The month of February failed to pick up in its second weekend, as Warner’s animated sequel The LEGO Movie 2 led the charge with far less than expected. Meanwhile, Paramount’s comedy reboot What Men Want got off to a solid start, while Cold Pursuit and The Prodigy failed to impress.

Five years after its predecessor, The LEGO Movie 2 proved that interest in the franchise is almost entirely gone. The sequel opened to a very poor $34.4 million from a massive 4,303 locations. That resulted in an awful per theater average of just $7,994. For comparison, the original LEGO opened to just under $70 million from 3,775 locations.

So what’s to blame for this poor opening? Well, first and foremost are the two spin-offs which hit theaters back in 2017; LEGO Batman did decent enough with a $53 million opening, but Ninjago was a flop with just $20 million in its first three days. This is a classic case of ‘too little too late’, as well as WB’s tendency to overplay their hand when they think they have a viable franchise on their hands; such as the mixed results of the DC Universe (which has admittedly been righted by the massive success of Aquaman). With a $99 million budget (the most expensive in the franchise), LEGO 2 has a long way to go before it can turn a profit. Critics were very positive, but for whatever reason no Cinemascore’s were available for the weekends four new releases.

In second, What Men Want did solid business with an estimated $19 million. The gender-swapped remake of the Mel Gibson comedy marked another success for Taraji P. Henson, as it cost just $20 million to produce. The film may also benefit from strong weekday results, with Valentine’s Day sure to give it a boost on Thursday.

Lionsgate launched another Liam Neeson title from Studio Canal, and saw predictably mediocre results. The dark comedy Cold Pursuit launched with a so-so $10.8 million. Reportedly, Lionsgate spent only mid-teens to market and release the title, so this has to be seen as somewhat of a minor win. Perhaps these weak results could be chalked up to the controversy surrounding Neeson at the moment, but it’s hard to imagine this film would’ve done much better in any other circumstances.

Orion Pictures tried their hand at another wide release in the form of The Prodigy, though their efforts didn’t pay off as well as it may have looked going into the weekend; initially, it had been looking as though the title could wind up somewhere along the lines of The Witch or The Lazarus Effect, though in reality it came up a bit short with just $6 million – matching its production budget. Strangely, the title was up 20% on Saturday, which is unusual for a supernatural horror title, especially one without particularly strong reviews or word of mouth. Orion will try their hand at a wide release once again in June, as their Child’s Play remake is set to open on June 21st, opposite Toy Story 4.

Among holdovers, last weekends Miss Bala failed to save face in round two, as it was shot down with a 60% drop for a running tally of just $11 million. Aquaman became the third highest grossing title in the DCEU, passing the domestic total of Suicide Squad. Universal’s Glass is now just $1.5 million away from breaking the century mark as it blew past $200 million worldwide. Two titles from Sony also hit milestones this weekend, as their animated superhero adventure Spider-Man: Into the Spider-Verse surpassed $350 million worldwide, while low budget thriller Escape Room passed $100 million against its budget of just $9 million, ensuring many sequels will likely be on their way.