There are many, many keys to the ever-growing popularity of Game of Thrones. The writers, the source material, and the actors get the most focus, but meticulous artisans like costumer designer Michele Clapton, production designer Deborah Riley, composer Ramin Djawadi, and many more also make each season of this fantasy world more sumptuous and lush than the last.

There are also clever hints and clues about the series hidden in all of these people’s work, from the shape of Daenerys’s coat, to the detailing on her throne, to the musical motifs in the Season 7 soundtrack, which is now available online. The full collection of Djawadi’s Season 7 music includes tracks from Sunday’s super-sized finale, which gives fans one last shot at speculating what’s to come. You don’t need a degree in music to decipher these clues, but, in some cases, it might help.

We’ll get to some of the more nuanced clues Djawadi seeded into the music early in the season in a bit, but first, let’s briefly look at a few song titles from the finale that sound very intriguing. The tracks on the album are usually listed in order of when the tunes premiered in the season, so let’s take this chronologically.

To start: an ominous, booming song, track no. 21, called “No One Walks Away from Me.” The tracks are often named for pieces of actual dialogue, and you don’t need to be spoiled to know that there’s really only one person on the show who might say this—and likely only one person she would care enough to say it to. The snatches of “The Light of the Seven”—the show-stopping track that played during the Sept explosion last season—laced throughout the end of “No One Walks Away from Me” also provide a clue.