East Timor and Indonesian Action Network projects the Oscar-nominated documentary THE ACT OF KILLING on World Bank headquarters

Human Rights group calls on World Bank to acknowledge role in the mass killing of one million Indonesians

The World Bank gave $30 billion to a dictator who killed 1 million. Photo by Dakota Bell.

February 20, 2014 – The Oscar-nominated documentary THE ACT OF KILLING was projected on the World Bank headquarters in Washington, D.C. Thursday in an action by the East Timor and Indonesian Action Network. The group is calling on the World Bank to acknowledge its role in the 1965 military coup in Indonesia that lead to the massacre of an estimated one million civilians. The World Bank helped prop up the corrupt government of Suharto, the general who lead the coup and ordered the mass killings. The Bank sent the Suharto regime $30 billion in development aid over the course of three decades despite knowing $10 billion had been looted by the government.

“THE ACT OF KILLING powerfully highlights the ongoing impunity within Indonesia for the 1965 mass murders,” said John M. Miller of the East Timor and Indonesian Action Network. “Tonight we highlight the World Bank's support for the Suharto regime, which knowingly backed his corrupt government while his post-coup body count climbed. Support from the Bank, the U.S. and others emboldened Suharto to illegally invade East Timor, consolidate control over West Papua, and brutalize and rob his own people.

"We urge the World Bank to acknowledge its role in Suharto's many crimes and to apologize and provide reparations to the survivors. Institutions like the World Bank must also be held accountable for their financial assistance to the murderers and decades of support as they continued to violate human rights.”

“The World Bank gave $30 billion dollars to a dictator who killed an estimated one million of his own citizens,” said THE ACT OF KILLING filmmaker Joshua Oppenheimer. “The murderers spent years profiting off of their heinous crimes with the World Bank and other global financial institutions footing the bill.”

Video by Chris Belcher. Projections by Robin Bell/Bell Visuals.

THE ACT OF KILLING, currently Oscar-nominated for Best Documentary feature, has been recognized as one of the best films of 2014. The film has received over 60 awards including Best Documentary from the British Academy of Film and Television Arts (BAFTA). While the mass killings of 1965 are an open secret in Indonesia, the government has never acknowledged or apologized for sponsoring the murders. THE ACT OF KILLING, which has been shown in thousands of private screenings and is available free online throughout Indonesia, is empowering victims’ families to demand reparations from the government for the first time.

About East Timor and Indonesian Action Network

The East Timor and Indonesia Action Network (ETAN) advocates for democracy, justice and human rights for Timor-Leste, West Papua and Indonesia. In 2012, the government of the Democratic Republic Timor-Leste awarded ETAN the Order of Timor (Ordem Timor) for its role in the liberation of the country. More information about ETAN can be found at: http://www.etan.org

About THE ACT OF KILLING

Institutions like the World Bank must also be held accountable for their financial assistance to the murderers and decades of support as they continued to violate human rights.

In THE ACT OF KILLING, directed by Joshua Oppenheimer and executive produced by Errol Morris and Werner Herzog, the filmmakers expose a corrupt regime that celebrates death squad leaders as heroes.

When the Indonesian government was overthrown in 1965, small-time gangster Anwar Congo and his friends went from selling movie tickets on the black market to leading death squads in the mass murder of over a million opponents of the new military dictatorship. Anwar boasts of killing hundreds with his own hands, but he's enjoyed impunity ever since, and has been celebrated by the Indonesian government as a national hero. When approached to make a film about their role in the genocide, Anwar and his friends eagerly comply—but their idea of being in a movie is not to provide reflective testimony. Instead, they re-create their real-life killings as they dance their way through musical sequences, twist arms in film noir gangster scenes, and gallop across prairies as Western cowboys. Through this filmmaking process, the moral reality of the act of killing begins to haunt Anwar and his friends with varying degrees of acknowledgment, justification and denial. More information about the film can be found at http://actofkilling.com/.