For a woman bringing a distinctive voice to the male-dominated world of hip hop, Dessa says it was both “brain-scrambling” and grafifying to hear herself as a man—or, more accurately, to witness her voice slowed down so much that it sounded like that of a male rapper. That’s what Chicago’s The Hood Internet did with her single “Fighting Fish”: for an album released this June, the Minneapolis poet, writer, and Doomtree emcee shared the vocal tracks from her 2013 release Parts of Speech with other musicians and producers for reimagining. Offering The Green Room‘s readers an exclusive first look at the new video for the “Fighting Fish” remix—alongside the original—Dessa shares her thoughts, both on the remix project and on that first time listening to her voice slowed to man-like levels:

The beat for the original “Fighting Fish” was produced by my labelmate, Lazerbeak. It’s got a driving, aggressive sound; the lyrics I wrote for it are about going for the big win, even against long odds (music career, anyone?). In the Midwest, bold ambitions are often perceived as presumptuous: Who are you to think you can do or be something special? This song swims against that current.

We released “Fighting Fish” on my album Parts of Speech last year. This summer Doomtree released a remix project: we sent a cappella versions of the songs to producers around the country and asked them to build new production around the vocals. My favorite remix came from the The Hood Internet, based in Chicago. The remixed version of “Fighting Fish” is chopped and screwed, the vocals slowed down enough to sound as if they were recorded by a male artist. When I first received the file, I listened to it on repeat in my one-bedroom apartment, stunned. The new version seemed to change the emotional center of the song completely–more melancholic, an added gravitas. To hear my lyrics delivered in a man’s voice was brain-scrambling. The male voice is the featured instrument in most rap music; it’s the instrument to which I’m most accustomed as a listener and a fan. The transposition was at once gratifying (I sound like the artists I like!) and sobering as potential evidence of my own ingrained sexism (Do I grant male voices an authority that I don’t grant female voices–including my own?) After all the sociopolitical considerations subsided, however, I continue to love this remix because it kicks ass musically and it’s a big, bold departure from the original.

We recorded a music video for each version of the song. Both were directed by the team Isaac Gale and David Jensen. A big thanks to those two and to all the artists that contributed on this project. Hope you dig it, too.