In William Faulkner’s 1938 novel The Unvanquished, the implacable Colonel Sartoris takes drastic action to stop the election of a black Republican candidate to office after the Civil War, destroying the ballots of black voters and shooting two Northern carpetbaggers. While such dramatic means of voter suppression occurred often enough in the Reconstruction South, tactics of electoral exclusion refined over time, such that by the mid-twentieth century the Jim Crow South relied largely on nearly impossible-to-pass literacy tests to impede free and fair elections.



These tests, writes Rebecca Onion at Slate, were “supposedly applicable to both white and black prospective voters who couldn’t prove a certain level of education” (typically up to the fifth grade). Yet they were “in actuality disproportionately administered to black voters.” Additionally, many of the tests were rigged so that registrars could give potential voters an easy or a difficult version, and could score them differently as well. For example, the Veterans of the Civil Rights Movement describes a test administered in Alabama that is so entirely subjective it measures the registrar’s shrewdness and cunning more than anything else.

The test here from Louisiana consists of questions so ambiguous that no one, whatever their level of education, can divine a “right” or “wrong” answer to most of them. And yet, as the instructions state, “one wrong answer denotes failure of the test,” an impossible standard for even a legitimate exam. Even worse, voters had only ten minutes to complete the three-page, 30-question document. The Louisiana test dates from 1964, the year before passage of the Voting Rights Act, which effectively put an end to these blatantly discriminatory practices. (Though last year’s Supreme Court decision in Shelby vs. Holder means that such tests, or even more slippery means, could ostensibly return in those parts of the country that have made little progress since the sixties). Learn more of the history of Jim Crow voter suppression at Rebecca Onion’s original post here and an update here.

via Slate's Vault blog

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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness