What makes it different?

Other string libraries are recorded in a static way to allow the performance to be recreated using your keyboard. Blisko was recorded so that every note is a performance. The recordings are based on a concept that the performer controls the dynamics in a natural way, while you control the texture and density of the flow.



There are no standard articulatons, easily found elsewhere. However, it’s not a phrase library and was designed to work in a wider context. You can’t control the vibrato and using the mod wheel won’t make things just louder. There are no hard attacks (with the exception of the ricochets and col legno) and every note has it’s own dynamic. And that’s exactly why it sounds so good.



Each of the players is using a different bowing technique (sul tasto, sul ponticello and con sordino) so you can either go solo and choose between these special bowings or have them all join in for textural variety.







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