T he non-feud between Martin Scorsese and Marvel fans continues apace. To recap: this is the brain-melting scoop that Scorsese, the venerable director who lists Kenji Mizoguchi’s Ugetsu Monogatari and Luchino Visconti’s Il Gattopardo among his favourite films, isn’t particularly keen on films about action figures going bang bang in the sky.

“That’s not cinema,” observed Marty in an interview with Empire last week, on the subject of Marvel movies. “The closest I can think of them, as well made as they are, with actors doing the best they can under the circumstances, is theme parks.” His comment might not have caused such outrage a few years ago, but the critical establishment has since been shanghaied into considering this factory product as legitimate art. It isn’t sufficient for admirers of Marvel that their expensive supernatural soap opera dominates the box office at the expense of original content, but this stuff must also now be treated with due respect. Outlets giving five stars to, say, Lucrecia Martel’s Zama, are required to dispense a sweet five to “Avengers 18: The Goodies Win Again”. Film critics around the world know that to talk down one of the Marvels, or reveal one of their many inane plot developments, is to be met with a deluge of vilification from incensed stans.

So the so-called “debate” carries on between, in one corner, a cinephile who considers cinema a hallowed art form, and, in the other, those who are not content to simply enjoy the entertainment value of the Marvel movies, but demand they be seen as part of the canon. Little matter that there are already notable public defenders of these movies – Barry Jenkins, director of Moonlight, tweeted his love of Avengers: Endgame earlier this year, saying, “[directors] the Russo Bros are so fundamentally sound in the way they communicate spatial relationships between characters during set-pieces”. (We’ll have to agree to disagree there – the central battle in Captain America: Civil War, for instance, is geographical pandemonium, cross-cutting between separate locations at breakneck speed in a way that fully muddies the drama at hand.) Scorsese has found an unlikely ally in Jennifer Aniston, though, who commented that good roles are “diminishing” with the rise of Marvel, adding that she is “not that interested in living in a green screen”.

It’s worth mentioning that to many people, Marvel is a pioneer of onscreen diversity, with its successes for female-led Captain Marvel and the black cast of Black Panther; this writer would argue that those victories are a sop to appease audiences while Marvel puts the sort of work made by minorities and women out of business, but that’s another matter. What’s more, calling these films formulaic is not so much an insult as a statement of fact. Marvel has hit on a formula to make film as product, which all but proofs these movies against failure. The films cleave to a fairly rigid aesthetic and a completely rigid storytelling model. A big battle sequence is followed by downtime, some high jinks, a lot of quipping, some fan-pleasing scenes between beloved figurines – whoops, sorry, I mean characters – and then a final big battle uniting all the fan favourites. Scorsese’s parallel of fairground rides is wholly appropriate for this type of entertainment.

47 brilliant films that didn't receive a single Oscar nomination Show all 47 1 /47 47 brilliant films that didn't receive a single Oscar nomination 47 brilliant films that didn't receive a single Oscar nomination American Psycho (2000) Starring future Oscar-winner Christian Bale, Mary Harron’s adaptation of the Bret Easton Ellis novel – in which the Vice star plays the psychopathic Patrick Bateman - didn’t receive a single nomination. Rex Features 47 brilliant films that didn't receive a single Oscar nomination Before Sunrise (1995) While the final two chapters of Richard Linklater’s Before… trilogy earned screenplay nominations, the film that introduced the world to future married couple Jesse (Ethan Hawke) and Celine (Julie Delpy) was criminally overlooked. Columbia Pictures 47 brilliant films that didn't receive a single Oscar nomination The Big Heat (1953) Fritz Lang had a number of films overlooked by the Academy; this noir, starring Glenn Ford, Lee Marvin and and Gloria Grahame, was one of them. Columbia Pictures 47 brilliant films that didn't receive a single Oscar nomination The Big Lebowski (1998) The Academy’s generosity to the Coen brothers peaked when No Country for Old Men beat There Will Be Blood in one of the ceremony’s closest Best Picture races of all time. It remains surprising that one of their few films to evade any nominations is this endlessly quotable mistaken identity comedy starring Jeff Bridges as The Dude. PolyGram Filmed Entertainment 47 brilliant films that didn't receive a single Oscar nomination Blow Out (1981) Brian De Palma doesn’t exactly make films in the hope of winning award, but his political thriller - based on Michelangelo Antonioni’s Blow Up – would have deserved any Oscar it was nominated for. Filmways Pictures 47 brilliant films that didn't receive a single Oscar nomination Breathless (1960) Breathless' failure to receive a nomination is proof that the Oscars can’t be trusted. Despite being one of the most studied films in the world, Jean Luc-Godard’s French masterpiece has an Academy Award tally of zero. Films Around The World 47 brilliant films that didn't receive a single Oscar nomination Bringing Up Baby (1938) The Academy rewarded many notable screwball comedies, though this Howard Hawks-directed standout starring Cary Grant and Katharine Hepburn - who’d go on to hold the record for most wins - wasn't one of them. Courtesy of BFI 47 brilliant films that didn't receive a single Oscar nomination Don't Look Now (1973) Nicolas Roeg, who directed this Venice-set chiller, is one of the most unfairly overlooked directors in Oscars history. Rex Features 47 brilliant films that didn't receive a single Oscar nomination Donnie Darko (2004) Richard Kelly’s science-fiction mind-bender, which made a star of Jake Gyllenhaal, was a festival favourite upon its debut in 2004. Many expected a screenplay nomination to manifest. Rex Features 47 brilliant films that didn't receive a single Oscar nomination The Good, the Bad and the Ugly (1966) It wouldn’t be until the 1990s that western films found favour with the Academy. It was ironically thanks to Unforgiven, a film directed by Clint Eastwood whose career flourished after starring in this Sergio Leone film that many consider to be the genre’s peak. 47 brilliant films that didn't receive a single Oscar nomination La haine (1995) Mathieu Kassovitz’s black-and-white drama – translated in English as Hate – follows three young friends and their struggles living in the suburbs of Paris. 47 brilliant films that didn't receive a single Oscar nomination Halloween (1978) The Academy may not be frothing at the mouth to nominate horror films, but do have previous (see: The Exorcist and The Silence of the Lamb), which makes the absence of John Carpenter’s influential Halloween a glaring oversight. Aquarius Releasing 47 brilliant films that didn't receive a single Oscar nomination Harold and Maude (1971) This offbeat romantic drama was a critical and commercial flop at the time of release, which probably accounts for its lack of Oscar nominations. Today, though, it’s cult following ensures it remains in good favour with film fans. Paramount Pictures 47 brilliant films that didn't receive a single Oscar nomination Heat (1995) On paper, the big screen union of Robert De Niro and Al Pacino in Michael Mann’s cop drama was a shoo-in for awards, but no Oscar nominations manifested. Warner Bros 47 brilliant films that didn't receive a single Oscar nomination His Girl Friday (1940) Yet another Howard Hawks screwball comedy starring Cary Grant that criminally failed to secure a single Oscar nomination. L/Columbia/Koba/Rex/Shutterstock 47 brilliant films that didn't receive a single Oscar nomination Insomnia (2002) While falling short of Christopher Nolan’s best, modest drama Insomnia – made years before Batman Begins – had enough strong performances (Al Pacino, Robin Wiliams, Hilary Swank) to warrant acting nominations. Alas, it received none. Warner Bros Pictures 47 brilliant films that didn't receive a single Oscar nomination Local Hero (1983) Bill Forsyth’s beloved comedy-drama follows the mishaps of an American man sent to buy up a Scottish village where the oil company he works for wants to build a refinery. Forsyth won the Bafta for Best Director, but the film received no such love from the Academy. 20th Century Fox 47 brilliant films that didn't receive a single Oscar nomination M (1931) You’d be mistaken for thinking the “M” stands for “masterpiece” in Fritz Lang’s German drama that follows the manhunt for a serial killer - not that the Academy agreed. 20th Century Fox 47 brilliant films that didn't receive a single Oscar nomination A Man Escaped (1956) Robert Bresson’s adaptation of André Devigny’s memoirs charts the French Resistance member’s time as prisoner of the Germans during World War II, and is even more enthralling considering Bresson himself was held captive years before. Gaumont Film Company 47 brilliant films that didn't receive a single Oscar nomination Margaret (2011) Kenneth Lonergan would go on to win an Oscar for Manchester but he Sea, but Margaret - his three-hour plus drama featuring a searing performance from Anna Paquin - failed to secure a single nomination. Fox Searchlight Pictures 47 brilliant films that didn't receive a single Oscar nomination In the Mood for Love (2000) Wong Kar-wai set the benchmark for romance in film with his acclaimed Hong Kong drama following a man and woman (Tony Leung and Maggie Cheung) who develop feelings for one another after suspecting their respective spouses of having an affair together. defd Deutscher Fernsehdienst 47 brilliant films that didn't receive a single Oscar nomination The King of Comedy (1982) It may have taken him decades to win an Oscar, but the Academy has rarely balked at nominating Martin Scorsese films – especially for films starring Robert De Niro. The King of Comedy was an exception. 20th Century Fox 47 brilliant films that didn't receive a single Oscar nomination The Long Goodbye (1973) Robert Altman’s superior thriller stars Elliott Gould as Raymond Chandler’s private investigator Philip Marlowe in one of the director’s most entertaining films. The director would go on to be the recipient of the Honorary Award in 2006. 47 brilliant films that didn't receive a single Oscar nomination The Man With Two Brains (1983) He may have hosted several times, but Steve Martin has never been nominated for an Oscar. One film he deserved recognition for was Carl Reiner's 1983 sci-fi comedy, The Man with Two Brains. Warner Bros. 47 brilliant films that didn't receive a single Oscar nomination A Matter of Life and Death (1946) The Academy Film Archive may have preserved A Matter of Life and Death in 1999, but voters failed to recognise the Powell & Pressburger’s fantasy-romance at the time of its release in 1946. Eagle-Lion Films 47 brilliant films that didn't receive a single Oscar nomination Mean Streets (1973) It may not be credited as his debut, but Mean Streets is very much the first true Martin Scorsese film. The director would go on to win a belated Oscar for The Departed in 2007, but he’d have to wait until 1975 for his first nomination (Alice Doesn’t Live Here Anymore). Warner Bros 47 brilliant films that didn't receive a single Oscar nomination Melancholia (2011) No Lars von Trier film has ever been nominated for Best Picture, though Dancer in the Dark came close (it settled for a Best Original Song nomination). He came close with Melancholia, but ultimately, the drama didn't get Canal+ 47 brilliant films that didn't receive a single Oscar nomination Miller's Crossing (1990) Despite being revered as a Coen brothers favourite, not to mention its notable performances from Gabriel Byrne and Albert Finney, Miller’s Crossing is one of few Coen brother films not to receive a single Oscar nomination. 20th Century Fox 47 brilliant films that didn't receive a single Oscar nomination Once Upon a Time in America (1984) Though it's by no means a masterpiece, it’s staggering to think that Sergio Leone’s gangster epic - starring Robert De Niro and Joe Pesci - didn’t acquire any Oscar nominations (the film's music was disqualified from consideration after Warner Bros accidentally omitted the composer's name from the opening credits when trimming the film’s lengthy running time for its American release). Warner Bros 47 brilliant films that didn't receive a single Oscar nomination Paterson (2016) Critics assumed Jim Jarmusch’s Paterson would have been a shoo-in for awards recognition - most notably in the Best Actor category, thanks to a quietly fantastic performance from Adam Driver - but no such luck. Amazon Studios 47 brilliant films that didn't receive a single Oscar nomination Paths of Glory (1957) Stanley Kubrick never won Best Director despite being nominated four times. One of his films that didn’t make the Oscars cut in any category was his black-and-white anti-war film, Paths of Glory. United Artists 47 brilliant films that didn't receive a single Oscar nomination Play Misty for Me (1971) Clint Eastwood would go onto become something of an Oscar darling thanks to Unforgiven, Million Dollar Baby and Mystic River, but his directorial debut was ignored by the Academy. Univeral Pictures/Courtesy of Getty Images 47 brilliant films that didn't receive a single Oscar nomination Reservoir Dogs (1992) Reservoir Dogs may not touch Quentin Tarantino’s best, but it remains a surprise that the filmmaker’s debut didn’t get recognised in the screenplay category, at least. Miramax Films 47 brilliant films that didn't receive a single Oscar nomination The Rider (2018) Of all the 2018 films to be snubbed at this year’s Oscars, Chloé Zhao’s drama - which stars a real-life rodeo cowboy and his family - smacks as the most unfair. Sony Pictures Classics 47 brilliant films that didn't receive a single Oscar nomination The Searchers (1956) The role of Civil War veteran Ethan Edwards might be considered John Wayne’s best role, but the Academy didn’t agree: he would win his sole Oscar for True Grit in 1970. Warner Bros 47 brilliant films that didn't receive a single Oscar nomination The Shining (1980) Another Kubrick film that was completely ignored by the Academy is the director’s Stephen King adaptation, The Shining. Today, it’s considered one of his finest works as well as being one of the most revered horror films of all time. Warner Bros 47 brilliant films that didn't receive a single Oscar nomination The Shop Around the Corner (1953) It may have endured as one of the best loved romcoms of all time, but it has zero Oscar nominations to its name. Metro-Goldwyn-Mayer 47 brilliant films that didn't receive a single Oscar nomination Still Walking (2008) Japanese director Hirokazo Kore-eda's portrait of a family over roughly 24 hours as they commemorate the death of the eldest son was a glaring oversight by the Academy. IFC Films 47 brilliant films that didn't receive a single Oscar nomination Swingers Before he became Disney's go to, Jon Favreau (Iron Man, The Jungle Book and the forthcoming live-action Lion King) wrote this independent film about the lives of single, unemployed actors living in Hollywood, California during the 1990s swing revival. Rex Features 47 brilliant films that didn't receive a single Oscar nomination This Is England (2006 The 2007 ceremony would have been far better had Shane Meadows' coming-of-drama been in contention for awards. Optimum Releasing 47 brilliant films that didn't receive a single Oscar nomination Three Kings (1999) The Academy deemed Silver Linings Playbook and American Hustle worthy of nominations, but not David O Russell’s Three Kings, which remains one of his greatest films to this day. Warner Bros Pictures 47 brilliant films that didn't receive a single Oscar nomination Tokyo Story (1953) Tokyo Story is deemed Japanese filmmaker Yasujirō Ozu's masterpiece and was named Sight & Sound's best film of all time in 2012. Rex Features 47 brilliant films that didn't receive a single Oscar nomination Touch of Evil (1958) Orson Welles' classic noir wasn't as well loved at the time of release as it is today. BFI 47 brilliant films that didn't receive a single Oscar nomination Tyrannosaur (2011) Olivia Colman may be in contention for Best Actress at this year’s ceremony, but the fact she failed to earn a nomination (or Bafta, for that matter) for her role in Paddy Considine’s hard-hitting drama Tyrannosaur is one of the biggest oversights in awards history. StudioCanal UK 47 brilliant films that didn't receive a single Oscar nomination Walkabout (1971) Another exceptional achievement in filmmaking from Nicolas Roeg that somehow failed to receive any Oscar nominations. 47 brilliant films that didn't receive a single Oscar nomination You Were Never Really Here (2018) Notch it down to bad timing, but Lynne Ramsay’s You Were Never Really Here - starring Joaquin Phoenix - is a sensational piece of work worthy of reward. Amazon Studio 47 brilliant films that didn't receive a single Oscar nomination Zodiac (2007) Three years later, David Fincher would go head-to-head with The King Speech's Tom Hooper for The Social Network. In truth, serial killer drama Zodiac is every bit as good as the Facebook drama. Warner Bros Pictures

Amusingly, what one might consider “real” cinema according to Scorsese’s definition – a cinema that tells stories to mine the human psyche, say – has now been crossed with the franchise film. Joker has made bank at the US box office by featuring a beloved comic book character, but treating him in the mode of Scorsese himself. Whatever the film’s qualities, that reliance on an inbuilt audience spells bad news for makers of original content.

Scorsese has joined a growing chorus of dissent among critics and, possibly, viewers (although so-called “franchise fatigue” has so far not translated into a decline in box office figures). In a delectable review of Men In Black 4 this summer, Nick Pinkerton compared that movie to Endgame, writing with deadly irony that MIB4 was considered a “bad” blockbuster while Endgame was seen as a “good” one. “In point of fact,” he wrote, “the qualitative differences between the two are so obscure as to barely bear mentioning; the most pertinent is that F Gary Gray’s Men in Black movie is a good hour shorter than the Russo brothers’ all-star superhero revue, so you can be back out on to the street and getting on with your life a little sooner.” Pinkerton went on to say, “I have an increasingly compelling sense that these things are not movies: they’re content, they’re IP, they’re brand-management exercises.”

Faced with this sort of invective, stars from the Marvel franchise have offered hilariously tepid clapbacks. Robert Downey Jr, invited by Howard Stern to respond to the proposition that these things aren’t movies, contributed: “I mean, it plays in theatres.” Samuel L Jackson, meanwhile, opined: “Films are films.” Quite.