Oh my days she did it. Our girl won the ticket to Lisbon, and I'm already in the queue for the Israeli party! And just look at what she performed to get there. Week after week Netta showed her versatility and creativity and somehow managed to charm a nation to let her represent them on the biggest pop stage in the world. But the work starts here.For a start, what is she going to perform? If Israeli telly has any sense they'd give her carte blanche to write and perform her tune in exactly the style that she wants to. Rather than their usual pop poppets who are bright-eyed and bushy tailed and ready to be moulded, Netta is a fully formed artists and shouldn't just be chucked a regulation frocky ballad from central songwriting. Although she'd still do one heck of a job on it.And then there's the whole loopstation can of worms. Are the EBU going to let her show her full art and let her mix herself live on stage? Well they let Jowst do the muck about last year, so precedents have been set. But new provisions in the rules this year make recorded voices a lot more tricky to get past. But wait a minute - Netta's vocals aren't pre-recorded... they're recorded live on stage as they happen, only with a little bit of delay (and in a slightly different order). If they allow reverb and echo, how can they ideologically object to this?It's going to be a tricky old path to negotiate, but we can't wait to see how it turns out, because it's almost certain to be cracking, whatever it is!