Although we will be a SAG production, and plan to exceed the diversity in casting program requirements. Our budget is so small we will not benefit from it in any way. Our cast is at least 50% female and will represent about 80% of spoken lines.

Melissa and Scott Henderson finally have it all. After years of struggling as Scott worked his way through medical school and Melissa fought an opioid addiction, they are able to purchase their dream home. Melissa, an artist, is clean and expecting the couple’s first child, and Scott is at the top of his game, about to be promoted to Chief Obstetrics Resident.

The reality of new homeownership, however, sends the couple into a desperate search for extra cash. Melissa’s sales dry up, and she finds herself exhausted, stressed, and uninspired to create new work. Scott, pulling 80+ hour weeks at work, is overwhelmed by house repairs and maintenance. To avoid foreclosure, they take on tenants to live in the guesthouse on their property.

Scott and Melissa are convinced that Tyler Thomas and Alexandra Schofield are a perfect fit. Tyler is a construction worker whose skills and tools are much needed around the house. Alexandra is a home health aide who can help Melissa around the house as her due date approaches. Melissa and Alex become fast friends, and for a while, life is great for both couples. And then Melissa begins to lose her mind.

It starts with her art pieces, which start showing up all over the house, although Tyler, Alex, and Scott swear they haven’t touched them. She also has dizziness spells of increasing severity, but her doctors can’t find a physical reason for them. Valuable heirlooms go missing and then are found in her possession.

As things are going downhill for Melissa, Alex announces that she, too, is pregnant. They start to do prenatal yoga together and grow closer as they share milestones and preparations for their babies. As Melissa grows closer to Alex, she starts to suspect that Tyler is somehow responsible for all the odd occurrences, but she can’t prove it.

Scott is concerned for his wife, but chalks it up to pregnancy hormones and stress about their ongoing financial issues. When he finds prescription painkillers in her studio, though, he feels like he needs to act. Melissa swears the drugs aren’t hers, and that she’d never put their baby in jeopardy. Scott doesn’t know what to believe and asks Alex to move into the house to keep an eye on her while he is away at a medical conference.

Before he leaves, Melissa throws a dinner party and invites Alex and Tyler to make amends after her accusations. They show up and after a few drinks, Tyler reveals his misogynistic, bigoted character to her. Given her recent track record, Scott thinks Melissa might be exaggerating. She wants to kick Tyler off their property immediately, but Scott convinces her to wait until he returns from his trip.

As soon as Scott leaves, Melissa takes an immediate turn for the worse. She can’t focus or figure out what is real or not. Her life and her child’s life are at stake, and she needs to take matters into her own hands to save them both..

We hope this movie will shine the light on a common but often misunderstood form of emotional abuse, as well as entertain and beguile the audience.

Will, the director, and Jon, the producer, have been business partners for the last 7 years working in VFX and post-production while developing many projects.

We finally decided to put together a script that we have the means to produce within the year.

Project Gaslight was born.

But we need your help to make this successful...

First of all - Project Gaslight? I bet you can come up with a better title than that. Or perhaps you have intimate knowledge about the depths of emotion experienced when gaslit; then you might be interested in our script consultant perk.

Currently, our overall budget to make the film is around $50K, all in, including a marketing & distribtuion budget. We are able to produce a high quality product at this budget level through cashing in favors we have accumulated over the years along with our own personal sweat equity.

To hit the target, we are offering some really cool perks too. Our high-roller Executive Producer perks include a week in Montana skiing or fishing, hanging out with the producer.

More important than the funds we are able to raise, we want to find our audience and engage with the people who want to hear this story.

Our goal is to raise $10,750 through crowdfunding. Even though this is a low budget project, the crowdfunding raise only represents about 15% of the total budget. 60% of the budget will come from active investors, another 15-20% will come through product placement deals courtesy of Brandwood Global, and we are also looking into options for grants and tax incentives. Again, we are too low budget to qualify for Snowbate the MN state film tax incentive, but there are a few regional tax incentives we may be able to leverage. Our director, Will Cox, plans to apply for the Jerome Foundation Grant this coming year and we are also looking into other possible grants.