The Update is our monthly feature where we check in with our favourite artists to talk side-projects, new endeavours and works-in-progress.

The artist and embroiderer James Merry discusses the visual aesthetic of Björk’s new album Utopia.

Why are you drawn to nature in your work?

I don’t think I will ever stop being amazed by the real alchemy of a seed germinating or of a bee turning nectar into honey. The mystery and the beauty of nature is endless – nature is queen.

Can you tell us about the sculpted face flowers you create for Björk?

The earlier ones took their inspiration from animal forms – like moths, jellyfish, corals – whereas these new pieces are heading into floral, anatomical territory; something orchid-like, alien, sexual. Björk’s headpieces usually stem from a specific set of references, ideas, textures or colours that she instinctively feels for each project. Over the years we’ve developed a really beautiful, telepathic shorthand. It’s the most special creative relationship and friendship I could ever imagine.