We’ll push away from six. Let it up. Let it come over to seven. Little push on the beginning of seven. Let it up. When I get to the handles and we go through our routine, that’s kind of a mental trigger to fall into a focused zone for me. And if I’m having a type of nervous day or something like that, I actually think about a waterfall. Something about the water running, like fluid and emotionless, that’s how I like to think of sliding. Because if you could perform like water, it’s always constant, it’s always moving, it’s always going to do its thing no matter what. Nothing is really going to interrupt it. I look beyond him at the track, at the start ramp, so I can visually get a good look at what I’m about to do. I do a [inhale, exhale]. There’s a song by J. Cole called “Crunch Time.” And in that song, he talks about, you know, this is the time. It’s time to go get it. That’s the song I played 457 times in Sochi, on repeat, before competing. So I’m almost 100 percent sure that that will be the same tune I’m jiving to in Pyeongchang. In this specific song, he talks about rappers who are maybe not being heard yet. And I think of us as, you know, we’re a small sport. We’re not very big. We’re not mainstream. We’re not being heard. So maybe if we do something special, we’ll get heard. — push, up, all the way out. Let it come out on the left side. A little touch on the beginning of 13. Let it up. It’s not an exceptional day. It’s nothing. All we have to do is go and do what we know how to do and do it well. One tap of the right foot, push the leg in. One tap of the left foot, left leg in. All set. Track is clear. Ding ding. Jayson, you ready? Let’s do this, brother. [music: J. Cole “Crunch Time”] “We gonna be fine. But mama, I’m tired of crying. Just lie to me one more time, because it’s crunch time.”