In her first few days working at Airbnb, Jennifer Hom saw that she had her work cut out for her. Hom had been hired as the company's first full-time illustrator, tasked with updating the bubbly cartoon figures spattered throughout the website and app. When she asked her coworkers what they most wanted to change about the illustrations—ones that showed stick-figures holding up cameras, or trading keys to their apartments—it wasn't the inconsistent style that bothered people. It was who the illustrated people looked like.

"My coworkers who are underrepresented minorities didn't relate to them at all," she says. They repeatedly told her, pointing to the drawings of people who looked nothing like real people, "This doesn't represent me."

Before joining Airbnb, Hom had spent six-and-a-half years working as a Google Doodler, creating the animated drawings that decorate the search engine's landing page each day. She'd also led an effort to update illustrations at Uber, dovetailing a major design refresh at the ride-share company. So when she arrived at Airbnb, she knew that illustrations could help to change a brand's image and engender loyalty with its users. If Airbnb wanted to reflect those users—the ones handing their keys over to strangers around the world—those illustrations needed to change.

'If we’re going to represent who our community is, we should literally reference real people.' Jennifer Hom, illustration manager at Airbnb

Now, one year later, Hom and a small team of illustrators have begun rolling out a series of new illustrations that they think better reflect Airbnb—and the world. The contributions are small, but significant: There's the colorful illustration of folks waving to new members when they sign up for an account. The group of multiracial colleagues high-fiving, roller bags in tow. Illustrated people of all shades flip open passports, take selfies, open the doors to their illustrated homes.

For Airbnb, which has tried for years to ingratiate itself with diverse communities, the new illustrations represent a subtle but important change. In the past, it's created policies to fight discrimination on its platform, and even partnered with the NAACP to encourage participation with black households. All the while, the site's been filled with illustrated caricatures of white tourists on vacation. Lately, that's starting to change.

Airbnb

Back to the Drawing Board

Like so many Silicon Valley companies, Airbnb began as an accidental discovery. Co-founders Brian Chesky and Joe Gebbia, both graduates from the Rhode Island School of Design, shared an apartment in San Francisco and realized they could make extra cash by letting strangers sleep on an air mattress in their spare room. In the decade since, Airbnb has grown from their side hustle into a billion-dollar company, counting over 500,000 listings across 191 countries.

The design, though, veered more "fledgling start-up" than "global enterprise." When Hom joined the company last year, Airbnb was still using a patchwork of drawings from previous designers, along with some one-off illustrations someone had created for an early corporate PowerPoint presentation. The illustrations that popped up when people signed up to use the site, or browsed the listings, showed all kinds of people, drawn in all kinds of styles. Some of those people had brightly colored skin, in shades of pink and green. Others, designed more like stick figures, seemed absent of ethnicity, which made them look white. Few, if any, nodded to the geographic diversity in Airbnb's listings.

"Our motto is 'belong anywhere,' and by extension, that means 'everyone belongs,'" says Hom, citing Airbnb's ethos. "I took that to heart."

Airbnb

So she got to work. Hom knew she needed to create a set of guidelines, imbuing a consistent style across all of Airbnb's illustrations. But she also wanted to tell a story about the company, and the people who use the service. Before anyone reads the fine print on Airbnb's sign-up page, they see the pictures. Before they sign up to start hosting guests, they look at the drawings of people in their illustrated homes. Hom saw an opportunity. "I looked at it not from an aesthetic perspective, but what is the company trying to do? How is it moving into the future?"