Pointe-à-Callière Presents the World Première of the Largest Exhibition on Ancient Greece Ever Produced in North America.

The exhibition spans over 5,000 years of Greek history and culture and takes visitors on an exceptional and fascinating journey back to the origins of the cradle of Western civilization, its heritage and the traces it has left in the hearts and minds of the Greek people. The exhibition begins its North American odyssey in the country’s leading archaeology museum before continuing to the Canadian Museum of History in Gatineau, The Field Museum in Chicago and the National Geographic Museum in Washington. It brings together more than 500 priceless artifacts from 21 Greek museums, co-ordinated by the Hellenic Ministry of Culture and Sports. For Pointe-à-Callière, this achievement is another in the series of great international exhibitions it has produced over the years, including Archaeology and the Bible – From King David to the Dead Sea Scrolls and Japan, introducing Montrealers and visitors to some of humanity’s most impressive treasures.

A fascinating period Greek Antiquity is a rich and spell-binding period, a time populated by mythical heroes and historical figures, under the watchful gaze of the gods on Mount Olympus. The exhibition is divided into six zones that introduce us to this great civilization and showcase rare and priceless artifacts. Visitors will meet many famous characters in Greek history, from Homer to Aristotle, Plato, King Philip II of Macedon and King Leonidas of Sparta. The heritage of ancient Greece, which we can still see all around us today in our politics, philosophy, arts and literature, mathematics, architecture, medicine and sports, is clearly illustrated in the exhibition. Visitors are invited on a tour of Greek history, starting in the 6th millennium BCE, explaining all these roots.

The triangular blade of this dagger is a masterpiece of Mycenaean smithing. From base to tip, the spiral decoration was perfectly scaled to the blade’s narrowing surface. This is the first time it has been displayed outside of Greece. Mycenae, Circle A, Grave IV, second half of the 16th century BCE. © National Archaeological Museum, Athens

From Agamemnon and the siege of Troy... We learned about the exploits and adventures of the heroic and legendary figures in the Trojan War through Homer’s epic poem the Iliad. Led by Agamemnon, the Greeks sailed a thousand ships all the way to Troy, where the Trojan Prince Paris was holding Helen captive. After laying siege to the city for ten years, the Greeks left an unexpected gift outside the gates: a giant wooden horse, filled with Greek soldiers. The unsuspecting Trojans brought the horse inside the city walls, leading to the fall of their city. In the 19th century, German archaeologist Heinrich Schliemann, convinced that the accounts in the ancient Iliad were historically accurate, found Royal Tombs at Mycenae containing the remains of ancient elites and their fabulous grave goods. Schliemann was in no doubt that these remains were in fact those of Agamemnon’s. The exhibition showcases objects from the tombs of the Grave Circle A, including two magnificent golden burial masks originally attributed to Agamemnon. One of them, the original golden mask, has in fact never been shown outside Greece before.

Gold replica of the “Mask of Agamemnon”. This one-of-a-kind replica was produced in exactly the same way as the mask that Schliemann ultimately attributed to Agamemnon. Today, this face is one of the most celebrated symbols of Greek history. © National Archaeological Museum, Athens “Eyes of Agamemnon” mask. Displayed for the first time outside Greece, this gold mask covered the face of a person who died in his or her thirties. Heinrich Schliemann at first wrongly associated it with Agamemnon. It may have been one of his ancestors – assuming that Agamemnon ever existed. Mycenae, Circle A, Grave V, second half of the 16th century BCE. © National Archaeological Museum, Athens

… to Alexander, larger than life The exhibition takes us all the way up to the days of Alexander the Great, a larger-than-life figure who was only 20 years old when his father, Philip II, was assassinated. But Alexander was ready to succeed him, thanks to his education, his training and the formidable Macedonian army. Within barely a single generation, the ancient world was transformed from a series of independent city-states into a unified empire under Alexander the Great. The young prince who became king, emperor then god in the eyes of the world, died of a malignant fever at the age of 32. But his legend survived, as did Greece’s extraordinary legacy to the Western world.

Marble sculpture of Alexander the Great © Archaeological Museum of Pella

The Golden Age of Ancient Greece Between these two crucial figures, the exhibition focuses on the Golden Age of ancient Greece, in the 5th and 4th centuries BCE, when philosophy, theatre and the visual arts flourished, particularly in Athens. This was also the birthplace, under Pericles, of Greece’s greatest gift to humanity: democracy, government by the people. For the first time, citizens could express themselves, debate issues and vote. The exhibition also looks at the founding of the Olympic Games in 776 BCE, when athletes converged in Olympia from all Greek city states to take part in the Games. Treasures of humanity Among the highlights of the exhibition are a number of items never before displayed outside Greece: gold offerings from the royal tombs of Mycenae, including the mask that Schliemann first associated with Agamemnon, as well as a double-eagle necklace worn by one of the deceased, dated to the 16th century BCE. Elsewhere in the exhibition, visitors will be able to admire a marble figurine from the island of Amorgos in Cyclades, dating to the 3rd millennium BCE and a superb ritual vase from Minoan Crete. There will also be bronze helmets with gold funerary masks from the graves of the Bottiaean rulers, not to mention a magnificent funerary vase illustrating the scene of Achilles avenging the death of his friend Patroclus, from the island of Delos and dating to the late 6th century BCE. They will also see sculptures of Homer and other famous historic figures, and a superb votive relief to Asklepios, showing the god of medicine leaning on his staff, around which a snake is coiled, accompanied by his children as he receives the tributes of mortals whom he has cured. Lastly, there is a magnificent gold wreath of Queen Meda featuring two incredibly lifelike branches of myrtle, an aromatic plant, symbol of immortality, associated with goddess Aphrodite.

Queen Meda’s wreath. In ancient Greece, wreaths of flowers or branches – a sign of victory, honour and joy – were indispensable for festivities. Gold wreaths were originally destined for representations of gods, but in the 4th century BCE became fashionable for kings, queens and the wealthy as well. © Museum of the Royal Tombs of Aigai, Vergina Double-eagle necklace. This gold necklace was worn by one of the deceased discovered in the “Agamemnon grave.” Each pendant features a double eagle, also depicted on the weapons of Mycenaean nobles. It is displayed here for the first time outside Greece. © National Archaeological Museum, Athens Ritual vase. Equipped with three handles, this remarkably elegant Minoan white alabaster ritual vase was used to offer libations to the gods by pouring liquid from the quatrefoil lip or letting it flow through a small hole in the bottom. It is displayed here for the first time outside Greece. Mycenae, Circle A, Grave IV, second half of the 16th century BCE. © National Archaeological Museum, Athens

A hands-on experience The exhibition offers visitors a whole range of interactives and items to handle. They can touch different reproductions including a Cycladic female figurine, a block of marble, a warrior’s helmet and a sword. There are over twenty videos in the various exhibition zones, most of them produced by the National Geographic Society, the Acropolis Museum in Athens, the Museum of Cycladic Art in Athens and the Canadian Museum of History.

Female figurine. This marble figurine was found on Amorgos, the easternmost island in the Cyclades. The back appears to feature a headdress or elaborate hairstyle. Amorgos, 2800-2300 BCE. © National Archaeological Museum, Athens Marble statue of Alexander as the God Pan. The tiny horns on either side of the forehead suggest that this young man represents Pan, the god of wildlife, and indicate that this masterpiece is probably a replica of one of the earliest Hellenistic statues of Alexander by Lysippus. © Archaeological Museum of Pella

Complementing the exhibition Many activities have been organized in conjunction with the exhibition. A free digital application designed by the New Media Laboratory of the Stavros Niarchos Foundation Centre for Greek Studies at Simon Fraser University in British Columbia will keep visitors informed before, during and after their tour of the exhibition. There is also a prestigious publication on the Greek collection, produced by the Hellenic Ministry of Culture and Sports; a catalogue has also been produced by the Canadian Museum of History, surveying the themes and the key items in the exhibition. A number of major lectures will be given, at both Pointe-à-Callière and the Université de Montréal in early 2015, looking at major figures in Ancient Greece and archaeology issues. Tours and visitor activities, the Port Symphonies, Greek Independence Day, Greek cuisine on the menu at the Museum’s restaurant and films are just some of the events and attractions surrounding the exhibition. During its presentation from December 12, 2014 to April 26, 2015, 132 156 people visited this exhibition.