In 2005 the Norwegian drum&bass act Future Prophecies released their seminal album “Warlords Rising” which would turn out to be one of the most influential releases in dnb history. The duo made a name for themselves with a brutal and fierce yet melodic approach to the genre, characterized by angry breakbeats, buzzing synths and menacing bass-lines.



the 30th of Dec they will officially reunite at Jæger for what is set to be one of the biggest dnb events in Norwegian history They haven’t performed together for over a decade but during “Romjulsfestivalen 2018” onthe 30th of Dec they will officially reunite at Jæger for what is set to be. Tony Anthem and Richard Animashaun will be joined by dnb and jungle royalty Teebee and Psychofreud for a massive all-star lineup the likes of which has never been seen on the Norwegian scene.

To celebrate this unique event Dub Monkey Records and Jæger are teaming up to give away a previously unreleased track by Future Prophecies. You can get the download here

“Black Dragon” is a juggernaut from the debut album and we are happy to present this remix made by St. Petersburg resident neurofunk-legend Engage (Dmitry Nekrasov) (Mainframe Recs, Icarus Audio, Ammunition Recs). We sat down with the man himself to ask some questions and get some answers. Hi Dima and thanks for taking the time. What are your earliest memories of Future Prophecies?

Hi! Thanks for having me here. My first memories are from tunes on the radio of course but one of the biggestinspirations for me as a future dnb producer was seeing them live at The World Of Drum’n’Bass 2006 in St.Petersburg. “Miniamba” and “Dreadlock” with that electronic flute – ugh! That was truly amazing performance!

What kind of relationship do you have with the original track?

I heard the original track at a party with Kemal here in St. Petersburg back in the day and was in love from the first second of the tune because of this dark atmosphere and that scary girl’s voice. I can remember those goosebumps.



How was the process of remixing it?

For me it’s interesting to start with making pretty similar samples from scratch. With that you can learn something new and reach back through the years to get in touch with that old beloved sound. It started with meeting Kalle from Dub Monkey at a party in St. Petersburg where I said that it might be fantastic to remix Black Dragon some time. After that it wasn’t a question anymore, I got the samples and that’s it. To be honest I didn’t use a lot of them because as I said previously I like to re-create.

Why do you think that FP have such a special place in Russia? When you are talking about Russia you can say that the biggest love Russians have is for the hardest sub-genres of dnb. That’s why Future Prophecies are so popular over here. Any local talent that you want to big up? Lots of respect to my old dnb friends – DJ Bes and his project Gydra, Teddy Killerz, Receptor and other guys from our Neuropunk crew.