Joel and Ethan Coen’s 1998 movie, “The Big Lebowski,” which stars Jeff Bridges as a beatific, pot-smoking, bowling-obsessed slacker known as the Dude, snuck up on the English-speaking world during the ’00s: it became, stealthily, the decade’s most venerated cult film. It’s got that elusive and addictive quality that a great midnight movie has to have: it blissfully widens and expands in your mind upon repeat viewings.

“The Big Lebowski” has spawned its own shaggy, fervid world: drinking games, Halloween costumes, bumper stickers (“This aggression will not stand, man”) and a drunken annual festival that took root in Louisville, Ky., and has spread to other cities. The movie is also the subject of an expanding shelf of books, including “The Dude Abides: The Gospel According to the Coen Brothers” and the forthcoming “The Tao of the Dude.”

Where cult films go, academics will follow. New in bookstores, and already in its second printing, is “The Year’s Work in Lebowski Studies,” an essay collection edited by Edward P. Comentale and Aaron Jaffe (Indiana University Press, $24.95). The book is, like the Dude himself, a little rough around the edges. But it’s worth an end-of-the-year holiday pop-in. Ideally you’d read it with a White Russian  the Dude’s cocktail of choice  in hand.

Image Jeff Bridges, left, and John Goodman in “The Big Lebowski.” Credit... Merrick Morton/Gramercy Pictures

More than a few of this book’s essay titles will make you groan and laugh out loud at the same time (“ ‘The Big Lebowski’ and Paul de Man: Historicizing Irony and Ironizing Historicism”). But just as often, the writing here is a bit like the film: amiable, laid-back and possessed of a wobbly Zen-acuity.