A troupe of automated exotic dancers provide a deliberately dystopian vision of future entertainment as they gyrate on stage at the Sapphire gentlemen’s club in Las Vegas for CES.

Designed by London artist Giles Walker, they are believed to be the world’s first robotic pole dancers.

The life-sized “entertainment machines” even accept tips.

Their heads are made from old CCTV cameras that Walker found in a disused East Ham warehouse.

Robot pole-dancers at CES 2018 - In pictures 8 show all Robot pole-dancers at CES 2018 - In pictures 1/8 Pole-dancing robots have popped up in Las Vegas for CES 2018 AFP/Getty Images 2/8 The androids can be found in the Sapphire gentleman's club AFP/Getty Images 3/8 They were created by Giles Walker, from Brixton AFP/Getty Images 4/8 The artist says: “I wanted to do something about voyeurism and questions of power, how everyone is being watched.” Getty Images 5/8 The robots were created from scrap metal and mannequins AFP/Getty Images 6/8 The CCTV heads were found in a disused East Ham warehouse Getty Images 7/8 Robotics have been a major focus of this year's CES tech trade show Getty Images 8/8 Getty Images 1/8 Pole-dancing robots have popped up in Las Vegas for CES 2018 AFP/Getty Images 2/8 The androids can be found in the Sapphire gentleman's club AFP/Getty Images 3/8 They were created by Giles Walker, from Brixton AFP/Getty Images 4/8 The artist says: “I wanted to do something about voyeurism and questions of power, how everyone is being watched.” Getty Images 5/8 The robots were created from scrap metal and mannequins AFP/Getty Images 6/8 The CCTV heads were found in a disused East Ham warehouse Getty Images 7/8 Robotics have been a major focus of this year's CES tech trade show Getty Images 8/8 Getty Images

Their bodies are comprised of mannequin, scrap metal and windscreen wiper parts — all programmed with different sequences to give a fluid motion.

He said the robo-dancers were initially created as a comment on Britain’s surveillance society.

Walker, 50, from Brixton, said: “I wanted to do something about voyeurism and questions of power, how everyone is being watched.”