Where have all the good movies gone?

Growing up in the 90s I was brought up on films such as The Terminator, Rambo, Rocky and Star Wars. I looked up to powerful masculine role models such as the shredded juggernaut Arnold Schwarzenegger, the sophisticated Sean Connery and the yippee ki yay motherfucking Bruce Willis. And it’s not like women were left out. They had Princess Leia, Xena, Buffy and Wonder Woman. I had an incredible childhood and I indulged in the freethought worldbuilding that movies and television shows of that time provided. It encouraged creative unfiltered thinking which led me on the path to becoming a scriptwriter.

Today, I look at those times in awe and more importantly, great sadness. That kid lived through what I now know as the last years of the media’s golden era. Totally unaware that in just a mere decade, liberal identity politics would come for everything he had ever loved. They rounded up all of our masculine idols and transformed them into transgender non-binary non-violent demisexual helicopters. No one was spared.

No longer is it He-Man, it’s sexist and promotes patriarchy they would say. Now it’s He-She-People. James Bond? We are going to have to change that to Jihadi Bond. Doctor Who? Miss Doctor that’s who! And what of minorities? African Wolverine! Rebel Wilson as Gandalf? “Brilliant!” The SJW Media Moguls cheered.

Welcome to the Age of Feelings in which SJWs have free reign on all media output. Do they work their arses off to get to the top? Of course not. They shortlist women and minorities into high influential positions. A man will drown himself in debt and stress only to work as a tea and snack boy for media moguls who got their job because of quota hire.

I see it on a daily basis at the BBC. For example, Dan worked his ass off in university to graduate as a journalist and now he’s Cheryl’s personal assistant. Cheryl went to university and graduated in women’s studies. Now she’s earning £200,000 a year as a senior broadcast journalist. Go figure.

And so all of our great movies and TV shows are in the hands of unqualified liberal feminist dummies who poison the well with their insane politics. Everything must mirror their solipsistic worldview and so they utterly assassinate long-standing beloved franchises and transform them into liberal SJW propaganda engines. Their sickness drives a stake into uncensored creative thinking and absolutely destroys script writing.

I see the struggle my co-workers face on a daily basis, they regularly experience episodes of panic attacks and depression because they have severe writer’s block. What do they expect when they have to constantly monitor their tone and worldbuilding? The writing must be moderated and examined by their quota hire bosses before it can be approved. They must always consider what is acceptable and make sure not to offend anyone. All of this fucking nitpicking destroys the creative process and the liberal SJW poison seeps into every word that they write. For its no longer about entertainment. It’s about virtue signaling, satisfying their radical feminist boss and pandering to all of the SJW critics.

Political Propaganda Is Not Entertaining

Today we excuse terrible plotlines because cuck SJW writers absolve themselves of all blame for destroying well-beloved franchises. I can hear them now, “there are too many misogynists that’s why it failed,” as they lay proudly upon their pile of steaming shit. Doesn’t matter if the majority of the public refuse their SJW trash, they live in utter complete denial that it’s their virtue signaling that’s destroying the movies and losing them money.

Just look at Ghostbusters:

According to THR, the 2016 film is losing way more than its taking in (over $70 million, to be exact), with serious doubts that the project will get close to doubling its heavily weighted $144 million budget.

This is the price you pay when you destroy a beloved franchise. If you don’t appeal to your already-established fan base all you do is drive them away. You piss them off and then they boycott your movie. Yes it’s women that consume the most media but they don’t want to see a fat ass Wanda’ chasing ghosts, they want to see Chad in all his glory. Which is why Chris Hemsworth was the only reason why women even went to see it.

Of course, Ghostbusters is a cult classic and the majority of fans are men who grew up between the 80s-90s and they are going to be repelled by a feminist revision of it. Especially with all the sexist overtones insulting men’s intelligence and worth.

Look at the Rotten Tomatoes score of A Bad Mom’s Christmas. 29% a rating of 4.5/10 and the film was targeted at women. Yet it still fucking bombed because the writing was atrocious. It spends most of its time taking digs at men and appealing to sisterhood.

It shows you that Hollywood scriptwriters do not have a firm grasp on their audience. And when SJW film critics are peddling bullshit like the Bechdel Test, it’s going to distort public opinion. When the loudest person in the room is a feminist and they have a major platform to criticise films based on their political agenda, it’s only going to echo the views of liberal media moguls to keep developing this utter shite.

SJW Film Critics Are Part Of The Problem

The Last Jedi destroyed my love for Star Wars. It was a close call with The Force Awakens but it still managed to not outright spew all of its political bullshit. The SJW propaganda engine went full throttle with both Rogue One and The Last Jedi. It’s as if they decided to massacre all of the great characters in the name of smashing the patriarchy. The cucked writer just couldn’t help place feminist overtones in every fucking scene.

And what that of SJW film critics? They loved it of course!

“Y’see, I’m one of those rotters who identify with the liberal left, think diversity is a good thing and enjoy movies with casts and characters that don’t look as if they could have come straight out of Ukip central casting or the Trump White House.” – Review can be found here

They always have to virtual signal. It’s like a requirement to mention your opposition to Ukip and Trump. So what do we have here? Feminist? Check. Political Critic? Check. Overuse of the words ‘misogynist’ and ‘hate’? Check.

By now you’re probably aware of the disparity between the critics’ take on Star Wars: The Last Jedi (92 per cent fresh as of this morning) and the audience score (54 per cent) on review aggregator Rotten Tomatoes.

Critics are mostly paid to peddle bullshit. Public opinion is unfiltered. Who would you rather listen to?

Bad enough that it has a prominent black character in it, and the fact that The Last Jedi basically belongs to Rey, a woman. But now there’s a new cast member who’s a Vietnamese-American (Kelly Marie Tran who plays Rose Tico) too. Enough already!

And we wonder why there’s such a jarring divide of opinion. People go to movies to enjoy the film and immerse themselves in the franchise’s world. They don’t watch movies to be force-fed SJW feminist drivel.

The irony in Ukippers and Trumpkins getting all flustered about PC narratives in a film about a battle against space fascists is precious.

As you can see it’s always about politics to them. This is why we can’t have nice things.

We are still waiting for the first Marvel movie fronted by a woman (it’s also Disney-owned). There were more than 20 superhero flicks released, if you add in DC’s output, before the latter took the plunge. Wonder Woman was a critical and commercial hit but it looks like we’re going to have to wait a while to see a second costumed woman fighting bad guys.

And Liberals are never satisfied. They always want more. More virtue signaling. More politically correct narratives. More feminist heroines. They won’t be happy until the entire cast is women and black.

If you’re one of the creatures who can’t stomach the way this is going you’re on the dark side of the force and you’re about to get a light sabre applied to a painful place. I suggest you close the door on your way out of the multiplex before that happens.

When faced with reality, Liberals put their fingers in their ears, rock back and forth, and lash out at anyone who opposes their worldview. They don’t see that people just want to escape reality for a few hours and immerse themselves in their favorite genre.

Compare this to Blade Runner 2049. Which I thought was an excellent film and a return to form. A Rotten Tomatoes score of 87% and was well received by the public. Of course, it was received well amongst MGTOWs too for the portrayal of sex robots. Well, guess what? Critics absolutely tore it apart. No surprise there.

Anna Smith of The Guardian writes: Tweets and blogs cited the fact that female characters were treated as sex objects, and that the narrative was almost entirely driven by men, including Ryan Gosling’s replicant-hunter K and his predecessor Rick Deckard (Harrison Ford). Outrage quickly spread, including from those who had not yet seen the film.

In other words, feminists took to Twitter to complain of misogyny and sexism in a movie. Nothing new there. Hardly news when they are always triggered. If you look outside of Twitter, the film is classed as ‘roaring’ success. Funnily enough, the review is from The Guardian.

Casey Ciprani from Slate writes: But the new movie relies on a sentimental hook that simply doesn’t exist in the original film, and because of that, the sequel’s story loses some emotional credibility. By expecting us to accept a love story that’s essentially based on sexual assault, Blade Runner 2049 is asking its audience to buy into one of the most damaging ideas behind rape culture.

When you want to censor movies and judge them from a politically correct narrative, you are going to bastardise the film. Essentially you are taking the film too seriously and bubble wrapping it to suit your political agenda. When films should be about freethought unfiltered creative stories that immerse the audience into its world.

There’s a reason why MGTOWs are utterly turned off by today’s entertainment. But it seems the majority of people also echo our concerns. If scriptwriters and production companies keep committing political vandalism and turning films into SJW liberal messpieces, they will keep losing money. It’s as simple as that.