[music] Grazia is my wife. We’ve performed together for years, and she’s 62. And everyone says, it’s so great to see the two of you out there with the younger dancers, because there’s a different sense of what dancing is. They like the contrast. So, that makes it possible to go on. If someone that I respected told me that it’s embarrassing, I think I would take note. But I said, I can’t judge. I enjoy the process of performing. And if it were ballet — of course, I would have been finished long ago — but I went through a couple of years of being extremely jealous of younger dancers. Well, the first thing was I stopped jumping. And I didn’t stop jumping because I couldn’t still jump, because I could still jump. But I couldn’t land. That is to say, landing became very dangerous. But one of the pleasures that came out of it was that I began to look at my younger dancers and younger dancers in general with greater appreciation. So I stopped being competitive with them, as it were. In fact, it was in that period that I began to enjoy watching dancing more than I ever had. And then when I go to dance myself, I’m improvising. I’m making it up as I go along, and I’m listening to my body. What can it do today? What can it do right this second? In other words, sometimes my choices of the movement have to do with my feeling in my body at that moment about various parts of my body, and what they can do. My perspective as a dancer is completely dramatic, because I’m identified with the body. And the body is the thing that is changing. And what else am I but that body as a dancer? I know there’s mind. I love mind. I do some writing. I do read, all that stuff. But it’s not the same for me as dancing and being involved in the dance. [music]