Hey, I'm bored, so I'm gonna make a review of the BP leak. Note that this is my opinion, and you don't have to necessarily agree. Nevertheless, here we go.

1- Giving Bad People Good Ideas

This opener features a female singer singing the hook throughout the whole song. (A lot of people, including myself, believe this to be Mexican Girl) And FUCKING WOW, this track gets really loud *really* fast. Blaring guitars are matched with eclectic blast beats and a vocal performance I can only describe as "Noided". An aggressive, yet twitchy song, this is what I imagine bath salts would sound like in auditory form. (In a good way, of course). A fantastic opener that brands into your skull that "THIS IS A FUCKING DEATH GRIPS ALBUM".

2- Hot Head

The initial single for BP, it's very similar to the first track. Although, it's much, MUCH more twitchy. Ride is just inaudibly screaming "BLOWBLOWBLOWBLOWHOTHEAD" repeatedly against a wall of blasting drums, courtesy of Zach Hill, and a "wall of sound"-esque synth. It then, as if suddenly your amphetamines just worn out, switches to a wobbly synth, backed by a slow, almost jazzy drum beat. This is where the track shines for me. It screams dynamics, and isn't afraid to completely turn around on the listener. It then switches between these two types of sounds, like a crack head taking a hit, being high for a couple seconds, then coming down, only to repeat the process. It's a fuckin rush, and definitely a headbanger.

3- Spikes

One of my favorite songs on BP, hands down. A glitchy, almost poppy kind of sound, this song incorporates some of Death Grip's better elements throughout the years. The verses have a clicky feel to them, and the chorus. OH MY DEAR FUCKING JESUS THE CHOURUS. Imagine the rawness of JD with the catchiness of TM$. It's a euphoric experience, and this track is definitely a shining beacon in this album.

4- Warping

One of my least favorite songs, Warping sounds like DG attempting a djent breakdown. It's a slow, drowsy song that feels like a musical pendulum. The chorus has a bright keyboard synth that adds a cool element to the song, but the song just isn't that catchy, sadly. It feels like a comedown from the first 3 songs, which were like a high that built you up. Nevertheless, a decent track if you can stand the slower, drone-ier side of DG.

5- Eh

This track is everything but "Eh". It feels very similar to Get Got off of TM$, with a very groovy, bubbly instrumental. And Ride's monotone flow makes this song slightly unsettling. Plus, the hook of this song is pure happiness. Later in the song, Ride's vocals change from his chill flow to a very pained, forced yelling. It's almost as if he's gasping for air, but not quite getting it. A groovable ride of a song all-in-all.

6- Bubbles Buried in the Jungle

So far, my absolute favorite song off of BP. The synth used throughout the song sounds like a buzzsaw, and the screams used alongside it just add to the horror. Ride has a very consistent flow throughout this song, aggressive yet slightly subdued, like a bulldog on a chain. And again, the hook of this song is just... just... MMMMMMMMMMMMMMMMMMMM. I love this song, it has everything that makes DG special for me, and is definitely a fuckin BANGER.

7- Trash

This song is okay. Not bad, but not my favorite. It has a slight buildup in the beginning, followed by a trapstyle beat layered with chirpy synths and lax, groovy flows. It has it's strengths, like it's catchy hooks and it's easy to grasp song structure. It's another example of a song you'd show to someone if they are just starting to get into DG, or experimental music in general.

8- Houdini

I think this song is great, despite all the people who disagree. It's beat is very aggressively bouncy, similar to the instrumentals in Hacker. The lyrical style switches between slow and calm, to fast and loud. It has a certain feel to it that is the perfect mix between angry and chill, and I think that works in it's favor. The song in itself is catchy, but there really isn't a catchy hook to hold it together, and I think that's where most people dismiss this track. Whatever, I still think it's pretty solid.

9- BB Poison

This is a VERY good example of DG's growth as musicians after JD. It has an evident buzzy feel to it, with drums that clap past the thick bassline and make themselves evident, and a lyrical delivery that is reminiscent of TM$. But, it's all wrapped in a very loud JD style, that incorporates other successful elements of DG's previous albums at the same time. And YET AGAIN THE HOOK IS JUST ORGASMIC.

10- Three Bedrooms in a Nice Neighborhood

At first, I really didn't like this song. But I've been listening to it more, and I find myself enjoying it quite a bit. It's poppy, and makes me think of some more mainstream artists. It's got a nice clicky beat, and quite a bit of layered synths paired with what I presume to be vocal samples. The hook is pretty catchy, although not as good as some of the other songs on the album. All in all, not bad at all.

11- Ring A Bell

This song is SCARY. Like, I feel like this would play during a mass bombing. Loud, blaring synths mixed with a slow, yet menacing beat, this song is just in your face. Then the chorus hits. And you're thinking "What the fuck? This song is supposed to be loud and angry!" And it was, but the chorus switches it up a bit with swinging key chords. It's a cool change in dynamics, and makes the song different and interesting. Sadly, it's a short lived experience, as this is the shortest track on BP, coming in at only 2:26.

12- 8080808

This song caused a little bit of fiasco, as it was the only song that wasn't release with the original leak. This led to people speculating "Is this the best song on BP, or??????????" Honestly, when the track dropped an hour or so later, I was pleasantly surprised. Although not the best song, it's a cool, moody, trippy song. Reminds me of a simpler NLDW jam. It's got a very electronic focused beat, that makes you feel like you're falling down the "bottomless pit". It's low, and it's melancholy and pissed at the same time. One of the cooler songs on BP, I thoroughly enjoyed it.

13- Bottomless Pit

The title track, as well as the final track on the album, is essentially DG doing drone rock. The riff is almost identical to some of the riffs on The i.l.Y.'s "The Sickest Fuck of Them All", an album by DG members Andy Morrin and Zach Hill. Other than that, nothing feels special about this track. The hook is mediocre, the instrumentals get old real fast, and Ride's lyrics aren't really anything special. Probably the weakest track on the album, and it's a shame that this is also the closer.

Final words-

BP is a pretty stellar album, even from DG's standards. It mixes the electronic complexity of NLDW with the anger and drive of JD, and sprinkles some hooks that seem similar to TM$. DG seems to have took the elements of each of their albums that they knew they did right, and mash them up together into a strong album. AND THEY DID JUST THAT. I'm gonna give this album a solid 9/10, because of the slight kinks that come with it. But, this album is a worthy closer to DG's musical journey. (If they do decide to break up after this. But heym you never know with these guys.)

Death Grips- Bottomless Pit