The third and final installment in Universal’s Fifty Shades trilogy hit theaters this weekend, where it opened with a solid debut that was right along expectations. Meanwhile, Sony’s Peter Rabbit opened a notch above predictions, while The 15:17 to Paris failed to impress.

Fifty Shades Freed opened to a solid yet unspectacular $38.6M this weekend. On Friday, it seemed as though $40M was all but guaranteed after the erotic drama made nearly $14.5M on its opening day. That makes this quite front loaded, with nearly 48% of its total coming from that opening day (of which $5.6M came from Thursday night screenings) indicating that the film will not hold too well. The original Fifty Shades was hugely front loaded due to Valentines Day falling on Saturday, while Darker had a more average performance, dipping around 26% on Saturday. This means that Freed was very front loaded, though it’s not exactly an apples-to-apples comparison. With Black Panther on the horizon, however, don’t expect this to hold well. A domestic total under $100M is a guarantee.

In second, Sony’s family comedy Peter Rabbit opened to a rock solid $25M. The closest comparison to this would likely be Hop, which did $37M in its opening back in 2011. However, that had the benefit of opening closer to Easter, and as a result was a bit more front loaded than average for an animated film. Peter Rabbit should be able to hold stronger than that and could potentially near the $100M mark, though a total in the $80-$90M range seems more likely.

Warner Brothers’ The 15:17 to Paris failed to deliver this weekend, with just $12.6M, or a bit more than Sully did on opening day back in 2016. There’s a few reasons as to why this film underwhlemexe; first and foremost, the event was not nearly as heavily publicized or marketable as the ones featured in Sully or American Sniper, and the tactic of using the action heroes involved with the story didn’t capture interest the way the studio clearly hoped it would. Finally, audiences just had another patriotic action drama in the form of 12 Strong several weeks ago. Combine that with an awful 21% on Rotten Tomatoes, and it became a very hard sell. The real surprise, however, was the B- Cinemascore it received from those who did show up. Typically, more patriotic films centered around the military tend to score at least an A-, making this a surprise. Paris may be able to squeak past $30M, but likely not much further.

In fourth was Jumanji: Welcome to the Jungle, which eased 10% to $9.8M, raising its total to $365M domestic, and $881M worldwide. That means it officially topped the worldwide gross of Spider-Man: Homecoming to move into fourth for 2017.

The Greatest Showman rounded out the top 5 once again with $6.4M, for a new total of $146M domestic and over $314M worldwide. By next weekend it will have topped the domestic gross of La La Land, though it likely won’t approach that films worldwide total of $446M.

Winchester held surprisingly strong in its second weekend, down just 46% despite three new wide releases. With a total of $17M after ten days of release, this will likely end up between $25-$30M total.

Among the Oscar contendors, The Shape of Water is only a day or two away from topping $50M domestic, while Three Billboards outside Ebbing, Missouri crossed the century mark worldwide. Darkest Hour and I, Tonya were up to $51M and $25M respectively, Lady Bird topped $45M, while The Post was up to $72M.

In a bit of a surprise, Insidious: The Last Key will become the highest grossing film in the franchise either today or tomorrow. The worldwide gross is just around $100K shy of the total for Insidious: Chapter 2, with this fourth installment currently at a total of $161.8M, against a production budget of just $10M.