Added Oleson, “I’m so proud of Charlie and Chris Brewster, Charlie’s stunt double, and all the team. It was this magical energy on the set. I was not there, I only got to hear about it, but it was [an environment] in which everybody had to work in sync. Every single member of the crew, for almost 12 straight minutes, could not make a mistake. This involved several fight scenes, a dialogue-heavy emotional scene in the middle of it, going into another fight scene with extras and flashbang grenades and smoke and fire and all of these other elements. All through this single shot, where you’re just hoping that the camera guy just doesn’t get so tired and fall over, and Charlie can actually have his breath and his wits about him to remember the lines in that scene after doing this epic fight sequence. Where you do what’s called cowboy switches, which is where he’s switching with his stunt double within the shot and you can’t even tell where it’s Charlie and where it’s Chris. It was this phenomenal logistical exercise.”

Oleson revealed, “There is one part of that sequence where we go through a darkened hallway with red, flashing lights, during the prison break sequence. We had designed that to be a place where we could have cut the camera and picked up from a different take if we weren’t able to get it in one shot. But they pulled it off! So in post-production, I had them lighten it a little bit so you can tell we never cut the camera. My word of honor, that is a one-take oner!”

As for what it feels like to now see the tremendous response to the sequence, Oleson said, “It’s off the charts awesome. To see that the fans really appreciate the work that went into that sequence, the tweets and the comments online where people jokingly say that that sequence has changed their lives, it’s insanely gratifying that we took a risk. Everybody on the crew took a risk. Charlie and his stunt double took a risk. I took a risk. Marvel took a risk in giving us permission to essentially tell the crew to stop filming for a day so they could rehearse that sequence. If that had not turned out, that’s a very expensive proposition, to idle a crew on the clock for something that ultimately doesn't work would have been a big financial hit. I have to give kudos to them for doing that.”