Keynote 1:







Parallel Computing and Audio Processsing

John ffitch



Oral Session 1:

Music Information Retrieval and Parameter Estimation





Information Retrieval of Marovany Zither Music Based on an Original Optical-Based System [#8]

Dorian Cazau, Olivier Adam, Marc Chemillier





The Tonalness Spectrum: Feature-Based Estimation of Tonal Components [#48]

Sebastian Kraft, Alexander Lerch, Udo Zölzer





Perception & Evaluation of Audio Quality in Music Production [#12]

Alex Wilson, Bruno Fazenda





Unsupervised Audio Key and Chord Recognition [#57]

Yun-Sheng Wang, Harry Wechsler





Separation of Unvoiced Fricatives in Singing Voice Mixtures with Semi-Supervised NMF [#14]

Jordi Janer, Richard Marxer



Oral Session 2:

Parameter Estimation and Generative Processes





A Complex Wavelet Based Fundamental Frequency Estimator in Single-Channel Polyphonic Signals [#24]

Jesús Ponce de León, Fernando Beltrán, José R. Beltrán





Maximum Filter Vibrato Suppression for Onset Detection [#12]

Sebastian Böck and Gerhard Widmer





Generating Musical Accompaniment Using Finite State Transducers [#65]

Jonathan P. Forsyth, Juan P. Bello



Oral Session 3:

Source Separation





Re-Thinking Sound Separation: Prior Information and Additivity Constraint in Separation Algorithms [#21]

Estefanía Cano, Christian Dittmar, Gerald Schuller





Study of Regularizations and Constraints in NMF-Based Drums Monaural Separation [#16]

Ricard Marxer, Jordi Janer





Reverse Engineering Stereo Music Recordings Pursuing an Informed Two-Stage Approach [#28]

Stanislaw Gorlow, Sylvain Marchand





Source Separation and Analysis of Piano Music Signals Using Instrument-Specific Sinusoidal Model [#67]

Wain Man Szeto, Kin Hong Wong





A 3D Multi-Plate Environment for Sound Synthesis [#41]

Alberto Torin, Stefan Bilbao





Pure Data External for Reactive HMM-Based Speech and Singing Synthesis [#17]

Maria Astrinaki, Alexis Moinet, Nicolas dAlessandro, Thierry Dutoit



Oral Session 4:

Sound Synthesis and Processing





Extended Source-Filter Model for Harmonic Instruments for Expressive Control of Sound Synthesis and Transformation [#33]

Henrik Hahn, Axel Röbel





Bit Bending: an Introduction [#35]

Kurt James Werner, Mayank Sanganeria



Oral Session 5:

Physical Models





Numerical Simulation of Spring Reverberation [#19]

Stefan Bilbao (José)





Fourth-Order and Optimised Finite Difference Schemes for the 2-D Wave Equation [#64]

Brian Hamilton and Stefan Bilbao





Parametric Audio Coding of Bass Guitar Recordings Using a Tuned Physical Modeling Algorithm [#9]

Jakob Abeßer, Patrick Kramer, Christian Dittmar, Gerald Schuller





3D Particle Systems for Audio Applications [#50]

Nuno Fonseca





Physically Informed Synthesis of Jackhammer Tool Impact Sounds [#23]

Sami Oksanen, Julian Parker, Vesa Välimäki





Guitar Preamp Simulation Using Connection Currents [#10]

Jaromir Macak





Chromax, the Other Side of the Spectral Delay Between Signal Processing and Composition [#58]

Arshia Cont, Carlo Laurenzi, Marco Stroppa



Oral Session 6:

Analysis-Synthesis Methods





On the Modeling of Sound Textures Based on the STFT Representation [#36]

Wei-Hsiang Liao, Axel Röbel, Alvin W.Y. Su





A Streaming Audio Mosaicing Vocoder Implementation [#55]

Edward Costello, Victor Lazzarini, Joseph Timoney



Oral Session 7:

Interaction and Control





A Modeller-Simulator for Instrumental Playing of Virtual Musical Instruments [#25]

James Leonard, Nicolas Castagné, Claude Cadoz, Jean-Loup Florens





Rumbator: a Flamenco Rumba Cover Version Generator Based on Audio Processing at Note Level [#3]

Carles Roig, Isabel Barbancho, Emilio Molina, Lorenzo J. Tardón, Ana María Barbancho





Controlling a Non Linear Friction Model for Evocative Sound Synthesis Applications [#44]

Etienne Thoret, Mitsuko Aramaki, Charles Gondre, Richard Kronland-Martinet, Sølvi Ystad





Time-Frequency Analysis of Musical Signals using the Phase Coherence [#2]

Alessio Degani, Marco Dalai, Riccardo Leonardi, Pierangelo Migliorati





Modelling and Separation of Singing Voice Breathiness in Polyphonic Mixtures [#15]

Ricard Marxer, Jordi Janer





Audio-Tactile Glove [#38]

Gareth Young, David Murphy, Jeffrey Weeter



Oral Session 8:

Source Separation and Restoration





Stereo Vocal Extraction Using Adress and Nearest Neighbours Median Filtering [#7]

Derry FitzGerald





Comparison of Various Predictors for Audio Extrapolation [#27]

Marco Fink, Martin Holters, Udo Zölzer





Virtual Analog Modelling

Vesa Välimäki



Oral Session 9:

Audio Effects







Doppler Effects without Equations [#34]

Peter Brinkmann, Michael Gogins





Csoundo For Android [#37]

Rory Walsh, Conor Robotham





Digital Audio Device Creation by the use of a Domain Specific Language and a Hardware Abstraction Layer [#29]

Stefan Jaritz





Incremental Functional Reactive Programming for Interactive Music Signal Processing [#60]

Caleb Reach



Oral Session 10:

Audio Effects and Coding







Music Dereverberation by Spectral Linear Prediction in Live Recordings [#30]

Katariina Mahkonen, Antti Eronen, Tuomas Virtanen, Elina Helander, Victor Popa, Jussi Leppänen, Igor D.D. Curcio







Audio Time-Scaling for Slow Motion Sports Videos [#18]

Alexis Moinet, Thierry Dutoit, Philippe Latour







Error Robust Delay-Free Lossy Audio Coding Based on ADPCM [#22]

Gediminas Simkus, Martin Holters, Udo Zölzer



Oral Session 11:

Spatial Audio and Room Acoustics







A New Reverberator based on Variable Sparsity Convolution [#55]

Bo Holm-Rasmussen, Heidi-Maria Lehtonen, Vesa Välimäki





B-Format Acoustic Impulse Response Measurement and Analysis In the Forest at Koli National Park, Finland [#20]

Simon Shelley, Damian Murphy, Andrew Chadwick





Real-Time Dynamic Image-Source Implementation For Auralisation [#53]

André Oliveira, Guilherme Campos, Paulo Dias, Damian Murphy, José Vieira, Catarina Mendonça, Jorge Santos



Oral Session 12:

Emotion and Perception







A Preliminary Analysis of the Continuous Axis Value of the Threedimensional PAD Speech Emotional State Mode [#6]

Simon Lui







Perceptual Investigation of Image Placement with Ambisonics for Non-Centred Listeners [#32]

Peter Stitt, Stéphanie Bertet, Maarten van Walstijn



Workshops



Workshop 1:





Workshop 2 :







Dynamic Convolution Techniques In Live Performance [Mon 2 - #2]

Prof. Sigurd Saure (Norwegian university of Science and Technology, Trondheim)



Workshop 3:





Workshop 4:



