Overall

Vision Vision

Originality Originality

Technique Technique

Impact Impact

Overall this is an amazing piece of art. My first impression was one of AWE!I really like the composition highlighting the silver sword. The eye is guided from Nick's head which peeks out as a landmark through its bright coloration over his arm to the sword, and lastly to Judy/Triss. I also love the distorted and slightly tilted perspective and angle, it gives it a dynamic edge that makes this more convincing as a flight scene.As a crossover artwork, this isn't really an original piece, as it draws direct inspiration from multiple sorces. The idea of combining them however gets it extra points by itself!There are some technical nitpicks though. Especially regarding poses and Colors.Running poses are VERY tough to pull off. I also have a lot of problems with them. Here are some tips though:-If you want to portray running, both legs are NEVER on the ground. Rather have them floating in the air entirely than standing on the ground with both feet. This just never happens drúring a running motion (in fact it may be how "running" is defined in contrast to "walking").-Hands and legs almost always face in different directions on equal sides. Meaning that if the left arm is raised forward, the left leg will be extended backwards, and the other way around. This work has both of them facing with the same arm forward as the leg. I don't know if this is a MUST, but it certainly helps make a running pose look more convincing.-You can pretty much throw the laws of equal weight distribution out of the window. Both Nick and Judy here look like they could be put into this pose and not fall over. In a standing pose I would give you bonus points for this, but in a running pose this is actually the wrong way to go. xD You should make them either lean forward or backwards exeggaratedly:The second one is VERY much by the book, while the one loftis did is more natural. Both are fantastic reference though. I know that especially for Nick a running pose can be tough to pull off because his legs are so short. Here are some that I drew:I don't have much to say about the colors because I lack the theory I think. I mostly do this intuitively, seeing which colors fit together nicely. I think you should keep an eye on your saturations: Our most saturated colors here are the red of Nick's face (which is fitting), the green of Judy's torso (which makes sense and fits to contrast with the red) and the purple-ish blue of the rock, which doesn't make a whole lot of sense to me. The rock only distracts and as such should be kept at a similar level of saturation as the ones in the background. You can make it darker to pronounce that it is on another level. Or better yet, make it cross before the silver sword to emphasize depth.Other than that I don't know an awful lot about color theory though. I feel like something went wrong with the way the tone of Nick's fur shifts when it turns to the lightsource (maybe it should still be more reddish in the lighter parts) but I am not qualified to critique on that. I still think this is an amazing piece, and you keep improving upon your ability to present a scene. Your compositions are always top notch and really suck me into the scene. I really got worked up on the technical details mainly to give some advice on how to become even better! Keep at it, my waffle. You'll be even greater soon!