What is the Main Character Resolve? Does your Main Character Change his way of dealing with the problem at the heart of the story (such as Ebeneezer Scrooge’s switch to generosity in A Christmas Carol) or remain Steadfast in his convictions (such as the innocent Dr. Richard Kimble in The Fugitive)? Read question

What is the Main Character Growth? Does your Main Character grow by adopting a new useful trait (Start) or by outgrowing an old inappropriate one (Stop)? Read question

What is the Main Character Approach? Is your Main Character a Be-er who mentally adapts to his environment (such as Rick Blaine in Casablanca) or a Do-er who physically changes his environment (such as John McClane in Die Hard)? Read question

What is the Main Character Problem-Solving Style? Does your Main Character use a Linear problem solving style (such as Clarice Starling in The Silence of the Lambs) or a Holistic problem solving style (such as Tom Wingo in The Prince of Tides)? Read question

What is the Story Driver? Is the overall story driven by Actions first (such as the time travelers arriving in The Terminator) or Decisions first (such as Daniel Hillard’s decision to impersonate a woman in Mrs. Doubtfire)? Read question

What is the Story Limit? Is your overall story brought to its climax by running out of Time (such as the 18 days to save the earth in Armageddon) or by running out of Options (such as Thelma and Louise driving over the cliff in Thelma and Louise)? Read question

What is the Story Outcome? Do your character’s efforts to achieve the overall story goal result in Success (such as killing the shark in Jaws) or Failure (such as not being able to open the dinosaur theme park in Jurassic Park)? Read question

What is the Story Judgment? Does the Main Character resolve his personal problems and feel Good (such as Luke finally trusting his skills in Star Wars) or not resolve them and feel Bad (such as Clarice Starling still being haunted by her childhood memories in The Silence of the Lambs)? Read question

What is the Overall Story Throughline? If you pull back and look at the story from a bird’s eye view, which general area best describes the nature of the problems ALL the characters are dealing with? Does the story’s conflicts stem from a Situation, an Activity, a Fixed Attitude, or Manipulations? Read question

What is the Overall Story Concern? Which area of concern are ALL the characters in your story interested in or worried about regarding the overall story goal? Read question

What is the Overall Story Issue? What is the thematic issue that affects all of your characters in your story? Read question