Like the great con-artist movies to which “Live Fast” owes its storyline, the episode’s plot structure clicks into place like safe tumblers — thanks in large part to LeVar Burton’s effortless direction. The hour is pure polish; a slick and entertaining use of a muscle set that Trek — and especially Voyager — rarely flexed, given the then-rigid narrative parameters to which the franchise historically confined itself. The execution is less “outside the box” and more finding a creative and engaging way to play within those confines — delivering what fans expect in new and fun ways they didn’t see coming. And a large part of the episode’s success comes via the little details Berger clearly had fun scripting. For example, the con artists’ low-fi cosplay uniforms, complete with oversized comm badges and rank pips. (And you gotta slow clap for the subtle visual gag of their oversized version of Chakotay’s facial tattoo.)

“Life Fast and Prosper” also succeeds by subverting the popular Trek trope of having one of the good guys give a heartfelt monologue to help cure the bad guys of their villainy. Dala (Kaitlin Hopkins), the lead con artist posing as “Janeway,” is immune to Neelix’s attempt to show her the error of her ways when he tries to empathize with her plight with a story about his own. In Voyager’s brig, after Neelix appeals to her guilt over seeing every interaction as a transaction, instead of a two-way street where all parties can benefit, Dala flashes a brief epiphany before physically assaulting Neelix and shooting him with a phaser.

Dala ultimately escapes relatively easily from Voyager by stealing the Delta Flyer — and we cut to Janeway flashing an “it’s-all-part-of-the-plan” grin. Captain Janeway wanted Dala to escape — a risky move — so she could use her to put an end to Dala and her crew’s galaxy-wide graft. (It’s hard to imagine Picard being able to calculate that risk and all the moving parts therein the way Janeway does, further proving she’s one of the best characters ever in Trek canon.)

Unlike most Star Trek: Voyager episodes, this one makes it easy for audiences to buy why and how Voyager can take this detour on their 30,000 light-year journey back to Earth. They have to tend to this situation because they helped in part to create it. To avoid addressing it, to let it sort out on its own, would make it worse for the real Voyager crew in the long term. They would leave chaos and disenfranchised victims in their wake — and risk making their journey home worse should one of these duped alien species decide to take out their grievances on Janeway and her crew by way of a space battle. This choice, to take some time away from their mission home in the short term to benefit everyone in the long haul, speaks to the show’s operational theme: family.

As satisfying as it is to watch Janeway pull off a con-within-a-con by the end of the episode, the exercise resonates beyond just an hour’s entertainment because it is all in service of an entire series’ worth of Janeway’s care for her crew. The captain often vocalizes how they’re a family, even the Red Shirts. In true Star Trek fashion, that bond proves stronger than the problematic one among the thieves who have stolen their identities and briefly tarnished their good names. Ultimately, it is Janeway’s ingenuity — and her crew’s care for one another — that leads to the grifters’ undoing. They turn on themselves almost as quickly as Janeway and her crew galvanize against them. “Live Fast and Prosper” tells a story about family — about how the ones we make are often as strong as the ones we are born into. To do so within the confines of a caper resonates long after the end credits roll — and makes this little-seen episode of the classic series worth revisiting.