The title track, one of Bowie’s best-loved songs, features some of the most soaringly expressive guitar of Fripp’s career. He later reprised his role on Scary Monsters, adding convulsive leads to standouts like Fashion and It’s No Game. Peter Gabriel, Brian Eno, Daryl Hall, Blondie and Talking Heads (that’s his Afro rhythm on the funky-as-chips I Zimbra) were just some of the people who sought out his services in the ’70s and early ’80s. Having decamped to New York around the time of punk, Fripp discovered that “I increasingly became sucked back into the life I never intended to return to.”