What was expected to be a tight race for first ended up not being much of a fight at all, as Mission: Impossible – Fallout easily retained first through a combination of a fantastic second weekend hold, as well as a lackluster performance from Disney’s Christopher Robin. Meanwhile, The Spy Who Dumped Me underwhelmed, and A24’s Eighth Grade posted decent results in its nationwide expansion.

Mission: Impossible – Fallout certainly did the impossible this weekend, as it fell just 43% in its second outing, amassing another $35 million as it now paces about $17 million ahead of where Rogue Nation was at during the same point of its run. $200 million domestic is all but guaranteed now, with the possibility to go signficantly higher thanks to a very lackluster lineup of August releases.

In second, Christopher Robin failed impress with just $25 million. That debut is closer to Pete’s Dragon than any of Disney’s other live action fairy tales, and while it was never expected to hit those films heights, it does seem like it should’ve done better. Those who did show up seemed to enjoy it, as evidenced by the A Cinemascore, but the 9% drop on Saturday doesn’t necessarily bode well for its long term performance. Expect a final run of around $65-75 million.

Lionsgate was unable to repeat the success of last years The Hitman’s Bodyguard, as The Spy Who Dumped Me got off to a very slow third place start, clocking in just $12.3 million in its opening against a hefty $40 million budget. Between the B Cinemascore and 18% drop on Saturday, it doesn’t seem like The Spy will stick around for too long, likely targeting a domestic total between $35-40 million.

Two other releases went nationwide this weekend, both targeting around 1,000 theaters and both with debuts under $3 million; one of these was Death of a Nation, the propaganda documentary attempting to capitalize on the success of films like Hillary’s America and 2016: Obama’s America. This film did not do nearly as well, however, with just $2.3 million in the bag. It was, however, the first of these films to go directly into nationwide release, whereas the others were platform releases that expanded after a limited opening. It may leg it out to $10 million, but likely won’t do much more than that.

A24 saw better numbers with their coming of age dramedy Eighth Grade, which took 12th with around $2.8 million. That’s a solid number, considering much of its intended audience wouldn’t be able to see the film due to its R rating. This was also a fairly bullish expansion on the part of A24, targeting nearly 1,100 locations. This equaled an average of $2,648. With $6.5 million in the bag already, this could stick around for the last few weeks of the summer and wind up as somewhat of a sleeper hit.

Fox unsurprisingly found terrible results for their YA adaptation The Darkest Minds. The studio gave the film close to zero marketing push leading up to release, which wasn’t helped by atrocious critical reception and a plethora of other titles. All these factors lead to a disastrous $5.8 million, one of the worst openings on record for a film in over 3,000 locations. There is a change it could break one record, however; the most theaters lost in a films third weekend. Currently that undesirable title belongs to Live By Night, which lost 2,659 of its 2,822 locations all at once. With 6 wide releases on the horizon, it wouldn’t be at all surprising if Darkest Minds bests that number.

After a whopping 25 weekends of release, Disney’s Black Panther finally crossed the $700 million mark domestically, becoming the third film in history to do so. This is also impressive considering the film has been available on home video for several months now. Even with inflation, only 30 films in history have ever managed to hit this number.