X Steve B. recently purchased ComposerCloud X play play stop mute max volume repeat full screen Update Required To play the media you will need to either update your browser to a recent version or update your To play the media you will need to either update your browser to a recent version or update your Flash plugin SYMPHONIC ORCHESTRA BUY NOW A big, bountiful, powerful, expressive, sonically superior collection of top-quality orchestral sounds, recorded in a first-class concert hall, played, recorded and programmed by expert practitioners, waiting to burst into life in your compositions. — SOUND ON SOUND Recorded by 11-time Grammy nominated classical recording engineer Prof. Keith O. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is the most awarded orchestral collection ever, including winning Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform. To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions, close, stage (conductor‘s position) and hall. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. This eliminates the need for artificial reverb. The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA eclipses all others with the highest level of fidelity and realism. Get that big "Hollywood Sound" film/tv/games directors and producers seek "out of the box", no other orchestral collection comes close or is as easy to use! New Features Four versions available: EWQLSO PLATINUM COMPLETE PLUS 24-BIT AND 16-BIT (194GB) EWQLSO PLATINUM COMPLETE 24-BIT (117GB) EWQLSO GOLD COMPLETE 16-BIT (33GB)

64-bit (for 32-bit compatibility use PLAY 4)

Intuitive custom interface

Intelligent Performance section including Portamento, Repetition, Legato, Round Robin Reset

Improved articulation window and controls

On screen mic position mixing (Platinum and Platinum Plus only)

Switchable 24-bit/16-bit depth (Platinum Plus only)

State of the art Convolution Reverb with pre-delay and additional Master control to route reverb to all instruments in an instance

Convolution includes concert hall orchestra was recorded in for additional control of hall ambience

Intelligent release trail engine that follows the note-on samples volume at all times, so release trails always match

Release trails unaffected by mod-wheel cross-fade programs, radical mod-wheel movements do not degrade release trails

Recall custom key-switches instantly

Key-switch sizes now unlimited

State of the art sound quality with high-resolution audio engine

Hi fidelity one pole filter for natural cross-fades

Stereo image editing now possible using channel sourcing

Licenses included to install each section on multiple computers (Platinum and Platinum Plus)

Original and Pro XP expansion combined into "complete" PLAY version

Completely re-programmed for PLAY software from the original recordings

Listen to Demos

Read the Manual With millions attending CIRQUE DU SOLEIL shows each year, we demand the very best music creation tools available - and like an exquisite fine wine, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is not just a bunch of fake sounding samples, but a REAL ORCHESTRA AT YOUR FINGERTIPS!— RENÉ DUPÉRÉ BUY NOW Symphonic Orchestra Version Comparison Quick Reference Category Gold Platinum Platinum Plus Articulations All articulations and instruments All articulations and instruments All articulations and instruments Mic Positions Stage mics only

(conductor's position) All three mic positions

(close, stage, hall) All three mic positions

(close, stage, hall) Sample Rate 44.1kHz 44.1kHz 44.1kHz Sample Bit Depth 16-bit 24-bit 24-bit and 16-bit Installed size 33GB 117GB 194GB 16-bit and 24-bit samples can both be used in 16-bit and 24-bit projects Facebook Twitter Features The Way an Orchestra Should Sound EASTWEST/QUANTUM LEAP Symphonic Orchestra has already come out on top in a recent roundup of orchestral collections for its level of warmth and detail. Now with the incorporation of PLAY, users of the upgraded EASTWEST/QUANTUM LEAP Symphonic Orchestra will experience the benefits of the new sample engine immediately. With the typical orchestral composition encompassing a large amount of instruments, EASTWEST‘s PLAY software will streamline the process by allowing many more instruments to be loaded at one time than with previous systems. Beyond the orchestra's phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound. In the past, this meant adding reverb and effects, further digitizing and degrading the overall quality of your music. EASTWEST/QUANTUM LEAP accomplish this through separately recording the natural hall ambience after the instrument has stopped playing until the sound has actually ceased. The software triggers this "release trail" at the end of every note and adjusts the dynamics so that the samples blend seamlessly, truly placing the listener in the hall with the orchestra. Each instrument and orchestral section is chromatically sampled at three different mic positions (close, stage and hall) allowing you to mix together instantly within the included PLAY sampler (PLATINUM and PLATINUM PLUS versions only) any combination for the ultimate in real-time tone and ambience control. Play PLAY 6 is a 64-bit Advanced Sample Engine (plug-in or standalone). PLAY 6 is Included with all current EASTWEST/QUANTUM LEAP Virtual (software) Instruments. For 32-bit compatibility, please use PLAY 4. Multiple Mic Positions All instruments were sampled with three different mic positions, allowing you to mix together any combination of mics using the interface for the ultimate in real-time tone and ambiance control. This feature enables you to customize the sound of the orchestra to your own requirements. Mic Mixer Control all mic positions for the orchestra, choirs, pianos, and other instruments with multiple mic positions with the built-in mic mixer

Now taken a step further, do it right in the patch

Load, unload, adjust, pan, mute mic positions as you wish Load MORE thanks to 64-bit support 64-bit support allows you to load many more instruments and voices, limited only by your system RAM As Beautiful As It Sounds Interface designed to eliminate clutter, including only the controls needed for each individual virtual instrument All instruments are listed in one browser Easy to use browser displays all of your instruments

Favorites section to group the instruments you use most

Preview your instrument of choice in an easy-to-use column viewer

Interface automatically changes to display current instrument Articulations Forget browsing through complicated patch names: pick the instrument and play Turn on/off articulations as you wish

Articulations list also serves as reference for all expressions within the instrument (no need to look up key-switches in charts)

Save your favorite configuration for quick retrieval Legato Detection PLAY senses legato and repetitive playing and responds accordingly Stereo Handling PLAY allows the user to manipulate stereo samples in very useful ways

Stereo Swap allows the user to instantly swap the left and right channels

Mono from left , Mono from right, or Mono Sum allow for instant conversion from stereo to mono Playback Engine Highest quality resampling engine

Built from the ground up to create the most intuitive instruments possible

EastWest/Quantum Leap now design instruments every step of the way without compromise Effects Engine The best sounding and most powerful effects engine out there, built from the ground up for the highest possible quality

Reverb section includes multiple impulse responses from halls, and the famous EastWest Studios and live chambers (more RIAA certified Platinum and Gold records awarded than any other studio)

The smoothest filters you'll ever hear Security system Authorize purchased instruments easily using the industry standard iLok security system

Offers complete portability, take your plugin anywhere you want, use it on any computer

Easy to authorize and manage (up to 500 authorizations on one key) Platforms and Hosts AU, VST, Standalone, Intel Mac, Windows XP, Vista, 7 and 8, 64-bit, 32-bit (use PLAY 4 for 32-bit compatibility)

Natively supported in all major hosts on all major operating systems - PLAY no matter what your platform

no matter what your platform More native support than any other plug-in

Standalone: PLAY as many instruments as your computer can handle in one application Summary PLAY isn't just a sample playback system. The PLAY SYSTEM is a professional, fully integrated sample playback software solution for those with the most demanding production requirements. Offers native support for more platforms than any other software engine

The latest in technology (64-bit supports next generation operating systems)

The highest sound quality (ground-up effects, highest quality interpolation)

The best virtual instruments from the multiple award-winning EASTWEST/QUANTUM LEAP production team

The most intuitive controls, custom designed for each library Audio Demos play

pause Videos Manual Symphonic Orchestra Manual

PLAY 6 Manual

PLAY 6 Quick Guide Awards EQ Magazine EXCEPTIONAL QUALITY Award

Keyboard Magazine KEY BUY Award

G.A.N.G. (Game Audio Network Guild) BEST SOUND LIBRARY Award

Computer Music Magazine PERFORMANCE Award

Sound on Sound Readers Choice Award (record 3 times!) Reviews I compose music for feature films. I come from a classical background and my music is primarily for the orchestra with additional electronic elements when appropriate. When I compose, I have a full orchestra loaded into samplers. The cost of it really isn't an issue for me, because when I need to do the orchestral mock-ups I need to have the best sounding, most expressive orchestral instruments I can find. The big issue I have had with orchestral sample libraries in the past has been the way they were recorded. Most of them were close mic'ed and not in a proper environment for an orchestra. No matter how much reverb you put on those recordings, they never sound good. The EWQLSO recordings are excellent and sound the way a real orchestra sounds in a hall or sound stage. The sounds are inspiring to play because they sound so good. Simply put: EWQLSO is now the best sounding orchestral library on the market! — DAVID NEWMAN DAVID NEWMAN has written the music for more than 100 motion pictures. Nominated for an Academy Award® for his score for Anastasia, Newman has composed music for such films as Ice Age, Heathers, How to Lose a Guy In 10 Days, Other People's Money, Galaxy Quest, The Freshman, Cat in the Hat, Daddy Day Care, The Nutty Professor, Scooby-Doo, Scooby-Doo 2: Monsters Unleashed, Life or Something Like It, The Affair of the Necklace, Dr. Doolittle 2, Honeymoon in Vegas, Are We There Yet? and most recently, Monster-In-Law, and Serenity. Newman has enjoyed a longstanding working relationship with director Danny DeVito, having scored the films The War of the Roses, Hoffa, Death to Smoochy, Duplex, Matilda, and Throw Momma From the Train. Newman is the son of legendary composer Alfred Newman, brother of composer Thomas Newman and cousin of Randy Newman. He most recently conducted the Los Angeles Philharmonic in a series of concerts where he performed music from classic films about Los Angeles. In addition, his classical-music composition “Songs of My Father” which is based on themes of his father‘s, was commissioned and performed by the Indianapolis Symphony. There are a lot of orchestral libraries on the market, but EWQLSO is the only one I really trust sonically for finished products. When I heard a score I had done using EWQLSO played in a movie theater, I couldn't believe how great it sounded over those massive speakers! It's difficult to describe my enthusiasm about Gold in one sentence. The FX patches, the qlegato and inclusion of all the platinum articulations has made this the number one library for me. Don't know what else to say; I'm your biggest fan. Just keep doing what you are doing. As a composer working in the computer games industry, Im often working to tight deadlines and turnaround times. I couldnt meet my schedule without a library like EWQLSO. It sounds first class, right out of the box, and I find I dont need to do any panning or EQing - trying to make instruments sit in the mix. The Platinum library has improved the sound of my productions 1000%. The emotional quality of the samples make my compositions sing and really show how much sweat and love were put into the creation of the library. As choir director, I need an orchestral sample set that exudes realism and impact, since our broadcasts cover the globe by radio and internet...I'm pleased to report that Pro XP fits the bill quite exquisitely! EWQLSO, not only your orchestra, it is also your personal sound engineer! While it's not exactly miraculous these days to have access to good orchestral samples, it seems nothing short of miraculous to me to have this level of quality and realism available at my fingertips. There is simply no other library - at any price - that compares with the overall sound, usability and capability of EWQLSO. And of course the "Pro" expansions take the product so far into the next realm that the competition might as well pack up and go home! — PRO USER REVIEWS IT'S SYMPH-LY THE BEST - 10 OUT OF 10 — COMPUTER MUSIC (PERFORMANCE AWARD) Across the board Pro XP's samples have a fatness to them that other libraries don't quite capture. Ultimately, the level of warmth and detail in the recordings, multiple mic perspectives, flexible ensemble sizes, and wide range of articulations make Pro XP an obvious choice for anyone whose goal is to produce ultra-realistic MIDI mockups. — KEYBOARD (Orchestral Library Roundup) A big, bountiful, powerful, expressive, sonically superior collection of top-quality orchestral sounds, recorded in a first-class concert hall, played, recorded and programmed by expert practitioners, waiting to burst into life in your compositions — SOUND ON SOUND EWQLSO is a major success and I really enjoyed working with it. The production room and recording gave it a great finished sound out of the box. The ‘room’ sound and reverb trails can't be matched, even with the best convolution reverbs available. Anyone interested in adding sampled orchestral sounds to their productions would have to consider this terrific library — MIX The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA samples are now the core of my template. No other orchestral samples have achieved this level of realism and fidelity. I can actually hear my compositions come together as I write them, because EWQLSO has the sound of a world class orchestra, right out of the box. It's a whole new world. I’m loving it! — DAVID NEWMAN (Award Winning Composer of over 100 films) As the musical director and keyboard player for Paul McCartney I need to use the best orchestral sounds available and I have found them in the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA Sample Library. — WIX WICKENS (Musical Director/Keyboards - PAUL McCARTNEY) With millions attending CIRQUE DU SOLEIL shows each year, we demand the very best music creation tools available - and like an exquisite fine wine, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is not just a bunch of fake sounding samples, but a REAL ORCHESTRA AT YOUR FINGERTIPS! — RENÉ DUPÉRÉ (Composer - CIRQUE DU SOLEIL) This is a beautifully recorded (and expensive sounding!) orchestra and to have it at your fingertips at the compositional level is quite remarkable and that is before you even consider the way you are able to shift and blend microphone positions to suit the mood of the job in hand. Virtual is not a word I use very often but the Symphonic Orchestra is virtually perfect! — PAUL HARTNOLL - ORBITAL EWQLSO is a must-have product for the professional orchestral composer. — THE GUIDE TO MIDI ORCHESTRATION A moment or two with the manual is enough to convince anyone with an interest in recording techniques that this is a very serious undertaking. Talk about going the whole nine yards: these guys are purists to the point of obsession. I can't compare this to every orchestral sample library on the market but if there's a better one I'll be amazed. — SOUNDGENERATOR.COM In short, this is a staggering library, and it is a rare treat that we see such a well planned and thought out product come to fruition in this way. The recording quality is simply exquisite. — MUSIC4GAMES.NET Instruments and Articulations 18 VIOLINS Long Butter Legato Forte

Butter Legato

Expressive Fast

Expressive-Legato

Expressive

Lyrical Fast

Lyrical-Legato

Lyrical

Non-Vibrato Fast

Non-Vibrato-Sustained XF

Non-Vibrato

Non-Vibrato-Expressive Fst XF

QLegato

Sordino Slow

Sordino

Sustained Vibrato Hard

Sustained Vibrato Soft Legato

Sustained Vibrato Soft

Sustained Vibrato

Sustained-Legato

Tremolo Legato Short Bartók Pizzicato Round-Robin

Bartók Pizzicato

Marcato Long

Marcato Medium Short

Marcato Short

Martelé Up-Down Marcato Medium

Martelé Up-Down Marcato Short

Martelé Up-Down

Pizzicato Round-Robin x3 †

Pizzicato vs Bartók Round-Robin x3

Pizzicato

Quick Up-Down Marcato Short x6

Quick Up-Down Marcato Short

Quick Up-Down Marcato Up-Down

Quick Up-Down

Short 3-Way Round-Robin

Short Script 1

Short Script 2

Spiccato Round-Robin x4

Spiccato Round-Robin Effects Cluster & Air

Pendereki

Slur Fast

Slur Medium

Slur Slow

Slur Extra-Fast Modwheel Accent Sustained Mod

Emotional DXF 1

Emotional DXF 2

Emotional DXF Accent Vel

Expressive Fast DXF

Expressive Legato Accent DXF

Expressive Legato Accent MOD

QLegato DXF Slide Up-Down vs

QLegato DXF Slide Up vs

QLegato DXF

Sordino Emotional DXF Velocity

Sordino Mod XFD Dyn

Sustained Vibrato DXF Legato Velocity

Sustained Vibrato DXF Slow

Sustained Vibrato DXF Slur2 Velocity

Sustained Vibrato DXF Slur Velocity

Sustained Vibrato DXF

Sustained-Vibrato XF Tremolo 11 VIOLINS Long Butter Legato Forte

Butter Legato †

Expressive Diminuendo

Expressive-Legato

Expressive

Grand Detaché

Harmonics

Lyrical A †

Lyrical B

Lyrical-Legato

QLegato Flautando

QLegato Sordino †

QLegato †

Run Simulator

Sustained Vibrato Hard

Sustained Vibrato Soft Leg

Sustained Vibrato Soft

Sustained Vibrato †

Sustained-Legato Short Col Legno Round-Robin x3

Col Legno

Marcato Short

Marcato

Martelé Up-Down Marcato

Martelé Up-Down Spiccato

Martelé Up-Down

Medium Short 3-Way Round-Robin

Quick Up-Down Marcato x6

Quick Up-Down Marcato

Quick Up-Down Spiccato

Quick Up-Down †

Repetitions

Short 3-Way Round-Robin

Short Script 1

Short Script 2

Short Spiccato 3-Way Round-Robin

Spiccato †

Spiccato 2 Round-Robin x6

Spiccato 2 Round-Robin †

Staccato Mod Col Round-Robin x2

Staccato Round-Robin x2 Effects 5th Slide DN Hrd

5th Slide UP Hrd

Glide Long

Glide Short

Psycho Rip

Run Down Psycho

Run Up Psycho 2

Run Up Psycho Round-Robin

Scratching FX †

SFX Clusters

Slow Trill FX

Sul Ponticello

Tremolo

Trill Half-Tone †

Trill Whole-Tone † Modwheel Accent Sustained Mod

DXF Expressive Fast

DXF Expressive Slow

DXF Sustained Vibrato Acc Vel †

Emotional DXF 1

Emotional DXF 2

Flautando Harmonics DXF

QLegato DXF Slide Up-Down vs

QLegato DXF †

QLegato Sordino DXF †

Sustained Non-Vibrato Vibrato X-Fade

Sustained Vibrato DXF Slow

Sustained Vibrato DXF 10 VIOLAS Long Butter Legato

Expressive Fast †

Expressive Legato Accent

Expressive Slow

Expressive-Legato

QLegato Flautando

QLegato Sordino †

QLegato †

Sustained 2

Sustained Soft Legato

Sustained Soft

Sustained-Legato

Sustained † Short Bartók Pizzicato Round-Robin x3

Bartók Pizzicato †

Col Legno Round-Robin x3

Col Legno

Marcato Long

Marcato Short

Martelé Up-Down Marcato

Martelé Up-Down

Pizzicato Round-Robin x3

Pizzicato vs Bartók Round-Robin x3

Pizzicato †

Repetitions

S Martelé Up-Down Marcato S x6

S Martelé Up-Down Marcato S

Short Martelé Up-Down †

Staccato MOD Col Round-Robin

Staccato Round-Robin x4 †

Staccato Round-Robin x8 Effects Sul Ponticello

Tremolo

Trill Half-Tone

Trill Whole-Tone Modwheel DXF Sustained Accent Velocity

Emotional DXF 1

Emotional DXF Accent Velocity

Expressive Fast DXF

Expressive Slow DXF

Legato Expressive Accent MOD †

QLegato DXF Slide Up

QLegato DXF †

QLegato Sordino DXF †

Sul Pont Tremolo DXF

Sustained Accent MOD

Sustained Non-Vibrato Vibrato Cross-Fade 10 CELLOS Long Butter Legato Forte

Butter Legato

Expressive Lyrical-Legato

Expressive Vibrato Fst

Expressive Vibrato

Flowing

Lyrical Fast

Lyrical

Non-Vibrato

Portato Short

Portato-Legato

Portato

QLegato Sordino †

QLegato †

Run Simulator

Sordino Legato Diminuendo

Sustained Vibrato Hard †

Sustained Vibrato Soft Leg

Sustained Vibrato Soft †

Sustained Vibrato

Sustained-Legato

Tremolo Legato

Tremolo † Short Bartók Pizzicato Round-Robin x3

Bartók Pizzicato

Col Legno Round-Robin x3

Col Legno

Marcato Mod Col Round-Robin x6

Marcato Round-Robin x6

Marcato Round-Robin †

Martelé Up-Down

Pizzicato New

Pizzicato Round-Robin x3

Pizzicato vs Bartók Round-Robin x3

Pizzicato

Quick Up-Down x6

Quick Up-Down †

Short Script

Spiccato Round-Robin x6

Spiccato Round-Robin † Effects Crescendo

Effects

Sul Ponticello to Tremolo DXF

Sul Ponticello

Trill Half-Tone

Trill Whole-Tone Modwheel DXF Sustained Accent Velocity

DXF Sustained Vibrato Slow

DXF Sustained Vibrato

Emotional DXF 1

Emotional DXF 2

Emotional DXF 3

Emotional DXF 4

Expressive Vibrato DXF

Fast Accent Mod

Non-Vibrato-Sustained XFD

QLegato DXF sl up

QLegato DXF †

QLegato Sordino DXF †

Soft Vibrato XFD Tremolo

Sustained Accent Mod † 9 DOUBLE BASSES Long Big Sustained

Expressive 2x Crescendo

Expressive Fast

Expressive-Legato

Expressive

FortePiano

Portato-Legato

Portato

Sforzando

Sustained Vibrato Hard †

Sustained Vibrato Soft Legato

Sustained Vibrato Soft †

Sustained Vibrato

Sustained-Legato

Tremolo Legato

Tremolo Short Martelé Up-Down

Pizzicato Mod slaps

Pizzicato

Quick Up-Down Mod Slap

Quick Up-Down x6

Quick Up-Down †

Short Script

Slaps Effects Crescendo

Effects Modwheel DXF Expressive Accent Velocity

DXF Sustained Slow

DXF Sustained

Emotional DXF 1

Emotional DXF 2

Emotional DXF Accent Velocity

Expressive Fast DXF

Expressive Long DXF Accent Velocity

Sustained Accent mod †

Sustained Vibrato Cross-Fade †

Sustained Vibrato Cross-Fade to Tremolo 4 VIOLINS Long Sustained Vibrato

Sustained Vibrato DXF 3 CELLOS Long Sustained Vibrato

Sustained Vibrato DXF SOLO VIOLIN Long Expressive 1

Expressive 2

Expressive Crescendo

Expressive Piano

Expressive-Legato

Legato Vibrato

Non-Vibrato Hard

Non-Vibrato Soft

QLegato Expressive Piano

QLegato Round-Robin

QLegato †

Sustained Vibrato Hard †

Sustained Vibrato Soft

Sustained-Legato Short Col Legno Round-Robin

Col Legno

Marcato Non-Vibrato Hard

Marcato Vibrato

Martelé Up-Down x6

Martelé Up-Down

Pizzicato Round-Robin x3

Pizzicato

Repetitions

Short Script

Staccato Round-Robin x4

Staccato Round-Robin Effects 5th Slide Up

Octave Slide Uo

Octave Slide Down

Crescendo

Slur

Trill Half-Tone

Trill Whole-Tone Modwheel Non-Vibrato DXF

Non-Vibrato Vibrato DXF

QLegato DXF Round-Robin

QLegato DXF

Vibrato DXF SOLO VIOLA Long Expressive 1

Expressive 2

Expressive 3

Expressive Vibrato Sft

Expressive-Legato

Non-Vibrato Hard

Non-Vibrato Round-Robin

QLegato Round-Robin

QLegato †

Sustained Vibrato †

Sustained-Legato Short Col Legno Round-Robin x3

Col Legno

Marcato Hard Round-Robin x2

Marcato Hard

Martelé Round-Robin x4

Martelé Round-Robin x8

Pizzicato Round-Robin x3

Pizzicato

Short Script

Spiccato Round-Robin x2

Spiccato Round-Robin x4 Effects Octave Slide UP

Trill Half-Tone

Trill Whole-Tone Modwheel Non-Vibrato Vibrato DXF SOLO CELLO Long Double Bow Expressive

Expressive Down

Expressive Up

Expressive Vibrato

Legato Vibrato

Non-Vibrato

QLegato Round-Robin

QLegato †

Sul Tasto Legato

Sustained Accent

Sustained Vibrato Hard

Sustained Vibrato Smooth †

Sustained-Legato Short Col Legno Round-Robin x3

Col Legno

Marcato

Martelé Up-Down Marcato x6

Martelé Up-Down Marcato

Martelé Up-Down

Pizzicato Round-Robin x3

Pizzicato

Short Script Effects Slur

Non-Vibrato to Vibrato DXF Accent Modwheel Vibrato DXF Accent SOLO CONTRABASS Long Expressive-Legato

Expressive

Lyrical-Legato

Lyrical

QLegato Expressive

QLegato Round-Robin

QLegato †

Sustained Non-Vibrato

Sustained Vibrato †

Sustained-Legato Short Col Legno Round-Robin x3

Col Legno

Marcato Round-Robin x3

Marcato

Martelé Round-Robin x6

Martelé Round-Robin

Pizzicato Round-Robin x3

Pizzicato

Short Script

Spiccato Marcato Round-Robin x6

Spiccato Round-Robin x6

Spiccato Round-Robin Modwheel Sustained Vibrato DXF HARP Long Harp Harmonics

Harp Pluck

Harp Pluck Long

Harp Pluck Roll

Harp Pluck Short † Effects Harp Gliss 6 Up-Down

Harp Gliss 9 Up-Down

Harp Gliss Major Up-Down

Harp Gliss Whole Tone Up-Down †

Harp Psycho Drone C HARPSICHORD † LARGE STRING ENSEMBLES 50 Piece String Section Fst

50 Piece String Section Leg

50 Piece String Section Sustained

60 Piece String Section Expressive

60 Piece String Section Pizzicato 60 Piece String Section Sustained

70 Piece QLegato Slow

70 Piece QLegato Sordino

70 Piece QLegato 70 Piece String Marcato Round-Robin

70 Piece String Section Expressive

70 Piece String Section Pizzicato

70 Piece String Section Sustained Chamber Ensemble Flautando

Chamber Ensemble

String Quartet QLegato Round-Robin

String Quartet QLegato 3 FLUTES Long Expressive dim

Legato

Non-Vibrato

Sustained Fast

Sustained-Legato

Sustained Short Staccato Round-Robin x3

Staccato Effects Glissando Long

Glissando Short

Grace Note

Trill Half-Tone

Trill Whole-Tone Modwheel Emotional DXF

Non-Vibrato-Sustained XF

Sustained DXF Accent Velocity

Sustained DXF 3 OBOES Long Expressive-Legato

Expressive

Legato

Non-Vibrato

Sustained Vib

Sustained-Legato Short Staccato Round-Robin x3

Staccato Effects Grace Note

Trill Half-Tone

Trill Whole-Tone Modwheel DXF Sustained Accent Velocity

DXF Sustained

Emotional DXF

Non-Vibrato-Sustained XF 3 CLARINETS Long Legato

QLegato

Sustained-Legato

Sustained Short Staccato Round-Robin x3

Staccato Modwheel Sustained DXF Accent Velocity

Sustained DXF

Sustained Cross-Fade SOLO FLUTE Long Expressive Legato

Expressive-Legato

Lyr-Legato

Lyrical

Non-Vibrato

QLegato Round-Robin

QLegato †

Sforzando Vib

Slow Expressive 2

Slow Expressive

Sustained Non-Vibrato ppp †

Sustained Vibrato Bright

Sustained Vibrato †

Sustained-Legato Short Short Staccato Round-Robin x2

Short Staccato †

Staccato Round-Robin x3

Staccato † Effects Octave Run Dn

Octave Run Up Dn

Octave Run Up

Fall

Flutter Tongue Mod

Grace

Psycho Run Dn Round-Robin

Trill Half-Tone †

Trill Whole-Tone † Modwheel Accent Mod †

Lush Accent Mod

QLegato DXF †

Vibrato DXF 2 ACC

Vibrato DXF 2

Vibrato DXF SOLO ALTO FLUTE Long Expressive Legato Bright

Expressive Legato Lyric

Expressive Legato

Expressive

Legato

Non-Vibrato

Sustained Vib

Sustained-Legato Short Staccato Round-Robin x3

Staccato Effects Run Up Dn Modwheel Expressive DXF Acc

Expressive DXF

Legato DXF Acc

Non-Vibrato Vibrato XFade SOLO PICCOLO FLUTE Long Expressive-Legato

Expressive

QLegato Round-Robin

QLegato †

Sustained Non-Vibrato ppp †

Sustained Vibrato †

Sustained-Legato Short Staccato Round-Robin x3

Staccato † Effects Octave Dn

Octave Up Dn

Octave Up

Glissando

Psycho Fall Fast

Rips Up 3rd

Rips Up 5th †

Rips WT

Trill Half-Tone

Trill Whole-Tone Modwheel Sustained Accent Mod

Vibrato DXF Acc

Vibrato DXF SOLO OBOE Long Expressive P †

Expressive Vib

Expressive-Legato

Non-Vibrato

QLegato Round-Robin

QLegato †

Sforzando

Sustained Vib

Sustained-Legato Short Staccato Round-Robin x3

Staccato † Effects Fall

Glissando

Grace

Key ClicKs MOD RT

Trill Half-Tone †

Trill Whole-Tone † Modwheel Non-Vibrato Vibrato DXF

QLegato DXF Round-Robin

QLegato DXF †

Sustained Acc Mod SOLO ENGLISH HORN Long Expressive-Legato

Expressive

Legato

New Legato

Non-Vibrato

Sustained Vib

Sustained-Legato Short Staccato Round-Robin x3

Staccato Effects Fall

Glissando

Grace

Slide Modwheel Legato DXF

Non-Vibrato Vibrato DXF

Non-Vibrato Vibrato XFD

Sustained Accent Mod

Vibrato DXF ACC

Vibrato DXF SOLO ENGLISH HORN 2 Long Expressive-Legato

Expressive †

Port-Legato

Portato Non-Vibrato †

QLegato Round-Robin

QLegato †

Sustained-Legato

Sustained † Short Staccato Round-Robin x3

Staccato † Effects Grace Notes

Trill Half-Tone

Trill Whole-Tone Modwheel QLegato DXF Round-Robin

QLegato DXF †

Sustained Acc Mod

Sustained DXF † SOLO CLARINET Long Expressive Fast

Expressive Slow Crescendo

Expressive-Legato

Non-Vibrato †

Port-Legato

Portato

QLegato Round-Robin

QLegato †

Sustained-Legato Short Marcato

Staccato Round-Robin x3

Staccato † Effects Octave Run Dn

Octave Run Up Dn

Octave Run Up Fast

Octave Run Up

Grace Notes

Key Clicks MOD RT

Trill Half-Tone †

Trill Whole-Tone † Modwheel QLegato DXF Round-Robin

QLegato DXF †

Sustained Accent Mod SOLO BASS CLARINET Long Expressive Fast

Expressive-Legato

Expressive

Port-Legato

Portato †

QLegato Round-Robin

QLegato †

Sustained-Legato

Sustained Short Marcato

Staccato Round-Robin x3

Staccato † Effects Glissando

Key Clicks MOD Release Trails Modwheel QLegato DXF Round-Robin

QLegato DXF †

Sustained Acc MOD

Sustained DXF SOLO BASSOON Long Expressive Long Crescendo

Expressive Short

Expressive-Legato

Forte

Non-Vibrato

QLegato Round-Robin

QLegato †

Sustained Vibrato †

Sustained-Legato Short Marcato

Staccato Round-Robin x3

Staccato † Effects Glissando

Trill Half-Tone

Trill Whole-Tone Modwheel Sustained Accent Mod

Sustained Vibrato DXF †

Vibrato Cross-Fade SOLO CONTRABASSOON Long Expressive Short

Expressive-Legato

Expressive

Legato

Port F

Port-Legato

Sustained-Legato

Sustained Short Staccato Round-Robin x3

Staccato Effects Glissando

Grace Modwheel Sustained Accent Mod

Vibrato DXF Acc

Vibrato DXF 2 TRUMPETS Long Mute Sustained †

Port-Legato

Portato

QLegato Round-Robin

QLegato †

Sustained-Legato

Sustained † Short Marcato

Mute Staccato Round-Robin x6

Mute Staccato Round-Robin †

Repetitions

Short Script

Staccato Round-Robin x4 †

Staccato Round-Robin x8 Effects 1-Second Crescendo

2-Second Crescendo

Arpeggio Effects

Mute Crescendo Flutter Tongue

Mute Crescendo Fast

Mute Rip

Trill Half-Tone

Trill Whole-Tone Modwheel Mute Sustained DXF †

QLegato DXF Round-Robin

QLegato DXF slud vs

QLegato DXF †

Sustained Acc MOD

Sustained DXF Accent Velocity

Sustained DXF † 4 TRUMPETS Long Forte Piano

Sforzando

Sustained-Legato

Sustained Short Staccato Round-Robin x3

Staccato Effects Crescendo Modwheel Sustained Accent Velocity DXF

Sustained DXF Leg

Sustained DXF

Sustained Accent Mod 6 FRENCH HORNS Long 3 Second Marcato

Mute Sustained

Port-Legato

Portato

QLegato Round-Robin

QLegato †

Sforzando

Stop fast

Stop

Sustained

Sustained 4-Layer Smooth †

Sustained 4-Layer

Sustained 5-Layer

Sustained Accent

Sustained Adventure

Sustained Bright

Sustained Forte Piano

Sustained Mellow

Sustained-Legato Short 1-Second Marcato †

Repetitions

Short Script

Staccato Long Round-Robin x3

Staccato Long †

Staccato Short Round-Robin x3

Staccato Short † Effects 1-Second Crescendo

2-Second Crescendo

3-Second Crescendo Flutter Tongue

Bend Down Half-Tone

Cluster Bend Whole-Tone

Cluster Glissando Up

Cluster †

Flutter Tongue Crescendo Fast

FX Hell

Rips Long

Rips Slow

Shakes

Trill Half-Tone

Trill Whole-Tone Modwheel Emotional DXF Leg

QLegato DXF Round-Robin

QLegato DXF Slide Up-Down vs

QLegato DXF †

QLegato Power DXF

Sustained Accent Velocity DXF †

Sustained DXF

Sustained Cross-Fade 4 TROMBONES Long Forte Piano

Mute Sustained †

Portato-Legato

Portato

QLegato Round-Robin

QLegato †

Sustained-Legato

Sustained † Short Marcato Short Accent

Marcato Short

Marcato

Mute Staccato Round-Robin x6

Mute Staccato Round-Robin †

Staccato Round-Robin x3

Staccato † Effects 1-Second Crescendo

2-Second Crescendo

3-Second Crescendo

Bend Down Half-Tone

Clusters

Flutter Tongue

Forte Piano

Mute Crescendo Flutter Tongue

Mute Flutter Tongue Crescendo Fast Modwheel Marcato Short Sustained Cross-Fade

Mute Sustained DXF †

QLegato DXF Round-Robin

QLegato DXF †

Sustained Accent DXF

Sustained Accent Mod

Sustained DXF 3 WAGNER TUBAS Long Big Sustained

Portato-Legato

Sustained Portato

Sustained-Legato Effects Rip Modwheel Sustained Cross-Fade 2-Way SOLO TRUMPET 1 Long Expressive ppff

Expressive-Legato

Expressive

Portato-Legato

Portato

Sustained Vibrato

Sustained-Legato

Sustained Short Staccato Round-Robin

Staccato Effects Sforzando Crescendo

Slur Modwheel Non-Vibrato Vibrato DXF Accent Mid

Non-Vibrato Vibrato DXF Accent Soft

Sustained Accent Mod

Sustained DXF Accent

Sustained DXF

Vibrato DXF Accent

Vibrato DXF SOLO TRUMPET 2 Long Expressive Vibrato

Marcato Vibrato Long

Portato-Legato

Portato

QLegato Non-Vibrato Round-Robin

QLegato Non-Vibrato

QLegato Vibrato Round-Robin

QLegato Vibrato †

Sustained Non-Vibrato

Sustained-Legato Short Marcato

Staccato Round-Robin x10

Staccato Round-Robin x5 Effects Octave Slide Up

Crescendo 1-Second

Crescendo 2-Second

Crescendo 3-Second Flutter Tongue

Falls

Flutter Tongue Crescendo Fast

Rips Modwheel QLegato Non-Vibrato DXF Round-Robin

QLegato Non-Vibrato DXF

Sustained Accent Mod

Sustained DXF Accent Velocity

Sustained Non-Vibrato DXF SOLO PICCOLO TRUMPET Long Sustained Round-Robin

Sustained-Legato

Sustained Short Marcato

Staccato Round-Robin x6

Staccato Round-Robin Effects Trill Half-Tone

Trill Whole-Tone Modwheel Sustained Accent Double-Tongue Mod

Sustained DXF Accent Velocity

Sustained DXF Round-Robin

Sustained DXF SOLO FRENCH HORN Long QLegato Round-Robin

QLegato †

Sforzando Crescendo

Sustained-Legato

Sustained Short Marcato

Short Script

Staccato Round-Robin x6

Staccato Round-Robin Modwheel QLegato DXF Round-Robin

QLegato DXF

Sustained Accent Mod

Sustained Accent

Sustained DXF ACC

Sustained DXF SOLO TROMBONE Long Mute Sustained

Port-Legato

Portato

QLegato Round-Robin

QLegato †

Sustained-Legato

Sustained Short Marcato Fast

Staccato Round-Robin x3

Staccato Effects Bass Sforzando Crescendo Modwheel Mute Sustained DXF

QLegato DXF Round-Robin

QLegato DXF

Sustained Accent Mod

Sustained DXF Accent

Sustained DXF SOLO TUBA Long Expressive-Legato

Expressive

Mute Sustained

Sforzando

Sustained-Legato

Sustained † Short Marcato

Staccato Round-Robin x3

Staccato Modwheel Sustained Accent Mod

Sustained DXF Accent Velocity

Sustained DXF CYMBALS AND GONGS 12-inch Band Cymbal

12-inch Cymbal

16-inch German Cymbal †

16-inch Cymbal

18-inch German Cymbal

18-inch Viennese Cymbal † 18-inch Zildjan Roll DXF MOD

19-inch French Cymbal

20-inch Cymbal †

20-inch French Cymbal

21-inch French Cymbal

22-inch Cymbal 23-inch Gong †

26-inch Zildjan Crash †

26-inch Zildjan Roll DXF MOD †

28-inch Gong †

37-inch Chinese Tam Tam †

48-inch Gong 60-inch Gong

60-inch Gong 2

All Cymbals

All Gongs DRUMS 3 Snares DXF Rolls

3 Snares

5 Concert Toms

Concert Bass Drum †

Wagner Bass Drum Field Ensemble

Field Funeral Tenor

Mahler Hammer

Roto Toms RR

Snare Ensemble Large Snare Ensemble Small †

Taiko Drums

Timpani Crec Long

Timpani Crec Short

Timpani Hits Left-Right † Timpani Roll DXF Mod Hits

Timpani Roll DXF Mod †

Timpani Soft Mallet Hits Left-Right METALS All Anvils

Anvils Low

Anvils †

Artillery Shells

Bowed Crotales

Celesta † Crotales †

Glockenspiel Mellow †

Glockenspiel †

Hall Noise †

Huge Anvils † Orchestral Chimes †

Sleigh Bells Round-Robin †

Steel Plates

Triangle

Triangle 2 † Various Metals †

Vibes

Waterphone WOODS All Sticks

Castanets

Steinway B † ‡

Guiro Round-Robin † Marimba †

Puilli Sticks

Slap Sticks

Tambourine † Tambourine 2

Tiny Puilli Sticks

Various Percussion †

Washboard Round-Robin † Wind Machine

Woodblock Symphony †

Xylophone † ‡ – bonus instrument not recorded in hall; does not include multiple mic positions System Requirements Up to 194GB Free Hard Disc Space MAC MINIMUM REQUIREMENTS Intel Core 2 Duo Processor 2.1GHz or higher (PPC not supported)

8GB RAM

Mac OSX 10.7 or later

7200 RPM or faster (non energy saving) hard drive for sample streaming PC MINIMUM REQUIREMENTS Intel Core 2 Duo, or AMD Dual Core 2.1GHz or higher

8GB RAM

Windows 7 or later

Sound card with ASIO drivers

7200 RPM or faster (non energy saving) hard drive for sample streaming MAC RECOMMENDED SYSTEM Mac Pro Late 2013 edition (current model with round enclosure) or above

16GB RAM or more

Mac OSX 10.7 or later

SSD (Solid State Drive) for sample streaming PC RECOMMENDED SYSTEM Intel Core 2 Quad, or AMD Quad Core 2.66GHz or higher

16GB RAM or more

Windows 7 or later (64-bit Windows/Host Sequencer)

Sound card with ASIO drivers

SSD (Solid State Drive) for sample streaming All Systems iLok account required for machine (electronic) license placed on your computer or use optional iLok Key; internet connection required for one-time product activation Included for both PC and Mac: 64-bit standalone and plug-in versions included (for 32-bit compatibility please use PLAY 4.3.5).

Check the compatibility chart for supported hosts.

EASTWEST PLAY Host/Sequencer Compatibility Matrix Tested DAW Mac OS 10.9 - 10.12.3 WIN XP

(32-bit) WIN XP

(64-bit) WIN 10, 8, 7,

Vista (32-bit) WIN 10, 8, 7,

Vista (64-bit) Required Version Standalone YES YES YES YES YES Ableton Live YES YES YES YES 1 6.07 or higher Cubase/Nuendo YES 2 YES YES 3 YES YES 3 6 or higher FL Studio YES YES YES YES 7 or higher GarageBand YES 3 or higher Logic YES 4 7.2 or higher Digital Performer YES 4 YES YES 6.02 or higher Pro Tools 5 YES YES YES 7.4 to 10 Pro Tools 11 or higher 5 YES YES YES 6 11 or higher Sibelius YES 7 YES YES 6 or higher 8 Sonar YES YES YES YES 6.2 or higher VE Pro YES YES YES YES YES 4.0.54 or higher Studio One YES YES YES YES YES 2 or higher Reaper YES YES YES YES YES 3 or higher 1: Play 5 (and above) is compatible with all 64-bit hosts that use VST, AU, or AAX plugins. Use Play 4 for 32-bit hosts. 2: Mac OS 10.7 or newer is required. 3: Cubase/Nuendo 4.1 or later are required as 64-bit hosts. 4: WordBuilder is not supported in Logic 7 or lower, and DAE (RTAS in Digital Performer and Logic) is not supported at this time. 5: Ethernet control surfaces are not officially supported (ex: C24). 6: Windows 7 or 8 Home Premium Supported. Pro Tools HD 11 does not support Windows 8. 7: Sibelius 6.0.3 or higher is required to run in Mac OS 7. 8: Sibelius 6.2 is required to run in Mac OS 10.9 (Mavericks). November Super Sale - Save 60% Get a FREE PLAY 6 License with any Purchase $935 $699 Symphonic Orchestra Plat Plus Symphonic Orchestra Plat Plus

Symphonic Orchestra Plat

Symphonic Orchestra Gold Full Version Full Version

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Read the Manual Features: Four versions available: EWQLSO PLATINUM COMPLETE PLUS 24-BIT AND 16-BIT (194GB) EWQLSO PLATINUM COMPLETE 24-BIT (117GB) EWQLSO GOLD COMPLETE 16-BIT (33GB)

64-bit (for 32-bit compatibility use PLAY 4)

Intuitive custom interface

Intelligent Performance section including Portamento, Repetition, Legato, Round Robin Reset

Improved articulation window and controls

On screen mic position mixing (Platinum and Platinum Plus only)

Switchable 24-bit/16-bit depth (Platinum Plus only)

State of the art Convolution Reverb with pre-delay and additional Master control to route reverb to all instruments in an instance

Convolution includes concert hall orchestra was recorded in for additional control of hall ambience

Intelligent release trail engine that follows the note-on samples volume at all times, so release trails always match

Release trails unaffected by mod-wheel cross-fade programs, radical mod-wheel movements do not degrade release trails

Recall custom key-switches instantly

Key-switch sizes now unlimited

State of the art sound quality with high-resolution audio engine

Hi fidelity one pole filter for natural cross-fades

Stereo image editing now possible using channel sourcing

Licenses included to install each section on multiple computers (Platinum and Platinum Plus)

Original and Pro XP expansion combined into "complete" PLAY version

Completely re-programmed for PLAY software from the original recordings