Then last week, Myleene Klass—best known as the singer in '00s pop band Hear’Say, runner up of the sixth I’m A Celebrity Get Me Out Of Here reality TV series, or your dad’s favorite radio presenter—went live on air at Capital Xtra (the urban leg of Capital FM) for a “Grime Time Special.” When she kicked off her radio show by saying, “I got bare tunes for you fam, who remembers this one?” and pressed play on Dizzee Rascal’s “Stand Up Tall,” it felt like it might be genuine appreciation; she was, at least, playing actual grime. Then Kano’s classic track “P’s and Q’s” came in, and she continued: “I see you Dizzee, shouts to my crew looking criss, shouts to the tracksuit badmans and the one tens crew.” I was furious: she was mocking, not just the grime scene, but grime’s culture too.

This time, I wouldn’t STFU—and Myleene Klass’ car-crash foray into grime made me kick myself for shutting up about Ora weeks before. Can anyone let me know how we went from positive strides like JME’s album charting in the top 20, to rappers Section Boyz and Krept and Konan being mislabelled “grime” and Myleene Klass being our new grime ambassador? Because I am mad baffled.

Grime’s culture is one of kids in estates having something to say, and not being listened to because of the way they walk, the way they talk, the language they use and the ECKO and Akademiks tracksuits they used to wear (that were deemed unapproachable to anyone in a suit). Granted, fashion has come leaps and bounds since those baggy tracksuit days, and these kids have since upgraded to Nike and Adidas, but they’re still there. They still speak casually in slang daily, they’re still of a lower class bracket to Klass, they still MC with their friends on the corner of a block with an ambition to become as successful as our current kings Boy Better Know (Skepta, JME, Jammer, and Frisco). The grime music Klass played on her show derives from the same culture she simultaneously took the piss out of; and that’s infuriating.