1.1 Dhrtarastra is on the throne, and Sanjaya, his secretary, is describing what is taking place on the Battlefield of Kuruksetra. Because of Sanjaya's mystic powers, the discourse on the battlefield between Krsna and Arjuna is revealed in his heart.

1.3 Dronacarya is seated in his tent, and Duryodhana is pointing to the two armies outside.

1.3 A view ot the military phalanx on the Battlefield of Kuruksetra. The chariot of Krsna and Arjuna is in the midst of the two armies.

1.14 Krsna blows His transcendental conchshell to herald the battle. Arjuna is seen in the background.

1.26-29 Arjuna laments upon seeing his relatives standing opposed to him in battle. Krsna, smilling, is ready to console His friend by His transcendental teachings.

1.33-35 Draupadi, the wife of the Pandava brothers (Arjuna, Maharaja Yudhisthira, Bhima, Sahadeva and Nakula), is being disrobed by Duryodhana and Duhsasana, two sons of Dhrtarastra, after being lost to them in a gambling match. Dhrtarastra is sitting on the throne. Krsna is becoming Draupadi's infinite robe to save her from being seen naked by the assembly. Because of this incident and other offenses to the Pandavas, Krsna wanted the battle to take place and the miscreants to be killed.

2.11 A devotee of the Lord comes upon a man lying dead on the ground and beside him two other men in conditions of bodily misery.

2.13 The conditioned spirit soul is seen changing bodies from childhood to youth to old age to death and then into the womb of another mother. Verse 22 is also illustrated by this same picture. Above, a man is changing garments, and below the soul is changing bodies.

2.13 The many, many frames on a reel of movie film, when seen consecutively, appear as one picture on the screen, although there are actually many different pictures. Similarly, we see a man as localized (above), but actually his body is changing at every second. All this is happening without the notice of the viewer. However, the soul within the heart (seen as a sparkling star) does not change; he remains eternally the same.

2.22 The bird on the left is captivated by the fruits of the tree, while the friendly bird on the right acts as witness. Similarly, the embodied living entity enjoys or suffers the fruits of his material activities, while the friendly Supersoul acts as witness and waits for His friend to turn to Him.

2.62-63 The path of destruction of the conditioned soul's intelligence due to the dictation of the senses and mind is portrayed.

3.10 Lord Caitanya, wearing yellow robes, leads thousands of followers in the congregational chanting of the holy names of Sri Krsna. His four associates are:

Nityananda Prabhu, wearing purple robes, at Lord Caitanya's immediate right.

Advaita Prabhu, wearing white robes, at Nityananda's immediate right.

Gadadhara Pandit at Lord Caitanya's immediate left.

Srivasa Pandit at Gadadhara's immediate left.

3.12 Devotees are pictured engaging in sankirtana-yajna. Above the clouds are the demigods, and above them the Lord, who is pleased by the singing of His holy names. The demigods are, left to right, Candra (the moon-god), Indra (the god of rain), Vivasvan (the sun-god) and Vayu (the god of air). At the far right is Laksmi, the goddess of fortune.

3.37-39 The living entity in the center is being enveloped by fiery lust. The analogy in verse 38 is illustrated here. At the top is fire covered by smoke, symbolizing human life. At the bottom left is a mirror covered by dust, symbolizing animal life. At the bottom right is an embryo covered by the womb, symbolizing tree and plant life.

4.1 At the top, Krsna teaches the science of Bhagavad-gita to Vivasvan, the sun-god. Below, Vivasvan teaches his son, Manu, and in the circle at the right, Manu teaches his son, Iksvaku.

4.7 In the center square, Krsna is shown in His original two-handed form, holding a flute. Surrounding Him are ten of His eternao incarnations, pictured in the order in which they appeared in the material world, beginning clockwise from the lower left-hand corner. * Matsya, the fish incarnation, is saving the Vedas. * Varaha, the boar incarnation, is fighting with the demon Hiranyaksa.

Nrsimhadeva, the lion incarnation, is killing the demon Hiranyakasipu.

Vamanadeva, the dwarf incarnation, is begging some land from King Bali.

Parasurama is killing the demoniac ksatriyas.

Lord Ramacandra is going off into exile with His wife, Sita, and brother, Laksmana.

Krsna is lifting Gorvardhana Hill, and beside Him is His brother, Balarama.

Lord Buddha.

Lord Kalki is riding on His horse, killing all the demons and thus liberating them.

4.8 Krsna's uncle, Kamsa, is being killed by the Lord. Balarama, Krsna's brother, is standing on Krsna's right. Behind Krsna are His parents, Devaki and Vasudeva, who were imprisoned by Kamsa but are here freed by their son. This scene takes place in Kamsa's wrestling arena in Mathura province.

4.11 At the top Krsna is dancing with His purest devotees as a lover. On the lotus petals the Lord is reciprocating with His devotees as a son, as a friend and as a master. Below left, a devotee in the material world is associating with Krsna personally by painting His transcendental form. Next, an impersonalist, by his meditation, is merging with the brahmajyoti, the spiritual effulgence emanating from the Lord's body. On the right a mystic yogi is walking on the water. On the far right a fruitive worker is receiving the fruits of his labor.

5.4-6 Above, a devotee is engaged in various devotional activities for the Deities (authorized incarnations of the Lord, who comes in this form to accept our service). Below, a sankhya-yogi engages in the analytical study of matter and spirit. After some time he realizes the Lord (the forms of Radha and Krsna include all other forms of the Lord) within his heart, and he engages in devotional service. The end is the same - devotional service.

5.18 A sage sees the Supersoul accompanying the sparklike individual soul in each body.

6.11-14 The goal of yoga is seen as Visnu in the yogis heart.

6.24 The little sparrow is shown here trying to drink up the ocean to retrieve her eggs. Because of her determination, Lord Visnu has sent Garuda, who is standing behind her, to threaten the ocean into giving up the eggs.

6.34 The chariot of the body. The five horses represent the five senses (tongue, eyes, ears, nose and skin). The reins, the driving instrument, symbolize the mind, the driver is the intelligence, and the passenger is the spirit soul.

6.47 Syamasundara, the object of the ideal yogi's meditation.

7.4-5 Spirit soul sustains the material universe of earth, water, fire, etc. (represented as the body). The subtle body - mind, intelligence and false ego - is represented by the red dot on the forehead. The soul is seated in the heart of the gross body.

7.15-16* At the top Laksmi-Narayana are shown in the Lord's transcendental abode. Below are four kinds of miscreants who do not surrender to God and four kinds of pious men who turn to Him in devotional service.

8.21 Krsna brings His thousands of surabhi cows back home from the fields at the end of the day.

10.12-13 Arjuna offers prayers to Krsna.