For the Judy Garland biopic, director Rupert Goold had one request for costume designer Jany Temime — a long floral gown with a bateau neck that was synonymous with her style. "It took me a long time to find the fabric; everything looked like a sort of cheap wedding dress," says Temime, who finally found some leftover couture fabric in a glittering damask silk, which had a 3D shine to the flowers. "It was also difficult to find [a pattern] for a tiny body like Renée [Zellweger]."

Temime noted that working with the actress was a true collaboration: “Renée helped me to design the costume, and I was designing the costume to help her get into the character. It was a real exchange on that level.” For Garland’s life in London in the 60s, the designer dressed her as a stylish mom (armed with a Chanel bag and Hermès scarf inherited from the designer’s mother) and her life in the public with a paparazzi-ready blue feathered wedding ensemble, two-piece jacquard jacket and pants and an ultra-glam red-feathered hemmed gown.