At the same time, it must be understood that the artistic needs of actors and directors should not be secondary to purely financial considerations. Instead, you should strive for a certain chronology. By doing so, you help the actors find their characters and develop relationships with each other. You also give the director the opportunity to build on what he has already worked on and help him or her develop the staging of the scene. This does not have to be associated with additional costs.

With small sets, it is usually sensible to shoot chronologically as there will not be many scenes to shoot. With a main set, you can set out to shoot chronologically and adjust things as necessary as you have more scope with the extended shooting time you will be working with. You also help directors and actors if you try to stage crucial emotional scenes chronologically, even if these shooting days are supplemented with various small scenes, which should also be organised in such a way that they follow the narrative arc of the story if possible.