Another day, another chapter of Watamote to fill that hole in your heart.

The suspension arc continues on, and in what seems to be a reflection of characters’ emotions, it’s a slower chapter that on the surface, doesn’t offer much in terms of “progression”. Thankfully, my overly analytical mind is here to pick up all the delightful subtleties of our cast, and pick apart the unexpected, but welcome direction this series has set itself up to move towards. All aboard the Tomoko Train!

Chapter 159: Because I’m Not Popular, I’ll Still Be Suspended



Yeah, that figures. Suspension becomes a lot less stressful when you realize you’re too bored to be stressed.

Not much else to say other than the lighting in this shot is absolutely gorgeous, ya’ll.

Sorry…I was distracted by Yoshida wearing a tie. By all accounts, it should not look as good on her as it does. Too bad we only get it for like 1 ½ panels, but I’ll take what I can get.

♪ Wooooah, we’re halfway there!

WOAH! Livin’ on a prayer! ♫

Just some more scenery porn courtesy of Niko. Her work has really come a long way.

I sure do love these unexpected pairings that get thrown our way from time to time. They may not be the matchups we wanted, but they’re sure as hell the ones we’ll undoubtedly love.

Tomoko at it again with the sick comebacks.

It may just be out of respect to her friend Komiyama, but I’d like to think that Itou secretly(?) would like to see Komi and Tomoko become closer. A true (friend)shipper on deck.

Ah, Itou. If nothing else, your friendship with Komiyama is the real deal if you can admit to all her lunacy.

I can’t help but love how Komiyama’s whole identity is 80% related to her glasses. No surprise since its a given fact that all meganekko girls are either super pure, or super perverted, and Komi has the distinct honor of being both.

Good luck, Itou! Just play the Lottes theme song and you’re guaranteed to bring at least one person to tears.

I wasn’t sure if Tomoko fully cleared up the whole “Tomoki is my brother” thing in the groping chapter, but the implication here is that Yoshida still doesn’t know. This is building up to what will surely be a hilarious revelation.

Guess we don’t have to worry about adding Itou into the Tomokibowl, huh? That would’ve been such a trainwreck. Makes you wonder who’s Itou’s type though…

As in, “Are you doing well?” or “Well, how are you?”. C’mon, Yuri, you gotta dial down the tsundere-ness and give your favorite idiot a little more context than that.

Damn, Nemo was right on the money, wasn’t she? Even over LINE, she’s not afraid to play dirty.

Btw, I love how Tomoko’s expression doesn’t change at all while looking through the messages. Like her face is frozen from processing so many slaps in the face at once.

I think this is the first Tomoko has been genuinely unnerved by Katou’s (s)mothering. Getting spoiled is a hot fantasy the first couple times, Tomoko. But once it starts bleeding into your everyday life, that’s when it starts getting a little creepy.

Let’s be honest. We all know who this is, right?

Side note: How did she get Tomoko’s LINE number?

I wanna say it’s another Mako case where Okada sent her a message because of Nemo’s influence. Poor girl is falling down the rabbit hole.

Oooooh, Katou’s getting special treatment. In her defense, I don’t think it’s necessarily that Tomoko likes her best or anything. For one, Katou the only one whose message was fairly normal. But also, it’s easy to send a quick reply to someone you’re not as close with. Logically speaking, Tomoko would likely prefer to send more detailed responses to Yuri and Nemo because she’s closer to them. And she’ll probably ignore Ucchi entirely.

Of course, logic has no place between girls fighting for dominance.

The first time we get to see Katou’s inner thoughts and…it’s nothing special.

I wasn’t expecting to see a monologue of deep-rooted insecurities or anything. That’s not this series’ thing. If anything, that mundaneness works to Katou’s advantage because it shows that while she may be incredibly attractive on the outside, she’s just a regular person with simple concerns on the inside. If they’re really going to take Katou’s affection on Tomoko into romantic territory, it’s a good place to start.

The Cuck Sisters have graduated into the Ghosted Sisters.

I’m sure Katou isn’t trying to arrogant about being the only one to get a reply. I mean, anyone would have a bit of an ego boost from that.

But I’m sorry, Katou. There’s just one small thing you have to realize…

…finding out that your girl was out seeing other people is the initiation for entering the Tomoko harem.

Poor Itou. Girl was just minding her own business and now she finds herself in the middle of the moshpit.

On that note, I absolutely love the composition of this panel. Even though the line of sight is directed at Itou, Katou’s stance draws in your full attention. Even more amazing is how having these six specific people in the frame adds to the overall intensity. We having Tomoko’s old friends, new friends, and acquaintances all together for the same discussion, and it really emphasizes just how much Tomoko’s influence has affected the whole classroom dynamic.

Small tidbit, but I appreciate that Yuri asked about Yoshida, too. Those two haven’t had many scenes alone together lately since the pachinko parlor moment, and it would sure be nice to more of their relationship outside of Tomoko.

Ucchi’s teleportation powers always gets a good laugh out of me. I also like how the very first thing she asks is if Tomoko’s creepy, like she needs that confirmation to validate even being there. Girl needs to start coming up with better excuses.

Having Ucchi and Futaki in the same panel always feels so unreal to me. I feel like if the two of them starting talking to each other, the universe would implode upon itself.

Ucchi:

I like the direction they took this. It would have been very easy for Komiyama to pretend she doesn’t care a la tsunderism. But nope. Komiyama only has a mild interest in how Tomoko’s doing, letting Yuu act as a proxy for them. Even if Tomoko and Komiyama don’t care much about each other, their history belies this odd level of intimacy.

Alright, alright, you got me Nico Tanigawa.

…Poor Minami.

I think its a merit to the mangaka’s storytelling skills that we can easily infer that Mako’s talking about Yoshida. Between Mako being who she is, Yoshida being who she is, and their growing friendship gaining attention, who else could it be?

That’s…kind of sad, honestly. We’ve seen several times just how clingy Minami is to her (one-sided) friendships, but never have we seen her sound so dependent on others. It’s been hinted at before, but being a bitch is the one thing Minami’s good at, and she might actually know that. She may act stuck-up on the outside, but the fact that’s she’s so upfront about it may actually mask a bit of an inferiority complex.

Curse you, Nico Tanigawa, for making Minami a three-dimensional character with legitimate wants and fears.

I’m glad Mako isn’t mentioning her by name. She knows Minami enough that outting her friend will lead to harm.

On Minami.

Tomoko’s triangle mouth is unironically cute. There, I said it.

Character development for Yoshida, whaaaaaat?

Let’s face it. The trio of Tomoko, Yuri, and Yoshida are all slackers in some way, shape, or form. It makes sense that Yoshida would be the last of them to put any real effort into her future. Since she isn’t the type to make personal changes just because someone told her to, the reasonable way to make Yoshida understand is through observance. As thick-headed as she is, Miss Yoshida is not about to be left in the lurch while her buddies move on without her.

Between this and my recent watching of Aggretsuko S2 (shameless plug!), it’s become apparent to me that getting a driver’s license isn’t as “mandatory” there as it is in my country. I’d imagine it has to do with the work environment there being so focused on public transit, but feel free to correct me if I’m wrong.

Tomoko actually makes a solid point there, though I get the feeling she’s imagining Yoshida driving getaway cars for the yakuza or something.

Or, you know, her chauffeur.

Ignoring the somewhat obvious advertisement for a vehicle that I’m sure was blacked out in the original version, this is totally setting itself up for the next arc of Watamote. As summer vacation gets closer and closer, I was wondering just how Tomoko was going to spend it. She obviously can’t stay at home the whole time like she did in the past, so I was thinking she’d end up doing things with her friends like working part-time jobs, going to a festival, or in this case, a road trip.

Bring on the Road Trip Arc!

Oh, I get it. Tomoko did the whole “min-na” thing that slice-of-life moe anime girls do when talking about their friends, right?

Traitor.

I’m joking, of course, but only partially. It’s clear to us all that Tomoko feels like she’s betraying a part of herself for saying something so bubbly. It was a direction I had anticipated to some degree when Tomoko began making self-deprecating jokes about becoming a normie. It was always in that “haha, like that could ever happen” tone, but it was only a matter of time before Tomoko started to become the mask. It’s scary to think you might subconsciously be changing a core part of yourself, and that realization is something Tomoko will eventually have to come to terms with.

At least we get her most adorable, genuine blush ever thanks to this.

Damn, expulsion for driving a vehicle? What’s with this school and it’s beef with having your own set of wheels?

Ah, saving up for a car. The first glimpse into Tomoko’s (and everyone else’s) efforts at adulting.

To get the obvious out of the way, no I don’t think Mako and Yoshida are naked in this panel. While Nico Tanigawa have shown that they’re not above very mild levels of fanservice, I don’t think they’d resort to something this teasing.

Probably.

Anyways, there isn’t anything necessarily wrong with Yoshida’s decision. Taking things slow is very much in line with her character. Sure, it’s kind of inconsiderate of Yoshida to flippantly go the other way after asking for help, and Mako’s frustration is understandable. But more importantly, it highlights Mako influence on Yoshida, and the Kyoto Group in general.

When it’s just Tomoko, Yuri, and Yoshida, they have a unique bond where they don’t really try to push each other out of their comfort zones. Yoshida especially, for being so damn stubborn. But when you add Mako into the mix, a.k.a. the “Mom Friend”, suddenly the level of morale and effort within the group rises. And as the most “normal” friend, Mako’s existence helps to keep their friendship from growing stagnant.

As the Suspension Arc continues, the lack of “action” gives the cast some room for a little introspection. The gags themselves may have been on the limited side, but a lot of these set-up chapters usually are. The future is near, folks, and there are no signs of slowing down, for the characters or the series itself. Changes are over the horizon, but for now, the journey continues.