There is a lot of pressure [to finish the script]. The way movie-making works these days is that as soon as you have a structure, when all the sets and the physical aspects of the film are locked in, the dialogue and stuff is always a moveable feat. We’ll be writing it right up until the edit, I think.

The pressure to get a kind of set structure is on, but for everything else, it’s a work in progress.

I feel like [Scotty’s role will be] less, because I’m going to have to be on set all the time anyway, as a writer, so I should write myself out so I can have time to be the writer.