Instead, its brand is simply, “Things someone might want to stream on Netflix.” You get arty experiments (“The O.A.”), bubble gum nostalgia (“Fuller House”), dystopian sci-fi (“Okja”) and adult crime-noir (“Ozark”) all for the same fee, if perhaps not for the same viewers.

Given that, you can sort of see how “Disjointed,” from Chuck Lorre (“The Big Bang Theory”) and David Javerbaum, sort of makes sense there. Like Netflix’s “The Ranch” and “One Day at a Time,” it’s structurally an old-fashioned broadcast sitcom. But even in a more choom-friendly America, it’d be a tough sell at CBS.

The result is a mess of a comedy that doesn’t feel as if it belongs anywhere.

Ruth runs her shop, Ruth’s Alternative Caring, with her strait-laced M.B.A. son, Travis (Aaron Moten). (She’s white, he’s black, and there are some obvious jokes about it.) Their staff of eccentric “bud-tenders” includes Pete (Dougie Baldwin), who talks to his cannabis plants; Olivia (Elizabeth Alderfer), a potential love interest for Travis; and Jenny (Elizabeth Ho), who calls herself the staff’s “tokin’ Asian.”

But for the intoxicant, this kind of wacky family-work hybrid could have aired 25 years ago. (The sitcom veteran James Burrows directs the premiere.) But it’s also raunchy without much sophistication and distractingly self-conscious. Where HBO’s “High Maintenance,” about the peregrinations of a pot dealer, plays its material cool, “Disjointed” makes marijuana the joke in a way that would have felt more at home in the Cheech and Chong ’70s.

The show’s worst device is a string of parody pot commercials — some for Ruth’s shop, some in the style of old cigarette ads — that fall where ad breaks would be in a network series. (HBO’s “Six Feet Under” did this in its 2001 pilot, then wisely quit.) It’s as if “Disjointed” wants credit for not being a predictable sitcom yet uses the spoofs to keep a predictable sitcom’s act structure and beats.