It was another generally underwhelming weekend at the box office, as Lionsgate’s Hellboy reboot was unsurprisingly a flop. Meanwhile, Shazam had a decent hold in its second round, while Little did solid counter-programming business, and Missing Link was a massive flop.

Shazam repeated in first with another $25.1 million added to its domestic tally, a good-not-great 53% drop. Considering Avengers: Endgame is so close to releasing, Shazam was banking on being a word of mouth hit over the few weekends that it had to itself. That won’t necessarily be the case, but considering its low $100 million budget, this is still an okay, albeit slightly underwhelming result.

Second place did not belong to Hellboy as many expected, but rather Universal’s comedy Little, which debuted to a solid $15.5 million. This opening is fine for a $20 million production, but demonstrates the difficulties of marketing a comedy in 2019. The only two noteworthy comedy films of 2019 have been Little and Isn’t It Romantic, both of which had some level of name recognition, decent enough reviews, and an intriguing hook, yet both failed to make more than mid-teens in their opening. Again, this is a fine debut, especially without much in the way of competition next weekend. If the film can get over $45 million domestically, it’s another win for Universal’s Will Packer partnership.

Third place belonged to Hellboy, which came in just a hair over my $11 million prediction, but well under its high teens tracking at just $12 million. The reboot was utterly rejected by critics at an atrocious 15%, and the few who did show up weren’t impressed with a gnarly C Cinemascore. Not only will it be losing much of its R rated audience and premium/IMAX screens to The Curse of La Llorona next weekend, but it also has Endgame in just two weeks, meaning it will likely vanish from theaters entirely by the end of the month.

Among the two other wide releases, After did decent business with a $6.2 million haul from a relatively light 2,138 locations, while Missing Link had the worst opening on record for any film opening in more than 3,200 locations; clocking in just $5.8 million, the Laika animated feature was the studios worst debut by a very wide margin, an undesirable title that previously belonged to Kubo and the Two Strings, and even that had more than double this number when it opened back in August of 2016. Chalk this up to poor marketing from Annapurna or a premise with little mainstream appeal, but this is a huge loss for the stop-motion studio, who has consistently received critical acclaim while struggling to find their niche financially.

Among holdovers, Dumbo continued its downhill trajectory, as the $170 million family feature has amassed just $89 million domestic and $261 million worldwide – well below any number that could avoid it being labeled a flop. Pet Sematary held a bit better than expected, pulling in an additional $10 million. That 59% dip is a bit better than comparable titles like Evil Dead and Poltergeist, which dropped around 63% and 64% respectively during their second weekends. Us balanced out a bit after it got hit by Pet Sematary last weekend, as the Jordan Peele thriller logged another $6.9 million, for a running tally of $163 million. At this point, it’s looking as though it may wind up a bit above the domestic total of Get Out, though anything much higher than that doesn’t seem particularly likely.