The Bond theme would almost be a step down for Pharrell, who has had his finger in so many massive musical pies – Blurred Lines, Happy, Get Lucky (from the Despicable Me 2 soundtrack) – that he’s a walking hit factory. And yet there’s a kudos to the Bond theme. As brilliant as the traditional Bond balladeer is – at least, when it goes right – someone with Pharrell’s production nous and musicality could really turn up something special if allowed to go nuts and add some beats. That way the last dancey Bond theme, Madonna’s Die Another Day, can finally be hidden away and forgotten.