Sometimes the shapes are barely visible, sometimes they explode into extreme brightness. In some sequences the quality of the light is steady, during other times it fluctuates and breaks apart into scintillating particles. Sounds - transformed recordings of a low piano keys and tiny high pitched mechanical noises - fill the room, sometimes in sync with the visual aspects and sometimes running simply in parallel.

Whilst everything is floating and happening in rather long intervals, a constant black shadow is moving in front of the projection, from left to right, every 6 seconds, like a giant blade of a windmill, a negative object that contrasts the bright projection by muting it where it appears. It is not only obscuring the image but also dampening the sounds at its current position and emitting a low frequency noise itself. What is not visible is more powerful than what you see.