Set 1



Ramble On Rose

Black Throated Wind

Mississippi Half-Step Uptown Toodeloo

Beat It On Down The Line

Row Jimmy

Jack Straw

Let It Rock

Cumberland Blues

El Paso

To Lay Me Down

Weather Report Suite Prelude ->

Weather Report Suite Part ->

Let It Grow ->

China Doll



Set 2



Seastones



Set 3



Jam ->

Ship Of Fools

Big River

Black Peter

Around And Around

Dark Star Jam ->

Spanish Jam ->

U.S. Blues

Uncle John's Band ->

One More Saturday Night



Encore

Casey Jones

Related Music (Beta) question-dark Versions - Different performances of the song by the same artist Compilations - Other albums which feature this performance of the song Covers - Performances of a song with the same name by different artists Song Title Versions Compilations Covers gd74-06-23s1t01.flac Ramble On Rose Black Throated Wind techincal difficulties gd74-06-23s1t05.flac Mississippi Half-Step Beat It On Down The Line Row Jimmy Jack Straw Let It Rock Cumberland Blues EL Paso To Lay Me Down tuning and crowd Weather Report Suite Prelude > Weather Report Suite Part One > Let It Grow > China Doll Seastones tuning and crowd Jam -> Ship Of Fools Big River Black Peter Around And Around Dark Star > Spanish Jam -> U.S. Blues Uncle John's Band One More Saturday Night Casey Jones

Notes

Source: Matrix (SBD/AUD mix):







SBD: (shnid=213) - mastered by Josh Belkin







Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card >



Samplitude 2496 > Plextor 820 burner



SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496







AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)



AudMC > DAT > WAV > SHN







Recorded by Jerry Moore about 15 rows from the stage on center axis



with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120



cassettes, with Dolby B ON.







Transfer/Editing:



Both sources were converted to WAV >



Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)







Matrixed by Chris Chappell



ScarFire@liquidcity.com



2-15-07



_____________________________



End disc 1 after To Lay Me Down and end disc 2 after Around & Around. Seastones



is named s1t19 so as to keep in the order played, although there was a set break



before and after this track. Tracks are named by set as opposed to disc as there



are many media options now for output.







____________________________________________________________



General Notes:







This show was probably one of those events for those who attended where the



response afterwards was like "what the hell was that?" - in other words, not



your normal Dead show, festooned with wierd sound effects, in between song



banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all



of this before even the second set which starts with a Jam. The Dark Star,



which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,



and is one of only 6 played in '74, and the only one in '74 without vocals.



Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.



The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.



Two repeats from the night before, Jack Straw and Ship Of Fools, had different



feels, yet I still prefer the 22nd versions.







Sonically, the weird part is the beginning of the show which is a matrix from



the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.



This first portion, which is quite phasey, was left alone and not matrixed with



the AUD source due to the fact it had already been matrixed (by Healy?, real time



at the show? - could this be the first matrix experiment at a Deadshow?). Also,



Seastones is AUD only.







Thanks to Jerry Moore for recording the AUD at such a perfect FOB location



which picked up alot of Garcia's amp, thus making the matrix work well. Thanks



to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.



Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his



SBD source used as a patch in Belkin's source.







Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.







-Enjoy!



Chappy







____________________________________________________________



Editing Notes:







- Pitch/Synch



Both sources were very close in pitch, the SBD being the closest to A=440.



I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents.



The alt. SBD "Phil's tape" which provides the patch in US Blues did not need



to be pitch adjusted, although some EQ was applied to match the regular SBD in



tone/timbre (high shelf starting at 1.5kHz +6dB).







- Sonic Quality/Matrix ratio



No EQ was applied to either of the two main sources. I applied very sparingly



Waves L2 (limiter) to the master 2 buss to keep things contained, the



levels rarely hitting zero, thus the limiting is quite scarce. All I was



trying to do here is to add some dimension to the SBD by using the



ambience of the AUD. The result is a lively but clear recording, hopefully



close to how it sounded at the show. If I had to guess the SBD/AUD ratio



would be somewhere between 3:1 and 2:1. Note that Jerry's presence in the



matrix mix is enhanced greatly from the AUD due to his loud stage volume.







- Edits



The following are places where the SBD and AUD had splices, holes or



incomplete coverage in reference to the final matrix timeline.







SBD:







s1t01 (0:00 - 3:14) - missing (tuning)



s1t02 (6:18 - 6:51) - missing (tuning)



s1t04 (0:13 - 0:47) - missing (tuning)



s1t04 (1:11 - 1:43) - missing (tuning)



s1t04 (3:19 - 4:34) - missing (tuning)



s1t06>7 (7:43 - 0:02) - missing (tuning)



s1t07 (3:31 - 4:20) - missing (tuning)



s1t08 (7:55 - 9:12) - missing (tuning)



s1t09 (4:08 - 4:09) - missing



s1t09 (5:18 - 5:50) - missing (tuning)



s1t10 (3:26 - 4:09) - missing (tuning)



s1t11 (9:08 - 7:50) - missing (tuning)



s1t12 (4:22 - 5:45) - missing (tuning)



s1t13>14 (7:58 - 0:56) - missing (tuning)



s1t17 (5:21) - removed subsecond glitch



s1t18 (5:32 - 5:44) - missing (tuning)



s2t01 (0:00 - 2:21) - missing (tuning)



s2t03 (6:04 - 6:19) - missing (tuning)



s2t04 (4:44 - 5:39) - missing (tuning)



s2t05 (4:40 - 4:41) - missing (splice)



s2t05 (9:24 - 10:47) - missing (tuning)



s2t06 (5:17 - 6:03) - missing (tuning)



s2t07 (9:07 - 9:16) - missing (flip)



s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"



s2t09 (8:14 - 10:25) - missing (tuning)



s2t11 (4:54 - 8:54) - missing (tuning)



s2t12 (6:40 - 6:50) - missing (tuning)







AUD:



s1t16 (4:17) - fixed sbe



s2t05 (10:50) - removed mic bump











Full coverage is achieved, and almost all the missing elements from the SBD



are tuning/crowd.