Gaz Frost: For me, it was all about early grime music. When grime music first started being made, everybody was listening to it. Everyone had it on their phone, everyone was an MC, that was just the time that it was. That was how I grew up, you know what I mean? I was like 13, 14, Dizzee Rascal came out with Boy in the Corner, I thought that was the sickest album. That was my first taste of electronic music, like “what are these sounds, how are these sounds being made?!” That was like 2003-2004, somewhere in there.

The Rust: How did the Congi project start? Where did you and Tulip meet? What was the scene like in Nottingham?

Gaz Frost: We've got a friend called Ninja who produces lots of beats, he's a mutual friend of ours, met at his house. I didn't know Tulip, Tulip didn't know me, but we actually went to school together. He [Tulip] and I got to know each other, started to mix together. He'd always bring his vinyl around, he taught me how to do that kind of thing. Yeah, we just started meeting up and making music together. It was fun, like we didn't plan it or nothing! From there we started to get, like, quite serious with it, find an outlet to release. The scene in Nottingham was really interesting, there was a lot of guys doing dubstep. Like there was this one guy, Geome, he's massive. For me, he was really important at the time, [representative of] the really good stuff that was going around. And that's also sort of how we [Tulip and I] became friends, mutual friends recommending the same nights to us, stuff like that.

The Rust: What are some inspirations for the Congi project?

Gaz Frost: God man, it's vast. Like, there's a lot of influence. There's a jazz project out of the UK called the Ezra Collective, a lot of really young jazz players. I've got a friend called Yazmin Lacey, she's an amazing singer. A lot of hip-hop, early grime, so like early Dizzee Rascal. That's the kinda stuff that really sculpted our sound. And there's a lot of R&B as well, like we both really like Destiny's Child and Jagged Edge, that kinda stuff.

The Rust: Best shows you've played? In terms of crew, crowd, production value, whatever.

Gaz Frost: Denver was sick. Also last year here [Shambhala], man! I'd never played in Canada before, last year was really fun. The overseas ones are always the best ones. I've played a little in Europe (Portugal a couple weeks ago), but the vibe over here is definitely different. From home, especially, home's a little bit weird! It's more appreciated out here, I feel.

The Rust: Interesting! When did you feel that shift occurred?

Gaz Frost: I don't know! I dunno how it happens, but at festivals like this, you can play what you want, and you don't have to worry about making people dance. That's the best part, you can try something out that you're not too sure about, and the crowd's really receptive to what you want to play. That's the big difference, I feel.

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We spoke about Shambhala this year and what was different (the lack of bridge at the Living Room shocked both of them). They were stoked to see Joe Nice, who was the “the undisputed dubplate king of America” according to these two. James mentioned the Jafu sound had evolved since his first Shambhala three years prior, based largely on said prior experience, saying he wanted to get the audience to skank more this time. Gaz Frost spoke about playing out in Brooklyn and a small show in York, Pennsylvania, which he felt was noteworthy for have a really strong, tight-knit community vibe. These are the only places besides Denver where Congi has played in the US, but Gaz maintained that Cervantes' Masterpiece was the best one-night show he'd ever played, ever. Overall, they both gave big ups to the dubstep following in the US and at Shambhala. How encouraging it is, they said, to be able to play for and interface with some of the most stoked fans and engaged audiences they've seen.

FOLLOW Chord Marauders: Official / Soundcloud / Bandcamp

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FOLLOW Congi: Soundcloud / Bandcamp / Facebook / Twitter

FOLLOW Jafu: Official / Souncloud