FROM UYGHUR NATION and CHINA

WHAT IT’S ABOUT: Isa and Kalbinur are a pair of best friends who live in a small Uyghur village in the Xinjiang region of China and attend elementary school together. The two are so tight that they share custody of a baby lamb each day after school. But not everything is as smooth, sweet, and straightforward in their lives as taking care of the little animal. Isa has to take care of his sick, non-verbal mother, who is prone to running away from home. Kalbinur’s parents are always fighting and struggling with poverty. And then, there is Mandarin: the official language that the kids have to become proficient in to have a future. Isa is trying his best with the state language, while Kalbinur is lagging behind. As their parents have to make some hard choices, Isa and Kalbinur face big, unexpected changes in their lives, the first advent of what growing up will be.

WHO MADE IT: Lina Wang is a Chinese filmmaker of Uyghur ethnicity, who herself grew up in a small village in Xinjiang. “A First Farewell” is her debut as both a writer and director, and even though the plot is not biographical, the essence of the film sure is. Non-professional actors played all the roles in the film: real Uyghurs she encountered during her research for the film, which was initially planned as a documentary. WHY DO WE CARE: The complexities of Uyghur culture’s existence within the larger frame of a united China has been a contentious question, which unfortunately too often ends up as a propaganda tool for Western imperialism. “A First Farewell” is not a film of political criticism: it’s a gentle essay about a fleeting identity. This is most noticeable in the scenes that involve the study of Mandarin. Instead of fostering an adaptive climate, which would produce bilingual kids, the Mandarin classes are dense and unwelcoming. There is a lofty curriculum full of classic poetry and unhelpful, authoritative teachers. And just like anywhere else in the world, the school staff treats academic underperformance as a political affront, instead of a misstep that demands correction.