WELL, here it is, a new recording of Gustav Holst’s orchestral suite “The Planets,” with the Berlin Philharmonic conducted by its music director, Simon Rattle. Not all the planets had been discovered when Holst wrote it, so EMI Classics has added a recent piece called “Plu. ...”

Oops.

Guess it’s too late for a recall. With Pluto no longer officially a full-fledged planet, the CD, scheduled for American release on Tuesday, has suddenly become astronomically incorrect. The package includes a second CD, with newly commissioned pieces inspired by asteroids, including Ceres, the largest. But now Ceres is no longer considered an asteroid by the International Astronomical Union. It has been reclassified as a dwarf planet — like Pluto.

Maybe a Holst successor should step up with a new suite, “The Dwarf Planets.”

“It’s been very weird,” Colin Matthews, the esteemed British composer who wrote the Pluto movement in 2000, said of the barrage of attention he has received.

“I thank God that I was actually on holiday the day that it happened,” he said. “At times I’ve been cursing, but it’s very fascinating to be in the middle of it.” It is indeed a rare moment of public attention for a contemporary classical composer, used to laboring in relative obscurity.