“That shot happened very late in the show, we had about 12 weeks to complete it,” adds Brazelton. “We had to do re-shoots to film portions of the Domino performance and create a full CG city as the camera continuously rotates around her for over 600 frames. For the moments like the car flipping over her we used N-cam to help guide the performance shoot and it all came together really well. We knew we didn’t have enough time to get the digi-double to hold up that close, so the re-shoots were vital to the realism of the shot. While we were on set we would get Quicktimes from the DIT tent and do rough comps in Nuke to be sure we had the coverage we needed.”

Later, Domino even survives the catastrophic convoy crash by elegantly landing on a large inflatable panda in a car sales lot. “We tried lots of ideas for how she might survive and land comfortably,” recalls Glass, “including a mattress store. The art department came up with a real inflatable panda that we had on location. We swung a shot bag into the panda from a crane to get the impact feel, and then Domino is a digi-double at one point. We shot her bluescreen for a portion of it and then a drone plate descending towards the panda to connect them all together.”