Uploaded by projazz on August 13, 2019 at 7:22 am

is the ninth album by American saxophonist, released in 1961 on Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision. "The complicated rhythm patterns and diverse sonic textures on Olé Coltrane are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick -- beyond his appreciable musical skills -- guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced two days prior to this session on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two sets complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane on soprano and tenor sax, McCoy Tyner on piano, and Elvin Jones on drums, with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with trumpeter Freddie Hubbard and Eric Dolphy on flute and alto sax (although Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album). The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Olé" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that undoubtedly excited Coltrane, who was perpetually searching for sounds outside the norm. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner, the song's author, and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. [Some reissues include an extra track cut during the same sessions, "To Her Ladyship."]" - Lindsay Planer/AllMusic Side one 1. "Olé" John Coltrane 18:17 Side two 1. "Dahomey Dance" John Coltrane 10:53 2. "Aisha" McCoy Tyner 7:40John Coltrane — soprano saxophone on "Olé" and "To Her Ladyship"; tenor saxophone on "Dahomey Dance" "Aisha" and second part of To Her Ladyship Freddie Hubbard — trumpet Eric Dolphy — flute on "Olé" and "To Her Ladyship"; alto saxophone on "Dahomey Dance" and "Aisha" McCoy Tyner — piano Reggie Workman — bass on "Olé," "Dahomey Dance" and "Aisha" Art Davis — bass on "Olé," "Dahomey Dance" and "To Her Ladyship" Elvin Jones — drums __________________________ Released: First week of November 1961 Recorded: May 25, 1961 Studio: A&R Studios, New York City Length: 36:50 original LP 45:50 CD reissue Label: Atlantic SD 1373 Producer: Nesuhi Ertegun

Olé Coltrane is the ninth album by American saxophonist John Coltrane, released in 1961 on Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane’s Atlantic albums to be made under his own supervision.

“The complicated rhythm patterns and diverse sonic textures on Olé Coltrane are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form. Historically, it’s worth noting that recording had already commenced two days prior to this session on Africa/Brass, Coltrane’s debut for the burgeoning Impulse! label. The two sets complement each other, suggesting a shift in the larger scheme of Coltrane’s musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane on soprano and tenor sax, McCoy Tyner on piano, and Elvin Jones on drums, with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with trumpeter Freddie Hubbard and Eric Dolphy on flute and alto sax (although Dolphy’s contract with another record label prevented him from being properly credited on initial pressings of the album). The title track is striking in its resemblance to the Spanish influence heard on Miles Davis’ Sketches of Spain. This is taken a bit further as Coltrane’s combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. “Olé” likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that undoubtedly excited Coltrane, who was perpetually searching for sounds outside the norm. The haunting beauty of “Aisha” stands as one of the finest collaborative efforts between Tyner, the song’s author, and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. [Some reissues include an extra track cut during the same sessions, “To Her Ladyship.”]” – Lindsay Planer/AllMusic.



Track listing:

Side one

1. “Olé” John Coltrane 18:17

Side two

1. “Dahomey Dance” John Coltrane 10:53

2. “Aisha” McCoy Tyner 7:40



Personnel:

John Coltrane — soprano saxophone on “Olé” and “To Her Ladyship”; tenor saxophone on “Dahomey Dance” “Aisha” and second part of To Her Ladyship

Freddie Hubbard — trumpet

Eric Dolphy — flute on “Olé” and “To Her Ladyship”; alto saxophone on “Dahomey Dance” and “Aisha”

McCoy Tyner — piano

Reggie Workman — bass on “Olé,” “Dahomey Dance” and “Aisha”

Art Davis — bass on “Olé,” “Dahomey Dance” and “To Her Ladyship”

Elvin Jones — drums

__________________________

Released: First week of November 1961

Recorded: May 25, 1961

Studio: A&R Studios, New York City

Length: 36:50 original LP

45:50 CD reissue

Label: Atlantic

SD 1373

Producer: Nesuhi Ertegun



