Written By Braddon S. Williams aka “The Concert Critic”

On this date in history, 11/25/2019, I attended my second Alice Cooper show of the year, titled “An Evening With Alice Cooper”, at the prestigious Old National Centre’s Murat Theatre. In a weird way this concert felt extremely reassuring and satisfying. This requires a bit of explanation, because I have never seen a bad Alice Cooper show. However, some have been more awesome and awe-inspiring than others, and the previous show (July 11 at the Honeywell Center in Wabash, IN) just seemed to be lacking that extra spark. As a matter of fact, the show I caught at the Murat Theatre last year was similar, in that I felt like Alice might have been either a little tired or possibly not feeling 100%.

Whatever the case may be, Alice was totally in command on this night, fully energized and singing like a much younger version of himself. Of course, the band have all become rock stars in their own right, and the entire production is seamless and dazzling in every possible way.

Song wise, the show was virtually identical to the Honeywell performance with the one change being the addition of He’s Back (The Man Behind The Mask), complete with Jason Voorhees murdering a pair of young people trying to take an onstage selfie. When Jason made a menacing move on Nita Strauss, Alice stepped in and stopped the horror icon from claiming another victim!

Strauss, Ryan Roxie, and Tommy Henriksen all shared lead guitar duties and executed all facets of Cooper’s historic catalog with gusto. The phenomenal Glen Sobel once again dropped an incredible drum solo, and Chuck Garric held down the bottom end in style (and bared his impressive abs…who could blame him?).

I don’t even need to re-state my love of Alice’s music, but Roses On White Lace, Escape, Steven, Muscle Of Love, Devil’s Food, and the band showcase on The Black Widow were all insanely fun for this lifelong Alice Cooper fanatic. Now I need to find a way to see a Hollywood Vampires show to make my Alice experience complete.