The First-Beverly Viaduct over Glendale Boulevard in 1956. Courtesy of the Los Angeles Times Photographic Archive, UCLA Library.

The First Street-Beverly Boulevard Viaduct over Glendale Boulevard is something of an infrastructural anomaly -- a 900-foot bridge better suited for a freeway interchange than an intersection of mere surface streets. And yet its massive scale answered several practical traffic problems at the site. Before the viaduct's construction in 1940-42, no fewer than six streets and four trolley tracks converged at a complicated crossroads. Two of the roads, First Street and Beverly Boulevard, dropped suddenly from higher ground into an ancient, paved-over arroyo. When it opened in September 1942, the viaduct directly linked First with Beverly, allowing east-west traffic to soar over the stream channel and twisted intersection altogether.

The reinforced-concrete bridge -- built with funding from the Depression-era Works Progress Administration -- does bear more than a superficial resemblance to freeway architecture. In ornamentation, its design by Ralph W. Stewart represents a transitional form between the Art Deco flourishes of Merrill Butler's Sixth Street Bridge (1932) and the naked brutalism of modern freeway structures. Blank concrete faces below the bridge's deck give way to decorative, rectangle-windowed balustrades above. Geometric patterns adorn the bridge's pylons, and, before standard streetlights replaced them, ornate, almost-rococo electroliers hung from fluted light poles.

The viaduct also boasts common ancestry with Los Angeles' earliest freeways. As Auto Club historian Matt Roth recounts in "Concrete Utopia" (available online through the USC Digital Library), it was part of a larger program among city traffic engineers to overcome traffic congestion through new technologies like grade-separations and limited-access roads. In places, state-funded projects incorporated these earlier city efforts into modern freeways. The Arroyo Seco Parkway (CA-110), for example, passes beneath grade separations built for Figueroa Street, and a stretch of the San Bernardino Freeway (I-10) were born as limited-access Ramona Boulevard.

The viaduct linking First with Beverly nearly became part of a modern highway itself. In 1936 the city planning commission considered a plan to upgrade First Street into a "semi-freeway" between Glendale Boulevard and downtown. Later, city and state engineers considered routing the Hollywood Freeway (US-101) south of its eventual location -- a route that might have co-opted the viaduct as a freeway overpass. But First Street never graduated beyond the level of a humble surface road, and the viaduct remains a remnant of past transportation visions. "It still stands there today," Roth writes, "an isolated piece of freeway technology, grotesquely out of scale with its surroundings, awaiting the linkages that never came."

Before the viaduct, the complicated intersection of Glendale, Beverly, First, Second, and other streets often snarled traffic. 1936 aerial photo courtesy of the Auto Club of Southern California Archives.

An early and ultimately discarded design for the bridge by Merrill Butler called for steel-truss construction rather than reinforced concrete. 1932 photo of a scale model courtesy of the USC Libraries - Los Angeles Examiner Collection.

Though Merrill Butler supervised the viaduct's design as Deputy City Engineer, Ralph W. Stewart was its principal designer. Design construction plans courtesy of the Los Angeles County Department of Public Works., by klxadm

The WPA, city of Los Angeles, and Pacific Electric Railway funded construction of the viaduct, seen here in 1941. Courtesy of the Los Angeles Daily News Negatives, UCLA Library.

Early 1942 view of the viaduct under construction. Courtesy of the USC Libraries - Los Angeles Examiner Collection.

The viaduct shortly before it opened to traffic in September 1942. Courtesy of the Herald-Examiner Collection - Los Angeles Public Library.

Another view of the viaduct, shortly before its September 1942 completion. Courtesy of the Herald-Examiner Collection - Los Angeles Public Library.

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