As I announced on Friday, the television series for which I filmed a part three months ago aired its debut episode last week to millions of viewers on Sweden’s SVT network. I was cast by producers to offer a paleoconservative point of view on a number of hot topics, including: race relations, homosexuality, and Southern culture.

They shot several hours of raw interview footage with me in various settings, such as driving a car, walking down the street, sitting in a coffee shop, interacting with others, etc. The last I heard was that mine was to be an “involved role” and that I should be featured more extensively as the series continues to air each week through February. I was featured briefly, but fairly, on Wednesday night’s prime time series premier.



(Special thanks to Mark in Missouri for placing this excerpt on YouTube! If the clip was somewhat choppy, click here, press play, and then scroll to the 21:28 mark to see a smooth video stream from the original source.)

When presented with an opportunity to reach such a large number of brainwashed but potentially convertible kinsmen, I wanted to be sure to avoid emotional answers and act as though it was just another broadcast for me on the radio.

Similar to my interviews on CNN, I knew that if I came in too hot the audience might recoil, so I carefully crafted my answers to be palatable without compromising any of my heartfelt positions.

The recipe must have worked because we’re already making an impact in Northern Europe, having received a considerable amount of encouraging feedback from viewers as a result of the first episode. I am also now booked to be a guest on a popular Swedish radio show in the next few days!

It’s rewarding to know that the work of The Political Cesspool Radio Program is considered to be an authority and continues to garner worldwide press. When I was first contacted by producers I was told that they were looking to cast me because they wanted someone who would be attractive on camera and had a reputation in American media for being willing to discuss sensitive matters with candor and sincerity.

They could have cast anyone, but we were the first choice. Thank you, dear audience, for making that possible. Nothing we do could happen without your support and prayers.

Here’s a little more information about the television show (Jill’s Veranda), the production company that made it happen (Eyeworks), and the network on which it airs (SVT).

Jill’s Veranda Jill’s Veranda is a documentary series that celebrates country music. Country artist Jill Johnson takes us to Nashville, the home of country music. In the different episodes Jill and the show will be guested by famous Swedish artists. Each visiting Swedish artist brings a country music song to Nashville. The song serves as the theme of the episode and the starting point for deeper discussions between Jill, her guests and other participants. In addition to the visiting Swedish performers we will meet American country artists and musicians. Country music is the core and heart of the show but the show also offers a closer look at Nashville of today. Eyeworks Eyeworks International is the third largest independent production company in the world. Eyeworks is represented in fifteen countries on four continents and produces entertainment, factual and feature programs. SVT Sveriges Television (SVT) is the Swedish national public TV broadcaster. The Swedish public broadcasting system is largely modeled after the system used in the United Kingdom, and Sveriges Television shares many traits with its British counterpart, the BBC. SVT is the most watched television network in Sweden.

I must say that I could not have been treated better by the production crew. They were absolutely first rate and we developed a great rapport behind the scenes.

Click here to read last week’s initial report. I will keep you posted!



Filming a scene last fall in Nashville for Jill’s Veranda