When friends stop trusting each other, Darkness is there to fan the flames….

Things have turned black at the House of Night. Zoey Redbird’s soul has shattered. With everything she’s ever stood for falling apart, and a broken heart making her want to stay in the Otherworld forever, Zoey’s fading fast. It’s seeming more and more doubtful that she will be able pull herself back together in time to rejoin her friends and set the world to rights. As the only living person who can reach her, Stark must find a way to get to her. But how? He will have to die to do so, the Vampyre High Council stipulates. And then Zoey will give up for sure. There are only 7 days left…

Enter BFF Stevie Rae. She wants to help Z but she has massive problems of her own. The rogue Red Fledglings are acting up, and this time not even Stevie Rae can protect them from the consequences. Her kinda boyfriend, Dallas, is sweet but too nosy for his own good. The truth is, Stevie Rae’s hiding a secret that might be the key to getting Zoey home but also threatens to explode her whole world.

In the middle of the whole mess is Aphrodite: ex-Fledgling, trust-fund baby, total hag from Hell (and proud of it). She’s always been blessed (if you could call it that) with visions that can reveal the future, but now it seems Nyx has decided to speak through her with the goddess’s own voice, whether she wants it or not. Aphrodite’s loyalty can swing a lot of different ways, but right now Zoey’s fate hangs in the balance.

Three girls… playing with fire… if they don’t watch out, everyone will get Burned.

From a single, abbreviated life grew a seemingly immortal line of cells that made some of the most crucial innovations in modern science possible. And from that same life, and those cells, Rebecca Skloot has fashioned in The Immortal Life of Henrietta Lacks a fascinating and moving story of medicine and family, of how life is sustained in laboratories and in memory. Henrietta Lacks was a mother of five in Baltimore, a poor African American migrant from the tobacco farms of Virginia, who died from a cruelly aggressive cancer at the age of 30 in 1951. A sample of her cancerous tissue, taken without her knowledge or consent, as was the custom then, turned out to provide one of the holy grails of mid-century biology: human cells that could survive–even thrive–in the lab. Known as HeLa cells, their stunning potency gave scientists a building block for countless breakthroughs, beginning with the cure for polio. Meanwhile, Henrietta’s family continued to live in poverty and frequently poor health, and their discovery decades later of her unknowing contribution–and her cells’ strange survival–left them full of pride, anger, and suspicion. For a decade, Skloot doggedly but compassionately gathered the threads of these stories, slowly gaining the trust of the family while helping them learn the truth about Henrietta, and with their aid she tells a rich and haunting story that asks the questions, Who owns our bodies? And who carries our memories?

You don’t have to be a fan of vampire fiction to be enthralled by The Passage, Justin Cronin’s blazing new novel. Cronin is a remarkable storyteller (just ask adoring fans of his award-winning Mary and O’Neil), whose gorgeous writing brings depth and vitality to this ambitious epic about a virus that nearly destroys the world, and a six-year-old girl who holds the key to bringing it back. The Passage takes readers on a journey from the early days of the virus to the aftermath of the destruction, where packs of hungry infected scour the razed, charred cities looking for food, and the survivors eke out a bleak, brutal existence shadowed by fear. Cronin doesn’t shy away from identifying his “virals” as vampires. But, these are not sexy, angsty vampires (you won’t be seeing “Team Babcock” t-shirts any time soon), and they are not old-school, evil Nosferatus, either. These are a creation all Cronin’s own–hairless, insectile, glow-in-the-dark mutations who are inextricably linked to their makers and the one girl who could destroy them all. A huge departure from Cronin’s first two novels, The Passage is a grand mashup of literary and supernatural, a stunning beginning to a trilogy that is sure to dazzle readers of both genres.

Jacob Hunt is a teenage boy with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, and like many kids with AS, Jacob has a special focus on one subject–in his case, forensic analysis. He’s always showing up at crime scenes, thanks to the police scanner he keeps in his room, and telling the cops what they need to do…and he’s usually right. But then his town is rocked by a terrible murder and, for a change, the police come to Jacob with questions. All of the hallmark behaviors of Asperger’s–not looking someone in the eye, stimulatory tics and twitches, flat affect–can look a lot like guilt to law enforcement personnel. Suddenly, Jacob and his family, who only want to fit in, feel the spotlight shining directly on them. For his mother, Emma, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, Theo, it’s another indication of why nothing is normal because of Jacob. And over this small family the soul-searing question looms: Did Jacob commit murder?

Emotionally powerful from beginning to end, House Rules looks at what it means to be different in our society, how autism affects a family, and how our legal system works well for people who communicate a certain way–and fails those who don’t.