Gyroscopolis [Image: From "Destination Docklands" by Emma Colthurst; via Lobby].



This is such a clever architectural model: a



[Image: From "Destination Docklands" by Emma Colthurst].



Called "



This includes the "submerged industrial landscape" that re-arises with a turning of the gears to the towering cranes of as-yet unrealized construction projects set to transform the Docklands for generations.



[Image: From "Destination Docklands" by Emma Colthurst].



As Colthurst herself explains over at "Destination Docklands" seeks to reconnect the remnant memory of the submerged industrial landscape. A Gimbal—a mechanism, typically consisting of rings pivoted at right angles, for keeping an instrument such as a compass or chronometer horizontal in a moving vessel or aircraft—holds the Dock’s spatiality in fragmented balance. Previously a device used for ship navigation, the Gimbal realigns glimpses of the area’s connected history, and its axes pivot perpendicularly, bringing their own relationship and meaning to the Dock. The Gimbal becomes a capsule for the connected "players" of this industrial world. "As the rings turn," she adds, "the spatial relationships between the industrial worlds are juxtaposed against each other. As these tangible connections teeter on the edge of the Dock’s hemisphere, their world is refocused in moments of realisation, before falling away."



[Image: From "Destination Docklands" by Emma Colthurst].



The result is a gyroscopic scenography of different contexts rolling into view, momentarily aligning, and then sinking once again into the urban murk of potential rearrangements yet to come.



Read more about the project over at the recently launched This is such a clever architectural model: a project by Emma Colthurst from the Bartlett School of Architecture in London is presented as a narrative gyroscope, an urban universe of wheels within wheels, of shifting ground planes and emerging landscapes amidst a carousel of new horizons.Called " Destination Docklands ," it is intended as a kind of horological device, telling the story of the site through time.This includes the "submerged industrial landscape" that re-arises with a turning of the gears to the towering cranes of as-yet unrealized construction projects set to transform the Docklands for generations.As Colthurst herself explains over at Lobby "As the rings turn," she adds, "the spatial relationships between the industrial worlds are juxtaposed against each other. As these tangible connections teeter on the edge of the Dock’s hemisphere, their world is refocused in moments of realisation, before falling away."The result is a gyroscopic scenography of different contexts rolling into view, momentarily aligning, and then sinking once again into the urban murk of potential rearrangements yet to come.Read more about the project over at the recently launched Lobby

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