Ian Rankin on a new investigation by his much-loved detective John Rebus; a review of the TV dramatisation of the Bible; recording engineer Ken Scott on working with the Beatles.

With John Wilson.

Ian Rankin talks to John about the latest investigation by his much-loved detective, John Rebus - who has returned to the Edinburgh CID, but at a lower rank. The story is set amidst the current reform to the structure of the Scottish police - and Rebus finds himself in the middle of a culture clash between his fellow old-hands, and younger officers who use social media and what Rebus calls "touchy-feely policing methods".

The Bible is an epic, 10 hour mini-series that dramatises the Old and New Testaments - from Genesis to Revelation. Each episode is action-packed: the first one, for example, includes Eden, Noah, Abraham and Isaac, and Moses parting the Red Sea. Natalie Haynes considers whether the series has mass-appeal, or is strictly for viewers interested in religion.

The Beatles, David Bowie and Pink Floyd have all had their music mixed in the studio by legendary producer and engineer Ken Scott. He discusses working in Abbey Road, why The Beatles' White Album proved to be pivotal in his career, and the techniques he developed to create a distinctive sound.

Stephen Shore is a pioneer of contemporary photography; after developing his style at Andy Warhol's Factory in the 1960s, he was the first living artist to have a solo exhibition of colour photography at the Metropolitan Museum Of Art in New York. Shore continues to focus on the everyday subject matter that brought him attention - open highways, motel interiors, pedestrians and plates of food - but now works in Hebron, Abu Dhabi and Ukraine. Shore discusses his new exhibition, Something + Nothing, which shows his newer photographs side-by-side with work from the 1970s.

Producer: Rebecca Nicholson.