Universal Pictures

Can you just pretend to be nice?

When the first "Jem and the Holograms" trailer hit the internet last night, fans of the deliciously campy '80s cartoon lost their chill. Things, for the most part, got ugly -- and that is so not truly outrageous.

We think it's time for the internet to take a collective deep breath and hear us out: "Jem and the Holograms" could be a great movie. How do we know this? Because this isn't the first time a beloved female-driven property got a big screen reboot and turned out OK. In fact, it turned out even better than OK; it was effing fantastic. Yes, we're referring to "Josie and the Pussycats."

"Josie and the Pussycats" was kinda like the "Avengers" -- an endearing comic book movie with flashy, skin-tight costumes and a whole lot of heart -- except it didn't make nearly as much money at the box office. The film may have bombed, but it's become a bit of cult favorite since its release in 2001. It's a perfectly satirical romp about the music industry and the blatant use of product placement (a brilliant running joke throughout the film), starring some of the most familiar faces from the 2000s. And it's one of the most underrated films of all time.

It's hard to watch the trailer for "Jem and the Holograms" and not see "Josie and the Pussycats" -- both in terms of basic plot and malign reactions. Jem and Josie are both small-town girls, with awesome, kickass bands, who get discovered (and manipulated) by shady record label execs. As they rocket to superstardom, they realize that there's a dark side to fame. Sure, Jem trades in the cat ears for glitter and face paint, but the coming-of-age stories are pretty similar.

And that's exactly why it's ridiculous to get upset over this trailer. If "Jem and the Holograms" is anything like "Josie and the Pussycats," then it's going to be awesome.