BEIJING — Iron Palm Du Dapeng’s eyes are burning with rage. The Chinese martial arts expert strikes a Japanese soldier with his fist and then, using his supernatural powers, tears the soldier in half. Blood splatters, but not a drop lands on the kung fu master.

This is one of many violent scenes in the Chinese television series “The Anti-Japanese Knight,” a recent action drama set during the Japanese invasion of China in the 1930s. Like many Chinese television dramas, the “Anti-Japanese Knight” promotes patriotism and praises the Communist Party for defeating the Japanese, while conveniently leaving out mention of the decisive role played by the Chinese Nationalists in that war. The violence and anti-Japanese tone send a clear message that killing is acceptable — as long as the targets are “Japanese devils.”

I have little doubt that many Chinese people take the “Anti-Japanese Knight” and its version of history as fact, just as I used to think that China won the second Sino-Japanese War by digging tunnels in villages and planting homemade land mines, thanks to “Tunnel Warfare” and “Landmine Warfare,” two classic Chinese-made war movies from the 1960s.

Before television arrived in the countryside, film teams took projectors to villages to screen movies; they were often shown outdoors. As a child in the 1970s, I’d go to screenings as often as possible, blissfully unaware that most of what I was watching was Communist Party propaganda. I must have watched “Tunnel Warfare” and “Landmine Warfare” at least a dozen times.