http://tvtropes.org/pmwiki/pmwiki.php/Main/MissingWhiteWomanSyndrome

Delko: Blonde girl's missing and the National Guard turns out to help. Hispanic girl, no one gives a damn.

Calleigh: I think there are a lot of people here.

Delko: Oh, come on, Calleigh. You saw the media's response to Lana Walker. You know? Where were the yellow ribbons for Consuela Valdez? The recovery center? It's the same song, you know? You want any real attention in this world, you got to have blonde hair and blue eyes. (To Calleigh) No offense.

Calleigh: None taken. My eyes are green. CSI: Miami , "Death Grip" : Blonde girl's missing and the National Guard turns out to help. Hispanic girl, no one gives a damn.: I think there are a lot of people here.: Oh, come on, Calleigh. You saw the media's response to Lana Walker. You know? Where were the yellow ribbons for Consuela Valdez? The recovery center? It's the same song, you know? You want any real attention in this world, you got to have blonde hair and blue eyes. (To Calleigh) No offense.: None taken. My eyes are green.

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The term Missing White Woman Syndrome describes the fact that Western media will focus on the murder, kidnapping, or disappearance of Caucasian females — usually pretty, young, and middle- or upper-class — to the exclusion of male, minority, poor, or disabled missing persons.

The origin of the term is unclear. Although Professor Sheri Parks of the University of Maryland claims to have coined it circa 2005, it apparently has been in use among journalists (and Fark.com) for years before that. It's also been referred to as "missing pretty girl syndrome" and "damsel in distress syndrome". In particular, the United States (and to a lesser extent Canada) has the AMBER Alert, which is a special alert code for child abductions and was named for the young white daughter of influential parents.

The most likely ignored missing person is the Disposable Sex Worker and/or the Disposable Vagrant. For more information, including a detailed breakdown of the coverage cycle and links to dozens of cases, see this article at Wikipedia. This column at CNN.com has some thoughts on it, and in the years since this trope entry was first written many more writers have weighed in on the topic.

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In fiction, writers tend to be more savvy and aware of the use of this trope, but often invoke related cultural sensibilities like Vasquez Always Dies and Final Girl.

Compare If It Bleeds, It Leads, Local Angle, Worst News Judgment Ever.

Examples:

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Comic Books

Briefly referenced in the Confessor arc of Kurt Busiek's Astro City, when a series of ritualistic killings becomes worthy of a public panic only after a white girl becomes one of the victims.

An Invoked Trope in Watson and Holmes. Someone was kidnapping black babies all over New York City and leaving them to die in dumpsters. It was only when he kidnapped a white baby that the police took real action.

Comic Strips

Prickly City: Winslow comments that Kevin's disappearance is getting a lot of attention considering he's not blond. (Mind you, he's a Senator.)

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Film

Literature

This Trope may have its roots in the 17th Century captivity narratives written by Mary Rowlandson.

Lampshaded in Dragon Blood: Tisala relied on this trope when she joined a conspiracy against the king, as he could not so easily kill a woman of noble birth without it being noticed. It ...didn't really work as she intended.

In the novel Reliquary, the string of kidnappings in New York garners media attention only after a pretty young blonde woman from an Old Money family vanishes.

A central theme of the novel The Black Dahlia and the real-life unsolved murder case on which it is partly based.

In Pop Goes the Weasel, one of the Alex Cross series of detective novels, a cunning Serial Killer is estimated to have possibly killed more than 100 people throughout Washington, D.C. A big part of his winning strategy was to only kill women who were black, poor, prostitutes, or otherwise people the media and police wouldn't care about.

America (The Book) gives us this handy little formula: "y = Family Income * (Abductee Cuteness/Skin Color)^2 + Length of Abduction * Media Savvy of Grieving Parents^3 (Where y = minutes of coverage)".

The absence of this trope is what makes the Janie series (1990-2000) an Unintentional Period Piece (among other things). If Janie's kidnapping had happened now, no doubt there would have been a huge media sensation about the disappearance of a pretty white girl from the suburbs.

In Native Son, the presumed kidnapping of Mary Dalton is this trope, with extra emphasis on "white." The protagonist is eventually charged with the rape and murder of his (black) girlfriend , but it's suggested that the only reason they're throwing the book at him on that case is because he's also on the hook for Mary, and they want him to face the harshest possible punishment.

In Asta's Book by Barbara Vine, the central mystery of the Victorian part of the story is the disappearance of golden-haired toddler Edith Roper after her mother is murdered. Asta's granddaughter Anna, writing in the present period, assists with a Masterpiece Theater production about the (still unsolved) murder. She notes that journalists covering the show are obsessed with Edith: "Children are always of interest, girl children for some reason more so, and missing girl children consumingly so."

Gone Girl by Gillian Flynn follows the huge media coverage following the disappearance of Amy Dunne, an upper-middle-class blonde woman. However, there are other reasons for the coverage, such as Amy being a minor celebrity for inspiring a famous book series called Amazing Amy and Amy's husband, Nick, behaving very suspiciously during the investigation. It's an Invoked Trope and an Exploited Trope as well. Not only did Nick not kill Amy, but it turns out she was the real psychopath and went to extreme lengths — including staging her disappearance and letting the media assume Nick's guilt — just to get back at him for infidelity.

Dark Places, also by Gillian Flynn, has a subplot about a Missing Pretty White Woman named Lisette Stephens. The trope is lampshaded heavily as everyone believes she is probably dead and comments that the only reason she keeps getting attention is that people only care about disappearances when it's pretty women like her that disappear.

One of the first strong clues that Hercule Poirot uncovers in Murder on the Orient Express is the revelation that the killer is connected to the kidnapping and murder of Daisy Armstrong. Daisy Armstrong was a little girl, white, whose family was rich and connected to nearly all the aristocracy of England and America. Christie grounds her setting more firmly in the 1920s, however, by making it clear that Daisy Armstrong's kidnapping attracted much more attention due to the identity of her kidnapper, a powerful mafia boss who blackmailed her family for exorbitant sums, driving everyone in that family to tragic ends. To be fair to Dame Agatha, Daisy Armstrong was based on the Lindbergh kidnapping a few years earlier.

After Jan deals with some violent thugs seeking some payback for their earlier beating (at the hands of Jan's grandmother) in Unique, he insists that he's just looking for information regarding a murder victim. The dark skinned men look at the white male demanding information regarding a missing white woman, and everyone present immediately thinks of this trope.

In The Extinction Parade, this trope is the reason why vampires use the poor as their main food source. They treat hunting upper- and middle-class people as a form of Hunting the Most Dangerous Game, as when one of them goes missing, it typically sparks a manhunt, forcing the vampire to devote considerable resources to covering up the death as something mundane like an accident, a suicide, a mugging gone wrong, or a crime of passion. When someone from the slums goes missing, however, it's usually chalked up to street crime, with few outside of the victim's family paying it any mind. As Western standards of living grew in the 20th century and eliminated the most grinding forms of poverty, this has forced many vampires to move to Third World countries, where there are still teeming masses of desperately poor people that society won't miss, in order to maintain their lifestyles.

Michael Connelly novels: In The Black Box, Harry Bosch is investigating a cold case regarding a white woman killed in the 1992 LA riots. He meets a lot of internal LAPD resistance, as the brass fears being accused of Missing White Woman Syndrome. In The Scarecrow, Jack McEvoy accuses the LAPD of the Syndrome when the murder of a white woman near the crime-ridden Rodia Gardens housing project leads to a police raid.

Discussed in Race to the Sun: When Nizhoni's father is kidnapped, she knows that calling the police is useless, as he is a Navajo man and, to make matters worse, his kidnapper is a rich white businessman.

Troubled Blood: Robin and Cormoran are investigating the disappearance of Dr. Margaret Bamborough, a white lady missing for 40 years. They interview the daughters of the late Wilma Bayliss, the black woman who was a cleaner both at the clinic and at Bamborough's home. Wilma's daughter Eden scorns at all the attention paid to the long-missing pretty white lady, noting that a black teenager named Tiana Medaini has been missing for a year and nobody cares.

Live-Action TV

Mentioned by Katherine Ryan in Frankie Boyle's Referendum Autopsy. Katherine: They don't want to make it easy for you, the media. It's like a puzzle. They'll give you little clues, and you've got to do some of the work. Like when they say "Emma Watson, hot ass and nude photos", what they're really saying is "oh, she's given a UN speech about gender equality". When they say "Girl goes missing", what they're really saying is "white girl goes missing".

Averted entirely in season 1 episode of Lincoln Heights, "Abduction" where Lizzie is kidnapped. The local media and police give their full support to the black family. While it could be due to Lizzie's father being a respected police officer that the police are so supportive, the issue of race never becomes a factor.

Without a Trace Addressed in the episode "White Balance", in which the agents investigated two cases — that of a white slacker party-loving teenage girl, and that of a black hard-working kind teenage boy. They must cope with the white girl's case getting constant attention and the black boy's getting none, in one instant the news interviewer left just after finishing up with the father of the white girl, completely ignoring the black boy's mother. This episode concludes with a No Ending — we're told one lives and one dies, but not who. Made worse later on when the media does start paying attention to the black boy's case — when it looks like he may have been involved in the white girl's disappearance. In another episode, Jack confronts his new boss for focusing on a child kidnapping case at the expense of the disappearance of a lesbian case worker...which is Fridge Logic in itself, as there is a chance the case worker just walked away while the kid is definitively in danger. Another episode had Jack insist on taking the case of a missing black foster child, telling his foster father that despite the lack of evidence of foul play, his case would grow cold in the hands of the local authorities.

Brought up in Veronica Mars when Weevil mentions that shortly after the murder of Lilly Kane, a little girl from his neighborhood named Marisol Reyes disappeared, but she didn't warrant the same amount of media coverage or therapy sessions for the students. (Weevil was fogging the issue, not wanting to bring up his own affair with Lilly. At the same time, Lilly was the daughter of a minor celebrity. Also, Reyes simply disappeared, whereas Lilly was brutally murdered.) Notable because due to the nature of the show, the point of Weevil's tirade was ignored on the fanbase, who thought that the introduction of the Reyes case was going to be an important part of the Kane case. It wasn't. Also, this would have reflected badly on Keith Mars, since he would've been sheriff at that point.

CSI: Miami: Horatio Caine moaned about it in an episode, telling a reporter to cover the missing (non-white) girl they're looking for that week. Also the page quote, in an episode in which a young, blonde white girl and a dark Hispanic girl are kidnapped by the same man in a very short space of time; the former, of course, gets loads of coverage. The episode ends with Horatio giving a reporter a list of names of recently missing people whose disappearance didn't gain media attention and suggesting he follow those up instead.

The Wire: Discussed (specifically the Natalee Holloway case) when McNulty and Freamon suggest that the lack of support from their bosses in solving more than twenty murders is due to the victims being poor and black, leading to the episode's epigraph — "This ain't Aruba, bitch." Bunk: You can go a long way in this country killing black folk. Young males especially. "Misdemeanor homicides."

McNulty: If Marlo was killing white women...[..] One white...ex-cheerleader tourist missing in Aruba.

Bunk: Trouble is, this ain't Aruba, bitch.

Lester: You think if three-hundred white people were killed in this city, every year, they wouldn't send the 82nd Airborne? Negro, please. McNulty then partially invokes this trope by staging dead white homeless men note They died of natural or OD-related causes to suggest a serial killer is targeting them. The trope is so strong that even this is not good enough at first; since no one cares about the homeless, he has to spice it up with a vague sexual angle to make the front page. Once the story is hot enough, the trope is double-invoked when Scott Templeton starts capitalizing on this to win himself a Pulitzer Prize. Reporter Alma Gutierrez's report on a triple homicide in West Baltimore is pushed back to the metro section, below the fold because, as her fellow reporter put it, "they're dead where it doesn't count".

Law & Order: When a young black girl is raped, Anita pleads with Borough Detective Commander Dietz to allow more teams out covering the streets to find the attacker. She says: "I bet if this was some five-year-old white beauty queen you'd be out there ringing the doorbells yourself." Discussed in another episode where a white woman is attacked in Central Park in what appears to be a mugging, prompting a storm of media interest. In this case, it turns out that the victim's husband hired someone to go after her: Detective Briscoe: The mayor down there yet?

Lt. Van Buren: White female jogger gets attacked in Central Park. It happens once a year and it's always the crime of the century. Also referenced in an episode where a Latino crook and his middle-class white girlfriend are responsible for the rape and murder of a white teenage girl. McCoy says it was very wise of the guy to request a plea deal early on: otherwise, given the circumstances, the jury would most likely throw the book at him and acquit his girlfriend (even though she's the one who actually killed the victim.) In the episode "Blue Bamboo", detectives find that the killer of a Japanese businessman is a white actress who once worked at one of his Tokyo nightclubs. Her defense is that he was incredibly abusive to her during this time—to the point of practically holding her prisoner—and that she killed him in self-defense. It's never clear if she was lying, but when she's acquitted, Jack claims that her story would never have worked had the man been white as well.

In an episode of Law & Order: Criminal Intent, the disappearance of a white girl on a school trip becomes the subject of a media frenzy and is eventually tied to the disappearance of a local black girl. The mother of the black girl excoriates a Nancy Grace knock-off for coming to her only when her daughter's disappearance was tied up with the white girl's — the mother is willing to use the "journalist" for much-needed publicity, but she doesn't for one second think the woman cares about her or her missing daughter. She also calls out the cops for blowing off her daughter's disappearance, but sending in the Major Case Squad to investigate the white girl's and points out the bitter irony that had the cops and media paid more attention to her daughter's case, the white girl might still be alive because the young man who (it was assumed at the time) killed both of them would have been arrested for the first crime.

Law & Order: Special Victims Unit: The black cop Fin Tutuola dispelled a crowd of nearly-violent protesters arguing just this by saying that he knew exactly how it was...and that he was going to make sure the black girl victim would get the justice she deserved. In "Spectacle", a young man decides that the only way to get the police to actually work on solving his little brother's kidnapping is to have a pretty blonde girl kidnapped. The only way he'll help them locate the girl is if they find out what happened to his brother. This episode hits particularly hard once you know that the blonde (supposed) kidnapped girl was a friend of his that willingly pretended to be kidnapped because she was aware of this trope. In "Rooftop", a season 3 episode about a serial rapist targets young black girls, Fin goes into the captain's office to vent his utter disgust that even though the rapist has started killing his victims, the core four detectives are the only ones working the case even though a few episodes previous there had been a missing white woman who had thirty officers looking for her. A missing white boy version in "Manhattan Vigil". When a white boy from a wealthy family goes missing, Olivia and Munch recall similarities to a case from thirteen years earlier. Olivia notes that because the child from the earlier case was a Hispanic boy from a working-class family, they had a fraction of the resources in that case. Especially striking because it turns out to be the same guy in both cases; if they'd put in the work to solve the first case, the second case would never have happened. Not to mention the two other boys kidnapped and killed by the same perp.

In the Law & Order: UK episode "Masquerade" (based on the original series "Good Girl"), the defendant claims to have killed the victim in self-defense after he raped her and was trying to do so again. Crown Prosecutor George Castle shrewdly notes to his underlings that public sympathy will be with her, a pretty, blonde white girl, rather than the victim, a Pakistani boy.

Brought up in Boston Legal when after Denise's Hispanic housekeeper's son is abducted, she goes to Brad for help and points out that since the child is Hispanic, it's not like the media will be all over the case.

Averted in Homicide: Life on the Street, when the murder of Adena Watson, a black girl, is subject to a major police "redball" investigation and creates a media frenzy. It was based on a Real Life case which resulted in the same. Of course, Baltimore (where both fictional and real-life murders took place) is notable for having a particularly large majority African-American population, which may explain it.

Criminal Minds: An episode featured two serial killers in the same city, one targeting middle-class white women, the other shooting hookers. The police don't even realize the second exists until he gets annoyed and contacts a reporter. Another episode featured a serial killer taking out homeless people, prostitutes, and other such generally-ignored people. Like the real-life Robert Pickton case, most of the authorities are convinced there's really nothing happening. Alluding to real life criticism of the Pickton investigation, Derek Morgan called out the authorities on their apathy, insinuating that because the victims were vagrants was the main reason why the authorities took so long to take action. Yet another episode had a number of black teenage girls being killed, with all the murders looking like hate crimes. The authorities are accused of being apathetic towards the murders, due to a bit of unfortunate timing — the BAU were called after the third girl was killed...alongside her white, seemingly well-off ex-boyfriend. Strangely avoided in "The Fight," the Poorly Disguised Pilot for the below spin-off. The main team is called in because a series of homeless men are found beaten to death starting the same day each year. It's only the new and improved Red Cell team who realizes that an attractive, Caucasian, brunette teen girl and her father also go missing during that time period. They're actually forbidden from investigating this year's disappearance and told to focus on the traditionally ignored victims, with no lampshade to be seen.

In the Criminal Minds: Suspect Behavior spin-off this happens in the first episode, complete with the hysterical mother of a black little girl whose kidnapping was ignored. It turns out that the kidnapper has taken a lot of children without being caught because he's really fixated on eight-year-old black girls, and the only way they get both girls back safely is by bucking the media and local cops and working the black girl's case .

. Everybody Hates Chris played with this, with a joke in the episode revolving around how if you wanted the police to make an active effort to find your missing children, you couldn't say they were black. Rochelle (on the phone): "Yes, hello! I'd like to report two missing boys." Police : "Can you describe them, please?" Rochelle (quickly): "They're white." (knock at the door) Rochelle : "Hold on." (opens door) Policeman At Door : "Ma'am, you reported two missing white boys?" Rochelle : "Damn!"

Lie to Me had the case of a missing white girl eventually connected with a black girl whose case didn't receive much attention on account of this trope.

Vanished hung a lampshade on it: an FBI agent investigating a missing senator's wife tells a reporter that they don't want the same thing: while he wants the victim found safe and sound, she wants her missing for as long as possible to drum up her ratings.

Cold Case: "8:03 AM": The squad investigates again the unsolved murders of two teenagers (a white female and a black male) that were murdered in different places but at the same time. The black teen's uncle asks if the coincidence is the reason that the police is giving his case new attention. Kat tells him that it's actually the opposite: she reopened the cases because she was the detective that investigated his nephew's murder back then. In "It Takes a Village," the detectives realize that a serial killer is at work when the body of his fourth victim — a young African-American boy, like the others — is discovered. His enraged grandmother suggests that had the cops handled the other cases properly, her grandson might still be alive, while the parents of one boy angrily describe the other cops as insinuating that their son had run off with a gang. Race is never mentioned, but it's obvious that the relatives feel it played a factor.

Used completely unironically as the entire plot of AMC's The Killing. The series is all about solving the murder of Rosie Larson at any cost. Early on the case bring the police to a Seattle mosque where the imam explains that no one in the community is interested in helping the police because the police haven't even bothered to investigating missing children from their neighborhood. After that, the implications of an entire show dedicated to a missing white girl are sort of just awkwardly ignored.

The television series Find Our Missing hopes to avert this in at least one media outlet by running stories on missing African Americans throughout the US.

Referenced in Key & Peele, a sketch comedy show. One of the segments was about a missing white infant, and the new anchor getting mad because they found the baby before they could talk about it. A few days later the same man tries to give a story about a missing black infant only for the news to tell him not to as no one cares, and then it cuts to them referring to the formerly missing White baby saying she's doing just fine and hasn't been missing in some time.

Broadchurch has an example that focuses on the "woman" part of the syndrome rather than the "white". When the Lattimer family wants to know why their son Danny's murder has received almost no media attention, a reporter tells them that it's because Danny was a boy—if he had been a girl, there would be reporters swarming all over the town. The reporter suggests that they could get around this by making Danny's mother Beth the "white woman victim" who would be the focus of media sympathy.

A truly chilling example in The Tunnel in which a terrorist kidnaps a group of children and promises to release them only if the public riots against stores that exploit child labour. Once his hostages are whittled down to two, the terrorist holds an on-line vote to decide which child shall be set free and which shall be executed. One is a black boy, the other a white girl. No prizes for guessing which one the public votes in favour of.

The Dukes of Hazzard: Inverted fully in the Season 6 opener, "Lulu's Gone Away." Lulu Hogg, wife of "Boss" J.D. Hogg is homely and grossly overweight, yet the Duke boys show no hesitation to come to her rescue. Not to mention, the script writers made every effort to portray Lulu in a sympathetic light, as they had since the third season, when she became a regular, and that her ugliness was no issue in saving her from a potentially brutal fate. (Her captors threaten to have her killed if Boss fails to meet their $1 million ransom demand or if the Dukes are even sighted trying to pull off a rescue.)

In iZombie a reporter calls out the police for holding a press conference about a recently dead middle-class white girl while not even assigning a detective to look into the dozens of poor people, many of them people of color, who have gone missing from a local skate park recently. They're being murdered to feed zombies their brains, and at least one police lieutenant is a zombie himself who's covering it up.

In the first episode of Unbreakable Kimmy Schmidt, the news report for the found missing girls reads "WHITE WOMEN FOUND Hispanic woman also found "

" Vera: In "Old Wounds", the father of the Victim of the Week complains bitterly that no one seriously investigated when his daughter disappeared - instead preferring to believe she had just run away - because she was miner's child at the time of the miner's strike, and a half-caste. Even when her body is found, he does not believe the police will put any effort into finding her killer.

The Night Of: The brutal murder of a beautiful, young, white heiress sparks a media sensation. A few days later, cops investigate the murder of an African-American woman in the slums and sarcastically wonder where all the news trucks are at.

In The Exorcist, Casey, the possession victim, at one point vanishes. At the same time, a killer has been targeting black people, brutally murdering them for parts of their bodies. Casey is white, blonde, conventionally attractive and the daughter of Regan MacNeil from the original movie, which nets extra shock value for the press . She gets so much more attention that people actually hold a protest about it.

. She gets so much more attention that people actually hold a protest about it. The second half of the second season of Mindhunter deals with the Atlanta Child Murders, during which 30 African-American boys and young men were killed. The FBI/BSU isn't even formally involved until the deaths reach double digits and the local authorities are more concerned with keeping the city's reputation for investors than with apprehending the killer(s). It contrasts glaringly with the (simultaneous) big case of the Season 1 finale, one murder of a white, blonde, teenage majorette, also in Georgia, where the BSU was faxed crime scene photos by the police and was asked to intervene right away.

Podcasts

Sick Sad World: Comes up a few times. The first episode has the hosts unsurprised that a Black serial killer didn't make the news after they find out his victims were women of color. The same episode also discusses a serial killer who targeted men, and didn't get much attention until he killed a white man rather than a Middle Eastern one. "Missing And Murdered" is about indigenous women who've gone missing or been murdered. The title is shared with a larger movement bringing attention to cases of that nature.



Stand-Up Comedy

Patrice O'Neal: He has a bit where he mentions that black people judge the beauty of a white woman by estimating how long her name would be in the media if she went missing. He mentions a serial killer of women, who was suspected of killing that white woman who went missing in Aruba, what was her name— (An audience member calls, "Natalee Holloway!") And then there was that Peruvian girl just the other month, what was her name? (The audience is silent.) Later, he talks about the (black) NFL players lost at sea, who were declared dead much faster than the average lost white victims would be. He goes on to say that he won't go out to sea without "a white baby on a keychain".

UK comedian Diane Morgan asking why whenever a pretty girl gets killed, people say "look how pretty she was" as though it's somehow more of a loss, but whenever an ugly girl gets killed, no one says "fortunately she was an absolute moose!"

While discussing this trope, John Mulaney notes that the media loves to play up the attractiveness of female murder victims to enhance the sensationalism. He then notes that sometimes the hype doesn't live up to the reality. "'Beauty Slain'. Hmm... How about 'Body Found'?"

Theatre

Parade centers around the trial of Leo Frank , a Jewish man accused of raping and murdering a young white girl in 1913 Georgia. As a black character observes: "The local hotels wouldn't be so packed / If a little black girl had gotten attacked!"

, a Jewish man accused of raping and murdering a young white girl in 1913 Georgia. As a black character observes: Ruined: Discussed Trope, and very serious. The play is set in the Congo during The Congo Wars. The violence has culminated to the point where a white missionary is ruined. A local African man is very disturbed by the murder of the missionary; if the militia is lawless enough and confident enough to kill white people, it's a very bad sign for the natives.

Video Games

Webcomics

Spoofed in this Muertitos comic — when the media finds out the lost girl isn't thin, blonde, and leggy (but is instead chubby, blue, and has no legs), they instantly lose interest .

Muertitos comic — when the media finds out the lost girl isn't thin, blonde, and leggy (but is instead chubby, blue, and has no legs), they . Played with in Better Days: Portia is kidnapped by a sex trafficking ring, and the ringleader chews the kidnapper out for targeting a "white shortbread" porn star that will make the news and get them arrested, as opposed to a random hooker on the street that nobody cares about. Except they don't make the news - Portia's cousin cares enough to murder them all and cover it up with bombs and no witnesses.

Web Original

Western Animation