Actually, the two red parts are meant to focus onto the yellow by sort of trapping it in there between them. I also didn't want to exclude the importance of the ghost from the wall, since it's a main point of the illustration (and I was told it was meant to be). I could have dimmed the saturation a little to make it less intense for sure, but getting rid of it all together would have probably thrown the ghost into the shadows a little too much, and it'd be hard to get it to come out.

But yeah, thank you, this is the most well-thought out comment I've had in eons, hahah. I appreciate it man.