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The band rides him mercilessly regarding various problems with the monitors. First they can't hear themselves and then the drums are mic'd too loud.Pipgen: "There's not going to be another fucking word sung from the stage until the monitors get fixed."Around 7:00 into the Other One there's some high pitched feedback (from the cymbals, sounds like) and you can hear Bobby scream "GODDAMMIT!"But, as others have noted, the quality of this recording and transfer is amazing. Personally, I find the sound of the band playing right at the bleeding edge of sonic overload most exciting (and it doesn't appear that this audience minded very much). Plenty of detail here, with all the instruments nicely eq'd and separated.The cut towards the end of Cryptical is brutal but it's a great version otherwise (the Attics barely exists on this tape).Pig seems to be pretty fired up for this Hard to Handle. There's a few warts in this version and it never really leaves the atmosphere but still a fine cruise.The St. Stephen, on the other hand, includes an exceptionally intense, no-nonsense jam. I'm sure Casey Jones was not what most people had in mind for a follow-up but it, too, is played with sharp focus and loads of energy.