This workflow was designed to be unique so it has rather one-time usage. Of course it could be transferred to different style of painting to create something different but that’s about it. The first part of the workflow is a rather standard VFX procedure for every movie assuming the use of green screen technology. The second part, which is the hand painting is what made this movie so unique. That was the idea – to make something original without any use of plugins or filters which also at that time of planning were not even there. Even now the algorithms created to mimic such hand painting are far from the real thing.