“Prima Facie gives a platform for a woman to speak her truth, asking us to look beyond first impressions and to dig deeper into the very structures and procedures that embed underlying injustices. This is an urgent and compelling work: one that should be as widely seen for its craft, just as much as its subject matter should be better understood by our politicians, lawmakers and general public. Run, don’t walk.” ★★★★★ Debbie Zhou, Time Out

“The power of Miller’s script finds its match in both performer and production. Sheridan Harbridge is open, raw and technically impressive as Tessa, offering up a perfectly calibrated performance full of emotional truth. It’s one that also registers as deeply generous, almost attentive, as if the actor is extending one hand to the audience at the play’s most bruising moments. She is skillfully directed by Lee Lewis, whose intelligent production handles the play’s subject matter and tonal shifts with supreme finesse.” ★★★★1/2 Justin Nguyen, Limelight

“Sheridan Harbridge is superb as Tessa. Combative, controlled and clear-sighted in the first half, her decimation in the second is all the more gut-wrenching in this intense production directed by Lee Lewis.” ★★★★ Joyce Morgan, Sydney Morning Herald

“Miller’s writing is sharp, urgently precise, and yet still evokes beauty; it’s a steely play overlaid with delicate, insightful emotional work. In the hands of Sheridan Harbridge, a performer who invites you into her characters’ inner life without hesitation, it soars… the play is a living document, a map for change. It’s theatre that holds our hands and says: there could be justice for those one in three. We can change the law.” ★★★★ Cassie Tongue, Audrey Journal

“An astonishingly rich and refined work…rarely has a standing ovation at curtain call felt so natural.” ★★★★★ Veronica Hannon, Theatre Now

“Harbridge is magnificent as she portrays a confident woman at the top of her professional game, one who is physically and emotional humiliated but determined to rise above the gender and legal odds stacked against her…She never falters in delivering the grit and broad spectrum of emotions required.” ★★★★ Steve Dow, Australian Book Review

“Miller is precise and thorough, in her careful storytelling. She engages our hearts and minds, for a stirring theatrical experience, perfectly suited to our current climate of #MeToo heightened social consciousness…Actor Sheridan Harbridge holds us captive for the entire 100 minutes, of her spellbinding one-woman show. It is an extraordinary achievement.” Suzy Wrong, SuzyGoesSee

“This is not a plea, and it is more forceful than a call-to-arms. It is a voice of steely reckoning that contains within its very timbre the rage of being a woman.” Bryoni Trezise, The Conversation

“What gets Sheridan Harbridge through this performance? Hearts are surely not designed for such shattering…I fully expected to be wreckage by the end of this show as I experienced its building to an apogee of blistering indictment but instead, I came away energised by the power of theatre to respond to systemic injustice.” Judith Greenaway, Reviews by Judith