Close games (especially overtime ones) add a lot of drama in my world. As I've said before in this series, sports photography is all about preparation, anticipation, timing and luck. The perfect example of that philosophy was Aaron Jones' 20-yard touchdown run in overtime against the Tampa Bay Buccaneers in Week 13. It was spectacular. Knowing that the Packers were making a move downfield, and the possibility of winning on that drive, I positioned myself in the back of the end zone near the Packers' sideline. I have a three-camera setup. One camera has a 400mm lens, one has a 135mm lens and the other one has a 35mm lens. Every camera is positioned a certain way and pre-focused. Once I saw Jones swing around the corner and break away for the open space I quickly switched to my 135mm (that was hanging around my neck) knowing that he might run it in for the game-winning score. The money shot was of him leaping into the end zone. I then grabbed my 35mm (arm length away from me, located on the ground by my knees) and focused on the celebration. You can see my condensed contact sheet for the sequence of shots and focal lengths. This image of Jones diving into the end zone was shot with a 135mm lens (ISO = 800, Aperture = f2, Shutter = 1/2500th)