Eric Striker

Daily Stormer

October 9, 2016



In case you haven’t noticed, Jewish entertainment portals have been spawning nothing but negro insurrection media as of late. From Mafia III to the new “Birth of a Nation”, images of exaggerated or imagined white wrong doings are being pounded into suggestible black brains, combined with auspices for what the response ought to be: to begin indiscriminately murdering white people on the street. What is going on in a climate of already extreme levels of black on white violence is truly vicious and evil, there is an organized push to create a cultural catalyst for ape anger to be channeled into generously financed organizations like Black Lives Matter, which suits purely Jewish political aims at the negroes own expense. Are whites ready to defend their families and lives?

Birth of a Nation, which will obviously win all the (((Oscars))) no matter how good or bad it is (unless they can get a Holocaust movie out before the end of the year), tells the story of Nat Turner’s slave revolt, which in the film’s story is sparked by a group of white men who grab Turner’s wife Cherry and gang-rape her before his eyes. There’s only one problem: there is no historical evidence that this rape ever happened. According to the Leftist publication The Nation , the film review states:

Consider, for example, the film’s troubling depictions of black women. A crucial turning point in the movie occurs when Turner’s wife, Cherry, is brutally gang raped by a group of slave patrollers—an attack the film portrays as the spark that ultimately drove Turner to launch his rebellion. But there is not a shred of historical evidence to suggest that Cherry was ever raped by slave patrollers, nor is there any evidence to indicate that an attack on his wife inspired Turner to rebel. By all accounts, Turner took up arms against slavery because he believed slavery was morally wrong and violated the law of God.

Back in the real world , blacks currently rape 37,460 white women per year, compared to the inverse of 0-10 white men who rape black women. Of course blacks are taught by Jews in movies and sometimes in college that this statistic is so one-sided because racist policemen find white men gang raping black women at equal rates, and either join in or let them go, but in reality the truth is that white women are simply not attracted to black women. In fact, the vast majority of white women aren’t attracted to black men either, which is remarkable since almost everything in our culture is oriented to promoting the black on blonde union (which some mistake for being the facts in the real world). The only kind of white women who would ever develop sexual feelings for a black man are the lowest of the low in terms of looks and personality, the psychologically mangled (the same kind of women who would look at their pet doberman one day and try to fuck it) , or cum dumpsters looking to fleece black athletes and celebrities for their money.

In other words, the scene in the original Birth of a Nation (1915) where a white woman commits suicide as she is about to be gang-raped by blacks is much more plausible than the propaganda in this remake.

With that said, the miniscule number of white men who are attracted to black women are treated with open hostility by black men. While blacks as a rule impregnate their women then kick them to the side of the road, and every nation on earth where blacks are a majority is plagued by stomach churning forms of sexual violence (of the stick a shotgun inside and pull the trigger type of sex assault, not the Swedish definition of hooking up with a drunk chick) , they none the less become enraged and jealous at the thought of a white man touching one of their own.

The goal of the scene in this movie, and the black on white bloodbath that follows, is to agitate blacks watching into murdering and raping whites as revenge for something that never happened. Luckily, most blacks are too stupid to sit and pay attention to anything more nuanced than Fast and the Furious, and white people (except maybe a few college aged white women) are pretty sick of these nigger sci-fi versions of history, so Birth of a Nation bombed at the box office.

Writers of Birth of a Nation are Two Black Rapists

The stunning irony of this bogus white on black rape scene is that the black historical hoax writers Nate Parker and Jean McGianni Celestin, guided by Jewish producer Jason Michael Berman and edited by Gentile hater Steven Rosenblum, actually raped a woman themselves.

In 1999, Parker and Celestin brought a presumably white or non-black female Penn State student (blacks are 5% of Penn State, most of them male athletes) back to their dorm, where she lost consciousness and they engaged in the peculiar and nasty African mating habit of multiple men having sex with a single woman at the same time. Both admitted to the sex act but fought in court, with Celestin getting convicted and Parker managing to get an acquittal. Celestin then appealed the verdict while Parker allegedly used his freedom to stalk and threatened the victim on the campus. At the appeal, the judge found that his sentence was actually too lenient, and orders him to 2-4 year in prison.

During this time, the alleged harassment from Parker drove the victim to attempt to commit suicide multiple times and eventually wound up in and out of psychiatric supervision. Eventually, in 2005, Celestin managed to win a subsequent appeal hiring a new and talented lawyer that managed to exonerate him on a technicality: the victim was scared to go and testify. In 2012, Jane Doe, succeeded in killing herself.

Social justice warriors have taken to protesting the film on their own, albeit in a rare instance, without support from establishment Jewish leadership or publicity (unlike with the Brock Turner case that was blown out of proportion to a laughable extent).



Because the identity of the victim of the alleged rape has been kept secret, the Judeo-Left doesn’t know that she’s probably white, so they feel free to protest one of the few instances of a sexual assault that actually played out like a Lifetime movie (except the perpetrators were blacks with a racial chip on their shoulder, rather than white suburban dads). Had ‘Jane Doe’s’ identity been made public, Birth of a Nation would’ve had these same trust-fund babies seeing it over and over just so that it could become slightly profitable.

The Cultural Marxist code is that you never take the side of a white person against a black person regardless of the context. This time, the victim’s brother Johnny still refusing to give away their identity, has sabotaged the pay day of these Jew serving nigger charlatans. As for the continued calls to race war and little flare ups of it happening across the country, if a small band of elderly white South African mercenaries can dominate most of the armies and militias in Sub-Saharan Africa , just imagine how fast they’ll be crushed in USA if one day we get together to fight back.