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Video projection with sound, 14′, 2009Long Live the New Flesh uses datamoshing, a digital technique with painterly quality in which the images literally consume one another, and transmogrifies found footage horror films into a new emotional story and a new visual experience.Editing, datamoshing, sound design: Nicolas ProvostAssistant Editor: Nathalie CoolsSupported by The Flanders Audiovisual FundCourtesy Tim Van Laere Gallery, AntwerpJury Prize, Festival du Film de Vendôme, FranceBest Image Award, Janela Internacional de Cinema do Recife, BrazilBest Editing Award, Janela Internacional de Cinema do Recife, BrazilYoung Critics Award, Janela Internacional de Cinema do Recife, BrazilBest Experimental Short Film, Melbourne International Film Festival 2010, AustraliaHonorable Mention, Expresion EN CORTO 2010, Mexico