The winners of the 2018 Hugo Awards have been announced! You can read the full list below.

The 2018 Hugo Awards were presented on the evening of Sunday August 19th, 2018 at a ceremony at the 76th World Science Fiction Convention in San Jose, California. 1813 valid nominating ballots (1795 electronic and 18 paper) were received and counted from the members of the 2017, 2018, and 2019 World Science Fiction Conventions. For the 1943 Retrospective Hugo Awards, 204 valid nominating ballots (192 electronic and 12 paper) were received.

Congrats to the finalists and winners!

2018 Hugo Awards Finalists

Best Novel

The Stone Sky, by N.K. Jemisin (Orbit)

The Collapsing Empire, by John Scalzi (Tor)

New York 2140, by Kim Stanley Robinson (Orbit)

Provenance, by Ann Leckie (Orbit)

Raven Stratagem, by Yoon Ha Lee (Solaris)

Six Wakes, by Mur Lafferty (Orbit)

Best Novella

All Systems Red, by Martha Wells (Tor.com Publishing)

“And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)

Binti: Home, by Nnedi Okorafor (Tor.com Publishing)

The Black Tides of Heaven, by JY Yang (Tor.com Publishing)

Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)

River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

“The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)

“Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)

“Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)

“A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)

“Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)

“Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

“Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

“Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)

“Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)

“Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)

“The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)

“Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)

Best Related Work

No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)

Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)

Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)

A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)

Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)

Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)

Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)

Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)

My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)

Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)

Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentation – Long Form

Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)

Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)

The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)

Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)

Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)

Best Dramatic Presentation – Short Form

The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)

Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)

“The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)

The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)

Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor – Short Form

Lynne M. Thomas & Michael Damian Thomas

John Joseph Adams

Neil Clarke

Lee Harris

Jonathan Strahan

Sheila Williams

Best Editor – Long Form

Sheila E. Gilbert

Joe Monti

Diana M. Pho

Devi Pillai

Miriam Weinberg

Navah Wolfe

Best Professional Artist

Sana Takeda

Galen Dara

Kathleen Jennings

Bastien Lecouffe Deharme

Victo Ngai

John Picacio

Best Semiprozine

Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews

The Book Smugglers, edited by Ana Grilo and Thea James

Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney

Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini

Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff

Best Fanzine

File 770, edited by Mike Glyer

Galactic Journey, edited by Gideon Marcus

Journey Planet, edited by Team Journey Planet

nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry

Rocket Stack Rank, edited by Greg Hullender and Eric Wong

SF Bluestocking, edited by Bridget McKinney

Best Fancast

Ditch Diggers, presented by Mur Lafferty and Matt Wallace

The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe

Fangirl Happy Hour, presented by Ana Grilo and Renay Williams

Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch

Sword and Laser, presented by Veronica Belmont and Tom Merritt

Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

Sarah Gailey

Camestros Felapton

Mike Glyer

Foz Meadows

Charles Payseur

Bogi Takács

Best Fan Artist

Geneva Benton

Grace P. Fong

Maya Hahto

Likhain (M. Sereno)

Spring Schoenhuth

Steve Stiles

Best Series

World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

The Books of the Raksura, by Martha Wells (Night Shade)

The Divine Cities, by Robert Jackson Bennett (Broadway)

InCryptid, by Seanan McGuire (DAW)

The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)

The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)

2018 Associated Awards (not Hugos)

John W. Campbell Award for Best New Writer

Rebecca Roanhorse

Katherine Arden

Sarah Kuhn

Jeannette Ng

Vina Jie-Min Prasad

Rivers Solomon

The World Science Fiction Society (WSFS) Award for Best Young Adult Book

Akata Warrior, by Nnedi Okorafor (Viking)

The Art of Starving, by Sam J. Miller (HarperTeen)

The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)

In Other Lands, by Sarah Rees Brennan (Big Mouth House)

A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)

Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)

1943 Retrospective Hugo Awards Finalists

Best Novel

Beyond This Horizon, by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, April & May 1942)

Darkness and the Light, by Olaf Stapledon (Methuen / S.J.R. Saunders)

Donovan’s Brain, by Curt Siodmak (Black Mask, September-November 1942)

Islandia, by Austin Tappan Wright (Farrar & Rinehart)

Second Stage Lensmen, by E. E. “Doc” Smith (Astounding Science Fiction, November 1941 to February

1942)

1942) The Uninvited, by Dorothy Macardle (Doubleday, Doran / S.J.R. Saunders)

Best Novella

“Waldo,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, August 1942)

“Asylum,” by A.E. van Vogt (Astounding Science Fiction, May 1942)

“The Compleat Werewolf,” by Anthony Boucher (Unknown Worlds, April 1942)

“Hell is Forever,” by Alfred Bester (Unknown Worlds, August 1942)

“Nerves,” by Lester del Rey (Astounding Science Fiction, September 1942)

“The Unpleasant Profession of Jonathan Hoag,” by John Riverside (Robert A. Heinlein) (Unknown

Worlds, October 1942)

Best Novelette

“Foundation,” by Isaac Asimov (Astounding Science Fiction, May 1942)

“Bridle and Saddle,” by Isaac Asimov (Astounding Science Fiction, June 1942)

“Goldfish Bowl,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, March 1942)

“The Star Mouse,” by Fredric Brown (Planet Stories, Spring 1942)

“There Shall Be Darkness,” by C.L. Moore (Astounding Science Fiction, February 1942)

“The Weapon Shop,” by A.E. van Vogt (Astounding Science Fiction, December 1942)

Best Short Story

“The Twonky,” by C.L. Moore and Henry Kuttner (Astounding Science Fiction, September 1942)

“Etaoin Shrdlu,” by Fredric Brown (Unknown Worlds, February 1942)

“Mimic,” by Martin Pearson (Donald A. Wollheim) (Astonishing Stories, December 1942)

“Proof,” by Hal Clement (Astounding Science Fiction, June 1942)

“Runaround,” by Isaac Asimov (Astounding Science Fiction, March 1942)

“The Sunken Land,” by Fritz Leiber (Unknown Worlds, February 1942)

Best Dramatic Presentation – Short Form

Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions)

Cat People, written by DeWitt Bodeen, directed by Jacques Tourneur (RKO Radio Pictures, Inc.)

The Ghost of Frankenstein, written by W. Scott Darling, directed by Erle C. Kenton (Universal Pictures)

I Married a Witch, written by Robert Pirosh and Marc Connelly, directed by René Clair (Cinema Guild Productions / Paramount Pictures)

Invisible Agent, written by Curtis Siodmak, directed by Edwin L. Marin (Frank Lloyd Productions / Universal Pictures)

Rudyard Kipling’s Jungle Book, written by Laurence Stallings, directed by Zoltan Korda (Alexander Korda Films, Inc. / United Artists)

Best Editor – Short Form

John W. Campbell

Oscar J. Friend

Dorothy McIlwraith

Raymond A. Palmer

Malcolm Reiss

Donald A. Wollheim

Best Professional Artist

Virgil Finlay

Hannes Bok

Margaret Brundage

Edd Cartier

Harold W. McCauley

Hubert Rogers

Best Fanzine

Le Zombie, edited by Arthur Wilson “Bob” Tucker

Futurian War Digest, edited by J. Michael Rosenblum

Inspiration, edited by Lynn Bridges

The Phantagraph, edited by Donald A. Wollheim

Spaceways, edited by Harry Warner, Jr.

Voice of the Imagi-Nation, edited by Forrest J Ackerman and Morojo

Best Fan Writer