How Spike Jonze Shoots Movies About Loneliness Go really wide or really close Your character is struggling to fit in. We feel it in the words, but not on screen. By playing with the extremes of your frames, you can capture characters’ disconnection with the world around them. An extreme close up can make us feel overwhelming emotion...

How Spike Jonze Shoots Movies About Loneliness - Close-Up

...while an extreme wide shot can make us feel a character’s isolation in the frame itself.

How Spike Jonze Shoots Movies About Loneliness - Wide Shot

EXERCISE: Find a monologue in your script. During blocking, frame your actor from a great distance, up close, and everywhere in-between. Notice how each frame affects the words being spoken and what new meaning it can add to your script.

HOW SPIKE JONZE SHOOTS MOVIES ABOUT LONELINESS Shoot a montage People usually feel isolated over time. A montage gives us your viewers the passage of time without the hours of story. Let Hitchcock explain.

Hitchcock demonstrates montage

While keeping your lonely characters the focus, we can watch as they grow detached from the world around them in their reactions.

How Spike Jonze Shoots Movies About Loneliness - Montage

While often covering time moving forward, a montage can also work in reverse, as a flashback, like the above scene from Her. EXERCISE: Dialogue is never as effective as a character’s reaction. Take some dialogue and turn it into action. If a character’s telling their husband to leave, have them throw a book instead. The reaction will tell us more then “Get out!” ever could.

HOW SPIKE JONZE SHOOTS MOVIES ABOUT LONELINESS Do less with your style You want to put your director trademark on every shot, making every scene a masterclass in coloring, framing, suspense, you name it. But more often than not, less can be more when it comes to loneliness. A simple camera set up on an actor can highlight a character’s raw emotion. By stripping your shots of tricks and gimmicks, we feel the vulnerability of you, the director.

How Spike Jonze Shoots Movies About Loneliness - Joaquin Phoenix Sad

EXERCISE: Ask yourself: How can I move the camera or frame the actor to express the emotional state of the character? If this was not a moving sequence and I didn’t have the benefit of sound and words what emotion would I want the picture to express? In general, don’t be afraid to steal from the greats. Watch every movie, study every shot, notice every shadow and when you find something that works STEAL IT, break it down and make it your own.