ll see below in sacred geometry, the number 9.6 Hz and it’s sub harmonics (.6), 1.2, 2.4 & 4.8 Hz fit “into” the pattern surprisingly well. Remarkably well. Stupendously well.

O.k. we’ll continue just to the end of the C# tones.

The sum of the numbers in tone 1080 Hz = 9 and 1080 / 9 = 120 (1 + 2 = 3) and 1080 / 9.6 Hz = 112.5 (1 + 1 + 2 + 5 = 9); and 1080 / 4.8 = 225 (2 + 2 + 5 = 9 yet again).

The sum of the numbers in tone 2160 Hz = 9 and 2160 / 9 = 240 (2 + 4 = 6); 2160 / 9.6 Hz = 225 or 9 yet again. 2160 / 4.8 = 450 (9 again). 2160 / 2.4 = 900 (9). Hmmm. 2160 / 1.2 = 1800 (1 + 8 = 9). Weird huh?

Enough of that, but random checking of the rest of the numbers yield the same results but for 2 or 3 of them that don’t fit into the 9-pattern at all. They could all be typos.

Plato’s Geometry 432 Hz / 9.6 Hz:

Common angles in 2 dimensional geometry and harmonic relationships with 9.6 Hz. Lets remember that 1.2, 2.4, 4.8 Hz are lower harmonics of 9.6 Hz; and that 12 Hz is one 1.2 Hz step higher than 9.6 Hz.

We’ll go through the relationship between 9 and these common 2-D angles of measurement in Pythagorean style analysis. Please note that all but 45 and 90 are tones in the 432 Hz Factor-9 Tuning chart.

45º ( 4 + 5 = 9 & 45 / 9 = 5)

90º = 9 (9 + 0 = 9 & 90 / 9 = 10 or 1)

180º = 9 (1 + 8 + 0 = 9 & 180 / 9 = 20 or 2)

360º = 9 (3 + 6 = 9 & 360 / 9 = 40 or 4)

540º = 9 (5 + 4 + 0 = 9 & 540 / 9 = 60 or 6)

720º = 9 (9 + 7 + 0 = 9 & 720 / 9 = 80 or 8)

1.2 divides equally into all but 45º. 2.4 divides equally into all but 45º and 90º. 4.8 divides into 720 and 540. 9.6 divides equally only into 740º.

Plato transformed two dimensional geometry into 3 dimensional geometry and what are called the Platonic Solids. Platonic Solids are constructed of two-dimensional shapes. Each of the shapes are represented by their corresponding frequency in the Tuning Chart. These 2-D shapes are as follows;

An Equilateral Triangle – where the sum of the internal angles = 180º (1 + 8 + 0 = 9 & 180 / 9 = 20 and 2 + 0 = 2)

180 / 2.4 Hz = 75 (7 + 5 = 12 & 1 + 2 = 3); or by 12 Hz = 15 (1 + 5 = 6)

The Square – where the sum of internal angles = 360º (3 + 6 + 0 = 9 & 360º / 9 = 40 or 4)

360 / 2.4 Hz = 150 (1 + 5 = 6) or by 4.8 Hz = 75 (7 + 5 = 12 & 1 + 2 = 3) or by 12 Hz = 30 (3 + 0 = 3 again)

The Pentagon – where the sum of internal angles = 540º (5 + 4 + 0 = 9 & 540 / 9 = 60 & 6 + 0 = 6)

540 / 2.4 Hz = 225 (2 + 2 + 5 = 9) or 12 Hz = 45 (4 + 5 = 9 again)

Notice the procession of 180º sum-of-the-internal-angles from shape to shape. That the triangle, the square and pentagon progress at 180º each.

These are the sole 3 shapes that make each of the Platonic Solids discussed below. Out of curiosity and not part of the Platonic Solids, I continued the numerological dissection of three remaining two-dimensional geometric shapes.

The Hexagon – where sum of internal angles = 720º (7 + 2 = 9 & 720 / 9 = 80), Notice 720 is one more progression of 180º)

720 / 9.6 Hz = 75 (7 + 5 = 12 and 1 + 2 = 3); 720 / 2.4 = 300 and 3 + 0 + 0 = 3); 720 / 4.8 = 150 (5 + 1 = 6); 720 / 12 = 60 (6 + 0 = 6)

Octagon – where the sum of the internal angles = 1080º (1 + 8 = 9); 1080 / 9 = 120 (1 + 2 = 3)

1080 / 9.6 = 112.5 (1 + 1 + 2 + 5 = 9); 1080 / 4.8 = 225 (2 + 2 + 5 = 9); and 1080 / 12 = 90 = 9. Notice that this shape has 360º more than the last one.

Dodecagon – were the sum of the internal angles = 1800º (1 + 8 = 9); 1800 / 9 = 20 (2)

1800 / 9.6 Hz 1800 / 4.8 = 375 (3 + 7 + 5 = 15 & 1 + 5 = 6); 1800 / 12 = 150 (1 + 5 = 6). Notice that there is a step of 720º to the last one.

Notice that ALL of the 6 sums-of-the-angles above (180, 360, 540, 720, 1080 and 1800) are notes in the Factor-9 / 432 Hz Tuning Chart above. And, that they are all divisible equally by either 9.6 Hz, 4.8, 2.4 or 1.2 Hz. Also take note that sums-of-the-angles in ALL six shapes are devisable by 3, 6, 9 and 12.

The Platonic Solids 432 Hz / 9.6 Hz:

Tetrahedron (4 interlocking triangles) – 180º sum-of-the-internal-angles x 4 = 720º (7 + 2 + 0 = 9); 720 / 9.6 Hz = 75 (7 + 5 = 12 and 1 + 2 = 3). 720 represents the 3rd F# in the Factor-9 Tuning chart. It happens to have the same sum-of-the-angles as the Hexagon. 720 Hz is the 3rd octave F#.

Cube or Hexahedron (6 interlocking squares) – 360º sum-of-the-internal-angles x 6 = 2160º (2 + 1 + 6 + 0 = 9); 2160 / 9.6 = 225 (2 + 2 + 5 = 9). 2160 is the 5th C# in the factor 9 Tuning chart.

Octahedron (8 interlocking triangles) – 180º sum-of-the-internal-angles x 8 = 1440º (1 + 4 + 4 + 0 = 9); 1440 / 432 = 5; 1440 / 9.6 = 150 (1 + 5 = 6). 1440 is the 4th F# in Factor-9 Tuning chart.

Dodecahedron (12 interlocking pentagons) = 540º x 12 = 6480º (6 + 4 + 8 + 0 = 18 & 1 + 8 = 9); 6480 / 432 = 15 (1 + 5 = 6); and remarkably 6480 / 9.6 = 675 ( 6 + 7 + 5 = 18 & 1 + 8 = 9 again).

Icosahedron (20 interlocking triangles) = 180º x 20 = 3600º sum of it’s internal angles (3 + 6 = 9); 3600 / 9.6 = 375 (3+7+5 =15 & 1+5=6). 3600 is the 5th A# in the Factor-9 Tuning chart.

The sum-of-the-internal-angles of each of the Platonic Solids are ALL devisable by 9, devisable by 12; and oddly enough EVERY one devisable by 9.6 Hz. What are the odds of that?

Metratrons cube contains two Tetrahedrons called a Star Tetrahedron and each of the other 3-dimentional shapes discussed above inside of it.

Metatron’s Cube 432 Hz / 9.6 Hz Harmonics:

As you can see above for illustration of the Metatron’s Cube we have a Star-Tetrahedron. The Star-Tetrahedron is 2 interlocking regular Tetrahedrons. So, 2x the angles of the Tetrahedron (4 interlocking triangles) 720º x 2 = 1440 (we’ve seen that number before in the Factor-9 Tuning grid and sum of the internal angles of the Octahedron). So, the sum-of-the-internal-angles of a Star-Tetrahedron is 1440º (1 + 4 + 4 + 0 = 9); 1440 / 9 = 160; 1440 / 432 = 5; 1440 / 12 = 120 (3) and 1440 / 9.6 = 150 (1 + 5 = 6).

For Metatron’s cube we’d add the 1440º from the Star-Tetrahedron above to the other sums-of-the-angles of the remaining 4 Pythagorean Solids at 2160º, 1440º, 6480º, and 3600º to yield 15120º sum-of-the-internal-angles.

As you can already imagine, 15120 is 1 + 5 + 1 + 2 = 9; 15120 / 9 = 1680 (1 + 6 + 8 = 15 and 1 + 5 = 6); but how does 9.6 Hz and it’s harmonics fit into Metatron’s cube? 15120 / 9.6 Hz = 1575 (1 + 5 + 7 + 5 = 18 and 1 + 8 = 9 again).

Sacred Geometry 432 Hz / 9.6 Hz:

These shapes are all based on circles i.e. 360º; so as you can imagine both 12 Hz and 9 Hz divide into them equally. 9.6 Hz and it’s lower harmonics fit as well. And perhaps here the magic in the math is due to 1.2 Hz being 1/10th of 12.

The Germ of Life made up of 6 overlapping circles of 360º = 2160. 2160 is a note in the 5th C# in the Factor-9 Tuning grid. 2160 / 9 = 240 (2 + 4 = 6); but, 2160 / 12 = 180 (equals 9); 2160 / 9.6 = 225 (9 Again); 2160 / 4.8 = 450 (9 again); 2160 / 2.4 = 900 (9 again); 2160 / 1.2 = 1800 (9 yet again).

The Seed of Life or Genesis Pattern = 7 circles at 360 = 2520 (2 + 5 + 2 = 9). Interestingly 2520 is not a tone in the chart. 2520 / 4.8 Hz = 525 (12 or 3) and 2520 / 2.4 = 1050 (6) and 2520 / 1.2 = 2100 (3). It does not resonate with 9.6 Hz but does resonate with 12 Hz at its 210th harmonic (2 + 1 = 3).

However if you put the 7 circles inside a large 8th circle as it is often drawn you get 360 x 8 = 2880. 2880 is the 5th F# in the Factor-9 Tuning chart. 2880 / 9.6 = 300 (3 again); Perhaps this is the way it is meant to be drawn.

The Fruit of Life = 13 circles at 360º = 4680 and 4680 / 4.8 = 975 (9 + 7 + 5 = 21 & 2 + 1 = 3 once again)

The flower of life = 19 circles at 360 degrees = 6840 / 4.8 = 1425 (1 + 4 + 2 + 5 = 12 & 1 + 2 = 3 yet again)

And if put inside one large circle for a total of 20 circles = 7200º total (7 + 2 = 9); 7200 / 12 = 600 (6); 7200 / 9.6 = 750 (7 + 5 = 12 and 1 + 2 = 3 again).

Some other numerological synchronicities of 9.6 Hz:

Procession of the equinox or one great year in Mayan Calendar is 25,920 years / 9.6 = 2700 (2 + 7 = 9 AGAIN).

Each of the mayans 12 great months take 2160 Earth years to compete. 2160 is the 5th octave C#. 2160 / 9.6 = 225 (9 again). The diameter of the moon in miles is also 2160 (hmmm). If you drop the zero and you have 216 which is exactly 1/2 of 432.

The Sun is supposedly 864,000 miles in diameter and / 432 = 2,000,000. The 2 Millionth Harmonic of 432; while 864,000 / 9.6 = 90,000 (nine AGAIN!).

Two more and we’re going to call it quits….but not before I beat this to death.

There are 43200 seconds in the 12 hours of the day and 43200 seconds in the 12 hours of night. Added together you have 86,400 seconds in one 24 hour day. And of course 9.6 Hz divides perfectly into both of those numbers. 43,200 / 9.6 = 4500 (4 + 5 = 9 Again) and 86,400 / 9.6 = 9000 (9 yet again!)

How about this one, 432 squared = 186,624 or nearly precisely (within .01%) the speed of light as known by “modern” science. And of course due to it’s uncanny relationship with both Plato’s & Sacred Geometry and the terrestrial measurements, 186624 / 9.6 Hz = 19,440 (1 + 9 + 4 + 4 = 18 / 1 + 8 = 9 yet again).

There are more terrestrial measurements listed at the end of Why 9.6 Hz PEMF?