We’re back, and we’re talking about everyone’s favourite eldritch curtain-twitcher, Erich Zann. Lovecraft’s short story, The Music of Erich Zann, is a highpoint of his early career. More importantly, it is a rare example of a work that all three of us agree about. The sanity-blasting revelations at the end of the story are nothing compared to such weirdness!

This is the shortest Lovecraft story we’ve discussed so far, barely a tenth of the length of The Shadow Out of Time. This has allowed us to fit the entire discussion into a single episode, including the usual mentions of adaptations and ideas for stealing elements for our games. Admittedly, the discussion on adaptations is brief; while The Music of Erich Zann has been adapted a number of times, it has largely birthed short films or somewhat freer musical interpretations, both of which are tricky to discuss for different reasons.

And speaking of musical adaptations of Lovecraft, we make mention of the ongoing IndieGoGo crowdfunding campaign by The Darkest of the Hillside Thickets, raising money to record their fifth album, The Dukes of Alhazred. Hell, it’s worth giving them money for that title alone!

There is also some discussion of sloths, evisceration and tea, which needs to be illustrated with a photograph. We’re not sure if this makes things any clearer, but it certainly makes them weirder. This is usually the best we can hope for.

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