Contrary to popular belief, or what your parents may think, animated television isn't just for children.

Au contraire, The Simpsons - the most beloved and well-known animated TV show of all time - was originally intended as an adult program, and several of the most celebrated cartoons, from South Park to Family Guy to American Dad to more recent staples like Archer or Bob's Burgers, all cater to young, socially and politically-conscious adults, way more than they do to the inexperienced, undeveloped minds of children.

So when Netflix unveiled its first-ever original animated program, BoJack Horseman, it felt only natural that it would follow in the footsteps of these animated greats, introducing a show that exists in a parallel universe where animals and humans live side by side as equals, the protagonist of which is a half-horse/half-man former 90's TV star, now a washed up, out-of-work actor looking to make it back to the spotlight.

Be prepared for running gags that poke fun at dogs' fascination with tennis balls, or delectable horse puns like "Neigh way, Jose!"





And while the show does indeed outline his progress (or attempts at progress), it seems more focused on building a real and relatable character here, one who is relentlessly devoted to his own self-destruction, and, subsequently, a smorgasbord of illicit narcotics and random hook-ups. Thus, like the more classic, sentimental episodes of The Simpsons, we are left with a show that is as much comedy as it is tragedy, which I would argue are the real motifs of animated television: allowing viewers to live and revel in a world of fantasy and make-believe, but one that is still painfully and unequivocally real.

The fact that BoJack Horseman also hosts a distinguished cadre of voice actors, including Will Arnett (Arrested Development) who stars as BoJack, Aaron Paul (Breaking Bad) who plays the role of his roommate, Todd, Alison Brie (Community) as his ghostwriter, Amy Sedaris (Strangers with Candy) as his feline agent Princess Carolyn, and Paul F. Tompkins (Mr. Show) as his friend/mortal enemy Mr. Peanutbutter, doesn't hurt either. Nor does the fact that, as it's based in Los Angeles, it takes multiple hilarious jabs at famous celebrities or trends in pop culture. Or that the Black Keys' Patrick Carney wrote the theme song, or that indie-pop group Grouplove perform the end credits song.





(l-r) Princess Carolyn, Mr. Peanutbutter and BoJack Horseman (Photo courtesy of Netflix)

To learn more about the creation of this alternate universe, we spoke to the show's creator, 30-year-old Raphael Bob-Waksberg, a former member of the Olde English sketch comedy troupe and co-writer/co-star of The Exquisite Corpse Project (also a comedy/drama), before becoming a television writer in Hollywood, or, as it's known in the world of BoJack, Hollywoo.

Before we could even get our first question off the ground, Bob-Waksberg, certainly a spirited and charismatic conversationalist who apparently knew we're a Jewish magazine based out of Toronto, exclaims, "I must say I'm a big fan of Jews, and a big fan of Canada!"

This set the stage for a very entertaining, and enjoyable conversation:

Shalom Life: I understand you grew up in a Jewish neighborhood in Palo Alto.

Raphael Bob-Waksberg: Yes. Both of my parents are professional Jews, you could say. My mom and her mother owned a Jewish bookstore for many years in Palo Alto, one of the biggest in the Jewish community. My dad works for Jewish Learning Works, a Jewish education group in the Bay Area, so I grew up in a very Jewish community, I went to Jewish day school, got bar mitzvahed, etc.

A lot of us Jews often seem destined for comedy from an early age. Would you say you were the the funny kid in class growing up? The class clown?

Absolutely. I wouldn't say funny, though some of my teachers would say 'disruptive'. I definitely had some behavioral problems, I was always cracking jokes and trying to be the center of attention. At home, it was always comedy every night at the dinner table, a competition of who could get the last joke in.

I grew up with The Simpsons, obviously, that's a huge one, pretty amazing run. But I also loved shows like King of the Hill, which takes its characters a little more seriously, something I try to do on our show as well. It has its cartoony moments, but it's also very grounded. My favorite episodes of The Simpsons are "Lisa's Substitute," or when Bart steals the video game ["Marge Be Not Proud"], which are some of the sadder ones.

There's also amazing TV happening right now like Archer and Rick and Morty. It's a very cool community to be in. I've written all live action stuff until now, but I do love the form of animation.

Continue Reading on Page 2 For More with Raphael Bob-Waksberg