To avoid confusion –

1. All of the notation is in scordatura. If your regular midi controller is tuned to play 16 edo you will get the sound of the chord progressions if you play the 12 equal notation. Consider it a transformation in tuning.

2. When I talk about scale degrees, such as referring to I, IV, or V, or a fifth or third, I am relating the structure in 16 edo to the function in 12 equal for the sake of being able to discuss something which does not have a widely know naming conventions. When, as I plan, start using progressions ambivalent or foreign to 12 equal this naming convention will have to be expanded. For now just consider it a way to get ideas across.

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