Judging this book by it's cover, which is sweet by the way, this leather back book has a gold embossed scarab on the front. Nothing fancy, just sleek and elegant. Opening this tome (or in my case the PDF) you'll be greeted with stunning piece of artwork by Samuel Araya. The book has several captivating pieces of art scattered amongst it's pages, all of which are beautiful and help to bring the stories to life. From there it moves on to the title page, publishing information and table to contents. I appreciate that Shane put in a table of illustrations as well. Makes showing off the books great artwork that much easier.

The PDF version (available on DriveThruRPG), is fully bookmarked. This undoubtedly time consuming effort by the editor is a massive boon for the reader. When I say fully bookmarked, I mean fully. Each of Ken Hite's annotations are bookmarked as well, and there is a TON of them. Ken's insight into Chambers' writing shows. Ken brings you into the strange, nightmarish world Chambers first created. Each nuance is dissected and historical context within the writing is brought into the light. These notes are what makes this version of the book truly shine (that, and the gold feathering). It's clear from the production value, to the lengthy amount of research, that this was a labor of love for those involved. We had the chance to ask Shane Ivey about this title during an interview on the Great Old Ones podcast. which you can check out here! (40:30-43:30 from the interview) Speaking of the production value, I want to quickly say that the text of the actual stories themselves is really nicely laid out, and easy to read. This in tandem with the bookmarks makes this version of the King in Yellow an unique experience.