Eva Price sat alone on one side of a stark conference room, taking notes in a journal. The blood-and-bluegrass reimagining of “Oklahoma!” had won the Tony for best musical revival a few weeks earlier, and now her bookers were arrayed on the other side of the table, doling out the good news, and the bad, about their efforts to find theaters around the country willing to stage the audacious revival, which is darker than audiences raised on school and summer stock productions might expect.

For years, Ms. Price placed small shows at small houses all across America — but now she is playing in the big leagues. She is a lead producer not only of “Oklahoma!,” but also of “Jagged Little Pill,” an Alanis Morissette jukebox musical that opens in December.

Ms. Price took an unusual path into producing — she was working as an assignment editor at ABC News when she made the leap, helping a friend put on an Off Off Broadway show. “I didn’t have family money or a wealthy husband or wife, but I just networked my face off, got a hold of properties, got a hold of investors, an eventually everything got bigger and better,” she said.

So she was carefully taking notes at the meeting with her bookers. There are expected to be about 40 Broadway-scale shows touring the country next season, and most theaters will present only eight to 10 of them. Which presenters were committed to “Oklahoma!” and which were hesitant? Who might benefit from a call, or an early glimpse at marketing materials?

Then there were the other issues, specific to Daniel Fish’s idiosyncratic interpretation: Could chili be served at theaters on the road, as it is on Broadway? (To be determined.) Will a contemporary dance interlude be as long as it is on Broadway? (No.) And how could the show help theaters educate their audiences about what to expect? (Materials to come.)

“Sorry to give you a tough one,” Ms. Price said to the team as the meeting ended. “Next year,” she said, referring to “Jagged Little Pill,” “will be a little easier.”