J Balvin and Willy William’s “Mi Gente” was a certified banger from the moment it dropped—in the streets, the clubs, the airwaves, and the charts. Released during the summer of “Despacito,” it proved the Daddy Yankee and Luis Fonsi’s Spanish-language pop smash was no fluke. With the track’s latest remix, blessed by none other than Beyoncé, Balvin and William seem to be following the “Despacito” playbook, adding a feature from an English-speaking pop star singing in Spanish to expand the song’s reach. But the remix is far from a cynical booster pack to an already massive song: Beyoncé will donate proceeds from the remix to natural disaster relief in communities devastated by earthquakes and hurricanes in the last few weeks. And with a mastery of Spanish that will come as no surprise to those that remember Irreemplazable, she helps William and Balvin prime the party anthem for global domination.

While Bieber’s Spanish likely benefitted from studio wizardry, Beyoncé needs no such assistance here. Even more impressively, she’s not just singing, but straight up rapping. The English and Spanish flow are two different beasts, but Bey wields her fluency like a wand, effortlessly flowing lines like “Mi gente no se detiene/Aquí nadie se quiere ir” (“My people don’t stop, nobody wants to leave”) that would twist your favorite rapper’s tongue in a knot of syllables. The track’s infectious beat, borrowed from Williams’ “Voodoo Song”—a wailing car-horn melody laid atop the iconic reggaeton riddim—remains unchanged. But Beyoncé’s flexes (“I been giving birth on these haters ’cause I’m fertile”) push it over the top. Her bars are seamlessly woven into Williams’ and Balvin’s verses too: Bey cops Balvin’s autotune croon with aplomb, and in her verse with Willy, she tips her cap to his French-Mauritanian heritage with a few lines in French, for good measure.

At its core, “Mi Gente” is about a shared cultural pride, one that transcends borders and race, from J Balvin’s native Colombia to Puerto Rico and across all of Latinidad. It’s a declaration that “El mundo nos quiere” (The world wants us) set to a head-nod bop. Beyoncé gets this, and with this remix, she backs up her words with action. This is what solidarity sounds like.