is ‘green lit’ andtakes centre stage inside Core’s game development studio. The team begins mapping out what would become one of the biggest computer game franchises in the world. As the game takes shape, I decide that English orchestral music would best portray our new heroine,. We don’t have a budget for a live orchestra and so all the music I compose for the game is produced using the synthesizers of the time.

For the next 20 years I pursue a dream to have the music I created for the first 3 Tomb Raider games played and recorded using a live orchestra.