I've said it before and I'll undoubtedly say it again. Every two or three years, Canadian speculative fiction author Guy Gavriel Kay releases a new novel that never fails to amaze me. For some unfathomable reason, though the man is definitely one of the very best fantasists of his generation, if not the best, I can't help but feel that he remains, at least outside of Canada (where he is a bestselling author), one of the genre's best-kept secrets. With unforgettable titles such as, and, Kay has set the bar rather high throughout his career. And I'm happy to confirm thatis another memorable read that remains with you long after you've reached its end.Like the majority of his books, Kay's latest is another captivating blend of history and fantasy. Having read the Sarantine Mosaic andis not a prerequisite for enjoyingto the fullest. It is a stand-alone tale which takes place between the duology and the novel. Still, there are a few nuances that might resonate a little more strongly with readers familiar with the aforementioned works. In any event, you should read all of Kay's books if you haven't already!Here's the blurb:Long-time Kay fans will be pleased to learn that the tale occurs about 900 years following the events chronicled in the Sarantine Mosaic books, just before the fall of Sarantium. Once again, the worldbuilding was inspired by the Renaissance era, during the heydays of the republic of Venice. Richly detailed as only a Kay work can be,enthralls you from the get-go. I'm not sure how he does it with every new novel, but Guy Gavriel Kay once again came up with an incredibly evocative narrative and an arresting imagery. It's likely due to the extensive amount of research that the author puts into every project. Once more, I feel that Kay captured the moods and nuances of his chosen setting to perfection.I've said it a thousand times, but Kay's talent and imagination allow him to create a living and breathing environment that draws you in and refuses to let go. I don't know how he manages to do it, but Kay's worldbuilding is almost always a subtle thing. The setting never takes precedence over the story and he never relies on info-dumps and other such contrivances. Still, somehow, seemingly effortlessly, as the tale progresses Kay ends up with an elegantly crafted setting that never fails to dazzle the eye. Few authors can immerse readers in such a vivid manner, and Kay's eye for historical details and traditions imbueswith a realism that is seldom seen in works of speculative fiction. Having said that, his latest is not a sprawling novel such as Kay's epic works likeand. Indeed,is not as vast in scope and is more reminiscent ofand. It's a shorter book, true, but one that nevertheless packs a powerful emotional punch.Guy Gavriel Kay has always possessed a deft human touch and his past novels are filled with memorable characters. And once more, it's the superb characterization which makes this book impossible to put down. As is usually his wont, the author came up with a group of disparate men and women, whose paths will cross unexpectedly and whose fates will be spun into a vast tapestry of love and tragedy. Each of them is going through important changes in their lives. Back whenwas about to be published, Kay told me that as much as anything, he wanted that novel to be about non-powerful (not same as ordinary) people on borderlands in a time of war, trying to shape their lives (very differently) in difficult times. They intersect, some of them, with power, but that isn't the heart of the story. It was also important for Kay to balance the five of them, not let one character take over the book. Add to that his usual desire to also balance awareness of history and themes against characters, narrative drive, etc, and you ended up with a complex and satisfying plot on your hands. For the most part, the same can be said about. The difference is that the protagonists are "less important" people in the greater scheme of things who get caught in the periphery of influential men and women whose actions will cause world-shaking ripples that will change the world as they know it. Young Guidanio Cerra is at the heart of the tale. But his meetings with first the beautiful and mysterious Adria Ripoli, and then with Folco Cino and Teobaldo Monticola, rival mercenary commanders with powerful armies, will set him on an unexpected course. Jelena, a young healer who treats a wounded nameless stranger will also unwittingly be drawn into events that will change her life. Of course, all of these protagonists are well-defined and three-dimensional. Other than the High Patriarch of Jad, that is, especially early on. He comes into his own later on in the novel, but at first it felt as though he was more of a cardboard cutout kind of character.It takes a while for the various storylines to come together. And yet, in typical Kay fashion all these threads do come together beautifully at some point and the author closes the show with style and aplomb. I loved how the decisions of minor players can nonetheless have grave consequences that will shake the world and echo down the centuries. Returning to the universe of, the Sarantine Mosaic series, andwas in itself quite a treat. I once asked Kay if he would ever consider giving us a book on the fall of Sarantium one day. It was nice to witness its collapse and the repercussions it would engender around the rest of the world. But I'm still hoping for a full novel/series focusing on the downfall and capture of Sarantium at some point.Though the pace can be slow-moving at times, it is never dull. From start to finish, with Kay's lyrical prose the narrative is a joy to read. I don't know how he does it, but it often feels as though Kay can convey more in a single sentence than most of his peers can in a full paragraph or a full page. With, Kay demonstrates yet again that he is a master storyteller in complete control of his craft. This is definitely one of the speculative fiction titles to read this year.The final verdict: 8/10For more info about this title: Canada