Latest Issue

Fall 2015

This issue focuses on the way we see images and how our brains react to these images, affecting how we understand the moving image. It raises questions about our cutting process, explores mapping the viewers eyes, and examines how an editor plays a pivotal role in shaping the viewers experience.



In this issue, we interview Alan Edward Bell about his work on The Hunger Games. Have Jonny Elwyn help us navigate the process of getting an agent, and talk to a researcher who is currently examining how the viewers eyes explore the frame. All that and more! Download it now!











Recent Issues

Summer 2015

This issue focuses on charting new territories, searching for new ideas that help redefine our artistic technique, and explores the boundaries of what is possible in the cutting room.



In this issue Bobbie O'Steen discusses the relationship of the editor and the director. Gordon interviews Arthur Schmidt about his work on Back to the Future, Who Framed Roger Rabbit, and Forrest Gump. We also delve into issues of gender and artistic copyright in post-production. Furthermore, we explore the theories of Marshall Mcluhan and their relationship with the editing process, raising the question "How does the way we consume media change and influence us in the editing room?"Download it now!



Associations that supplied articles for this issue include: Canadian Cinema Editors, The Guild of British Film and Television Editors, and Sociedad Argentina de Editores Audiovisuales.







