As if it wasn’t enough of a good news that Guillermo Del Toro has started twitting, Pan’s Labyrinth‘s filmmaker has also decided to Right Wrongs Daily, meaning to use his power of word of mouth to praise films he loved and that were torn apart by the critics or ignored by the public.

Del Toro is always vocal about what he likes and never hesitates to praise other artists’ work to peers and colleagues. See the role he played in Alfonso Cuaron’s filmography for a very specific anecdote or just look at his Twitter timeline.

In a Time where we get buried under new release in all medium or stuck in the frozen land of cult-classics, I love that Del Toro’s first instinct was to promote work that went under many’s radar.

The list will hopefully keep on growing, and I’ll make sure to update it, but as a starter, here are Del Toro’s first ‘Righting Wrongs’ Picks, starting with The Perfume, yay!

RIGHTING A WRONG. A daily list of films that must be revisited or discovered. Obscure, maligned or forgotten. Day 1: PERFUME by Tom Tykwer — Guillermo del Toro (@RealGDT) September 22, 2015

RIGHTING A WRONG. Film for Day 2: IL ARCANO INCANTATORE (THE ARCANE SORCERER) by Pupi Avati. Eerie, subtle and well-documented. — Guillermo del Toro (@RealGDT) September 23, 2015

RIGHTING A WRONG. Film for Day 3: FLASH GORDON by Mike Hodges. Massacred on its day but truly brimming with great visuals and ideas. — Guillermo del Toro (@RealGDT) September 24, 2015

RIGHTING A WRONG. Film for Day 4: MEMORIES OF MURDER by Bong Joon-ho. Everybody loves THE HOST but this one is pristine. — Guillermo del Toro (@RealGDT) September 25, 2015

RIGHTING A WRONG. Film for Day 5: LONE WOLF AND CUB: FINAL CONFLICT ( Kozure Ôkami: Sono chîsaki te ni ) 1993, by Akira Inoue. — Guillermo del Toro (@RealGDT) September 26, 2015

RIGHTING A WRONG. Film for Day 6: EL BRUTO de Luis Bunuel. Lesser-known Bunuel. Minor in tone but powerful and dark. — Guillermo del Toro (@RealGDT) September 27, 2015

RIGHTING A WRONG. Film for Day 7: TV this time: THE TICK. Absolute brilliance (Batmanuel!!!) and way, way, way ahead of its time! — Guillermo del Toro (@RealGDT) September 29, 2015

RIGHTING A WRONG. Film for Day 8: HABIT by Larry Fessenden. A wonderful Vampire film. Edgy, brilliant and oblique in nature. A jewel. — Guillermo del Toro (@RealGDT) October 1, 2015

RIGHTING A WRONG. Film for Day 9: CRASH by David Cronenberg. The Master. Disturbing, sexy and hard as steel. — Guillermo del Toro (@RealGDT) October 2, 2015

RIGHTING A WRONG. Film for Day10: THE HAUNTING OF JULIA by Richard Loncraine. Based on Peter Straub’s novel. A meditation on true evil. — Guillermo del Toro (@RealGDT) October 4, 2015

RIGHTING A WRONG. Film for Day 9: POSSESSION by Andrzej Zulawski. Very adult, deliberate, Lovecraftian paranoid thriller cum love story. — Guillermo del Toro (@RealGDT) October 5, 2015

RIGHTING A WRONG. Film for Day11: LOVE AND DEATH IN LONG ISLAND by Richard Kwietniowski. Delicate, meticulous and moving. — Guillermo del Toro (@RealGDT) October 6, 2015

RIGHTING A WRONG. Film for Day12: EYES WITHOUT A FACE by Georges Franju. Visual poetry. Delicate horror. Tragic and emotional. — Guillermo del Toro (@RealGDT) October 7, 2015

RIGHTING A WRONG. Film for Day13: BERBERIAN SOUND STUDIO by Peter Strickland. Terrifying and intrinsically cinematic. A delightful Enigma. — Guillermo del Toro (@RealGDT) October 8, 2015

RIGHTING A WRONG. Film for Day14: FREAKS by Tod Browning. A singularity. There has never been and will never be a film like this again. — Guillermo del Toro (@RealGDT) October 9, 2015

RIGHTING A WRONG. Film for Day15: TWINKLE, TWINKLE, KILLER KANE by William Peter Blatty. Hardcore Catholic meditation. Humanistic. Deep. — Guillermo del Toro (@RealGDT) October 10, 2015

RIGHTING A WRONG. Film for Day 16: THE DEVILS by Ken Russell. Insane, beautiful, raging and righteous. Banned even In the 21st century!! — Guillermo del Toro (@RealGDT) October 11, 2015

RIGHTING A WRONG. Film for Day 17: EL by Luis Bunuel. Top 3: A study in male jealousy and compulsion. humor and horror in equal doses. — Guillermo del Toro (@RealGDT) October 12, 2015

RIGHTING A WRONG. Film for Day 18: WOMEN IN LOVE by Ken Russell. Poignant, profound and well-observed. Top-tier Russell. — Guillermo del Toro (@RealGDT) October 14, 2015

RIGHTING A WRONG: DRAGONSLAYER by Matthew Robbins. The first Non-Python, Non Pasolini, dingy look at Middle Ages fantasy + best dragon ever — Guillermo del Toro (@RealGDT) October 15, 2015

RIGHTING A WRONG: THE STRANGER by Orson Welles. Full of visual verve and uber-dramatic conviction. Minor-key classic. Oddly Hitchcockian. — Guillermo del Toro (@RealGDT) October 16, 2015

RIGHTING A WRONG: FLIGHT by Robert Zemeckis. Superb character study. D. Washington plays both his burden and liberation to perfection. — Guillermo del Toro (@RealGDT) October 17, 2015

RIGHTING A WRONG: ANGEL HEART by Alan Parker. An amazing movie, a perfect Rourke. A Borges-like noir mystery. An audiovisual feast. — Guillermo del Toro (@RealGDT) October 18, 2015

RIGHTING A WRONG: EL ESQUELETO DE LA SENORA MORALES by Rogelio Gonzales written by Luis Alcoriza. Based on Machen. Hard to find in USA. — Guillermo del Toro (@RealGDT) October 19, 2015

EXTRA RIGHTING A WRONG: I SAW THE DEVIL by Kim Jee Won. Breathtaking. One of the most relentless films ever. The FURY ROAD of serial killers — Guillermo del Toro (@RealGDT) October 19, 2015

RIGHTING A WRONG: LA CHIENNE by Jean Renoir. Considered a minor work, but incredibly effective and affecting. Remade by Lang. Compare them! — Guillermo del Toro (@RealGDT) October 20, 2015

RIGHTING A WRONG: KARAKTER by Miek Van Diem. It won an Oscar and yet, it is now a bit forgotten. A phenomenal, Dickensian fable. Top ten. — Guillermo del Toro (@RealGDT) October 21, 2015

RIGHTING A WRONG: CATCH ME IF YOU CAN by Steven Spielberg. Huge pedigree, I know, but it should be acknowledged as top tier and not a curio. — Guillermo del Toro (@RealGDT) October 22, 2015

RIGHTING A WRONG: BARFLY by Barbet Schroeder. Once upon a time Mickey Rourke was rightfully regarded as a great one. This reminds you of why — Guillermo del Toro (@RealGDT) October 23, 2015

EXTRA RIGHTING A WRONG: TOKYO GODFATHERS by Satoshi Kon. A masterwork by the late master. He has a perfect filmography. Let us never forget — Guillermo del Toro (@RealGDT) October 23, 2015

RIGHTING A WRONG: DAMAGE by Louis Malle. Malle seems to be out of the conversation w young Cinephiles. He shouldn’t be. Tragedy and passion. — Guillermo del Toro (@RealGDT) October 24, 2015

Thanks to Tony Zhou