Shirley Temple was born on Monday April 23, 1928 to George Francis Temple and Gertrude Amelia Krieger Temple.

Mrs. Temple believed that a child could be influenced in the womb. She tried to influence Shirley with prenatal beauty. During pregnancy she listened to phonograph records, read books aloud and went to dance recitals and concerts. In Shirley’s first years her mother read storybooks to her with some enacting of the books characters. The daughter responded by mimicking her.

She taught Shirley the words to popular songs and Shirley the child was able to bring expression to the words. Shirley also had perfect pitch and could easily do simple dance steps. In 1931 she was enrolled in dance classes.

The mother styled the girls hair to reflect that of Mary Pickford.

Beginning in film

Educational Pictures planned a series of one-reelers called Baby Burlesks to compete with the popular Our Gang comedies. When they were auditioning they found young Shirley hiding behind a piano and encouraged her to audition. She did and was signed to a two-year contract. She was paid $10 a day, which was good in its day.

The films were satires of the pictures of the day as well as celebrities and politics. The cast was made up of preschoolers dressed like adults on top but in diapers with exaggerated safety pins.

Although hey got paid well, I don’t know it the films of those days would pass muster with today’s child labor laws. For example, Shirley was sometimes disciplined at the studio by confinement to a small “black box” isolation chamber with only a block of ice to sit on. Her first day was almost twelve hours of work with two naps.

Shirley’s first on-screen tap dance was to the song “She’s Only a Bird In A Gilded Cage,” in Glad Rags to Riches .

In April 1934 she had a breakthrough film, Stand Up and Cheer! She received widespread acclaim and fan mail came by the truckload. She got critical acclaim for performance in the film Little Miss Marker .

In 1935 her foot and handprints were added to the forecourt at Grumman’s Chinese Theater.

In 1934 She was Fox studio’s greatest asset. She was a great for a Great Depression audience. The films were cheaply made comedy dramas with songs and dance Her parts were those of the fixer upper, precocious cupid or the good fairy, She was often motherless or fatherless or an orphan. Traditional fairy tales were woven into the plots.

The film Wee Willie Winkie was a critical and commercial hit. But British film critic Graham Green wrote that she was a complete “totsy “ and too nubile for a nine-year old.

Temple and the studio sued for libel and won.

MGM wanted her to play Dorothy in the Wizard of OZ but was turned down. Plans were made to star her with Andy Rooney for the Andy Hardy series but he comeback film was Kathleen (1941)

Shirley was probably the first of the real child stars that were big time as children but lost some of her appeal, as she got older. At the age of three in 1932 she started her career in film. In 1934 she became a superstar in Bright Eyes , which was a feature film specifically, meant to fit her talents. She got a special Academy Award in February 1935 and had blockbuster hits like Curly Top and Heidi going for years until the middle of the 1930’s. People bought spin-off merchandise like dolls, dishes, and clothes.

She started to lose box office popularity when she got to her adolescent years. She left the industry and at twelve years old she went to high school. That was followed by a few films in her mid to late teens and then left the screen in 1950s at the age of twenty-one.