Today we discuss Fargo season 2 with Director of Photography Dana Gonzales and we learn how he achieves the drastically different, yet familiar look of this new season.

You Will Learn:

Shooting a 1979 Fargo

The differences between shooting for a film vs. a TV series

How the photography of William Eggleston inspired season 2

Dana’s process in creating a visual language for his projects

Why the Cooke Speed Panchro lenses were the secret to this seasons dynamic look

The artistry of Noah Hawley

Shooting with only a flashlight

Why Dana chose the Ronin over the Steadicam

and more…

LINKS:

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