...which, when I think of it, would make a good band name. Don't touch it! It's mine! On the record!But this has the Ripple used on Reckoning. Kind of amazing it hasn't been pulled from the archive as "commercially released"......which, when I think of it, seems to be of somewhat questionable legality. Seriously, it just occurred to me: how can you suddenly limit the public availability of something ( e.g . Grateful Dead soundboard recordings) that has been in the public domain for decades? Because it has been, and if you don't think so, would you like to see my collection of hundreds of Grateful Dead analog tapes, nearly HALF of which are soundboards?I'm not even talking about the ethical implications. I mean, Garcia himself said that professionally produced electric music could never be free, and he was right. Leave that aside. The Dead allowed live tapes of their music to be distributed for a long time, and there is no qualitative difference between AUD and SBD recordings; the difference is an aesthetic one. In any case, SBDs were also freely distributed for decades. How can they suddenly be...well, "privatized"? I'm not a lawyer, but I think I have a brain.