Such appeals to reason and history failed to sway the school board. On Tuesday, it dismissed the option to pull an Ashcroft and simply cover the mural s, instead voting unanimously to paint them over.

One of the commissioners, Faauuga Moliga, said before the vote on Tuesday that his chief concern was that “ kids are mentally and emotionally feeling safe at their schools. ” Thus he wanted “the murals to be painted down.” Mark Sanchez, the school board’s vice president, later told me that simply concealing the murals wasn’t an option because it would “allow for the possibility of them being uncovered in the future.” Destroying them was worth it regardless of the cost , he argued at the hearing, saying, “This is reparations.”

These and other explanations from the board’s members reflected the logic of the Reflection and Action Working Group , a committee of activists, students, artists and others put together last year by the district. Arnautoff’s work, the group concluded in February, “glorifies slavery, genocide, colonization, Manifest Destiny, white supremacy, oppression, etc.” The art does not reflect “social justice,” the group said, and it “is not student-centered if it’s focused on the legacy of artists, rather than the experience of the students.”

And yet many of the school’s actual students seemed to disagree. Of 49 freshmen asked to write about the murals, according to The Times, only four supported their removal. John M. Strain, an English teacher, told The Times’s Carol Pogash that his students “feel bad about offending people but they almost universally don’t think the answer is to erase it.”

Which makes one wonder who these bureaucrats actually seek to protect. Is it the students? Or could it also be their reputations, given that those in favor of preserving the murals are being smeared as racists?

“In my entire life, no one has ever, ever accused me of being a ‘white supremacist,’” Lope Yap Jr., a filmmaker and the vice president of the alumni association, told me. But if you buy into the expansive notion of “white supremacy” put forward by Alison Collins, one of the board commissioners, that is exactly what Mr. Yap, who is Filipino , is. “One of the earmarks of white supremacy culture is valuing (white) property over (Black & Brown) ppl,” Ms. Collins recently wrote on Twitter. “I think about this when I read comments from folks arguing to ‘protect’ the ‘Life of Washington’ murals.”

Mr. Sanchez, the board vice president, told me: “A grave mistake was made 80 years ago to paint a mural at a school without Native American or African-American input. For impressionable young people who attend school to have any representation that diminishes people, specifically students from communities that have already been diminished, it’s an aggressive thing. It’s hurtful and I don’t think our students need to bear that burden.”