“My whole life has been disrupted. It’s a national nightmare,” the artist Carter Goodrich says, about his cover for this week’s issue: a painting of the President whom he calls a “dangerous clown.” “I’m still just as stunned now as I was a year ago, on Election Night. I have been asked to work on movies about him. I can’t do it; most satire seems to lighten what feels to me like a dire situation. He’s already a cartoon villain, infantile and strange.”