About The Library

WHAT’S IT FOR?

The starting point was to make this library perfect for creating soundtracks to films, TV programs and games, with a leaning towards the eerie and tortured.

However, for contemporary commercial pop/rock/hip-hop production you will also find some of the most beautiful pads you’ll ever hear. It is also ideal for contemporary commercial producers looking for authentic live sounds that give their productions a leading edge.

WHY WAS IT DONE?

It started with a problem: how can you get world class orchestral effects, that sound like a real orchestra playing, which are highly expressive, completely controllable and easy to play, and yet avoid having to pay for £10,000 recording sessions? After sifting in vain through commercially available premium orchestral sound libraries, producer Dan Graham found nothing that could fulfill all of these requirements.

And so, he set out to record his own dream orchestral sample collection – all the weird and wonderful effects he’d employed in his own live orchestral recordings – something that would be complex, alive but easily controllable with a Mod Wheel.

THE RECORDINGS

Recorded over a week in May 2010 at Liverpool’s famous Parr Street Studios (Coldplay, Genesis amongst others), four world class Royal Liverpool Philharmonic Orchestra players were heavily multi-tracked up to create 16 violins, 8 cellos, 6 flutes and 6 piccolos for that big ensemble effect.

THE PROGRAMMING

20 hours of stereo 24bit 44.kHz audio was painstakingly edited down, looped and programmed in Kontakt 3.5 over 3 months by Dan Graham, programmer Andy Flett and scripter Mario Krušelj until this beautiful library was finished and put to immediate effective use on a series of tracks for movie trailers.

Tried, tested and satisfied, the collection was then finally handed over to Zero G so that these wonderful sounds could be shared with the most demanding composers and producers in the world.