Lena Dunham often champions her mother as her feminist role model. And looking at Laurie Simmons’ photographs it is easy to see where she gets her inspiration from.

While Dunham’s HBO series Girls highlights the pressures young women are under to conform to a certain stereotype, Simmons’ photographs appear to critique how women are presented by the mainstream media.

Using life-sized sex dolls dressed as geishas and Barbies obstructed by huge objects, Simmons asks the viewer to consider how society forces women to constantly perform.

Like her daughter, she does not hold back about her opinions, claiming women are under increasing amounts of “painful pressure to look perfect, be skinny and cool”.

“I thought it could never be worse than when I was a teenager because a couple of waves of feminism happened between then and now. But it has amped up to a hysterical level and it’s got to be the result of everyone having to put on their best (and fake) selves out there on social media,” she says.

Laurie Simmons at The Arts Club Show all 9 1 /9 Laurie Simmons at The Arts Club Laurie Simmons at The Arts Club Laurie Simmons Walking Microphone With Skirt, 1989, 2014, Pigment print, 213.4 x 121.9cm (84 x 48 inches) Courtesy Wilkinson Gallery Laurie Simmons at The Arts Club Laurie Simmons The Love Doll Day 31 (Geisha Close-Up), 2011, Fuji Matte Print, 101.6x76.2cm (40x30inches) Courtesy Wilkinson Gallery Laurie Simmons at The Arts Club Laurie Simmons Purple Woman Gray Chair Green Rug Painting, 1978, Cibachrome print, 8.9 x 12.7cm, Edition 2 of 7 Courtesy Wilkinson Gallery Laurie Simmons at The Arts Club Laurie Simmons Horizontal Man Woman Horse, 1979, Cibachrome print, 33 x 49.5 cm, Edition 1 of 3 Courtesy Wilkinson Gallery, London Laurie Simmons at The Arts Club Laurie Simmons Walking Glove, 1991, 2014, Pigment print, 213.4 x 121.9 cm (84 x 48 inches) Courtesy Wilkinson Gallery Laurie Simmons at The Arts Club Laurie Simmons Day 35 (Blue Geisha, Lying on Bed ), 2011, Fuji Matte Print, 177.8 x 133.4cm (70 x 52.2 inches) Courtesy Wilkinson Gallery Laurie Simmons at The Arts Club Laurie Simmons Brothers Hay, 1979, Cibachrome print, 33 x 49.5 cm, Edition 1 of 3 Courtesy Wilkinson Gallery Laurie Simmons at The Arts Club Laurie Simmons Walking Camera (Little), 1991-2014, Pigment print, 101.6 x 57.2 cm Courtesy Wilkinson Gallery Laurie Simmons at The Arts Club Laurie Simmons Yellow and Green Teen Room, 1983, Chromogenic C-print, 88.9 x 137.2cm, Edition 2 of 5 Courtesy Wilkinson Gallery

Simmons, whose career as an artist and photographer spans forty years, started out in the male-dominated art world of the Seventies. But despite the many social changes she has seen, she says she is shocked by the problems women continue to come up against.

“I’m always shocked at how many problems are the same now as when I was in my Twenties. We are still fighting to hold onto our basic rights. We are still paid less than our male counterparts. And this is just in America. On a global level, the continuing violence towards and injustices for women are shocking and unacceptable.”

Laurie Simmons, Carroll 'Tip' Dunham and their daughter Lena Dunham (Aaron P/eroteme)

Simmons’ views seem unsurprisingly similar to her daughter’s, who has become a feminist pin-up for the internet generation. But the artist is careful not to suggest that she has been the driving influence of Dunham's work.

“I feel like Lena makes work that is honest in some way, with an eye towards what she really knows and has experienced. That’s what I think she’s most likely (and most hopefully) gotten from me.”

She is even more insistent that she has not been the sole feminist inspiration to her daughter, answering in a way that only the mother of Dunham could.

“Lena was raised by two feminists. I would say her father and I have equally influenced her worldview. We’re at a point in history where I question what it would mean for anyone to say they’re not a feminist.”