Christopher Birk (Director) Christopher is a trained actor turned producer/director! Originally from Denmark, he descended on New York in 2007 and in 2011 he formed his own production company, Alpha Tree Productions, dedicated to making films about the underrepresented and quaint. His documentary DRAGGED premiered at the Austin Drag Film Festival in 2016

Ali Rivera (Producer) Ali has worked for media outlets such as NBC, Viceland, and National Geographic. She also worked on the Showtime series 3AM, which looked into the world of nightlife in NYC. In 2016, a short film Ali wrote premiered at the Cleveland International Film Festival...and she was kinda sorta vaguely in the Oscar nomination pool for a second.

Luis AlvarezSchacht (Associate Producer) Originally from Miami, FL, Luis A.S. moved to NYC after graduating with a degree in Theatre from The Florida State University. While at FSU, Luis focused his theatrical studies on Queer and Latina/o performance, founding the student-run theatre company Latinos In Performance. In addition, he spent his time working closely with his program’s marketing and PR departments. Past experiences include assistant to choreographer/director Sergio Trujillo, Harriet Leve Productions, Darren Bagert Productions, Atlantic Theater Company, and company manager for Teatro de Broadway. Luis is an assistant for the people. @BobsAssistant

Cheyenne Picardo (Shooter/Editor) Cheyenne Picardo received her BA in Film Studies and Creative Writing from Columbia College, determine to be a film critic and theorist. Then she fell in love with editing and documenting self-described freaks of the New York performance scene, eventually earning her MFA in Photography, Video and Related Media from the School of Visual Arts in 2011. Just before grad school, Picardo took the job that inspired her first feature film REMEDY, that of a pro-switch (dominatrix/submissive) at a commercial dungeon in New York City. Her focus recently has been using subjective storytelling techniques to explore sexuality, gender, mental health, memory, and marginalization. She hopes to harness the power of the mass-media’s influence over culture to destroy outdated and dangerous tropes. In short, she is committed as a filmmaker and film educator to dismantling the destructive legacy of the Hays Code, one frame at a time.