The money would’ve been from DC. He was acting as an intermediary. He told me they were planning to do these prequels and sequels, and that he had been offered something in the region of a quarter of a million dollars to oversee the project–that it would be handled by the top talent in the industry, to which I said some quite intemperate things. I said that, as far as Watchmen was concerned, I didn’t really think that there was any talent in the mainstream comics industry. If there had have been, they presumably, sometime over the past 20 or 25 years, would have perhaps come up with something that was as good as Watchmen–or as notable or as memorable–after they’d already been shown how to do it. So yeah, I was angry and I said some things which I still stand behind. And, that was the end of it. And, that was the end of my friendship with Dave Gibbons: because he hadn’t phoned up and thanked me and he had done the one thing that I’d asked him not to. When I mentioned this in an interview, he phoned me up again to say, “Oh, thanks for that money, Alan.”

That was the understanding upon which we did Watchmen–that they understood that we wanted to actually own the work that we’d done, and that they were a “new DC Comics,” who were going to be more responsive to creators. And, they’d got this new contract worked out which meant that when the work went out of print, then the rights to it would revert to us–which sounded like a really good deal. I’d got no reason not to trust these people. They’d all been very, very friendly. They seemed to be delighted with the amount of extra comics they were selling. Even on that level, I thought, “Well, they can see that I’m getting them an awful lot of good publicity, and I’m bringing them a great deal of money. So, if they are even competent business people, they surely won’t be going out of their way to screw us in any way.” Now, I’ve since seen the Watchmen contract, which obviously we didn’t read very closely at the time. It was the first contract that I’d ever seen–and I believe that it was a relatively rare event for a contract to actually exist in the comics business.

I have a huge respect for my audience. On the occasions when I meet them, they seem, I like to think, to be intelligent and scrupulous people. If people do want to go out and buy these Watchmen prequels, they would be doing me an enormous favor if they would just stop buying my other books. When I think of my audience, I like to have good thoughts and think about how lucky I am to have one that is as intelligent as mine and as moral as mine.

Writer Kurt Amacker, who has done a long history of interviews with comics legend Alan Moore recently conducted another lengthy one for the website Seraphemera.org . In this long interview Amacker naturally brought the conversation to all thingsincluding DC's forthcomingprequels, Dave Gibbons and the infamous contract with DC that has seen Moore's attempts of regaining the character rights stymied by the continual publication of the seminal work.Again the interview is quite long but I'll pull a few interesting quotes out for enlightenment and discussion.On Dave Gibbons:On "The Contract"On the readers who will buy "Before Watchmen":These are just some of many fantastic snippets that can be found in the interview. It was informative and entertaining. And while some have grown tired of Moore's 'comics curmudgeon routine' I found the this piece to be the most enlightening interview I have ever read with Moore. I truly have a better understanding of the wholesituation.To read the interview please CLICK THIS LINK.