After making a gargantuan splash with her first album, Björk pushed her sound past Debut by creating a kaleidoscopic time capsule of the diverse, burgeoning London club music scene brewing in the mid-90s. These include the sounds of industrial, ambient and trip hop, and allow tracks such as “The Modern Things” to be as whimsical as they are. The addition of strings, brass and organic percussion helps to advance Björk’s sound, past simply embracing electronics. For this very reason, the biggest standout on the album is “It’s Oh So Quiet”, which presents a dramatic shift in sound, even within the context of the album, nonetheless it’s a thrilling song about the cycle of love, punctuated by a joyous brass band. The juxtaposition between the suspenseful verses, and the explosive and lavish chorus earns its place on the LP as its escape. The album provides a careful and harmonious blend of the organic and electronic, take the dreamy yet gripping ballad, “Possibly Maybe”, which moulds a nocturnal, brooding atmosphere, and an infectious refrain that highlights the melancholic story of a failed relationship. One of the most revered aspects of Björk’s music is her masterful voice, and on this album, it is more confident, angelic yet commanding. The track “Isobel” underlines this; a distinctively slow but intricate piece of trip-hop, punctuated with luscious orchestration that presents one of the most cinematic moments on the album. Post is a seismic contribution and advancement to the diverse palette of sounds she surrounded herself with. It is an imaginative and most importantly, confident progression from Debut.