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The Huntington presents the first major exhibition on the life of award-winning author Octavia E. Butler

Octavia E. Butler, c. 1988. © Miriam Berkley; for alternative images and questions regarding usage, please contact photographer Miriam Berkley (miriamberkley.com). Octavia E. Butler, Kindred (Doubleday, Garden City, N.Y.: 1979), first edition. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Octavia E. Butler. Octavia E. Butler, working draft of Kindred (formerly titled To Keep thee in All Thy Ways) with handwritten notes by Butler, ca. 1977. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Octavia E. Butler. Octavia E. Butler, notes on writing, "I shall be a bestselling writer..." 1988. Huntington Library, Art Collections, and Botanical Gardens.© Estate of Octavia E. Butler. School photograph of Octavia E. Butler, ca. 1962. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Octavia E. Butler. Octavia E. Butler, notes on writing, "Tell stories filled with facts..." ca. 1970-1995. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Octavia E. Butler. Octavia E. Butler, notes on the Oankali, ca. 1985, Lilith's Brood. The Huntington Library, Art Collections, and Botanical Gardens. © Estate of Octavia E. Butler. Patti Perret, photograph of Octavia E. Butler seated by her bookcase, 1986. The Huntington Library, Art Collections, and Botanical Gardens. © Patti Perret. Previous Pause Next

"Octavia E. Butler: Telling My Stories" examined the life and work of celebrated author Octavia E. Butler (1947-2006), the first science fiction writer to receive a prestigious MacArthur “genius” award and the first African American woman to win widespread recognition writing in that genre. Butler’s literary archive resides at The Huntington.

“She was a pioneer, a master storyteller who brought her voice—the voice of a woman of color—to science fiction,” said Natalie Russell, assistant curator of literary manuscripts at The Huntington and curator of the exhibition. “Tired of stories featuring white, male heroes, she developed an alternative narrative from a very personal point of view.”

Butler, a Pasadena, Calif., native, told the New York Times in a 2000 interview: “When I began writing science fiction, when I began reading, heck, I wasn’t in any of this stuff I read. The only black people you found were occasional characters or characters who were so feeble-witted that they couldn’t manage anything, anyway. I wrote myself in, since I’m me and I’m here and I’m writing.”

The exhibition followed a roughly chronological thread and included approximately 100 items that revealed the writer’s early years and influences. It also highlighted specific themes that repeatedly commanded her attention. Butler was born June 22, 1947, to a maid and a shoeshine man. Her father died when she was quite young. An only child, she discovered writing very early because it suited her shy nature. The exhibition featured samples of her earliest stories.

But it was a 1954 science fiction film called Devil Girl from Mars that inspired Butler to take on science fiction. “She was convinced she could write a better story than the one unfolding on the screen,” Russell said.

Butler enrolled in every creative writing course she could find, including classes at Pasadena City College. In the early 1970s, at a workshop for minority writers, she met the science fiction author Harlan Ellison, who introduced her to the Clarion Science Fiction Workshop, where Butler learned to hone her craft among other like-minded writers; it was then that she sold her first story. Following Clarion, she took odd jobs to support herself, writing in the early morning hours before work. But the road to success was long and slow. “In fact,” she once said, “I had five more years of rejection slips and horrible little jobs ahead of me before I sold another word.”

On display in the exhibition was one of the pages of motivational notes she frequently wrote to help herself stay focused on her goals. “I am a Bestselling Writer. I write Bestselling Books….Every day in every way I am researching and writing my award winning Best selling Books and short stories….Everyone of my books reaches and remains for two or more months at the top of the bestseller lists….So Be It! See To It!”

In 1975, she sold her first novel, Patternmaster, to Doubleday, quickly followed by Mind of My Mind and Survivor; the trio comprise part of her “Patternist” series, depicting the evolution of humanity into three distinct genetic groups. A review on display in the exhibition lauds Patternmaster for its well-constructed plot and progressive heroine, who is “a refreshing change of pace from the old days.”

By the late 1970s, she was able to make a living on her writing alone. She won her first Hugo award in 1985 for the short story “Speech Sounds,” followed by other awards, including a Locus and Nebula.

The exhibition included examples of journal entries, photographs, and first editions of her books, including Kindred, arguably her best-known work. The book is less science fiction and more fantasy, involving an African American woman who travels back in time to the horrors of plantation life in pre-Civil War Maryland. “I wanted to reach people emotionally in a way that history tends not to,” Butler said about the book. Published in 1979, Kindred continues to command widespread appeal and is regularly taught in high schools and at the university level, and is frequently chosen for community-wide reading programs and book clubs.

Beyond race, Butler explored tensions between the sexes and worked to develop strong female characters, a hallmark of her writing. But she also challenged traditional gender identity. Bloodchild, for example, is a story about a pregnant man, and in Wild Seed, the plot develops around two shape-shifting—and sex-changing—characters, Doro and Anyanwu. The exhibition will include notes Butler made about the two characters as she worked to develop them.

Even given the extremes of imagination, Butler sought to meticulously research the science in her fiction, traveling to the Amazon to get a firsthand look at biological diversity there in an effort to better incorporate biology, genetics, and medicine in her work. Climate change concerned her, as did politics, the pharmaceutical industry, and a variety of social issues, and she wove them all into her writing. “Her stories resonate in very powerful ways today,” said Russell. “Perhaps even more so than when they were first published.”

After Butler’s death, The Huntington became the recipient of her papers, which arrived in 2008 in two file cabinets and 35 large cartons, comprising more than 8,000 items. By the time the collection had been processed and catalogued, scholars were already clamoring for access. In the past two years, the Octavia E. Butler archive has been used nearly 1,300 times—or roughly 15 times per week—making it one of the most actively researched archives at The Huntington.

RELATED PROGRAMS

Curator Tour - Octavia E. Butler: Telling My Stories

June 7 (Wednesday) 4:30-5:30 p.m.

Join curator Natalie Russell for a private tour of the exhibition. Members $15. Non Members $20.

Conference - Octavia E. Butler Studies: Convergence of an Expanding Field

June 23 (Friday) 8:30 a.m.-5 p.m.

Experts studying the life and work of Octavia E. Butler explore the expansive ways in which her writing and research foster a deeper understanding of the past, present, and possible futures. $25.

Talk & Book Signing - Kindred: A Graphic Novel Adaptation

July 24 (Monday) 7:30-8:30 p.m.

Author Damian Duffy and illustrator John Jennings will discuss the continuing relevance of Butler’s writings and how it has influenced their own work. Free; advanced reservations required.

Book Discussion: Kindred

July 26 (Wednesday) 10 a.m.-12 p.m.

Book group facilitator Judith Palarz leads an in-depth discussion of Kindred by Octavia E. Butler. Members: $25. Non-Members: $35.