Eric Meola became interested in storms during a 1977 road trip across Nevada to photograph an album cover for the musician Bruce Springsteen.

While driving in the desert they encountered a violent storm, and Springsteen wrote a song about the experience called “The Promised Land”, saying later of those photographs: “Eric caught some great pictures but what he really captured was something in the sky and in the lay of the land that deeply revealed the grandeur and character of the country.”

Meola was transfixed as well by the display of nature’s fury, stating: “I always wanted to go back to that day when we drove up on a hilltop and watched as lightning revealed the valley floor.”

He began to photograph the tornadic storms of the Great Plains – the area in America’s heartland. Driving through the area known as Tornado Alley – from the Rio Grande in southern Texas, north to the Canadian provinces of Alberta and Saskatchewan – he photographed a forbidding landscape where atmospheric instability collides with moisture from the Gulf of Mexico and spectacular cumulonimbus clouds form at twilight.

Over a period of several years he documented a landscape of elemental forces, where immense storms percolate miles above the ground, rotating with energy until tornadoes spin on the horizon.

He discovered a country of haunting beauty where the wail of coyotes and the glow of constellations fill the prairie’s void with simple graces.

“This book extends that narrative and reaches something profound,” says Bruce Springsteen of these new photographs.