Pro: He Works Well With Anti-Heroes

If there is one consistent throughline that seems to connect all of Christopher Nolan's films, it's the fact that they all seem to focus on damaged protagonists with anti-hero streaks. We see this in Insomnia (still one of his most underrated films); we see this in Memento; we see this in Inception, and we defnitely see this in The Dark Knight trilogy. Daniel Craig's Bond has fit within this archetype ever since we first saw him on screen during the events of Casino Royale, and it's hard to deny that this version of the super spy feels tailor-made for the Nolan treatment as his final outing.