On a predictably quiet first weekend of February, Jumanji: Welcome to the Jungle managed to reclaim first in its seventh weekend of release. In second, Maze Runner: The Death Cure fell harder than expected, while Winchester opened on par with modest expectations.

Winchester was the sole new release over the Super Bowl weekend, and actually managed to take first on Friday, but slipped to third for the weekend with an estimated $9.25M. That’s okay for the Lionsgate release which was produced for just $3.5M, but unfortunately had a P&A spend of a reported $17M. With a number of high profile titles on the horizon, don’t expect this one to stick around long. A total below $20M seems very likely.

Back in first place, Jumanji continued its incredible run with $11M in its seventh weekend. That raises the films total to a whopping $352M, meaning it could still potentially top the $400M mark if all goes well, making it the second Sony film to hit that mark, only behind the original Spider-Man.

In second, Maze Runner: The Death Cure fell a bit harder than expected, down 58% to $10.2M. That’s not very surprising considering the built in fanbase was likely more excited to see the film after such a long wait, as well as the “final chapter” gimmick making it seem like somewhat of an event film. Still, a drop like this combined with competition from Fifty Shades Freed and Black Panther does not bode well for a long run. Expect a total of between $55-$60M domestically.

Fox continues to do everything in their power to keep The Greatest Showman in theaters, and it appears those efforts are paying off; after a sing-along version a few weeks ago, the film was bolstered this weekend by a limited IMAX release. On top of that, the studio also took the March 6th release date for the Blu-ray off the calendar, as the film should still be in theaters at that point. For this weekend, however, the musical was down 18% to $7.8M, raising its total to $137M. If it can hit $176M, it would become one of the few wide releases ever to hit a 20x multiplier after its opening weekend.

In fifth, Entertainment Studios’ Hostiles was down a respectable 45% to $5.5M, raising the total to $21M after two weekends in wide release. While I had previously reported the budget as $50M, it has since been updated to $39M, making it a decent win for the fledgling indie studio.

The Shape of Water, Three Billboards and I, Tonya all added several hundred theaters this weekend and saw respectable results. Water was the widest of the three, making its way into 2,341 theaters, where it collected $4.3M, raising its total to $44.5M. Three Billboards entered 1,726 theaters and took in around $3M, a solid total for a film that has been in and out of wide release since Thanksgiving. I, Tonya saw $2.5M from just over 1,500 theaters, another decent result. Both of Fox Searchlight titles should wind up with around $50-$60M, while I, Tonya could approach $35M if Neon continues its smart release strategy.

One of the Oscar contendors for Best Foreign Language film, A Fantastic Woman, was released in 5 theaters and saw a very strong $54K average. Oscar nominated foreign films rarely tend to do more than a few million in their theatrical runs, and there’s little reason to expect differently for Woman.