“We are blown away by the reception of this tour, it’s unbelievable how many people love this album,” says Wilson. “The audiences have been so fantastic and we are honored to play for them. We never expected this reaction so we will continue to perform this album for people as long as they ask us to!”

“This tour is really unprecedented, I can’t think of an album that garners so much respect that fans all over the world a year later are still asking for more shows,” says APA’s Bruce Solar. “The interest hasn’t slowed down and Brian during this time in his life is finding so much joy in these performances. It’s really inspiring.”

Last year alone found Wilson and his band, joined by former bandmates Al Jardine and Blondie Chaplin, performing 99 shows to captivated audiences in sold-out venues all over the world. Garnering critical acclaim and marking a true return to form, Wilson continues to deliver a live performance of Pet Sounds in its entirety, as well as top hits and fan favorites spanning his 54-year career with The Beach Boys and as a solo artist. Universally hailed as a writer of one of the greatest American songbooks, Pet Sounds has reigned atop countless critic and fan polls, and has maintained its timeless rank as one of popular music’s most-cited influences.

In 1965, with The Beach Boys out on tour, Wilson began session work on some of the most deeply personal recordings of his career. Inspired by The Beatles Rubber Soul, he challenged himself to create an immaculate musical masterpiece. A vast departure from the then band’s commercial sound, the resulting Pet Sounds “concept album” achieved great critical success helping usher in a new musical landscape.

Wilson began his career as a teenaged founding member of The Beach Boys, who signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The band’s initial surf-rock focus was soon broadened to include other themes. Wilson’s innovative vocal and instrumental arrangements for major hits including “I Get Around,” “California Girls,” “Wouldn’t It Be Nice,” “God Only Knows,” and the No. 1 smash “Good Vibrations” established The Beach Boys as America’s preeminent band of the 1960s.

Wilson has also achieved great success as a solo artist with 11 of his own albums released to-date, including his acclaimed 2004 completion of an album he first began recording in the ‘60s, Brian Wilson Presents… SMiLE. The album earned Wilson his first GRAMMY® for a recording, which was followed by his second GRAMMY® win for producing The Beach Boys’ acclaimed 2011 release, The SMiLE Sessions. With his own band, Wilson has performed major, sold-out tours in recent years, and with The Beach Boys he celebrated the iconic band’s 50th anniversary in 2012 with a major international tour and acclaimed studio album, That’s Why God Made The Radio.

In 2015, Wilson released his latest solo album No Pier Pressure (Capitol) and was the subject of the critically-acclaimed, award-winning biopic Love & Mercy (Roadside Attractions/Lionsgate). Directed by Bill Pohlad and starring John Cusack, Paul Dano, Elizabeth Banks and Paul Giamatti, Love & Mercy presents an unconventional portrait of the music legend. Set against the era-defining catalog of the music, the film intimately examines the personal voyage and ultimate salvation of the iconic performer whose success came at an extraordinary personal cost. The culmination of these projects produced Wilson’s first Golden Globe nomination for Best Original Song (Motion Picture) for “One Kind Of Love”, which was featured in the film.

Brian Wilson is a Kennedy Center Honors recipient, a Songwriters Hall of Fame inductee, and a U.K. Music Hall of Fame inductee. As a member of The Beach Boys, Wilson was inducted into the Rock & Roll Hall of Fame in 1988, and honored with The Recording Academy’s Lifetime Achievement Award in 2001.