The subsequent scene of Roosevelt dealing with the tragedy is especially poignant, because it mixes his well-known obsession with pleasing his father with scenes from Daredevil and Batman - he's showering off the blood and soot from his work, and we see a back ravaged by scars, and the weight of the world on his shoulders. Patrick Olliffe does a tremendous job conveying the pressure Roosevelt lives with, the burdens of his choices, and the simplicity of his decisions.

Teddy is confronted by a cabal of famously wealthy American architects, like JP Morgan and John D Rockefeller, who explain that they need his night-operating persona to go down South to dispatch of a threat to American life. The appeal to his deeply held patriotism works, despite the best efforts of the group to rouse a fury in the young Roosevelt.

And the journey begins.

Adam Glass's (writer on CoN man-candy show 'Supernatural') premise of taking historical AMERICAN figures, and putting them together in a fun, intriguing, and just plan cool situation is more accessible to the average reader than Moore's League - the figures he uses were all prominent in the pop culture history of Amercian, like Annie Oakley, Harry Houdini, and the first black US heavyweight champion Jack Johnson, who has amazing chemistry in this issue with Roosevelt.