“Slut.” “Whore.” “I can nearly feel her red cunt.” These are just a handful of gender-targeted comments found in everything from characters to diary entries. It’s the game doing world building. (Your character doesn’t speak in Agony, outside of grunting as they die for the 57th time.) The story Agony is trying to tell is muddled and confusing, but in short: you’re a bad person who did bad things on Earth, and when you died, arrived in Hell. But you quickly learn there might be a way out, if one of Hell’s leaders, the Red Goddess, grants passage. Agony’s The Red Goddess is a succubus, a demon known for seducing men, and she lords around the place naked. I mean, The Red Goddess should be allowed to do as she pleases, so strut in your birthday suit all you want, but Agony wields its imagery with the subtlety of a brick. It’s a mixture of what you might find in a horny teenager’s sketchbook crossed with an angry YouTuber screaming about how feminists have come to destroy their video games.