“I want to be a part of your universe.”



Steven Universe is a hero, but is he a superhero? Sure, his powers are magical, and his enemies tend to be more monstrous than villainous, but the same could be said of fellow Steve-with-unusual-surname Stephen Strange. Steven certainly evokes your typical sidekick, and the Crystal Gems have a cool team name that sounds more like the Justice League than the Jedi Order or the Fellowship of the Ring. Most importantly, Steven lives in contemporary times despite his sci-fi/fantasy adventures, and lives a dual life between the weird and the mundane.

He doesn’t fill quite enough tropes for me to firmly put him in that category, but I bring it up because Full Disclosure uses a plot straight out of superhero lore: keeping a secret to keep a loved one safe. This secret tends to be the character’s identity as a hero, which has frankly been done to death; great shows like The Flash (well, its first season is great at least) grind to a halt as our lead continually lies for no actual reason (why would your friend let villains know that they’re prime kidnapping material?), and the plot point has been brilliantly deconstructed by the likes of Brian Michael Bendis’s Ultimate Spider-Man and Mark Waid’s Irredeemable. Steven Universe similarly subverts this story, thankfully in the span of a single episode, to show us just how childish this self-distancing really is.

Not that Steven’s reticence isn’t understandable: Greg, who we’ve seen worry about his son plenty of times before, has a massive freakout after hearing what Steven went through in The Return and Jailbreak, and any kid could make the logical leap that their friend might have a similar reaction. Greg’s message of support through his hyperventilation is everything to this scene; Tom Scharpling really can dad with the best of ‘em.

From here, we have a rare stretch of Steven alone and introspective. This isn’t Samurai Jack we’re talking about, so Zach Callison is either talking to a hypothetical Connie or singing about his feelings. Regardless, we have poignant moments of silence as his rambling falters to the physical aftermath of Homeworld’s attack.

Ronaldo makes his way into the plot, and does exactly what Ronaldo should do: act pompous and give lousy advice. Scenes like his are why I can never be too hard on the guy, because he has a role to play that no other character can, and he plays it well. His speech is a nice dose of comedy in what could be a bleak sequence, but nonetheless captures Steven’s internal struggle. Most importantly, he doesn’t overstay his welcome!

It’s unfortunate that the song that follows has to come on the heels of Stronger Than You, because it’s one of the show’s finest but it sorta gets lost in the fray:

Integrating the ringtone we’ve been hearing since the end of Jailbreak into an actual song is unspeakably clever. While the workmanlike lyrics aren’t too special compared to other Steven Universe numbers, it’s a welcome return to Steven singing; we may have gotten a taste in On the Run and The Message, but he hasn’t gotten a full-length solo song since all the way back in Island Adventure. Steven may just be singing what he’s obviously thinking, but between Zach Callison, the visuals, and the instrumentation, I’m good.

The sequence has two flashback montages of sorts: Steven looking through past pictures of hanging out with Connie to reestablish their history, and actual events we’ve seen in the past two episodes. Even if these episodes are fresh in our minds, Steven’s specific memories highlight just how much he’s witnessed: Garnet’s destruction, Lapis’s imprisonment, the menace of Peridot and Jasper, the crash, and the formation of Malachite. Note that the headbutt that gave him his black eye is omitted, because Steven is most upset about bad things happening to other people, which fits right into his concern about Connie and his dad.

After some fun with the Gems, we immediately see how childish Steven’s behavior is, first using exaggerated vocabulary and then sloppily avoiding Connie rather than confront his feelings. Episodes like this are the reason Connie is so surprised to learn that Steven is older than her in Steven’s Birthday, because her maturity saves their friendship; Grace Rolek even incorporates a little Doctor Maheswaran as she admonishes Steven for making her worry. But not before this perfect little moment:



Full Disclosure’s insistence on letting destruction speak for itself is wonderful, considering we just got a song that spells out Steven’s exact thoughts. After seeing Steven shocked into silence a few times earlier in the episode, Connie’s wordless run through the hall of the ship as she chases Steven hammers in just how big of a deal Jailbreak was. Moreover, the visual storytelling reinforces her character: this alien stuff is confusing and a little scary, but she’s more focused on her friend than sating her curiosity.

The staging of their confrontation builds enough suspense that it made me a little worried in my first watch, which is pretty impressive considering Steven and Connie obviously aren’t going to stop being friends. I love that we don’t see Steven explain what happened, not only because we saw it and got his summary already when he told Greg about it, but because it allows for one of Full Disclosure’s departure from the show’s signature style. Beyond the reverse star wipe opening, we get not one but two fade-out transitions—one after Steven’s song, and the other during this implied conversation—and both enhance the pensive tone of this aftermath episode.

All this worry makes the conclusion that much more satisfying. On the micro level we see that Greg has calmed down, and on the macro we see the whole town coming back together. It’s not Ocean Gem’s three-cheers-for-Steven ending, but what he needs after such a life-changing finale is a little relief.





And yet.

Act I of Steven Universe is over, with Steven having a major victory that marks a turning point in his growth. Considering the shape of things to come, it’s fascinating that his first adventure post-Jailbreak involves him keeping the truth from loved ones in the exact way his mother did. And it’s fascinating that he’s so concerned about others that he’s willing to put his own happiness on the line for their sake, because that’s the self-destructive martyr complex that drives his actions after the story of Rose shattering Pink is revealed. And it’s fascinating that Connie debunks both of these notions well before they become major themes in the show’s third and final act (not counting the movie and epilogue series). We’re playing the long game, and the seeds of the angst that consumes Steven after Back to the Moon are planted right here, but Connie has already revealed the solution to Steven’s eventual problems: trust is the antidote to Rose’s legacy of secrecy, and love is the antidote to Steven’s sacrificial mindset.

Future Vision

Steven gets a taste of his own medicine in the aftermath of Wanted , where Connie ignores his calls and texts. Both incidents are sparked by Steven going to space without her, but her differing reactions speak volumes about her character development: here she’s worried because she’s out of the loop, but by the time he goes to Homeworld she’s furious and hurt that he let her go through it again. Ignoring how far their partnership has come to take on danger by himself betrays how hard Connie’s worked to be a part of his universe, and I’m thrilled that the show addresses this.

, where Connie ignores his calls and texts. Both incidents are sparked by Steven going to space without her, but her differing reactions speak volumes about her character development: here she’s worried because she’s out of the loop, but by the time he goes to Homeworld she’s furious and hurt that he let her go through it again. Ignoring how far their partnership has come to take on danger by himself betrays how hard Connie’s worked to be a part of his universe, and I’m thrilled that the show addresses this. See below.

I guess you could read it that way…

If you watch Full Disclosure first, the knowledge of the Temple’s fence is foreshadowing. If you watch Story for Steven first, it’s a callback. I gotta go with the foreshadowing on this one.

We’re the one, we’re the ONE! TWO! THREE! FOUR!

As the unofficial third act of a two-parter, Full Disclosure suffers a bit compared to individual episodes. But tone is still king for me, and I welcome any portrayal of the immediate aftermath of major episodes. Characters in serials tend to be unrealistically resilient when it comes to episode after episode of drama and trauma, and a big part of Steven Universe’s second season is establishing just how much these past events we’ve seen (versus the first season’s focus on past events in a character’s history) affect our leads.

While Full Disclosure itself doesn’t make the cut, now that we’re fifty episodes in I’m expanding the Top Ten to a Top Fifteen. Congratulations to On the Run, Warp Tour, Maximum Capacity, The Test, and Ocean Gem for getting out of the runners-up slot!

Top Fifteen



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4. Horror Club

3. Fusion Cuisine

2. House Guest

1. Island Adventure