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As urgent and tense as a hunting knife pressed to your quickening jugular, The Kicking Mule presents ten intimate vignettes about self-sabotage, visiting themes like battling mental illness, addiction, alienation and more across ten new tracks. Though primarily known as masters of cacophonous samples and jittery electronic stutter, post-punk duo Street Sects' forthcoming sophomore album represents a seismic shift in execution by applying those ideas to that of the romantic yet experimental approach of Roxy Music/Brian Eno as well as Berlin-era Bowie. Remind yourself of the way "Something I Can Never Have" fits on Pretty Hate Machine– a section of serenity within a blanket of attack.



Vocalist Leo Ashline and multi-instrumentalist Shaun Ringsmuth use pulsating tension, melodic vocals and deliberate space, keeping their assault on the senses measured and intentional. Featuring album art by renowned illustrator Francesco Francavilla and the title inspired by Elton John’s track “Ticking,” Street Sects pairs neo-noir aesthetic with aching lyricism, recalling scenes of fear, loss, crime and desperation



Street Sects formed in 2013 after vocalist Leo Ashline emerged from the fog of a thirteen year battle with addiction and began to collaborate with friend and multi-instrumentalist Shaun Ringsmuth. The duo embraced the ethos and aggression of punk rock, and the experimental attitude and disillusionment of early industrial music to create a sound unique to them alone. Street Sects has earned a reputation for their confrontational, sensory deprived fog-drenched live performances. The Kicking Mule will be released this October 26th via San Francisco-based label The Flenser.

Vinyl comes in a gatefold sleeve.

The first pressing of the LP comes in several editions: Standard black, Grimace Purple (limited to 500 copies), Grimace Purple in Milky Clear Color-in-Color Vinyl (limited to 250 copies) & Grimace Purple with Milky Clear Splatter Vinyl (limited to 250 copies). All copies of both the splatter and color-in-color editions include a limited booklet containing a short story written by Leo Ashline with cover art by Huseyin Ozkan. 100 copies of both the splatter and color-in-color editions also include limited edition silk-screened cover art.