(8?) September 1964 The Railway Tavern, Harrow and Wealdstone, London, England 1964 Rickenbacker Rose Morris 1998 His first public guitar smashing, where he cracked the headstock of his guitar on a low ceiling, pulling it out and realizing the damage, he smashed the remainder in disgust, then turned to pick up his Rick 12 and continued playing. The next gig at the Railway, the crowd expected him to smash a guitar again. Pete: (After cracking the headstock) I was expecting everybody to go, “Wow, he’s broken his guitar, he’s broken his guitar,” but nobody did anything, which made me kind of angry in a way. And determined to get this precious event noticed by the audience. I proceeded to make a big thing of breaking the guitar. I bounced all over the stage with it and I threw the bits on the stage and I picked up my spare guitar and carried on as though I really had meant to do it.

8 April 1965 Olympia Ballroom, Reading, England Anyway Anyhow Anywhere : Kit Lambert invited Virginia Ironside ( Daily Mail ) and writer Nik Cohn along to this gig and briefed Pete to create an impression by smashing his £400 Rickenbacker, despite the expense. This he duly did, and Keith joined in by smashing his drums. However, Lambert had been waylaid in the bar with the journalists when this grand spectacle occurred and was reportedly horrified to find he had been taken at his word.

25 November 1965 Goldhawk Social Club, London, England Rose Morris Rickenbacker (— Max the Mod)

2 June 1966 Grona Lund, Stockholm, Sweden Rickenbacker (Thrown down early in the set due to a broken string)

7 June 1966 Fyens Forum, Odense, Denmark Danelectro guitar (unknown; likely Guitarlin) and Fender Telecaster. When Pete accidentally knocked over his amp stack, it fell on a Fender guitar and broke it in half.

16 June 1966 Hull University, Hull, England Fender Stratocaster “Not totally destroyed but plenty of flying bits as Pete rammed it and poleaxed it into the stage.” — Keith Cheesman

30 July 1966 6th Jazz and Blues Festival, Windsor, England Fender Telecaster, white, with rosewood Stratocaster neck.

October 1966 Ready Steady Go Rickenbacker Rose Morris Model, Vox Violin Bass (cream; later sold at Sotheby’s)

19 October 1966 Club 192, Casino Oberbayern, Scheveningen, The Hague, The Netherlands Rickenbacker Rose Morris Model Concert File: Unlike the first time The Who played in Holland, they had brought their own equipment on this occasion and when it became clear that the 2,000 capacity hall was only going to be half full, Chris Stamp proposed that fans be let in for free and that Who would waive their fee. [The promoter] didn’t agree to this proposal and, probably out of frustration, The Who smashed their equipment, Townshend apparently switching his expensive Rickenabacker for a cheaper guitar just in time for the mayhem.

12 November 1966 Duke of York’s Barracks, Kings Road, Chelsea, London, England Rickenbacker Rose Morris Model

12 February 1967 Starlite Ballroom, Greenford, West London, England Gibson ES-345 Stereo (completely destroyed — the same instrument played at 29 January, 1967, Saville Theatre show) (partially smashed; eventually destroyed at Kings Hall, Stoke, below)

11 March 1967 Kings Hall, Stoke, England Gibson ES-345 Stereo

13 March 1967 Granby Halls (De Montfort Hall), Leicester, England Fender Stratocaster, red with rosewood neck (headstock smashed in half).

25 March–2 April 1967 RKO 58th Street Theater, New York, New York, USA Murray The K shows, four Fender Stratocasters and one Fender Telecaster, cream with rosewood neck.

8–19 April 1967 German tour Guitars including Fender Telecaster (sunburst, maple neck), the same guitar body as above but with different rosewood Strat neck, and Fender Stratocaster (CBS model, sunburst with rosewood neck).

3 May 1967 Lorensbergs Cirkus, Gothenburg, Sweden Fender Stratocaster, sunburst finish with rosewood neck

5 May 1967 Eskilstuna Sporthalle, Sweden Fender Stratocaster

6 May 1967 Kungliga Tennishallen, Stockholm, Sweden Unknown?

20 May 1967 Woluwe Festival, Brussels, Belgium Fender Stratocaster, maple neck and black pickup covers.

27 May 1967 Pembroke College May Ball, Grand Marquee, Oxford, England Pete’s Fender Jazzmaster stolen after set

14 June 1967 Fifth Dimension, Ann Arbor, Michigan, USA Allan G.: “I remember running out of the club...I thought it was on fire! Pete smashed his guitar on the very low rafters. I was in a band at the time (Ourselves) and just kept wondering how could they afford to smash their instruments like that?”

18 June 1967 Monterey Pop Festival, Monterey County Fairgrounds, Monterey, California, USA Fender Stratocaster, sunburst, maple neck

15 July 1967 Seattle Center Coliseum, Seattle, Washington, USA Fender Stratocaster, sunburst, rosewood neck (— Craig Law)

31 July 1967 Bayfront Center, St. Petersburg, Florida, USA Unknown (Fender Stratocaster or Fender Telecaster), possibly smashed by Keith. (— Craig Law)

1 August 1967 Mississippi State Coliseum, Jackson, Mississippi, USA Unknown

12 August 1967 Convention Hall, Asbury Park, New Jersey, USA Fiesta Red Fender Telecaster Bob Cianci: I own the left half of a Fiesta Red Fender Telecaster Pete smashed in 1967 in Asbury Park, NJ . I was not at the show, but bought the smashed Fender a year later from Jim McGlynn, of Montclair, NJ , who was the teen columnist with the now-defunct Newark Evening News . He was there and interviewed Pete after the show, who presented him with the left half of the body. Jim sold it to me a year later for $10.

13 August 1967 Constitution Hall, Washington, D.C., USA Fender Stratocaster – tri-coloured sunburst with added glitter and “coins.” Dadion Lester : I have the right half (body) of the Stratocaster played and destroyed by Pete at Constitution Hall in Washington, D.C., August 13, 1967. It was a tri-colored sunburst that has some glitter and a few U.S. coins glued to it. It was scarffed from the show by a longtime family friend and obtained in a trade with my oldest brother for a human skull soon after. Those were the days. This family friend is now a big wheel at P.R.S. Guitars, and he asked me to bring it so that he could see it again after many years. He confirmed that the guitar is in the exact same condition that it flew off the stage including the coins and sparkle.

23 August 1967 Atwood High School Stadium, Flint, Michigan, USA Fender Stratocaster, sunburst, rosewood neck

8 September 1967 Anaheim Convention Center, Anaheim, California, USA White Fender Stratocaster and Fender Precision Bass guitar (by John), parts of which would eventually comprise “Frankenstein.” Pete played the Gibson SG EDS-1275 double-neck through most of the show, then exchanged it for a white Stratocaster for destruction. ( Craig Folkes )

15 September 1967 CBS Television Studios, Los Angeles, California, USA 1967 Vox Cheetah V267

8 October 1967 Kinema Ballroom, Dunfermline, Scotland Playing remaining half of the Gibson SG EDS-1275 double-neck. Geoff Davidson: I can verify adamantly that when The Who played Dunfermline Kinema on Sunday 8th October ’67 he was playing the remaining bottom half of the double neck SG. It was splintered straight across the factory-glued join and Pete’s right-hand fingers were bleeding from the constant catching on the splinters. His frilly yellow satin shirt front was splattered with blood. I’ll never forget it. Then a few weeks later they were on Top of the Pops (to premiere “I Can See For Miles”) with the guitar rebuilt with the necks V’d rather than parallel. I said to my mate — that’s half of the guitar I saw him play!

29 October 1967 Coventry Theatre, Coventry, England Unknown, smashed when the curtain is mistakenly lowered during The Who’s set. I used to break a guitar every performance — if not two sometimes — and they would always cost around $150. They would always cost me an incredible amount of money to find — they’d cost, like, road manager’s time and my time to look through pawn shops, local music stores and things like that.

1 November 1967 Empire Theatre, Liverpool, England Unknown. Concert File: “Pete had a faulty guitar cord which gave him problems during the second show and, out of frustration, he eventually smashed the guitar to pieces.”

17 November 1967 Shawnee Mission South High School Gymnasium, Overland Park, Kansas, USA Gibson Les Paul Special, modified with three pickups

18 November 1967 The Cow Palace, San Francisco, California, USA Gibson ES-335 dot neck

19 November 1967 (late show?) The Hollywood Bowl, Los Angeles, California, USA Gibson Les Paul Junior

22 November 1967 Southfield High School Gymnasium, Southfield, Michigan, USA cherry Gibson SG (— Rob Ober)

25 November 1967 The Village Theatre, New York, New York, USA Sunburst Gibson ES-335 (replacement purchased by Bob Pridden) Bob Cianci: Part of the back was already broken off, and at certain angles, you could see right through the guitar. I was standing right at the foot of the stage and was hit with a few splinters of wood after Pete smashed it.

29 November 1967 Union Catholic High School Gymnasium, Scotch Plains, New Jersey, USA Coral Hornet Pete handed the remains to Bart Koster: Pete Townshend handed me the remains of the black Coral Hornet after smashing it at the Nov. 29, 1967, Scotch Plains Catholic High concert. What I have is about 3/4 of the body of the guitar. See Bart’s story.

1 December 1967 Long Island Arena, Commack, New York, USA Fender Stratocaster, 1964 Sonic Blue Dave K.: Regarding the Dec. 1, 1967, concert at LI Arena, Commack, I was there. This was the Who Sell Out tour and my friend and I moved from the cheap seats to the floor, which was ice (it was an ice hockey rink), when Pete started banging his guitar in the middle of an extended version of Relax. When Pete smashed his guitar during My Generation, he tossed a piece into my hands, about 1/2 of one side of the body. My friend had gotten separated and when I found him he had half the guitar body, which I later traded with him to get 3/4 of the guitar’s body, light blue in color. Those were the days. I used to see every New York Who concert until Tommy, when they started playing arenas. See auction news.

22 January 1968 The Stadium, Syndey, Australia Richard Grosser, Sydney, Australia: As a 15-year-old student, I was at this concert with my school-mates on Mon. 22 Jan. 1968 in Sydney, at The Stadium. We were collectively seated in the third row from the front. I was seated right in front of Pete Townshend. At the conclusion of “My Generation,” Roger Daltrey handed Pete a replacement stage guitar with a Telecaster guitar with black pickguard set-up to fall apart in the final moments when the smoke bombs went off! It was just hanging together before it was swung and destroyed. The illusion and the distorted sound effects were complete. Keith had to have the pentultimate “word” in rolling his drums off the stage into the audience and kicking the skins in at the end after Townshend’s antics.

25 and 26 January 1968 Festival Hall, Melbourne, Victoria, Australia Ron Blackmore (tour manager): I was out there trying to find guitars every day from guitar shops. I’d loosen the neck and try to get it ready, and hope that Pete could just drop it so that it fell in half, and didn’t smash it completely, because we couldn’t replace the bits. Fender Stratocaster, requiring “Emergency guitar replacement” the following day, causing one-hour delay of the show. During Shakin’ All Over, the neck snapped off of Pete’s Fender Stratocaster, blue with white scratchplate, then borrowed Steve Marriott’s black Gibson Les Paul but didn’t break it. Update, from Geoff Lowe: The blue and white Stratocaster first had the neck detached from the body and was taken backstage, then in the closing song (I thought it was I Can See For Miles) it was definitely completely smashed. My friend and I bought the scratchplate with pickups and knobs intact from a guy near the front for A$20. A few days later we sold it to a guy in Richmond called McCarty who made Maxim amps and guitars (often to copy the sound of Chuck Berry and other famous musicians). He gave us the $20 we paid for it. I saw someone else, a girl, walking out with the neck. Peter G.: I was at Festival Hall in Melbourne, Australia, and watched Peter T smash two Powder Blue Strats into tiny bits. John Entwistle threw his Precision high into the air at the conclusion (My Generation). It landed on the headstock as he walked away. As a finale, Keith Moon came back to the stage and kicked his (nailed to the floor) kit off the raised stage stand that he was playing from. Apart from this mayhem, The Who were among the most precise band with their performance of the dozens of acts I watched during that era. They sounded closer to their recordings than most. Quite remarkable for a four-piece in the day. They were incredible.

27 January 1968 Centennial Hall, Adelaide, Australia John C.: I saw The Who in Adelaide, South Australia in late January 1968, during their tour of Oz and NZ with the Small Faces, Paul Jones and others. There were two shows — an afternoon matinee and an evening show — I saw the first show. Pete used an early/mid ’60s sunburst Strat (I believe it was bought locally for Pete’s use, as a few months before I had seen that exact guitar being used by a guy in a local band — the guy let me look at it close up, it had been modified with three separate slide switches for each pickup and was fitted with very heavy gauge roundwound strings. I also saw the guitar for sale in a local city music shop not long before the Who tour) with two Marshall stacks. John had his white slab bodied P bass and also had two Marshall stacks. Pete used the Strat for the full show but changed to a Harmony Neo-Cutaway thin hollow body 2-pickup electric guitar for the final number — My Generation...in which he smashed the Harmony. I heard later from someone who saw the second show that Pete used the same sunburst Strat for the whole of the second show, tried to smash it unsuccessfully in the last song (My Generation again) and threw it over the top of the Marshall stack in frustration.

29 January 1968 Town Hall, Auckland, New Zealand Fender Stratocaster

31 January 1968 Town Hall, Auckland, New Zealand Steve Marriott’s Gibson guitar (unknown model) spray-painted pink.

1 March 1968 The Agrodome, Vancouver, British Columbia, Canada Fender Telecaster Terry: It was caught by my friend at the concert. The Who were at a local radio station the next day. He took it there and Pete autographed the base of the neck.

2 March 1968 New Edmonton Gardens, Edmonton, Alberta, Canada Fender Stratocaster

9 March 1968 Grande Ballroom, Detroit, Michigan, USA Fender Stratocaster

10 March 1968 Opera House, Peoria, Illinois, USA Fender Stratocaster (sunburst, with rosewood neck)

15 March 1968 Municipal Auditorium, San Antonio, Texas, USA Gibson, unknown model

22 March 1968 Curtis Hixon Hall, Tampa, Florida, USA Gibson Firebird VII, reverse body, sunburst

23 March 1968 Code 1, Fort Lauderdale, Florida, USA Fender Stratocaster

31 March 1968 DAR Constitution Hall, Washington, D.C., USA 1965 Fender Stratocaster, sunburst finish. Not smashed, Pete threw it out into the audience and quite a row ensued amongst several fans, but only one walked away with it. It had apparently been played in previous shows because it had been repaired — had new screws and glue on it. It’s banged and scraped up, but still in fine playing condition. Owned by private collector, from WJHS Class of ’68. Also, Pete possibly smashed another guitar (a doubleneck?) earlier in the show, with remains retrieved by audience members.

6 April 1968 Fillmore East, New York, New York, USA Fender Stratocaster

23 April 1968 The Marquee, Soho, Central London, England Gibson ES 345 Stereo and Coral Hornet Pete in Melody Maker : “I smashed up two guitars at the end of the show, because one I was using had recently been repaired and broke as I came on stage, so I played another one I use for recording. At the end, I though, ‘What the hell,’ and smashed them both. The Gibson Stereo cost £200 and the amps, which were borrowed, will cost about £20 each to repair. I can’t put it down to tax because when I say I use 70 guitars a year, they don’t believe me.”

28 June 1968 Shrine Auditorium, Los Angeles, California, USA Unknown

29 June 1968 Shrine Auditorium, Los Angeles, California, USA Fender Stratocaster, sunburst, maple neck

13 July 1968 Grande Ballroom, Dearborn, Michigan, USA Fender Stratocaster, Turquoise Custom Color ( Larry T. Malinowski ); plus unknown instrument

14 July 1968 Musicarnival, Cleveland, Ohio, USA Fender Stratocaster (sunburst) Rory Callaghan : He smashed a sunburst Stratocaster. I cannot remember if it was a maple or a rosewood neck. He then proceeded to smash an amp or two. I believe that tour was sponsored by SUNN amplifiers. I think the guitar was smashed in frustration with the amplifiers. After a break, they returned to finish the show borrowing the local band’s amps (Cyrus Erie, whose members later formed the Raspberries).

15 July 1968 Memorial Centre, Kingston, Ontario, Canada 1958 Fender Stratocaster supplied by promoter from local source when the Who’s gear was retained at customs. (Guitar was restored and owned by Mike Moore of Calgary) thewho.org From the Concert File : The Who arrived at Kingston two hours late and eventually played this show before 1,300 fans in the early hours of Tuesday morning. Although the band were scheduled to be on stage at 10.00pm, three local support acts kept the audience entertained. Trouble started for The Who when they landed en route in Toronto. With Daltrey and Townshend now without passports, the customs officials demanded a $20,000 bond to release the band’s equipment, among other formalities. James McCormick, the promoter, chartered two aircraft to fetch The Who and entourage from Toronto after the customs had been satisfied, but the equipment stayed behind. McCormick supplied instruments and equipment from a local source, although this didn’t stop Pete smashing a 1958 vintage Fender Stratocaster. According to McCormick, The Who “put on a wonderful show”. Incidentally, the restored guitar is now owned by Mike Moore of Calgary. See 1958 Fender Stratocaster for full story (via thewho.org)

17 July 1968 Autostade, Montreal, Quebec, Canada According to CHOM-FM 97.7’s website, The Who played two sets at an all-day concert at The Autostade, and that after a shortened second set, smashed their gear. The gig photo shows PT playing what appears to be a Gibson ES-355.

23 July 1968 The Mosque, Richmond, Virginia, USA Fender Jazzmaster, custom color

2 August 1968 The Singer Bowl, Flushing Queens, New York, USA Fender Stratocaster

4 August 1968 Melody Fair, Wurlitzer Park, North Tonawanda, New York, USA Fender Stratocaster Dennis [Spike] Seitz, West Seneca, NY, owns a piece of this guitar and has contributed the following essay and photos: I have a piece of Pete Townshend’s guitar from the show the Who played at Melody Fair, Wurlitzer Park, North Tonawanda, NY, on August 4, 1968. I obtained this from my friend’s father who was at the show. When Townshend smashed his guitar, my friend’s father grabbed the piece from the stage then the roadie grabbed him and tossed him off the stage head first, he landed on his head. The roadie asked him if he was OK, he said yes then the roadie gave him two of Keith Moon’s broken drum sticks. The piece is the top of the guitar where the strap connects to the guitar. The metal piece that the strap connects to is still on the guitar. I swear there is Pete’s blood is on it. The color of the guitar was like an orangish color now because it was stored away for 44 years; it’s now a dark purplish color. It is 9 inches long and the width is 3.5 inches.

7 August 1968 Wolman Skating Rink, Central Park, New York, New York, USA Gibson SG Special Vintage Guitar, October 2002 : Later that night The Who played the S[c]haefer Festival in Central Park’s Wollman Rink where I caught Townshend’s pickup cover from his completely smashed Gibson SG.

9 August 1968 Illinois State Fair, Springfield, Illinois, USA Unknown John Drake: “The Who opened for The Association. My brother and I were there. I was 10 but clearly recall Pete smashing his guitar at the end of their set. I do not recall the model of guitar he smashed.”

17 August 1968 Tempe Diablo Stadium, Tempe, Arizona, or Phoenix Municipal Stadium, Phoenix, Arizona, USA Gibson SG Special

18 August 1968 Kelker Junction Night Club, Colorado Springs, Colorado, USA Colorado Springs Gazette Gibson SG Special Colorado Springs Gazette: “Following the show, Grove walked up to the stage and saw part of Townshend’s broken guitar on the ground. He still has it.”

24 August (late show) 1968 Wedgewood Village Amusement Park, Oklahoma City, Oklahoma, USA Unknown (likely Fender Stratocaster)

27 August 1968 Community Concourse, San Diego, California, USA Unknown (likely Fender Stratocaster)

28 August 1968 Civic Auditorium, Santa Monica, California, USA Fender Stratocaster, Olympic White

30 August 1968 Earl Warren Showgrounds, Santa Barbara, California, USA Fender Stratocaster Jay from Brooklyn : I was in the second row, right in front of Pete. They were mind-blowingly great, and Pete systematically destroyed a Stratocaster, starting with shaking the guitar, pickups facing straight up, and getting the whammy bar to spin out of it like a helicopter blade. It flew into the gleeful audience, and he proceeded to wallop this poor Strat in an exhibition of destructiveness I have yet to see him top, on film or live.

22 September 1968 Municipal Auditorium Music Hall, Kansas City, Missouri, USA Fender Stratocaster Tom Wardwell : Pete smashed a Fender Strat at Municipal Auditorium in September 1968, in Kansas City, Mo. He was using Sunn amps.

5 October 1968 The Roundhouse, Chalk Farm, London, England Unknown

1 March 1969 Mothers Club, Erdington, Birmingham, England Likely Gibson SG Special

27 April 1969 Kinema Ballroom, Dunfermline, Scotland Cherry Gibson ES-345 Geoff Davidson: PT regularly eyed up the straightness of the neck of a cherry stereo 345 between numbers. We could tell its life was endangered and in between some very rough treatment, which must have hurt his pelvic bone, the guitar was poked through the stage ceiling and rotated ’til it roared like an airplane engine. It was then battered senseless on the floor and totally shredded beyond repair. A middle section of fretboard flew in my direction. Despite my rapid response, a girl fan snatched it. I remember also Bob Pridden having a terrible time of it with PT who upended all his Hi-Watt head amps gesturing there was a problem. BP scrambled on stage unaware of the specific problem. When he shrugged his shoulders, PT went ballistic and kicked his ass all over the stage playing all the while!

24 March May 1969 The Electric Factory, Philadelphia, Pennsylvania, USA Gibson SG Special

25 May 1969 Merriweather Post Pavillion, Columbia, Maryland, USA Gibson SG Special

6 June 1969 Fillmore East, New York, New York, USA Gibson SG Special

5 July 1969 The Pop Proms, The Royal Albert Hall, London, England Gibson SG Special?

9 August 1969 Plumpton Racecourse, Lewes, Sussex, England Gibson SG Special

16 August 1969 Woodstock Festival, Bethel, New York, USA Gibson SG Special (wasn’t actually smashed; tossed into audience and reportedly retrieved (or strong-armed) by a roadie for subsequent use.) A review of the 1970 Hull City Hall show mentions that the guitar was caught by an audience member named Kurt Pfeiffer, and later retrieved. See story on thisisull.com. ( h/t Trevor Cobain .) The putative Woodstock guitar is now owned by the Hard Rock, see SG Specials. Mike L.: Came across the site and wanted to add some info on the Woodstock SG. The SG was caught and returned by Dennis Keller, who formerly owned Cambridge Music in Cambridge, MA. Dennis and some friends drove up in a van behind the stage — not being aware of the size of the event — and somehow simply made their way to the front. Dennis can be seen in the posters, and at the time, the billboards and life-size stand ups at the premiere of the film. Several of the concertgoers near the front were used for the advertising. Dennis caught Townshend’s guitar, and returned it; if I recall correctly, he handed it to a roadie to pass back up. There are a few other people that claim to be that person; in the photos it’s clearly Dennis and his distinctive baby-face! I recall the first time I was told the story; I thought they were yanking my chain. Apparently I was the only person around that didn’t know the story. They showed me the pix in a recent anniversary article in Rolling Stone that was the topic of discussion, and then sent me over to the Woodstock movie poster on the wall. I was like “Hey, that’s Dennis!” He also said that his father found out about it while driving by a billboard.and seeing a giant picture of him. If I recall correctly, Townshend was quoted in the Rolling Stone article about the guy giving the guitar back.

7 June 1970 Metropolitan Opera House, New York, New York, USA Gibson SG Special (headstock broken, tossed into audience, caught by Binky Phillips)

7 July 1970 Tanglewood Music Shed, Lenox, Massachusetts, USA Gibson SG Special (wasn’t actually smashed)

25 July 1970 Civic Hall, Dunstable, England Gibson SG (likely Special)

29 October 1970 Hammersmith Palais, West London, England Gibson SG (Special)

10 July 1971 Civic Hall, Dunstable Gibson SG Special (one of three)

29 July 1971 Forest Hills Tennis Stadium, Flushing, Queens, New York, USA An SG broke at base of neck with just one strike! Gibson Thunderbird ( JAE ) .

2 August 1971 Saratoga Performing Arts Center, Saratoga Springs, New York, USA Gibson SG Special , remains of which is owned by Jeff Stein (director of The Kids Are Alright ), as featured in his book, The Who .

3 August 1971 The Spectrum, Philadelphia, Pennsylvania, USA Gibson SG Special (— Michael Nolan)

4 August 1971 Music Hall, Boston, Massachusetts, USA Gibson SG Special

9 August 1971 War Memorial Auditorium, Rochester, New York, USA Gibson SG Special

10 August 1971 Civic Arena, Pittsburgh, Pennsylvania, USA Gibson SG Special

13 August 1971 Hara Arena, Dayton, Ohio, USA Gibson SG Special The body and neck were separated. Pete kicked it to the front of the stage where fans fought over the pieces. The body and neck had separated but were still connected by the strings. Fans were ripping the parts in different directions until the strings broke. I was in the 7th row center and remember it well. (Rex)

14 August 1971 Cobo Hall, Detroit, Michigan, USA Gibson SG Special

16 August 1971 Edwardsville Campus, Southern Illinois University, Edwardsville, Illinois, USA Gibson SG Special

17 August 1971 The Auditorium Theater, Chicago, Illinois, USA Gibson SG Special

18 August 1971 The Auditorium Theater, Chicago, Illinois, USA Gibson SG Special

18 September 1971 The Oval Cricket Ground, Kennington, South London, England Gibson SG Special

21 October 1971 Green’s Playhouse, Glasgow, Scotland Gibson SG Special

23 November 1971 Municipal Auditorium, Atlanta, Georgia, USA Gibson SG Special

7 December 1971 Arizona Veterans Memorial Coliseum, Phoenix, Arizona, USA Gold-Top Les Paul “It looked as though the strap came unhooked on a jump and hit the floor. He decided to finish it off.” ( John Rollason ) It was on the third song — “Won’t get Fooled Again.” I was in the front row aisle — we rushed the stage. An unforgettable evening. The Who sat everyone down, even us in the aisle, after Pete hurled the guitar in the audience (three pieces). ( Larry T. Malinowski )

13 December 1971 Civic Auditorium, San Francisco, California, USA Gibson SG Special

12 August 1972 Ernst Merck Halle, Hamburg, Germany Unconfirmed: The B&W footage during end credits of The Kids Are Alright are from this gig — Pete kicking over something backstage and Keith turns over his drums. Closer inspection shows that Pete’s stacks have been knocked down.

14 September 1972 The Palaeur, Rome, Italy Gibson Les Paul Deluxe. Reported as “first smash” of the 1972 tour in the Concert File .

3 October 1973 BBC Television Centre, White City, West London, England Gretsch Chet Atkins

5 November 1973 Odeon Cinema, Newcastle, England Courtesy Clint Nurse. 1972 cherry sunburst Gibson Les Paul Deluxe, smashed into five pieces (subsequently owned and auctioned by Clint Nurse) ; (The following day, Bobby Pridden purchased a new guitar with his own money due to the band’s cash flow problems.)

22 November 1973 The Forum, Los Angeles, California, USA Reported as “Numbered” Gibson Les Paul Deluxe; cracked around 12th fret. Joe Barnes: It was a Cherry sunburst LP Deluxe and I recall they carried the remains in a roadie trunk flight case they used on stage.

4 December 1973 The Spectrum, Philadelphia, Pennsylvania, USA Gibson Les Paul Deluxe, cherry sunburst Joe Barnes: He trashed one of the LP Deluxes in Philly at the Spectrum. I worked for the opening act, Lynyrd Skynyrd, and stayed to watch this show from the press box on the side of the arena. Always a WHO fan and this was a GREAT show.

23 December 1973 Edmonton Sundown, North London, England Gibson Les Paul Deluxe, cherry sunburst(?)

10 February 1974 Palais Des Expositions, Paris, France Gibson Les Paul Deluxe (£350) Melody Maker, 23 Feb. 1974: ...Townshend takes off his Les Paul, swings it over his head and dashes it to the ground. It bounces twice causing two tuning pegs to snap off. He picks it up and repeats the demolition. Retrieving his instrument for the third and last time, Townshend squares up to his speaker stack and, with the experienced eye of a mad axeman, severs the body from the neck with one swift classic stroke. The audience goes bananas as the instrument lies mortified at his feet.

8–10 May 1974 King’s Theatre, Albert Road, Southsea, Hampshire, Portsmouth, England Gibson Les Paul Deluxe, Gold Top, during Pinball Wizard sequence in Tommy film. (Note: PT is seen with a No. 1 cherry sunburst model at first, but has switched to a Gold Top model for smashing sequence.) Anyway Anyhow Anywhere: There was an anxious moment when Townshend’s falling Les Paul grazed a young extra’s head. ...“She was carried off to hospital. But she came back a few hours later and told us she was ‘very honoured’ to have been smashed over the head by Pete Townshend’s guitar. I gave her the guitar.”

8–10 May 1974 King’s Theatre, Portsmouth, England Gibson Les Paul Deluxe cherry sunburst: for filming of Tommy film’s Pinball Wizard sequence. Pete in Anyway Anyhow Anywhere : After one retake, there was an anxious moment when Townshend’s falling Les Paul grazed a young extra’s head. “There was blood everywhere, and she was carried off to hospital. But she came back a few hours later and told us she was ‘very honoured’ to have been smashed over the head by Pete Townshend’s guitar. I gave her the guitar.” (See video on YouTube)

22 May 1974 Guild Hall, Portsmouth, England Gibson Les Paul Deluxe, Gold Top. Remains featured on cover of Hooligans.

11 June 1974 Madison Square Garden, New York, New York, USA Gibson Les Paul Deluxe Rick W.: I have a piece of one of Pete’s guitars ...a prized possession. It’s just a small sliver of the guitar he smashed at the Garden on June 11, 1974 (the one in the classic photo...side view, guitar behind his back about to swing forward). We had 4th row that night and after the show I went to the short security fence and asked a cop if he could hand me the scrap. Broken fragment of Les Paul Deluxe, courtesy Rick W.

14 June 1974 Madison Square Garden, New York, New York, USA Four Gibson Les Paul Deluxes (three by Pete, one by Keith) Pete smashes first Les Paul at end of regular set (My Generation), then two together at end of encore (Naked Eye) with help from mic stand. Keith then smashes fourth.

14 December 1975 Civic Center, Springfield, Massachusetts, USA Gibson Les Paul Deluxe, Gold Top

1 April 1976 Boston Gardens, Boston, Massachusetts, USA Owned by the Victoria & Albert Museum, London. Courtesy Martin Forsbom. Gibson Les Paul Deluxe in gold top with middle humbucker, neck smashed off halfway down.

21 October 1976 Maple Leaf Gardens, Toronto, Ontario, Canada Gibson Les Paul Deluxe (#4 in Wine Red)

1 September 1979 Zeppelin Field, Nuremberg, Germany Gibson Les Paul Deluxe (#2 in Cherry Sunburst)

1 March 1981 Apollo, Manchester, England Schecter Telecaster (black with white pickguard), smashed accidentally

12 October 1982 Shea Stadium, Queens, New York, USA Schecter Telecaster (all black), not properly smashed. At the end of “See Me, Feel Me,” Pete bounced his black Schecter a few times on stage before tossing it up and over the amps. It didn’t break, though. Then, at the end of “ WGFA ,” Pete kept prolonging the ending until John finally unplugged his bass and tossed it to the center of the stage like a slow pitch softball. It didn’t break, though. ( Ron Kiska )

13 October 1982 Shea Stadium, Queens, New York, USA Schecter Telecaster (all black), not properly smashed. At the end of “Twist and Shout,” Pete banged his black Schecter on stage a few times and whacked the mike stand. It didn’t break, though. ( Ron Kiska )

25 October 1982 Oakland Coliseum, Oakland, California, USA During the mid-song guitar solo of “ WGFA ,” Pete’s black Schecter acted up and in frustration he banged in several times on the stage before walking to the side of the stage to get another guitar but rather than hand it to Alan Rogan, he threw/slammed it into the stage and in the process snapped the neck. ( Ron Kiska )

30 November 1982 Jefferson County Civic Arena, Birmingham, Alabama, USA Schecter Telecaster (not full smash) Tom Parker: PT smashed his Schecter Telecaster on the stage right in front of the drums. He lifted it above his head, shook it and then used both hands to really smash it down but it stayed in one piece. Jeff Nelson. : The camp-out for tickets was a huge party — the line stretched throughout the whole Civic Center complex. Everyone had boom boxes tuned to the local promoting radio station, so it was like a huge PA. Every time they would play a Who tune, the whole place went up in a huge cheer! It was a giant party. The show was terrific! I made up a series of hand-held placards that read “Smash it, Pete!” which I passed out during the encore. The super-bright Veri Lights that they used towards the floor patrons were so bright that they shone right through the placards, and a huge cheer went up through the whole collosium! Pete obliged us with a single smack to the stage floor of his Schecter Telecaster. He only did that twice on that “farewell tour.” He did it for me! The placard sign and smacking was documented by the Birmingham News print newspaper in their review after the concert.

4 December 1982 Cotton Bowl, Dallas, Texas, USA Schecter Telecaster ( tobacco sunburst ) (not full smash) Stuart R: Because of the location of the scratches, I think this guitar is the same one Pete beat up in Dallas that day. Between the Billy Squier set and The Who’s set, the crew had considerable trouble keeping the projection screen above the stage in place, because the cold wind started to carry it away like a boat sail. One or two of the corners came loose from the rigging, and after some time they finally secured the screen, and had no further trouble. Being December, it was pretty cold outside, and evidently this caused tuning problems. Pete had trouble with the stage sound all night, often gesturing with an outstretched thumb to Bob Pridden for things to be turned up or down in the monitors. Clearly he was irritated at certain points during the set, as the closed-circuit TV images showed his face on the giant projection screen. At the very end of the show, Pete surprised everyone by taking his irritation out on the guitar. Holding it by the neck, Pete slammed it on the stage with an “axe-chopping” motion, maybe two or three times. It didn’t break, so he threw it at his Mesa-Boogie speaker stacks, headstock-first, from about eight or ten feet away. The guitar sort of ricocheted off the top of the speaker stacks, bouncing up a bit as it continued its flight into the backstage area and disappeared from view, probably crashing into some road cases. I noticed one of the roadies watching from the side of the stage (perhaps it was Alan Rogan), with kind of a mixture of concern and amusement. The scratches on the guitar body (where Pete’s right arm would have touched while playing) are about where the body would have contacted the stage when Pete swung it down. The scratches near the lower strap peg would be consistent with where the body contacted the speaker cabinet in mid-flight. It’s possible the strap buckle was involved somehow in the collision.

6 or 7 July 1989 RFK Stadium, Washington, D.C., USA Rickenbacker 360/12V64 Fireglo (unknown vintage), reportedly destroyed accidentally. Pictured on 1990’s Join Together cover, English Boy CD-single cover, and Psychoderelict-related releases. It was on display in 2009 at the Henry Ford museum in Dearborn, Michigan, USA.

12 July 1989 Sullivan Stadium, Foxboro, Massachusetts, USA Fender Eric Clapton Stratocaster. At the conclusion of “Twist and Shout,” Pete bounced the guitar on stage a few times, whacked the mike stand and the gave the guitar one good overhead wallop on the stage but it didn’t break apart. ( Ron Kiska )

3 October 1989 Hard Rock Café, London, England Jackson guitar, during press conference. (See video on YouTube.) ( SoundCityChris )

26 October 1989 Wembley Arena, Wembley, North West London, England Fender Eric Clapton Stratocaster. Attempted … and apparently smashed during Won’t Get Fooled Again (see video on YouTube, h/t Cliff Todd and Marko Toikkanen )

17 June 1993 NBC Studios (Late Night with David Letterman), New York, New York, USA Gibson J-200 acoustic guitar , for charity (see video at YouTube) On display at the Hard Rock Hotel, Las Vegas.

29 July 1993 KLOS 95.5 FM studios, Culver City, California, USA KLOS 95.5 “Fun Zone” promotion, where Pete smashed a fan’s Takamine acoustic. See photos: 1, 2 and 3. Brett McConnell : There was a Pinball Wizard play along in the parking lot of the radio station and afterwards Pete was signing guitars. Well, I (along with 100 screaming fans) managed to get Pete to smash my guitar after signing it. He refused to smash any others.

22 December 1999 Shepherds Bush Empire, London, England Fender Eric Clapton Stratocaster (gold), hurled to the stage causing break following amp malfunction. Alan McKendree: Pete had one episode of trouble with — I suppose — the amp, and the second time it happened he was upstage, facing the audience, when holding the guitar by the neck, near the headstock, with one hand he simultaneously turned to face upstage (away from the audience) as he swung the guitar in a full overhead windmill/smash. With this one stroke the guitar almost literally exploded when it hit the stage in front of the amps.

9 July 2000 Jones Beach, Wantagh, New York, USA Fender Eric Clapton Stratocaster (See video via Marc Starcke )

27 January 2002 Portsmouth Guildhall, Portsmouth, England Fender Eric Clapton Stratocaster, black