CYRILLE AIMÉE at Birdland (through Nov. 23, 8:30 and 11 p.m.). An emerging vocalist originally from France, Aimée recently moved from New York to New Orleans, calling it quits with her longtime quintet and jumping into a new chapter. She has been expanding her palette and strategies, punching up her whimsical Gypsy-jazz style with fresh dashes of New Orleanian rhythm, and sometimes employing a loop machine. Aimée is at Birdland this week to perform selections from “Move On: A Sondheim Adventure,” her most recent album and her first without the quintet.

212-581-3080, birdlandjazz.com

GUSTAVO CASENAVE QUARTET at Flushing Town Hall (Nov. 22, 8 p.m.). A virtuoso pianist who hails from Uruguay but has lived in New York for the past two decades, Casenave pulls from tango, jazz, Western classical and South American folk to create a kind of light-footed chamber music with an identity of its own. He arrives at Flushing Town Hall on Friday fresh off a win at the Latin Grammy Awards, where last week he received the trophy for best instrumental album for his solo-piano recording “Balance.” He will perform with a quartet featuring the saxophonist Alejandro Aviles, the bassist Pedro Giraudo and the drummer Franco Pinna.

718-463-7700, flushingtownhall.org

JIMMY COBB TRIO at Dizzy’s Club (Nov. 25, 7:30 and 9:30 p.m.). This drummer’s memory banks are a Trapper Keeper for some of the biggest moments in jazz history. A National Endowment for the Arts Jazz Master, Cobb is the last living member of the sextet that made Miles Davis’s “Kind of Blue,” and he has recorded hundreds of albums with other eminent jazz figures: Cannonball Adderley, Sarah Vaughan, John Coltrane and more. On his most recent album, “Remembering U,” Cobb offers a musical homage to a younger compatriot, Roy Hargrove, whose untimely death last year left a gaping void in jazz. (This was also the last album recorded by Rudy Van Gelder, the fabled recording engineer, who died in 2016.) It features Hargrove’s trumpet playing on three tracks, and showcases the cool synergy of Cobb’s longstanding trio throughout. That group — featuring Tadataka Unno on piano and Paolo Benedettini on bass — will play selections from the disc at this show, presented in partnership with Newark’s WBGO 88.3 FM.

212-258-9595, jazz.org/dizzys

JASON MORAN AND THE BANDWAGON at the Village Vanguard (Nov. 26-Dec. 1, 8:30 and 10:30 p.m.). Moran’s impact on jazz — and the arts writ large — continues to grow. At the end of March, at Carnegie Hall, he and the operatic mezzo-soprano Alicia Hall Moran, his wife, debuted “Two Wings,” a musical meditation on the Great Migration. Meanwhile, at the Whitney Museum of American Art, his first-ever retrospective exhibition is currently on display, showcasing his growing body of work alongside visual and conceptual artists (and as a maker in those mediums himself). Throughout Moran’s 20-year career, one constant has been the Bandwagon, his trio featuring the bassist Tarus Mateen and the drummer Nasheet Waits. They weld together straight-ahead jazz fluidity, gospel transcendence and avant-garde iconoclasm into an unmistakable group sound. Starting on Tuesday, the trio will continue its annual tradition of playing at the Vanguard on the week of Thanksgiving.

212-255-4037, villagevanguard.com

JOEL ROSS GOOD VIBES at the Jazz Gallery (Nov. 22-23, 7:30 and 9:30 p.m.). Among the most promising young bandleaders in jazz, Ross has earned wide acclaim for his debut album, “Kingmaker,” released this year on Blue Note Records. He boasts a dashing, prolix flow on vibraphone and a bold, fresh identity as a composer, but he also shows a real appreciation for his instrument’s history: You can hear the ghosts of Bobby Hutcherson and Milt Jackson in his playing. He appears here with a slightly modified version of Good Vibes, the band from the LP: Immanuel Wilkins on alto saxophone, Jeremy Corren on piano, Kanoa Mendenhall on bass and Jeremy Dutton on drums.

646-494-3625, jazzgallery.nyc

JOHN SCOFIELD AND DAVE HOLLAND at the Blue Note (Nov. 26-Dec. 1, 8 and 10:30 p.m.). There’s really no way to “O.K. boomer” these two. Each has a stint with Miles Davis on his résumé, and they’ve both been in the game for decades. But neither Scofield, an acid-toned guitarist, nor Holland, a brilliantly versatile bassist, has ever planted his feet in a set approach. And both continue to work in conversation with younger musicians — even as they carry the flag for the jazz-rock fusion movement, in which they played an essential role. Here they will perform in an intimate duet.

212-475-8592, bluenote.net

GIOVANNI RUSSONELLO