I set up my camera and asked the first dancer to stand for me. Then I made a few more photos. I was rushed because of the disappearing light, but nevertheless this fading light and necessary long exposure was adding something. I was taken by it. In my stomach, I felt I had a picture. What I hadn’t realized was that one of the film holders I used during this session had exposed film from earlier in the day, and I had created this double exposure … two images on one frame. The magic of the image is the perfect relationship between the two and the way it appears that they are holding hands but at the same time partly disappearing. For me, this image encapsulates something about this place--dancers and fighters at the same time, a kind of romance of the Georgian psyche that is somehow inevitably unsustainable.