X Steve B. recently purchased ComposerCloud X play play stop mute max volume repeat full screen Update Required To play the media you will need to either update your browser to a recent version or update your To play the media you will need to either update your browser to a recent version or update your Flash plugin SPACES II BUY NOW Best Plug-in Software — Sound on Sound Award nominee At its $299.00 MSRP, EastWest Spaces II is a steal compared to its competitors. Its cost is a small price to pay for what may become your favorite reverb. For those who already subscribe to EastWest’s ComposerCloud (also the best deal for virtual instruments on the market), the product is already waiting for you to discover. (Full Article) — CDN SPACES II reverbs sounded, on the whole, incredible: smooth, wide, deep, complex and highly nuanced. My two thumbs are up. Way up! (Full Article) — MIX SPACES II is an extraordinarily comprehensive collection of reverbs, which will have something for everyone. — MusicTech EastWest’s SPACES I has been my go to reverb for many years but SPACES II Is a must for everyone, it’s the most comprehensive and best sounding convolution reverb on the market by far. — Mark "Spike" Stent

(2018 Mix Engineer of the Year) I can honestly say that this has now become my favorite go-to reverb for orchestral music and cinematic music. It has such a rich, deep and open sound that can make any instrument lush and beautiful. — ProfessionalComposers.com To my ears SPACES II is one of the best sounding convolution reverbs I have heard and used and if you like the idea of putting your productions be it music or post in some very authentic sounding acoustic environments, you should check out EastWest SPACES II, you will be very glad you did. (Full Article) — ProToolsExperts The quality of the impulses themselves are so exceptional and the way the plugin has been fashioned for creative workflow makes it a music producer’s dream. (Full Article) — Audio Producer News SPACES II is a great candidate for being your one and only convolution reverb, offering up plenty of high quality instrument-dependent presets along with all the essential groups of convolution spaces. — SoundBytes Magazine

Free 10 Day Trial Now Available (Click Here)! The Sequel to the Ultimate 24-bit True Stereo Convolution Reverb. SPACES II from EASTWEST is the highly-anticipated sequel to SPACES I, the top-selling convolution reverb engine endorsed by top industry professionals which set a new standard in impulse recording techniques. Produced by Doug Rogers and Nick Phoenix, SPACES II includes hundreds more new reverbs recorded in churches, concert halls, opera houses, catacombs, train stations, recording studios, and warehouses. It includes a new streamlined user interface, new control features, a vastly expanded collection of instrument specific reverbs, plus all of the reverbs from SPACES I, making SPACES II the most powerful and versatile convolution reverb on the market. Instrument Specific Reverbs A unique feature of SPACES II is the instrument specific reverbs that have been designed to take the guesswork out of instrument reverb selection. Only the SoCal hall was recorded using this method in SPACES I and it was so popular six locations with instrument specific reverbs are now included in SPACES II. How was this done? An ATC speaker array was created to emulate the sound projection patterns of each instrument or section. For orchestral halls, a recording was taken in the exact position an instrument would be on stage. A French horn fires its sound backwards against the back wall, therefore, an impulse for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. 1st violin section recordings were taken by firing a series of speakers at an angle toward the ceiling, just like a real section, with a fifth speaker firing towards the floor to emulate the body of the violins. A choir shoots straight out from the back, a celeste or harp is usually way over to the side and a lot of that sound goes up giving you early reflections. Most soundtrack composers that use SPACES I consider the instrument specific reverbs from the SoCal Hall to be ground breaking. Set up a mixing template with unique reverb for the strings, brass, winds, percussion and choir and something magical happens. In SPACES II five more locations were added using this technique for a total of six. There are 324 instrument specific reverbs in SPACES II compared to 48 in SPACES I for a total of 372. It took a massive effort, but the results speak for themselves. Brand New Spaces From stunning concert venues like Abravanel Hall in Salt Lake City, Reynolds Hall in Las Vegas, and the War Memorial Opera House in San Francisco, to exquisite sounding churches like St. Patrick’s and St. Dominic’s, to unique and extraordinary sounding locations like catacombs and Union Station in Los Angeles and many more, the reverbs from these brand new spaces will inspire you and help bring your compositions to life with incredible realism. These are some of the best locations EastWest has recorded in and they will all perfectly compliment the locations from SPACES I. New Streamlined User Interface + New Control Features SPACES II features a streamlined, completely re-vamped user interface. Now the user can actually see visuals of each space - including those from SPACES I! In additional, new Next / Previous arrows allow the user to easily navigate the 1,020 reverbs from this massive collection. The biggest new feature is a brand-new Decay Time panel. Now you’ll have absolute control of the decay time of each and every space, allowing for the ultimate in customization. Same Revolutionary Recording Techniques The same revolutionary impulse recording techniques that made SPACES I so popular have been replicated in this new collection. The best gear from Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, and TG were used in each recording. ATC Monitors were used in each space to emulate the real-world sound projection properties of various instruments. SPACES II includes a very hi-resolution, True Stereo engine that focuses on delivering the very best sound at a very low CPU load. Most impulses are in 8 channel format, so surround mixes can be created. Upgrade for SPACES I users An upgrade is available for SPACES I users. (Note: due to the vast number of changes, SPACES II will not recall SPACES I presets saved in your old projects. If you upgrade you will have a choice of loading old projects with the SPACES I interface or reset them using SPACES II.) FEATURES Produced by Doug Rogers and Nick Phoenix

1,020 reverbs recorded in locations worldwide

Includes 372 Instrument specific reverbs recorded in 6 locations

Highest resolution, most useful reverbs available

24-bit True Stereo, with surround capability

New convolution engine

Brand new user interface with visuals representing each space

Brand new Decay Time control feature

New Next / Previous buttons for fast navigation

ATC, Neumann, Telefunken, Neve, Meitner Signal Path

Film Score, Rock, Pop, Jazz, Classical, Esoteric and Dreamy Reverbs

Low CPU usage, with cleanest signal path possible Facebook Twitter Videos

Manual Spaces II Manual

Manual PLAY 6 Manual

PLAY 6 Quick Guide Technical Information Generally, all info related to the reverb selected is displayed in the interface window of SPACES II. The following is useful information - M-S: means mono in and stereo out. So normal stereo reverb, where the input is summed to mono before being processed.

S-S: means stereo in and stereo out. So true stereo. Each channel L and R is processed with its own unique stereo impulse. Typically an impulse is taken with the source on the left side of the stage and the right side of the stage. Each impulse is stereo. When they are put together you get a true stereo 4 channel snapshot of the space. We encourage users to use the true stereo versions of the impulses. The true stereo switch on the interface is an indicator, not a switch. It indicates what you have loaded. FR: means front mics.

RR: means rear mics. These can be used to create a surround mix, or to pick a reverb that you like. Generally the rear is longer and darker.

FILTER: This allows users to limit the frequencies sent to the reverb, you can high-pass, low-pass, or both. When selected, a frequency response graphic will appear in the center window.

DECAY TIME: This allows users to shorten the reverb time of the loaded preset.

MONO: turn on to mono the reverb. Locations A Simply Massive Collection from Around the World Churches Abandoned Abbey

Angels Cathedral (True Stereo)

Berlin Church (True Stereo)

Grace Church (True Stereo)

Hamburg Cathedral (True Stereo)

LA Cathedral

LA Church

NY Church

Sacred Heart (True Stereo)

Santa Barbara Temple

St. Dominic (True Stereo)

St. Patricks (True Stereo) Concert Halls Abravanel Hall (True Stereo)

Ace Hall

Davies Hall (True Stereo)

Dortmund Concert Hall (True Stereo)

LA Guitar Venue

LA Piano Hall

Northwest Orchestral Hall

NY Piano Hall

NY String Hall

Pasadena Taiko Hall

Reynolds Hall (True Stereo)

San Francisco Hall

So. Cal. Orchestral Hall Courtyard Malibu Stone Courtyard Caves Carlsbad Caverns Digital Classic Digital

Digital Hollywood Hall

Gated Room Reverb

Planetary Manifestations

Vocal Digital Forests Hamburg Forest

Hamburg Lake Forest Opera House War Memorial Opera House (True Stereo) Parking Garages SM Parking Garage

WLA Parking Garage Plates Classic Rock Plate

EW Vintage Plates Rock Rooms LA Big Drum Rooms

LA Small Drum Rooms

LA Studio Drum Rooms Solo Vocal Solo Vocal Stages LA Scoring Stages Studios EastWest Studios Swimming Hall Berlin Swimming Hall (True Stereo) Tanks SM Concrete Tank

SM Water Tank The Catacombs The Catacombs Train Stations Long Tunnel

Union Station Warehouses 544 Mateo (True Stereo)

ACME Storage

Compton Warehouse

WLA Loading Dock System Requirements Below are the minimum and recommended hardware requirements for using SPACES II on your computer. Please see the Play User 6 Manual for a complete list of the Hardware and Software Requirements for installing and running any Play Library. 1.7GB free hard disc space. MAC MINIMUM REQUIREMENTS Intel Core 2 Duo Processor 2.7GHz or higher

8GB RAM

Mac OSX 10.7 or later

7200 RPM or faster (non energy saving) hard drive for sample streaming PC MINIMUM REQUIREMENTS Intel Core 2 Duo, or AMD Dual Core 2.7GHz or higher

8GB RAM

Windows 7 or later

Sound card with ASIO drivers

7200 RPM or faster (non energy saving) hard drive for sample streaming MAC RECOMMENDED SYSTEM Mac Pro Late 2013 edition (current model with round enclosure) or above

16GB RAM or more

Mac OSX 10.7 or later

SSD (Solid State Drive) for sample streaming PC RECOMMENDED SYSTEM Intel Xeon E5 (or equivalent) running at a minimum of 2.7 GHz (or above)

16GB RAM or more

64-bit Windows/Host Sequencer

Sound card with ASIO drivers

SSD (Solid State Drive) for sample streaming Please Note! The 32-bit stand-alone and plug-in components are no longer installed because PLAY 5 and later does not support 32-bit Operating Systems or DAWs. EASTWEST PLAY Host/Sequencer Compatibility Matrix Tested DAW Mac OS 10.9 - 10.12.3 WIN XP

(32-bit) WIN XP

(64-bit) WIN 10, 8, 7,

Vista (32-bit) WIN 10, 8, 7,

Vista (64-bit) Required Version Standalone YES YES YES YES YES Ableton Live YES YES YES YES 1 6.07 or higher Cubase/Nuendo YES 2 YES YES 3 YES YES 3 6 or higher FL Studio YES YES YES YES 7 or higher GarageBand YES 3 or higher Logic YES 4 7.2 or higher Digital Performer YES 4 YES YES 6.02 or higher Pro Tools 5 YES YES YES 7.4 to 10 Pro Tools 11 or higher 5 YES YES YES 6 11 or higher Sibelius YES 7 YES YES 6 or higher 8 Sonar YES YES YES YES 6.2 or higher VE Pro YES YES YES YES YES 4.0.54 or higher Studio One YES YES YES YES YES 2 or higher Reaper YES YES YES YES YES 3 or higher 1: Play 5 (and above) is compatible with all 64-bit hosts that use VST, AU, or AAX plugins. Use Play 4 for 32-bit hosts. 2: Mac OS 10.7 or newer is required. 3: Cubase/Nuendo 4.1 or later are required as 64-bit hosts. 4: WordBuilder is not supported in Logic 7 or lower, and DAE (RTAS in Digital Performer and Logic) is not supported at this time. 5: Ethernet control surfaces are not officially supported (ex: C24). 6: Windows 7 or 8 Home Premium Supported. Pro Tools HD 11 does not support Windows 8. 7: Sibelius 6.0.3 or higher is required to run in Mac OS 7. 8: Sibelius 6.2 is required to run in Mac OS 10.9 (Mavericks). November Super Sale - Save 60% Get a FREE PLAY 6 License with any Purchase $399 $299 Spaces II Spaces II Full Version Full Version

Upgrade

Additional License

Trial Download (1.7 GB) Download (1.7GB) ADD TO CART REGISTER OR Subscribe and get Spaces II and over 40,000 instruments

for a low monthly price with COMPOSERCLOUD starting at $ 24.99/ mo JOIN NOW AND SAVE Features: Produced by Doug Rogers and Nick Phoenix

1,020 reverbs recorded in locations worldwide

Includes 372 Instrument specific reverbs recorded in 6 locations

Highest resolution, most useful reverbs available

24-bit True Stereo, with surround capability

New convolution engine

Brand new user interface with visuals representing each space

Brand new Decay Time control feature

New Next / Previous buttons for fast navigation

ATC, Neumann, Telefunken, Neve, Meitner Signal Path

Film Score, Rock, Pop, Jazz, Classical, Esoteric and Dreamy Reverbs

Low CPU usage, with cleanest signal path possible