His appearance at Terminal West with Luzcid was a sold-out success, packed full of bassheads. After Parrotice warmed the room up, Luzcid came out and delivered a massive set that blurred every genre of bass music together with big chunks of dubstep. His following isn't massive, but he's one of my favorite bass producers, and his collaborations with names as big as Bassnectar warrant more attention than they get. Pay attention to Luzcid.

Space Jesus came out to a set of CDJs, a change in style from Luzcid’s set in what appeared to be Ableton Live. It's rare to see a bass producer just deliver a DJ set these days, and every format brings benefits and drawbacks with it. I personally thought it was a great format for him, as he crawled across the weirdest sounds and wildest tracks with ease.

He gave several well-deserved shout-outs to his lights guy throughout his set. The light show was unfussy but effective, comprised mostly of a few RGB spotlights frenetically moving to the beat. It was a nice change from the video screens of EDM and showed off what a good crew can pull off with only simple equipment.