At the final stop of the Hitch-Hike Alex and Jonathan look at the versatility and expertise of Alfred Hitchcock’s technical prowess in Rope (1948), Rear Window (1954), and The Wrong Man (1956). We discuss Hitchcock’s one-take experiment, his ultimate cinematic metaphor, and filming true events.



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Skip to: Rope (4:48), Rear Window (23:57), The Wrong Man (59:49), Overall (1:13:27), Coming Attractions (1:20:44)

Resources referenced in this episode:

Next time on the podcast we jump across the world and look at the fantastical genre of Chinese wuxia films with:

Intro/Outro Music:

Ash by Mike Braudrick