In the 1980s, a phenomenon now known as the “ninja craze” was born, thanks equally to 1980’s The Octagon and 1981’s Enter the Ninja.

At the time, this “ninja craze” made perfect sense. After all, ninjas seemed more menacing than Bruce Lee; their stealthy uniforms were stylish and slick when compared to a Karate Gi; they had an array of innovative weapons that were far more interesting than anything seen in the average kung fu film; and they made Chuck Norris appear non-threatening and out-of-style. To put it simply, the word “ninja” became a hip, household name.

Additionally, the ninjas became so popular that they graced the cover of just about every martial arts magazine ever made (at one point, a magazine simply called “Ninja” was published). Of course, all these magazines would run a full page, full color advertisement that looked like this.

Simultaneously, Revenge of the Ninja, Ninja III: The Domination, 9 Deaths of the Ninja, Pray for Death and American Ninja took in high profits and made Sho Kosugi and Michael Dudikoff cult action stars.

But then you had those other ninja movies…

The straight-to-video ones with the shiny, glittery VHS covers that dominated the “Martial Arts” section of video rental stores (the “Bruceploitaton” of ninja films, if you will). They usually starred Caucasian actors – including B-movie legend, Richard Harrison and Stuart Onslow-Smith (both pictured here) – in colorful ninja uniforms. The guys even wore tacky headbands that literally had the word “ninja” printed on them.

The illustrated box art on these ninja movies promised you big explosions, helicopter fights and cool looking motorcycles with rocket launchers; but when you finally pressed play, all that appeared on the screen were sloppy, low budget, cut-and-paste (and spliced) movies that were so ridiculous, you couldn’t help but watch. To fans of the martial arts genre, this string of ninja movies became known as the “Godrey Ho Ninja flicks” – or technically speaking – a production by Joseph Lai’s IFD Films, a company responsible for releasing hundreds of low budget Chinese films. When these films were imported to America, by way of Trans World Entertainment, a brief intro by Sho Kosugi was filmed to give these films some ninja-credibility.

If you’re familiar with IFD Films/”Godrey Ho Ninja flicks”, then you’ll enjoy the mini-documentary below, which features a rare, insightful interview with actor Stuart Onslow-Smith (Ninja Destroyer), who after Richard Harrison, is one of the most iconic figures seen in this odd chapter of the ninja film genre. Enjoy!