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For Luke, you were very young when you started coming up with some of the ground breaking material, that many still perform including me, found in Seven Deceptions. What do you feel someone with the gift/curse of young age, who truly aspires to create unique show experiences should do to be noticed in such a huge market?What question do you feel everyone asks, what question do you feel no one asks and what question do you still wish someone would ask you? All obviously apply to the mystery arts, but please if there is anything outside the arts then I'd love to hear that too.For Derren, what are the quintessential techniques that you feel an aspiring hypnotist should know? How important do you think it is that aspiring mentalists and magicians learn the techniques you outlined in the last question as well as apply them directly to their work?I've lived by the idea that people in the end don't remember most about you except for how you made them feel, which I feel that making people feel great is one of your best skills as a performer. How do you go about structuring that into your performances and what do you believe really touches people in profound emotional ways both inside as well as outside the art?For Andy, if you could condense what truly great theatrical staging and performance down to a one or two word understanding then what would the word or words be?