Having one’s own TV show comes with a lot of perks, but these days regular grooming is the one The Kid Mero often misses most. Along with his comedy partner Desus Nice, Mero hosts Showtime’s Desus & Mero, a show for which he normally gets his hair and makeup done before going on air. Now, New York’s shelter-in-place guidelines mean no more regular barbering. “In about a week,” he says, “my beard is going to be long enough for me to start drawing faces on random balls around the house and calling them my friends.”

The show might be hairier, but it must go on. Desus and Mero aren’t the only ones showing up on late-night TV a little more au naturel. The social restrictions necessitated by the coronavirus pandemic make it impossible to bring together the full crews necessary to put on a talk show, let alone assemble a studio audience, so in recent weeks many productions have been experimenting with filming their shows remotely. John Oliver reports from what looks like a vacuum for HBO’s Last Week Tonight. Tonight Show host Jimmy Fallon has a new camera operator: his wife, Nancy Jovonen. For a brief period early on, Stephen Colbert was doing The Late Show from a bathtub. Adapting Desus & Mero had an added challenge because, as its title suggests, it’s not one guy sitting behind a desk. “The big dilemma: We have two humans,” executive producer Tony Hernandez says. Hernandez watched how other late-night hosts had started shooting remotely and realized it wouldn’t work for his program. “They both needed to talk, to interact with each other.” Producer Julia Young, who guides the show’s flow by teeing up videoclips and making jokes with the hosts, needed to be in the mix as well.

What’s more, the heart of the appeal of Desus & Mero is its goofy, conspiratorial hangout energy, like eavesdropping on the funniest people you know shooting the shit. That mood of intimacy “brings a different quality than other late-night shows have,” says Desus & Mero executive producer Victor Lopez, who is also the duo’s longtime manager. Re-creating that feeling while its hosts were sequestered separately proved to be a challenge. “A big part of our chemistry is me and Mero being in the same room,” Desus says. Now they’re not even in the same state. Normally filmed in a midtown Manhattan studio with a live audience, Desus & Mero is currently working with two ad hoc sets: Mero’s basement in his New Jersey home and Desus’ “sneaker room” in his New York apartment.

Initially, the desire to stay close-knit had the crew floating other ways to keep the show on before they realized how long this crisis would last. “We were going to just hunker down in the studio with all the staff members,” Desus says. “We were just like, ‘What if we just get a lot of food and everyone just stays in the studio? We could just live here because it used to be the old Al Jazeera studio. So it’s bulletproof, fully protected, and self-contained.’ So in theory, we could have probably stayed there for a couple weeks. But, you know, people have families and kids.” The remote option quickly became the only option.

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The hosts are using some of their own equipment, but much of it was either sent over from the studio or, after the studio abruptly closed, ordered online and shipped to their homes. “No matter what limitations we had, the tech team figured it out,” Desus says. “The Showtime tech team virtually went into my MacBook and had the unmitigated audacity to tell me my MacBook was too old to run the streaming software! So I was sitting there in my feelings like, ‘How dare they?!’ But because it’s Showtime, the next day there was a fresh-out-the-box MacBook Pro at my door, and I had to spray it with Lysol and keep it moving.”