In terms of where The Endless goes, it's a crazy ride that's best seen with knowing as little as possible. Coming off their recent genre-hybrid Spring, which took inspiration from the works of horror writer H.P. Lovecraft, the filmmakers have chosen to explore that reference point from another plane. The film even opens with a Lovecraft quote that sets the stage for the innate dilemma at The Endless's heart, coming to form a self-reflexive notion when the larger situation at hand comes into play.

What's excellent about the film is how it takes on a DIY presentation via it's mies-en-scene and naturalistic performances, to really accentuate it's more out-there elements. Universal, existential themes are on display, but the human element that's front-and-centre really grounds this approach and makes these revelations all that more intense.

Playing lead roles for the first time in their careers, it's fun to watch Benson and Moorhead be present on-screen in the story they've concocted, and it's a rare example of being behind and in-front of the camera working in spades. Their ensemble cast warrants praise too, especially Ellington who straddles the line between wholesome and sinister. Character actor James Jordan also gets a nice role as Shitty Carl, who the brothers encounter early on and who later becomes integral to the narrative's twisting nature.

2018 has already given us some great titles in genre filmmaking, and The Endless is certainly another amazing achievement in that respect. Benson and Moorhead have outdone themselves with a thoroughly engrossing, intelligent, and shocking blend of cult and the occult. Its Tribeca premiere should ensure lots of attention on the film circuit throughout the rest of the year, what they've done here deserves to be called one of the best sci-fi films of the year.