Following this logic, when neighborhoods like Canyon Road begin to accommodate the art world, it comes at a steep price. The art world (and by that I mean the industry that pushes the creation and sale of art on a corporate level) is premised on exclusion. Nothing can say it better than the term "white cube," a title synonymous with the minimally adorned gallery space. Indeed, white cubes keep the din of the greater world at bay and, when they multiply, they give birth to a politics and economy of exclusion, which hinges, in part, upon real estate. Exclusion can come when a person once intimate with an area no longer feels welcome walking down a street lined by high-end galleries; it can also come in the shape that certain types of policies take to enable exclusion in the first place.