Groskopf's work sticks closer to traditional “street photography” than the other photographers in this feature, grabbing life in split seconds, but she sees these monikers as limiting and absurd, and her unique eye, bold colors, and often still-life-feeling approach to capturing life as it happens has landed her jobs with publications like Refinery29, Bloomberg Businessweek, and Wired, and recently got her selected as a coveted 2019 PDN30. “Anyone making work in the streets is participating in the past, present, and future of the genre,” she says. She makes the images she wants without “being crushed” by the genre’s rigid history. "Experiment, be joyful and have fun with it," Groskopf says. "I want the freedom to say what I want, in the exact way I want to, and no one else on this planet is going to dictate that for me. Especially not the hordes that hover over street photography chat forums."