Perhaps the answer is that Adalah and their ilk don't want you to know the real Israel: the beauty, the thoughtfulness, the humanity and yes, the messy, flawed, complexities. While they allege that the Israeli government is funding this production so as to hoodwink us and present a false "Israel the good," Adalah wants you to see only "Israel the bad." And that means trying to prevent New Yorkers from experiencing a play that might present an Israel that is more than the one-dimensional, malevolent force they claim.