Tanabata has come around once again to offer a generation of high schoolers some false hope in order to distract them from the cruel reality that is life. At least, that’s what the old Tomoko might’ve thought. While the world ultimately didn’t hand everything to her on a silver platter, Tomoko’s half-hearted hope did actually manifest into something she holds dear. The question now remains…



What does she strive for now?



Chapter 162: Because I’m Not Popular, I’ll Make A Wish



“I wish that Watamote would get a 2nd season!”



Ahem…moving on.

Nothing like a little friendly brooding to start the day.

In a weird, ironic way, Yuri seems to empathize with Tomoko over mutual apathy. The one constant they share is that they both like to take the path of least resistance in life. While Yuri may be a little off the mark at times, having that unspoken bond is a great point to start from.

So we knew Nemo recognized that Tomoko was a former loner, but Yuri, too? Then again, it’s been hinted at before that Tomoko is kind of an open book and that the people around Tomoko are more perceptive of her than she’d like to believe. So yeah, Yuri knew Tomoko barely had friends before she met her (a fact that likely fuels her codependency tendencies). But like any good friend, Yuri stuck around despite that history.

Still can’t get over her casually calling her Yuri-chan.

For a hardcore introvert like Yuri, doing something for the sake of being social with no practical purpose seems illogical. It makes total sense that traditions like Tanabata aren’t really her cup of tea. Just how much Yuri is aware of that is still kind of fuzzy, but no less endearing,

Reiterating a joke I made in the previous chapter, but Tomoko really ought to take a crash course in psychological projection.

Taking a stab at Yuri’s desires, now…I’d say it would be to have someone who really understands her. Or for Minami to lose her fang. Either or.

Wow, I wouldn’t have figured that Ucchi was the type to write in all caps.

I always wondered if the sugar-sweet and dragged-out way that moe anime girls yell “Senpaaai!” was actually grating by real-life Japanese standards. Looks like I was right.

Now those school fan clubs for the ridiculously attractive girl/guy that you sometimes see in manga are starting to feel pretty legit right now.

“Pfft, basic bitches,” thought Tomoko.

Smooth like butter.

You know, I think that Tomoko being unable to come up with something is a solid indication that she’s relatively satisfied with her life right now. Sure, she has career goals and whatnot, but she no longer feels troubled by material desires or short-term gratification. Like Yuri, it may be that Tomoko has more intangible, emotional desires that aren’t easy to put into words. But also like Yuri, Tomoko may have recently already gained that.

Occasionally–just occasionally–a few earnestly pure-of-heart moments from a cute manga girl is all you really need.

…Especially when it’s immediately offset by Tomoko being Tomoko.

Ohhhh, boy. That last comment by Tomoko is opening up all sorts of questions regarding her sexuality. I’ve mentioned before that Tomoko may be dealing with some sort of gender dysphoria and I think that’s becoming more apparent than ever. For one, her totally normal-not-at-all-creepy desire to NTR her kouhai assumes that only a guy could do that to Hirasawa. It also implies that Tomoko would only acknowledge liking girls if she identified as male. Not once did Tomoko consider that she, as a female, could NTR another female. All in all, there’s a bit of internalized homophobia, repressed sexuality, etc. at play here, and it’s going to take a bit of soul-searching for Tomoko to sort it all out.

Once every thousand years, we get some actual chibi art out of this series.

Bless you, Nico Tanigawa.

The best part of this Hirasawa-vision is that Tomoko is drawn exactly the same, just with lighter tones. Hirasawa’s not blind, just optimistic, which makes her heroine-worship so much more earnest.

Normally, super innocent girls like Hirasawa who get overly excited on trivial things tend to rub me the wrong way, mostly because I have a hard time thinking young girls are that simple-minded. But there’s something about Hirasawa that feels genuine. It may be because her excitement feels like its deriving from a sense of loneliness. Like an overreaction from latching onto any lure of female friendship.

It’s also just cute.

Tomoko…I’m pretty sure that’s your confirmation bias talking right there.

We don’t even need to see anything above the waist, but you can tell exactly who this is based on context alone…

I was wondering how Ucchi actually manages to do that Darth Vader thing with her mouth…

…then I remembered how her face looks and it makes perfectly no sense.

Guys, I…I think Ucchi finally broke.

Actually, Miyazaki, it may not be phrased as a wish, but it definitely is a wish…

I really enjoy the little bits of characterization in everyone’s wishes. For Yuri and Tomoko, like the BFFs they are, they have the same, most basic wish since they don’t really have any other burning desires. It’s also short and sweet, and without any fluff, as they would normally be if speaking out loud. And lastly, Yuri doesn’t leave her last name, as if she doesn’t want to attach herself onto her wish that far.

Katou, on the other hand, is all giddy and sweet, using words like “hope” and “together” when effectively making the same wish. She uses “we” without naming anyone, making it an all-inclusive wish. Just what you’d expect from the class mom.

Tomoko’s habit of “lying on reflex” actually makes a great deal of sense. She’s the type who has trouble expressing her vulnerabilities, and lying is a standard defense mechanism, just like Yuri’s noncommital attitude, Nemo’s passive aggression, and whatever Katou most certainly has.

Oh, Yuri, you precious bean. I know jokes aren’t your forte, but your emotional responses–or lack thereof–makes for a great punchline.

Did ya’ll notice how Tomoko’s second wish is exactly what Imae wished for last year? Tomoko may not always make the best decisions when comes to carrying the torch of The Great Megumi Imae, but you can’t deny that she’s making a concerted effort.

Guess Tomoko isn’t the only one with enough nerve to turn a Tanabata wish into a dirty joke…

Damn, we all knew that Fuuka was getting an unhealthy fixation over Katou and Tomoko’s “secret” relationship, but never to the point where it was affecting her studies, and by extension, her after-high school prospects. It hints that the series may be taking this misunderstanding into a direction that’s not entirely played for gags. It’s a risky move because such a development could easily come across as contrived if taken seriously, but if they keep it character-driven a la Ucchi, it could make for some really engaging moments.

C’mon, Fuuka. How did you think people were going to take that?

Of all of the people who’ve been “corrupted” by Tomoko, Fuuka may be taking the most damage out of all of them. Poor thing.

Let’s see here…

Sometimes I worry about Itou’s sense of self when she always identifies herself by her relationships with others.

Yo, Komiyama doesn’t even bother mentioning the Lottes by name because “Who else of any importance could it possibly be?”. Never lose faith, Komi.

Sweet, naïve Mike. She (and her boyfriend who’s somehow still kicking) is set up to be this series’ greatest tragedy.

This is Tomoko Kuroki, everyone. The girl who can’t see the raging emoji-faced horndog right in front of her, but will misconstrue a single misunderstanding as a pervert. Selective perception, ain’t it?

Well, it is a great opportunity to anonymously judge people’s inner desires, so Tomoko’s probably right.

Here we go again…

Nice to see that Nemo has practical, but optimistic expectations for her goal. She knows that she’s in her prime and is ready to hit the ground running.

The thing about Yoshida’s wish is that it implies that she knows she’ll be faced with resistance. Still, I gotta respect her individuality.

Okada’s wish feels like a cry for help if you look at it another way. That’s probably not the case, though. Probably.

That’s the beauty of it all, Tomoko. In the end, you really didn’t do anything. At least, not directly. What you did was make yourself into an example for Nemo to follow. One of Tomoko’s greatest attributes is that she’s unapologetically herself, which is how she eventually got noticed–and in Nemo’s case, admired–in the first place.

Quakey legs + short people problems = cute Tomoko.

Aw man, what I wouldn’t give for this to be a running gag. That in all those chapters where Tomoko was all alone, there was actually somebody she knows now that was in the scene, too. It (sort of) first happened with the dick-pics-in-class chapter and the three-legged race guy, after all. Poor Tomoko has all this baggage that can be used against her now.

For those with shitty memory like me…

“I want to lose my virginity in a year so I don’t lose track of my bigger goals.”



Of course, she’d forget about the part that actually mattered.

Well, you know, Tomoko, they do say that every joke/lie has a kernel of truth.

I noticed that a lot of (comedy) manga seems to like elevating the value of losing(or saving) one’s virginity to absurd levels, at least in the inexperienced minds of its teenaged male characters. Tomoko herself has perpetuated this notion in the past. But even so, the “in-universe” outside of Tomoko’s mind never really aggrandizes sex, and I find that it to be a very refreshing change that shows how, in reality, as Nemo suggests, losing your virginity isn’t really that big of a damn deal.

Good ol’ Tomoko logic at its finest.

Nemo looks…surprisingly serious about that. Normally that kind of talk would catch her off guard a little, but she had no hesitation with that retort. I think that’s solid evidence that Nemo has done more research into the nature of the voice acting industry, especially after Tomoko unintentionally trolled her with that eroge.

This could lead to even more intellectual (if not openly sexual) conversations between Tomoko and Nemo that go beyond their usual bantering. That’d be pretty lit.

Well, if Tomoko is a direct reflection of the author, then she probably thinks light novels are mostly for loser otaku trying to live their perverted fantasies through self-insert literature (at least, what I gathered from Write Sisters).

Well, I’m be damned if that isn’t blatant foreshadowing for where Tomoko’s future is headed.

Even though I saw it coming a mile away, it still gives me the warm fuzzies.

As fantastic as it would be for Tomoko to be an accomplished light novelist with Nemo voicing a character in her anime adaptation, I feel like that level of success would be a little out of reach for this series’ approach to realism.

If I were to look into the future, I’d say that Tomoko would write a light novel that’d be successful just enough to be greenlit for an ultimately mediocre anime adaptation. And Nemo, being a rookie, would either be not cast at all, or be given a bit part for a background character.

Of course, that’s all speculation. As Nemo says, the freedom to dream is the one thing we can count on. And if there’s one thing the mangaka has learned from doing this series, it’s that being realistic doesn’t mean you can’t have a happy ending.

I guess being considerate/decent to complete strangers is still locked out of Tomoko’s comfort zone.

I think we found a member of Rena’s family.

Man, the more we get these tidbits of Imae’s legacy affecting the school (and Tomoko), the more nostalgic I get for her. I sincerely hope we get to see her at least one last time before the series is over.

And in tried-and-true Watamote fashion, we get a little bit of Tomoko’s wisdom to end off another thought-provoking chapter.

In retrospect, there wasn’t a whole lot of “action” in this chapter that could be built upon later. It was mostly a series of gags sprinkled with some nice conversation (at least until Nemo’s part). One of the core themes that Nico Tanigawa seems to be playing with is, “Now that Tomoko has come this far, where does she go from here?” And the answer is…

They don’t know.

Legitimately, I don’t think the mangakas know exactly what Tomoko’s endgame will be. Sure, they have some strong ideas in terms of school and career, but nothing definitive. As s result, I think playing with the gags and jokes a bit more is their way of “stirring the pot” and seeing what comes out. All of Watamote’s greatest developments did originate from comedy, after all. The first Tanabata chapter is a prime example of this, and I have no reason to think that the stars of the second Tanabata chapter won’t shine over Tomoko once again.