Suzuki worked in partnership with the design studio Counterpoint and used Google's Magenta AI to generate music the way Scott envisioned. Like the Electronium, Suzuki's version has three panels. First, a player taps a melody, or even a few notes, on the center panel. Then, the AI uses that to compose music, which is shown on the right. And finally, the player can use the panel on the left to manipulate the music by adding effects or beats. It's the kind of human-computer collaboration Scott dreamed of but didn't have the digital technology to complete.

While Suzuki had the tools Scott was lacking, replicating the Electronium wasn't an easy feat. Scott was secretive about his work, so there are few published diagrams. Though, Mark Mothersbaugh -- the lead singer of Devo and current owner of the unfinished Electronium -- helped fill in some of the missing puzzle pieces.

Suzuki's creation will be on display at the Barbican Center in London, as part of an AI exhibit beginning May 16th. But Suzuki wants to keep building on the device, adding physical knobs and dials. He also hopes to create an online version to help raise awareness for Scott's vision and to help people learn about composing music.