The first half of Golden Week is over, and Tomoko has found herself the object of “platonic" affection for four different suitors. And as our intrepid heroine muses over the which of them to pursue, out of nowhere comes the dark horse. Once thought to be missing in action, this little girl, having been there since the very beginning, threatens to overtake the competition in one psychotic swoop.

Chapter 141: Because I’m Not Popular, I’ll Go to School with Kii-chan



The things that Stuffed Yuu-chan and Pals have seen…

Ah, the classic Introvert Burnout. I had a feeling Tomoko would be drained after having what may have been the most socially stressful time of her life. Not simply for being social, but for how much she had to navigate as a fish out of water. Each “date” involved a new experience for Tomoko to address, and that much effort at once can be really exhausting for a layabout like her.

That my friend is what we in the TvTropes community call, “Tempting Fate”.

Heeeeeere’s Kii-chan!

Can’t even begin to tell you how much I love this entrance. We all know who Kii-chan is. But even those outside of the loop would get a feel for who she is. Adorable and sweet-natured, but disturbing due to an apparent lack of negative emotions (even when appropriate). Ah, Kii-chan, it’s been far too long.

Nothing to say here, really. Just think it’s a particularly lovely picture of Tomoko.

Because the popularity of a manga series is largely dependent on real-time reception, it’s very common for mangakas to add new, “popular” characters, or give the spotlight to characters who’ve been out of focus. Watamote is no exception. It may seem contrived to bring Kii-chan back after being gone for a while, but it works here because it relies on Kii-chan’s character to it, instead of a series of implausible plot developments. Kii-chan is just considerate of her cousin’s schedule–that’s all we need.

The first hint of Tomoko’s reawakening as the role model onee-chan.

One of the perks of being a sporadically-appearing character is that you can really see just much the art style has evolved since the character’s last appearance. For Kii-chan, she hasn’t really changed much design-wise other than being a little taller. But even then, the linework is much cleaner and consistent this time around, which compliments the more “everyday slice-of-life” approach Watamote’s been embracing.

If only she could grow a nose.

The best thing about this type of censorship is that you don’t necessarily have to understand what’s being censored. All you really need is a bit of context to put the pieces together. The outlines are detailed enough that we can see the characters as some kind of humanoids with animal features. And given what we know about Kii-chan, it makes perfect sense.

Y-Yeah, I…I’ve totally heard of that show.

Other than the whole Ucchi situation (which is slowly becoming an unintentional blessing), this is the last of the misunderstandings that still needs resolving. It’ll be hard, though, since this particular issue isn’t that troublesome. For now…

Look at that platonic sibling bonding.

Perhaps I’ve been conditioned by manga/anime, but I find it refreshing how Watamote has managed to develop the Kuroki siblings’ relationship while avoiding any incestual subtext. Lots of series oversell the sibling relationship by having them be overly affectionate and clingy. With Watamote, their bond feels organic because they don’t have to be touchy-feely. An unspoken quality time is all there is to it.

It’s hard to get a read on Tomoko’s emotions here, but at the very least, she seems troubled. It could very well be that Tomoko just realized that she’s changing in regards to the media she consumes. The former her would’ve probably jumped on the Kemono Friends bandwagon, but the reality is, Tomoko’s otaku interests are being compromised by the mainstream, at least as mainstream as rap battles get.

But the kicker is…she realizes this change isn’t all that bad.

Of course, nothing beats watching anime with your psychotic cousin.

The whole “pet-sitting” relationship they have here is a tricky one since each side is trying to accommodate the other based on “flaws” that don’t exist (or no longer exist). This usually results in an endless cycle of misunderstandings that lead to nowhere, but this confusion has transcended that cycle to develop into a progression of sorts. Similar to the Ucchi situation, the absurdity became so frequent that it just became reality. One that each side has been influenced greatly from.

With her constantly adorable face, you forget that Kii-chan is a middle-schooler and is therefore old enough to know about things like sex and perversion. Like Yuu-chan, she may look innocent, and while she was aware of such things as a kid, she didn’t really get it until they approached high-school age.

You know, I read this really good manga called Kaguya-sama: Love is War (shameless plug, I know), and they actually had a chapter about a rap battle a while back. Given that both series tend to be up-to-date on contemporary trends, it makes me wonder…has rap suddenly become a hot thing in Japan? Or has it always had its niche audience?

I’m sure many fans knew that this was going to be an inevitable development whenever Kii-chan showed up again. Unlike Tomoko’s school friends, Kii-chan wasn’t there to see the slow, gradual growth of Tomoko’s character, so it must have hit her like a ton of bricks to see her precious onee-chan go from helpless loner to mature teen in the blink of an eye.

Sometimes I wonder just how pitiful Kii-chan thought Tomoko really was…

Why would you censor Disneyland now of all times?

Those of us who were clamoring to get close-ups of the photos taken in the Disneyland arc finally get their wish.

The Kowarith photo is my favorite, even though two-thirds of the people in it are faking their asses off. While that may be my personal bias towards the Tomoko-Yoshida-Yuri trio, I think it reflects a better sense of kinship between the girls. The effort is there, phony as it is, to support each other in an awkward situation, which is fundamentally what the series is all about.

The assumedly Fireworks photo is also pleasing, make no mistake. You can definitely feel more genuine emotions (or lack thereof) being expressed than in the other photo. But this focuses more on the individual than how they work as a collective group, despite there being more people. The girls ultimately look like six different colored Skittles–part of the same package, but each unique.

Could this be the start of Kii-chan revitalizing her perception of Tomoko as a super popular girl? I sure hope so.



How ironic. Kii-chan’s perspective of Tomoko is starting to grow ever so gradually on the upside, whereas Tomoko’s perspective of Kii-chan grows more and more negative.

Hang on, is that supposed to be some fake Dragonite shirt? Neat.

At this point, people assuming that Yoshida as some kind of punk based on her looks is a dead horse of an issue. Some stereotypes exist for a reason, I suppose.

I see your game, Nico Tanigawa, using a deliberately vague line about “two girls” to make your readers overanalyze a single panel. All I have to say to that is that I am completely and utterly guilty.

One of the girls is probably Yuri, if only because she’s the only girl to appear in both photos. As for the second girl, your guess is as good as mine. I’m inclined to say Ucchi because if Kii-chan only has their appearances to go on, then Ucchi and her emoji-face make quite the impression.

I’m getting Yuu-chan vibes here with the way Kii-chan phrases half-insults with a friendly demeanor.

+ 1 TO THE HAREM.

Kii-chan is definitely that relative you leave a self-imposed boundary on. Fine in small doses, like at parties and family gatherings, but long-term exposure is unhealthy for the brain. This isn’t even a wholly exaggerated fantasy on Tomoko’s part. Okay, the eating bit is a little much, but given that Kii-chan allegedly dreams about treating Tomoko like a pet, the latter is right to be a little concerned.

There needs to be an AU one-shot of Tomoko, Tomoki, and Kii all going to the same school at the same time. Right. Now.

I do appreciate that despite Kii-chan’s deteriorating sanity, Tomoko doesn’t view her as a lost cause and even tries to put a positive spin on it. Reconciliation Arc is a-go!

Did Kii-chan really have that big of a growth spurt, or has Tomoko just reached her peak in height? Not sure how far the genetics will go, but Kii-chan becoming taller than Tomoko is only going to make her even more intimidating.

This little scheme of hers is definitely reflective of the “old” Tomoko, but there’s a nice reversal going on here. Instead of Tomoko trying to make things sound cooler than they actually are, she’s trying to make things seem worse. Of course, Murphy’s Tomoko’s Law states that anything that can go wrong, will go wrong. Especially if Tomoko wants it to go right.

Ah, Ogino. The only character whose relationship with Tomoko has remained relatively unchanged despite indirectly having the most impact on Tomoko’s life.

Better update her Wiki page now.

It’s pretty telling how it’s these two who cause Tomoko the most grief. It’s not the delinquent who routinely bashes her face in, not the pervert(s) lusting after her little brother, and not the otaku who passive-aggressively teases her. As for why, I think it boils down to the fact that Ogino and Kii-chan challenge her comfort zone the most. It also doesn’t help that Tomoko doesn’t interact with them as often as the others, so she hasn’t really had the time to get desensitized by them.

This freakin’ teacher, man.

The second worst part of Ogino’s “help” is that she never actually lies. Sure, she exaggerates to hell and back, but it’s always loosely based in reality, like some cheap movie adaptation of a best-selling novel.

But the worst part of it is…you can’t hate Ogino for it. Her personal assessment may be founded on largely suspect reasons, but it’s still an honest assessment. I have no doubts that Ogino really is proud of Tomoko, and that’s exactly why she’s the best worst teacher.

That’s true. If Ogino gave that spiel to people like Hijirisawa or Hatsushiba–y’know, people who don’t know her as well–they might actually buy that crap. But people who know Tomoko like Yuri or Nemo, people like us, can tell that Ogino’s sugarcoating the whole thing. Kii-chan, with her terrifying skill for knowing too much, is no exception.

Ah, I see. This is one of those put-all-the-secondary-characters-who-we-haven’t-seen-in-a-while-into-one-chapter chapters.

Can’t complain, though. I like Itou.

“Or something” can also be translated as “lust after Tomoki”.

We don’t really have much to go on for how Itou views Tomoko, but I think it’s reasonable to think that she may not see her in that good of a light. Not only did Tomoko give off a weird impression when she played off the whole fist bump thing, but Itou’s “powers of perception” probably made her aware of Tomoko and Komiyama’s frenemy-ship, hence her “warning” that Komiyama was around.

The Inherent Awkwardness of Second-hand Relationships: The Life of Tomoko.

Betcha’ no one saw this interaction coming. Whether it’ll lead to anything more remains to be seen. Itou’s still got the whole “friendship potential” going on with Futaki, but given that she has the tolerance to BFF Komiyama, I see no reason why she can’t befriend a psycho like Kii-chan.

That desire to “loudly blow” is Kii-chan’s inner demons screeching out in desperation for release. I pity the fool who unleashes the beast.

That does sound like your typical amateur definition of a psychopath, doesn’t it?

For the record, I don’t actually believe Kii-chan is a psychopath, despite the jokes I made. There are way too many moments that discredit such a claim. Now, if you were to accuse Kii-chan as being some sort of deviant (sexual or otherwise) I might see that. But ultimately, I think Kii-chan was just a victim of having her innocence shattered too fast and too soon, which made her more, uh, crafty than Tomoko could handle.

Man, it’s been a long time while since we last saw Dicky-chan, hasn’t it? Hope we get to see more of her (and Sayaka, for that matter) after this chapter.

I love how even when she’s collecting masturbation material, Komiyama has to hold her camera phone all lady-like. If the term “purevert” ever needed a concrete definition, this girl would be it.

Main Character privileges, that’s why.

Get. The. FUCK. Out. Of. Here.

With each subsequent appearance, Komiyama’s standard for what constitutes a bitch primed to steal away her Tomoki-kun falls hilariously lower. It’s not enough that a girl in their class makes two seconds of eye contact with him, nosiree. Any girl with an inkling of a relationship with Tomoko is not immune, even if it’s his own damn cousin. Granted, I don’t think Komiyama would be so pathetically scummy as to confront Kii-chan about it like she did to Yoshida.

…I hope.

“Best friends” may be stretching it now that we’ve gotten this far in the series. However, there is one aspect of Tomoko and Komiyama’s relationship that triumphs over all the others:



Absolute candidness. Even now, the only one who gets to see the complete, raw package that is Tomoko Kuroki is Komi-something. While Tomoko has made substantial friendships with the likes of Yuri, Nemo, and Katou, Tomoko still restrains herself just a tad lest she pushes them away. It’s only with Komi that Tomoko bears her full ugliness, which I think has developed into some freakish level of respect/understanding that none of the others can claim.

Damn, even the bishounen dude gets to make an appearance. All we need know is Lethal Chef Girl to make a cameo and I’m set.

Nope. Any game is an away game when your “harem” shows up to cheer you on.

A few people have expressed discontent with how the chapter seems to end so abruptly, and it’s a fair criticism. It may be the lack of a “Next time…” tagline throwing people off, but while this chapter indeed ends at an odd point, it’s not that unprecedented. Some of the previous chapters ended this way, like that time Komi was all “Oi!” at Yoshida at the cafeteria, which indicates that this chapter is likely one of those series-of-vignettes that also doubles as a build-up chapter.

On a positive note, while the chapter does feel prematurely ended, how the next chapter plays out if it is connected to this one is sure to be a surprise.