The RM-2 does harness the warmth of the Ramsa WR-S4424, but is not intended to be a 1:1 recreation of the original console.



The EQ section takes a different approach, as explained below.

And unlike many plugins modeled from analog hardware, the RM-2 has no noise floor.

This allows you to focus on tone without worrying about your signal-to-noise ratio.

​

The Interface:



Input / Output

The input and output section includes the DRIVE parameter, and allows you to dial in the right amount of flavor. From subtle saturation to full on distortion, this section will get you where you want to go.



In/Out

Dial in the right amount of signal coming into the RM-2. Since this is feeding the modeled circuit, this control behaves in a non-linear manner. The more you push the input, the more the RM-2 will saturate.



Drive

Turn up the drive, and turn up the vibe! This knob feeds the input signal into the modeled circuit, taking you from subtle to severe!

Output

Dial in the right amount of output gain. The output control is linear, and will not further color your sound.



Link

Links the input and output controls together, allowing you to find the right amount of character without changing the perceived loudness.

​

EQ Section

The three fixed eq bands are broad and gentle, allowing you to sweeten your tracks with ease. The Bass and Treble bands were measured from the low and high shelves of the Ramsa WR-S4424, then tuned by ear to be extremely gentle and transparent.

q

The midband is asymmetrical in behavior, allowing broad boosts with surgical cuts.



Bass

The Bass shelf is fixed at 70 Hz



Mid

The Mid band is fixed at 2 kHz



Treble

The Treble shelf is fixed at 12.5 kHz

