Not to sound like a broken record at this point, but once again, Sony’s Jumanji: Welcome to the Jungle took first place, while 12 Strong opened roughly on par with expectations, and STX’s Den of Thieves overperformed.

Jumanji dipped 29% to $20M in its fifth weekend, raising its total to a massive $316M. At this point, $400M domestic is a legitimate possibility if it can continue its strong holds. Worldwide, the film is up to $767M, more than 8.5x its production budget. A worldwide total of roughly $900M seems to be likely from here.

In second place, Warner Brothers opened their war thriller 12 Strong. The action film took in $16.5M in its opening. In what was a bit of an upset, Den of Thieves was actually tied for first on Friday, with an identical $5.66M each. Thieves, however, did that with around 600 fewer theaters and no boost from IMAX tickets. This is a fine opening considering the $35M budget, but don’t expect great holds from here. A total around $45M seems to be the best case scenario.

In third, Den of Thieves doubled its predictions with a potent $15.3M. This is another win for STX Entertainment, whose seen surprisingly consistent results over the last several months. With a B+ Cinemascore, word of mouth should be fine, but January action films like this targeting young male audiences tend to drop off very quickly. If Thieves closes with much more than $35M, it would be a bit surprising.

In fourth, The Post dipped 37% down to $12M, raising its domestic total to $45M after two weeks in wide release. Oscar nominations are still a few weeks away, but crossing the century mark is not yet out of the question.

The Greatest Showman continued its spectacular run, as the Fox musical slipped just 12% to $11M, meaning that its fifth weekend was higher than its opening. At this point, a total above $150M seems probable, meaning it could outgross last years musical hit La La Land. Another Christmas release, Pitch Perfect 3, also topped the century mark this weekend, making it the 32nd 2017 release to do so.

Last weekends releases generally held as expected, with Paddington 2 dropping a strong 25%, The Commuter falling around 51%, with only Proud Mary doing worse than expected. After a week opening, Sony’s hitman thriller failed to save face, plummeting 63% and falling out of the top 10.

Roadside Attractions opened their romantic drama Forever my Girl in around 1,100 theaters, where it saw a better than expected $4.7M. Don’t expect this one to stick around too long, but with a miniscule $3.5M production budget, this one may turn a small profit in the long run.

Universal’s surprise horror hit Insidious: The Last Key managed to top the original Insidious, with a total gross of $58M and counting. A total around $70M seems like a lock, which is a fantastic result. Expect news of a fifth Insidious film any day now.

Among the specialty market, a number of new films saw nationwide expansions into already crowded multiplexes. The highest of these was Phantom Thread in a very wide 896 theaters, where it managed a decent $3.3M. That’s higher than Anderson’s last film Inherent Vice, albeit with a decently higher theater count.

I, Tonya expanded into 799 theaters and dropped just 10%, bringing its new domestic total to a solid $14M. This is the first release from new distributor Neon to capture any real attention at the box office. The Shape of Water expanded into 853 theaters, up around 150 from last weekend, and brought its domestic total over $30M.

Finally, Sony decided to go nationwide with Call Me by Your Name after a strong limited run, but general audiences ignored the romance, giving it just $1.5M for a per theater average of $1.8K. While it will top $10M domestically very soon, it will also likely be fizzling from theaters quickly with a number of wide releases in the coming weekends.

Next weekend will see the wide releases of Hostiles and Maze Runner: The Death Cure, which should be able to topple Jumanji from the first place position that it has held onto for nearly a month.