The Great Wall of India: 80km ‘diwaal’ is an ancient mystery no one knew about

art-and-culture

Updated: Jan 16, 2017 12:13 IST

It’s a whodunit, a jigsaw puzzle and a history lesson all in one. In the heart of Madhya Pradesh, at the very centre of India, stands a massive stone wall that’s odd, as walls go. It runs straight in parts, zig-zags wildly in others, stops or branches off where you least expect. Some sections tower at 15 feet; others are a just a low stretch of rubble .

History buffs are calling it the Great Wall of India, and if it does run for 80 kilometres as they suspect (many sectionsstill need to be excavated), it may well be India’s longest fortification and, worldwide, second only to China’s. Locals however refer to it simply as ‘diwaal’, a structure that’s been at the back of their villages, and the back of their minds, for as long as anyone can remember.

The barrier stands halfway between Bhopal and Jabalpur, stretching from the tiny township of Gorakhpur-Deori to Chokigarh in Chainpur Bardi in the Raisen district. It cuts through Vindhya valleys, teak forests, langur domains and wheat fields. At one point, it is interrupted by a 20-year-old dam.

The wall zig-zags across the Vindhya mountains just north of the Bhopal Jabalpur Road in Raisen district, and alongside, a man-made pond has been discovered. ( Pratik Chorge, Ashwin Patil/HT Photo )

Everywhere it goes, surprises follow. Discovered thus far are ruins of long-abandoned dwellings, debris from magnificent temples, fragments of statues, step wells, a pond with sandstone banks, compounds, stairs and strange snake insignias. Experts say we’ve only scratched the surface of its secrets.

History’s mystery

Pharmacist Rajiv Choubey, archaeologist Narayan Vyas and Raisen history buff Vinod Tiwari have been conducting informal surveys of the wall and the dilapidated structures within it. ( Pratik Chorge/HT PHOTO )

Raisen pharmacist, Rajeev Chaubey, 57, has been fascinated by the wall ever since he heard about it in the 1980s. He recalls riding triple-seat on a motorbike for hours to reach the ruins, packing jam sandwiches so he and his friends could spend the day exploring.

Then, four years ago, a hermit walked into his chemist store. “He was from Gorakhpur,” Chaubey says. “I mentioned the wall and he said that one end ran by his dwelling at the jungle’s edge. He was keen to study it too.”

The 58-year-oldhermit Sukhdev Maharaj hosted enthusiasts on overnight trips, allowing them to track the wall deeper into the forest. He also guided them, barefoot, to temple relics hidden under blankets of teak leaves.

“No seals or inscriptions have been found, so we can’t link the wall to a king or a period,” admits Narayan Vyas, who made several surveys of the wall after he retired from the Archaeological Survey of India a decade ago.

Look closely, the two snakes are not knotted up but artfully entwined, indicating that the artist took care over the design. The icon stands at one end of the wall, near Gorakhpur. ( Pratik Chorge/HT PHOTO )

The structure itself offers a few clues. It’s made from large, evenly sized, local stones that interlock like Lego bricks, without mortar, indicating some kind of planning. At the points where steps have been found, they’ve been built, without exception, on the same side of the wall, indicating an ‘inside’ zone. Well-preserved sections show a flat top wide enough to walk on, lookout points, drainage and niches to hide men or weapons .

“It seems like a military rampart,” says Raghavendra Khare, 45, a Gorakhpur astrologer who joined Vyas on a survey last year. “What could they have been trying to keep out in a forest in the middle of nowhere?”

Pieces of the puzzle

Answers come easier when you consider that perhaps this wasn’t always a forest. Vyas estimates that the temple relics and the wall, date to the 10th or 11th century, when warrior clans ruled the heart of India.

“This could have been the border of the Parmar kingdom,” Vyas says, referring to the Rajputs that ruled west-central India between the 9th and 13th centuries. The wall would likely have marked their territory against the Kalachuris, a clan that established a capital close to today’s Jabalpur, 150 km away. “They fought a lot, and the wall was probably a Parmar effort to keep them out.”

In most Indian temples, elephant icons have been used at the base, their strength metaphorically holding up the stones. Could that have been the case with the temples inside Raisen’s wall too? ( Pratik Chorge/HT PHOTO )

What they kept in was a distinctive style of architecture – a clue to its origins. While the fortification’s interlocked technique matches the Parmar-era Bhojeswar temple near Bhopal, the relics strewn about inside the forest tell rich tales. “Parmar kings followed the bhumija pattern for their temple spires,” Vyas says. “They were tapered, with rows of smaller spires, which show up among these ruins.” The layout, a platform for a central structure and small shrines in the corners, mirrors the plan of Omkareshwar, a Parmar temple in the south of the state.

“All we need is evidence to confirm what we suspect – that we’ve found the remnants of a 1,000-year-old realm,” Vyas says.

Read: A mystery in pictures. Raisen's wall has much to see and much to wonder about

On the fence

Some already disagree. Rahman Ali, a historian who has written a book on the Parmar temples of MP, visited the sites in 1975 and admits he didn’t study them closely. “But they don’t seem to be Parmar,” he says. “There is a tendency to ascribe everything old from this region to the Parmars, but the dynasty would have been crumbling in the 12th century, not building massive walls.”

The standardised stone barricades may be much younger, “perhaps even 17th-century British-made,” Ali says. “But these areas weren’t important to the Raj. Why would theybuild a long wall and abandon it?”

The questions resonate along the trail of stones. There’s reason to believe the wall, now in bits and pieces, was never finished in the first place. Chaubey notes that it displays various stages of completion, including spots where stones were heaped, but never assembled.

Some bits and pieces of the relics strewn within the wall have been relocated so they can be studied better, and perhaps saved from theft too. ( Pratik Chorge/HT PHOTO )

Those looking to solve the puzzle face another challenge – several relics and stones have been stolen. Jamnabai Khare, who’s lived in Gorakhpur for 60 of her 80 years, recalls seeing a Sinhavahini, a goddess astride a lion, which is now missing. Chaubey has a photograph of an intact statue of Kal Bhairav, an incarnation of Shiva (others are missing heads or limbs). “The image is all that remains – the idol was stolen last year.”

The ASI has no plans to survey the area and chose not to contribute to this story. Official studies, when they begin, may be hampered as much of the wall is on forest land.

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WESTERN WALL,

4 BC The limestone wall in Jerusalem’s Old City is a small segment of a longer ancient wall still being made when King Herod died in 4 BC. The uppermost stones appear to be from the Ottoman period after the 1300s. HADRIAN’S WALL,

122 AD At just under 130 km, north England’s wall dates back to the reign of Hadrian, who ruled the Roman province of Britannia. Both base and wall are made of stone, with markers every few miles. SAKSAYWAMAN,

12OOs Built to protect a city on the outskirts of Cusco, Peru, the capital of the Inca Empire, the wall is a line of gigantic stacked stones. They seem to have been cut precisely to fit and stay put without the use of mortar. GREAT WALL OF CHINA, 1300s China started building its famous fortification in the 7th century BC, using stone, brick, earth and wood. But much of the wall today comes from the Ming Dynasty of 300 to 700 years ago. It covers a staggering 21,196km. KUMBALGARH,

1400s India’s most famous wall is in Mewar, Rajasthan. At over 38 km, its fortifications make it the world’s second largest wall after the Great Wall of China. Until Raisen’s wall is officially surveyed, measured and restored.

For now, the mystery remains. Vyas says that wall has already revealed the preoccupations and skills of the people who built it. Raghavendra Khare sees it as a point of pride for locals.Raisen’s former collector, Lokesh Jatav, who visited the wall at the end of his term late last year, says the stone riddle is irresistible. “If developed, it could be a great stopover for tourists visiting nearby UNESCO sites like the prehistoric art at Bhimbetka and the Buddhist stupa atSanchi.”