Dirty Mary, Crazy Larry is a 1974 American car chase film based on the 1963 Richard Unekis novel titled The Chase (later renamed Pursuit). Directed by John Hough, the film stars Peter Fonda, Susan George, Adam Roarke, and Vic Morrow. ( wikipedia "You can learn a lot about an era from its B-movie stars, and Peter Fonda, with his gigantic loopy shark-grin and his perma-shag and the weird Aryan intensity that always seemed to be bubbling just under the surface, was the perfect guy for the moment the hippie dream died. He was an icon thanks to Easy Rider, of course—a terrible movie that sidestepped its way into the canon by flattering a whole generation's frustrations. And he would've been an icon anyway, because he looked the way he looked and gave off that "privileged, oversexed stoner" vibe. But Fonda was a B-movie lifer, too, from The Wild Angels to Race With the Devil to Futureworld all the way through to the first Ghost Rider and, like, Boondock Saints II: All Saints Day. And Dirty Mary, Crazy Larry is a B-movie to the core.In a lot of ways, Fonda's character here is a riff on his Easy Rider role. In that one, he was a criminal moving a shipment of cocaine, but he was more concerned, really, with driving fast and dropping acid and dying symbolically. In Dirty Mary, he's a criminal robbing a grocery store and trying to get away, but he's more concerned with driving fast and getting laid and pissing off cops. And he's a real asshole, too. In the movie's opening scenes, he and his partner pull off their robbery by holding the supermarket manager's wife and daughter at gunpoint. Fonda's partner, played by an intense Adam Roarke, stresses through the whole thing, sweating hard. But Fonda treats it like a joke, offhandedly telling the manager that one phone call and he won't be a family man anymore. When he leaves the supermarket with a bagful of cash, he doesn't do that crime-in-progress power-walk; he sort of amble-struts. Later on, he threatens his romantic lead that he'll "braid her tits," which, I mean, was that a thing people said in 1974? Because damn. The best part: Fonda isn't even a career criminal. He's a fucking NASCAR driver trying to raise enough money to "get some real speed." Clearly, they don't make NASCAR drivers like they used to." ( deadspin • The famous getaway car featured in the film is a 1969 Dodge Charger R/T with a 440 cubic inch V-8 engine. For muscle car buffs, the color of the Charger is Sublime Green. The same color for Plymouth was called Lime Light. The black stripe on the side of the car is NOT a "factory" racing stripe (rather one painted on by the crew), and the wheels are classic "American Racing" brand wheels.• Kris Kristofferson turned down the male lead.• Selected by Quentin Tarantino for the First Quentin Tarantino Film Fest in Austin, Texas, 1996.• A clip of the chase scene in which Mary says, "I think someone's knocking on the door," is played in the 1997 Quentin Tarantino film Jackie Brown in which Robert De Niro and Bridget Fonda are watching. Bridget Fonda is the daughter of Dirty Mary Crazy Larry star Peter Fonda.• Six Dodge Polara 440 V-8 police cars were purchased from the California Highway Patrol for use in the film. Two were 1973 models, the remaining 4 were 1972's. All were destroyed during various jumps, rollovers, and crashes.• Vic Morrow, playing 'Franklin', insisted on a one million dollar life insurance policy before he would film any scenes involving the helicopter, and said that if he wouldn't be insured, he would walk off the picture. His wish was granted, and he very reluctantly agreed to fly in the chopper. When asked why he wanted the policy, Morrow replied "I have always had a premonition that I'll be killed in a helicopter crash!" Of course, on July 23, 1982, Morrow was indeed killed, along with two children, when a helicopter was brought down by special effects explosions, right on top of them.• The collision with the train at the end of the film was accomplished by rigging an engineless Dodge Charger filled with explosives to a towing cable that was run underneath the train tracks (the cable and pulley are, in fact, visible in the film). The towing cable was hooked up to a pulley system, and then to the train, which pulled the Charger into it. The crash and explosion of the car were actually two separate shots: one was the actual collision with the train accompanied by a small explosion, and the second was a larger explosion of the wrecked Charger staged with the train passing in the background of the shot. Original trailer on Youtube.“I bought [the] Charger from the production company’s available car pool. I was working on the TV show “The Streets of San Francisco,” at the time. While waiting for another scene to be set up, I was looking through the trade papers the studios get to get cars and props from other studios inventory and spotted the picture of the Charger and knew what it was,” explained Bert. ( streetlegaltv This movie is a selection of the Shut Up And Drive! club.