— 535 members — last activity Nov 03, 2018 03:57AM

Forough Farrokhzad (Persian: فروغ فرخزاد) (January 5, 1935 — February 13, 1967) was an Iranian poetess and film director. Forough Farrokhzad, Parvin E

Forough Farrokhzad (Persian: فروغ فرخزاد) (January 5, 1935 — February 13, 1967) was an Iranian poetess and film director. Forough Farrokhzad, Parvin E'tesami and Simin Behbahani are usually considered the most famous modern female poets of Iran.[original research?] Forough Farrokhzad was mainly under the influence of Ebrahim Golestan, a notable Iranian scholar. Forough was born in Tehran to career military officer Colonel Mohammad Bagher Farrokhzad and his wife Touran Vaziri-Tabar in 1935. She was the third of seven children and attended school until the ninth grade, then learning painting and sewing at a girl's school for the manual arts. At age sixteen or seventeen she was married to Parviz Shapour, an acclaimed satirist. Forough continued her education with classes in painting and sewing and moved with her husband to Ahvaz. A year later, she had her only child, a son named Kāmyār (subject of A Poem for You). Forough, as a female divorcée writing controversial poetry with a strong feminine voice, became the focus of much negative attention and open disapproval. In 1958 she spent nine months in Europe and met film-maker/writer Ebrahim Golestan, who inspired her to express herself and live independently. She published two more volumes, The Wall and The Rebellion before going to Tabriz to make a film about Iranians affected by leprosy. This 1962 film was called The House is Black and won awards world-wide. During 12 days of shooting, she became attached to Hossein Mansouri, the child of two lepers, whom she adopted and had live in her mother's house. On February 13, 1967, at 4:30 pm, Forough died in a car accident at age thirty-two. In order to avoid hitting a school bus, she swerved her Jeep, which hit a stone wall; she died before reaching the hospital. Her poem Let us believe in the beginning of the cold season was published posthumously and is considered the best-structured modern poem in Persian.