NOTE: We at Conservapedia do not care if a movie is considered a "classic" or that it's a famous movie that many people have nostalgia for. If it has liberal elements and/or the creators of a certain movie had some liberal agenda in mind when they crafted the story's narrative, we will call it out. Just because people love movies doesn't mean that Hollywood isn't trying to push a liberal agenda with them.

While a good amount of great conservative films is produced every year, Hollywood continues to produce films that attempt to normalize and aggrandize amoral lifestyles and liberal bias. Below is a list of some of the more outrageous examples:

On a side note, Sausage Party has attracted a great deal of criticism on two additional issues. First, the animators worked under poor, cruel conditions and were forced by the directors to work overtime without pay. Thirty-six of the 83 animators were blacklisted and went uncredited in the film, believed to be due to their complaints; comments made in anonymous interviews of some of the animators involved in the project by Variety , The Washington Post , and The Hollywood Reporter alleged that the comments were accurate. All the animators in the film were told outright that they would be blacklisted if they did not work overtime without pay. Second, a red-band trailer for the film was accidentally played before a showing of the Walt Disney Pictures/Pixar Animation Studios' PG-rated and family-oriented Finding Dory , at a Concord, California multiplex in mid-June 2016. [78] The theater staff had forgotten to switch out an adult-audience trailer roll for one meant for G and PG-rated films, when adding additional screens to carry Finding Dory to meet audience demand. The incident occurred only once, and the theater apologized, while Rogen tweeted that the story "made his day".

See also: Atheist films

IMDb (Internet Movie Database) is an internet based database of information related to films, television programs, home videos, video games, and streaming content and these works rated in terms of their quality.

The IMDb list of atheist/agnostic themed movies indicates in terms of its ratings that there were many that were poorly done and there were many that were certainly not cinematic masterpieces.[90]

Wikipedia, an online encyclopedia founded by an atheist and agnostic, has not "Atheist films" or "List of atheist films" articles, but it does have a "List of Christian films" article.[91]

Because of these departures from the gospel narratives—and especially a brief scene wherein Jesus and Mary Magdalene consummate their marriage—several Christian groups organized vocal protests and boycotts of the film prior to and upon its release. One protest, organized by a religious Californian radio station, gathered 600 protesters to picket the headquarters of Universal Studios' then-parent company MCA. One of the protestors dressed up as MCA's Chairman Lew Wasserman and pretended to drive nails through Jesus' hands into a wooden cross. Evangelist Bill Bright offered to buy the film's negative from Universal in order to destroy it. The protests were effective in convincing several theater chains not to screen the film. One of those chains, General Cinemas, later apologized to Scorsese for doing so. Mother Angelica, a Catholic nun and foundress of Eternal Word Television Network, described Last Temptation as "the most blasphemous ridicule of the Eucharist that's ever been perpetrated in this world" and "a holocaust movie that has the power to destroy souls eternally." In some countries, including Greece, Turkey, Mexico, Chile, and Argentina, the film was banned or censored for several years. As of July 2010, the film continues to be banned in the Philippines and Singapore.

Film Year Rating Comments Gross (Domestic)

21 Jump Street 2011 R Two police officers try to take down a drug ring in high school where the villains are environmentalists and drug dealers. But contains many sexual references, full profanity, and many religious insults. A parodic comedy remake of the 1987–91 Fox Network police drama of the same name. $201,585,328

The 40-Year-Old Virgin 2005 R A bawdy sex comedy about a man who is ridiculed by his peers for his indifference to sex as an adult. His friends, feeling that he isn't "normal", try to encourage him to lose his virginity, starting with pornography, sex toys, and even prostitution. However, their personal attitudes towards women ruin their own relationships, and the man remains steadfast in his abstinence. Later, he meets a woman who connects with him, but is no longer a virgin, as she has a teenage daughter. At one point, her daughter confesses only to him that she is also a virgin and encourages him not to feel bad about it. However, her mother, who has been on multiple dates with him, is still unaware of his virginity. After their proposed deadline by which the two agreed to eventually have sex, he tells her of his virginity and stays reluctant about giving in. There is some drama and confusion between them, but she eventually comes to accept him and the two are happily married at the end before having sex. $177.4 million

Accepted 2006 PG-13 It criticizes the Department of Education (or colleges and universities in general) and our protagonist lives the America dream by starting his own college, but then the juvenile humor, gross-out humor and drug abuse steps in. $36,323,505

Aeon Flux 2005 PG-13 Anti-cloning film, but also pro-feminism as well. $25,874,337

Antz 1998 PG It's produced by Jeffrey Katzenberg, downplays the military, and possesses an implicit promotion of Communism via the main character, but also has an Anti-Eugenics message too. $90,757,863

Army of Darkness 1993 R Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film. $11,502,976

Atlantis: The Lost Empire 2001 PG Released during the Michael Eisner era of Disney. On the one hand, the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. The theft of the crystal to become rich could be seen as a condemnation of capitalism. That being said, however, capitalism has also been promoted in a more positive light in the form of Preston B. Whitmore, an eccentric but ultimately good-hearted billionaire who funded the expedition in the first place, and in addition, most of the principal cast was shown to have dreams of getting a better lot in society, with it being heavily implied in the ending that they ultimately succeeded in achieving those dreams after selflessly trying to save Atlantis, which acts as an implicit promotion of both capitalism and the American Dream. $84,056,472

Beauty and the Beast 1991 G A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to feminism to the liberal movies churned out by Disney since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.[96][97] In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what they've got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",[98] which had partly been done in response to negative criticisms towards Ariel in the Conservative film The Little Mermaid (which had been the immediate preceding film) by liberal critics,[96] and the feminist writer Linda Woolverton made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.[99][100][101][102][103] On that note, this made it the first Disney animated adaptation of a fairy tale to radically alter the story specifically to promote a left-wing socio-political agenda onto the audience regardless of whether such was actually appropriate for the audience or an actual good message (as prior Disney films generally made alterations specifically to tone down anything that was otherwise inappropriate for the age group for the audience). Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it (i.e., The Hunchback of Notre Dame and The Princess and the Frog), the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light. Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter. According to Don Hahn, there were also several overtones of a pro-homosexual agenda within the film, including choice lyrics of the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made and wanting to push the idea of being "ostracized" for his suffering from AIDS.[104][105] One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the definitely liberal Maleficent movie.[99] $$218,967,620

Beauty and the Beast (2017 remake) 2017 PG On the one hand, the 2017 film version of Beauty and the Beast is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning easy revenue and capitalizing on current film trends in the modern, soulless Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity and promote some liberal values within the Beauty and the Beast universe. The final result of the diversity inclusion in the cast of characters is that it feels self-congratulatory in the sense of putting it all in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it was never actually specified that LeFou was homosexual.[106]). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle. Not only is it an atrocious and needless artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of Beauty and the Beast also serves as an example that liberals can legitimately shoehorn the homosexual agenda into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like Mulan (1998), Pocahontas (1995) and The Princess and the Frog (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of Beauty and the Beast is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran. On the other hand, there were also several surprisingly Conservative messages in the film, significantly more than in the 1991 version. Namely, Christianity is treated in a far more positive light in this film than in the 1991 version as one of the few friends Belle has in this version is the village Chaplain named Pere Robert who is shown to be sympathetic to her bibliophilic nature and also attempts to prevent Maurice from being sent to the Asylum, and later is shown to be horrified at the formation of the mob against the Beast (it is to be noted that in the original 1991 film, the character in question was merely a bookseller, not a priest, and most of the villagers, implied to be devout Christians, were demonized in the film), which was also surprisingly accurate to history despite the aforementioned changing of history in the film (in real history, Christianity, especially the Catholic Church, actively encouraged literacy, writing, and arithmetic among both genders, with girls being taught in convents or at the home.). In addition, Maurice actually is shown to be more proactive in this film, such as directly refusing Gaston's attempt at marrying Belle and even attempting to expose Gaston as an attempted murderer and psychopath, and also plays a direct role in saving Belle and himself from the paddywagon after she exposes Beast to the villagers (in the original film, although he does set out to try and find Belle and save her after trying to get the villagers to help failed, he ultimately required saving by her due to catching an illness during his trek, and ultimately needed saving alongside Belle via Chip). In addition, Lumiere as well as the featherduster (named Plumette in this version) are shown to be an actual loving couple (in the original film, it is heavily implied that Lumiere was a frequent womanizer and that the featherduster was also sexually loose), and the remake also doesn't demonize traditional marriage nearly as much as in the 1991 version (notably, the remake cut out Gaston's wedding proposal as well as Belle shoving Gaston into mud in front of attendees). The forgiveness and redemption theme was also significantly more emphasized in the remake, due to Beast ultimately forgiving Maurice after learning why he had tried to steal the rose and even allowing Belle to save Maurice specifically to make up for his past behavior, with Maurice also forgiving Beast upon Belle showing him the baby rattle (originally, Maurice was a bit more hesitant to forgive the Beast). It is also shown to be significantly more pro-family as well, as not only is Belle shown to be loyal to her father like in the 1991 original, but as noted above, Maurice himself took measures to protect Belle and notably agreed with Belle that Gaston would not have worked out for her (originally, Maurice also thought Gaston was alright for her), and he also was shown to be very protective of Belle after his wife had died from the plague, with Belle's mom specifically sacrificing herself by telling them to leave her behind to allow Belle a healthy life. In addition, the triplets (renamed to "Village Lasses") in the remake were depicted as having haughtiness, arrogance, being jealous of Belle, as well as overall being nasty people, including briefly smirking at Belle when she was locked up in the paddywagon as well as being actively involved in the arrest of Maurice as well as the later attack on Beast's castle (in the original film, the triplets were not shown to have any negative behavior to them besides their crushing on Gaston [not participating in the later arrest of Maurice, let alone the attack on Beast's castle shortly afterward during the climax, and also implying at one point that they were willing to give their blessing to Gaston marrying Belle when Belle refused him in the beginning of the film, and while they were present during the final lyrics for the Gaston reprise where Gaston explicitly divulged key details for his blackmail plan, the way it was framed could easily be interpreted as the triplets genuinely not knowing about the plan due to their absence from Maurice's arrival up to the scene where Gaston whispers the plan to LeFou.], and it is also heavily implied that they supported traditional marriage and were demeaned in the film by being referred to in the script as The Bimbettes and treated as dumb blondes for this reason). In addition, according to the film's director Bill Condon as well as one of the triplets' actresses, Rafaelle Cohen, the reason the triplets were intensely jealous and spiteful of Belle was because their mother neglected them while doting on Belle, showcasing the dangers of parental neglect.

Beauty and the Beast: The Enchanted Christmas 1998 G Paints Christmas in a positive light, and has Beast learning the meaning behind it, as well as putting aside the past relating to it being the reason he was cursed. Also significantly tones down the more feminist messaging from the original film. The manner in which Christmas was depicted, however, was closer to the secular view of Christmas than the actual intended meaning of the holiday being a celebration of the birth of Jesus Christ. N/A (Direct to video movie)

The Bee Movie 2007 PG Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes bestiality, and is just disguised as a family movie. $287,600,000

Bohemian Rhapsody 2018 PG-13 A biopic of Freddie Mercury, the lead singer of the band Queen. While it does show elements of the practice of homosexuality and hedonism, at the same time, the film largely condemned the practice since it was made clear that Mercury's embracing of these things was what ultimately ruined Queen and his personal relationships, and is what ultimately killed him via AIDS. In addition, Paul Prenter, the only other major character to embrace homosexuality in the movie, was depicted in a very negative light, as he was one of the reasons Mercury went down a bad path, with it being made clear later on that Paul largely was using Mercury for his own gratification, blamed others for his bad ideas, and even hid vital information from Mercury deliberately such as the Live Aid concert plans as well as Mary Austin calling him. It also had a promotion of redemption, as Mercury, inspired largely by his former girlfriend/wife, Mary Austin nearing the end of the film, attempts to reconnect with his band and family and make amends in the time he had left before dying from AIDS. That all being said, however, it's debatable whether the film intended to paint his homosexual escapades in a negative light, as several members of the production company, including Freddie Mercury's actor Rami Malek, indicated that it was a "regrettable" decision as a result of not having enough time to give a "more balanced" view of (ie, promoting) his bisexual lifestyle.

The Campaign 2012 R Political comedy depicts the Democrat candidate (Will Ferrell) as an obnoxious, drunken womanizer and satire of John Edwards, although the Republican candidate (Zach Galifianakis) is portrayed just as negatively as a corrupt capitalist. $33,165,738

Chicken Run 2000 G Produced by Jeffrey Katzenberg, this vegan propaganda film compares a chicken farm to the Holocaust.[107] The main villain of the movie is a capitalist who wants to make chicken pies. The film also promotes elements of feminism and anti-Americanism. On other hand the main villain of the movie is also a feminist as well as she called her husband's ancestors "poor worthless nothings" $106,834,564

The Crow 1994 R The tagline claims that our hero is an angel, but he doesn't display any Christian values. However, there is an anti-drug scene were Eric Draven (the hero) makes a drug addict mother realize that her daughter needs her & gets her off drugs. On top of that the film's villains are nihilist anarchists. The film is notable for being Brandon Lee's last film, as an accident on the set killed him during production. $50,693,129

Ed Wood 1994 R Although it does glorify cross dressing and the homosexual agenda. It still is pro-capitalism and the film also glorifies the American dream. As despite the obstacles Wood faces, he still continues doing what he loves in making movies. $5,887,457

Edward Scissorhands 1990 PG-13 Endorsed by the Christian website ChristianAnswers.net with a 4 out of 5 star rating. Conversely however, a prominently featured Christian character - the only character in the movie ever identified as Christian - is portrayed as fanatical and bigoted against people with scissors for hands. $56,362,352

Falling Down 1993 R Film takes jabs at many liberal values, illegal immigration, union workers, multiculturalism, (one scene where Bill tells his ex-wife that the ice cream shop him and his family used to go to is now a Mexican store) and foreign aid (in one scene Bill asks an illegal Korean immigrate a rhetorical question on how much America has given his country and yells at him after he refuses to learn the language).[108] It's also one of the very few films to be truthful in the "Nazis were right wingers" myth perpetrated by liberals, in which Bill informs a Neo-Nazi that he's an American and the Nazi is a sick a-hole. As well as many shots where the America flag is trashed upon (which could symbolize how liberalism has trashed everything America has stood for).[109] But at the same time it also takes jabs at capitalism, where Bill believes he's no longer commercially valuable. And although the plot is about man trying to reach his daughter's birthday party, the film seems to toy with its audience in suggesting whether he's mentally ill or not, as opposed to a pro-family message. $40,903,593

Fargo 1996 R A pregnant sheriff with traditional American family values solves an elaborate criminal embezzlement, kidnapping, and murder scheme. It remains debatable whether she is a feminist or feminine protagonist. $24,611,975

Furry Vengeance 2010 PG This film is environmentalism and anti-capitalist on steroids. A wealthy businessman and his employees are the antagonists for doing their job. One of them gets attacked by a raccoon. In the end, the main character, a real estate developer, is forced to change his job after "learning the animals' stories" and he even puts up a poster saying that anyone who violates the forest preservation will be fined at $1,000,000.00. However, the film is also pro-family, as well as taking a jab at LGBT, with a joke of the protagonist being forced to wear his wife's clothes after the animals steal his, this is played for laughs and is clearly anti-cross dressing. (Though they are wearing again in the end credits). $35,000,000

Ghost 1990 PG-13 The Bible claims ghosts don't exist. Still this film toys with idea that they do, also it has liberal actress Whoopi Goldberg as a psychic medium. Nevertheless, the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, when he does convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on damnation, as the villains are seen being cared away helplessly by evil spirits after they die. $217,631,306

Good Kill 2014 R Ethan Hawke plays a man who questions the ethics of his job as a drone pilot, while it is taking a jab at the Barack Obama regime (Obama has droned more people in the Middle East than George W. Bush, most of whom were innocent bystanders and the left has ignored it or claimed it was a "Fox News conspiracy"). It could also be against the War on Terror too. $316,472

Grave of the Fireflies 1988 UR While the film has been labeled anti-war, the director Isao Takahata stated the actual meaning was about growing up. The film's message is still debatable to this day.

Halloween III: Season of the Witch 1982 R Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.[110] The film's "hero" is also an adulterer. $14,400,000

Hansel & Gretel: Witch Hunters 2013 R Western fairy tale characters Hansel and Gretel are now adults and have their own private bounty hunting organization in hunting witches. Portrays witchcraft in a negative manner, and guns in good light. But the gore, graphic violence and brief nudity is rather unnecessary. $55,703,475

Harry and the Hendersons 1987 PG Should be PG-13 for multiple uses of the dreaded S-word in profanity. $49 million

High Noon 1952 UR A favorite of both Presidents Dwight Eisenhower and Bill Clinton; John Wayne said it was "the most un-American thing I've ever seen in my whole life";[111] though susceptible of various interpretations, most of all it seems to scare people into wanting more government. $3,750,000

Hoot 2006 PG Environmentalist movie about a bunch of kids who stand up to a CEO company that is trying to put one of its restaurants on a burrowing owl habitat. However, despite a businessman being the main villain its not really anti-capitalist, as it does not portray the compnay in negative light. As the protagonists clearly have nothing angainst the business itself, even the main character states "A panacake House would be great." Also shows a police officer in postiive light. Oberall the movie contains many morals, and promoting friendshi and it does give kids the great inspiration to stand up for what they believe is right. $8,117,637

Horrible Bosses 2 2014 R Sequel to Horrible Bosses. Though this film could be argued to actually support the American Dream and capitalism, which its processor clearly did not. $54,445,357

The Hunger Games 2012 PG-13 Futuristic totalitarians plan titular annual televised "games" as punishment on the descendants of failed revolutionaries from a past uprising. Although technically a message against totalitarianism and for individualism, Leftist actor Donald Sutherland, who played President Snow, implied that the struggles of the films' protagonists were supposed to be derived from the Occupy Wall Street movement, and the book's author also indicated that the events of the book were based on the George W. Bush administration. $406,267,858

Indiana Jones and the Kingdom of the Crystal Skull 2008 PG-13 Although the film does depict the Communists as bad guys (to such an extent that the Russian Communist Party in Moscow was angered by the decision), and implies that Indiana Jones is a Republican or at the very least an Dwight D. Eisenhower fan, the film also depicts McCarthyism in a negative light, with one character implying that the American Government was simply being paranoid and denies there being a sizeable Communist infiltration in America, and also seems to promote paganism in the form of the Crystal Skull. $786.6 million

The Iron Giant 1999 PG This animation espouses anti-war themes and also brief but strong anti-hunting sentiments. Firearms in general are shown in a negative light, with the phrase "guns kill" being repeated a total of three times. The titular giant is referred to as a "big gun that walks." From a conservative viewpoint, he is a poor metaphor for a real gun; unlike a law-abiding citizen who is a gun owner, the giant has no choice in his actions because he is a war machine programmed with the inability to use his weapons for good, but only to use them thoughtlessly and senselessly. The story involves him learning to hide his weapons and "not be a gun". The conclusion is that, in order to protect the public from an incoming missile, he must fly into it and kill himself rather than use his guns against it. As it is explained, "It's bad to kill, but it isn't bad to die." In addition, despite being set during the Cold War, it largely downplays the Soviet menace that was occurring during that time, as the main antagonist, Kent Mansley, is a government agent (implied to be part of the NSA) investigating the titular Iron Giant who at one point while launching a tirade against Hogarth Hughes alludes to the possibility that the Communists may have been responsible for the Giant's creation as a means to destroy America and that they must destroy it before "it destroys us" and is treated negatively for it. Also features some foul language. That all being said, however, despite the definite anti-gun and anti-hunting themes, the film does portray the military in a fairly positive light, as General Rogarth was shown to be even-headed and only willing to use military force if confronted with evidence requiring for it, also making clear that he was not happy about bringing out an implied large military force for what was apparently a hoax, and while the military does try to attack the Iron Giant late into the film, it was only because they had been manipulated into doing so by Kent Mansley by the latter lying about the giant killing Hogarth Hughes, and only when confronted with evidence that Hogarth had in fact been alive did the military stand down. In addition, when Hogarth left to investigate the evidence of a "martian" taking out an antenna, he proceeded to salute a photograph of his father, who was implied to have died during World War II. Also has a positive portrayal of the American icon Superman in it. There's also an anti-materialist message in it as well as an implicitly Christian message, as Hogarth talks to the Giant about how humans and other forms of life possess souls that live on even after their mortal bodies die. $5,732,614

The Iron Lady 2011 PG-13 The British biopic of Conservative Party leader and 1979-90 British Prime Minister, Margaret Thatcher, showing the effects of conservative economic policy on Britain, helping to lift the country out of its recession. However, it also showed Margaret Thatcher in a somewhat negative light, depicting her during her late years as becoming slightly addled. $80,554,188 (international including UK), $27,081,674 (US - domestic)

It's a Wonderful Life 1946 UR It promotes the concept of self-worth and individualism ultimately, and that choices do in fact matter and have consequences, and ultimately promotes faith to a certain extent. However, it also falsely teaches that humanism is what makes life worthwhile; marginalizes faith with a cartoonish depiction and demonizes capitalism as sadistic and greedy. $3,300,000

Jaws 1975 PG Anti-environmentalism film, the heroes are police chief Brody, WWII vet Quint and Marine Biologist Hooper who team up to take on a monstrous, man-eating great white shark. However, there is a part where (despite the warning) the Mayor keeps the beaches open for the sake of money, which some may say is an anti-capitalism statement. Notable for being one of the first summer blockbusters. It was followed by three sequels in 1978, 1983 and 1987. $260,000,000[112]

Juno 2007 PG-13 A pregnant teenage woman rejects abortion and decides for an adoptive birth instead. This movie pushes feminism and marginalizes the essential role of fatherhood. $143,492,840

Jurassic World 2015 PG-13 Jurassic Park is now functioning and open for business and the new boss is a woman, an obvious feminist message. Also the military is downgraded as they plan to weaponize dinosaurs. Despite all this feminists weren't impressed and labeled it sexist[113] and even liberal critics called the weaponizing dinosaurs plot asinine.[114] $652,270,625

Kiki's Delivery Service 1989 G The film does show the value of hard work and is pro-capitalism (Kiki owns her own delivery business), but at the same time depicts feminism and witchcraft in a positive light. $18 million

Kingdom of Heaven (director's cut) 2005 R A story set in the Crusades period about a young knight. While the theatrical version was a pure liberal media, the director's cut promotes fighting, honor, duty, and portrays the noble Knights Hospitallers in a positive light. That being said, the movie still portrays Knights Templars in a negative light. $47,398,413

Kingsman: The Secret Service 2015 R Anti-environmentalist, the villain attempts to eradicate the human race because of his belief in man-made global warming. Though the film is full of language and violence as well as a brief nudity scene. There's also one scene were one of the characters gets into a bloody fight with a group of Christians whom are portrayed as "racists". $128,261,724

Knocked Up 2007 R Unemployed, immature and childish 23-year old Ben Stone (Seth Rogen) has a one-night stand with serious career woman Alison Scott (Katherine Heigl), with the unintended consequence of pregnancy. Alison's mother (Joanna Kerns) says she should get the pregnancy "taken care of", while Ben's best friend Jonah (Jonah Hill) suggests that "I won't say the A-word, but it rhymes with abortion." Alison decides to keep the child, while Ben decides to find a real job, grow up, and become a father. $148,768,917

The LEGO Movie 2014 PG Anti-Large Government, with a message that anyone has the potential to be extraordinary. However is also anti-capitalist, and the main villain is Lord Business. $257,760,692

Lincoln 2012 PG-13 Bio film on conservative icon Abraham Lincoln, played wonderfully by Daniel Day-Lewis. Although overall very positive towards Lincoln and the Republican Party, it nonetheless downplays the role the Democrat Party played in the institution of slavery during the Civil War. $182,207,973

Lionheart 1990 R Pro-family as Jean-Claude Van Damme plays Lyon Gaultier (nicknamed Lionheart) who becomes a street fighter to help pay his sister-in-law's expenses after her husband is killed. During this time he also tries to reconnect with his estranged family. However he gets into the country illegally, which some could point out is a pro-illegal immigration statement. $24,078,196

The Lorax 2012 PG Although it has an environmentalist agenda, it also states that monopolies are wrong. $214,030,500

Mulan 1998 G The film has Liberals changing history to suit their feminist agenda similar to what they did in Pocahontas as well as some historical revisionism (In the film the Huns are at war with China, even though this never happened, although that said, the name of the villain, Shan Yu, hints at them being Xiongyu). However, the central theme of Filial piety from work it was based on, The Ballad of Mulan, is still present ultimately, as the main reason Mulan joined the military was because her father suffered a severe injury that made him unfit for combat, and the film is pro-Military. $120,620,254

P.C.U. 1994 PG-13 College students fight back against a campus where the administration promotes official diversity awareness weekends and radical feminism, veganism, and political correctness run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups. $4,350,774

The Passion of the Christ 2004 R Downplays the Resurrection[115] and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the Shroud of Turin and confirmed by modern science. $370,782,930

Pillow Talk 1959 UR A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones. There are no distortions by feminist ideology. Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it! $18,750,000

The Princess and the Frog 2009 G Liberals praised this film for featuring Disney's first African American princess but ignored the fact that it insults Christianity with Louisiana Voodoo, even replacing the traditional role of the fairy godmother with a blind voodoo priestess. On top of that, The Princess and the Frog is said to have stolen much of its plot from great conservative film The Little Mermaid [116] That being said, however, it does depict traditional femininity in a positive light in the form of the side character Charlotte LeBoeuf, and is the first Disney animated feature film to have a positive depiction of traditional marriage since The Little Mermaid two decades prior. It's also debatable as to whether it promotes feminism, as aside from Charlotte LeBoeuf being depicted in a positive light overall as noted above, it implies at one point that Tiana achieving her dreams of being a CEO is ultimately a negative due to the main villain Dr. Facilier using that to tempt her into aiding him. $104,400,899

Pulp Fiction 1994 R Despite saying the F-word in almost every sentence, the film (surprisingly) has a pro-Christian message as after being shot at, every bullet misses mob hit men Jules Winnfield and Vincent Vega. Winnfield believes it was a divine intervention and message from God to stop his life of crime. His partner doesn't believe this but it's later proven to be true as he perished later on in the movie. Also has sadomasochistic homosexuals as the bad guys. And (sort of) has an anti-drug message as mob boss's girlfriend Mia Wallace is seen also overdosing (a negative side to drugs) on heroin. $107,928,762

The Rescuers 1977 G The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich, to add insult to injury they're Southerners. Also paints the United Nations in a positive light. On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped). This is one of the rare Disney films feature a Christian character that's treated in a positive light. $29 million

Robin Hood 1973 G Animated Disney adaptation of the iconic story, depicting all of the characters as anthropomorphic animals. Although the story itself was based on Joseph Ritson's revised version of the character that was in support of the Jacobin cause and thus was a liberal icon (steals from the rich, gives to the poor), the villain is Prince John who makes his money from taxes, suggesting Robin Hood is only giving money the government demanded back to people who actually worked for it. It also features a condemnation of government encroachment of the church, as a pivotal scene featured the Sheriff of Nottingham explicitly stealing a coin from the poor box and his later arresting Friar Tuck for trying to stop him, and the Sheriff's actions were clearly being framed in a horrible light. $32 million

Rogue One: A Star Wars Story 2016 PG-13 A group of freedom fighters undertake a dangerous mission in an attempt to steal the plans for the Galactic Empire's ultimate weapon, the Death Star. Unlike the previous Star Wars films, the focus of this one is on soldiers on the battlefield, their goal to restore liberty to the Galaxy. This gives the movie a strong feeling of American patriotism, and could also be argued to show respect to the U.S. military. However, the screenwriters Chris Weitz and Gary Whitta made tweets that implied that they were trying to push the leftist Diversity agenda just after Trump won the presidency, as well as used a customized version of the Rebel Starbird logo with a safety pin attached, and one of the main characters, Saw Gerrera, was stated to be based on Marxist revolutionary Che Guevara and was treated in a (comparably) positive light. $1,043,133,586

Saw 2004-2010, 2017 R (Director's Cuts are NC-17) The franchise contains an anti-nihilist message, with the antagonist, John Kramer, also known as "the Jigsaw Killer," wishing for his victims to survive the "games" in which he places them, ultimately emerging with a better appreciation for their lives. For example, Saw condemns the adultery committed by Dr. Lawrence Gordon. Saw III focuses on the value of forgiveness, John having Jeff Denlon complete three tests involving the three people whom he blamed for the death of his young son. Saw IV contains a very strong message of letting go and letting people find salvation and redemption for themselves, an allusion to biblical passages about the subject. However, it could also be argued that Jigsaw is playing God with the value of human life, by bringing his test subjects to the very edge of death, forcing them to gravely hurt themselves, in order to survive. Furthermore, in Saw III, one of his apprentices, Amanda Young, is revealed to have rigged traps to kill her victims, even if they successfully complete their games, as she no longer believes in Jigsaw's philosophy. However, John is shown clearly shown to be disgusted by Amanda's actions, though nevertheless trying to guide her to redemption, or at least his version of it. Other condemnations of nihilism include the clearly sociopathic depiction of corrupt Detective Mark Hoffman, the most important of Jigsaw's apprentices, as he, like Amanda, strays from John's philosophy and simply rigs traps to murder his victims, while also carrying out the games that John had planned before his death at the end of Saw III. $953,421,276

Shame 2011 NC-17 While the movie shows Hollywood Values, such as sex addiction, in a negative light and is clearly anti-homosexual agenda, as the main character reaches his lowest point by partaking in such acts, the film is graphic in its nature leaving one to question how conservative it really is. $3,909,002

The Simpsons Movie 2007 PG-13 This feature based upon the long-running animated sitcom portrays the liberal EPA as a villainous and devious agency and the government in general as intrusive and corrupt. On the other hand, it celebrates environmentalism in the beginning. $183,135,014

Soul Man 1986 PG-13 A white student cheats the affirmative action system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portyals the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect. $27,820,000

Star Wars 1977-1983 (Original Trilogy); 1999-2005 (Prequel Trilogy); 2015-2019 (Sequel Trilogy) PG, PG-13 (Episode III & Episodes VII-IX) The well-known space opera series is mostly composed of simple truths about the triumph of good over evil, and in the case of Episode VI: Return of the Jedi, redemption. However, Episode VI also contained some implied pro-Vietcong propaganda at George Lucas' behest via the Ewoks, as well as his later claiming that the entirety of the Star Wars saga from Episodes IV-VI was meant to be his means of protesting Vietnam (which is supported by a memo dating back to 1973 where he claimed the film was about "A large technological empire going after a small group of freedom fighters." It is also to be noted that this was not the first time he voiced support for the Vietcong as well as used film to push an anti-American/anti-War agenda, as he also initially played a role in the filming of Apocalypse Now[117]), and the re-release for Episode IV: A New Hope also had an infamous edit where it made it seem as though Greedo shot at Han first, with George Lucas later revealing he did the edit (or rather, falsely claimed it was always that way) as a means to promote gun control. Regarding the pro-Vietcong sentiment being pushed in Return of the Jedi, former president Richard Nixon in his 1985 book No More Vietnams cited Return of the Jedi as ultimately one reason why America, at least by that time, had initially felt so guilty of their strength that they were unwilling to use it even to defend their freedom and that of others.[118] The prequel trilogy also had some implied pot-shots at then-president George W. Bush and his War on Terror, and there was also an implied promotion of moral relativity in Revenge of the Sith (where Obi-Wan, when confronting Anakin Skywalker/Darth Vader in the climax, stated in reply to Anakin's declaration that Obi-Wan is his enemy if he's not with him that "only a Sith deals in absolutes."). A similar promotion of moral relativity and postmodernism was shown in Return of the Jedi where Obi-Wan admitted that his claim that Vader killed Anakin Skywalker was "true from a certain point of view," as well as further elaborating his claim by stating that "a great many of the truths we cling to depend greatly on our point of view." The same movie's ending also carries an implicit promotion of cannibalism. In addition, the Trade Federation and its motives in The Phantom Menace was crafted by George Lucas to be a negative response to the Republican Revolution of 1994, and in particular Newt Gingrich's Contract with America (with Gingrich himself being a partial namesake of the main villain, Viceroy Nute Gunray). Attack of the Clones and to a lesser extent Revenge of the Sith also had very blatant anti-war themes and a very negative portrayal of the military, as a large part of the plot involved creating a military for the republic (and in the case of Revenge of the Sith, the near end of the Clone Wars), with the narrative strongly implying that even forming a military at all was somehow a threat to freedom. To a lesser extent, the Prequel trilogy also has a negative depiction of family values, since it's implied that even holding attachments to family or trying to start a family leads directly to turning to the Dark Side, with Yoda even stating that such acted as "the shadow of greed." Lucas, in an interview with Time Magazine, also made similar jabs on family when explaining Anakin's character arc and his eventually becoming Darth Vader, where he said "Because he [Anakin Skywalker] gets attached to things...He can't let go of his mother...his girlfriend...things. It makes you greedy. And when you're greedy, you are on the path to the dark side because you fear that you're going to lose things. You fear you're not going to have the power you need."[119] In addition, the director for Episode VII: The Force Awakens, J.J. Abrams, admitted in a press release that he deliberately made Finn black in order to ensure diversity among the characters, hinting at it pushing the leftist diversity agenda.[120] Also, the film also hints at a militant feminist agenda by having Leia act as general and Rey not allowing anyone to save her, something that conservative commentator John Nolte mentioned was a detraction for the film.[121] In addition, the ending award ceremony in A New Hope was deliberately modeled after the stadium scene from the infamous Nazi movie propaganda The Triumph of the Will. Ian McDiarmid, the actor who played the saga's main villain Emperor Palpatine, had also implied in an interview with The Guardian around the time Revenge of the Sith was released that George Lucas had deliberately made the films for primarily eight-year olds specifically to indoctrinate them into Lucas' leftist view of the world.[122] Star Wars Episode VIII: The Last Jedi also received strong criticism for its apparent 'SJW' bias[123] It is also speculated that the leftist POV pushing caused fans to boycott the 2018 film Solo: A Star Wars Story.[124] J.J. Abrams also heavily implied that the then-in-development final episode The Rise of Skywalker will feature homosexuals as part of "representation",[125] which was ultimately confirmed in pre-release screenings, where two members of the Resistance, both female, engaged in an on-screen kiss while celebrating a major victory against the First Order.[126] $460,998,007

Starship Troopers 1997 R Although it overall depicts the Military in a protagonistic light and arguably is pro-war and pro-military, the director of the film, Paul Verhoeven, implied it was actually supposed to push an anti-military, anti-war message where it implied that America during the Cold War were automatically fascists simply because they are entering war, and specifically stated it was "a natural evolution for post-World War II America." In addition, to reinforce Verhoeven's message, he deliberately modeled various scenes after Triumph of the Will and other pro-Nazi propaganda scenes, as well as modeled the protagonists' uniforms after the uniforms utilized by the Nazis (i.e., the character Carl, played by Neil Patrick Harris, wearing a uniform that was modeled after the SS). When asked by Michael Ironside, who was one of the people who had a role in the movie and had read the original book, about why he made the movie despite Verhoeven's leftist politics, he answered "If I tell the world that a right-wing, fascist way of doing things doesn't work, no one will listen to me. So I'm going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it's only good for killing ******* bugs!" (note that fascism is not "right wing", it is left wing, so Verhoeven's incorrect regarding which wing the Nazis/fascists were part of). $54,814,377

Sudden Death 1995 R Disgraced fire fighter now becomes a laughingstock fire marshal uncovers an terrorist plot at a Hockey game plans to redeem himself and protect his children and the Vice President from said terrorists. However they're not Islamic, which may have been because the film was trying to be politically correct. $20,350,171

Super 2010 R A short-order cook becomes a superhero after a vision from God. He frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole picture. At the same time, foul language, violence, and brief nudity scenes are included. $327,716

Team America: World Police 2004 R While it is clearly pro-military, pro-America, and anti-Hollywood, the movie is riddled with liberal values, including toilet humor and vulgar language throughout. The movie's foul-mouthed theme song favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans, which makes sense because the screenplay was written by the creators of South Park and The Book of Mormon. $32,786,074

The Terminator 1984 R Takes the side of humanity in this man vs machine battle. However, it is anti-war, anti-Capitalist and comes from liberal atheist James Cameron, in which he imagines the military being the cause of the downfall of man. $78.3 million

Terminator 2: Judgement Day 1991 R The second film in the Terminator Franchise by Liberal director James Cameron. While it does have anti-war and anti-capitalist themes, and also dabbles in pro-feminist views via Sarah Connor's change in overall character, it is also pro-family. John Connor reconnects with his mother and the Terminator who serves as his protector becomes like a father to him, so much so that John cries when the Terminator chooses to sacrifice himself to ensure that Skynet would never be built. $523.7 million

Titanic 1997 PG-13 Every life has value, and the most powerful men give up their seats on lifeboats to women and children first, while the media and a young RINO are rightly criticized. The film broke the record in movie revenues before the environmentalist nightmare that was Avatar. However, Titanic gives some hints at a pro-socialist view, and a key scene involving Rose being drawn in the nude is evocative of pornography. $600,779,824

Trainspotting 1996 R It's been debatable if the film is anti-drug. $16,491,080

U-571 2000 PG-13 Had a plot which was based on the first capture of a German Enigma machine in World War Two. Despite the film being patriotic to America, the facts are wrong as the Enigma machine was captured by the British in 1941 prior to the Americans entering the war. $77,122,415

The Twilight Saga 2008-2012 PG-13 Starred by anti-military liberal Kristen Stewart and glorifies vampires, but it also makes fun of public school culture and modernism while promoting abstinence until marriage, traditional courtship and marriage, and the pro-life movement. It was written by a Mormon. $1,365,922,346

Van Helsing 2004 PG-13 Thanks to Hollywood values, Van Helsing isn't portrayed as the Christian character he should be, but the film still gets its good vs. evil message across. As well as portraying the Catholic church in a positive light. The director Stephen Sommers has made conservative films The Mummy Returns and G.I. Joe: The Rise of Cobra though. $120,177,084[127]

Wall-E 2008 G The movie shows the dangers of big government (BNL), however it is also anti-capitalist and pro-environmentalism as BNL is a corporation. $223,808,164

The Way We Were 1973 PG Unique in the way that it appears liberal to liberals while unintentionally sending a conservative message to young women. Stars uber-liberal Barbra Streisand. $49,919,870

We're the Millers 2013 R A drug dealer, stripper, runaway, and average loser pretend to be a family to sneak marijuana out of Mexico. However they learn the value and importance of family. The villains of the movie are all drug gang men, the film also features a stripper scene, and whether or not the film is anti-drug in the end is debatable. $150,394,119