There is no question that images ridiculing religion, however offensive they may be to believers, qualify as protected free speech in the United States and most Western democracies. There is also no question that however offensive the images, they do not justify murder, and that it is incumbent on leaders of all religious faiths to make this clear to their followers.

But it is equally clear that the Muhammad Art Exhibit and Contest in Garland, Tex., was not really about free speech. It was an exercise in bigotry and hatred posing as a blow for freedom.

That distinction is critical because the conflicts that have erupted over depictions of the Prophet Muhammad, most notably the massacre of staff members at the French satirical weekly Charlie Hebdo in January by two Muslim brothers, have generated a furious and often confused debate about free speech versus hate speech. The current dispute at the American chapter of the PEN literary organization over its selection of Charlie Hebdo for a freedom of expression courage award is a case in point — hundreds of PEN’s members have opposed the selection for “valorizing selectively offensive material.”