It’s 2019, and Princess Jasmine doesn’t want to be a princess any longer. In the Guy Ritchie-directed “Aladdin,” Disney’s latest live-action remake of one of its animated hits, Jasmine (Naomi Scott) has her sights set on succeeding her father as the sultan of Agrabah.

But she’s a woman, and her father won’t consider her for the job. It’s against tradition.

Cue the Broadway-style (em)power(ment) ballad: “I can’t stay silent,” the princess belts more than once in a new song written for the film, adding during the chorus, “All I know is I won’t go speechless.”

This is not the Jasmine of my youth, the one whose main preoccupation was marrying a prince of her choosing. This is Jasmine 2.0 — an ambitious, career-focused heroine whose belly button is never exposed.

This is supposed to be a good thing: It’s progressive and more inclusive!

Maybe Disney hoped that I — a millennial who grew up on a steady diet of Disney princesses and “Sing Along Song” VHS tapes — would latch on to Jasmine 2.0’s journey and appreciate the fact that she’s ostensibly evolved beyond her animated predecessor in the 1992 blockbuster. After all, as the studio’s executives have told us repeatedly, the company is committed to embracing industry trends and being more inclusive.