At first glance there is little to suggest a connection between Gustav Klimt and Egon Schiele. Klimt was the archetypical sensualist who portrayed Vienna’s elite in gilded finery whilst Schiele, almost three decades his junior, was a tortured egoist whose twisted depictions of the human body shocked and scandalised contemporary audiences. And yet the two men shared a lifelong mutual appreciation and friendship, determined to follow their own artistic visions whatever the cost, until the flu epidemic of 1918 claimed both their lives.

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Klimt turned his back on the conventions of academic painting. Disillusioned with the stifling restraints of the Künstlerhaus, the artists’ society which all Viennese artists felt obliged to belong to, he and a number of other artists broke away to form the art movement known as the Vienna Secession.