The film's title is a reference to the term used in East Asia for the internet culture that generally includes all types of camp and parody, and in Japanese culture means "crap" or "shit" and "bullshit", and is used to describe outrageous matters and objects of poor quality. So, it's obvious that the film is off-putting and hard to watch by design, but I will say, it does get easier to digest the more the film goes on.

The first 30 minutes are difficult to sit through mostly because the stories aren't very interesting and they come across slightly tone deaf, playing a little too near the serious end of the spectrum, which conflicts with the latter portion of the film. In some instances, it does feel like shock for shock's sake, but there are also some genuinely fun and inventive moments tucked and hidden inside, however derivative they may be.

My chief complaint about the film is that the earthquake conceit wasn't very well set up or explained. If I'd not read the plot synopsis, I may've not even been aware that the film took place in the aftermath of an earthquake at all. The exposition concerning the earthquake is delivered at an astronomical rate via a frantic jazz freestyle, which will likely catch you off guard. The earthquake's destruction is never expressly seen or referenced all that much, aside from a few brief mentions, which you may not even catch if you blink or look away from the screen to vom. That aspect alone pretty much renders the film a hobbled and stitched collection of outrageous and wtf-riddled shorts, akin to Funky Forest: The First Contact, which is (surprise, surprise!) one of FlyLo's favorite films.