In today’s age of social obsession, Frank Ocean has managed to deconstruct the complex structure that powers the music industry. He has glided his way through on his terms whilst maintaining a rarity of pop mystery. Frank’s elusiveness has made him one of the most secretive artists in modern music and an enigma whose next step is unpredictable yet most notably calculated. Amongst the minimal output he’s officially released, there’s even more content locked away in his personal vault. Here’s everything we know regarding the unreleased content:

July 26, 2011: nostalgia, LITE

After releasing his debut project ‘nostalgia, ULTRA’ to critical and commercial success, Def Jam set their sights on young Frank Ocean and decided to re-release a refined version of the mixtape as a full-fledged extended play titled ‘nostalgia, LITE’. The EP was announced by Frank in May 2011 but on July 26th, he confirmed that the plan was officially scrapped.

The EP was slated to have seven tracks. Sampled songs like Strawberry Swing’ ‘American Wedding’ and ‘Nature Feels’ were to be replaced by ‘Acura Integurl’ and ‘Whip Appeal’ due to clearance issues.

In-a-now deleted post, Frank doubled down on his statement a year later and released ‘Whip Appeal’ on March 17th, 2012.

November 6th, 2011: "Journey:

Frank performed an unreleased track called 'Journey' in New Orleans.



November 12, 2011: “Disillusioned”

Frank debuted a funky and hypnotic song titled “Disillusioned” to a London crowd. The CDQ has never been released.

November 16th, 2011: “Acura Integurl” (Extended)

In mid-November, Frank debuted an extended version of ‘Acura Integurl’ in Los Angeles, featuring an extra verse. The original ‘Acura Integurl’ was still in setlists during his 2013 European tour but didn’t make the cut during the Blonded tour. Frank was asked if he’d ever finish the song to which he replied “I don’t know, I try not to force it, if that’s how it turned out, that’s how it turned out”

May 21st, 2012: “Summer Remains”

With just months away from his highly anticipated album, Frank shared a video on his Tumblr of him playing “Summer Remains”, a soft melodic track detailing a memorable summer fling and what it left in him. It was expected to be on ‘Channel Orange’ but was ended up being cut. However, the song was occasionally performed throughout the ‘Channel Orange’ tour.

July 4th, 2012: “No Such Thing as White Jesus” (feat. Nas)

Frank first met producer Hit-Boy in 2006 with Miguel and Dom Kennedy and built a working relationship with him from there. After the success of ‘Niggas in Paris’, Frank met up with Hit-Boy and laid down the chorus for “No Such Thing as White Jesus”. Nas loved the track and asked for it to be on his forthcoming album, ‘Life is Good’. Unfortunately, the hard-drive was misplaced but was recovered two years later. Hit-Boy then posted a short snippet of the track before losing the hard-drive once again. The producer has slashed any hope of the track ever being released due to the original vocals and sessions being lost. In a red carpet interview before the release of his album, Nas said he’d love to work with Frank again.

December 3rd, 2012: Untitled Video

Several weeks prior to December 4th, Frank's team had posted castings for what looked like to be a video for 'Super Rich Kids'. Although it was never confirmed, Frank posted an image of him and French model Willy Cartier on his Instagram. At the time, the two were heavily linked together by the media and posted several pictures with each other on their own personal Instagram accounts.



February 21st, 2013: "Solo" Demo by Depeche Mode

Frank Ocean, Martin Gore and Christoffer Berg in Jungle City Studios, New York City

Frank began working on his sophomore album right after the 55th annual Grammy’s had concluded. As he worked with Alicia Keys, he got word that Depeche Mode was also recording in the same studio in the floor below. At the end of his session, he went and asked their engineer if he could come in and play some music to which they happily agreed to. Frank played them a track and asked if Martin Gore could add some electronics and modular synthesizers. Martin spent the day working on the track which turned out to be "Solo" although the band are not credited in the magazine nor the vinyl therefore It's presumed they worked on a demo version which was eventually vaulted.

June 25th, 2013: “Feel California”

On May 30th, 2013, Frank announced the date for his highly anticipated European tour titled “You’re Not Dead”.





“I’m signing off the network now, hope you’re down to try too”





Unlike the two new tracks (’Seigfried’ and ‘Ivy’) that were performed, ‘Feel California’ ended up in Frank’s vault. On June 25th, 2013, at the Auditorium der BMW Welt in Munich, Germany, Frank debuted a new solo track for the first time in a year. It was titled “Feel California” and remained the tour’s opening track for the remainder of its run. Backed with thumping drums and tropical vibes, Frank praised the waviness of the sunny state, it’s kaleidoscopic drugs and hinted at his future hiatus from social media.“I’m signing off the network now, hope you’re down to try too”Unlike the two new tracks (’Seigfried’ and ‘Ivy’) that were performed, ‘Feel California’ ended up in Frank’s vault.

July 11th, 2013: “Hotel” Music Video Directed by Francis Soriano

Frank had completed writing and recording “Hotel” and listed upon his long-time friend and trusted director, Francis Soriano to shoot the single, “Hotel”. The track and video remain unreleased to this day.

July 24th, 2013: "Versace" Remix

Frank posted lyrics for his version of Migo's 'Versace' with the caption "no audio."

March 24th, 2014: “Pure Imagination”



Frank was scheduled to release a remake of “Pure Imagination” for a Chipotle commercial but backed out once he saw the Chipotle logo at the end of the commercial. He was eventually sued for $212,500 and the destiny of the song remains a mystery. It is not known whether or not Frank recorded the song.

September 23rd, 2014: Maiham Media Video

Frank in Tokyo having dinner with RWB founder Akira Nakai and Luke Huxam of Maiham Media

Frank borrowed some cars from Akira Nakai when he was in Tokyo during the writing phase of Blonde. Luke Huxham, founder of Maiham Media specializes in car commercials and has directed videos for Bugatti, Volkswagen, BMW, Porsche & Subaru. As an individual deep within Japanese car culture, Frank hired Luke as a tour guide who took him to the best car spots in Japan. They went to the Tsukuba circuit with old school BMW’s and drove, visited deserted stores in Shimotsuma and discussed RWB. Frank searched the shelves of abandoned stores trying to find old clothes or stickers and souvenirs he could bring back with him. He then visited Ebisu circuit with his cousin in Nihonmatsu where he Luke taught him how to drift. Frank’s personal media crew filmed the entire spectacle although the content has never been released.

April 14th, 2015: Nikes Vinyl

Finished in April 2015, ‘Nikes’ was intended to be a stand-alone track that was not connected to Blonde. It would’ve been accompanied by a vinyl and a music video in the summer of 2015. However, Frank changed his mind and shelved the video for another year but sadly, never decided to release the vinyl.

In the second page of the ‘Boys Don’t Cry’ magazine, a folder titled ‘nikesvinyl’ can be seen on the top right of Frank’s desktop.

July 1st, 2015: Merchandise

On the newly created site “boysdontcry.co”, an image was found in the source code of unreleased merchandise.

Frank was seen wearing the hoodie and t-shirt throughout his hiatus. The sk8-hi Vans were listed as a collaboration with Japanese designer Yohji Yamamoto but considering their listed price of $50, it was most likely an error.

August 20th, 2015: Photoshoot in London

Frank was photographed in London at a photoshoot for the ‘Boys Don’t Cry’ magazine. He is seen wearing a long sleeve with the text “N1″, the same text and logo that appears on the silver wrap cover of the magazine.

September 11th, 2015: Playboi Carti Feature

Ian Connor was the first to report on the Carti and Frank meeting. Carti was also present when ‘Nights’ was being made, in New York. As an artist whose notorious for having his music leaked, the track with Frank has yet to be made public.

October 30th, 2015: “Jealous Guy”

Frank was recorded by longtime friend Alycia Bellamy singing a cover of ‘Jelous Guy’ by John Lennon in the studio. Frank has been vocal about his love for The Beatles stating they were the reason he got out of writer's block. The cover has yet to see the light of day.

November 10th, 2015: Kushi Sessions

Frank worked with electronic producer Kushi in London. Kushi was not credited on either Blonde or Endless and their work has yet to be released.

December 9th, 2015: Hudson Mohawk Leaked Beats



Hudson Mohawk had made some beats for Frank which happened to get leaked online. They surfaced on Reddit in a file called “frank o0000oocean”. Eventually, Hudson later used these in elsewhere.

The tracklist that was intended to be for Frank

December 11th, 2015: “Drive In”

In December, a new track appeared on a producer’s resume with the title “Drive In”. It was directed by Frank himself and was produced by Somesuch & Co, a video production company run by Tyrone Lebon, the director of “Nikes”.

Possible behind the scenes pictures were included in the ‘Boys Don’t Cry’ magazine as the location matches up with the title of the track.

January 7th, 2016: Rich The Kid Session

Rich the Kidd posted a screenshot of a FaceTime conversation with Frank in early January. He also said the two linked up at a studio to make some music.



“I reached out to him. I called him on FaceTime and I was like “Where you at?” and he was like, “I’m in L.A. at the studio and it’s time to cook.”



Rich has hinted at the song being released multiple times on his debut project however it has never flourished. It is highly unlikely that the track will ever be released and if so, Frank would be the one making that decision.



January 30th, 2016: Vocals on ”Glory” by Hodgy

Hodgy posted a video of what seemed like Frank harmonizing over a track. It was eventually added onto his debut solo album “Fireplace:TheNotTheOtherSide” although Frank’s vocals were removed.

April 4th, 2016: Arena Homme+ Cover Story

Frank was due to be the cover story for the Arena Homme SS 16 edition which was being released on April 14th, 2016.

Designer Rhuigi Villaseñor posted this picture on his story suggesting a music video to go along with the cover story.

The video is most likely being reffered to ‘Endless’ which was eventually released in August 2016, however, the Arena Homme+ story has yet to be publically revealed.

July 9th, 2016: Frank’s Novel

When Frank was announced as a new face of Calvin Klein for its fall collections, a special 30-second commercial directed by Tyrone Lebon marked his return to the public eye. A message found in Calvin Klein’s source code on Frank’s page suggested a multi-media release.

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"Frank Ocean is one of the most artistic and enigmatic musicians working today. Though it has been more than four years since he released his debut studio album, Channel Orange, interest in Ocean hasn’t waned. Instead, it’s increased.



He is known for being a perfectionist, and a pursuant of creativity in all forms. He resists pressure and follows his own vision. He has published a magazine and worked on a novel while continuing to perfect his highly anticipated second album.



Ocean shuns interviews and social media, and prefers instead to speak through his work. He has said that when it comes to understanding music, the most important thing is to just press play.



Ocean is a powerful storyteller, using his own openness and honesty to create an emotionally intimate world in each of his songs. With his craft, his aim is not money, power, or fame, but to grow, progress, evolve and eventually be the absolute best.



So while he continues to work on that, we’ll continue to wait, as long as it takes, because when Frank Ocean does something, he does it right. The wait will be worth it.”

Frank first spoke about a novel back in 2012 on his Tumblr stating:

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I wanna write a novel about twins, some type of nature versus nurture tale..

August 8th, 2016: Digital Version of ‘Boys Don’t Cry’

A Tumblr user by the name of “urbantapwater” leaked pages from the magazines weeks before it’s initial release. It was revealed in the format of GIF’s leading fans to believe the magazine would also be available digitally.

Whether or not a digital and functional copy of the magazine exists is known by those who’ve worked on it, and if it’ll ever be released remains to be seen. All the above images were included in the final spread.

August 20th, 2016: “Easy”



With the release of the ‘Boys Don’t Cry’ magazine, an in-depth look at what Frank had been up to during his time away could be seen. From dirt biking, visiting Tokyo and living in London amongst others. One notable piece was in the lyrics section for Blonde. An unreleased track “Easy” had been listed with the lyrics:



“I saw you, Chinese birthday

With a strawberry icee

Channeling Morrissey

Were we at the rave, dancing horribly

Pulse went through my face and my clear backpack

Sonic sound you made me

I know you’re in here somewhere

You came with someone

There’s something you need

Hope you don’t think I’m easy

What starts inside these hallways

Always comes and goes

I come from nothing

Like you come from nothing

Light like a laser cut from the navel”



Blonde was originally going to be 12 tracks with Easy being track #6.

September 9th, 2016: “Booty Club”

After weeks of teasing, Malay sent out a tweet officially announcing ‘Booty Club’, taking fans to a website allowing them to insert digits resulting in a video, a snippet of instrumental for the song and a voicemail by an elderly Asian women saying “Hello..booty club? No booty club!”.

Once the right digits were entered, a video played backed by an instrumental and ended with the assumed released date.

October 28th is Frank’s birthday which led many fans to believe he’d be featured. As the date loomed and went, there were no updates nor a release until November 8th, 2016, when Malay played a snippet of the track. It was indeed a feature with Frank and had a gorgeous 80′s baseline with silky synths.

This artwork was posted on Malay’s Instagram with the caption “BOOTY CLUB FEAT. FRANK OCEAN”

Malay continued to post snippets of the track on social media but has stopped. According to an interview with Pitchfork Magazine, Malay was set to release his debut project in early 2017 but has yet to update fans. Both, ‘Booty Club’ and Malay’s debut project have yet to be released.

September 20th, 2016: Zane Lowe Interview

Beats1 radio host Zane Lowe stated he flew to Tokyo following the release of Blonde to interview Frank. The interview has yet to be released.



August 13, 2018: Blonded Summer Tour Video

As Frank exited his last ‘Blonded World Tour’ in Helsinki, Finland, questions arose about whether or not the visuals directed by Spike Jonze would ever be released.

Spike shared his vision behind the visuals saying:



“The main idea was to turn huge festival shows into intimate concerts, where everything was done by hand.”



It’s possible the intention was to never release the visuals but rather use them solely as a tool to enhance the overall experience, nothing more or less.

April 1st, 2017: Music Video in Paris

Very little is known about this video. A trusted source that leaked information about ‘Nikes’, before public knowledge - shared that a music video was going to be shot in Paris in the coming weeks although they were not sure which song it’d be on at the time. It can be inferred that it was a ‘Chanel’ video as the song had just been released several weeks prior.

August 17th, 2017: Break Down

Music M*fia teased a 25-second snippet on what seemed like a very old Frank demo. The full version has yet to be released.

An artist with the luxury of choice puts Frank Ocean at a special place amongst his peers. To have control of every aspect of his medium gives him the freedom of choice, heightens his input and boosts his drive for perfectionism. A trait he has strived for since coming into the industry. A trait that has also resulted in such little output for an artist of his magnitude. Whether or not, Frank goes back to any of the content listed remains to be seen and only time will tell if any of that will ever see the light of day.