Josh Tillman came in during the bottleneck of the score on a Saturday night. He showed up in sunglasses and did the first few takes great. It could have just stopped there but we wanted to try a few takes “going too far” just to see what would happen. We ended up reworking the track on the fly to fit Josh’s voice, so the backing vocals and backing music were pitched up, giving it a touch of that chipmunk sound. Josh was really into it and said something like “I know you guys are going to try to fix that, but it's really cool” and encouraged us to leave it. We re-recorded the backing music but left those pitched vocals in the final version in the film. Afterward he treated us to an exclusive* Honeybear* listening party in his rental car (this was just prior to its release).