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Longtime Wired writer Steve Silberman is about to start work on his first book, a piece of non-fiction based on an article he wrote in 2001 about Asperger's syndrome, and he's solicited advice from 22 authors about the process of bookwriting. The responses run the gamut from practical advice about how to get organized to ruminations on the art of writing long. These 15 struck us particularly useful, and applicable to both fiction and non-fiction.

"Use Scrivener to write your book. Awesome organizing tool as well as word processor. -- Mark Frauenfelder, (The Mad Professor)

"The first tip is that readers expect books to be exhaustive on their subjects. That doesn’t mean they want the books to be long — it means that they expect that you will cover all the basic ground that needs to be covered to understand the subject, even if they know some of it already. This piece of advice may or may not be relevant to your subject. In my case, with a very idiosyncratic book on viral culture, it led to people asking me at readings why I hadn’t included an analysis of X or Y viral phenomenon in my book. “Because you already know about it,” the magazine guy in me always wanted to respond. But in the book world, people want to see you mention the stuff they already know, at least in passing (or to knock it down)– otherwise, how can it claim to be a book on the subject? It’s worth taking that point of view seriously." -- Bill Wasick (And Then There's This)

"I tried, not always successfully, to start each day with some discrete goal I wanted to accomplish: write 200 words, or get through a certain amount of research, or conduct two interviews, or whatever. If I set out to spend a day “writing,” that would be so overwhelming I’d end up just farting around online all day instead of starting the climb the mountain. " -- Seth Mnookin (The Panic Virus)

" -- Seth Mnookin (The Panic Virus) "Planning. Planning. Planning. It’s a campaign. I used some project management tools in the end to put some order into the vastness. That’s the thing about the bigger scale. It requires more management to support the creativity. Cultivate a good relationship with your editor from the beginning. He/she is going to be your task master at some point. That’s going to go so much better if he/she is also your friend, colleague, supporter, and fan. The campaign of writing a book can get so lonely sometimes, you need a good attaboy just to remind yourself of why you’re doing it and that you’re not the crazy loser who needs to get out more." -- Barry Boyce (The Mindfulness Revolution)

"When I’m writing a book I only read other books that somehow inform my book. If it doesn’t serve my process — no matter how much I want to read it — I don’t. I suspect there are a lot of people who will give the opposite opinion (take a break from reading about your subject matter, etc.), but I’m not one of them. This is your time to be completely and justifiably obsessed. So go ahead — bask in the madness." -- Peter Conners (Growing Up Dead)

"Do as much research as possible away from the Internet — with living people, in real places." -- Carl Zimmer (The Tangled Bank)

"Get through a draft as quickly as possible. Hard to know the shape of the thing until you have a draft. Literally, when I wrote the last page of my first draft of Lincoln’s Melancholy I thought, Oh, shit, now I get the shape of this. But I had wasted years, literally years, writing and re-writing the first third to first half. The old writer’s rule applies: Have the courage to write badly." -- Josh Shenk (Lincoln's Melancholy)

"Write when the book sucks and it isn’t going anywhere. Just keep writing. It doesn’t suck. Your conscious is having a panic attack because it doesn’t believe your subconscious knows what it’s doing." -- Cory Doctorow (Makers)

"I do not write from the beginning to the end. I write in the order that particular parts take form in my mind and I enjoy mulling them over… I mull and mull and imagine I am explaining them to someone and then I write them down. I have the order in mind, so I write whatever part is bubbling energetically in my mind, print it out (always) and begin a stack on THE BOOK on a corner of my desk into which I can add pieces (in their proper order) as they get written and so I have a visible proof at all times that something is happening." -- Sylvia Boorstein (It's Easier Than You Think)

"Develop a very serious plan for dealing with internet distractions. I use an app called Self-Control on my Mac." -- Ben Casnocha (My Start-Up Life)

"Get feedback — oodles of it. Along the way, show pieces of your book to lots of people — different types of people. Ply them with wine and beg them for candor. Find out what’s missing, what’s being misinterpreted, what isn’t convincing, what’s falling flat. This doesn’t mean you take every suggestion or write the book by committee. But this process will allow to marry your necessarily-precious vision with how people will actually react. I find that invaluable." -- David Shenk (The Forgetting)

"I find it helpful sometimes — and still to my surprise — trying to explain to someone what it is I’m trying to write about, usually someone bright but in a different intellectual zone, and not a writer. Or, likewise, in a letter or email to such a person." -- August Kleinzahler ( Cutty, One Rock)

"The process of lining the book up, giving it a bedside manner, asking 'Is this what it is about? But what is it really about' was a plunge. I had to explain the work to myself in more and more elementary language. I came to enjoy doing this. It helped when I realized that the discovery process was part of the writing and I didn’t have to be through it already." -- John Tarrant (Life Inside the Dark)

"Advice from a Newsweek editor I worked with in the ’80s, Nancy Cooper. Roughly my age, but so much smarter and more worldly and sophisticated. I was worried about writing the opening story of the nation section. And she sent me a note that read: ”You just start working and you keep working til it’s done. That’s all there is to it; no mystery.” -- John Schwartz (Tall)

This article is from the archive of our partner The Wire.

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