So he’s back. The self proclaimed provocateur, troll queen, out of work pantomime drag act, Milo Yiannopoulos is back. Much like a turd that refuses to go quietly around the u-bend, Yiannopoulos resurfaced last week on NBC, announcing that he will undertake a new tour hell bent on attacking the sensitivities of the over sensitive.

We haven’t seen Milo since his resignation from Breitbart following widespread condemnation of his comments on the gay age of consent, even though this reaction came a year after he initially made the comments. Yes, the comments he made could be construed as inappropriate, but doesn’t the fact that the outrage took a year to be expressed call into question the degree of sincerity and authenticity behind the sentiment?

Now that the dust has settled, and if we’re all honest about it, what really happened was some of the people who find Yianopoulos to be an odious twit, of which there is no shortage, became aware of some distasteful comments he made on a podcast called the Drunken Peasants. These people saw the opportunity to twist Yiannopoulos’ comments around into arguing that he sympathised with paedophilia. The fact that the outrage occurred over a year after he made the comments can be, perhaps cynically, attributed to Yianopoulos’ increasing fame and the impending release of his new book. Don’t get me wrong, I found Milo’s comments on child abuse to be crass and flippant, but let’s be honest, Yiannopoulos would fellate his own grandfather if he knew it would get him a minutes worth of media exposure.

I know that ­­­whenever anyone starts a sentence by saying, “I’m not homophobic, but…”, they tend to go on to say something extremely homophobic. So let’s see what happens when I give it a whirl. I’m not homophobic, but I get really annoyed when someone uses their sexuality as gimmick to support their argument, and that is precisely what Yiannopoulos does. Like some sort of failed pantomime drag act, Yiannopoulos openly admits to using an outrageously camp style to deliver his message. For people that have lived a sheltered life, this mincing polemicist appears to be avant-garde, the enigmatic paradox of a conservative homosexual is enough to fascinate people and keep them entertained. Add to this his supposed Catholic faith and Yiannopoulos provides us with an act, or character of contradictions, capable of causing considerable cognitive dissonance.

But when I look at this character objectively, I realise that he’s nothing more than a manufactured iconoclast,a giant zeitgeisty contradiction. He talks about basing arguments on facts while espousing a belief in an unprovable supernatural deity. He’s openly homosexual yet claims to be Catholic, despite the fact that homosexuality isn’t accepted by the Catholic church. But Yiannopoulos’ religious experience doesn’t end with him being a Catholic, rather it goes on to include that he was abused by a Catholic priest while he was a minor. This is a perpetual chain of contradictions, contradictions that have been contrived in order to generate interest.

I do find Mr. Yiannopoulos entertaining, in the same way that in the past I have found other drag acts to be. But Yiannopoulos confuses his audience, which doesn’t seem to be an especially difficult thing to do, as they fail to discern between the bawdy, drag entertainment that is paired with an essentially hateful rhetoric. In essence it would be like having Ronald McDonald present a plan for the reintroduction of slavery, it looks fun but hides a sinister message. Milo Yiannopoulos has created a comical character to deliver a divisive message that people find intriguing. But, he’s a character filled with contradictions, and theses contradictions extend to his message.

Perhaps the most interesting thing about the whole Milo phenomena is how a gay Brit has become a champion for American rights? I mean the irony alone of a British person, whether gay or not, upholding the rights that a country granted themselves after becoming independent of Britain, should make Milo’s platform an impossibility. What’s next, a German lesbian Nazi giving speeches in Tel Aviv on the dangers of antisemitism? Or, what about an executive of a petrochemical company lecturing groups of native Americans on protecting the environment? It just seems to go against the grain, that a Brit is motivated to protect the liberties of a country that got its liberty from the country he is a citizen of.

Sometimes I start to suspect that Milo Yiannopoulos’ concern for the First Amendment might actually be disingenuous, and that he’s just stumbled upon a cause that feeds his insatiable appetite for infamy, and rewards him for expressing the same tired, old opinions ad nauseum, leaving him sounding like a satnav system going round a roundabout. Feminism, Islam, immigration, freedom of speech, feminism, Islam, immigration, freedom of speech, and on, and on…There’s an election in his own country, doesn’t he feel compelled to weigh in with his polemic discourse, or is he only interested in America because that’s where his circus act, freak show makes the most money? It’s certainly a puzzle. I haven’t seen his desire for standing up for the freedom of speech for the people in say Zimbabwe, as a former member of the British Commonwealth it would actually make more sense, with the one exception, it wouldn’t make Milo anywhere near as much money.

It’s also interesting to note that Yiannopoulos’ passion for our right to the freedom of speech fails to extend to his own website, which censors all comments before they appear on it. You see the freedom of speech only works for Milo and his supporters when it suits them. Is this hypocritical?

Milo – Why Today’s Troll is just Tomorrow’s Social Justice Warrior

Hasn’t anybody else realised the contradiction inherent in the whole Milo argument? Milo has identified so called Social Justice Warriors (SJW’s) as having been the catalyst behind the problems that have developed as a result of unenforced immigration practices, extreme feminism, political correctness, and a failure to require Islam to adopt western values. And up to a point he’s absolutely right. Where I take issue with Yiannopoulos is with his identifying Social Justice Warriors as being the problem, and I take issue for two reasons.

Firstly, the people who riot, get angry, and generally act irrationally at the slightest provocation, on issues that don’t directly affect them aren’t SJW’s, they’re simply idiots. And as such idiots are everywhere, like Steve Miller once said, “clowns to the left of me, jokers to the right”. Idiocy permeates across the entirety of the political spectrum. Branding idiots as SJW’s is giving idiocy more credit than it deserves. These people are what they are, idiots. To me at least it appears ironic that today we’re calling idiots, Social Justice Warriors, it sounds like a politically correct way of just referring to idiocy.

Secondly, let’s look at a definition of Social Justice Warrior and compare that to what Milo Yiannopoulos himself does:

A pejorative term for an individual who repeatedly and vehemently engages in arguments on social justice on the Internet, often in a shallow or not well-thought-out way, for the purpose of raising their own personal reputation. A social justice warrior, or SJW, does not necessarily strongly believe all that they say, or even care about the groups they are fighting on behalf of. They typically repeat points from whoever is the most popular blogger or commenter of the moment, hoping that they will “get SJ points” and become popular in return. They are very sure to adopt stances that are “correct” in their social circle. http://www.urbandictionary.com/define.php?term=social%20justice%20warrior

The first sentence of the definition:

“…an individual who repeatedly and vehemently engages in arguments on social justice on the Internet, often in a shallow or not well-thought-out way, for the purpose of raising their own personal reputation.”

Milo fulfils this criteria thus:

Milo’s whole argument is centred around our right to the freedom of expression. Given that this is the protected by first amendment it isn’t unreasonable to infer that the freedom of speech is considered the most fundamental of our inalienable rights. Therefore, isn’t anyone who believes there is a need to campaign for it, to some degree campaigning for social justice, and QED must themselves be a Social Justice Warrior?

The second sentence of the definition states:

A social justice warrior, or SJW, does not necessarily strongly believe all that they say, or even care about the groups they are fighting on behalf of.

The fact that there is a British man arguing for American constitutional rights, would appear to me to be incongruous and therefore disingenuous. What’s next, a campaign against pig farming subsidies in Latvia?

The third sentence of the definition of a Social Justice Warrior reads:

They typically repeat points from whoever is the most popular blogger or commenter of the moment, hoping that they will “get SJ points” and become popular in return.

Ben Shapiro is the brainchild of the majority of Yiannopouolos’ opinions. Both were former employees at Breitbart, essentially their only difference is the proclivity one of them has for thinking that wearing a dress strengthens their message.

The final sentence of the defeinition states:

They are very sure to adopt stances that are “correct” in their social circle.

As a contrarian, a polemicist, an iconoclast and self professed troll, Yiannopoulos, like any good entertainer, plays to the expectations of his audience. To his credit Yiannopoulos has full awareness of what has garnered him so much interest, and he continues to feed it. This is largely why we’ve never seen any change in his act nor his message. Yiannopoulos sounds controversial, but in essence all he is saying is exactly what is audience hopes he will, a message that challenges the establishment and political correctness. A message that Milo Yiannopoulos appears willing to continue to repeat for as long as there are people willing to listen to him and give him their money.

Milo Yiannopoulos is little more than a carefully created character, part circus freak, part drag act. He’s made politics accessible to a generation that were raised by games consoles as opposed to parents. Yiannopoulos’ greatest appeal is that he makes his audience feel that they are more intelligent by feeding them with arguements that challenge the status quo. But at the end of the day it’s nothing more than an act, if P. T. Barnum were alive today Milo Yiannopoulos would be placed centre stage, because both of them believe in the following Barnum saying:

Post Script

Only hours after I posted this article, Milo Yiannopoulos released tasteless and crass comments in the wake of the terrorist attack st the Manchester Arena. Yiannopoulos that suggested that Ariana Grande sympathises with Islamic extremism. For a man who apparently bases his reasoning on facts, we should ll be asking what proof he has for this outrageous suggestion.

Much of the hatred towards Grande stems from comments she made in a doughnut shop over 2 years ago. I find it ironic, hypocritical even, that conservatives can’t forget this while they have told us all to stop talking about a president and his pussy grabbing comments. I’m starting to suspect that this up surge of conservatism led by Mr. Yiannopoulos is just a hypocritical as the loony liberals who preceded them.