Who is it? What is it? Does it even matter? There is no greater mystery than the nature of the unknowable.



“We saw that on a radar screen,” Violet remembered. “Captain Widdershins refused to tell us what it was.”

“My brother used to call it ‘The Great Unknown,’” Kit said, clasping her belly as the baby kicked violently. “I was terrified, Baudelaires.”

[The End, Chapter Thirteen]

The basis of the theory rests on a Doylist perspective as it tries to rationalize the relevance of “All the Wrong Questions” pertaining to “A Series Of Unfortunate Events”. Daniel Handler had to be careful while writing the second series as he was juggling with two conflicting goals:

The nature of the question-mark was a symbolic representation of Death and the Unknowable, and had to remain that way in order for “A Series Of Unfortunate Events” not to be ruined,

Fans were disappointed by the number of unresolved plotholes in “A Series Of Unfortunate Events” and Daniel Handler wanted to throw them a bone by expanding the lore and providing more hints to these mysteries.

So there was only one compromise possible: add more details to the lore of the Great Unknown but in a way which would leave the final fate of the characters in “The End” still very ambiguous. That was the mission “All The Wrong Questions” had to accomplish. Yet it’s still very ambiguous whether the infamous Bombinating Beast really is the question-mark which shows up on the sonar screens of the submarine in “The Grim Grotto” and “The End”. So why write “All The Wrong Questions” at all?

This article posits that there are more connections between the plot of both series than initially believed, if one digs hard enough. We just have to follow the clues to paint a more global picture. Here are all the smaller mysteries we have to investigate before rendering our final verdict:

How many question marks are in “The Grim Grotto” and “The End”?

Why are Ellington’s eyebrows shaped like question marks?

Was the question-mark-shaped entity a submarine or an animal?

To whom did the Carmelita octopus-shaped submarine belong?

What exactly happened to Fernald and Fiona?

More after the cut.

NB : This article is dedicated to @snicketstrange (a.k.a. Jean Lúcio). Please check out his Tumblr page for more amazing theories about the mind of Daniel Handler (and incidentally Lemony Snicket). There’s also a Youtube page (Link) if you speak Portuguese. Jean, thank you for your invaluable help in researching this topic, particularly regarding the nature of sonars.

How many question marks are in “The Grim Grotto” and “The End”?

Surprisingly, I have issues with this line of reasoning. Not because there isn’t a connection, but because there is evidence for two Bombinating Beasts showing up in “All The Wrong Questions”:

The proper Bombinating Beast from the legends of Stain’d-by-the-Sea (which we will name OBB, as in “Original”),

The genetic monstrosity created by Hangfire through experiments (which we will name CBB, as in “Copied” or “Clone”), which he planned to use to impersonate the OBB.

It’s pretty much established at this point. We see in “Shouldn’t You Be In School” that the CBB was still “immature” according to Ellington, and it’s very much implied that the tadpole who bit Lemony’s finger in “When Did You See Her Last” was the CBB at an even earlier stage. A significant amount of time happens between the two books, to the point Handler released a spin-off called “File Under: 13 Suspicious Incidents” to account for what the characters did in the meantime. Supposedly the CBB had time to grow. So it wouldn’t make sense for Stain’d-by-the-Sea to have legends about the terrifying Bombinating Beast if that thing was just a tadpole in recent history.

How Hangfire managed to create the CBB is left unexplained by Daniel Handler. It still seems to be somewhat related to the OBB because the whistle inside the statue seems to work on it, so there’s something similar about the way the two creatures function. My guess is that, though the OBB was lost to time, some fossilized eggs remained and Hangfire managed to find and hatch one. Much ado is made about the book “Caviar: Salty Jewel of the Tasty Sea” which used to be in Dewey’s library in Stain’d-by-the-Sea. All we know about the book is that it has a chapter dedicated to the tanks being used when the sturgeons are young. My guess is that the book is where Hangfire found the necessary information.

So the question remains: who showed up in “The Grim Grotto” and “The End”: the OBB or the CBB? Since one is essentially the child of the other, and since the entity shows up no less than three times (twice in “The Grim Grotto”, once in “The End”), there’s a possibility that both the OBB and the CBB showed up in separate instances and that characters mistakenly thought it was the same entity each time.

Why are Ellington’s eyebrows shaped like question marks?

Believe it or not, TBB is only compared to a question mark once in the entire series.

Supposedly sailors still saw the Bombinating Beast, swimming with its body curled up like an underwater question mark, although with the sea drained, I couldn’t imagine that this could be true, at least not anymore.

[Who Could That Be At This Hour ?, Chapter Four]

Interestingly it’s rather Ellington who is compared to a question mark, far more often than the Beast. Usually next to a mention of a smile which “could mean anything”.

“Hello,” she said, “I’m Ellington Feint,” and I sat up to get a better look at her. It was not so dark that I couldn’t see her strange, curved eyebrows, each one coiled over like a question mark. Green eyes she had, and hair so black it made the night look pale. She had long fingers, with nails just as black, and they poked out of a black shirt with long, smooth sleeves. And right before she started climbing down the ladder, I saw her smile, shadowy in the moonlight. It was a smile that might have meant anything. She was a little older than me, or maybe just a little taller. I followed her down.

[Who Could That Be At This Hour?, Chapter Seven]

But instead I just looked at the person with her back to me. Next to her were a large, striped suitcase and an oddly shaped case perfect for holding an old-fashioned record player. Hanging from her shoulder was a green purse shaped like a long, zippered tube as she stood and looked at the shelves filled with stenciled bags of coffee. Then she turned around, and I paid attention to her dark, dark hair, and her eyebrows, each one coiled over like a question mark, and her green eyes underneath.

“Lemony Snicket,” she said.

“Ellington Feint,” I said, and it was only then that I saw that smile of hers, the one that could have meant anything.

[Who Could That Be At This Hour?, Chapter Eleven]

If you want to know the truth, I was thinking about Ellington Feint, a girl with strange, curved eyebrows like question marks, and green eyes, and a smile that might have meant anything.

[When Did You See Her Last?, Chapter One]

And there was a girl standing in front of me. Her green eyes were the same, but her hair wasn’t black, not now. It was blond instead, so blond it looked white. Her fingers were still slender, with long black nails again, and over her eyes were strange eyebrows curved like question marks. She was using the same smile, too. It was a smile I liked. It was a smile that might have meant anything.

[When Did You See Her Last?, Chapter Seven]

The something else was a girl, taller than I was or older than I was or both. She had curious eyebrows, curved and coiled like question marks, and she had a smile that might have meant anything.

[Shouldn’t You Be In School?, Chapter One]

“Are you awake?” I asked me, but it wasn’t me who was talking. It hadn’t been all along. I turned my head and ached and blinked and found myself staring into a pair of green eyes. They blinked below a pair of eyebrows curled up like question marks, and after she blinked, the girl gave me a smile that might have meant anything.

[Shouldn’t You Be In School?, Chapter Eight]

Ellington moved her mug to the center of the table. Her eyebrows, curved like question marks, felt like they belonged to all the questions in my mind, and then she gave me her smile, the one that might have meant anything.

[Shouldn’t You Be In School, Chapter Nine]

“It’s all a big question mark,” Jake said, with a grim grin, and I gave him a fraught frown to match. Question marks made me think of Ellington Feint’s curved eyebrows, and the smile she always gave me, that could have meant anything. It made me unsteady to think of all of it, and the train rattling made me feel unsteadier still.

[Why Is This Night Different From All Other Nights?, Chapter Seven]

“This is the only place on the train where you can find coffee,” I said, and showed her the tiny folded cup. She raised her curious eyebrows, shaped like question marks, and finally gave me the smile she always gave me, the smile that could have meant anything.

[Why Is This Night Different From All Other Nights?, Chapter Eight]

I reached out to her, and she moved violently away from me. I had to grab the chain that bound her hands, in order to look into her eyes. Her curled eyebrows had always reminded me of question marks, but now they just looked furious. You’ll never see Ellington Feint smile again, I thought to myself, but it was a moment before I could bring myself to reply. “I hoped it wasn’t true,” I said finally.

[Why Is This Night Different From All Other Nights?, Chapter Thirteen]

So at this point it looks like Lemony/Handler is throwing far more clues towards Ellington having something to do with the mysterious question mark featured in “A Series Of Unfortunate Events” rather than TBB itself. Why is that?

On one hand, there’s some semblance of symbolism going on there. In Lemony’s adolescent mind, he’s the detective and Ellington is the designated “femme fatale” of noir literature, somebody dangerous you can’t trust or understand, and who usually has hidden and nefarious motives. So of course she’d be associated with question marks and an undecipherable mind. She represents the Unknown, and the primal fear which goes with that.

Except readers end up realizing that Lemony has it wrong. Although Ellington lies often, her motives are neither hidden nor difficult to understand: she’s a traumatized child desperate to find her father. That’s what she presents herself as and she acts accordingly. It’s actually Lemony who fits the role of the “homme fatal” to Ellington: his motives are shrouded in mystery because of his association with VFD (other youngsters in the series call him out on it) and he ends up betraying Ellington for his own ends. Lemony is essentially projecting his own duplicity and manipulative nature on Ellington. She’s a mirror to his own sins.

So if Ellington is a clue to understand the true nature of the entity, it’s not just a clue which relates to the plot. It also functions as a key to understanding the symbolism and psychology of the entity. Our educated guess, therefore, would be that characters assume a lot of things about the entity which are just plain wrong, and that they are projecting their own identity on it.

Was the question-mark-shaped entity a submarine or an animal?

The following reasoning was helpfully worked out for me by Jean Lúcio (aka @snicketstrange on Tumblr), a prominent member of the Brazilian Snicket fandom. What he realized is that there are two kinds of sonars: active (emitting a sound and listening to its echo) and passive (listening to sounds in the vicinity). Both have merits: the active one is more efficient as it will detect objects for you even if there are silent, and the passive one is more discreet as it allows you to stay silent.

So in “The Grim Grotto” it seems that both Olaf and Widdershins assume the entity uses a passive sonar. Both of them insist that the people inside the Queequeg/Carmelita do not make any sound in order to remain undetected by the entity.

Why does that matter, anyway?

Well, as it turns out, some animals do have a “bio-sonar”… but there is no instance of a passive bio-sonar. All animals capable of echolocation function according to the principles of an active bio-sonar. They emit a sound and listen to its echo. It doesn’t matter if an item in their vicinity is silent, they will detect it all the same.

So we can infer two things from Juan Lúcio’s reasoning:

Widdershins was not lying, he sincerely believed the entity was or could be a submarine. If he knew for sure that the entity was an animal, he would not bother telling his crewmates to stay silent as it would be pointless. As a submariner, it can be assumed he knew how the bio-sonar of large marine animals functioned. Olaf is a trickier case as he’s been shown to be book-dumb in that he’s ignorant about many things. But his behavior regarding the entity is extremely similar to Widdershins so it’s likely he had the same line of reasoning.

The entity definitely detected both the Queequeg and the Carmelita… and chose not to attack them. Which would at least imply that the entity is far less malevolent or aggressive than initially suspected. Both submarines were spared.

So all of a sudden we have a lot more information about the entity.

This is where the constant comparison of Ellington to a question mark starts making sense. There’s a clear parallel between the way Ellington and the entity are treated:

Lemony is a liar and a manipulator, so he assumes that Ellington is a liar and a manipulator.

Widdershins and Olaf are shady people piloting a submarine, so they assume the entity is a submarine piloted by somebody shady.

So that’s what we can at least assume about the entity: the first guess is usually wrong. Confronted with the Unknown, the brain starts going crazy with theories which reveal our deepest insecurities. This is how bigotry works: when people are confronted with something they neither know nor understand, they assume the worst about it by default, because, deep down, they know on a psychological level that they are themselves capable of horrible, terrible things. It’s a survival instinct to assume the worst about what we don’t know. And one of the main themes of “A Series Of Unfortunate Events” is bigotry.

To whom did the Carmelita octopus-shaped submarine belong?

The origin of Olaf’s submarine is one of “The Grim Grotto”’s most easily forgotten mysteries, but it’s enough of a riddle to warrant suspicion. The nefarious villain seems to acquire a deadly submarine at the moment he needs it the most. More surprisingly, it seems that Olaf acquired it in a very short amount of time: barely a day goes by between the last moment the Baudelaire orphans see him at the top of Mount Fraught and the time they meet him again in “The Grim Grotto”. Of course it’s possible he may have acquired that submarine much earlier and simply put it in storage somewhere, but there’s a catch to that explanation: the submarine requires the hard labor of several child slaves to move. And we see that some of the children moving the oars of the submarine are the Snow Scouts whom Count Olaf kidnapped at the end of “The Slippery Slope”. So it would have been tricky for Count Olaf to move the submarine anywhere without the extra child slaves… which points to Olaf acquiring the submarine only recently.

And what do we know about that submarine? Not much.

"This submarine is one of the greatest things I’ve ever stolen,” he bragged. “It has everything I’ll need to defeat V.F.D. once and for all. It has a sonar system, so I can rid the seas of V.F.D. submarines. It has an enormous flyswatter, so I can rid the skies of V.F.D. planes. It has a lifetime supply of matches, so I can rid the world of V.F.D. headquarters. It has several cases of wine that I plan to drink up myself, and a closet full of very stylish outfits for my girlfriend. And best of all, it has plenty of opportunities for children to do hard labor! Ha ha hedonism!”

[The Grim Grotto, Chapter Nine]

“We’ll see about that,” Olaf said, grinning wickedly. “I’m going to lock all of you in the brig, which is the official seafaring term for Jail.”

“We know what the brig is,” Klaus said.

“Then you know it’s not a very pleasant place,” the villain said. “The previous owner used it to hold traitors captive, and I see no reason to break with tradition.”

[The Grim Grotto, Chapter Nine]

It’s unlikely that Count Olaf stole the submarine from either side of V.F.D. At this point in the series, Olaf is still loyal to his bosses (The Woman With Hair But No Beard and the Man With Beard But No Hair) so if they had a submarine and he needed it for a scheme, he would have just asked for it. Since he was looking for the sugar bowl and the Queequeg, they had no reason to refuse him. It’s also unlikely that the submarine was stolen from the “noble” side of V.F.D. because Captain Widdershins seems to recognize it as a threat immediately when its icon shows up on the Queequeg’s sonar screen, and doesn’t contradict the Baudelaire orphans when they assume it’s a submarine piloted by Count Olaf. If Olaf had stolen the octopus-shaped submarine from the other side of the Schism, Captain Widdershins could have mentioned it in passing. In fact, the Captain mentions a number of “gone” submarines who were built by V.F.D. and doesn’t include the octopus-shaped one in the lot. Which implies its origin is altogether different.

“The amount of treachery in this world is enormous!” he cried. “Aye! Think of the crafts we saw on the sonar screen! Think of Count Olaf’s enormous submarine, and the even more enormous one that chased it away! Aye! "There’s always something more enormous and more terrifying on our tails! Aye! And so many of the noble submarines are gone! Aye! You think the Herman Melville suits are the only noble uniforms in the world? There used to be volunteers with P G. Wodehouse on their uniforms, and Carl Van Vechten. There was Comyns and Cleary and Archy and Mehitabel. But now volunteers are scarce! So the best we can do is one small noble thing! Aye! Like retrieving the sugar bowl from the Gorgonian Grotto, no matter how grim it sounds! Aye! Remember my personal philosophy! He who hesitates is lost!”

[The Grim Grotto, Chapter Five]

To whom did that submarine belong before Count Olaf stole it, then? And why does the Captain seem to have a passing knowledge of its history?

What we know so far is that the previous owner:

Was evil enough to use child slaves,

Was obsessed with traitors within its own organizations to the point he had secured a place to lock up suspicious members,

Was wary of aerial threats,

Had gathered an enormous amount of matches to light a lot of fires,

Had someone in the crew who liked wine,

Had an octopus-shaped costume for some reason.

There happens to be another organization in Lemony Snicket’s world which fits nicely into this description: Inhumane Society. Let’s go down the list:

Hangfire uses child slaves in “Shouldn’t You Be In School”;

Nurse Dander keeps Ellington on watch in “When Did You See Her Last”

V.F.D. has Hector investigate from his balloon as part of its plan in Stain’d-by-the-Sea in “Who Could That Be At This Hour?” and “Why Is This Night Different From All Other Nights?”

Hangfire commits arson in “Shouldn’t You Be In School?”

Ellington mentions that Armstrong Feint used to like wine in “When Did You See Her Last?” and indeed we see Hangfire has poured himself a glass of wine when Lemony meets him at the end of the book,

Stain’d-by-the-Sea’s industry revolves around octopi and Hangfire is obsessed with the town.

So it’s tempting to believe that Hangfire built this octopus-shaped submarine for Inhumane Society back in its heydays. Why didn’t we see this submarine in “All The Wrong Questions”, you ask? Well, there is no sea in Stain’d-by-the-Sea by the time Lemony arrives, and almost the entire series happens there, so naturally Hangfire had no use for the submarine there. However Hangfire does a lot of background scheming and his plan is years into the making, so it’s reasonable to suppose that a submarine could have been useful to him in other places. Hangfire is persuaded that Killdeer Fields was flooded because Stain’d-by-the-Sea was drained. How did he come to that conclusion? Well, maybe he investigated the area of Killdeer Fields with a submarine to track down the origin of the flooding. It’s also possible he spent some years roaming the ocean in a submarine to look for the OBB or its eggs, before getting back to Stain’d-by-the-Sea to create the CBB. There are a lot of possibilities. The submarine was probably put in storage somewhere in Killdeer Fields for later use.

So it’s highly possible that Olaf stole the submarine from whatever remains of Inhumane Society, as Hangfire is dead by the time the events of “The Grim Grotto” occurs. We know that Beatrice and Olaf were investigating a “strange forest” at the end of “All The Wrong Questions”, and we see Lemony immediately stepping into the Clusterous Forest with the Bombinating Beast statue. Coincidence? Probably not. He went in to reunite with Olaf and Beatrice and decide what to do with the statue. Which means Olaf got a lot of intel about Inhumane Society from Lemony. Widdershins is also very much involved in Lemony’s investigation in “When Did You See Her Last?”, so he would also know a lot about Inhumane Society. That would explain why he seems to know so much about the octopus-shaped submarine and who is piloting it.

What exactly happened to Fernald and Fiona?

On a last note, we also have to understand what exactly happened to Fernald and Fiona after “The Grim Grotto”. At the end of the book, it seems that Fiona has truly betrayed the Baudelaire orphans and joined Olaf’s side of the Schism for good. But that’s not congruent with what happens next.

“These people are associates of ours,” Dewey said fiercely. “They won’t fail us.”

“Ha!” Count Olaf said. “You can’t rely on associates. More comrades have failed me than I can count. Why, Hooky and Fiona double-crossed me just yesterday, and let you brats escape! Then they double-crossed me again and stole my submarine!”

“We can rely on our friends,” Violet said quietly, “more than you can rely on yours.”

[The Penultimate Peril, Chapter Nine]

Fiona’s second betrayal is as sudden as the first. It took less than twenty-four hours for her and Fernald to escape with Olaf’s submarine. Why? Fernald and Fiona change loyalties twice throughout “The Grim Grotto”, but they appeared to have made up their minds. Interestingly, Olaf seems to conflate this act of betrayal with Fiona’s decision to let the Baudelaire orphans escape. Which is interesting because as far as we’re aware it was not Fernald who did that, only his sister. But Count Olaf believes that letting the Baudelaire orphans escape was a concerted plan on their part. Was it?

Well, let’s put it this way: without Fiona’s intervention, the Baudelaire orphans were pretty much screwed. Count Olaf had managed to get the Queequeg in his clutches. The only reason they even managed to escape is because Olaf foolishly left Fiona without supervision after he had ordered her to emprison the Baudelaire orphans in the brig. But that’s only because he trusted her.

Now let’s pause and think: what would have happened if Fiona hadn’t betrayed the Baudelaire orphans? From Fiona’s and Fernald’s perspective, it was extremely unlikely that the Baudelaire orphans had enough time to find an antidote for Sunny, cure her, and escape. Esme had already realized Fiona and Fernald were out of the brig, and it was only a matter a time before she understood they were lying to her. Time was running out and as soon as Olaf realized Fernald had let the Baudelaire orphans escape from the Carmelita to the Queequeg, things would take a turn for the worse. Fiona pretended to defect to the other side of the Schism to stall for time. It’s pretty explicit in the passage where she lies to Esme that this is a spur-of-the-moment decision. Things were not looking great for Fernald’s initial plan to escape with Fiona and her friends. It was dangerous and not really feasible.

So a reasonable person, trapped in such a situation, would naturally change plans. The issue is that by that time Fiona and Fernald were busy diverting Esme and didn’t have time to warn the Baudelaire orphans that they had changed strategies. Here’s what Fiona and Fernald probably decided off-screen while Klaus and Violet were busy curing Sunny:

Fiona would pretend defecting to Olaf’s side for much longer than anticipated,

Fiona would not tell the Baudelaire orphans that it was a ruse, for their shock and horror would make Olaf and Esme believe that the defection was genuine,

Using that newfound trust, Fiona would let the Baudelaire orphans escape with the Queequeg in the nick of time,

As soon as the Baudelaire orphans escaped, Fiona and Fernald would use the chaos and confusion to steal the octopus-shaped submarine for themselves.

All in all, a much greater plan. And it has an added benefit, too: capturing the octopus-shaped submarine would allow Fiona and Fernald to free the slave rowers. Such a noble deed would be enough to convince Fiona to let her friends hate her.

There is some reason to believe that Fiona and Fernald indeed freed the child slaves because Kit Snicket never mentions an octopus-shaped submarine in “The End”. It’s as if it disappeared. Fiona and Fernald apparently found their way back to Captain Widdershins in some other way. Probably aerial.

You’re volunteers, ready to face the challenges of a desperate and perplexing world. You must go to the Hotel Denouement, and Quigley must go to the self-sustaining hot air mobile home, and I must go to a coral formation of dubious quality where an inflatable raft should be waiting. But if Quigley manages to construct a net big enough to capture all those eagles, and I manage to contact Captain Widdershins and have him meet me at a certain clump of seaweed, we’ll be here on Thursday. Hector should manage to land his self-sustaining hot air mobile home on the roof, even with all of us aboard.”

[The Penultimate Peril, Chapter Two]

But the Baudelaire orphans, of course, had no living parents, and their closest friends were high in the sky, in a self-sustaining hot air mobile home, battling eagles and a terrible henchman who had hooks instead of hands, so the acquaintance of Dewey Denouement, and the comforting words he had uttered, were a blessing.

[The Penultimate Peril, Chapter Eight]

“So do our friends,” Violet said. “They’re flying across the sea as we speak, and by tomorrow, their self-sustaining hot air mobile home will land on the roof.”

“Only if they’ve managed to survive my eagles,” Count Olaf said with a growl.

[The Penultimate Peril, Chapter Nine]

So it’s interesting that by the time Olaf arrives in “The Penultimate Peril” he knows Fiona and Fernald escaped with the octopus-shaped submarine and still believes his plan to take the hot-air mobile home with trained eagles will succeed. Why is Fernald enacting Olaf’s plan even though he’s already defected?

A possibility is that Fernald and Fiona were on their way to help the Quagmires and Hector fight the eagles, but that Isadora and Duncan, recognizing the face of the hook-handed man, flipped out and attacked him first. It’s unlikely that Fernald ever truly tried to harm the Quagmires directly as this conflicts with how Kit Snicket describes the incident:

“I failed you,” Kit said sadly, and coughed. “Quigley managed to reach the self-sustaining hot air mobile home, just as I hoped he would, and helped his siblings and Hector catch the treacherous eagles in an enormous net, while I met Captain Widdershins and his stepchildren.”

“Fernald and Fiona?” Klaus said, referring to the hook-handed man who had once worked for Count Olaf, and the young woman who had broken his heart. “But they betrayed him–and us.”

“The captain had forgiven the failures of those he had loved,” Kit said, “as I hope you will forgive mine, Baudelaires. We made a desperate attempt to repair the Queequeg and reach the Quagmires as their aerial battle continued, and arrived just in time to see the balloons of the self-sustaining hot air mobile home pop under the cruel beaks of the escaping eagles. They tumbled down to the surface of the sea, and crashed into the Queequeg. In moments we were all castaways, treading water in the midst of all the items that survived the wreck.”

[The End, Chapter Thirteen]

It’s obvious we’re missing much of the story there as the Baudelaire orphans are not direct witnesses to it, but it’s obvious Fernald truly put his villainous ways behind him. The absence of the octopus-shaped submarine in this tale supports that. If it had been present, the circumstances of the Queequeg crew would have been much less desperate. Instead of staying on a sinking and damaged submarine, Captain Widdershins and his allies would have just gone to the octopus-shaped one. It’s possible Fernald and Fiona couldn’t use that submarine anymore because they didn’t have enough rowers after they freed the children.

Connecting the dots

We see that just by reading “The Grim Grotto” and “The End” back in 2006, careful readers would have been able to work out that the entity is more likely to be an animal and to be less aggressive than initially believed. That’s pretty much the best way to work out Widdershins’ change of behavior regarding the entity between both books. “All The Wrong Questions” was only meant to provide more clues to a mystery whose solution had already been carefully implied, and to expand on the mythology of the entity.

Here’s an attempt at explaining what actually went down during “The Grim Grotto” and “The End”.

Following the events of “All The Wrong Questions”, Ellington eventually escaped from the prison cell with Kit Snicket thanks to the skeleton key in Ellington’s bag. Kit and Ellington, before going their own ways, exchanged a good deal of information. Kit Snicket could not help noticing Ellington acted extremely angry towards Lemony and VFD in general.

In the following years, Ellington worked tirelessly to recover her father’s remaining assets as well as uncovering the secrets of Inhumane Society. Though the book Caviar: Salty Jewel of the Tasty Sea was destroyed, she had had the opportunity to read some chapters Lemony hadn’t. No one knew about the CBB more than her. With some effort, she managed to find the animal hiding in the Clusterous Forest, as well as the Bombinating Beast statue that Lemony had buried there. With the statue, she was now in control of the CBB. Eventually she managed to track down an octopus-shaped submarine which used to belong to Hangfire, only to lose it to Count Olaf.

As Olaf escaped with the submarine (now rebaptized the Carmelita), Ellington pursued him. She used the statue to control the CBB, ordering it to seize the Carmelita. The CBB first encountered the Queequeg in close vicinity to the Queequeg. Unsure whether these two crafts were allied with each other, Ellington ordered the CBB to stand down. Captain Widdershins mistook the question-mark shape on their radar for an enemy submarine. Later, Ellington witnessed the Queequeg being attacked by the Carmelita, and decided to approach the CBB to scare Count Olaf and help the crew of the Queequeg. Count Olaf also assumed the mysterious entity was an enemy submarine.

The Queequeg eventually escaped from the clutches of the Carmelita. While making their way to the Hotel Denouement, Olaf, Esme and Carmelita Spats realized the Baudelaire orphans’ absence and were betrayed by Fernald and Fiona who let the imprisoned youngsters start a mutiny. Ellington followed the entire mutiny from afar. The youngsters were released. Esme, Olaf and Carmelita fled. The octopus-shaped submarine was eventually given back to Ellington Feint who promised to help Fernald and Fiona if they were ever in trouble.

Much later, Fernald and Fiona tried to track down Hector’s hot-air mobile home to warn him of an impending eagle attack. Isadora and Duncan attacked Fernald, believing him to have been sent by Olaf and his allies, which complicated Quigley’s plan to catch the eagles in a big net. Fiona and Fernald ended up landing on the Queequeg which had also been looking for the hot-air mobile home. Hector’s balloon fell down on the Queequeg a short time after that.

Fernald reconciled with his stepfather and told Captain Widdershins about the mysterious woman named Ellington Feint who had helped them with her strange, unidentified submarine craft. Captain Widdershins realized this helpful young woman had been behind the appearance of the question mark on the radar and that the entity hadn’t been hostile after all. Kit Snicket, however, thought differently. She was highly suspicious of Ellington’s intentions and thought she had been using Fernald and Fiona as a bait to find the Queequeg and kill more volunteers.

An argument occurred: as the Queequeg began to sink due to serious damage, the entity came back. Captain Widdershins thought Ellington had sent the CBB to save them, while Kit thought she had sent the CBB to eat them. Kit ended up escaping on her own ship, while the others took their chance with the CBB. But, in an ironic twist of fate, what showed up on their sonar screen may not have been Ellington’s CBB. It could just as easily have been the OBB, which leaves the fates of these characters even more uncertain and perilous.