This spring, the stoner screwball movie of 2004, “Harold and Kumar Go to White Castle,” will get a sequel. This time, because of some unfortunate confusion on an airplane between a “bong” and a “bomb,” our slacker antiheroes are shipped off to the moviemakers’ idea of the worst prison imaginable.

On April 25, on a screen near you: “Harold and Kumar Escape From Guantánamo Bay.”

Seriously, dude.

Six years after the detention camp opened on Cuban shores, officials in Washington continue to consider its fate. The charges filed last Monday against six detainees in connection with the Sept. 11 attacks are renewing international focus on the prison and the policy discussion about whether it is part of the solution or part of the problem.

But in popular culture, the debate about Guantánamo is largely over, as suggested by a look at a growing number of novels, nonfiction books, movies, plays and other forms of expression.

“Whether it’s America’s Devil’s Island or not, that’s how people are going to keep thinking about it,” said Dan Fesperman, a former Baltimore Sun reporter who set his 2006 mystery novel “The Prisoner of Guantánamo” at the base.