“Dallas Buyers Club” actor Jared Leto was heckled on Tuesday night in Santa Barbara by an audience member who yelled that as a man, Leto didn’t have the right to play a transgendered character.

But before the brief and awkward exchange was over, Leto had invited the heckler to continue the conversation backstage – which they did as soon as Leto left the stage during the “Virtuosos” tribute at the Santa Barbara International Film Festival.

Leto was honored with the SBIFF award alongside June Squibb from “Nebraska,” Michael B. Jordan from “Fruitvale Station” and Brie Larson from “Short Term 12.” Not only did he get the loudest reaction from the audience when he was introduced by moderator Dave Karger, but his arrival onstage prompted shouts of “We love you!” and “We love Rayon!,” the latter a salute to his transgendered character in “Dallas Buyers Club,” for which he won an Oscar nomination.

Also read: Jared Leto’s Career Evolution: 16 Roles Before His Oscar Nomination (Video)

But one person toward the front of the Arlington Theater yelled, “You don’t deserve an award!” as Leto took his seat, followed by “Trans misogyny does not deserve an award!”

The actor immediately stopped and asked the audience member – who witnesses said appeared to be a transgendered woman – to clarify the comments.

“You’re a man!” the heckler shouted. “You shouldn’t play a transgendered role!”

Leto, who appeared to be genuinely interested in and never irritated by the heckler, gently suggested that the logic would also prevent gay actors from playing straight roles, “You’ve made sure that people who are gay, that the Rayons of this world should never be able to turn the tables,” he said, to applause from the audience.

He then invited the heckler to continue the conversation after the onstage interview. “The door is open,” he said.

During his interview with Karger, Leto spoke of touring with his band Thirty Seconds to Mars and meeting a 14-year-old German boy who had been born a girl, and how that inspired the character of Rayon.

“To me, I thought it was an opportunity to put a different kind of character onscreen,” he said.

Also read: Why Jared Leto Dropped His Guitar and Put on a Skirt for ‘Dallas Buyers Club’

And when he finished his onstage interview, Leto immediately pointed into the audience and motioned for the heckler to meet him backstage. There, they had what one witness described as a “heart-to-heart” talk.

The exchange grabbed in the spotlight in an evening that might otherwise have been notable for its no-shows. Before Oscar nominations came out, the festival announced that its “Virtuosos” panel – an annual tribute devoted to actors who’ve given breakout performances in the past year – would honor an unprecedented seven people: Leto, Jordan, Larson, Squibb, Daniel Bruhl from “Rush,” Adele Exarchopoulos from “Blue is the Warmest Color” and Oscar Isaac from “Inside Llewyn Davis.”

Of the seven, only Leto and Squibb received Oscar nominations. And of the five who didn’t get nominated, only Jordan and Larson showed up on Tuesday. Bruhl, Exarchopoulos and Isaac begged off, citing their work schedules.

Similarly, Emma Thompson, who was scheduled to receive the festival’s Modern Master Award on Saturday, opted to remain in rehearsals for “Sweeney Todd” after failing to land an Oscar nomination. (Had she been nominated, she was planning to take a couple of days off to attend the Santa Barbara tribute and the Oscar nominees luncheon.)

“That’s just the breaks,” shrugged festival director Roger Durling at a party following the Virtuosos presentation.

In addition to Jordan and Larson honoring their commitment despite the lack of nominations, the surprise Oscar omissions Oprah Winfrey and Robert Redford are both going through with planned SBIFF tributes this week.

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During the other interviews on the Virtuosos program, Jordan talked of how he’d built a relationship with the family of Oscar Grant, the young father from Oakland who was shot and killed by a transit officer on New Year’s Eve, 2009, and who Jordan played in “Fruitvale Station.”

“That’s a relationship that doesn’t go away after awards season,” he said.

Also read: ‘Fruitvale Station’ Director: My Story of an Inner-City Killing Is About Humanity, Not Politics