So it’s goodbye, then, to Catastrophe (Channel 4). As the protagonists might say, it’s been a blast.

Being the last episode, the show is forgiven a little schmaltz as we see Rob and Sharon (Rob Delaney and Sharon Horgan, stars and writers) swimming in azure waters to a bright new future, deeply in love, with a new baby on the way. “Why not?” says Rob, uncharacteristically when Sharon breaks the news. He declares his insatiable physical attraction to her in typically robust terms, unsuitable for transcription here, and she tells him, sweetly: “You look so handsome.”

You wonder whether being that luvvy duvvy will suit them, long term, but we’ll never know. Possibly just as well.

Considering it’s Catastrophe, a thoroughly sardonic chronicle of modern manners, they don’t get through the half hour without a bereavement, a brawl and a threat of divorce along the way, however. Don’t forget that the show is inspired by a line from the film Zorba the Greek, as uttered by Anthony Quinn: “Am I not a man? And is a man not stupid? I’m a man, so I married. Wife, children, house, everything. The full catastrophe.”

Rob, Sharon and kids arrive in Boston, Massachusetts, for an idyllic family holiday only to be greeted by Rob’s sister Sydney (Michaela Watkins) with news that their mum is dead. The consequences are – almost – devastating.

Hidden gems: The best Netflix originals you might have missed Show all 20 1 /20 Hidden gems: The best Netflix originals you might have missed Hidden gems: The best Netflix originals you might have missed Money Heist (TV series, one season, 2017–) Known as La Casa de Papel (House of Paper) in its native Spanish, Money Heist is Netflix’s most streamed non-English language show. The bank heist is a tired dramatic trope these days, but don’t let that, or the show’s bland English-language title, put you off – creator Álex Pina has made something special. The heist here, led by a mysterious man known only as The Professor, involves breaking into the Royal Mint of Spain and printing off €2.4 billion. There are even more twists in the show’s 15 episodes than there are hostages. Netflix Hidden gems: The best Netflix originals you might have missed American Vandal (TV series, two seasons, 2017–2018) Part satire of true crime documentaries such as Making a Murderer, part carefully observed portrayal of teenage life, American Vandal was criminally underappreciated during its two season run. It’s been cancelled now, but that doesn’t mean you can’t catch up with it, and then write Netflix a strongly worded email. Netflix Hidden gems: The best Netflix originals you might have missed One Day at a Time (TV series, two seasons, 2017–) In stark contrast to the off-beat, low-key comedy that currently rules TV – the kind that provokes a wry smirk rather than a hearty laugh – One Day at a Time is a big, bright sitcom filmed in front of an interminably enthusiastic studio audience. You wouldn’t have thought that the story of a Cuban-American army veteran / nurse / single mother – who suffers from PTSD and depression – would fit into this format, but it does so beautifully, tackling issues of sexuality, racism and sexism in the process. Netflix Hidden gems: The best Netflix originals you might have missed Private Life (Film, 2018) Based on writer / director Tamara Jenkins’s own fertility struggles, Private Life stars Kathryn Hahn and Paul Giamatti (both giving brilliant performances) as a spiky, loving middle-aged couple desperate to have a baby. They even rope their enthusiastic but irresponsible niece Sadie (Kayli Carter) into the mix, much to the horror of Sadie’s mother (Molly Shannon, turning a potentially repellent character into one worthy of empathy). It’s subtle, restrained and beautifully realised. Netflix Hidden gems: The best Netflix originals you might have missed Big Mouth (TV series, two seasons, 2017–) Crude, rude, and rife with surprise emissions and bodily functions, animated sitcom Big Mouth is also a sensitive, nuanced deep dive into the various horrors of teenagehood. When 12-year-old Andrew Glouberman (John Mulaney) is visited by the hormone monster (Nick Kroll, who voices many of the show’s best characters), he finds his life irreversibly – and seemingly disastrously – changed. Unlike many other puberty-centred comedies, Big Mouth makes as much time for its confused female protagonists as its male ones; Maya Rudolph is a delight as the female hormone monster, and look out for Kristen Wiig’s wonderful turn as a talking vagina. Netflix Hidden gems: The best Netflix originals you might have missed Easy (TV series, two seasons, 2016–) Joe Swanberg’s style of defiantly undramatic mumblecore isn’t for everyone, but if you enjoyed his earlier films, Drinking Buddies and Happy Christmas, you’ll find plenty to admire in this anthology comedy-drama series. Big-name stars such as Orlando Bloom and Aubrey Plaza crop up, but Jane Adams – who you might remember from Todd Solondz’s chronically depressing 1998 film Happiness – is the show’s heart, and Marc Maron is its jaded soul. Netflix Hidden gems: The best Netflix originals you might have missed Love (TV series, three seasons, 2016–2018) Community’s Gillian Jacobs is brilliant as the prickly, magnetic recovering addict Mickey, who forms an unlikely – and arguably deeply unwise – relationship with her nerdy neighbour Gus (Paul Rust). Despite Gus’s pathological need to be the nice guy, we’re never quite sure who or what we’re rooting for – which is what makes Love such complex, compelling viewing. Netflix Hidden gems: The best Netflix originals you might have missed Patton Oswalt: Annihilation (stand-up special, 2017) In 2016, comedian Patton Oswalt’s wife, the true crime writer Michelle McNamara, died suddenly in her sleep. That subject matter doesn’t exactly scream “stand-up special”, but out of his devastating loss, Oswalt managed to craft something funny and profound. Over the course of an hour, he processes his grief onstage, managing to find humour in the struggle to raise his grieving six-year-old daughter alone. Netflix Hidden gems: The best Netflix originals you might have missed Santa Clarita Diet (TV series, two seasons, 2017–) Granted, this horror-comedy – which stars Drew Barrymore as a neurotic real estate agent who suddenly develops a taste for human flesh – is really silly, and really, really disgusting. But it’s also strangely charming, and funny. Timothy Olyphant is excellent as Sheila’s frazzled husband Joel, and the pair’s idiosyncratic but respectful relationship with their smart teenage daughter Abby (Liv Hewson) isn’t quite like anything else on TV right now. Netflix Hidden gems: The best Netflix originals you might have missed Dark Tourist (TV series, one season, 2018–) New Zealand journalist David Farrier is an unlikely TV presenter in the same way that Louis Theroux is – in just about every scenario in which he finds himself, he’s a little bit awkward. But as with Theroux, Farrier’s weakness is actually his strength, allowing him to endear himself to the many unusual people he meets on his journey through the world’s most questionable tourist destinations. Farrier’s stops include the site of the Fukushima nuclear disaster, the road where JFK was assassinated, and the Milwaukee suburbs where serial killer Jeffrey Dahmer murdered his victims. Netflix Hidden gems: The best Netflix originals you might have missed Sacred Games (TV series, one season, 2018–) Based on Vikram Chandra’s epic 2006 novel, Netflix’s first Indian original series is a slowly unfolding gem. The first season of Sacred Games – which follows a troubled police officer (Saif Ali Khan) who has 25 days to save his city thanks to a tip-off from a presumed dead gangster – only covered one quarter of Chandra’s 1,000-page novel. As the show itself declared when it announced the forthcoming second season, “the worst is yet to come”. Netflix Hidden gems: The best Netflix originals you might have missed Dumplin’ (Film, 2018) When the trailer for Dumplin’ first landed, it seemed all the ingredients were in place for a film that was at worst tone-deaf, and at best vaguely patronising. Thank heavens, then, that the trailer did Dumplin’ such a disservice. Starring Danielle Macdonald (who broke out in the excellent 2017 film Patti Cake$) as Willowdean, a self-described “fat girl” who enters a local pageant to annoy her former beauty queen mother (Jennifer Aniston), Dumplin’ is as funny, warm and sensitive as its protagonist – and with a killer Dolly Parton-laden soundtrack to boot. Netflix Hidden gems: The best Netflix originals you might have missed Dark (TV series, one season, 2017–) This sci-fi thriller – which features disappearing children, a mysterious local power plant, and scenes set in the Eighties – has, for obvious reasons, drawn comparisons to Stranger Things. But Dark is even more beguiling and (true to its name) less family-friendly than Stranger Things. Netflix Hidden gems: The best Netflix originals you might have missed The Death and Life of Marsha P Johnson (Film, 2017) Though it’s been somewhat tarnished by claims that director David France appropriated the work and research of trans film-maker Reina Gossett, this documentary is nonetheless a loving, respectful tribute to gay rights activist Marsha P Johnson. One of the key figures in the Stonewall uprising (though her involvement was almost entirely eradicated in 2015’s critically hated Stonewall), Johnson modelled for Andy Warhol, performed onstage with drag group Hot Peaches, helped found the Gay Liberation Front, and then died under suspicious circumstances in 1992. Netflix Hidden gems: The best Netflix originals you might have missed On My Block (TV series, one season, 2018–) This coming-of-age series might not have found as many eyeballs as it deserved last year, but those it did find were glued to the screen. In fact, it was the most-binged show of 2018 – meaning that it had the highest watch-time-per-viewing session of any Netflix original. Created by Awkward’s Lauren Iungerich, On My Block follows a group of Los Angeles teens as they navigate both the drama of high school and the danger of inner-city life. John O Flexor/Netflix Hidden gems: The best Netflix originals you might have missed Set It Up (Film, 2018) Two beleaguered assistants (Zoey Deutch and Glen Powell) conspire to get their over-demanding bosses (Taye Diggs and Lucy Liu) together in order to get their lives back in this winning romantic comedy. Set It Up is responsible not only for coining the term “over-dicking” (it’s much more innocent than it sounds), but for rejuvenating a tired genre. Netflix Hidden gems: The best Netflix originals you might have missed Cargo (Film, 2017) Martin Freeman stars as the father struggling to protect his young daughter from a zombie epidemic spreading across Australia. So far, so overdone. But this drama thriller, directed by Ben Howling and Yolanda Ramke and based on their 2013 short of the same name, throws a handful of unpredictable spanners in the works. Netflix Hidden gems: The best Netflix originals you might have missed 3% (TV series, two season, 2016–) Like a cross between The Hunger Games and CW series The 100, this Brazilian dystopian thriller, set in an unspecified future, revolves largely around an impoverished community known as the Inland. Every year, each 20-year-old takes part in a series of tests; the highest scoring 3% will be chosen to live in paradise in the Offshore. It is an intriguing and addictive commentary on class and privilege. Netflix Hidden gems: The best Netflix originals you might have missed Godless (TV series, one season, 2017–) With shades of John Ford's The Searchers, this languorous western was critically acclaimed but swiftly forgotten after it landed on Netflix in 2016. Set in 1884, it's about Frank Griffin (Jeff Daniels) and his notoriously ruthless gang of outlaws’ pursuit of their injured former ally Roy Goode (Jack O’Connell), who is hiding out in a small town populated solely by women after a mining accident killed off all its men. A gun-toting Michelle Dockery, clearly relishing the change of scenery after years of Downton Abbey, and a taciturn Jack O’Connell, are on brilliant form. Netflix Hidden gems: The best Netflix originals you might have missed Atypical (TV series, two seasons, 2017–) This coming-of-age series about a teenage boy with autism was sweet and well-intentioned from the start, but its first season was criticised for a handful of inaccuracies, and for its lack of autistic actors. Rather than drowning in a sea of defensiveness – as too many shows tend to do – it listened, and brought in autistic actors and writers for its excellent second season. Netflix

The death of Mia, who had been played by Carrie Fisher, dominates proceedings, and it is poignant to see her face on an easel on a New England beach as Rob reads his tribute to her. The most enjoyably and sometimes incoherently vicious passage is an email by her that she sent to her friend, explaining why she was buying so much tat on eBay for charity: “I heard about these babies whose spines are like corkscrews. Once they have the surgeries they can play hockey, rollerblade. I mean I wouldn’t have to do it all if this government gave a rat’s ass about disabled kids. They’d be happy just to throw ’em out of a window.

“I bet Mike Pence spends his Sundays throwing disabled kids out of windows. Looks like he would, that f***ing microwaved apple-looking ass motherf***er.” From what we know of her opinions, that’s a fitting tribute to Carrie also.

No surprise, then, that when we meet Rob’s long-estranged father Ryan (Mitchell Mullen), we understand one of the tensions in that parental relationship. For dad is a wife-beating, drunken, self-confessed bigot who steals the show a bit too easily with his appalling opinions: “I hated Obama but I respect him. After eight years he could have put his feet up, not spending all that time organising fake school shootings.”

Dad is also noticeably jaundiced, literally as well as metaphorically, which he shrugs off as a symptom of cirrhosis of the liver, an occupational hazard of being who he is.

Support free-thinking journalism and attend Independent events

It is another testament to their skills that Horgan and Delaney manage to insert a racist with a terminal illness into their sitcom as if it was the most natural thing in the world, which, I suppose, given the prevalence of such things, it is.

So, too, was Rob’s cruel taunting of Sharon as she showed a slightly selfish desire to combine major grief with family beach fun, and the all-too-believable scrap with his dad at the funeral reception, an elderly relative suffering collateral damage. There are dark, bleak, depressing moments before the final surrender to optimism of the soul.