Coming into upfronts week, there was a lot of buzz around fall TV shows that seemed primed to appeal to the networks’ conception of Middle Americans: some of the most talked-about series were military dramas and escapist fare, seemingly designed to appeal to the sort of viewers who feel alienated by glossy shows about rich-people problems. But as ABC unveils its fall schedule, a new question arises: Is this network quietly trolling Donald Trump?

Yes, yes—these days, it seems everything is about Trump. But some of the Alphabet’s upcoming pilots seem like intentional brow-raisers. Take The Crossing, in which “refugees from a war-torn country seek asylum in a small American fishing town, only the country these people are from is America–and the war they are fleeing hasn’t happened yet.” Hm. Refugees? Impending war? Interesting.

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At Tuesday’s upfront presentation, ABC played up the political relevance of its current and upcoming slate. A sizzle reel ahead of its new programming presentation included a moment from the Black-ish episode that addressed Trump’s election. (Black-ish will move to anchor its own hour on Tuesdays in the fall.) The promotional also saw Speechless actor Cedric Yarbrough noting that ABC’s offerings “bring a mirror and reflect it back to society.”

ABC focuses on “stories that are specific in their voice and vision,” ABC president Channing Dungey said, “but have universal appeal.”

One of the network’s upcoming comedies, The Mayor, follows a rapper who “cooks up the publicity stunt of the century—running for mayor of his hometown in California to generate buzz for his music career.” You know where this is going, right? Of course he wins and “will have to overcome his hubris if he wants to transform the struggling city he loves.” Here’s hoping he can make it great again.

The series also co-stars Lea Michele, who opened the network’s upfront presentation on Tuesday afternoon with a musical performance before a star-studded backdrop—highlighting the fact that ABC managed to poach not only Fox’s biggest sensation, American Idol, but also one of its old Glee (and Scream Queens) stars. Channing Dungey called the comedy “a timely riff on current events.”

And then there’s Deception, in which a scandal-marred musician joins the F.B.I. Admittedly, we’re including that one more just because the idea is amusing—but then again, it does involve the F.B.I.