After several surprise hits and a slew of Oscar buzz, the first month of 2018 ended on a somewhat quieter note, as Maze Runner: The Death Cure easily took first with an okay $23.5M weekend. Meanwhile, Jumanji and The Greatest Showman continued to see great holds, as Hostiles overperformed in its nationwide expansion.

The final film in the Maze Runner took first with a decent $23.5M opening. That’s off $6.5M from Scorch Trials, which was in turn off about $2M from the original. What’s interesting to note with both this and the Hunger Games series is that both franchises saw a sizable dip in attendance once the titular events that they were sold on ended; Hunger Games saw many turn away from the Mockingjay films, which featured no actual Hunger Games, but rather just ‘post-apocalyptic government resistance’, similar to what the Maze Runner series saw in its two sequels. When audiences are sold on the premise that made the first book successful, they might not show up to see the random adventures of the unremarkable characters, especially when so many other options are available in multiplexes right now. Ultimately, look for this one to wind up with around $60M domestic. With strong overseas potential, however, that’s not really an issue.

In second, Jumanji may have lost its first place crown, but it was still the more impressive performance with $16.4M in its sixth weekend. The film topped Warner Brothers’ It and Sony’s own Spider-Man: Homecoming to become the fourth highest grossing film of 2017. What remains to be seen is whether or not it can top Guardians of the Galaxy Vol. 2 for third place.

In third place, Hostiles surprised somewhat with a $10.2M weekend, good for third place. Entertainment Studios made the smart choice to move this from its original release date of last weekend, where it would’ve faced tough competition from both 12 Strong and Den of Thieves. Entertainment Studios spent $9M for the rights to the western flick, and was seemingly hoping for some awards buzz with its limited Christmas release and subsequent expansion, but unfortunately received nothing, making this overperformance all the more surprising. With only a B Cinemascore, holding up in the coming weekends may be a bit tough, but without any real competition, it should be able to wind up with around $30M or more.

In fourth and fifth we find two more Fox titles, The Greatest Showman and The Post. Greatest Showman seemingly just refuses to slow down, dropping just 11% for a new total of $126M. At this point, topping the $150M total of La La Land is a foregone conclusion, and the real test will be whether or not this can remain in theaters until it hits Blu-ray in early March. The Post was down 25% for a new total of $58M, following the Oscar nominations earlier this week. It will be included in various marathon showings of all Best Picture nominees, though with their combined single-ticket price, it will be hard to know exactly how the profits will be spread.

Last weekends two new releases 12 Strong and Den of Thieves were down around around 50% each, with totals of $8.6M and $$8.3M respectively. That hold is a bit of a surprise for Thieves, which seemed to have all the markings of an extremely front-loaded January release. Totals near $50M are now possible for both of the R rated actioners.

Yet another Fox title Shape of Water was in the top 10, as it added 1,000 theaters this weekend, for a total of over 1,800, and saw a jump to $5.7M. That’s a very strong result for the R rated drama, which has so far pulled in $37M, and may get up to over $50M before the awards themselves. Three Billboards also expanded into around 1,400 theaters where it saw a softer weekend of $3.6M, which isn’t particularly surprising considering most audiences already got a chance to see this back in Thanksgiving, whereas this was most audiences first chance to see Water.

I, Tonya was up 4% to just under $3M from 960 theaters, raising its total to a very strong $18.8M. Phantom Thread went into over 1,000 theaters but dipped 11% to $2.9M, crossing the $10M threshold. Darkest Hour and Lady Bird are now both over the $40M mark, making Lady Bird the first A24 release to hit that mark. In fact, their previous highest title, Moonlight, only made around $27M. Call Me by Your Name was the only contender to not see a change in theaters, as the Sony release stayed in 815 theaters, dipping 6% to $1.3M. Once again, this isn’t something as accessible to mainstream audiences, so a total of over $11M has to be seen as a minor win.

Next weekend only sees one nationwide release, Lionsgate’s Winchester, meaning most moviegoers will use it as an opportunity to catch up on awards contenders they may have missed.