The GoPro of the Winter awards $20,000 to the single-best GoPro clip taken on the North Shore between November 1st and February 28th. The ultimate winner will be determined by an esteemed judging panel of Taylor Steele, Mike Prickett and Pete Hodgson. To view all the entries, click here. (Surfers appear in alphabetical order.)

KAMALEI ALEXANDER: "This was shot the day before the end of the GoPro of the Winter event period. I flew to Oahu and surfed Off-the-Wall. I have a short handle that I bite. Then after I get up, I stall with my back hand and have the camera in my front hand. After I stall, I hand it to my back hand. I saw Mikala Jones do this and figured it was worth trying. I didn't really know how good it was until I saw it on the computer."

BENJI BRAND: "It was such a picturesque day. The water was so blue, and the waves were firing outside my house. I found this nugget and tried a new angle. I wanted to get one where I included myself in the frame. Stoked with how it came out!"

SETH MONIZ: "I was using a mouthpiece I made from the head mount. This was shot right before sunset and I wanted to get the nice color in the barrel. I was at Insanties and a five-foot set came in. I always try to do the lookback but it's kinda scary to surf blind. I was stoked to get this one."

SETH MONIZ: "This was a smaller morning at Backdoor and there wasn't really anyone out. It was a north swell and was running all the way through. I got a fun barrel at Backdoor and then bottom-turned into the Aint's' bowl. That was the first time I tried the behind-the-head angle. I wasn't sure how to face the camera but I was stoked that it came out good."

JAMIE O'BRIEN: "That wave had a chip shot which was nice to get in it earlier. I was filming myself and didn't know how long to hold it on myself for before turning it around. Then it spit right as I did and it looked really cool. I thought that wave added a bit of diversity featuring three different angles on one wave - looking in, fish-eye pan and looking out."

JAMIE O'BRIEN: "I wanted to get this shot but backside is 10-times harder than frontside with the GoPro. You have to be no-hands. I pulled it away from me and I liked the effect. It looked like the camera was on a dolly track. This was my favorite, and then I got another one and that was my favorite. Every week I have a new favorite. It's like treasure hunting in the barrel."

JAMIE O'BRIEN: "The sun was out when I paddled out and the lighting was perfect. It was a really long one and I tried to get all stylee and put my hands out. I tried to load it onto Instagram but it was too long...so I knew it was a long barrel."

JAMIE O'BRIEN: "This was the same afternoon as the previous clip. It was ideal GoPro conditions. What you notice, is that anyone duckdiving or doing anything to the wave affects the clip. GoPros show you every bit of water that's out of place. This one I was really deep and hit the foam ball. The clip got the spit and then it cleared up which is a pretty cool perspective."

ERIC STERMAN: "I was stoked to get another great shot of Kelly Slater while filming the Volcom Pipe Pro and using a quadcopter and Gopro Hero3+. The conditions that day were excellent for flying and filming -- light offshore winds on sunny day. I was in the right place at the right time to capture the Master working his magic once again."

CHRIS WARD: "That wave was mid-morning around 9:30am during my final surf after five months in Hawaii. The waves were pumping at Off-the-Wall, perfect six- to eight-foot barrels. This one was a clean one I caught in between sets, but it was a mean little double-up."