S wedish virtuoso Ernst Ingmar Bergman is widely regarded as one of the most influential filmmakers of the 20th century. Bergman shot to global fame with his 1957 existential masterpiece, The Seventh Seal, thus marking the beginning of his tryst with cinematic excellence that would continue for almost five decades to come. The Seventh Seal also introduced Swedish Cinema to the West in the same way as wedish virtuoso Ernst Ingmar Bergman is widely regarded as one of the most influential filmmakers of the 20th century. Bergman shot to global fame with his 1957 existential masterpiece, The Seventh Seal, thus marking the beginning of his tryst with cinematic excellence that would continue for almost five decades to come. The Seventh Seal also introduced Swedish Cinema to the West in the same way as Rashomon had introduced Japanese Cinema to the Occident. Bergman often relied upon his art to scorch the innate indifference of the humans against the rest of their race. He used cinema as a medium to pose severe questions to his viewers, thus unmasking their innermost fears, and laying bare their hypocritical and duplicitous nature. Bergman wanted his audience to break out of their chimerical existence and come fact-to-face with the reality.





Bergman's often employed the use of extreme, relentless facial close-ups to portray the guilt and tribulation of his hapless, nigh paranoid characters. One unique feature of Bergman’s earlier works was the undercurrent of dark, scurrilous humor, but as his works grew somber, this undercurrent of humor was replaced by a stark, seething sarcasm aimed to sear the indifference and ignorance of the ruck. Bergman once said of his movies, “I don't want to produce a work of art that the public can sit and suck aesthetically… I want to give them a blow in the small of the back, to scorch their indifference, to startle them out of their complacency.” Such was the impact of Bergman's avant-garde works that, unlike most of his contemporaries, he usually experienced unqualified creative freedom.

Bergman’s multidimensional works, always being more than the sum of their parts, succeeded in fathoming the hitherto unfathomable depths of the human psyche that not only refined cinema but also redefined it.