Martin Shkreli doesn’t want to see the new musical about him. He already knows he wouldn’t like it.

The spirited and wittily titled “PharmaBro: An American Douchical” is premiering off-Broadway this week. The “douchical” is inspired by Shkreli’s tenure as a pharmaceutical executive, which the pejorative term “pharma bro” was coined to describe.

Shkreli became known as the country’s No. 1 pharma bro after unapologetically hiking the price of the anti-parasitic drug Daraprim by 5,000% and cemented his reputation by maintaining a smirking presence on social media and beyond. Buying the only copy of a Wu-Tang Clan album for a reported $2 million was the icing on the cake.

The hour-and-a-half-long musical romp is centered around the latter episode, with Wu-Tang Clan and Bill Murray forming an unlikely and dysfunctional partnership to get the album back.

But Shkreli says he isn’t interested, and he’s only mildly flattered that the musical exists. For one, he says, the show’s no “Book of Mormon” or even “South Park.” And he’s never been to a musical, anyway. For one thing, he says, “ticket prices have gone up like Daraprim prices.”

Read: Turing is weighing a $100 million cash offer for anti-parasitic drug Daraprim: Endpoints News

What seems to be Shkreli’s main problem with the musical, though, is its portrayal of him. And it’s true that the musical’s Pharma Bro is a movie cartoon villain, if you swapped out the top hat and cane for a skillfully ridden hoverboard. But in musical theater, even a Pharma Bro gets to sing his piece — say, an anthem whose refrain goes “punch me in the face”: “Punch me in the face because I’m awesome / Punch me in the face because you wish you were me.”

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Shkreli, though, would probably like the show’s depiction of the media as a Greek chorus–like group that makes up fake news.

Initially the media praise Shkreli, the son of immigrant parents, who worked at hedge funds before moving to biotech, as living the American dream. But eventually they turn against him, asking the show’s Shkreli why he’s “such a douche.”

“I’m not a douche,” he responds.

Turing made massive profits by hiking the price of drugs it had acquired and ignored the fact that the medications would then be out of reach for many of the patients who relied on them. In the show, Shkreli (played by a pitch-perfect Patrick Swailes Caldwell) laughs about the $750-a-pill price of Daraprim while on the phone with his mom and adds, “F--- cancer patients.”

And if there’s any doubt about how Shkreli got his nickname, look only to his social-media activity. I would know: Shkreli told me last year that I am “poor and bad at [my] job.” Earlier this year, Shkreli managed to get kicked off Twitter, which ruined the best pinned tweet I’ll ever have but cemented his reputation as the ultimate internet troll.

Read:Martin Shkreli just outed the guy behind this anonymous Twitter account

But the man himself doesn’t quite see it that way.

“History will tell the tale of whether or not … some action or thing was seen as good or bad,” he said in a mid-March Facebook live video in which he prompted strangers to call in and discuss the musical, which he did for nearly a full hour. For a musical to “convey emotions and feelings and complex thoughts, I think you’re better served understanding the person and at least providing some evenhanded portrayal of that person.”

“And I think it’s intellectually dishonest to focus on one aspect or what you think is one aspect of something really complicated,” he continued. “It’s sort of propaganda-like. It’s worse than dishonest— arguably, it’s fraudulent.”

Ironically, Shkreli faces trial next month on charges of securities fraud, nearly a week after “PharmaBro,” the show, is scheduled to finish its run. Federal law-enforcement officials charge that Shkreli ran another former company, Retrophin, like a Ponzi scheme. In the show, Caldwell invited the audience to Shkreli’s fraud trial.

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Shkreli declined to comment Thursday to MarketWatch about the musical. Asked whether he will see the show, he said, “Do you need help understanding what ‘no comment’ means?”

Caldwell’s Shkreli smirks in a hoodie and is constantly live streaming, which he does from a red velvet throne edged in gold. His attitude is exemplified by a phrase he frequently shouts: “I’m Martin f------ Shkreli, and you can all go f--- yourselves.”

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When it comes to explaining himself, the Shkreli character in the musical positions his relentless capitalism as spurred by friendlessness, making a case that’s no better than that of the real-world Shkreli. “Pretend that you’re above me, you know that you love me,” the character sings in a solo toward the end of the show. A better argument is the following line: “So come on and punch me in the face.”

The show, co-produced by Lauren Gundrum and Joel Esher, is scheduled to run through June 18. The off-Broadway premiere follows a short run last year off-off-Broadway, under a much less provocative name: “Martin Shkreli’s Game: How Bill Murray Joined the Wu-Tang Clan.”