etree.org Community Bittorrent Tracker Artist Radiohead Show Radiohead 2012-03-09 St Louis - mk4v ***16 Bit*** Report this as

non-Trade-Friendly Email us Torrent rh2012-03-09.mk4v.flac16.torrent (click to download) Downloads as rh2012-03-09.mk4v.flac16 Info hash 97ce4da92a55fb241579b4124f6c695a4c4d8d69 Description Radiohead

March 9, 2012

Scottrade Center

St. Louis, MO



source: Schoeps mk4v (DINa/FOB) > kcy > Sonosax SX-M2-LS2 > Sony D50 (24/96)

transfer: Memory Stick > Sound Studio > xACT > .flac (16/44)



d1t01 Intro

d1t02 Bloom

d1t03 15 Step

d1t04 Airbag

d1t05 Little By Little

d1t06 Morning Mr Magpie

d1t07 Myxomatosis

d1t08 Kid A

d1t09 Videotape

d1t10 The Daily Mail

d1t11 The Amazing Sounds Of Orgy

d1t12 Karma Police

d1t13 Identikit

d2t01 Lotus Flower

d2t02 There There

d2t03 Feral

d2t04 Reckoner

Encore:

d2t05 Separator

d2t06 Weird Fishes/Arpeggi

d2t07 Lucky

d2t08 Everything In Its Right Place

Second Encore:

d2t09 Give Up The Ghost

d2t10 You And Whose Army?

d2t11 Idioteque



run time: 2 hours Checksums rh2012-03-09d1t01.flac:92e4302f39e6678faa0fcfcebe310377<br />

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rh2012-03-09d2t11.flac:5201d1b4656cc3eaaeab4bc0f6898465 Type Radiohead Last seeder Last activity 5:35 ago Size 581.01 MB (609232913 Bytes) Added 2012-03-10 17:03:39 Views 0 Hits 4704 Snatched 1098 times Upped by bporter Num files

[See full list] 26 files Peers

[See full list] 2 seeders, 0 leechers = 2 peers total Add a comment zmanatl 2012-03-10 17:59:16 Ah, you still have the Schoeps! nice work BP! billydee 2012-03-10 18:43:33 Very nice, thanks a bunch! twatts 2012-03-10 18:45:21 Thanks!



Terry

geewiz010 2012-03-10 22:38:39 Thanks for this! scootertrash 2012-03-10 23:44:38 Thanks BP! clarisse 2012-03-11 06:41:55 Thank you! funkymtn 2012-03-11 10:12:45 many thanks!! mike2sin 2012-03-11 11:17:19 Thanks so much for these! What is the difference between 16 and 24 bit again? servosmeg 2012-03-11 14:15:23 super terrific. #1 good time. thank you, sir. RandyBayers 2012-03-11 15:04:48 I shot about 25 minutes of video, 7 songs. Coming very soon to youtube: http://www.youtube.com/user/RLBayers teamdrink 2012-03-12 09:31:04 http://en.wikipedia.org/wiki/Audio_bit_depth



Basically 24 bit is higher resolution = better sound. tynecastle 2012-03-12 14:29:02 Great recording - many thanks for sharing! smoovranger 2012-03-12 21:45:49 I was next to you on the floor but I didn't get a chance to thanks. This is a great recording and thanks for sharing. RandyBayers 2012-03-13 06:35:41 videos: http://funkit.virose.net/?p=2178 billtasty 2012-03-13 10:44:49 great sound - nice airy / open recording with minimal crowd noise. thanks for the efforts and for posting. looking forward to broomfield tonight. sgordo 2012-03-14 23:34:28 Thanks much! bobisphat 2012-03-24 18:09:46 love it. thanks. newplanet7 2012-05-27 17:18:54 teamdrink 2012-03-12 09:31:04

http://en.wikipedia.org/wiki/Audio_bit_depth



Basically 24 bit is higher resolution = better sound.

------------------------------------------------------------

First off thanks for the tape! It does sound tasty.

Second the above is not exactly correct. I know you have knowledge about recording team drink so I am actually going into detail for mike2sin question.

24-bit does not automatically give you "better sound" at all.

There are so many factors that go along with it.

The rest of the recording chain maters. Mics/preamp/a~d.

If you have shitty mics, a noisy power source/preamp or noisy recorder, you will make a crappy noisy tape with a 24-bit stamp on it. Location/configuration are more important to pulling a tasty tape than 16 vs 24bit. Taping isn't just a show up and hit record thing. I have to know my gear and have to have knowledge of things that go wrong while taping. Mic configuration is huge in order to have a great STEREO tape at the end of the night.

Honestly, the biggest and most valued reason 24bit is "better" is because it allows for more headroom while taping.

Headroom is the amt of db's you have before

reaching 0db's AKA hitting the point of clipping.

The headroom is allowed and accepted because you can run at a lower gain and boost the gain on your computer with software without taking a hit on raising the noise.

For example, you can ride the meters in the beginning aiming for the largest peaks to hit -6db and just use peak normalize on your pc/mac to bring it up to a decent volume.

With 16-bit you basically run hotter while recording and don't have as much headroom to play with before introducing some hiss.



Now, I have been taping for 5 years straight 16-bit and have my gear dialed in so that I know how to get the best tape without polluting it with noise. You wouldn't know that it wasn't recorded in 24bit if I didn't put it in the lineage.

To really get the full amount off of a 24bit tape you should also have a nice playback system that allows for 24-bit playback.

If you are burning to disc(16bit) or converting to mp3 the 24bit resolution you should just grab the 16bit. Like I said, whatever medium you use for playback is oh so important. When recording in 24bit it is a higher resolution and thus is capturing more information. However, in my experience it isn't noticeably audible

all the time. I CANNOT STRESS ENOUGH HERE HOW MUCH GETTING SOLID PLAYBACK EQUIPMENT WILL REALLY BRING THE ADDED RESOLUTION OUT.



All that said, I am making the switch to record in 24-bit for the headroom alone. Also, I have done a comparison where I recorded hot with 24-bit, hitting peaks in the -2db range and range and also ran the gain conservatively peaking at -6db, and TO MY EARS, running hotter in 24bit(while still being safe) sounded more full. jschmoe 2018-08-12 23:25:45 late to the party, ty for keeping a light on ;)

JS Add a comment

