BE PREPARED FOR SOME CRITIQUE >:]Firstly, the face iswell done, it has a lot of character and you really hit Judy, so thats really greatI have some points I want to adress though:I think you messed up a bit of the proportions there mate. Something about the size of the head compared to the rest of the body. You propably started by drawing the head and then the shoulders looked fine, which they still do compared to the head. But the rest of the body is too small, and as a result the shoulders also look just a tad too masculine. The hips are also HUGE with judy and the waist is extremely thin, but maybe it just doesn't look like that in your version because of the hip/shoulder ratio, or maybe you want to have a more toned-down version of the character in which case this would of course be legitimate.There's also something about the ears and the way they are connected to the head, I believe I already adressed this somewhere else: The lines of the ears almost always (not when the ears are alligned with the head ) come from the lines of the neck. Try to find a flow from the lines with which you defined the neck and follow that to where the ears meet the head. That spot is usually a LOT closer to the back of the head, which might feel weird to you at first, but trust me, it really does look more natural in the end. Nick has the same thing going on by the way. Byron once said that with Zoot characters there's always a certianto the lines, as if every line comes off of another line in a way. Try to keep that in mind.When in doubt, I always recommend looking at Disney artists's work: s-media-cache-ak0.pinimg.com/7… Cory Loftis in particular. Look at the way the ears are connected to the head there.Finally, and thats just my opinion, the pose looks a bit boring to me. Maybe it's because there are too many straight lines, Judy is really curvy in nature. Maybe you just didn't want the pose to be spectacular and more casual, which is fine of course, but look at the right pose in the sketches from Loftis I referred to earlier. Even a simple standing position can be made "exciting" to the viewer. It should also be noted that Loftis utilizes the rules of the Contrapposto for the pose, which can be really useful if you want to draw standing positions that still feel dynamic (Judyenergetic in nature so that might be crucial in bringing her character across).Just my two cents on the topic. I hope this didn't seem harsh to you, I really want to be helpful. I am also not at all an authority on this, that's just what I noticed when I looked at it. There are also tons of things which you do far better than me, for example the colors you choose just look a lot more natural than what I can do.