, this piece was a commission and is not for sale. While I do take commissions (see below), I do not remake pieces that I have already made. Thank you for your understanding.: This has definitely been one of my most ambitious pieces yet. This was completely out of my comfort zone, and I learned so much with this piece. This was done for the same client that commissioned the Kog’Maw piece I did a while back.The armor and weapons were built up in stages. I got them as smooth as I could before baking, and then sanded them tediously. I also used an x-acto blade after baking to get crisp, sharp edges. Many of the components were sculpted and painted separately and then glued on with epoxy at the end.I lost count of the number of layers of paint that I used. This is definitely the most complex paint job I have ever taken on. I was basically emulating a hand painted texture map.My talented husband, Joe Coleman (), is my photographer. He did an amazing job capturing this sculpture for me. He even did a shot to emulate the lighting that was seen in the amazing concept painting that was used as pose reference. (seen elsewhere in my gallery): Super Sculpey, Sculpey Firm, Apoxie Sculpt, Wire and Foil Armature, Acrylic Paints, Wood base: 9” tall x 10" wide x 8" long, on a 7” base: 46 hours (6 hours pre-pro and blocking, 18 hours sculpting, 5 hours sanding, 17 hours painting)---------------------------------------------------------------------My new book Creature Sculpt is now available!---------------------------------------------------------------------Please check my journal for current commission status.---------------------------------------------------------------------Check me out on : Facebook