Horror Channel FrightFest has unveiled the line-up for its upcoming 17th edition, taking place at its new home of the Vue Shepherd’s Bush from Aug 25-29.

Sean Brosnan’s revenge thriller My Father Die [pictured] receives its European premiere as the opening film, while the UK premiere of Sang-ho Yeon’s Cannes title Train To Busan closes this year’s festival.

In total, the 62-strong feature line-up includes 19 world premieres and 35 UK & European premieres. Ivan Silvestrini’s Monolith, Tricia Lee’s creepy chiller Blood Hunters and Nick Jongerius’ gory The Windmill Massacre are among the world premieres.

Meanwhile, Adam Wingard’s eagerly anticipated The Woods will receive its European premiere in the Main Screen strand, playing alongside the likes of Stephen King adaptation Cell, Italian box office hit They Call Me Jeeg Robot and Cody Calahan’s Let Her Out.

Other Main Screen titles include Rob Zombie’s 31, Darren Lynn Bousman’s Abbatoir, Jackson Stewart’s Beyond The Gates, Simon Rumley’s Johnny Frank Garrett’s Last Word and Craig Anderson’s Red Christmas.

Festival changes

Talking to ScreenDaily, FrightFest co-director Alan Jones explained that despite the relocation, they’ve been conscious not to change too much about the festival’s structure.

“We’ve had to bear in mind that we can’t have too many changes at one particular time,” he noted. “Our audience wants their seat throughout the festival, but they also want the freedom to go into the Discovery Screens as well.”

It means that the previous structure of the Main Screen strand playing across three screens for passholders will be the same, just with the possible addition of a fourth screen showing the same programme for single ticket holders.

One big change allowed by the relocation has been the opportunity to put on repeat screenings. “Last year, people were disappointed that they couldn’t get to see as much as they wanted. This year, we have the time and space that if some films do sell out, we will put on extra screenings of them,” Jones outlined.

He added that the line-up for this year’s edition includes a lot of “under-the-radar” genre efforts and if there’s a trend to be found, it’s in the diverse subject matter of the features selected.

“We have so many different things. OK, we’ve got the usual quota of zombie films, but the range of subjects this time is just quite amazing,” Jones teased. “There are a couple of British movies that are just so good, they are going to blow people away.”

British titles

This year’s edition will showcase 12 world premieres of British genre films, five of which make up the festival’s ‘First Blood’ strand focused on the debut features of home-based directors.

Titles include Shaun Robert Smith’s Broken, Wyndham Price’s dark fantasy Crow, Kate Shenton’s Egomaniac, Ben Parker’s The Chamber, Lawrie Brewster’s PTSD-inspired The Unkindness Of Ravens, Stewart Spark’s The Creature Below and Andy Edwards’ Ibiza Undead.

FrightFest will also be presenting seven films from South America, featuring the likes of Daniel de la Vega’s White Coffin, Patricio Valladares’ Downhill, Isaac Ezban’s 60s sci-fi homage The Similars and Emiliano Rocha Minter’s Cannes title We Are The Flesh.

Anna Biller’s The Love Witch, Tim Reis’ Bad Blood: The Movie, Steven DeGennaro’s Found Footage 3D, Ali Abbasi’s Berlin hit Shelley and Shelden Renan’s controversial documentary The Killing Of America are among the films in the Discovery Screen strand.

Special events, retrospective screenings, guests and the Short Film Showcase titles for this year’s FrightFest will be announced in the coming weeks. Festival and day passes go on sale tomorrow [July 2] at noon and will only be available to buy online.

Screen International is the official media partner of this year’s Horror Channel FrightFest, offering digital dailies during the festival, chairing a panel about the future of British horror and hosting the Director’s Lunch.

Full line-up

WP - world premiere; EP - European premiere; UK - UK premiere

Main Screen

My Father Die , Sean Brosnan (EP)

, Sean Brosnan (EP) Cell , Tod Williams (UK)

, Tod Williams (UK) Let Her Out , Cody Calahan (EP)

, Cody Calahan (EP) From A House On Willow Street , Alastair Orr (WP)

, Alastair Orr (WP) The Chamber , Ben Parker (WP)

, Ben Parker (WP) Mercy , Chris Sparling (EP)

, Chris Sparling (EP) They Call Me Jeeg Robot , Gabriele Mainetti

, Gabriele Mainetti Pet , Carles Torrens (UK)

, Carles Torrens (UK) White Coffin , Daniel de la Vega (UK)

, Daniel de la Vega (UK) The Rezort , Steve Barker

, Steve Barker Abattoir , Darren Lynn Bousman (EP)

, Darren Lynn Bousman (EP) The Master Cleanse , Bobby Miller (EP)

, Bobby Miller (EP) The Woods , Adam Wingard (EP)

, Adam Wingard (EP) Beyond The Gates , Jackson Stewart (EP)

, Jackson Stewart (EP) Blood Feast , Marcel Walz (WP)

, Marcel Walz (WP) Downhill , Patricio Valladares (UK)

, Patricio Valladares (UK) Johnny Frank Garrett’s Last Word , Simon Rumley (WP)

, Simon Rumley (WP) Broken , Shaun Robert Smith (WP)

, Shaun Robert Smith (WP) Realive , Mateo Gil (EP)

, Mateo Gil (EP) 31 , Rob Zombie (UK)

, Rob Zombie (UK) The Windmill Massacre , Nick Jongerius (WP)

, Nick Jongerius (WP) Monolith , Ivan Silvestrini (WP)

, Ivan Silvestrini (WP) Director’s Cut , Adam Rifkin (EP)

, Adam Rifkin (EP) Red Christmas , Craig Anderson (EP)

, Craig Anderson (EP) Train To Busan, Yeon Sang-ho (UK)

Discovery Screen