The vacant ice looked tired, though it shouldn't have. They told him it had been put down only a few minutes ago following a basketball game, and after the hockey match it would be taken up again to make room for something else. But it looked not expectant but resigned, like the mirror simulating ice in the Christmas store window, not before the miniature fir trees and reindeer and cosy lamplit cottage were arranged upon it, but after they had been dismantled and cleared away.

Then it was filled with motion, speed. To the innocent, who had never seen it before, it seemed discorded and inconsequent, bizarre and paradoxical like the frantic darting of the weightless bugs which run on the surface of stagnant pools. Then it would break, coalesce through a kind of kaleidoscopic whirl like a child's toy, into a pattern, a design almost beautiful, as if an inspired choreographer had drilled a willing and patient and hard-working troupe of dancers—a pattern, design which was trying to tell him something, say something to him urgent and important and true in that second before, already bulging with the motion and the speed, it began to disintegrate and dissolve.

Then he learned to find the puck and follow it. Then the individual players would emerge. They would not emerge like the sweating barehanded behemoths from the troglodyte mass of football, but instead as fluid and fast and effortless as rapier thrusts or lightning—Richard with something of the passionate glittering fatal alien quality of snakes, Geoffrion like an agile ruthless precocious boy who maybe couldn't do anything else but then he didn't need to; and others—the veteran Laprade, still with the know-how and the grace. But he had time too now, or rather time had him, and what remained was no longer expendable that recklessly, heedlessly, successfully; not enough of it left now to buy fresh passion and fresh triumph with.

LIKE THE RAPIER

Excitement: men in rapid, hard, close physical conflict, not just with bare hands, but armed with the knife blades of skates and the hard, fast, deft sticks which could break bones when used right. He had noticed how many women were among the spectators, and for just a moment he thought that perhaps this was why—that here actual male blood could flow, not from the crude impact of a heavier fist but from the rapid and delicate stroke of weapons, which, like the European rapier or the frontier pistol, reduced mere size and brawn to its proper perspective to the passion and the will. But only for a moment because he, the innocent, didn't like that idea either. It was the excitement of speed and grace, with the puck for catalyst, to give it reason, meaning.

He watched it—the figure-darted glare of ice, the concentric tiers rising in sections stipulated by the hand-lettered, names of the individual fanclub idols, vanishing upward into the pall of tobacco smoke trapped by the roof—the roof which stopped and trapped all that intent and tense watching, and concentrated it downward upon the glare of ice frantic and frenetic with motion; until the byproduct of the speed and the motion—their violence—had no chance to exhaust itself upward into space and so leave on the ice only the swift glittering changing pattern. And he thought how perhaps something is happening to sport in America (assuming that by definition sport is something you do yourself, in solitude or not, because it is fun), and that something is the roof we are putting over it and them. Skating, basketball, tennis, track meets and even steeplechasing have moved indoors; football and baseball function beneath covers of arc lights and in time will be rain-and coldproofed too. There still remain the proper working of a fly over trout water or the taking of a rise of birds in front of a dog or the right placing of a bullet in a deer or even a bigger animal which will hurt you if you don't. But not for long: in time that will be indoors too beneath lights and the trapped pall of spectator tobacco, the concentric sections bearing the name and device of the lion or the fish as well as that of the Richard or Geoffrion of the scoped rifle or four-ounce rod.

THE SAME LITTLE BOYS

But (to repeat) not for long, because the innocent did not quite believe that either. We—Americans—like to watch; we like the adrenalic discharge of vicarious excitement or triumph or success. But we like to do also: the discharge of the personal excitement of the triumph and the fear to be had from actually setting the horse at the stone wall or pointing the overcanvased sloop or finding by actual test if you can line up two sights and one buffalo in time. There must have been little boys in that throng too, frantic with the slow excruciating passage of time, panting for the hour when they would be Richard or Geoffrion or Laprade—the same little Negro boys whom the innocent has seen shadow-boxing in front of a photograph of Joe Louis in his own Mississippi town, the same little Norwegian boys he watched staring up the snowless slope of the Holmenkollen jump one July day in the hills above Oslo.

PHOTO