Disney once again made history by handing off the torch to themselves, as Pixar’s Incredibles 2 crushed expectations, not only taking in the highest opening ever for an animated film, but becoming the 8th highest opening ever with a stunning $180 million. The four quadrant blockbuster also landed an A+ CinemaScore, meaning Disney could quite possibly have 3 $600 million domestic grossers in 2018 alone.

Breaking down the opening of Incredibles 2, it becomes apparent how much nostalgia fueled this fantastic opening. While Dory made $9.2 million in its Thursday previews before a $135 million weekend, Incredibles 2 made $18.5 million – more than 10% of the weekend total. That’s not a worrying sign, but definitely implies that the audience may have skewed older, and as a result, more front loaded. With the massive nostalgia around the original title for a crowd that is now in their late teens and early 20s, that kind of demand can lead to a number like this. In terms of long term potential, if it matches Dory‘s multiplier it will land at around $665 million. Considering it was a bit more front loaded, however, it will likely burn out a bit faster, but a total of over $600 million is all but guaranteed.

In second, Warner’s counterprogramming title Ocean’s 8 had a somewhat middling 53% drop in its second weekend. The total is just shy of $80 million domestically, and up to $116 million worldwide. Last weekends other big release, Hereditary, had an excellent hold in its second outing, down just 48% with $7 million. With $27.1 million in the bank in just 10 days, it has already passed fellow 2018 horror titles Winchester and The Strangers: Prey at Night, with a good chance of topping the $40 million total of Truth or Dare by the end of its run. Hotel Artemis, on the other hand, plummeted 70% with just $959K, giving it a pathetic 10 day total of just $5.7 million.

Fellow Warner title Tag took third with an okay $14.6 million off a $28 million budget. That’s lower than both Game Night and Blockers, though those benefited from stronger reviews and a less busy Spring calendar. The film may benefit from overall solid word of mouth, but likely won’t make it much further than $40 million.

Sony’s crime drama remake Superfly was a superflop, with just $8.4 million in its five day debut, meaning it actually opened below the second weekend of Hereditary. With a major lack of marketing and a targeted 2,200 location release, Sony didn’t seem to have much faith in the $16 million project, which they realized lacked the commercial potential it needed.

The two competing May blockbusters, Solo and Deadpool 2 remain neck and neck (in terms of ranking, that is) with $9 million and $8.8 million respectively. Deadpool 2 is closing in on $700 million worldwide, while Solo is barely limping to $340 million – or, what its budget is rumored to be before marketing costs.

Moving into the specialty market, John Travolta’s Gotti pulled in a better-than-expected-but-still-bad $1.67 million from 500 locations, meaning it wasn’t technically in nationwide release, but still could’ve performed much better. The crime drama is still sporting an impressive 0% on Rotten Tomatoes with 23 reviews. This is the second release by MoviePass Ventures, the other being American Animals which continues to post solid numbers in limited release, but multiple issues with distributors and changing hands lead to this poor opening.

Race 3, the Indian action sequel, was just behind Gotti with $1.62 million from 315 locations, some of which offering 3D screenings.

Just outside the top 10, A Wrinkle in Time saw a 1643% jump, despite only adding 88 locations. If that sounds ridiculous and implausible to you, that’s completely understandable. This number allowed the film to just barely top the $100 million mark, meaning Disney can now sell TV rights for considerably higher. Studios can quite easily tweak the numbers from other films to hit these numbers in a little thing known as ‘Hollywood accounting’. Of course, this isn’t 100% conclusive and should be taken with a grain of salt, but it certainly seems more likely than the idea of a film which is already out on home video averaging $7.2K per location in its 15th weekend of release, considering it was in 30th place last weekend.