Glen Boyd: I was very close to making a commitment to a very large-scale art piece at Burning Man. Something that would have taken a good six to nine months of my life between the fundraising and the architectural design and engineering, and then a month living out there. Of course, at the end, you end up burning it. So there's something very poetic about that, but also final. There had been an opportunity we'd been discussing about starting the festival because of another festival [Emerge-n-See] in Oregon that decided that they weren't going to be returning. It was a little festival that happened down in Salem, and we saw that as an opportunity. We knew that if we waited another year we might miss the window, so it was really tough for me to decide to give up planning this dragon for almost two years. I guess the joke I said at the time—which wasn't a joke—was, "Well, I know at least I'm not going to be burning it at the end and we'll have the opportunity to get our money back." That hasn't been the case yet.