But the truth is, despite its many, many flaws, Marco Polo actually does follow many of MANAA's suggestions, including the following:

Asian names or racial features as no more "unusual" than those of whites.

More Asian and Asian American lead roles.

Until the proverbial playing field is truly level, Asian roles—especially lead roles—should be reserved for Asian actors.

Yes, it privileges the point of view of the good-looking, wide-eyed Westerner in a world of "others," but remember another based-on-a-true-story Netflix show that did that but received critical acclaim?

To be fair, Orange Is the New Black did a phenomenal job of following through on creator Jenji Kohan's plan to use Piper as a Trojan horse into the stories of non-white characters who were far more complex and compelling than the ones Marco Polo conjured up. But it's a little disingenuous to write off the show for attempting something similar through the character of Marco Polo, who was meant as a bridge into a story set on another continent hundreds of years ago.

In the grander scheme, the not-so-well-reviewed Marco Polo does more for the overall goal of increasing the representation of Asian characters and breaking down some stereotypes (even as it perpetuates others) than other highly acclaimed Western shows that ignore such characters altogether. Recall that Marco Polo's cast is more than 90 percent Asian; how many other big-budget Western shows can say that?

It would behoove critics and TV viewers alike to acknowledge these kinds of efforts to hire more Asian actors and place them in lead roles. Yes, Olivia Cheng may do many of her scenes naked, and there are ridiculous scenes that feel like fetishization-of-Asian-women-for-the-fetishization-of-Asian-women's-sake, but the female characters also eventually achieve more than a degree of depth.

As Imran Siddiquee wrote for The Atlantic, having more characters of color on television (or on Western screens in general) isn't just a matter of metrics, just as "representation" isn't just some noble abstraction. Movies and shows can engender empathy for the people they portray. And in a time when the foibles of a brutal North Korean dictator make for good comedy (seemingly to the exclusion of anger at the appalling treatment of an entire country), some extra empathy for Asian faces is a good thing.

So I'll suffer the existence of a show with ridiculous orgies and stuffy dialogue if that show that tries to fix an entrenched problem in Western television, even if it falls short (and hey, I have the February debut of ABC's Fresh off the Boat to look forward to!). Certainly, the end goal is a program that is both lauded and progressive in its portrayal of characters of Asian descent, such as Parks and Recreation, The Mindy Project, Elementary, and The Walking Dead. And on the whole, television is getting much better at the whole diversity thing, even if it's not even quite there yet.