UPDATE (9:55 AM on 10/25/17): So, as it turns out, Alec Baldwin did not like this article. He tweeted the following from his official “Hilaria and Alec Baldwin Foundation” Twitter account (@ABFalecbaldwin) last night:

As of press time, Alec Baldwin has yet to make an official public statement about his pal James Toback, who has now been accused of sexual harrassment by more than 238 women.

There are movies that withstand the test of time, and then there’s James Toback and Alec Baldwin’s Seduced and Abandoned. When the documentary was released in 2013, the film about gaining funding was praised for being a quirky, behind-the-scenes look into what it takes to make a movie. In 2017, the film still maintains its “it’s just Hollywood” vibe, but in a media climate obsessed with the growing sexual misconduct allegations against Harvey Weinstein and Toback paired with the film’s questionable interviews, that behind-the-scenes tone carries far more sinister implications.

Set over the course of 10 days, Seduced and Abandoned follows Baldwin and Toback (Two Girls and a Guy) as they drift around Cannes Film Festival, sometimes trying to secure funding for a film they want to make, sometimes interviewing stars and directors about what it takes to make a movie. The documentary is filled with grandiose statements praising the addicting struggle of Hollywood. Examples include Orson Welles’ iconic reflection, “I look back on my life, and it’s 95 percent running around trying to raise money to make movies and 5 percent actually making them. It’s no way to live” and the sentence “It’s no way to live but what’s the alternative?” In Toback’s hands, making movies is considered to be both a source of bravery and pride. That sentiment is perhaps best reflected in the New Yorker’s review of the film, which praised Baldwin and Toback’s buddy dynamic and “self-revealing brave face on humiliation and despair.” In light of the many many allegations levied against Toback, this lighthearted tone and praise of bravery now feels deeply disturbing.

On Sunday, the Los Angeles Times published an explosive story which contained accounts from 38 women accusing Toback of sexual misconduct. One day and one follow-up story later, that number had grown to at least 238 women. Hauntingly, the accusations are almost always the same as they detail Toback bluntly approaching new actresses or complete strangers on the street, coercing them to follow him to a private location, and either dry humping their leg or masturbating in front of them. The allegations against Toback follow the New York Times and New Yorker’s shocking pieces about sexual assault allegations lodged against mega-successful Hollywood producer Harvey Weinstein. The LA Times articles also come at a time when Hollywood’s sexual assault problem is finally starting to be discussed openly.

Knowing what we do now, Seduced and Abandoned’s “boys will be boys” tone transforms from mildly charming to repulsive. As a viewer it’s deeply uncomfortable to watch Toback confidently saunter into exclusive meeting after exclusive meeting knowing that the director has likely already forced several women to help him get off. It’s even more unsettling to watch Toback touch or hug big stars like Neve Campbell, Diablo Cody, Jessica Chastain, Bérénice Bejo, and Diane Kruger for just a beat too long. Throughout every meeting and every interview, the same question still lingers: Did they know? Are they victims?

However, what transforms Seduced and Abandoned from an unnerving watch to a parade of creeps are the other directors Toback chooses to interview. A comparatively large chunk of the film’s runtime is devoted to praising Bernardo Bertolucci’s Last Tango in Paris. As Toback praises the movie’s raw sexuality, it’s hard not to think about how Bertolucci and Marlon Brando planned that infamous and disturbing butter scene without first telling Maria Schneider. But the most disturbing interview certainly goes to Roman Polanski, who makes several appearances throughout the documentary and never once addresses the allegations levied against him. Since 1978, Polanski has been living in France to avoid U.S. jail time after being sentenced for raping a 13-year-old girl. The director has also recently been accused of molesting a 10-year-old girl in the ‘70s.

There are normal moments in the documentary, including interviews with Martin Scorsese, Diablo Cody, and Ryan Gosling. However, these day-in-the-life moments only serve to make the allegations launched against Toback and Polanski look even more sinister. If two men who have assaulted so many people with minimal consequence can still be treated like cinematic royalty, just how toxic is Hollywood? Is there any hope of justice?

Rewatching the documentary also turns that judgmental spotlight on Alec Baldwin. After the allegations of Toback surfaced, many celebrities were quick to condemn the director, but Baldwin has remained silent. This is especially remarkable as Baldwin is typically quick to voice his opinions about social justice-related controversies either through Twitter or on his podcast. Baldwin is set to star in Toback’s upcoming The Private Life of a Modern Woman alongside Sienna Miller. Miller has also not spoken up about the director.

This is all a long winded way of saying that watching Seduced and Abandoned in 2017 is borderline nauseating experience. It certainly doesn’t help that the documentary’s very name echoes the trail of sexual destruction tow of its primary subjects have been accused of.

Stream Seduced and Abandoned on HBO