Spring and Summer topography have the same highest point, but in Spring design, the vegetation is thinner than in the summer, this is the early period of spring that the ice has just melted, the woodland is in bud and flowers start to blossom sparsely.

Summer keycap design hold a greener sight, the vegetation gets thicker, and we had made the water down the river clear and sparkling by using pieces of glitter paper under the river surface. Besides, the Autumn design’s water has the yellowish reflection on the water surface caused by the yellow, green leaves of the woods. Partly of the area, the tree leaves turn red.

The Winter sight is almost whiteout with snow cover on the top of the mountain, hills and on the riverside. River turns into a glacier.

When all these steps finish, the whole artifact would be put into the mould and we cast them with a high-quality resin so that it would bring the excellent transparent effect for the entire keycap. We need to keep eyes on this step pretty strict unless the sight would be a inclined subject, it wouldn’t stay at the exact horizon line of the enter cap, the rate of getting incline making this sort of artifact series is much more than a 1u cap. We’ve got heart pain sometimes when hearing one of the prototypes got in that trouble. The amounts of time and toughness of each step making enter cap artifact equal to five times of making a 1u cap artifact keycap. But the result elated us much more than that.