While in Japan I worked on a number of trees which might make it to future posts.

One such tree was a bunjin style white pine that had been bought by the nursery as part of a larger collection. It had been styled by the previous owner but with far too thin wire so it was up to me to re-wire and find a new style for the tree. Oyakata gave me free rein on the tree and so I set about working.

So I stripped the old wire, pruned some branches and wired what was left. I then started to place branches and reached a stage where i wanted to cut off some branches that would take the tree past a point of no-return. So I called Oyakata from the garden to make sure he was going to be happy with my decisions.

It turns out what I had done was not to his liking and he proceeded to remake the branches and form a more upright tree.

And so that is how the tree stayed. After all it was not my tree and I certainly did the right thing by asking when I did.

That being said, did I like the end product? No, not really but I wasnt really happy with my version either. I can see why Oyakata styled it the way he did.

It is a little more regular and perhaps in that form is more easily sold (which is the name of the nursery game) and being of fairly low quality comparatively with the rest of the nursery Oyakata was probably hoping to get it sold quickly to make room for something more interesting.

Having said all that what was interesting about the exercise was to see a piece of material transformed into three totally different stylings by three different pairs of hands over the course of the day. Each person who styled it, from the previous owner, to me, finally to Oyakata saw something different in the material and I think it is that difference in how each of us treats our trees that keeps this art interesting and keeps me turning up to demonstrations, shows and events.

Perhaps this material much like all others has no one perfect way to be styled but instead many different forms that play to different tastes.