This site often talks about young, brand new artists who were groomed by their record labels and released onto the world with a carefully calculated gimmick. Well, this article will not be about that kind of artist. It will be about a 76-year old icon who was part of the most influential group in the history of pop music and who attained the title of “living legend” about three decades ago.

Indeed, Paul McCartney began recording music over 60 years ago. He released over 30 albums as a member of The Beatles, Wings and as a solo artist. He was inducted in the Rock and Roll Hall of Fame in 1988 as a member of the Beatles and, again, in 1999 as a solo artist. He’s also an 18-time Grammy Award winner who has written or co-written 32 songs that reached number one on the Billboard Hot 100 chart.

So, Paul McCartney is not exactly a newcomer. In fact, he’s been, for decades, the subject of the oldest conspiracy theory in the history of pop music: “Paul is Dead“.

This theory, which surfaced around 1967, asserts that McCartney actually died in a car crash in 1966 and was replaced by a look-a-like.

Proponents of the theory maintained that, in November 1966, McCartney had an argument with his bandmates during a Beatles recording session and drove off angrily in his car, crashed, and was decapitated. To spare the public from grief, or simply as a joke, the surviving Beatles replaced him with the winner of a McCartney look-alike contest. This scenario was facilitated by the Beatles’ recent retirement from live performance and by their choosing to present themselves with a new image for their next album, Sgt. Pepper’s Lonely Hearts Club Band.

– Wikipedia, “Paul is Dead”

Those who believe that “Paul is Dead” analyzed the facial structure of the real McCartney versus the fake one, decoded hidden messages in the band’s song lyrics (some in reverse) and interpreted symbolism found in The Beatle’s album art.

Whoever Paul truly is, that person went on to have a long and prolific career. And he doesn’t appear to be close to retiring. His latest album Egypt Station debuted at #1 on the US Billboard 200.

However, in this day and age, to remain part of the industry (even if you’re a “living legend”) you must embrace the elite’s agenda. And show your submission. And Paul did what he had to do.

Paul’s latest video Who Cares is yet another example of this fact. While the song has a distinct 1985 feel to it, the video is very 2019. Indeed, it has all of the symbolism and mind control messages found in countless pop videos nowadays.

Who Cares

Unlike the video, the song’s lyrics are quite simply: They’re about not caring about what others think. The chorus goes:

Who cares what the idiots say

Who cares what the idiots do

Who cares about the pain in your heart?

Who cares about you?

I do

In the video, actress Emma Stone plays the role of an anxious woman seeking treatment from Paul McCartney, who plays the role of a “behavioral hypnotist”. Then things sink quickly into the dark world of Monarch programming (if you don’t know what that is, read this article first). In fact, he turns into a mind control handler.

Right from the start, the video uses lots of imagery, references, and symbols that relate to mind control.

The actual video begins with Emma Stone entering a building from the emergency exit door. Right from the start, things are topsy-turvy.

Then, Emma finds Paul McCartney’s office, who goes by a symbolic pseudonym.

So why is McCartney called Dr. Lorenz and why is he also a meteorologist? These clues point to a specific person: Edward Norton Lorenz.

Edward Norton Lorenz was an American mathematician and meteorologist who founded modern chaos theory from which is derived the “butterfly effect” which theorizes that the flapping of butterfly wings can lead to a tornado. In Who Cares, the fields of psychology and meteorology are combined to tell a story rife happening in the inner-world of Emma Stone.

When Emma enters McCartney’s office (aka Dr. Lorenz), we immediately see lots of symbolic objects.

Then Dr. Lorenz begins interacting with his patient with sentences that are reminiscent of NLP (neuro-linguistic programming).

“It’s a bit unruly here but, that’s the way it goes. Disorder. Out of order. Order out of disorder. It all gets a bit chaotic sometimes, doesn’t it?”

All of this relates to the chaos theory of the actual Dr. Lorenz. Also, as seen in previous articles, the main motto of the occult elite is “order out of chaos”.

Right after drinking some of the tea, Emma spaces out. Was the tea laced with something? Drugs such as LSD are used in actual Monarch programming to facilitate the programming of MK slaves.

Then, the setting of the video changes drastically. Emma completely dissociates from reality (the goal of Monarch mind control) and enters a bizarre alternate dimension that is rife with symbolism. Not unlike classic MK tales such as The Wizard of Oz and Alice in Wonderland, this alternate world represents the dissociated slaves’ perception of reality while they are being programmed through trauma.

While dissociated, Emma is constantly surrounded by dudes with faces painted half black and half white, not unlike the painting seen in Dr. Lorenz’s office.

In the video, these dualistic ‘demons’ torment Emma and take pleasure in subjecting her to various forms of trauma. The credits say that these guys are the “idiots” that McCartney sings about in the song’s chorus.

At face value, Dr. Lorenz teaches Emma to not care about what idiots say and do. That’s great advice. However, considering the MK symbolism found in the video, there’s a deeper meaning. While dissociated, Emma is actually being subjected to trauma by the “idiots”.

In the end, we see the final product of the programming.

Then the video snaps back to reality.

The video ends with a prolonged outro featuring some curious objects.

In Conclusion

Who Cares manages to pack in 6 minutes a plethora of symbols that are directly associated with the occult elite. Paul McCartney plays the role of a hypnotist who uses the false premise of treating Emma Stone’s anxiety to lead her into dissociation and trauma-based mind control.

On a wider scale, this video proves that the elite’s agenda is unavoidable, even for iconic veteran artists such as Paul McCartney. To remain in the industry, all artists must abide by the Orwellian and totalitarian rules of the elite that forces all artists to adopt a specific set of symbols and narratives. And that includes promoting the elite’s most horrific practice: Monarch mind control.

Who cares? We do.

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