There are no ultimate 100 Indie Maximum Exposure vehicles for one simple reason. Indie artists must break from a niche. That niche must be well delineated and can be very very small and still be effective. The mistake most artists make is making a pop record that does not have a niche to break out of.

The adage, think globally act locally can be re-stated think mainstream, act niche. The newer your niche, the greater your chance of becoming identified with it. Almost every Tommy Boy superstar broke out of a niche they dominated if they did not invent. Examples: De La Soul: hip hop hippies, House of Pain – Irish hip hop, Queen Latifah: first proud and powerful African American woman in hip hop, Ru Paul, first drag queen with dance hit, and so on.

So whatever you genre, sub-genre or micro niche there will usually be media that dominates that view of reality. If you are a militant political artist, you would launch in the niche militant political blogs and magazines to establish a beach head. If you a rapper that rapped about uzis and AK’s maybe your entry would be blogs and mags about guns and ammo. David Hazan mentioned a band that was way into Anime and they get written up in the Anime blogs and make a living playing the Anime shows. Will they be able to cross to mainstream? Maybe not but they can be the lords of their niche and make a good living doing that.

So rather than being specific, I would point to blogs and mags in your micro-niche that might not even be music-oriented. You may be more news to a non-music site and reach a core audience that way than trying to get Pitchfork to discover you. There are also opportunities to perform at industry shows in non music industry events and get paid much better than you would in the glutted music market.

In other words make your presentation and target audience as unique as possible so you can be the king of that niche, then target the non-music publications (both on line and off) and the events in that niche. You will be building fans, gaining awareness and making money before you even attempt to cross into the “music industry.”

- Tom Silverman