The Museum of Modern Art, Reinstalled

Where the calls for accounting will lead remains to be seen. But they won’t end soon, and will almost certainly shape responses to the fall’s most noticed American museum event, the reopening of the Museum of Modern Art, after an extensive expansion and reinstallation. Will the “new” MoMA exchange its old, cramped Paris-New York version of Modernism for an inclusive and accurately global one? Will women and artists of color finally find their rightful place in the mix?

‘Betye Saar: The Legends of “Black Girl’s Window”’

We’ll have to wait for answers until the museum reopens on Oct. 21. But two solo exhibitions debuting then are clearly moves in the right direction. One, “Betye Saar: The Legends of ‘Black Girl’s Window,’” is a survey of prints by a veteran Los Angeles artist who, at 93, is still going strong. (A parallel display of the artist’s notebooks titled “Betye Saar: Call and Response,” will be at the Los Angeles County Museum of Art from Sept. 22 to April 5.)