Halloween broke more records in its second weekend of release, as Universal’s mega-hit slasher reboot stabbed its way to a stunning $126 million after just ten days of release. Meanwhile, Hunter Killer launched with a mediocre start in fifth place, while mid90s did solid business in its nationwide expansion.

Holding onto first for a second weekend, Halloween dropped 58% for a $32 million second weekend. That’s actually not far from what 2007’s Halloween remake did in its opening weekend adjusted for inflation. Worldwide, Halloween is at a terrific $172 million – more than ten times its production budget.

A Star Is Born held onto second for the fourth weekend in a row, off just 26% from last weekend. With $148 million in the bank so far, Warner’s hit drama will likely become one of the highest grossing titles of all time to not hit first place. While it has sturdily held its own against both Halloween and Venom, it will face some more direct competition next weekend from Bohemian Rhapsody – currently tracking for an opening of around $30 million – though both titles could certainly co exist in the marketplace, especially considering A Star Is Born has already been in theaters for nearly a month.

Speaking of Venom, Sony’s superhero title just surpassed half a billion worldwide. How high it can get from here is still somewhat up in the air, but another $100 million certainly doesn’t seem out of the question.

Among the new openers, the biggest of the weekend was Hunter Killer, a submarine thriller starring Gerard Butler. Not many were interested, unsurprisingly, as it clocked in just $6.6 million from 2,728 locations. That was on the lower end of tracking, which had placed it around $5-9 million. The weekend before Halloween is typically a quiet one for new releases, not only because most audiences are busy with holiday plans, but also because the first weekend of November is typically a hot spot for both a family oriented title as well as an adult one, and this year is no different, with both Bohemian Rhapsody and The Nutcracker hitting theaters next weekend. Because of this, Killer likely won’t stick around long enough to hit much more than $15 million domestic, making this a huge flop considering its $40 million price tag.

The buzz title of the weekend was A24’s mid90s, which saw a rather hasty expansion into nationwide release after opening in just 4 locations last weekend. Typically, titles like this will get a slower rollout over the series of a few weeks, but A24 seemed to realize how busy November was and simply launched it as fast and as wide as they could. This isn’t a bad idea, considering Suspiria is following suit next weekend and will be competing for the same arthouse crowd. In terms of how it performed, however, the coming of age drama bagged $3 million from a very wide 1,206 locations. That’s a bit higher than Eighth Grade did back in August, though that’s not exactly an apples to apples comparison; that film had three weeks in wide release whereas mid90s had only one. After its first weekend nationwide, Eighth Grade had collected $6.5 million, whereas mid90s is at roughly half that.

This opening emphasizes the difficulty of marketing titles like this to a wide audience, so it has to be somewhat commended that it wasn’t completely lost in the shuffle. Apparently, however, there was more initial demand than expected, as the film dropped a startling 32% on Saturday. That kind of drop is typically reserved for major franchise titles or mega-front loaded horror films, making it a bit bizarre as to why it was so front loaded. This indicates it probably won’t be in theaters for too long, and should likely wind up under $10 million.

Universal skimped out on Johnny English Strikes Again, releasing into just 544 locations for the weekend. Turns out that wasn’t a bad move, however, as it only managed to pull in $1.6 million for the weekend. The comedy has already made more than $105 million overseas, meaning this release was really more of a formality, and the sub-nationwide theater count would seem to confirm that.

Moving into the specialty market, the biggest title of the weekend was Suspiria, which opened in 2 locations (1 in New York and 1 in Los Angeles) with a scorching $89K average. Originally scheduled for a nationwide release next weekend, Amazon instead moved the horror remake to a platform release, scheduling it for a limited start this weekend, followed by late night screenings on Halloween night, and a nationwide release next weekend. However, it would be surprising if it truly ends up in more than a few hundred locations based on its 153 minute runtime and extremely inaccessible content. Critical reception has been quite polarizing, and the hype wasn’t nearly as strong as it was when the teaser dropped back in the summer, meaning this may be a hard sell to general audiences.