Love is in the air next month—and so is a fresh batch of Netflix content, perfect for watching in the company of a special someone (or alone! Alone is also fine!). Read on to learn what the streaming service is bringing to the screen next month—as well as what to catch now, before it fades into the black hole of the Internet.

Film

What’s Arriving . . .

Personal Shopper

Kristen Stewart’s best work in her post–Twilight years has arrived courtesy of collaborations with director Olivier Assayas. Following her César-winning turn in Clouds of Sils Maria, Stewart starred in this moody, haunting drama as Maureen, a personal shopper who attempts to communicate with her late twin brother in order to fulfill their lifelong promise—that whoever dies first will send the other a signal from the afterlife. Stewart spends a lot of time alone on-screen—frequenting clothing stores, summoning her brother, sitting glumly on trains—all the better to showcase her singular star quality. Her remarkable performance is aided by Assayas’s deft, super French take on the thriller genre, infusing the film with subtle supernatural notes.

Little Women

Gillian Armstrong’s 1994 film adaptation of the Louisa May Alcott classic is a warm look at the story of four sisters growing and evolve in late 19th-century-era Massachusetts. The Peak 90s cast includes Winona Ryder as obstinate Jo, Claire Danes as doomed Beth, and Susan Sarandon as Marmee. Watch it now so you can better compare and contrast when Greta Gerwig’s adaptation comes along: that version stars Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy, and Eliza Scanlen as Beth. The rest of the cast is rounded out by Timothée Chalamet as Laurie and famous slouches Meryl Streep and Laura Dern as Aunt March and Marmee, respectively.

Velvet Buzzsaw

Jake Gyllenhaal has reunited with Nightcrawler director Dan Gilroy for this upcoming thriller, which is set to debut at the Sundance Film Festival. Given that, this recommendation is based on hype and the duo’s precious track record alone . . . and the fact that Gyllenhall plays an art critic named Morf, which is truly unbeatable in and of itself. In the creepy trailer, which Vanity Fair debuted earlier this month, Morf and company (including a character played by nascent horror queen Toni Collette) are being haunted by a dead artist who seems to creepily inhabit all of his paintings. “The idea that artists invest their souls in their work and it’s more than a commodity—that has always interested me,” Gilroy told V.F. of his inspiration.

__What’s Leaving . . . __

Children of Men

There are few films more topical than Alfonso Cuarón’s excellent 2006 dystopia, starring Clive Owen. In the film, set in the year 2027, the world is roiled by global infertility, collapsing in on itself as humanity lurches toward extinction. Owen plays Theo, a bureaucrat who reunites with his former partner (played by Julianne Moore) and helps her aid refugees—including a young woman named Kee (Clare-Hope Ashitey), who is somehow pregnant. Children of Men, which went on to nab three Oscar nominations (a regular occurrence for Cuarón), has since frequently been cited as one of the most eerily relevant films of the last two decades. Why, you ask? Oh, no reason; everything’s perfectly fine!

TV

What’s Arriving . . .