Dumbo (1941)

In an interview with Another Magazine , Shulman elaborated further: ‘I set up my camera in front of my computer and pointed it at a movie, expecting that, if you expose the negative for an hour and a half with a film in front of it, you’d get a bit like what you get when you mix balls of Play-Doh together – just a brown monotone hue. So I was very surprised when in fact these kinds of rather interesting translations of films started occurring’