Audiotent Tip 424 // Crispy Techno Hi-Hats

There are multiple ways to create and process techno hi-hats. Recording drum machines or layering the top loops seems a common practice. However, we wanted to showcase, how to achieve crispy sounding hi-hats using single shot samples.

Here is a simple pattern we programmed using 3 different hat sounds.

Next, let’s add a simple melodic motif accompanied by the kick. This will help to get a feel on how the hi-hats sit in the context of the mix.

To make the hats sound crisp and cohesive, we send them to a dedicated group channel. There are multiple processing plugins used to achieve a final sound. Feel free to experiment with your own favorite distortions, compressors etc… In this case, we will show you, what worked for us.

Kombinat Dva

First in a chain is a multiband distortion plugin. It’s a great mangling tool, capable of achieving subtle saturations or crazy distortion, if that’s what you are after. Once applied to the hi-hats, Kombinat Dva makes them sound noisier, more ‘machine-like’.

Before Kombinat DVA:

After Kombinat DVA:

Low Cut EQ

Low cut EQ is added to make sure any unnecessary low-end rumble is being removed.

D16 Redoptor

Next in the chain is another distortion plugin. It brings a nice tube character, making the hi-hats sound crispier and glued together.

The Glue

Compression is being used to reduce the sharp spikes in the hi-hat. The glue compressor is also adding some density to the group. Fast attack and release worked perfectly for this example. We blended the DRY signal back a little, to retain some of the original transients.

J37 Tape

Tapes or tape emulation plugins are great for adding extra grit to the sounds. We used J37 plugin to add a few extra harmonics to our hi-hats.

Pro Q2

Final touch of processing, before we add some reverb. High Pass filtering ensures that any unnecessary low-end, introduced by previous distortions, is being filtered out. 10k cut, reduces a slightly harsh frequency in the top end.

RC 48

Reverb is adding a subtle simmer to the high frequencies. It brings the hi-hats nicely together and makes them sit in the mix.

LFO Tool

Final plugin in the group is LFO Tool. We used it as a volume shaper to achieve sidechain effect. Mainly, to get the reverb grooving better against the kick.

Result

Let’s hear the before and after. We started with a dry hi-hat pattern. This is how it sounded in the mix:

That’s how it sounds after we applied the group processing.

As you can hear, the result is a crispy hi-hat groove. It sounds glued and cohesive, like it’s coming from a single sound source. Try experimenting with your own favourite distortion/saturation plugins and achieve unique sounding hi-hats every time.