Editor's note: A version of this article appeared in the San Antonio edition of 'Wildsam Field Guides.'

If Texas were a family—and to many of us, it is—then the father would be Dallas, a good ol’ boy in a Rolls-Royce, as high-flying in business as the city’s glistening skyscrapers. The son would be Houston, ambitious, hot-tempered, a young oilman just old enough to have experienced his first boom, followed by the inevitable bust. The daughter would be Austin, a daring woman, perhaps a musician or a comic book illustrator, certainly a vegan. El Paso would be a cousin once removed, a professor who writes about regional literature in the Southwest. Galveston, with its robust history of gambling, dance halls, and all manner of vice (in 1929, the island was home to some 800 prostitutes), would be the father’s other woman. Then there’s San Antonio, the mother of Texas. Though the city is most often associated with the battle at the Alamo, it was the river that first drew Native Americans to the area in the 1500s, and it is the river that continues to nurture its culture and commerce. Now the seventh-largest metropolis in the U.S., with a population that is 64 percent Latino, San Antonio lives in the hyphen between Mexican and American, an in-between place where it is possible to observe multiple migrations of Europeans, Latinos, Asians, and natives of this land. It is a place of nourishment, a meeting ground of ancient civilizations. It also has served as a mother to me. I was not born in San Antonio but in deep East Texas, where pine trees stand shoulder to shoulder like soldiers, obstructing the horizon. I arrived in San Antonio as a newly minted college graduate in 1973, and my first impression was astonishment at how much light fell over the city and how spacious everything seemed compared with the confinement of the small towns of my youth. The smell of Mexican food—tacos, chalupas, enchiladas, tamales, queso—was intoxicating. On the streets, people talked in three languages: English, Spanish, and Spanglish. It all felt deliciously foreign. I landed a job at the daily San Antonio Light and was one of just a few women in the sprawling newsroom. A copy editor there, a grizzled man who wore a visor to shield his tired eyes and kept a bottle of Baileys Irish Cream in his drawer, advised me that the newsroom was no place for “gals” and that if I wanted to thrive, I should mosey on over to the style section, where the “little ladies” would put me to use. Shortly after I arrived at the paper, the city editor assigned me to “pooper scooper” duty for the Battle of Flowers Parade during Fiesta, the annual festival held in April. As I recall, my task was to march behind the horses (and there were legions of them), shovel their leavings into a trash can that I wheeled alongside me, and write a story about it. In preparation, I researched the origins of the parade and was delighted with what I found: In 1891, a group of civic-minded women rode in carriages in front of the Alamo to honor the heroes of the battle. Rather than reenact the fight, they pelted one another with the petals of spring flowers. This struck me as brilliant, and it was one of the first lessons I learned in how to withstand the various strains of Texas machismo: to overcome obstacles, get creative and never lose your sense of humor.

Market Square from above. Photograph by Tamir Kalifa An accordion player warms up in Market Square. Photograph by Drew Anthony Smith Left: Market Square from above. Photograph by Tamir Kalifa Right: An accordion player warms up in Market Square. Photograph by Drew Anthony Smith

Thus, scooper in hand, I went forth that Friday afternoon to take my place along the nearly three-mile parade route. The sun was high, and at first the smell emanating from the horses’ backsides put a painful hitch in my get-along, but a mile in I finally began to look around. Thousands lined the street, most of them Mexican Americans, but there were many others who also represented a convergence of cultures: German, English, French, and Irish; descendants of bankers, oilmen, and cattlemen; and visitors from across the world. I still remember the giant helium balloons that filled the skies and the percussive sounds played by high school bands. Ladies dressed in elaborate velvet gowns glittering with rhinestones lifted their skirts to show off their cowboy boots when the crowd shouted, “Show us your shoes!” I bought my first raspa (a variation of a snow cone) from a street vendor, shook hands with politicians wearing white suits, and near the end of the parade line, purchased a flowing, richly decorated dress at a Mexican boutique. That day I knew I had found my place in the world, a city that fired my imagination. From the start, I felt that the city was feminine, probably because wherever I went I saw the image of Our Lady of Guadalupe. I would see it on nichos (display boxes used as altars to loved ones and important figures) and outdoor shrines all over town, in the gardens of the poorest people on the West Side and the richest on the far North Side. Her image was painted on automobiles and T-shirts, in cafes and art galleries. Cities are built on more than mud and money—stories, too, form foundations—and few stories in San Antonio are as powerful as that of Our Lady of Guadalupe. From the start, I felt that the city was feminine, probably because wherever I went I saw the image of Our Lady of Guadalupe. According to legend, in 1531 an Indian named Juan Diego saw a vision of the Virgin Mary on a hill north of central Mexico City. When he approached, she spoke to him in Nahuatl, the language of the conquered Indians who were then living under Spanish rule; she told Diego to build a temple in her honor atop the hill where they stood. Diego then went to the archbishop to do as the Virgin told, but twice he was turned away. The Virgin then directed Diego to a spot in the desert where a patch of roses grew. She arranged the roses in his cloak and sent him back to the bishop. When Diego unfolded his cloak for the bishop to see, the roses spilled to the floor and the image of Our Lady of Guadalupe appeared. Word spread. The image became a symbol of hope and pride not just in Mexico but in San Antonio, where the apparition is part of the city’s ongoing cosmology. I remember an evening in 1985 when I went to a quinceañera at St. Joseph Catholic Church, downtown, not far from Alamo Plaza. The young girl, about to be initiated into womanhood, arrived at the church wearing a T-shirt with Our Lady of Guadalupe’s image on the front—and the famous singer Madonna’s on the back. She had a foot planted in both worlds, that of her ancestors and her contemporaries, a sign that the city remains a place where disparate civilizations exist side by side. Generation after generation, these celebrations of Our Lady of Guadalupe have continued in small courtyards, in churches, at the home altars of humble people, in cemeteries. It is a symbol of protection, nurture, and new life.

The River Walk near Commerce Street. Photograph by Drew Anthony Smith Mariachi Mass at Mission Concepción. Photograph by Tamir Kalifa Left: The River Walk near Commerce Street. Photograph by Drew Anthony Smith Right: Mariachi Mass at Mission Concepción. Photograph by Tamir Kalifa