Given the show’s limited run and modest grosses, neither the phrase “total bomb” nor “smash hit” seems to be a precise description of its financial performance. The capitalization costs are not public for “The Terms of My Surrender,” which was produced by IMG Original Content and Carole Shorenstein Hays. But it played to houses that were often about three-quarters full, and its weekly grosses ranged from about $260,000 to $460,000. It took in $4.2 million over all and was seen by 74,484 people, according to the Broadway League.

Of course, there are other ways to measure success, and earlier in the week Mr. Moore had issued a statement saying he was proud of the run.

“My 100 performances on Broadway represent perhaps the most fulfilling experience of my career,” he said.