“The only feeling that anyone can have about an event he does not experience is the feeling aroused by his mental image of that event … For it is clear enough that under certain conditions men respond as powerfully to fictions as they do to realities.” Walter Lippmann, Public Opinion, 1922.

The careful coordination of information and visual representations governs the mass mind. The conditions for such are accentuated in times of perceived crisis. For a relatively brief period following the Boston Marathon bombing two sets of photographs emerged that actually depicted what appeared to have taken place at “ground zero,” where the first explosive device detonated. Each series of photos strongly suggests the execution of a mass casualty exercise.

The first set of photographs was taken by amateur sports photographer Benjamin Thorndike, whose employment as a financial advisor at FOC Partners on Boylston provided him with an ideal position. The second set was taken by graphic designer Aaron Tang, whose office is several doors down Boylston Street from FOC. In fact, Tang’s photos are especially revealing as they chronicle the unusual law enforcement and first responder reactions to the incident.

While Tang’s photos and personage are almost entirely absent from corporate news reportage and commentary, Thorndike and a handful of his more than two dozen photos receive sporadic consideration in the short-lived news cycle preceding 5:00PM on April 18, when the FBI revealed images of Tamarlan and Dzhokhar Tsarnaev in the vicinity of the finish line.

The federal government and its major media appendages would then employ this dubious evidence vis-á-vis the Tsarnaevs’ non-American otherness to essentially indict the brothers in the court of public opinion. The spectre of Muslim terrorism–an important propaganda element of the “war on terror”–further legitimated the declaration of martial law in the greater Boston area, culminating in the extrajudicial killing of Tamarlan and the near-murder (so far as the public is lead to believe) of Dzhokhar.

The Boston bombing’s “forgotten” photographs are worthy of further consideration as they suggest the ways in which major news media operate in a de facto censorial fashion with the federal government to highlight certain phenomena while simultaneously rendering important artifacts down the memory hole. The images’ misuse or sheer absence arguably contributed to a major tragedy and miscarriage of justice.

Thorndike’s credentials alongside his bird’s eye perspective of America’s most horrendous terrorist attack since September 11 are of tremendous significance. With this in mind one would think major media would have been clamoring to disseminate his eyewitness account and series of photographs worldwide. Indeed, following the event Mr. Thorndike made himself readily available to the media for interviews.

Although the Associated Press circulating a select few of Thorndike’s photos, LexisNexis and Start Page web searches for “Ben Thorndike” and “Boston Marathon bombing” between the dates April 15, 2013 to May 15, 2013 reveal photo credits in only three US print publications within two weeks of the incident–the New York Daily News (April 17) the Boston Globe (April 18) and the New York Times (April 27)[1] each of which used the photo below; one European paper, the Scottish Express, also used the photos in two pieces.[2] The Globe was the sole outlet to publish remarks from Thorndike extending beyond a soundbite.[3]

As for broadcast outlets, the same search for transcripts reveals only four stories referencing Thorndike, none of which extend beyond a reference or brief interview excerpt. CNN published seven of Thorndike’s photos on its website, yet referenced them only once in subsequent broadcasts.[4]

Mr. Thorndike asserts that he was at his office building on Boylston almost directly above where the first explosion erupted on April 15, 2013. “Almost momentarily when I got there, directly in front of me, right in my sight-line, the explosion went off,” he said. “Just out of reflex, I had the camera on, had it in sports mode, which means I can shoot rapid-fire.” As CBS Boston reported,