“I have an absolute hatred of crotch-grabbing. Can I show you what I mean?” said Alastair Bruce, historical advisor on “Downton Abbey,” one crystalline spring afternoon at Highclere Castle, the Hampshire estate where the hit series on PBS was being filmed last year.

Nothing gets Bruce quite as riled up as slouchy, modern-day posture. From a picnic table on the estate’s vast lawn, he jumped to his feet to demonstrate, sloping his shoulders forward and clasping his hands over the waistband of his khakis.

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“If only we could take one lesson out of this otherwise terrifyingly starched era and just stand up straight,” he said in an accent that would sound quite at home upstairs at Downton Abbey. “All men would be more handsome and all women more beautiful.”


For six seasons, Bruce ensured that every on-screen detail accurately reflected the lifestyle of a British aristocratic family and its servants in the early 20th century. “It’s everything from making sure the general’s medals are in the right order, to picking up the right fork to eat a blancmange,” said Julian Fellowes, creator of the beloved series, which bids farewell Sunday on PBS. “He can do all of it.”

If only we could take one lesson out of this otherwise terrifyingly starched era and just stand up straight. Alastair Bruce, historical advisor on “Downton Abbey”

Indeed, the title of “historical advisor” seems almost inadequate, given the scope of Bruce’s responsibilities and influence on the production. Nicknamed “The Oracle,” he played an essential role in helping cast and crew understand the mind-set of characters living in a rigidly formal and hierarchical period.

“We couldn’t have done the job that we do, and the show wouldn’t have been the same, without him,” explained Kevin Doyle, who played Molesley, the bumbling footman who found a new career in this last season as a schoolteacher. “Behind Julian, he’s one of the most important people on the set, and thankfully he’s here pretty much all the time.”


Perhaps surprisingly for someone who spends his days obsessing over decorum and protocol, Bruce, a youthful-looking 55-year-old, is not exactly a paragon of tact. He has an endearingly unfiltered quality and a penchant for saying indelicate things that would make Carson spit up his Earl Grey. At the same time, there’s a touch of the dowager countess in his ability to lob an artful zinger.

Unbidden, he referred to Highclere Castle as “one of the ugliest houses in Britain” and rolled his eyes at the mention of its current chatelaine, Lady Carnarvon. While watching a scene last spring via a monitor, he exploded in frustration when Elizabeth McGovern (playing Lady Grantham) walked toward a dinner guest with “ludicrous” speed.

1 / 13 Maggie Smith and director Michael Englar discuss a scene before filming “Downton Abbey” in the upstairs set at Highclere Castle. (Bethany Clarke / For the Los Angeles Times) 2 / 13 Joanne Froggatt and Brenday Coyle relax between takes in the downstairs servants’ quarters set at Ealing Studios in West London. (Matthew Lloyd / For The Times) 3 / 13 Michelle Dockery poses for portraits between filming a scene of “Downton Abbey” in the upstairs set at Highclere Castle. (Bethany Clarke / For The Times) 4 / 13 Hugh Bonneville and Kevin Doyle talk with crew members before filming a scene of “Downton Abbey” in the upstairs set at Highclere Castle. (Bethany Clarke / For The Times) 5 / 13 Crew members prepare before filming a scene of “Downton Abbey” in the upstairs set at Highclere Castle. (Bethany Clarke / For The Times) 6 / 13 Penelope Wilton has final touches made to makeup by a crew member as Maggie Smith waits before filming a scene of “Downton Abbey” in the upstairs set at Highclere Castle. (Bethany Clarke / For The Times) 7 / 13 Jim Carter talks to Phyllis Logan before a scene of “Downton Abbey” in the downstairs servant quarter set at Ealing Studios in West London. (Matthew Lloyd / For The Times) 8 / 13 Elizabeth McGovern rehearses before filming a scene of “Downton Abbey” in the upstairs set at Highclere Castle. (Bethany Clarke / For The Times) 9 / 13 Makeup and hair artist Amy Boyd touches up Sophie McShera on set, as historical advisor Alastair Bruce waits for a scene of “Downton Abbey” in the downstairs servant quarter set at Ealing Studios in West London. (Matthew Lloyd / For The Times) 10 / 13 Laura Carmichael poses for a portrait during the filming of a scene of “Downton Abbey” in the upstairs set at Highclere Castle.

(Bethany Clarke / For The Times) 11 / 13 Lesley Nicol waits for a take to start during filming of a scene of “Downton Abbey” in the downstairs servant’s quarters set at Ealing Studios in West London. (Matthew Lloyd / For The Times) 12 / 13 Show creator Julian Fellowes takes a stroll at the set of “Downton Abbey.” ( Austin Hargrave ) 13 / 13 Allen Leech, Julian Fellowes, Jim Carter and Gareth Naeme discuss matters on the set of “Downton Abbey.” ( Austin Hargrave )

For Bruce (full name: Alastair Andrew Bernard Reibey Bruce of Crionaich, OBE), “Downton Abbey” is but one title on a rather unique CV.


He trained at Sandhurst, the royal military academy, and fought with the Scots Guards in the Falklands war. He serves as equerry (sort of like a presidential body man) to Prince Edward, and as herald to the queen, with the official title of Fitzalan Pursuivant of Arms Extraordinary. “When the Queen is opening Parliament I lead the procession into the House of Lords, setting the pace for the Queen to follow,” he explained. “Quite an important job.” He’s also familiar to British television audiences as a royal commentator for Sky News.

Bruce first collaborated with Fellowes on a television adaptation of Mark Twain’s “The Prince and the Pauper” in the mid-'90s. The writer was researching the coronation ceremony of Edward VI when his wife, Emma Kitchener, suggested ringing up Bruce, her friend since childhood. They also worked together on “The Young Victoria,” starring Emily Blunt.

As the taste for historically authentic pop culture has grown in recent years, Bruce has found himself increasingly in demand. He was an advisor on the 2010 Oscar winner “The King’s Speech” and was invited to work on “W.E.,” Madonna’s similarly themed project about Wallis Simpson and King Edward VIII. He turned down the offer, though his objections had less to do with crotch-grabbing than the liberties she took with the story.

We couldn’t have done the job that we do, and the show wouldn’t have been the same, without [Alastair Bruce]. Kevin Doyle, “Downton Abbey” actor


“I know my onions,” he said. “I will bring them out, pop them on display, chop them up, cook them, whatever. But if you don’t want onions, don’t bother coming to the onion seller.”

Bruce’s commitment to getting the onions just right was occasionally a headache for the cast and crew on “Downton Abbey,” who didn’t necessarily love having to reshoot a scene because, say, Lady Grantham’s bed was made with only a sheet and an eiderdown and not a blanket.

“To forget a bed, what an awful thing,” he lamented. “People don’t make beds now. They just throw a duvet over everything and hope for the best.”

Though not a dialect coach, Bruce is also a stickler for authentic pronunciation, however fussy it might seem to modern ears. For an upper-class person in 1925 to say “schedule” with a hard “c” would be “like forgetting to flush the lavatory, to be honest,” so “shed-yule” it is.


1 / 18 Michelle Dockery plays Lady Mary Josephine Crawley, the eldest daughter of Lord and Lady Grantham. (Carnival Film & Television Limited 2012 for Masterpiece / Los Angeles Times) 2 / 18 Michelle Dockery, left, and host Jimmy Fallon wearing helmets outfitted with antlers for a ring toss game during the taping of “Late Night with Jimmy Fallon” in New York on Dec. 10, 2013. (Lloyd Bishop / NBC) 3 / 18 Hugh Bonneville plays Robert Crawley, Earl of Grantham and head of the Crawley family. (ITV for Masterpiece / Los Angeles Times) 4 / 18 Elizabeth McGovern plays Cora Crawley (nee Levinson), Countess of Grantham. (Masterpiece / Getty Images) 5 / 18 Elizabeth McGovern (Cora Crawley, Countess of Grantham) with iPad in hand and actor Hugh Bonneville in a puffy jacket, during filming of Season 3. (Matthew Lloyd / For The Times) 6 / 18 Laura Carmichael plays Lady Edith Crawley, middle daughter of Lord and Lady Grantham. (Carnival Film & Television Limited 2013 for Masterpiece / Los Angeles Times) 7 / 18 Michelle Dockery, left, Hugh Bonneville and Laura Carmichael attend the “Downton Abbey” cast photo call on Dec. 10, 2013, in New York. (Evan Agostini / Invision / Associated Press) 8 / 18 Allen Leech plays Tom Branson, who begins the series as the chauffeur for the Crawley family. (Los Angeles Times) 9 / 18 Allen Leech and Michelle Dockery during filming of Season 3 of “Downton Abbey.” (Matthew Lloyd / For The Times) 10 / 18 Joanne Froggatt plays Anna May Bates (nee Smith), head housemaid and wife to John Bates. (Carnival Film & Television Limited 2012 for Masterpiece / Los Angeles Times) 11 / 18 Lily James plays Lady Rose MacClare, cousin and ward of the Granthams, daughter of the Marquess and Marchioness of Flintshire. (Carnival Film & Television Limited 2013 for Masterpiece / Getty images) 12 / 18 Dan Stevens plays heir presumptive (third cousin once removed) of Lord Grantham, a former lawyer. (ITV for Masterpiece / Los Angeles Times) 13 / 18 Maggie Smith plays Violet Crawley, Dowager Countess of Grantham. (PBS / Getty images) 14 / 18 Jim Carter plays Charles Carson, the Crawley family butler. (Carnival Film & Television Limited 2012 for Masterpiece / Los Angeles Times) 15 / 18 Phyllis Logan plays Mrs. Hughes, the Crawley family housekeeper. (MCT / Los Angeles Times) 16 / 18 Lesley Nicol plays Beryl Patmore, the Crawley family cook. (Carnival Film & Television Limited 2012 for Masterpiece / Los Angeles Times) 17 / 18 Sophie McShera plays Daisy Mason (nee Robinson), who begins the series as a kitchen maid. (Carnival Film & Television Limited 2013 for Masterpiece / Los Angeles Times) 18 / 18 Rob James-Collier begins the series as the Crawley family’s first footman. (Masterpiece / Associated Press)

Bruce also helped directors like Minkie Spiro add a layer of visual detail to Fellowes’ scripts, which could be light on stage directions. Spiro reviewed each script page by page with Bruce, looking for information about what each character might be eating, wearing or doing based on the customs of the day. “We talk about, ‘OK, this is probably about 11 o’clock, what would Cora really be doing at a time like this? OK, it’s down time for her, so she’ll be doing her tapestry,’” Spiro said. “It’s all part of telling us about the characters.”

Bruce’s presence allowed Fellowes to be on set far less than he was in earlier days and to focus instead on writing each episode of the series. “Alastair is my luxury,” he said.

Asked whether there are any customs from the “Downton Abbey” era he’d liked to see revived, he cited just one. “You bloody well started this, you Americans: I can’t go to a restaurant in London anymore without some fellow or girl who flounces up and says, ‘Everything all right with your meal?’ It’s like a car crash has just landed on the table. Can you imagine Carson asking whether you were happy with your food?”


Yet Bruce does appear pleased by the social progress made since the 1920s. “It was a period when everyone knew their place,” he said. “We live in a world where, thank the Lord, none of us know our place.”

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