We've built a flexible model where we can run everything from top to bottom, and the only thing we need [in the stadium] is the cameras in the building. The production manager is down there [at the remote facility], he's doing all the switching, he's deciding which cameras to go to. We're doing the replays, the graphics, the commercial spots - everything is done off-site. And we're doing that through IP [internet protocol transmissions] and fiber [optic transmission lines]. We don't need to roll trucks up; we're not using satellite trucks, anything like that. So you can consistently keep the quality high, and keep the costs way down.