How Ted Koppel and ABC TV Tried to Steal my Life Work

By Nate Thayer

December 8, 2013

I am banned by legal agreement to write the following: ABC Television/ Disney Corporation, after seven years in court, where they attempted to bankrupt me and ruin my reputation for objecting to them stealing fifteen years of my life work, buckled and paid me. They have the legal right to take back the money they finally paid me–which actually all went to lawyers and taxes–if I open my mouth.

Fuck them.

Good luck getting blood from a stone while trying to attempt to muzzle a free person in a free society while claiming you are an icon of the free press and free speech

So here goes…..

On July 25, 1997, I was the first outsider to meet Pol Pot since he killed 1.8 million people 20 years before.

It was, for a couple of days, the biggest story in the world. I, as a freelance journalist, had the only photographs and video and eyewitness account that existed since Pol Pot did what he did. It was a tumultuous few days of dealing with the very worst of what the big media companies represented.

Ted Koppel, of ABC Nightline, flew to Bangkok to view the video and signed a written contract for “North American video rights only for 7 days.” ABC America–owned by Disney–told Koppel to sign whatever Thayer asks for–our lawyers will deal with it later. He is just a freelancer. Give him whatever he wants. We can bankrupt him if he objects.

As soon as ABC, which had exactly zero correspondents in Southeast Asia, got a hold of a copy of the tape, which Ted Koppel personally and in writing promised he would not allow any frame grabs to be made into still pictures, or allow the video to be distributed to anyone outside of Nightline, or allow the transcript of the text of the video to be shown to anyone else, ABC created the below frame grabs from the video, distributed it personally to numerous news outfits, including the AP and the New York Times, where it appeared on their front page above the fold, and ABC placed them on their website crediting themselves with having taken the image.

My picture, credited to ABC TV, was published on the front pages of hundreds of newspapers around the world, my footage was distributed around the globe, and my story was written in virtually every major news organ on earth, credited to ABC TV, before I actually had written my own story . which was published with the integrity and dignity and seriousness it deserved in my excellent publication, the Far Eastern Economic Review.



ABC distributed transcripts of the trial of Pol Pot I had made and allowed other news organizations to view the video tape with strict instructions to credit ABC for the images and story, and then refused to pay me anything unless I signed a release that they did nothing wrong and I promised not to take legal action against them.

I refused.

Nine months later, I won the Peabody award as a “correspondent for ABC Nightline.”

Ted Koppel called me up, nervous, to congratulate me.

I said “Fuck you! Where is my fucking money? I am going to go to the Peabody awards ceremony and refuse the award and tell the planet what unethical thieves ABC are and how you, Ted Koppel, acted as their pimp.” I was then banned from attending the award ceremony, escorted out of the Waldorf Astoria hotel banquet room by security guards.

I spent seven years in court fighting ABC.

I won, sort of.

It sucked the life out of me, which was the exact intention of ABC: to make my life as miserable and expensive and distracted as possible to punish me for objecting to bald plagiarism, fraud, and theft. They tried to bankrupt me and ruin my reputation.

But ABC fucked with the wrong person. They will never fuck with Nate Thayer again.

It was worth it. They thought I would back down in the face of their team of hundreds of staff lawyers and corporate power.

I refused.

Such is the life of freelance journalism.

Every freelance journalist alive has suffered under the corporate jackboot of the ABC’s of the media world, their work stolen and never compensated. Usually it is not possible to pay for a legal team to fight them to get remunerated for one’s work.



Above and below are a couple of the still pictures, still available by a simple Google search online.

These are just some examples of the still picture ABC frame grab’s ABC took from the video and distributed to the world, voiding scores of contracts I had sold for my stills for exclusive rights.I had scores of contracts for the sale of still pictures, video, and stories cancelled around the globe overnight.



ABC tried to take credit for 15 years of my life work. Below is one of my original still photographs, which became worthless overnight because a degraded version was available for free from the ABC website.