Stephen Sondheim

Today Stephen Sondheim turns 90 years old, a milestone birthday that theater lovers have been celebrating for weeks now. (e.g. Sondheim at 90, a package of six articles in the New York Times; an epic collection of birthday greetings in song from the stars on Playbill.) Today would have been the Broadway opening of the new gender-bending production of “Company,” with Patti LuPone and Katrina Lenk, which would have been a fine way to celebrate.

Sondheim made his Broadway debut at the age of 26 in 1956, which means more than six decades of shows and songs. I thought the best way to celebrate his birthday is to rewatch the videos of some terrific performances of his songs, several from his 80th birthday concerts. Below the videos are some favorite lyrics.

…Stephen Sondheim, 89, nine-time Tony-winning composer, listening in the studio to a recording of the Broadway revival cast album of Sunday in the Park with George , 2019 West Side Story creative team From left to right: Stephen Sondheim (lyrics), Arthur Laurents (book), Hal Prince (producer), Robert E. Griffith (producer), Leonard Bernstein (music), and Jerome Robbins (director). 1957 “Onstage at the Alvin Theatre, opening night of Company, 1970. Hal Prince: “I had just told Steven Sondheim that the New York Times review wasn’t good. “ Video of Stephen Sondheim talking about Hal Prince in NYPL exhibition Sondheim with Elizabeth Taylor recording A Little Night Music in 1976 Sondheim in 1979 with Angela Lansbury and Len Cariou recording Sweeney Todd (L-R) Director Hal Prince & composer Stephen Sondheim in a rehearsal shot from. the Broadway musical “Merrily We Roll Along”, 1981 Sondheim with Bernadette Peters in 1989 Into The Woods Stephen Sondheim and Nathan Lane Stephen Sondheim, wearing a t-shirt with a line from his “Sunday in the Park with George” Sondheim with Jason Robert Brown Andrew Lloyd Webber and Stephen Sondheim, who share a birthday, March 22nd, albeit 18 years apart.

Stephen Sondheim’s Musicals

Girls of Summer (1956) Sondheim composed the title song in this straight play by N. Richard Nash.

Saturday Night (1954, produced 1997): Book by Julius and Philip Epstein

West Side Story (1957): Music by Leonard Bernstein, book by Arthur Laurents, directed by Jerome Robbins. Sondheim is the lyricist.

Gypsy (1959): Music by Jule Styne, book by Arthur Laurents, directed by Jerome Robbins. Sondheim is the lyricist.

A Funny Thing Happened on the Way to the Forum (1962): Book by Burt Shevelove and Larry Gelbart, directed by George Abbott

Anyone Can Whistle (1964): Book and direction by Arthur Laurents

Do I Hear a Waltz? (1965): Music by Richard Rodgers, book by Arthur Laurents. Sondheim is the lyricist.

Company (1970): Book by George Furth

Follies (1971): Book by James Goldman

A Little Night Music (1973): Book by Hugh Wheeler

The Frogs (1974): Book by Burt Shevelove (2004 version book by Nathan Lane)[112]

Pacific Overtures (1976): Book by John Weidman

Sweeney Todd (1979): Book by Hugh Wheeler

Merrily We Roll Along (1981): Book by George Furth

Sunday in the Park with George (1984): Book and direction by James Lapine

Into the Woods (1987): Book and direction by James Lapine

Assassins (1990): Book by John Weidman

Passion (1994): Book and direction by James Lapine

Road Show (2008): Book by John Weidman (formerly titled Bounce, Wise Guys, and Gold!)

Work in progress with David Ives, tentatively titled Buñuel

The videos are in roughly chronological order by the date of the show in which the song debuted

from the movie version of A Funny Thing Happened on The Way to the Forum, the first Broadway musical for which Sondheim composed the music

from Company:.

Here’s Sondheim rehearsing “Getting Married Today” from Company with the original singer, Beth Howland

from Follies

from A Little Night Music

from Sweeney Todd

from Into the Woods

1993 Kennedy Center Honors

from Company



My Twitter pals favorite Sondheim lyrics:

Company/What Would We Do Without You “Should there be a marital squabble, available Bob’ll be there with the glue.” — Rick Borutta (@GestaltOfRick) March 22, 2020

Somebody crowd me with love.

Somebody force me to care.

Somebody let me come through,

I’ll always be there,

As frightened as you,

To help us survive,

Being alive.

Being alive.

Being alive!

Song: Being Alive. The Musical: Company — specialsmiley (@Ianto_back2_TW) March 22, 2020

And here’s to the girls who play wife—

Aren’t they too much?

Keeping house but clutching a copy of LIFE

Just to keep in touch

The ones who follow the rules

And meet themselves at the schools

Too busy to know that they’re fools

Aren’t they a gem? Ladies Who Lunch//Company — Kristin (@itskristind) March 22, 2020

“Life is often so unpleasant

You must know that, as a peasant,

Best to take the moment present

As a present, for the moment.”

– Any Moment, Into The Woods Also the classic “shepherd’s pie peppered with actual shepherd on top.” — Helen Kennedy (@HelenKennedy) March 22, 2020

“That’s another story, never mind, anyways” part of the Witch’s rap from Into The Woods — John Dillingham (@musicman0943) March 22, 2020

Larks never will, you know, when they’re captive. Teach me to be more adaptive.

Green Finch and Linnet Bird from Sweeney Todd — theaterreviewsfrommyseat (@theaterreviews1) March 22, 2020

Loving you is not a choice.

It’s who I am — John O’Hara (@johnoplaywright) March 22, 2020



“Loving You” from Passion:

Loving you is not a choice,

It’s who I am.

Loving you is not a choice

And not much reason to rejoice,

But it gives me purpose

Gives me voice to say to the world:

This is why I live

You are why I live.

I was there then

I am here now — Lynn Angelson (@AngelsonLynn) March 22, 2020

“I’m Still Here” from Company:

Good times and bum times

I’ve seen ’em all and, my dear

I’m still here

Flush velvet sometimes

Sometimes just pretzels and beer

But I’m here

I’ve run the gamut, A to Z

Three cheers and dammit, c’est la vie

I got through all of last year

And I’m here

Lord knows, at least I’ve been there

And I’m here

Look who’s here

I’m still here

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