As much as they’ve been able to transform modern television, both with groundbreaking shows and a brand-new business model, Netflix has remained curiously, adamantly quiet about who’s actually watching their shows. Now, finally, we know—sort of. Variety has gotten numbers from Luth Research that measure the number of Netflix subscribers who tune in to specific shows in their first days of release.

There are some important caveats—the numbers only measure viewers’ computers, tablets, and phones, and come from just 2,500 subscribers—but provide decent proof that, say, Daredevil was a fairly big hit in its first days of release, while Bloodline has had more of a slow and steady audience growth. An estimated 10.7% of subscribers tuned into the superhero drama in its first month of release, compared to the 2.4% who have watched at least one episode of Bloodline so far. Even more intriguing, spunky Unbreakable Kimmy Schmidt (7.3% of subscribers) managed to surpass veteran House of Cards (6.5%) in viewership after its first few weeks in release—maybe because people couldn’t get that theme song out of their heads? Variety also has a handy chart in which you can see how the viewership patterns change throughout the month, demonstrating the steady growth of Kimmy Schmidt and the sharp spike in attention for Daredevil.

Netflix declined to comment on these stats, and again, it’s a pretty small sample of an estimated 40.9 million-strong viewer base. But if you were wondering why everyone seemed to be talking about Titus and Kimmy more than Frank and Claire this spring, well, there’s a very small set of numbers now to back you up. And given how reticent Netflix has been to release their internal stats, they may be the only numbers you ever get.

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