Canadian copyfighter Howard Knopf has suggested (presumably with tongue firmly planted in cheek) that recording artists whose music is played by torturers in Gitmo are owed performance royalties:

Leaving aside the legal niceties about whose law if any applies in that dreadful place, one can only wonder if ASCAP might not want a piece of the action. After all, it went after the Girl Guides not so long ago. And if it could try to make a buck off Girl Guides, who are nice people, why not alleged terrorists? Why should terrorists enjoy free music?