Introduction

It is written in Liber AL vel Legis II:36, “There are rituals of the elements and feasts of the times.” Crowley comments, “The entry of the Sun into the cardinal signs of the elements at the Equinoxes and Solstices are suitable for festivals. The difference between ‘rituals’ and ‘feasts’ is this: by the one a particular form of energy is generated, while there is a general discharge of one’s superfluous force in the other. Yet a feast implies periodical nourishment.” This cycle of dramatic rituals are therefore invocations. They are intended to generate energy at the entrance of the Sun into the cardinal signs of elements at the four quarters of the year, i.e. the Equinoxes and Solstices.

The entire cycle of rituals simultaneously show:

The macrocosmic cycle of the Sun going through the seasons The microcosmic cycle of Man going through the generations/Incarnation (birth/youth-adulthood-old age-death). The process of Attainment from 0=0 to 8=3 and back again.

The energies of each ritual correspond to each of these planes at once:

Each ritual invokes a particular energy. Each ritual has a particular Word of Power associated therewith and it is intoned in between the scenes. The Word also appears once in each ritual within a particular Scene.

Each of the four rituals has 3 scenes for a total of 12 scenes for the entire cycle, one for each of the signs of the Zodiac. The middle scene of each ritual is the sign of the Equinox or Solstice – for example, the middle scene in Autumn is Libra. The first scene is therefore Virgo, the sign before Libra, and the last scene is Scorpio, the sign after Libra. In general, the first scene represents events leading up to the Equinox or Solstice, the middle scene represents the actual turning-point, and the last scene represents events leading to the next Equinox or Solstice.

The Basic Characters

(☉/♂) Priest/King – the conscious Self. The Child who grows to become King who attains and becomes a Priest and then dies and is reborn as the Child.

(☽/♀) Priestess/Queen – the Non-Self (the unconscious self, the “higher self,” etc . ) . The Mother of the Child, the Queen/Beloved of the King, the High Priestess of the Priest.

(+ and -) 2 Children – the duality of the World. Various roles throughout the entire cycle.

( ⊕ ) The People (participants) – the inhabitants of the World; they identify (at least their conscious selves) with the Priest.



THE SUMMER SOLSTICE CEREMONY

Also known as “The Chymical Wedding”

The Word of this ceremony is ‘ABRAHADABRA.’ It is repeatedly intoned in between scenes by the People/Congregants. The Incense of this ceremony is Sandalwood. The Talisman of this ceremony is the Mark of the Beast .

SCENE I: Gemini.

The Maturation of the Child, the strengthening of the Mind, and the King’s approach to the Lower Kingdom.

The Queen sits enthroned in the East behind the Veil. She is wearing a white robe with no tabard, is crowned with twelve flowers, and she holds a wilted Lotus flower. + and – stand in the center of the Temple; + holds a censer with incense and – holds a cup of salt and water. The King is in the West with the Lance, wearing only a white robe with no tabard. The body of the King has been equilibrated and now the mind requires equilibration.

[INTRO MUSIC: The end of Holst’s “Mars, the Bringer of War” continuing from the end of the Vernal Equinox ceremony]

The King begins to approach the East from the West.

KING: I have balanced the Elements within myself and become worthy to seize my Father’s Sacred Lance of power. I travel into the Lower Kingdom to seek the Daughter of the King, that she may become my bride and be set upon the Throne of my Mother.

+ and – approach the King and stop him.

+ and –: Halt!

They attach a garotte to his throat.

–: Child of Earth, un-purified, you cannot enter the path to the Lower Kingdom.

– makes three crosses with the cup of salt and water in the shape of a downward triangle over the chest of the King while saying:

–: For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect.

+: Child of Earth, unconsecrated, you cannot enter the path to the Lower Kingdom.

+ makes three crosses with the censer in the shape of an upright triangle over the chest of the King while saying:

+: I am uplifted in thine heart; and the kisses of the stars rain hard upon thy body.

In the following back-and-forth, the lines are spoken fairly quickly, with the King turning his head back and forth to face + or – as they speak, giving the sense of being bounced back-and-forth between two extremes of duality.

+: Thoughts are false.

–: All thought is dis-ease.

+: All this is true and false.

–: And it is true and false to say that it is true and false.

+: Now a curse upon Because and his kin! May Because be accursèd for ever!

–: If Will stops and cries Why, invoking Because, then Will stops & does nought.

+: If Power asks why, then is Power weakness.

–: Also reason is a lie; for there is a factor infinite & unknown; & all their words are skew-wise.

The King then looks straight ahead, the head tipped slightly upwards to expose the neck.

+: Strain forth thine Intelligence, O man, for thus thy reason shall at last break down.

–: As the fetter is struck from a slave’s throat.

The garotte is removed from the King’s throat.

+: Balance against each thought its exact opposite!

–: For the Marriage of these is the Annihilation of Illusion.

QUEEN: The Oracle of the Gods is the Child-Voice of Love in thine own Soul! hear thou it!

She pauses briefly.

QUEEN: Heed not the Siren-Voice of Sense, or the Phantom-Voice of Reason: rest in Simplicity, and listen to the Silence!

The King gives the Sign of Silence. + and – move to the sides of the King, allowing him passage into the Lower Kingdom. The King proceeds to the East and passes through the Veil.

END SCENE.

[MUSIC: Gustav Holst’s “Uranus, the Magician” from op.32, “The Planets”]

SCENE II: Cancer.

The Union of the Upper and Lower Kingdoms, and the re-ascent of the Man to Kingship.

The King stands in the West, approaching the Lower Kingdom. The Queen sits enthroned in the East with the Veil open. She appears as the Empress , bearing the Lotus flower and wearing a crown of 12 white flowers ; she wears only a pure white robe. The Lotus flower is dying as it has lacked sunlight for it to flourish. The Man approaches and the Queen questions whether he is worthy. + and – stand on either side of the Queen in the sign of Osiris Risen.

The King walks towards the East.

+: A man approaches.

–: It is the young King of the Upper Kingdom.

QUEEN: Assure yourselves that he is purified and consecrated.

– approaches the King and touches his forehead, mouth, and chest.

–: He is pure of body and soul.

QUEEN: Blessed are the pure in heart, for they shall see God. To the pure, all things are pure.

+ approaches the King and touches his forehead, mouth, and chest.

+: He is fervent of body and soul.

QUEEN: Blessed are they that seek God with the whole heart and walk in his ways. The fervent prayer of a righteous man availeth much.

The Queen approaches the King and touches his chest with her left hand.

QUEEN: Kαθαροσ!

+ touches the King’s right arm with his right hand.

+: Fortis!

– touches the King’s left arm with her left hand.

–: TAN!

The Queen touches the King’s head with her right hand.

QUEEN: Samajh!

The Queen, +, and – step back from the King.

QUEEN: To what end do you journey into this Lower Kingdom?

KING: To seek you, the Daughter of the King, that you may become my bride and be set upon the Throne of my Mother.

QUEEN: By what power do you approach my Lower Kingdom to take me as your bride?

The King raises his Lance.

KING: By the power of the lifted lance!

+ and – both give the Hailing sign of the Magician. The Lotus is transformed, blooming, and beautiful. The Queen holds it up, looks at it, and recognizing the Man’s authority and right as the King, gives the Hailing sign of the Magician as well.

+: It beams!

–: It burns!

QUEEN: It blooms!

The Queen sets the Lotus on the altar in the East and clothes the King in a red robe/tabard. In the center of the robe is a golden cross; above the cross is written, “BLASFHMIA” and at the groin is a sun. .

QUEEN: Who is like unto thee? Who is able to make war with thee? Blessing unto the name of the Beast, for thou hast let loose a mighty flood of fire from thy manhood, and from thy womanhood hast thou let loose a mighty flood of water.

She turns and speaks to the People.

QUEEN: Great is the Beast that cometh forth like a lion, the servant of the Star and of the Snake. He is the Eternal one; He is the Almighty one. Blessed are they upon whom he shall look with favour, for nothing shall stand before his face. Accursed are they upon whom he shall look with derision, for nothing shall stand before his face… Who shall strive with his might? Hath he not the spear of the Warrior Lord of the Sun? Who shall contend with him? Who shall lift himself up against him? For the latchet of his sandal is more than the helmet of the Most High. The Beast whereon I shall ride is the Lord of the City of the Pyramids! By your might as King of the earth, you shall cause all, both small and great, rich and poor, free and bond, to receive a mark.

The King gives the Mark of the Beast to the People. The King returns and then clothes the Queen in a green robe/tabard, being Venus the Beloved; in the center of the robe is a silver circle ; just above this is written, “MUSTHRION” and at the groin is a moon.

KING: Beautiful art thou, O Babalon, and desirable, for thou hast given thyself to everything that liveth, and thy weakness hath subdued their strength. For in this union thou dost understand. Therefore art thou called Understanding, O Babalon, Lady of the Night!

He turns and speaks to the People.

KING: This is the Mystery of Babalon, the Mother of abominations, and this is the mystery of her adulteries, for she hath yielded up herself to everything that liveth, and hath become a partaker in its mystery. And because she hath made herself the servant of each, therefore is she become the mistress of all. Not as yet canst thou comprehend her glory.

The King turns back to the Queen.

KING: O Babalon, Babalon, thou mighty Mother, that ridest upon the crowned beast, let me be drunken upon the wine of thy fornications; let thy kisses wanton me even unto death!

END SCENE.

Congregants repeatedly intone ‘ABRAHADABRA’ in between scenes.

[MUSIC: The first part of Tchaikovsky’s Op.45 “Capriccio Italiano,” stopping before ~1:30]

SCENE III: Leo.

The Marriage of King and Queen, and the Conception of the Demi-God Redeemer.

The King and Queen are in the East in front of the Veil and below the dais. The Queen stands to the right and the King stands to the left.

– bears a Chalice, not the one used earlier for purification, to the King and Queen, and + fills this with wine or champagne.

+: Wisdom is the Man.

–: And Understanding the Woman.

The wine is shared between the King and Queen as is traditionally seen at marriages. The King then leads the Queen up the dais to the East where he stands on the right and the Queen stands on the left. The King and Queen face one another; the Queen holds the Lance in the King’s right hand with her right and the King holds the Chalice in the Queen’s left hand with his left (right hands over left), forming a lemniscate, a symbol of interlocked opposites and infinity.

[MUSIC: Fade in Tchaikovsky’s Op.45 “Capriccio Italiano,” starting from approximately ~1:45]

+: Hallelujah, for the Lord omnipotent reigneth!

–: Hallelujah, for the Lady omnipresent reigneth!

+: Let us give honor to them!

–: Let us be glad and rejoice!

+ and –: Hallelujah!

The King then moves to the center of the East, facing outwards, and sits in full-lotus (or cross-legged). He holds the Lance with the point upwards in his right hand. The Queen mounts the King while bearing the Cup in her right hand.

KING and QUEEN: ABRAHADABRA.

+ and – close the Veil as the song reaches ~3:15 where there is a short break in the music.

END SCENE.