The Good Guys and the Bad Guys

Author: Brandon Adamson

Renowned Wikifeet model and male tear bathhouse patron, Jessica Valenti posted a brief but lucid defense of NYTimes tech writer Sarah Jeong’s extensive history of anti-white tweets:

“Sarah Jeong is good, her haters are bad (terrible, even). It’s not difficult. I support whatever women need to do – including snarky tweets – to negotiate this racist, sexist website.”

So there you have it. Sarah Jeong is one of the good guys, and her haters (aka white people who responded harshly to her openly hostile tweets about them) are the bad guys.

Nevermind the fact that Twitter is an incredibly easy website to navigate and millions of people manage to do so without constantly expressing their hatred for white men and women. Valenti sneakily attempts to make this a “women being harassed online by men” issue when it isn’t. White women are also increasingly the target of unprovoked vitriol from the likes of intersectional identitarians like Jeong.

For her part, Jeong also misrepresented the situation in that she claimed her anti-white tweets were “counter trolling” in response to harassment she was receiving. However, she conveniently left out the fact that the “harassment” itself was in response to similar inflammatory tweets she made toward the same groups. It’s not like these trolls just randomly appeared in her mentions for no reason, simply to attack her because she’s a woman of color (barf.)

I don’t really have a problem with my co-ethnic, Jessica Valenti (a fellow Italian.) She’s one of my favorite feminists, and as the intersectional community becomes increasingly dominated by hostile non-whites, she’ll eventually find herself cast out, perceived as just another Becky the way Rose McGowan was. A temporary useful ally, soon to be pushed aside. For now though, Valenti still sees herself as one of the good guys…and so do I. After all, both sides are the same.

Anyway, if I’m being totally honest, this whole article was mostly just an excuse to post the theme song from Any Which Way You Can, which struck me as oddly relevant.