SHORT FILM DEFINITION What is a short film? A short film is a movies that isn't long enough to be a feature length film. While there is no official consensus on this, it generally means that your short film has a total running time of 45-min or less, including the credits. This varies

How long is a short film? Short films can be anywhere between 15 seconds to 45 minutes in length, generally.

If you're submitting your short film to festivals, this can vary as well. The Sundance Film Festival considers 50 minutes as a short film, while the Academy Awards consider 40 minutes a short film.

HOW TO WRITE A SHORT FILM 1. Keep it simple If there is one universal rule for writing short films, it's this. Remember to K.I.S.S. — Keep it simple, students. Many screenwriters complicate stories that can be told quite simply. This is not to say you shouldn’t challenge yourself. Push the limits, go for what you love, write what feels right. But making a mountain from a molehill is never a positive. Don’t try to cram too many twists and turns when brainstorming your short film. Multiple storylines, time periods, or points of view can certainly be pulled off — but they should all raise a great big red flag. Complexity requires a compelling reason in a short film. The more complicated you make your story, the more danger you’ll encounter in connecting to an audience. That’s because you’re straying from this simple rule: K.I.S.S. Here’s a great example of a short film, The Privilege Game, that keeps it simple and hits hard in every way.

The Privilege Game is a succinct and almost perfect short film.

Iceberg Storytelling - Simple Technique For Interesting Storytelling There is a concept known as Iceberg Storytelling. This is used as a metaphor for telling a very bare and stripped down story that gives the viewer just enough information to build strong emotions, and allow them to fill in the blanks with their own imaginations. There is a cool article on iceberg storytelling written by filmmaker Rob Hardy, where he explains the concept through Ernest Hemingway's short story For Sale: Baby Shoes, Never Worn.

How to write a short film 2. Pick a unique concept You want to get noticed. You want to make something good. So it makes perfect sense that you’ll look around to see what’s generating heat right now. That’s all fine and good. But jumping on the bandwagon is a surefire way to set yourself up for frustration. Copying the latest trends in features or the festival circuit is the number one way to get your script, and your film, lost in the shuffle. What’s the solution? You need to find a unique concept. Even if you really do love the what’s in vogue right now, you still need to come up with an out-of-the-box, personal take on your material. Writing short films requires new and innovative ideas. The short film One-Minute Time Machine exemplifies the kind of short film ideas you might want to come up with: A unique concept. One location. Two actors.

One-Minute Time Machine (2014)

Writing short films 3. Find a clever twist Choosing a unique concept doesn’t mean you have to start from scratch. Whether you’re writing drama short films, comedy, sci-fi, horror, or something else — telling a familiar story in a fresh way can get you noticed. Most of the best short films use tried-and-true tales as their foundation. This happens often in features as well. Think Shrek and Maleficent. Fairy tales with a twist. A fresh point of view. Draw from folklore, current events, or history. Take these stories in bold new directions and you might get a winner at short film festivals. You might even wind up at the Oscars. The Door tells the story of the 1986 Chernobyl nuclear accident through the eyes of one man. It’s a compelling angle on a well-known event.

The Academy Awards nominated "The Door" for the best short film category in 2008

The Door follows all three rules we've covered so far: it keeps the story simple, involves a unique concept, and approaches the material with a creative twist.​ Take a look at the first page of the screenplay for The Door and see if you can spot all three of these forces at play. Click below to read the full scene:

How to write a short film that gets you noticed

One man, one mission: it's simple. The setting, and especially the particulars of the man's mission — prying off a door — are unique, specific. And the familiar scene of a cozy family apartment juxtaposed against otherworldly and mysterious surroundings, with a guard shouting off screen, cleverly twists our expectations. It engages the audience. Are we in a post-apocalyptic alternate reality? Is this our world, and if so, when is it? We want to keep watching to find out what Nikolai does, and discover what world we're in.

Writing short films 4. Pick a genre and go for it When writing a short film that’ll get into short film festivals and get you noticed, it’s vital to pick one genre and stick to it. Remember, writing short films requires you to keep it simple. Going with one genre gives you a pre-set guide to storytelling simplicity. The Hollywood graveyard is filled with features and short movies that blend genres. These films leave audiences stranded in a “What the heck am I supposed to be watching?” gray area. Horror? Comedy? Romance? Western? Drama? Especially when writing a short film, you’ll want to be able to point to your genre and say with confidence, “That’s what this is!” Mixing and subverting genres — yes, by all means, yes. Just not if you’re writing short films with the goal of getting Hollywood’s attention. Take all your ideas, personality, passion, and channel them into a single genre. And grab your genre by the horns. Writing short films means picking a genre and sticking to it. Even the world’s best filmmakers run into trouble when they fail to stick to one genre. The Coen brothers are objectively, subjectively, collectively brilliant. But Hail, Caesar! tanked in every way. What genre is it? Comedy? Thriller? Gladiator movie? Drama? Political satire? 1950s period piece? The answer is, “Well, yeah, I guess, sort of,” to all of those questions.

Writing short films: pick your genre and chomp at it!

So what we’re saying is: Pick one and only one genre. Whether it’s romance, horror, comedy, or drama, the choice is yours. Then go ahead and write your short film within the confines of your genre. The 2013 short film Lights Out knows its genre, and owns it. This three-minute horror film led directly to a feature film for writer and director David F. Sandberg.

​​​​​Lights Out, it’s horror.

How to write short films 5. Keep your short...short As mentioned above, a short film is any film less than 40-45 minutes long. If you want to get noticed, your short film needs to come in under 10 minutes. Ideally in within 5-10 minute range. The shorter the better. As our short screenplay example, the entire script for The Door comes in at a tight five pages. Read the whole script in a matter of minutes, and get a lesson in pithy, emotional storytelling, right here:

Keep it short when writing short films

If you’re writing short films that go longer than 30 pages in length, then you might be better served turning that material into something else. A feature. A ​TV pilot script. We’ll explore this in the next few sections. You have to show the world that you can create emotion, make a connection, and tell a story in a just a few minutes. Be your own filmmaking SWAT team: get in, get out. Quick strike. Also, short film festivals prefer to program as many shorts as possible. A five-minute short film chews up less screen time than a 40-minute “short.” You’re more likely to get into festivals if you make short movies that are actually short. In The Elevator, a character goes on a complete journey in three-and-a-half minutes.

The Elevator (2010)

Writing short films 6. Don't try to write a feature Writing a short film can lead to making a feature. Absolutely. But only if your short film is a short film. A complete story that stands on its own. Not the opening three minutes of your dream feature. If your story would truly be the best version of what it can be as a feature-length film, then write a feature screenplay. Or, find inspiration in a particular element, moment, or feeling in your story. From there, grow it into a compelling, fully realized stand-alone short film. Don’t try to sneak a feature into a short. It won’t work. Wes Anderson gave the world a 13-minute black-and-white Bottle Rocket before making the full-length version.

Bottle Rocket was originally a short film

Directors such as Damien Chazelle and Neill Blomkamp have made short films that wound up as features. Chazelle’s little Whiplash grew into big Whiplash. Blomkamp expanded his five-minute Alive in Joburg into District 9. In these cases, the filmmakers devoted time and energy to writing short films that stood on their own. They’re emotional, funny, dramatic, engaging short films independent of the features they spawned. The short movies are real movies. They tell complete stories. They have closure. Anything less and you don’t have a short film. You have a proof of concept.