Sarah Cuddon explores how framing decisions can draw attention to, detract from, or even radically alter the nature of what is inside.

A series exploring the cultural consumption that other media ignore.

Sarah Cuddon looks at - and through - a diversity of frames to understand what they're for, how they work and why we develop such strong feelings about them. In galleries, framers shops and people's homes, she meets those involved in negotiations over frames.

In a local London framing shop, Sarah hears about a request to frame a (human) ponytail, and meets the man who had his pacemaker framed. She tries to understand the allure of the ornate gold frame and considers the modern day opposite - framelessness.

She hears how Europe's galleries have obsessed over the 'white box frame' and she meets an artist for whom frames are merely an old-fashioned decoration.

What emerges is as much about how people see their possessions as it is about framing. Choosing the right frame for a deceased love one for example, is a revealing business. Which is why Robert's story is so telling. For him, the very business of framing provides a metaphorical framing device for his life story.

Produced and Presented by Sarah Cuddon

A Testbed production for BBC Radio 4.