The results are in and it looks like Michael Moore’s new movie just bombed BIG TIME at the box office:

Fahrenheit 11/9 limped to an eighth-place finish in North America with $3.1 million from 1,719 theaters.

Prerelease tracking had suggested at least $5 million to $6 million.

Moore’s satirical anti-Trump film marks the first release from Tom Ortenberg’s new company, Briarcliff. (Ortenberg worked with Moore on Fahrenheit 9/11 while stationed at Lionsgate.)

“We’re optimistic,” says Briarcliff distribution head Steve Bunnell, noting the film’s A CinemaScore and strong PostTrak exit scores.

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“The idea was to have the movie play everywhere before the midterm elections.”

In 2004, Moore’s Fahrenheit 9/11 debuted to a record-breaking $23.9 million from 868 locations.

Otherwise, his films, similar to other political or specialized docs, have launched first in select theaters before expanding their footprint in order to capitalize on word of mouth.

While it’s true Fahrenheit 11/9 posted one of the biggest bows ever for a political doc, it is only the fourth political doc to launch nationwide, making comparisons tough.

Who knew no one but the most die hard liberals would spend good money to see an anti-Trump hit job from a liberal lunatic?

Here’s more on this story:

For comparison, Moore’s biggest hit movie — “Fahrenheit 9/11,” also an anti-Republican president movie — opened in 2004 with a near $24 million haul in its first weekend.

To put it all into perspective, “The House With A Clock In Its Walls,” a kids movie, looked set to haul in $25 million, easily the weekend’s big winner.

“Fahrenheit 11/9” was applauded by critics, winning an 81% “certified fresh” rating on Rotten Tomatoes. But critics who disliked the movie called it “disjointed,” “lazy,'” and “abhorrently self-promoting.”

Of course I’m certain this film will win some award from leftist Hollywood even if regular people think it’s garbage.