Set 1



Alabama Getaway-> Greatest Story Ever Told, Sugaree, Me & My Uncle-> Mexicali Blues, Tennessee Jed, Feel Like A Stranger, Friend Of The Devil, Far From Me, Little Red Rooster, China Cat Sunflower-> I Know You Rider-> Promised Land



Set 2



Shakedown Street, Lost Sailor-> Saint Of Circumstance, Althea, Playin' In The Band-> Uncle John's Band-> Drums-> Not Fade Away-> The Wheel-> Uncle John's Band-> Playin' In The Band-> Sugar Magnolia, E:One More Saturday Night-> E: Brokedown Palace



Roy Bucanan then Levon Helm Opened

Related Music (Beta) question-dark Versions - Different performances of the song by the same artist Compilations - Other albums which feature this performance of the song Covers - Performances of a song with the same name by different artists Song Title Versions Compilations Covers Tuning Alabama Getaway > Greatest Story Ever Told Sugaree Me & My Uncle > Mexicali Blues Tennessee Jed Feel Like a Stranger Friend of the Devil Far From Me > Little Red Rooster China Cat Sunflower > I Know You Rider > The Promised Land Tuning Shakedown Street > Lost Sailor > Saint of Circumstance Althea Playin' in the Band > Uncle John's Band > Drums > Space > Not Fade Away > The Wheel > Uncle John's Band Reprise > Playin' in the Band Reprise > Sugar Magnolia One More Saturday Night > Brokedown Palace

Notes

In preparaton of circulating this source, I asked Jim to help differtiate this source from



Chalie Miller's release of Steve Rolfe's recording.



His reply follws:







Steve Rolfe and I taped that show together, my deck (Sony tcd-5) was patched out of Steve's D5,



same signal but two separate cassette masters...







The reason this is different from Charlie Miller's release of Steve Rolfe's recording is because



it's my master, not Steve's master. The main differance is that Charlie Miller did not decode the



dolby properly (both mine and Steves masters were dolby B encoded). If you listen to the Miller



transfer of the Rolfe master, you'll hear the artificially equalized shrilly high end that's typical



when you leave the dolby switch in the "off" position of a tape that was originally dolby encoded.







David Minches did mine with a tweaked Nak Dragon and properly decoded the dolby on playback ...



If you playback this Minches transfer and adjust the high end to be boosted a bit, you'll experience



a much more natural sounding recording ... especially on higher end gear. That's the whole point



of having David remaster my work in 24/96 ...our Idea is to allow the end user to enjoy the sound and



adjust the tonal balance according to his, or her own preference, rather then have someone else



make those decisions for you during pre-production.



Jim Wise 2/23/2014