[F4M] [Script Offer] Irresistible, Part 1 [scent] [pheromones] [aphrodisiac] [mind control] so [RAPE] [office sex] [blowjob] [swallow] [cum lover] [cum hater] [suggestible] [friends to lovers] [frienemies to lovers] [blowjob from the office bitch] [swallowing gum?] [swallowing cum]

[SCENT, PHEROMONES, MIND CONTROL: The LISTENER's character has suddenly begun to secrete an aromatic chemical that makes women surrender their will to him utterly, becoming completely suggestible to his every word or whim. They have no thoughts, desires, or motives other than what he gives them--intentionally or on accident. That means, for the bulk of this script, you should be acting like YOU have no thoughts, desires, or motives other than what an irresistible man gives you. Surrender your will utterly to this script ;) ]

[GENERAL PERFORMANCE INSTRUCTIONS: Every part of this script is a conversation with somebody. Pause after each line.]

[BEGIN]

[During the first part of this audio, you should sound physically distant from the listener. You can accomplish this by recording farther away from the mic than usual, or by turning down the volume of this first part when you edit the audio. Optional: chew gum during the opening lines, to hit the "shitty people chew gum on the phone" trope. This would create a plot hole later--where does the gum go while she's sucking his dick?--but if you think it's a funny detail to add, it's probably worth the plot hole.]

Yeah, so he was like, buying me drinks, just like every guy ever, right? And I thought he was having fun, because I kept letting him. But then, out of the blue, he's like "I've been paying for top shelf liquor all night, the least you could do is pay attention to what I'm saying." And I'm like "listen here, *buddy,* liquor only buys my *physical presence* in the seat next to you. You want attention, that costs you a five-star dinner with the best wine in the house, *minimum*. And the way you look, you better bring flowers.

I know, right? It's like they don't realize respect isn't given, it's earned. (If you don't think "earned" is on the nose enough, you can change the line to "bought.")

Listen, I can smell someone coming around the corner to talk to me. Call you back later?

Whatever this is about, can you, like, make it quick? I have something *important* to get back t...

[Suddenly cut off and silenced.]

[Sweetly, pleasantly, submissively:] Mmhmmm?

[When I think of how you should make this "mmhmmm" sound, I'm imagining that you're looking up at a man you long for with the biggest, most attractive eyes you can make, because you desperately need his attention, more than you've needed anything before, and you have *no idea what else to say.* But if you're not an actress who likes to ask the on-set writer for your character's motivation, just do sweet, pleasant, and submissive. Smiling when you say the line should help. Also, for the entire rest of the audio, your voice should contain NO HINT OF SARCASM WHATSOEVER. That is imperative to suspension of disbelief in this audio...if the listener were to even think of asking the performer's character whether she was being sarcastic, the entire plot would logically be prevented from taking place by a recursive loop of "are you being sarcastic?" "should I be sarcastic?" "no, of course you shouldn't." "if I shouldn't be, then I'm not." "That sounds like sarcasm, too." "No, that wasn't sarcasm. Should it be?" ad nauseum. Once started, this conversation has no logical endpoint. Therefore, there must be NO LOGICAL REASON for the listener to question the performer's sincerity.]

[Awkward pause]

I don't know if I'm going to sit here staring at you all day. Would...would you like me to?

I'd like to talk about the the way I spend my time at work, too.

I would care to explain what was going on before you walked up. I was on the phone with my friend.

Why? I don't know why. I suppose I'm just a bad employee.

Should I want to be better?

If you want to see me improve, then that's what I want, too.

Yes, I would like to join you over lunch to discuss some pointers you have for me.

I don't know if you'll be seeing me later. Do you want to see me later?

Then that's what I want, too!

Yes, you will be seeing me later.

Yes, we will go in my car.

Yes, I wouuld like it if I paid for the meal, too.

Yes, I would like to put your cock in my mouth and suck on it.

Yes, I'll let you hear me beg for it. Please put your cock in my mouth, so I can suck on it.

Yes, I will be more creative with it. Please put your cock in my mouth and let me suck it.

I don't know what I'm waiting for. I'll take it out now.

[Sound of pants being unzipped and pulled down. You can just record yourself pulling your own pants down.]

I see your cock now. Does that mean I can put it in my mouth and suck on it?

[Take a dildo or other cock-substitute and give it whatever your idea of an enthusiastic non-throaty blowjob is. The sound effects should not have a lot of buildup to them. You should start in vigorously from the very beginning. The need to work up to it or get into it mentally doesn't exist for your character--she has no will of her own. However, to give some impression of progress to this sex act, moan with excitement/arousal/lust. Start off with moans that are barely perceptible and gradually crescendo to moans that are distinctly audible, though still fairly soft. These sounds should last at least 60 seconds, although you can go longer if you would like.]

Yes, that is my idea of a blowjob. Did you want me to have a different idea?

My idea of a blowjob has some throat in it, too.

[Give whatever your idea of an enthusiastic, somewhat throaty blowjob is. The sound effects should not have a lot of buildup to them. Your character has no need to get in the right mood for this or work up to being physically comfortable with it--she has no will beyond that of the man in charge, who is already comfortable and in the mood. The moaning sounds should carry over from the previous blowjob, starting fairly soft and increasing to a medium volume. These sounds should last at least 50 seconds, although you can go longer if you would like.]

Yes, I will take it like a slut. I *do* take it like a slut.

[Give whatever your idea of an enthusiastic, very throaty blowjob is. The sound effects should not have a lot of buildup to them. The moaning sounds should carry over from the previous blowjob, starting from a medium volume and becoming quite intense. Your character, with no will of her own, has picked up on the listener's lust as a suggestion, and now she's mirroring it. These sounds should last at least 50 seconds, although you can go longer if you would like.

Once you finish them, come off the dildo (or other cock substitute) with a gasp.]

I didn't think I needed a break to catch my breath.

What did I think I needed? Your cock in my mouth. I feel empty without you inside of me, when I'm not pleasing you.

[Take the dildo or other cock-substitute and use it to give yourself whatever your idea of a desperate, cum-thirsty facefucking is. The intense moaning sounds should carry over from the previous blowjob. This facefucking makes the listener character cum, so change the quality of your moans to indicate this, and allow your mouth to fill up with saliva as a substitute for cum. All told, these sounds should last at least 80 seconds, although you can go longer if you would like.]

[Happily, with your mouth full:] I want to show the big mouthful of cum I sucked out of you, too!

[Happily, with your mouth full:] I love you cumming in my mouth, too!

[Disgusted, struggling with the mouthful:] Yes, I'll swish all that nasty shit around in my mouth.

[Swishing sounds, along with sounds of discomfort and/or distress, maybe even retching or gagging.]

[Disgusted, struggling with the mouthful:] Yes, now I'm gonna swallow every drop of it, no matter how bad it tastes.

[Difficult swallow with sounds of discomfort and/or distress, maybe even retching or gagging.]

Yes, it is all gone.

I don't know what I say. What do I say?

Thank you for all that cum in my mouth. It was an honor to serve you this way!

I don't know. Are we still on for later?

Yes, you will see me then!