CLEVELAND, Ohio -- There are a few ways to sum up the 2010s in music.

It would be easy (and awesome) to say it was a decade ruled by women, given the music released and awards won by Beyonce, Taylor Swift and Adele.

It was also a decade that saw indie-rock acts become mainstream commodities, as band's like Arcade Fire and Vampire Weekend reached new creative heights.

Then there was hip hop, ruled by younger talents like Kendrick Lamar and Drake, but Jay-Z keeping himself relevant and Kanye West embarking on a career (and personal) roller coaster ride.

It's cliche to say, but there was something for everyone, from blockbuster pop albums and artists (Foo Fighters, Queens of the Stone Age) carrying the torch for rock, to genre bending sounds and breakthroughs that will shape music into the next decade.

This ranking of the best albums of the 2010s is just one person's soon-to-be second guessed opinion. Share yours in the comments section.

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100. Taylor Swift - "1989" (2014)

Perhaps what's most interesting about Taylor Swift's "1989" is how much it doesn't actually sound like "1989." Sure, there are moments (the opening of "Style" rips off about a half-dozen '80s synth-pop songs). But Swift and her production team were very much creating a modern pop album. "1989" is flawed, yet cohesive. Pretentious, yet enticing. And when the album hits its high marks -- "Blank Space," "Out of the Woods," "Wildest Dreams" -- it's absolutely out of this world.

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99. Nipsey Hussle - "Victory Lap" (2018)

On his impressive run of mixtapes, Nipsey Hussle cemented himself as one of the West Coast's most compelling emcees. On the appropriately titled "Victory Lap," Hussle adds a gloss to his hood sound. The album's cinematic vibe seemed destined to make him one of the most riveting figures in rap on either coast. Sadly, things would come to an abrupt end.

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98. Bruno Mars - "24K Magic" (2016)

"24K Magic" is a rarity in a pop landscape where loading albums with more tracks to boost streaming numbers is the norm. Bruno Mars only needed nine songs to round out his throwback of a third album. Mars embraces his usual influences -- R&B, funk and soul -- while mixing in new jack swing. The result is track after track of sultry dance floor vibes.

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97. Kanye West - "The Life of Pablo" (2016)

"The Life of Pablo" is all over the map. It opens as strong as any Kanye West album with the back to back excellence of "Ultralight Beam" and "Father Stretch My Hands, Pt. 1." Things get weird after that, via "Yeezus"-like electronic sounds, Taylor Swift drama and the constant reworking of tracks that existed in the public spectrum for months. Yet, there's a genius that lingers, specifically in the old-school Kanye on songs like "30 Hours," "No More Parties in L.A." and "Real Friends," that prove to be standouts.

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96. Father John Misty – “I Love You, Honeybear" (2015)

For a while there, it was extremely cool to like Father John Misty. Heck, one of his concerts was the centerpiece of a "Master of None" episode. However, when celebrities are name-checking you, things can turn corny quick. Still, there's no taking away from Misty's ability to craft epic indie folk music with grand arrangements. The result is his magnum opus, "I Love You, Honeybear," which will, no doubt, be on various decade-end best of lists.

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95. Macklemore & Ryan Lewis – “The Heist” (2012)

Perhaps no one has ever gone from independent darling to being labeled a lame culture vulture as fast as Macklemore. But wasn't really his fault. Macklemore and Ryan Lewis winning the Grammy for Best Rap Album felt like the crime of the century. Kendrick Lamar deserved to win. But all the drama caused the world to forget how good "The Heist" was. Macklemore and Lewis' brand of alternative hip-hop came with an enticing pop sensibility on songs like "Ten Thousand Hours," "Thrift Shop" and "White Walls." "Same Love" was a groundbreaking LGBTQ anthem, while "Can't Hold Us" featured the kind of commercial appeal rappers spend their entire careers searching for, but never find.

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94. Justin Timberlake – “The 20/20 Experience” (2013)

Pretty much nothing Justin Timberlake did on "The 20/20 Experience" was original. But he's so damn cool, JT made us believe his old-school soul sound wasn't simply a knockoff of what Bruno Mars or Robyn Thicke were doing. Timberlake's version of it came with a larger than life vibe, backed by Timbaland beats, a Jay-Z guest appearance and lengthy tracks that defied the logic of a pop album in 2013.

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93. Brandi Carlile – “By the Way, I Forgive You” (2018)

Just off title alone, you know Brandi Carlile's "By the Way, I Forgive You" is going to be powerful stuff. It's the kind of classic singer-songwriter album that would make the likes of Joni Mitchell and Carole King proud. It's the kind of album Carlile always had in her and a confessional that melts your heart.

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92. Danny Brown – “XXX” (2011)

Danny Brown's "XXX" mixtape/album is a sort of concept record about a wild child going into crisis mode as he turns 30. If you're waiting for some sort of happy ending, it doesn't really come. Sure, there's self reflection. But for a guy who compares himself to Neo form "The Matrix," Danny Brown feels happy, if not shocked, just to be alive. And witnessing that anxiety is riveting.

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91. Foo Fighters – “Wasting Light” (2011)

Foo Fighters have essentially been making the same album for the past 20 years. And the best of those, banging, scream heavy, in your face rock albums is "Wasting Light." Produced by Butch Vig, the album brings the typical Foo intensity on tracks like "Rope" and "Bridge Burning." But Dave Grohl proves he's still capable of writing everything from a delicate alt-rock song ("These Days") to yet another stadium-worthy showstopper like "Walk" on an album that made the Foos one of the most relevant bands for yet another decade.

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90. Fleet Foxes – “Helplessness Blues” (2011)

Fleet Foxes' self-titled debut album remains one of the great indie-folk albums of our time. Following it up felt like a monumental task. Credit the band for giving us "Helplessness Blues," an album of more experimental sounds that holds true to the band's first effort. At times, there's a lot to take in. But the willingness of Fleet Foxes to expand the boundaries of indie-folk is certainly a huge part of the band's appeal.

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89. Arctic Monkeys – “AM” (2013)

For as great as Arctic Monkeys' debut album "Whatever People Say I Am, That's What I'm Not" was, the band really didn't fulfill its hype stateside until its fifth album "AM." The platinum-selling effort embraces the harder edge of a bands like Queens of the Stone Age (Josh Homme guests on two of "AM's" tracks), while offering a proper background for Alex Turner's swaggering lyrics.

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88. Rick Ross – Teflon Don” (2010)

"Teflon Don" is the album where Rick Ross merges his flashy luxury raps with hard-hitting content that made believers out of those critical of the heavyweight emcee's correctional officer past. It helps when you're this good at picking beats, as Ross' barks his way through epic production from the likes of Kanye West, Lex Luger and J.U.S.T.I.C.E. League. It's a defining moment for Ross that will be hard for him to top.

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87. Alabama Shakes – “Sound & Color” (2015)

"Sound & Color" is the album that took Alabama Shakes from a modest southern rock band to blues titans, every bit as impressive as records from big names like The Black Keys and Foo Fighters. And with Brittany Howard as the singer, Alabama Shakes was all the more mighty. "Sound& Color" is the tightest thing the band has produced from start to finish, rightfully earning a Grammy nomination for Album of the Year.

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86. The Carters – “Everything Is Love” (2018)

There was really no way an album from Jay-Z and Beyonce, arguably both at the peak of their powers, was going to be bad. For the most part, "Everything Is Love," is Beyonce's show. But that's because Jay-Z's attitude and swagger helps propel her to a new level. Bangers like "Apes***," "713" and "Boss" simply couldn't be done by any other duo on this level. Bey and Jay just that much better than everyone else.

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85. Haim – “Days Are Gone” (2013)

Haim is Wilson Phillips, but cooler. That's no insult. Yes, the Los Angeles trio of sisters can write, perform and play. But it's the nostalgic pop vibes of songs like "Falling," "The Wire" and the title "Forever" that makes Haim's music so repeat-worthy. As crafters of pop songs, they were far beyond their years.

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84. Travis Scott – "Astroworld" (2018)

Welcome to Travis Scott's wacky and wild amusement park. Yes, "Astroworld' is named for a theme park Scott frequented as a kid in Houston. But the album more represents a journey into Scott's strange brain. He a singular hip-hop talent who makes being insanely kinetic seem effortless. The biggest songs here feel odd and off-kilter, yet became some of the most unlikely radio hits in years, led by the chart-topper "Sicko Mode."

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83. Queens of the Stone Age – “...Like Clockwork” (2013)

"...Like Clockwork" was a legacy building album for Queens of the Stone Age. It's the first addition to the band's catalog that can measure up to the brilliance of "Songs for the Deaf," at times out doing it. The crunchy guitars and tight musicianship are intoxicating. But "...Like Clockwork" separates itself by showcasing a level of sinister we haven't seen from the band before.

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82. Leonard Cohen – “You Want It Darker” (2016)

It's easy to look at "You Want It Darker" as an album about death, considering Leonard Cohen's physical state at the time of writing and recording, and the fact it came out a few weeks before his death. But it feels more appropriate to label it an album about life. The Rock and Roll Hall of Famer ponders questions that can only be answered when one has lived the kind of life Cohen has. Despite crafting some of the most thought-provoking folk rock of all time, "You Want It Darker" may be Cohen's most vulnerable body of work.

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81. Pusha T – “My Names Is My Name” (2013)

Pusha T gets bonus points for the best rap album name of the decade (taken from a killer quote in "The Wire"). "My Name Is My Name" came with expectations. It wasn't a question of if, but when Pusha would step out of the shadow of the Clipse. And he did it in epic fashion over a collection of fiery hooks. While Future, Jeezy, Rick Ross and others drop by, this is the Pusha T show. He even out-raps the great Kendrick Lamar on the jaw-dropping "Nosetalgia": "Twenty plus years of selling Johnson & Johnson/I started out as a baby face monster..." King push!

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80. Robyn – "Honey"

Where Robyn's "Body Talk" felt like it was crafted in a high tech factory, "Honey" brings about some warm and fuzz...to an extent. It still features thrilling electro pop, but from an artist older and wiser, willing to showcase more depth. The best tracks on "Honey" radiate with affection.

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79. Big Boi – “Sir Lucious Left Foot…The Son of Chico Dusty” (2010)

Many hip-hop heads spent the decade waiting for an Andre 3000 solo album that never came. However, there was a great solo effort from a member of Outkast worth listening to. Unfairly underrated as a member of that duo, Big Boi proved himself every bit the creative force Andre Benjamin is with "Sir Lucious Left Foot..." It's an album heavy on funky hip-hop that's stands as one of the more distinctive rap releases of the decade.

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78. Snail Mail – “Lush” (2018)

The debut album from singer-songwriter Lindsey Jordan was a welcomed shock to the indie-rock system in 2018. "Lush" is a beautiful body of work that lyrically displays emotions as if they were vivid pictures and colorful paintings. It's hard to wrap your head around the fact you're listening to a young lady who hasn't even turned 21.

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77. Sturgill Simpson – “A Sailor’s Guide to Earth” (2016)

Though it might get classified as country music, Sturgill Simpson's "A Sailor's Guide to the Earth" is as soulful as the genre gets. It stretches beyond what anyone thinks of contemporary country into outlaw music that feels ripped from a forgotten time. This is what Waylon or Willie would sound like if in their prime today; a compliment of the highest order.

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76. Against Me! – “Transgender Dysphoria Blues” (2014)

Prior to its sixth studio album, "Against Me!" had established itself as one of the best and most consistent rock bands in the world. Then, it became one of the most daring. "Transgender Dysphoria Blues" tackles the aftermath of frontwoman Laura Jane Grace's gender transition. It's confessional, fiery rock music that faces some of life's harshest struggles head on.

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75. The Black Keys – “Brothers” (2010)

There was no denying The Black Keys as being one of the biggest and best rock acts in the world after "Brothers." The album refined the Akron's band's sound for the masses without sacrificing the band's core garage rock and blues principles. It was a rock album frat boys could groove to and blues hounds could still feel filthy listening to.

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74. Future – “DS2” (2015)

"DS2" is a unique kind of hip-hop beast. Future's sound had always been dark in its atmosphere. But it doesn't get much darker than "DS2," an album where Future emotionally falls off the cliff. The downward spiral is stunning to witness, crafted on the heels of Future losing two year's worth of music after a laptop was confiscated. "There's a lot on my mind. There's a lot on my plate" he announces on opener "Thought It Was a Drought." The hunger was real and "DS2" was all the better for it.

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73. St. Vincent – “Strange Mercy” (2011)

Everything Annie Clark does is so well-thought out, which makes the music of St. Vincent so fascinating. The lyrical concepts and sonic themes are intense on "Strange Mercy." But it's also the album where we finally get the feeling we're meeting the real Annie Clark. Her voice a force of nature, matched only by her brilliant guitar work.

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72. Young Thug – “Barter 6” (2015)

Ask Young Thug fans and there's no real debate -- "Barter 6" is the peak of all his mixtapes and albums. The title seemed to pay homage to Cash Money's previous top star Lil Wayne and then became the centerpiece of a strange feud. Regardless, Young Thug lived up to the hype, showcasing the vocal prowess and creativity that's established him as one of the most distinct artists in hip hop.

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71. Taylor Swift – “Speak Now” (2010)

If you subscribe to the idea that Taylor Swift's first full-on embracing of pop music was "Red," Then "Speak Now" marks the end of an era. Yet, it's also the last time Taylor was fully wrapped up in her innocence. "Speak Now" certainly has a whimsical vibe, which you can tell just from the cover. It's also the only album that credits Swift as the only songwriter, which is noteworthy considering it may be her most lyrical work to date. "Back to December" is a perfect song, while "Mine" remains a fan favorite for a reason. And let's not even jump into the emotional tour de force that is "Dear John." Had she stopped here, Swift would still be considered one of the greatest songwriters of her generation, in large part due to "Speak Now."

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70. Jay-Z and Kanye West – “Watch the Throne” (2011)

Just the fact they were two of the biggest music stars on the planet made Jay-Z and Kanye West's joint album highly anticipated. Then they titled it "Watch the Throne," gave it a gold cover and made sure everyone knew it doesn't get any bigger than this. It was a bold move that proved one of the decade's biggest musical events. "Watch the Throne" delivers the goods with tracks that feel larger than life. Given what's happened to Jay-Z and West's friendship since 2011, we may never get to witness it again, which is a damn shame.

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69. Mitski – “Be the Cowboy” (2018)

Mitski's "Be the Cowboy" is a jarring experience, especially compared to its fantastic predecessor "Puberty 2,." Instead of keeping her personal lyrics as the focus, Mitksi decided to adopt the persona of a married woman who is bored and wants to break free. It's a very intriguing concept that plays out in compelling fashion. But what separates "Be the Cowboy" is the sounds Mitski brings along for the ride. The spastic nature of the album keeps you on your heels.

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68. Bring Me The Horizon – “That’s the Spirit” (2015)

For Bring Me The Horizon diehards, "That's the Spirit" can't possibly measure up to the hard-hitting metalcore of its predecessors. But taken in a vacuum, this is a stunning rock album that embraces elements of pop and electronic music. BMTH sounds less like the niche metal band that headlined Warped Tour and more like one of the biggest rock acts in the world. Just how pop the band goes on songs like "Follow" or "Oh No" is sure to alienate core fans. Yet, there's no denying "That's the Spirit" is the band's album best built to stand the test of time.

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67. A Tribe Called Quest – “We Got it from Here…Thank You 4 Your service” (2016)

A Tribe Called Quest's final album was supposed to be 1998's "The Love Movement," a divisive (and disappointing) effort that wasn't the greatest way to go out. But Q-Tip and company still had something left nearly 20 years later. It goes without saying "We Got it from Here..." is a throwback to the days where jazz-influenced hip-hop and intricate lyrics meant everything. Q-Tip is in amazing form here, aided by the return of member Jarobi. Meanwhile, guests like Busta Rhymes, Kanye West and Kendrick Lamar seem ecstatic to be there. "We Got it from Here..." is a fitting final album and an everlasting tribute to member Phife Dawg, who passed away several months before its release.

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66. The 1975 - "A Brief Inquiry into Online Relationships" (2019)

In many ways "A Brief Inquiry into Online Relationships" is the pop-music version of "OK Computer," an album where a band pushes itself to new heights sonically while still crafting songs that remain stuck in your head. Lyrically, The 1975 frontman Matt Healy is as good as he's ever been. But the magic of his band's third album lies in its ability to weave in and out of different sonic environments, from epic emo to jazz music to acoustic balladry.

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65. Chris Stapleton – “Traveller” (2015)

Chris Stapleton's bluegrass and blue grass background immediately set him up to be an alternative to the pop-country music that's taken over the genre. On "Traveller," he simply proves himself a great singer-songwriter whose songs contain a mainstream appeal that separates him from many of his contemporaries. He makes great country music seem easy and it's not.

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64. Sleater-Kinney – “No Cities to Love” (2015)

For its reunion album, Sleater-Kinney doesn't merely rehash its angsty sound. The intensity is still there, but "No Cities to Love" finds the band crafting melodic post-punk songs that are crisp and passionate. Despite various side projects and other endeavors, the women of Sleater-Kinney had clearly spent the previous 10 years apart growing creatively.

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63. Run the Jewels – "Run the Jewels 3" (2016)

"Run the Jewels 3" doesn't have quite the shock factor of Killer Mike and El-P's first two albums together. But its every bit as urgent with a take-no-prisoners vibe that few hip hop acts can match. "Run the Jewels 3" is lyrically cutting with the only criticism being that perhaps Run the Jewels did it slightly better (and flawlessly) the previous time around.

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62. Miranda Lambert – “The Weight of These Wings” (2016)

Miranda Lambert has released more cohesive and concise albums than "The Weight of These Wings." But the country star has never sounded more in control of her vision and songwriting. "The Weight of These Wings" isn't a breakup album in the sense that Lambert never truly touches on her public divorce with Blake Shelton. But you can feel the dramatic struggle she went through, which is key to the album's relatability.

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61. Billie Eilish – “When We All Fall Asleep, Where Do We Go?” (2019)

Billie Eilish is an unlikely pop star, given that she comes across as a more sinister version of Lorde. But her music is just as enticing. Eilish's debut album is a sonic wonderland that slices through genre boundaries and proves that whether she's singing a ballad, rapping about a bad guy or sampling "The Office," Eilish is one of the more adaptable stars in music today.

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60. Nas – “Life Is Good” (2012)

The older rappers get, the harder it seems for them to find inspiration. But Nas didn't have that problem for his 11th studio album. "Life Is Good" follows his divorce from Kelis emotional tracks like "Stay" and "Bye Baby." He also shows tremendous flashes of his unmatched storytelling ability, with producers like No I.D. and Salaam Remi, on vintage sounding songs that merge hip-hop and soul.

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59. Vampire Weekend - "Contra"

"Contra" builds on the fun-loving and eclectic pop of Vampire Weekend's debut. Songs like "Horchata," "Cousins" and "Giving Up the Gun" feel like a great indie-pop act reaching the next level. The forward-thinking nature of 2013's "Modern Vampires of the City" and 2019's "Father of the Bride" may now overshadow the impact of Vampire Weekend's sophomore album. But "Contra" will always have a special place in fans' hearts.

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58. My Bloody Valentine – “m b v” (2013)

My Bloody Valentine's long awaited follow-up to 1991's "Loveless" isn't as daring as its predecessor. Could anything be? Still, "m b v" is a beautiful body of work that doesn't seek to change the landscape of music the way "Loveless" did. In its most understated sense, "m b v" proved the members of My Bloody Valentine were still capable of crafting amazingly hazy, next level indie-pop.

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57. Childish Gambino – “Because the Internet” (2013)

If you follow the history of "Because of the Internet" you'll see that Donald Glover, aka Childish Gambino, was very protective of his second album. That's because he knew he had something special, not only to him but for fans as well. Glover's brand of alt-rap and singing felt more endearing than that of, say, Drake. Plus, there are those who might dare say Childish Gambino is better at it. Perhaps, an overstatement. But it's clear on "Because of the Internet" that Gambino is just as creative. His follow up album and singles may have made him more of a mainstream star. But he was never more enjoyable than here.

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56. Ariana Grande – “Thank U, Next” (2019)

Ariana Grande is the rare kind of bumble-gum pop star who comes with critical praise. Part of that is because there's a spare no expense policy to her team of writers and producers. But it's also Grande herself, who's songs come across as very intimate. She also has a voice that's so powerful it can master everything from traditional pop and electronic music to old-school soul. "Thank U, Next" is the finest example of that, as an album where even the deep cuts feel like they could be radio hits.

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55. Frank Ocean – “Blonde” (2016)

"Blonde" isn't as immediately enjoyable as Frank Ocean's previous efforts "Channel Orange" or the "Nostalgia, Ultra" mixtape. But dig deeper and you're likely to find it more rewarding. Not only does Ocean get more experimental, but he gets more personal. The pain and heartache is accompanied by off-kilter beats and tracks that range in sound and style. It's a rollercoaster ride of a listen.

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54. Janelle Monae – “Dirty Computer” (2018)

It was hard to imagine Janelle Monae outdoing the creative aspects of her first two albums. But that's exactly what she did on 2018's "Dirty Computer." Monae's brand of pop takes on various faces, from the Prince-influenced "Make Me Feel" to songs featuring Brian Wilson, Stevie Wonder, Pharrell Williams and Grimes. Throughout each of them, Monae pushes modern pop conventions aside in favor of artistic freedom.

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53. Bjork - “Vulnicura” (2015)

With "Vulnicura," Bjork set out to make listeners feel what it's like to have your heart broken. To say she accomplished that is quite a compliment. Her signature, unique sonic arrangements are still present. But "Vulnicura" focuses on Bjork's ability to express her heartache like no other. The sadder "Vulnicura" gets, the better it is.

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52. The Roots – “Undun” (2011)

Not only is "undun" The Roots' most underrated album. It's probably the most underrated hip-hop masterpiece of the past 10 years. The backstory is complex. It's a concept album about a character from a Sufjan Stevens song. All you really need to know is that "Undun" heartbreakingly tells the story of a young, African American man whose life of poverty could only end one way. It would be an overstatement to call it cinematic, given the sparse indie-influenced production work. Nonetheless, it's one of the most engaging rap stories told in the 21st century.

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51. St. Vincent – “St. Vincent” (2014)

St. Vincent's best album is also her tightest. The music here mostly does away with high-concept, instead delivering a collection of pulsating art-rock songs with pop sensibility. It's the sound of Annie Clark hitting her stride as a songwriter and becoming one of the finest artists of her generation.

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50. James Blake – “James Blake” (2011)

No one can argue that James Blake didn't evolve on his future releases. But there's still something so powerful in the raw nature of his first album. The post-dubstep sound is stripped down. But couple with Blake's voice, it feels like he's doing something elaborate. Despite being an electronic album, "James Blake" has a lot in common with classic soul albums.

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49. Pusha T – “Daytona” (2018)

Pusha T's "Daytona" was the clear standout from Kanye West's Wyoming sessions, probably because it came with a clear vision. Pusha T simply wanted to annihilate every track on a concise, flawless rap album. The most talked about track was "Infrared" thanks to it igniting a Drake feud. But Pusha's performance on songs like "If You Know You Know" and the second half of "Come Back Baby" were among the standout moments in all of music for 2018.

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48. Beach House – “Teen Dream” (2010)

While eclectic and quite good, Beach House's first two albums found the band emulating the like-minded artists who had come before, from Mazzy Star to Cocteau Twins. On "Teen Dream," the dream-pop act finally comes into its own. The album feels like the greatest example, if not the creation of the Beach House sound and serves a collection of songs that make unrequited love feel so devastating.

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47. Adele – “21” (2011)

Adele's "21" didn't exactly come out of nowhere. She was huge in England and already piling up Grammys. But audiences stateside didn't quite expect this. "21" was a blockbuster album that went beyond what any other artist was doing commercially. The moments of pop perfection make lesser songs like "Rumour Has It" or Adele's cover of "Lovesong" seem pedestrian, despite the fact any other pop songstress would die to have them. Adele became the reigning queen of pop globally and has yet to relinquish her crown.

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46. The War on Drugs- “Lost in the Dream” (2014)

Every song "Lost in the Dream" begins slow, before building into something transcendent. The War on Drugs' brand of indie-rock is clearly influenced by Bruce Springsteen and Bob Dylan. But it's the subtlety that's key in its appeal. The War On Drugs knows how to slow play greatness with the songs "Lost in the Dream" creeping up on you. Once you hear them, you're never letting go.

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45. Jay-Z – “4:44” (2017)

"4:44" is the album that proved Jay-Z still has it. Tapping No. I.D., who also produced Nas' late career-defining "Life Is Good," Jay-Z waxes poetic about social issues, while still delivering his trademark braggadocio rhymes. But it's when Jay gets super personal that he's at his most engaging. No one expected him to be so honest in his confessionals about cheating on his wife. But now we know Jay-Z better than we ever have.

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44. Arcade Fire – “Reflektor” (2013)

Arcade Fire could have spent the rest of its career making albums like "The Suburbs" and, thus, becoming one of the most iconic rock bands in recent memory. Instead, fans got "Reflektor" as a follow-up to its Grammy-winning album. It's the most ambitious thing Arcade Fire could have done, recruiting LCD Soundsystem's James Murphy to co-produce an electronic-driven album of distortion and intense sounds that some believe is the best thing Arcade Fire has ever released.

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43. Lana Del Rey – “Norman F***ing Rockwell!” (2019)

When critics were heaping praise on overrated albums like "Born to Die" and "Ultraviolence," "Norman F***ing Rockwell!" was the project they were actually hoping for. It's the dreamlike album Lana Del Rey was always capable of making, proving she's the singer songwriter we all thought she could be. Lyrically, it's an album that presents the world as a downward spiral. But it's the sonic consistency that pushes "Norman F***ing Rockwell" to new heights.

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42. Jack White – “Lazaretto” (2014)

Jack White spent his run with The White Stripes showcasing every side of his musical personality, from garage rock revivalist to blues shredder to Dylan-like folk hero. What makes "Lazaretto," his second solo album, so good is that it features all of those facets on one album. There's something for everyone who loves White and even some who don't.

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41. PJ Harvey – “Let England Shake” (2011)

In the year 2011, PJ Harvey was still reinventing herself and delivering one of her best albums. "Let England Shake" is a showcase of Harvey's homeland that's heavy in concept and complex sounds. Taken as a whole, "Let England Shake" is executed with shocking precision. Harvey has made one or two better albums, but maybe none that showcase her genius as much.

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40. David Bowie – “Blackstar” (2016)

It seems crazy to say, but "Blackstar" may be David Bowie's most forward-thinking album. The sad irony is it was released just two days before he died of liver cancer. It's a fitting swan song for one of the boldest and most ambitious pop-musicians of all time. Bowie abandon's mainstream sounds on "Blackstar" to deliver a haunting, jazz-influenced masterpiece that not only fit with the indie-pop scene of the 2010s but was lightyears ahead of most of it.

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39. Chance the Rapper – “Acid Rap” (2013)

Even as the art of mixtapes evolved, they still felt like mixtapes, aka street albums that found hyper-lyricists throwing caution to the wind. That wasn't the case with Chance the Rapper. His mixtapes were albums, expertly crafted to showcase his musicality and underrated lyrical ability. In many ways, "Acid Rap" still feels like his definitive release, presenting him as a distinct talent that would become one the strongest forces in hip hop.

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38. Robyn – “Body Talk” (2010)

Robyn is responsible for one of the best career reinventions of the 21st century, emerging from the ashes of a reluctant teen-pop career to become a dance-pop queen. That began with 2005's self-titled effort. But it took full form with her "Body Talk" series. The album features emo-drenched anthems that are lyrically devastating. Yet, scored as if a dance-happy robot reworked them.

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37. Courtney Barnett – “Sometimes I Sit and Think, and Sometimes I Just Sit” (2015)

Courtney Barnett's originality isn't in the style of music she creates or the things she sings about. Barnett is reminiscent of the singer-songwriters of the 1990s, especially Liz Phair. But Barnett takes things a step further. She never feels like she's striving for the mainstream, instead merging elements of Bob Dylan and Sleater-Kinney. "Sometimes I Sit and Think, and Sometimes I Just Sit" lives in that awesome pocket. It feels familiar while also being the freshest thing going.

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36. “Hamilton" (Original Broadway Cast Recording)

It'll be interesting to see just how revolutionary and impactful "Hamilton" is in 20 years. But right now, the story about the "10-dollar founding father without a father..." feels like the biggest musical that's ever existed, especially for people who otherwise don't dig musicals. "Hamilton's" impact can't be understated. And it's soundtrack is a riveting project all on its own. Lin-Manuel Miranda created something with influence that stretches far beyond the theater. There's never been anything like it.

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35. Grimes – “Visions” (2012)

Grimes' music owes a major debt to 1980s dance music. But her feathery vocals feel like something from a different universe. That is, until the electronic beats crash in and you find yourself dancing. What takes an album like "Visions" (and its follow up "Art Angels") to the next level is the realization that these songs ultimately require a deeper dive. What may feel like simple and fun electronic tunes, are actually heavyweight, emotional testimonials that are quite profound.

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34. The National – “High Violet” (2010)

You could make the case The National released its two best albums -- "Alligator" and "Boxer" -- during the decade prior to this one. But that doesn't take anything away from "High Violet," and fantastic album that opens in thrilling fashion with, arguably, the band's greatest song "Terrible Love." The emotional power of "High Violet" is rather subtle. But the deliberate nature of its songs will consume you. Rather than wonder if it lives up to the status of its two predecessors, just appreciate the fact The National made three masterful albums in a row.

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33. Paramore – “Paramore” (2013)

For as much of a force of nature frontwoman Hayley Williams seems, it was thought in many circles that the departures of Zac and Josh Farro would end Paramore. But the self-titled album that followed serves as a revenge statement, especially considering what the Farro boys had to say about Williams. "Paramore" finds Williams and company evolving more than any other pop-punk band during the decade, crafting an album filled with edgy pop tunes that amount the most infectious music the band has ever released.

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32. M83 – “Hurry Up, We're Dreaming” (2011)

M83 had already mastered dreamy synthpop when it came time to record "Hurry Up, We're Dreaming." In fact, it seemed almost impossible that Anthony Gonzalez would ever top 2008's "Saturdays = Youth." Maybe "Hurry Up, We're Dreaming" isn't as good as that album. But it's certainly more accessible, made clear by the inescapable single "Midnight City." As a whole, "Hurry Up, We're Dreaming" serves as Gonzalez's magnum opus, a double-album that merges his playful synth-pop, dream-like lyrics and throwback pop vibes with a commercial edge that's overpowering.

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31. Kendrick Lamar – “Damn" (2017)

Coming off of "To Pimp a Butterfly," it's hard to imagine Kendrick Lamar could have much more to say. Then came "Damn," proof that right now Lamar is just that much better than every other hip-hop artist out there. "Damn" is more in-your-face, confident and scathing than "To Pimp a Butterfly." But its message similarly highlights social issues through Lamar's eyes. There are also elements of "Good Kid M.A.A.D city" musically -- songs with commercial appeal weave from hard-hitting raps ("Humble" and "DNA") to love songs ("Love") where even Rihanna gets grimy ("Loyalty").

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30. Bon Iver - “Bon Iver” (2011)

At the time, the impact of Bon Iver's second album felt massive, thanks, in no small part, to the collection of Grammy nominations it earned him. In retrospect, it feels more like the end of a era. Bon Iver continues to make great music, but its clear his straight-forward brand of folk music associated with recording in a cabin in the woods, had peaked. "Bon Iver" is "For Emma, Forever Ago" on steroids with lavish sounds added to its predecessor's simplicity. Some fans didn't like that. Maybe it is a bit overblown compared to what was expected. But dissecting songs like "Holecene" and "Perth" is still a life-altering experience.

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29. Rihanna – “Anti” (2016)

Rihanna seemed like a very unlikely figure to turn into the female Kanye West. But there she was with her eighth album "Anti," showcasing high-brow artwork on the cover, featuring Sza and Travis Scott before they were cool, making songs that sound like edgy Stevie Wonder cuts ("James Joint") or jacking Prince-guitar sounds ("Kiss It Better"). Her typical sex appeal is there. But clearly Rihanna had matured as an artist, bringing a collection of amazing producers along for one hell of a sonic ride.

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28. Radiohead – “A Moon Shaped Pool” (2016)

Admit it. You didn't know if Radiohead had another great album in them. "A Moon Shaped Pool" revisits the past both figuratively and literally. The album features electronic touches of what you might find on "Kid A." But its mix of beauty and melancholy is more indebted to "The Bends." And then there's the ultimate fanboy experience of seeing "Love Waits," a song long considered a Radiohead favorite, finally featured on a proper album. What was not to love?

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27. Disclosure – “Settle” (2013)

"Settle" begins in a weird place -- with the words of motivational speaker Eric Thomas. Disclosure then flips that into "When a Fire Starts to Burn," a thrilling dance anthem that lets you know you're about to experience a different kind of electronic album. The guys in Disclosure are fans of 90s dance music, which "Settle" showcases in amazing fashion. It's hard to listen to this collection of songs and not think about at time when C+C Music Factory and CeCe Peninston were households names.

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26. Beyonce – “Beyonce” (2013)

Before Beyonce dropped "Lemonade," her self-titled fifth album was a crowning achievement. "Beyonce" kind of came out nowhere. Sure, 2011's "4" was a creative step forward. But "Beyonce" is far more refined and complete. In the process, Bey proved she was one of pop's great creative forces, redefined the art of a visual album and grew her audience with a mix of sexually inviting tunes and huge anthems women could still get behind.

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25. Solange – “A Seat at the Table” (2016)

"A Seat at the Table" is such an interesting album. Musically, it's as good as anything Solange's older sister, Beyonce, has put out. Upon its release, "A Seat at the Table" drew a lot of comparisons to "Lemonade." But Solange proved herself a different kind of artist, one more intense in her message and diverse in the way she delivered it. "A Seat at the Table" paints Solange as an even (gasp) more interesting artist than her big sis.

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24. Death Grips – “The Money Store” (2012)

First, let's admit that Death Grips is not for everyone. This was never a band that was going to go big time. As far as industrial hip-hop goes, "The Money Store" isn't "Yeezus." Its far more jarring, especially considering it was released by a major label. This style of avant-garde hip-hop (if you want to call it that) never lets up. It's punishing and intoxicating, and one of the most influential albums of the decade.

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23. Chance the Rapper – “Coloring Book” (2016)

Chance the Rapper proved himself a psychic on Kanye West's "Ultralight Beam," rapping, "Let's do a good ass job with 'Chance 3' I hear you gotta sell it to snatch the Grammy..." And that's exactly what happened. Joined by Kanye West and several other, mostly lesser known, musical geniuses, Chance made his third mixtape a mainstream affair without sacrificing his creativity. That was something even Grammy voters couldn't ignore.

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22. Lorde – “Melodrama” (2017)

On 2013's "Pure Heroine," Lorde proved she was a great songwriter. On its follow up, "Melodrama," she proved she might be the absolute best songwriter going today. Lorde lays her emotions bare throughout a flawless album that keeps you guessing. This isn't a simple singer-songwriter confessional, as Lorde matches her lyrical prowess with lush musical soundscapes.

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21. Tame Impala – “Lonerism” (2012)

"Lonerism" shouldn't be an easy listen. But it works that kind of miracle. Following the guitar-driven sound of Tame Impala's debut album "Innerspeaker," instrumentalist Kevin Parker dives into psychedelic rock, this time piecing together electronic sounds. As a result, "Lonerism" creates a dreamlike world that gets more elaborate and sweeping with each song. Recording in Parker's home studio, it's not too much to say "Lonerism" made us rethink the level of music that can be created in such a minimal space.

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20. Drake – “Take Care” (2011)

Drake's music works best when emotion comes first. Yes, he can rap. But the songs where he sings and exposes the kind of thoughts most of us are embarrassed to admit are more engaging. That's what makes "Take Care" so great. He's a lyrical assassin on tracks like "Lord Knows" (featuring a lively Rick Ross), "HYFR" and "Headlines." But the songs with the quiet moments that stay with you most, whether Drake is drunk dialing an ex ("Marvin's Room"), joining forces with Stevie Wonder ("Doing It Wrong") or trading confessionals with Lil Wayne and Andre 3000 ("The Real Her").

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19. Fiona Apple – “The Idler Wheel…” (2012)

The production work on Fiona Apple's first few albums proved highly influential and enticing for future artists. "The Idler Wheel..." isn't that. There's no Jon Brion or Mike Elizondo. Instead, Apple and co-producer Charley Drayton offer up a collection of barebones arrangements that are almost jaw-dropping in their simplicity. But the real star of the show is Apple's voice, which puts forth so much force you can feel the unbelievable effort Apple is unleashing.

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18. Kendrick Lamar – “good kid, M.A.A.d city” (2012)

For most other rappers, "Good Kid, MAAD City" would prove a career peak. But for Lamar...well, we'll get to that in a little bit. For as much hype that preceded its release, "Good Kid" still defied expectations. Rather than simply put forth a straightforward album full of bangers, Lamar proved his artistry, taking listeners on a journey through Compton that features, sex, drugs, death and a spiritual awakening.

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17. Sufjan Stevens – “Carrie & Lowell”

There's no other album on this list like "Carrie & Lowell." In concept, you might think Sufjan Stevens is paying tribute to his parents (his mother and stepfather). But it's not that simple. Some of the songs touch on love. But Stevens' upbringing and relationships with his parents were complex. On "Carrie & Lowell" he expresses that in stripped down fashion with songs that are both beautiful and emotionally devastating. If you're not moved, you're not human.

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16. Eric Church – “Chief” (2011)

Erich Church would get more daring on the three albums that followed his debut. But "Chief" remains not only his best all around effort, but, arguably, the best country album of the 21st century. It doesn't shy away from the sounds of mainstream country. But when Church does it, there's a sense of authenticity that rings throughout. Maybe it's his outlaw-nature or his Springsteen-influence. Regardless, "Chief" is a brilliant country album with songwriting and production of the highest level.

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15. Run the Jewels – “Run the Jewels 2” (2014)

Run the Jewels' first album felt rushed, in a good way. The urgency and rage was a huge part of the appeal. But on their second effort, Killer Mike and El-P smooth out any rough edges. Don't get it twisted. The music is still scathing. But on a track like the intro "Jeopardy," the lyrical duo slows pays their power, letting things build until they explode in your face. Once Run the Jewels get going there's no stopping them.

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14. Taylor Swift – “Red” (2012)

Forget "1989." This is where Taylor Swift's focus on pop music begins, with an opening track in "State of Grace" that practically sounds like the Swift version of a U2 song. Yes, "Red" is still country. But peep the title track that opens with the sounds of a ganjo, yet quickly morphs into a soaring hook accented by synths. Then there's "We Are Never Ever Getting Back Together" and "I Knew You Were Troubled," two massive hits that are as pop as anything Swift has ever done. But whether Swift is doing pop or country, "Red's" most powerful weapons are Swift's songwriting and the production, the latter of which switches off between Nathan Chapman and the team of Max Martin and Shellbeck. The combination of it all delivers career hallmarks like "All Too Well" and "Begin Again," tour de forces that even the biggest Swift haters can't help but kind of love.

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13. The Weeknd – “House of Balloons” (2011)

"House of Balloons" is either the most influential alternative-R&B album of the decade or simply the peak of the genres powers. Or both. It's a force to be reckoned with. And to think it was cloaked in mystery upon its release given that few knew exactly who or what The Weeknd is or was. He's since become one of the biggest pop stars on the planet. But that early mystery added to the aura of "House of Balloons" and its songs that expertly mix the haunting with the blissful.

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12. Kacey Musgraves – “Golden Hour” (2018)

In vivid, yet direct storytelling, "Golden Hour" is very much country. But sound wise, it's anything but. Not fully a pop record, the best way to describe "Golden Hour" is as comfort food. The songs are beautiful in their vulnerability. Grammy voters obviously ate it up, granting Kacey Musgraves the prestigious Album of the Year honors, and rightfully so.

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11. Kanye West – “Yeezus” (2013)

Kanye West always felt like he was on the verge of losing his mind. And you can argue he's reached that point. But there's still a sense of control on his most ambitious albums that's often astonishing, none more so than "Yeezus." West embraces industrial hip hop by rapping about divisive topics over insane sounds. On paper, none of this should work, between the outrageous samples ("Blood on the Leaves" - Wow!) and randomness of West's expressions. The fact that it all comes together is a credit to his genius.

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10. D’Angelo and The Vanguard – “Black Messiah” (2014)

There was talk that when D'Angelo finally returned to music, he would do something to try and reinvent the wheel. Thankfully, that was not the case. "Black Messiah" presents him as very much the funk and neo-soul master he was when he dropped classic albums like "Brown Sugar" and "Voodoo." Only, D'Angelo's latest album (coming 14 years after "Voodoo" made him a star), feels even fuller in its sound. "Black Messiah" is R&B music of the highest order.

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9. Beyonce – “Lemonade” (2016)

More than any other album of the 2010s, Beyonce's "Lemonade" feels like an epic moment. Its rollout kept fans on the edge of their seat with an abundance of singles and videos before a gigantic stadium tour. But none of it would have mattered if the music itself wasn't so engrossing. It's impossible to listen to the start of "Formation" without feeling like your swagger is it at its peak. Likewise, "Sorry" feels like three different songs pulsating through your speakers or headphones. "Lemonade" marks the moment Beyonce became larger than life. She's never going back.

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8. LCD Soundsystem – “This Is Happening” (2010)

"This Is Happening" opens with "Dance Yrself Clean," a song that lulls you to sleep before it slaps you in the face. From that point on, you're awake for what was thought to be LCD Soundystem's defining and, perhaps, final moment. James Murphy would go on to release another solid album. But "This Is Happening" does feel like like both a pinnacle for one of the most important music acts of the 21st century and a table setter for the 2010s. Murphy's influence on dance and pop music in general can't be denied. "This Is Happening" was yet another game changer.

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7. Daft Punk – “Random Access Memories” (2013)

It's clear Daft Punk, the electronic act to end all electronic acts, has nothing to prove. How else could you explain the duo opening its Grammy-worthy album with "Give Life Back to Music," a subtle call to arms that feels like it's ripped from cheesy 1980s movie? In truth, only Daft Punk could pull "Random Access Memories" off, an album featuring tailor-made radio anthems like "Get Lucky" and "Lose Yourself to Dance" one minute, while bumping a monologue from Giorgio Moroder the next.

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6. Carly Rae Jepsen – “Emotion” (2015)

In a decade that featured great albums from Taylor Swift, Beyonce, Justin Timberlake and Adele, pop never felt more effortless than when Carly Rae Jepsen released "Emotion." Who knew the woman behind "Call Me Maybe" had this in her? Jepsen may ultimately go down as a one-hit wonder, at least to Top-40 audiences. But unlike many of her contemporaries, she has a pop-masterpiece of an album to her name. One listen to the title track and it's clear Jepsen could keep making this kind of music forever. And hopefully she does, because perfect pop songs like "All That" are the kinds of things that make music fans feel so alive.

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5. Frank Ocean – “Channel Orange” (2012)

The centerpiece of Frank Ocean's "Channel Orange" is the "Pyramids," arguably his most club-worthy song that features not even two minutes of dance-happy music. "Pyramids" is Frank Ocean in a nutshell. The 10-minute song takes you to so many places, each of which you never want to leave. Listening to "Channel Orange" is an experience you won't soon recover from, with songs about longing, drug use, coming out, lusting over a stripper and so much more. The tracks range from slow burners to more upbeat material, with all of it conveying the same level of power.

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4. Vampire Weekend – “Modern Vampires of the City” (2013)

Vampire Weekend broke through emulating old sounds and blending them with modern indie-pop. But "Modern Vampires of the City" marks the development of what you could describe as the Vampire Weekend sound -- multi-layered songs that are lyrically reminiscent of the band's earlier work, but far superior on a sonic level. The closing piano melody of opener "Obvious Bicycle" might seem like an afterthought, but it's utterly captivating. Then there's "Diane Young," a song that, since its release, has been copied by various aspiring indie-rockers. Everything about "Modern Vampires of the City" is impressive, peaking with the soft wallop of "Diane Young." Songs of hope, faith and love have rarely sounded better.

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3. Kendrick Lamar – “To Pimp a Butterfly" (2015)

Lots has been written about Kendrick Lamar's "To Pimp a Butterfly" as a collection of music that sums up race relations in America in such a thought-provoking manner. And there's certainly that when you listen to tracks like "Alright" and "How Much a Dollar Cost." But the album works so well because Lamar is able to personalize the experience. On the verge of becoming the biggest rap star in the world, Lamar had a mental breakdown. And "To Pimp a Butterfly" features the thoughts that came pouring out as he was overcoming that. It's an album that looks both inward and outward in mesmerizing fashion. Its impact will be felt for quite some time.

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2. Arcade Fire – “The Suburbs” (2010)

Arcade Fire was supposed to be a band that would keep crafting complex indie-rock albums every three years are so. But with its third album "The Suburbs," Arcade Fire made an album every bit as sophisticated as its two predecessors -- the groundbreaking "Funeral" and its follow-up "Neon Bible." Only, this time around the masses could appreciate it. "The Suburbs" is warm and inviting, to the point where in 2010 (and even now), it felt like the sound of America. It's the kind of album U2 would make at its creative peak. And if diehards find that comparison insulting, replace U2 with Bruce Springsteen, Neil Young, David Bowie or any other legendary act capable of flawless pop-rock. It still fits.

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1. Kanye West – “My Beautiful Dark Twisted Fantasy” (2010)

This wasn't a difficult choice. The best album of the 2010s came towards the end of the decade's first year and stands as one of its amazing achievements in any creative art form. To understand why Kanye West's "My Beautiful Dark Twisted Fantasy" works so well, you have to remember where West was at during its creation. After taking a microphone away from Taylor Swift and being vilified in the music industry, West cancelled a tour with Lady Gaga and went into self-imposed exile in Hawaii. There, he began work on an album that took on mythological status. West was supposedly working with everyone from Nicki Minaj and Beyonce to John Legend and Elton John. Most of the rumors turned out to be true, as "MBDTF" arrived as a colossal work with numerous features and extended suites that made the room for error immense. The fact that it's perfect is hard to fathom. The standout moments almost immediately took on legendary status, from guest verses by Nicki Minaj and Rick Ross (arguably, the best of their respective careers) to a hilarious appearance by Chris Rock to a self-deprecating singalong dedicated to d-bags and a-holes. Listening to "My Beautiful Dark Twisted Fantasy" is to experience the greatest artist of his generation raising the bar to new heights. It's Kanye's "Purple Rain" or "There's a Riot Going On" moment. Hate if you must, but show proper respect.