All your pieces are wow, stylistically brilliant and unique, and I don't care for picking on small stuff that doesn't matter except for "you were in the mood to put it there so you did." So who cares! This is art! Not necessarily reality! If I wanted reality, I'd look at a photograph.This art teacher was saying, "People see things differently. If nobody saw things differently, everybody's drawings would look the." Who wants that? Not me! I like seeing things fromperspective. That's why I come here.This piece makes me feel great! Eagle eye view? Go for it! I'll pretend I'm an eagle then. Whoever made a rule about seeing things only from a human perspective when critiquing these things anyway.I suppose if there's something I feel off about, it's the left stone building. The cracks or splints in the marble? or stone feel a bit scratchy as opposed to thick. Like chicken scratch as opposed to wear and tear. (IF I'M BEING PICKY!) But otherwise, I don't care. For all I know, it could be because I don't have enough experience seeing wear and tear on buildings, or maybe it depends on my mood. And those light green sheets above the center man's head; well, they used to bother me, just the shape irritated me at first, but the more I go back and look at them, the more they're growing on me! Maybe you put them that shape because it fits your style and I don't know your style well enough yet to understand what shapes do and don't work. Gaw!So there! Hahaha. Btw, if it's not too much to ask (and even if it), is there a way you could do a tutorial or series of pictures describing how you come up with your body positions etc.? You have some of the best stretchy effect I've ever seen (I think it's called "foreshortening," where one body part is bigger than the rest because the camera, assuming there was one, is closest to that limb, so the picture or body part appears to stretch, thus making it (hopefully) action-packed!). Thank you for letting us all gaze at your beautiful view of the world! (And Assassin's Creedy Weedy.)