Warner Bros. screened roughly 10 minutes of footage from The Hobbit today at their CinemaCon presentation in Las Vegas. The footage was projected in 3D at 48 frames per second for theater owners and press attending the conference.

A taped intro from director Peter Jackson preceded the footage. There is no honest discussion that can be had about this Hobbit footage without emphasizing the 48fps presentation. The film was shot this way and will be digitally projected this way, as well as presented in 3D. So what does 48fps movie footage look like as opposed to your usual 24fps theatrical movie experience? In this reporter's opinion, it looks like live television or hi-def video. And it didn't look particularly good. Yes, this is shocking, but I was actually let down by the Hobbit footage, as were a number of the other journalists that I spoke with afterward.

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It looked like an old Doctor Who episode, or a videotaped BBC TV production. It was as shocking as when The Twilight Zone made the boneheaded decision to switch from film to tape one season, and where perfectly good stories were ruined by that aesthetic. Here, there were incredibly sharp, realistic images where colors seem more vivid and brighter than on film, but the darker scenes were especially murky (and the 3D only dims that image even more). Frankly, it was jarring to see Gandalf, Bilbo or the dwarves in action against CG-created characters or even to move quickly down a rocky passage. The whipping of a camera pan or the blur of movement was unsettling.While 48fps may create a more realistic, "you are there" picture quality, it actually works against The Hobbit from the 10 minutes of footage we saw. This undeniable "reality" kept pulling me out of the movie rather than immersing me fully into its world as the Lord of the Rings films did; the very fantasy element, the artifice of it all (whether it's the wigs, fake beards or CG monsters) was plainly, at times painfully, evident. There was none of the painterly gentleness that film offers a fantasy film, as was so beautifully the case with the original (shot on film) LOTR trilogy. I fully expect the 48fps issue to become the much-talked about "mumbling Bane" flap to come out of CinemaCon.The best sequence shown was one between Bilbo (Martin Freeman) and Gollum (once again played by Andy Serkis). The latter is his old, split personality self as he debates between killing Bilbo or helping him out. Bilbo finally agrees to play a game of riddles with Gollum. If he wins, Gollum will show Bilbo the way to Bilbo's destination. If Gollum wins? Well, it makes you wonder if Hobbit tastes like chicken. One reason why the 48fps wasn't as distracting here was that it was an extended sequence, the longest by far of the clips shown from An Unexpected Journey today. The CG-ness of Gollum was more evident in this digital format than it was on film back in the LOTR trilogy, but you'd be hard-pressed not to feel goosebumps seeing Serkis back in deceitful action as Gollum.Also back in action in the footage screened today? Orlando Bloom's archer Legolas and Elijah Wood's Frodo Baggins, although we only got a few glimpses of those two characters. There were also scenes shown between Gandalf the Grey and Radagast the Brown, as well as an action-oriented one seeing Bilbo imperiled by three giant troll-like monsters before Thorin Oakenshield and the dwarves come to his rescue. There were some moments of Ian Holm as the elder Bilbo, life in the Shire, and the heroes' journeys across the snow-capped mountaintops of New Zealand, er, Middle-earth. Jackson stressed in his intro that the footage was unfinished, and this was evident in many of the green screen backdrop scenes we saw, such as the Rivendell one between Gandalf, Elrond and Galadriel.I didn't go into CinemaCon expecting to write anything less than great things about The Hobbit, but the very aesthetic chosen by Peter Jackson has made me very nervous about this film. It just looked ... cheap, like a videotaped or live TV version of Lord of the Rings and not the epic return to Tolkien that we have all so long been waiting for. I still have hope for The Hobbit, but I'd be lying if I didn't say my expectations for the film have now been greatly diminished.

Jim Vejvoda is the Executive Editor in charge of IGN Movies. Follow him on Twitter ator on