The real Rahm Emanuel offered to donate $5,000 to the charity of the anonymous tweeter's choice if the creator of the account would out himself (Update: Even now, the offer still stands). The Chicago Tribune's editorial board begged the account not to stop, saying, "The fun is just beginning," and comparing the mystery of the account's author to the "intrigue surrounding the identity of 'Anonymous,' the author of the 1996 novel 'Primary Colors,' a devastating insider take on Bill Clinton's 1992 presidential campaign."

If that seems like a lot of fuss over a Twitter account, you probably haven't been following @MayorEmanuel. The profane, brilliant stream of tweets not only may be the most entertaining feed ever created, but it pushed the boundaries of the medium, making Twitter feel less like a humble platform for updating your status and more like a place where literature could happen. Never deviating too far from the reality of the race itself, @MayorEmanuel wove deep, hilarious stories. It was next-level digital political satire and caricature, but over the months the account ran, it became much more. By the end, the stream resembled an epic, allusive ode to the city of Chicago itself, yearning and lyrical.

For weeks, journalists and insiders have urged the person behind @MayorEmanuel to reveal himself, but he (or she) demurred. Until now. After a protracted email negotiation, the author has outed himself to The Atlantic. He's receiving no compensation.

The genius behind @MayorEmanuel is Dan Sinker, who has a heart made out of Chicago and balls of punk rock.



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Sinker is the founder of Punk Planet, a legendary zine that ran from 1994 until 2007. Sinker and his tiny staff put out 80 issues during that time and created a punk rock tent big enough to happily include Black Flag and the filmmaker Miranda July. Punk Planet wasn't just a music magazine. It was the distillation of a punk-rock worldview in magazine form. "Using punk's antagonist spirit as a guiding principle, Punk Planet transcended stereotypes to chronicle the progressive underground community, from thoughtful band interviews to exceptionally thorough investigative features," The Onion's AV Club wrote in its eulogy for the publication.

Sinker described the punk-rock mind-set in his introduction to a 2001 book that collected interviews from the zine. "[Punk] is about looking at the world around you and asking, 'Why are things as fucked up as they are?'" he wrote. "And then it's about looking inwards at yourself and asking, 'Why aren't I doing anything about this?'"

In some sense, the glory of @MayorEmanuel was that it exposed the dark humor that political operatives know and love, mixed with the drunken idealism that tends to drive the politicos. Politics is desperate and raw and exhausting, yet on TV it looks so polished and prim. It's a knock-down, drag-out war in which everyone has to fight in their Sunday best. @MayorEmanuel looked at that state of affairs and started cussing, not unlike what a lot of us do when we look at our politics. This take on politics would not be airbrushed, edited, or watered down. All the things public politics downplays, this feed would expand and celebrate. This feed would be festooned with anger and the drive for power and the F-word. It was the inverse of the real Emanuel campaign, or as the Tribune called it a "brilliantly imagined and unrestrained counter-script."