Bolstered by the seemingly inexhaustible Mac McNeilly on drums, the Jesus Lizard played with a snarling menace and granite-splitting grind that evoked the factory-dominated feel of the pre-gentrified Chicago in which the band cut its teeth. David Wm. Sims’ towing-cable-thick bass notes and Duane Denison’s sledgehammer guitar riffs understood the power of pacing and friction. Used to chaotic effect on crazed fare such as “Boilermaker,” they also employed slow-burn minimalism to expand the dynamics in songs such as “Seasick” and “Then Comes Dudley” while reaching into western, surf and jazz realms.