Handling and Features

Performance

Verdict

Specification





Here we have an updated version of Tamron's already excellent 150-600mm zoom lens. With the promise of improved optical performance, faster AF, improved VC (Vibration Compensation) and many other minor improvements this looks to be a compelling upgrade. Let's see how it performs.

ADVERTISEMENT

Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Handling and Features





The lens is available in Nikon and Canon mounts with VC built in and in a Non-VC version for Sony full frame A mount cameras. In the case of Sony, the vibration reduction is built into the camera body so is not included within the lens. This review of the lens uses the Canon EOS 6D full frame DSLR body.

There is a generously sized bayonet lens hood, which surrounds the 95mm filter thread. Weight is a fairly heavy 1990g and is best supported when carrying by some suitable carrying sling or strap. There is a zoom lock switch that can be engaged at 150mm, preventing the weight of the lens causing it to extend whilst travelling. There is also a Flex Zoom Lock mechanism, whereby pulling the zoom ring forwards will lock the zoom setting. This could be useful in preventing unintentional changes to the focal length selected. The zoom action is, however, quite firm and there does not seem to be much of a problem anyway.

Lens construction is 21 elements in 13 groups, with the front and rear elements being Fluorine coated to help repel water, dust and dirt. Closest focus is 2.2m (86.6 inches), which gives a very useful maximum magnification of 1:3.9 at 600mm. This is as high a magnification as many standard zooms, but also allows a different perspective because of the increased subject to camera distance.

The zoom ring is generously sized and quite smooth in operation, although also very firm when new. The manual focusing ring lies closer to the camera body and is equally smooth in operation. When set to AF, manual focus can be used at any time, after which another half press on the shutter release will re-enable the AF as desired. The usual window reveals distances marked in metres and feet and to the left of that can be found a series of switches.





The focus limiter switch helps prevent excessive hunting, the choices being full range, infinity to 10m and 10m to 2.2 metres. Next around the barrel is the AF/MF switch, the VC on/off switch and the VC mode switch. This last one has three options. Mode 1 is the standard mode and balances keeping a stable viewfinder image with reducing camera shake. Mode 2 is for panning. Mode 3 prioritises compensation at the moment of shutter release. For general purposes Mode 1 is very satisfactory and offers a significant advantage in increased stability. Of course, VC will do nothing for moving subjects, where a high shutter speed will still be needed to arrest subject movement.

The tripod mount allows the lens to be rotated, which is very convenient when used mounted on a tripod. The mount is also ARCA-SWISS compatible.

Although the lens is heavy, it is also reasonably compact for its specification. As a consequence it is easy to handle. The AF system locks on quickly and reliably. Also, none of the controls are misplaced, so there is little chance of nudging a switch inadvertently. In use, the Tamron SP 150-600mm f/5-6.3 Di VC USD G2 lens proved to be a thoughtful, ergonomic design. The moisture seals around the lens are an added bonus, allowing use in more arduous conditions.

Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Performance

Central sharpness at 150mm is excellent from the start, and this holds from f/5 through to f/16. At f/22 and f/32 sharpness is still very good. The edges are also excellent from f/5 to f/16, very good at f/22 and still holding to good levels at f/32.









MTF@150mm

MTF@150mm How to read our charts The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.



The scale on the left side is an indication of actual image resolution as LW/PH and is described in detail above. The taller the column, the better the lens performance.



For this review, the lens was tested on a The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.The scale on the left side is an indication of actual image resolution as LW/PH and is described in detail above. The taller the column, the better the lens performance.For this review, the lens was tested on a Canon EOS 6D using Imatest









CA@150mm

CA@150mm How to read our charts Chromatic aberration is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.



Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.



For this review, the lens was tested on a Chromatic aberration is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.For this review, the lens was tested on a Canon EOS 6D using Imatest

At 300mm, central sharpness is very good at the widest aperture of f/6.3, excellent from f/8 to f/16 and very good at f/22. It is still good at f/32, but drops to only fair at the minimum aperture of f/40. The edges start off very good at f/6.3 and f/8, are excellent at f/11 and f/16, very good at f/22. f/32 still sees good sharpness, but f/40 is only fair.



At 450mm, the centre shows excellent sharpness from f/6.3 to f/11, very good from f/16 to f/22, still good at f/32 and only dropping to just fair at f/40. The edges show very good sharpness at f/6.3, excellent at f/8 and f/11, and again a similar pattern as the centre. Very good sharpness holds to f/16 and f/22 and this drops to good at f/32 and fair at f/40.



Sharpness centrally is still holding well at 600mm, being very good at f/6.3 and f/8, excellent at f/11, very good at f/16 and f/22 and good at f/32. F/40 is just fair. The edges at 600mm start off fair at f/6.3, becoming good between f/8 and f/22, and dropping again to fair at f/32 and f/40. Although the performance has dropped off at 600mm, the centre stills hold up well and make the lens very suitable for a good range of wildlife and sports photography. It is also worth noting that at the best apertures the image quality is very even, edge to edge.



Correction for CA (Chromatic Aberration) is of a high order. Throughout the zoom range, the centre shows almost complete correction, with very low measured figures. The edges do have a small amount of CA that becomes more obvious as we zoom in, but even at 600mm the degree of correction is very satisfactory. Any residual CA can be corrected in software if desired.

Flare control is also excellent. It is quite difficult to induce flare, not impossible, but for even demanding shots it is not really a problem.

Distortion is also well held across the zoom range, to levels that are really very moderate. This is especially noteworthy, especially with such a long lens. Pincushion distortion measures at +1.43% (150mm), +1.45% (300mm), +1.47% (450mm) and +1.47% (600mm). In any event, software correction is easily possible.

With such a long lens, the out of focus areas are always likely to look good and this new lens is no exception. The bokeh is pleasant and, at wider apertures quite sublime, throwing isolated subjects forwards into sharp relief. The generally excellent performance at wider apertures adds up to a strong overall quality in the images.





Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Sample Photos

Previous Next















































Value For Money

The Tamron 150-600mm f/5-6.3 Di VC USD G2 lens is priced at £1349, somewhat higher than the first version, which is still available at £829 (1951g). Nonetheless, the new version is better all round in performance so the extra may well be justified. Alternatively, the previous lens might well be considered a bargain.

Sigma offer an alternative in the 150-600mm f/5-6.3 Contemporary OS HSM lens (£739, 1930g) and the more durable Sport version at £1199 (2860g).

Although not quite the same range, Canon users have the Canon EF 100-400mm f/4-5.6L IS II USM lens at £1799 (1640g). Nikon users have the Nikon AF-S 200-500mm f/5.6E ED VR at £1179 (2300g).

Just to complete the perspective across DSLR marques, Pentax users have no version of this lens, but the HD Pentax-D FA 150-450mm f/4.5-5.6 ED DC AW costs £1699 (2000g). Sony users don't currently have anything similar. For more options have a look at the Top 5 Best Tamron lenses.

Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Verdict

This new Tamron SP 150-600mm f/5-6.3 Di VC USD G2 lens proves to be an excellent performer and that performance is well maintained at all focal lengths. It is heavy, but relatively compact, so carrying over several hours is not too onerous, providing a suitable sling or strap is employed. The VC system works well, the controls operate smoothly, nothing is placed so that it might be accidentally switched on or off. All in all, the Tamron SP 150-600mm f/5-6.3 Di VC USD G2 is a very soundly designed optic that offers excellent results.

Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Pros Excellent sharpness

Very low CA

Low distortion

Wide zoom range

Close focusing

Efficient VC system

Well made

Fast AF

Full Time manual focus

Good ergonomics Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Cons Pricier than first version

Heavy

Features 4/5 Handling 4.5/5 Performance 4.5/5 Value 4/5 Overall Verdict

Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Specifications

Manufacturer Tamron General Lens Mounts Nikon AF

Canon EF

Sony A Lens Focal Length 150mm - 600mm Angle of View 4.8° - 16.25° Max Aperture f/5 - f/6.3 Min Aperture f/32 - f/40 Filter Size 95mm Stabilised Yes 35mm equivalent 240mm - 960mm Internal focusing Yes Maximum magnification No Data Focusing Min Focus 220cm Construction Blades 9 Elements 21 Groups 13 Box Contents Box Contents Lens hood, detachable tripod mount, front and rear caps Dimensions Weight 2010g Height 260.2mm

View Full Product Details