An Eater's-Eye View Of Literature's Most Iconic Meals

Hide caption "On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold." (The Great Gatsby by F. Scott Fitzgerald) Previous Next Dinah Fried/Courtesy of Harper Design

Hide caption "By this time he'd opened a new bottle of tequila and was quaffing it down. Then he grabbed a grapefruit and sliced it in half with a Gerber mini-magnum — a stainless-steel hunting knife with a blade like a fresh-honed razor." (Fear and Loathing in Las Vegas by Hunter S. Thompson) Previous Next Dinah Fried/Courtesy of Harper Design

Hide caption " 'Have some wine,' the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea." (Alice in Wonderland by Lewis Carroll) Previous Next Dinah Fried/Courtesy of Harper Design

Hide caption "There was a deep little hollow where you could build a sort of tiny oven with stones and roast potatoes and eggs in it. ... You could buy both potatoes and eggs and eat as many as you liked without feeling as if you were taking food out of the mouths of fourteen people." (The Secret Garden by Frances Hodgson Burnett) Previous Next Dinah Fried/Courtesy of Harper Design

Hide caption "In order to test his taste, she brought him a whole selection of things, all spread out on an old newspaper. There were old, half-rotten vegetables; bones from the evening meal, covered in white sauce that had gone hard; a few raisins and almonds; some cheese that Gregor had declared inedible two days before ..." (The Metamorphosis by Franz Kafka) Previous Next Dinah Fried/Courtesy of Harper Design

Hide caption "It was made of small juicy clams, scarcely bigger than hazelnuts, mixed with pounded ship biscuit, and salted pork cut up into little flakes; the whole enriched with butter, and plentifully seasoned with pepper and salt." (Moby-Dick by Herman Melville) Previous Next Dinah Fried/Courtesy of Harper Design

Hide caption "When I'm out somewhere, I generally just eat a Swiss cheese sandwich and a malted milk. It isn't much, but you get quite a lot of vitamins in the malted milk. H. V. Caulfield. Holden Vitamin Caulfield." (The Catcher in the Rye by J.D. Salinger) Previous Next Dinah Fried/Courtesy of Harper Design

Hide caption "He taught me how to eat avocados by melting grape jelly and french dressing together in a saucepan and filling the cup of the pear with the garnet sauce. I felt homesick for that sauce." (The Bell Jar by Sylvia Plath) Previous Next Dinah Fried/Harper Design 1 of 8 i View slideshow

In the opening pages of Daphne du Maurier's 1938 novel Rebecca, the narrator lays out a feast for the imagination: "Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones. Sandwiches of unknown nature, mysteriously flavoured and quite delectable, and that very special gingerbread." Of course, the reader can't actually see these treats — and that's where graphic designer Dinah Fried comes in.

Fictitious Dishes An Album of Literature's Most Memorable Meals by Dinah Fried Hardcover, 126 pages | purchase close overlay Buy Featured Book Your purchase helps support NPR programming. How?

Du Maurier's feast is just one of 50 tableaux collected in Fried's new book, Fictitious Dishes: An Album of Literature's Most Memorable Meals. It's full of photographs, all shot from above and each one of food — literary food, to be exact. From the watery gruel in Oliver Twist to a grilled mutton kidney in Ulysses to intricate "salads of harlequin designs" in The Great Gatsby, the book is a tribute to the tastes of authors and their readers.

Fried cooked all the meals, staged all the shots and took all the pictures. She joins NPR's Melissa Block to talk about the process and pitfalls of remaking these literary feasts.

Interview Highlights

On the toasted cheese in Heidi and the fork that tied the picture together

It's really one of my favorites in the book. That moment — reading it as a child, you know, the anticipation of watching her grandfather prepare this melted goat's milk cheese over toast and feeling so cared for — it's always stuck with me. ...

I found that fork at a flea market and I felt such victory. I thought, "This is perfect." It looked old and kind of worn, like he had used it for many years, so I felt like it was the perfect fork for that photo.

Enlarge this image toggle caption Dinah Fried/Courtesy of Harper Design Dinah Fried/Courtesy of Harper Design

On the decision to shoot from above

Part of my want as a maker in creating these was to put myself in the position of the characters who were eating these meals. By shooting them from above, that was the closest I could come to a first-person perspective on the meal.

Enlarge this image toggle caption Dinah Fried/Courtesy of Harper Design Dinah Fried/Courtesy of Harper Design

On the perils of pie and ice cream in shooting the meal from On the Road

I had to create it quite quickly because the ice cream would melt. I think I probably went through a few plates. But I wanted this photograph, naturally, to feel very American, as is the novel and apple pie and ice cream itself. So I went for a red diner place mat and wanted it to feel really classic and simple.

Once I had those elements in place, then it was about baking this pie, which was my first apple pie that I'd ever baked. I've never really been a baker. I'm more of an improvisational cook, and usually that doesn't work so well for baking. So I baked the pie, and I set it all up. Like I said, the ice cream was quick to melt. I think it's just the right amount melty in the photo. The pie was delicious.

On turning dirt into a dish from One Hundred Years of Solitude

I was interested in exploring what something that's not really appealing or delicious would look like, right up against a beautiful wedding cake or what have you. I wanted to make it look like a beautiful pile of earth, so it has lots of different elements. There are lots of little petals, which are in the book, and it's the prettiest pile of earth I could create.

On the fictitious dishes she's most proud of

It's the ones that I read when I was a child, because the way I read then — the way I think most people read then, and sometimes I still read now — you know, your imagination is ignited in such a special way. So the books that I read at that time — The Secret Garden, Heidi, Little Women, Anne of Green Gables — to me, there is a satisfaction in creating those photos that makes me proud and excited as a reader, the reader that I was then and I am now.