“To great writers,” Walter Benjamin once wrote, “finished works weigh lighter than those fragments on which they labor their entire lives.” Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project is a monumental ruin, meticulously constructed over the course of thirteen years—“the theater,” as Benjamin called it, “of all my struggles and all my ideas.”

Focusing on the arcades of nineteenth-century Paris—glass-roofed rows of shops that were early centers of consumerism—Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as “Fashion,” “Boredom,” “Dream City,” “Photography,” “Catacombs,” “Advertising,” “Prostitution,” “Baudelaire,” and “Theory of Progress.” His central preoccupation is what he calls the commodification of things—a process in which he locates the decisive shift to the modern age.

The Arcades Project is Benjamin’s effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed “true history” that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by “progress,” Benjamin finds the lost time(s) embedded in the spaces of things.

German edition: Gesammelte Schriften, Bd 5: Das Passagen-Werk

Edited by Rolf Tiedemann

Publisher Suhrkamp Verlag, Frankfurt am Main, 1982

ISBN 3518285351

1354 pages

English edition

Translated by Howard Eiland and Kevin McLaughlin

Publisher The Belknap Press of Harvard University Press, Cambridge/MA and London, 1999

ISBN 067404326X, 9780674043268

1073 pages

Wikipedia (EN)

Publisher (EN)

Das Passagen Werk (German)

The Arcades Project (English)

See also Susan Buck-Morss’ The Dialectics of Seeing: Walter Benjamin and the Arcades Project (1989), and Benjamin at Monoskop (incl. source bibliography).