In the return section, the Audio To option does become quite useful as it allows you to “forward” sounds to your set’s top-level return channels. For example, you have a plate convolution in your set’s return channel and you want it applied to some – but not all – of your drum sounds. Let’s say you want some reverb on the snare and a lot on the clap. Just right click in the return section and select “Create Return Chain” and instead of adding effect here, select the convolution reverb in the Audio To drop list. Now you can apply a small amount of the top-level reverb return to the snare and a whole lot to the clap.