This Weekend in Past Years:





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For the third weekend in a row,easily took first place at the domestic box office. Meanwhile,andboth attracted little interest from moviegoers.fell 37 percent to $31.3 million. That's the second-highest third weekend ever for an animated movie behind($37.9 million). Through 17 days the movie has earned $183 million, and Warner Bros. recently announced that they are moving ahead with a sequel (currently scheduled for Memorial Day 2017).In second place,opened to $12.2 million. That's a bit lower than, which was the last collaboration between Relativity Media and French producer Luc Besson . It is at least a minor improvement over recent EuropaCorp outings like($10.4 million) and($8.2 million).More so than other Besson productions,seemed like a close relative to 2009 hit: both movies featured an aging government operative taking out foreign enemies while trying to reconnect with his daughter. Whilehad a clear, unique premise,was marketed like a standard action movie. Audiences connected with Liam Neeson 's struggle to save his daughter, but weren't really able to invest in Kevin Costner 's hunt for notorious terrorist "The Wolf."*'s audience was split evenly between men and women, and skewed older (80 percent over 25). They awarded the movie an underwhelming "B" CinemaScore; in the long run, it should creep past $30 million total.Big-budget disaster moviecrumbled with $10.3 million this weekend. That number is a tiny fraction of most disaster movies—it's less than half of notorious bomb—and is also way lower than director Paul W.S. Anderson 'smovies. It is at least a bit higher than Anderson's($8.7 million), and is also a minor improvement over recent 3D CGI-heavy debacles($8.9 million) and($8.6 million).The key to selling a large-scale disaster movie is to put a focus on the characters involved: ifwas strictly about a sinking ship, it wouldn't have been nearly as successful. The marketing fordid try to highlight the central romance between Kit Harington and Emily Browning , but it wound up being literally overshadowed by the CGI volcano destruction ( the poster is a good example of this).'s audience was 52 percent male and 62 percent over the age of 30. With the rate at which movies like this tend to burn out, it's likely thatends up earning around $25 million at the domestic box office.In fourth place,fell 55 percent to $9.8 million. That's similar to, which dropped 59 percent to $10.2 million on the same weekend last year. Through 12 days,has earned $44 million, and now has little chance of ending up over $70 million total.rounded out the Top Five with $7.9 million. So far, the George Clooney movie has grossed a very solid $57.9 million.Coming off Valentine's Day weekend, romantic moviesandall took big hits.plummeted 71 percent to $7.5 million for a new total of $38.3 million.dropped 70 percent, and has so far earned $19.8 million. Finally,fell 70 percent, and in the process it passed $11 million total.Opening at 21 locations, Hayao Miyazaki 'sgrossed $313,751. The Oscar nominee for Best Animated Feature earned an "A-" CinemaScore, and expands in to around 450 theaters next weekend.Finally,reached its final milestone this weekend. On Friday, the Lionsgate sequel passedto become one of the Top 10 movies ever at the domestic box office. To date,has earned $423.6 million, which is a bit ahead of its predecessor's $408 million.opened to a very impressive $32.7 million in China this weekend. That's the biggest three-day start ever for Warner Bros., and is up 74 percent from the first. To date,has earned $894 million worldwide; it's set to reach Japan, its final market, on Friday.continued to do steady business overseas. The movie added $23.1 million, which includes new markets France ($3 million) and Italy ($2.3 million). It's top territory was the U.K., where it eased five percent to $9.4 million. To date, 'LEGO' has earned $92.5 million overseas, and still has Russia, Japan, Australia and Germany on the way.Whilegot off to a poor start in the U.S., it fared much better overseas: playing in 37 markets, the 3D disaster movie earned an estimated $22.8 million. It took second place in South Korea with $3.6 million, and was also strong in Russia (though official numbers aren't yet available). It also did fine in France ($2.3 million), Brazil ($1.5 million) and Mexico ($1.3 million). In spite of its location and historical relevance, though, it only opened to $1.4 million in Italy.expands throughout the rest of the world through June, and should have no problem earning over $100 million overseas.added $17.7 million this weekend for a new total of $100 million. It opened in first place in Brazil (director Jose Padilha 's native territory) with $3.4 million.In its second weekend,earned $13.6 million. It had solid debuts in Germany ($2.3 million) and Spain ($2 million), but didn't have much of an impact in Russia ($1.1 million). So far, the World War II drama has brought in $26.4 million overseas.passedthis weekend, and has now earned $980 million worldwide. The animated sensation will reach $1 billion before opening in Japan on March 15th.*Note: In an earlier version of this story, the villain inwas listed as "The Jackal." The correct name is "The Wolf."Box Office Mojo