ALL CLUBS will wear themed jumpers for this weekend's Sir Doug Nicholls round. Here's a summary of each club's design.

ADELAIDE

Designed by: Susie Betts, aunt of Eddie Betts

Features a crow in full flight on a navy blue base, surrounded by red, gold and white circles and dots. In the Wirangu culture, the crow plays an important role spiritually as a messenger and healer.





BRISBANE LIONS

Designed by: Emma McNeil

The jumper, which is dedicated to Sir Doug Nicholls, a former Lion, focuses on themes including community, people, friendship, sportsmanship and courage.



CARLTON

Designed by: Mandy Nicholson

The jumper is a tribute to Sir Doug Nicholls, with a focus on water, the welcoming ceremony and the importance of the turtle.



COLLINGWOOD

Designed by: Nathan Patterson

Patterson said: "The design represents the flying Magpie ready to attack. The dot work circles symbolise indigenous communities around Australia brought together through AFL football and the 2016 Indigenous Round".



ESSENDON

Designed by: Gavin Wanganeen

Wanganeen said: "This is my story of all 23 indigenous players who have donned the sash. They are depicted as 'u' shapes making their way towards Essendon. The circles in the middle of the sash represent the enduring resting place and home ground of the mighty Bombers."



FREMANTLE

Designed by: Roger Hayden and Richard Walley

The jumper features three boomerangs, which representa weapon, a musical instrument and "the strength of coming back home". It also features four waves, which are symbolic of the ocean and the game's four quarters.



GEELONG

Designed by: Nathan Djerrkura

The Cats' jumper reflects the designer's cultural heritage from his homeland of Buymarr in the Northern Territory and his indigenous ancestry tracing back to the Yolngu people.



GOLD COAST

Designed by: Luther Cora

The Suns' design incorporates elements of both traditional Aboriginal and Torres Strait Islander artworks and colours. The 13 hands on the back represent the club's past and present indigenous players.



GREATER WESTERN SYDNEY

Designed by: Luke Penrith

The jumper features footprints representing walking in the right direction. Boomerangs represent players earning their stripes as they move forward, while also symbolising weapons used for hunting, gathering and digging.



HAWTHORN

Designed by: Jirra Lulla Harvey

The Hawks' jumper tells the story of indigenous players Cyril Rioli, Jermaine Miller-Lewis, Shaun Burgoyne, and Bradley Hill. Each player has a tattoo representing where they are from, with parts of the tattoos recreated to form a circle and linking to each other via travel lines.



MELBOURNE

Designed by: Mandy Nicholson

The design features the wangim in flight mode depicting speed and fitness and connecting the attributes of the original game of Marngrook and the modern game. The wangim are embedded into the Birrarung river (Yarra) to show the connection to the traditional custodians of Melbourne, the Wurundjeri people.



NORTH MELBOURNE

Designed by: Sarrita and Tarisse King

The jumper combines the striking styles of the King sisters and provides an aerial view of the land. Dividing the pair's work is a thick line – the bloodline – a symbol of their connection to each other and the land.



PORT ADELAIDE

Designed by: Karl Amon

Amon is the first Port player to design a jumper, and he has focused on the journey each of the club's eight indigenous players has taken to get to AFL level. "It was a real honour to represent my family and community by designing the jumper. It's something I'm really proud of," he said.



RICHMOND

Designed by: Patricia McKean

The Tigers' jumper focuses on the club's 2016 reconciliation theme, "Our history, our story, our future." Minkgill (stars) are the symbols used to represent star players past, present and future.



ST KILDA

Designed by: Marcus Lee

The design features six concentric circles that symbolise the geographic layout of the Boonwurrung Bay region, which extends along the northern, eastern and southern shorelines of Port Phillip, the Mornington Peninsula, Western Port and its two main islands, and land to the south-east down to Wilsons Promontory.



SYDNEY SWANS

Designed by: Lisa Sansbury, mother of Adam Goodes

The artwork represents the indigenous communities of Sydney. It tells the tale of indigenous people coming together around Sydney's harbour and estuaries, portraying the way of life many Sydneysiders experience today.



WEST COAST

Designed by: Peter Farmer

Tells the story of the waalitj(wedge-tailed eagle), the strongest totem in Noongar culture. "My artwork includes tracks which connect to six freshwater sources throughout Western Australia," Farmer said. "Featured is an image of the waalitji painted ready for ceremony and attack."



WESTERN BULLDOGS

Designed by: The Pitcha Makin Fellas

The Bulldogs' jumper features a figure in the centre known as the Great Black Pointer, which provides direction and a path to follow. The boomerang on the chest of the figure is a reference to the traditional ways of the indigenous community.

