NEW ARRIVAL.....RELATIVELY CLEAN RIVERS Without doubt , the most sought after piece of British folk around. As Record Collector mused in its' May 2005 edition "From the simple beauty of Rainbow River & the albums manifesto Diamond Day to the closely observed Rose Hip November & Swallow Song , the jaunty Jog Along Bess , a wonderfully warm & intimate atmosphere is evoked , as if the listener is reading pages from the dairy to someone deeply attuned to nature & the truly important things in life."....."Vashti was one of the few people surprised when the Observer voted it one of the best British albums of all time."

I personally find the LP a bit twee & insubstantial ; but heck , what do I know?

The condition? Although the platter has been played (a couple of spindle marks), it has only ever been gently caressed by the highest of hi-end turntable, & it is the only copy that I have had or heard where Vashti isn't frying bacon in the background! The cover is also the best that I have seen. This leads me to the regrettable(?) conclusion that stratospheric bids are required. SOLD "An LP so packed with talent & originality it alone justifies the existence of the underground collector circuit......you can pick just about any major 60's LP & this will blow it away on all counts.." (Acid Archives of Underground Sounds 1965-1982).

This has to be THE quintessential piece of 60's psychedelia . A truly monumental conceptual behemoth .... & its bloody good to boot !

Condition wise the cover has a 'ding' top left hand corner (see montage) & some light wear to the bottom seam & spine. The vinyl on side 1 has 2 visible scuffs which have NO effect when playing. Side 2 is clean. Plays throughout a strong EX or better. SOLD " One of the classics of the fields , not without its detractors, but a great & special experience in my ears"....

"Surgical fuzz leads & trippy effects throughout"......

"It doesn't really work for me as it quite frankly gets down right boring"......

"This is an excellent psychedelic album....the album was issued simultaneously in a gatefold & non-gatefold cover (this happens to be the non-gatefold version) . Both versions are monster rarities."........

(Comments extracted from "Fuzz, Acid & Flowers" & "A.A of U S 1965-1982")

WOW, is it any good ?????. Yes ; I love it , its a crooning , fuzz drenched mutha of an album . Is it worth the exorbitant amount it will cost????....HMMMMM....now that's down to you.

Oh by the way its M-/M-....still HMMMMMing !!!!! SOLD

"The vibe is understated & nervous.....Some of the tracks are more ambitious & several are truly memorable, & this is a recently discovered biggie on the Fringe-Incredibly Strange circuit." Observed A.A of US. To me, its the bastard child of the Partridge family & the Shaggs. I've also heard an old wives tale stating that only 50 were pressed. One final point; this has to be the best pressed, private pressing that I've heard. It puts the likes of Philips & Polydor (to name but 2 multinationals') to shame!



What we have here is the 1st solo offering from the axemeister of Philippino Pinoy rock legends', "Juan de la Cruz" . Heavily influenced by 'Cream' but with a Philippino slant . Veering from searing guitar assaults , to a more laid back Pinoy psych ...... Both cover & vinyl grade a strong EX . A small punch hole (bottom right) stops the cover grading M- & there are 1 or 2 feather light hairlines which are inaudible . It also comes with the oh so rare poster. "This is the real ticket.....Imagine Dick Dale jamming with 1966 Velvet Underground in an airplane hangar after a night of booze & quaaludes . A true missing link bridging the early & late 60's sounds". Observed A.A of U.S 1965-82.

This gargantuan, freakbeat monolith has been preserved in pristine condition, (M-/M-) .You will have to be very persuasive (financially) to prize this little baby from our grasp!! SOLD 'Bearing no relation to the UK group of the same name, this nevertheless is folky prog-rock with strong British influences , especially Jethro Tull. If you're still interested I can add that there's lots of complex tempo shifts, long moog solos & troubadourish vocals. Melodic & not overly self-indulgent.....'. Mused A.A of U.S. Most copies came with a plain cover. This copy includes a promo picture of the band. Attached are two 81/2"X 11" sheets are xeroxes of the front & back slicks from an original cover + another 2 copies as inserts. Original 1974 pressing of this Michigan monster prog rock LP, only 50 copies were reportedly pressed for promo purposes.

The condition of the vinyl is EX. Visually clean (apart from some light 'bag rash' towards the end of side 2), but with light background noise at the start of each side (only noticeable on the acoustic passages) , but after the 1st couple of minutes fades into near oblivion. There are some faint light waves to the vinyl but tracked OK on three different turntables. Matrix # 741-1 & 741-2. SOLD Arguably the rarest of the album's on the much sort after 'HOLYGROUND' label . Only 99 were printed way back when ; so you can see it's rather an endangered beast . You have a mixture of jug band (a la Panama) , gruff northern folk & acidy weirdness . Intriguing? ; you bet . EX+/EX+ you can't ask for more!!! (can you?) . SOLD Not a lot to say about this really . Hard rock , third rate pub band ; never make it big time ! But there is one little curiosity ; the front cover lettering is in turquoise....yes I know , "TURQUOISE" ..... just ask Peter Grant ; (is anyone a clairvoyant) . We've got A1/B1 matrix , Superhype publishing credits , 1 or 2 featherlight scuffs (which don't effect play) & a cover that is pristine , & to make the package even more enticing , it comes with an original ultra rare in-store promo poster (27"by 19") in VG+ condition . If you can put up with the "music" its quite a nice album to own ! SOLD Only 50 copies of this lysergically tinged folk monster were printed way back in the dim & distant past (1971 to be precise). Haunting femme vox predominates with musical & rhythmical twists & turns throughout. Not always an easy listen, but one that is never less than enticing.

The cover has a minute tear top right hand corner of the opening edge (see montage). The vinyl has a few whispey hairlines but plays excellently throughout.It also comes with the insert SOLD Now this is seriously rare ; the "Floydian" crown jewels . Only 50 were made (I believe) for promotional purposes in Japan . The track listing is as follows :- Summer 68 ; Careful with that axe , Eugine ; The Nile song ; If ; Biding my time ; Let there be more light ; Julia dream ; Main theme (from the film "MORE") ; Saucerful of secrets & See Emily play.

So if you want to be the talk of the town , I suggest you buy it. Oh I almost forgot , the grading is M-/M-.

P.S. The scanner makes the cover look grubby which is not the case . SOLD From a country more renowned for watch making & dubious bank accounts , it comes as something of a surprise that the Swiss should spawn this little gem . You have a cover that could grace the National Gallery , plus a feast of mind blowing , acid drenched psychedelia hidden within the grooves of the vinyl ; this is one hell of an album . Both the cover & vinyl are a very strong M - , i.e. 'AS NEW ' . For an added bonus a calling card from the bands' producer/manager is enclosed (WOW!!!). SOLD

"A local California guitar rock album , extremely well played & produced . Only 3 or 4 of these 2 versions ( this being the white label 'Terra Fertilis' version) have ever surfaced & is considered one of the lost masterworks of the seventies West Coast scene". "Rare West Coast guitar-rocker with a late psych vibe & some fantastic tracks on level with 'DR Hooker ' & 'Zerfas'. Were the thoughts of Vernon (F.A.F) & Patrick (A.A of U.S). I thoroughly recommend this album....its class, (& in super nick too).

SOLD If you are looking for even a modicum of subtlety & innovation...forget it; fast forward; depart........For this is stinking barroom filth ...you can almost smell the beer & Jack Daniels emanating from the grooves . From the overtly sexist cover to the musical corruption within; this is raw...red neck raw!

The cover has some writing top left hand corner (see montage) & well repaired (invisible) seam splits (1" top. 2" bottom). The vinyl has 1 or 2 hairlines but plays ballsy throughout...so lets say EX-/EX condition wise. SOLD " ' Love & Poetry ' is a highly rated psychedelic album...The highlights are the opening track 'The Day Grew Longer for Love' which like most tracks are slow & melodic but with killer guitar leads ...".... Remarked a Tapestry of delights. This has to be one of the rarest major label albums' in existence. It deserved far greater recognition back in the dim & distant past. But now you have a chance to rectify your youthful oversight by buying it. It plays & looks a dream. SOLD "Solid underground stoner blowout which is the way you wish all hardrock LP's were , relentless guitar jamming with a loud basement sound , punky vocals & a druggy-wasted attitude". Observed Patrick the Lama from the 'Acid Archives' . They say "Never judge a book by its cover" (who are 'They'?) & those words fit the bill here perfectly . A less than riveting sleeve , hides an album of neglected brilliance "Its a refreshing alternative to the pretence & posturing of so many other hard rock albums". To me it has a 'Crazy Horse' (sans N.Y) vibe to it . But to put a different slant on this particular situation , F.A.F reckons "This sought after album is over-hyped by dealers". Dealers over-hype something.....NO WAY! SOLD "McNiven & Rew recorded 'Captain Shannon' & 'Amaryllis' in a 4 day session in the summer of 1970 . They were originally intended as a double album , but seperated at Decca's insistence........'Amaryllis' is considered their finest work by many.......Certainly it vies with 'Leafhounds' 'Growers of Mushroom' as the rarest progressive release on the label" . Its fascinating what you learn when you delve into the history of a band! Criminally overlooked at the time , it is a highly accomplished piece of music & one that I wholeheartedly recommend . The sleeve is a nice EX, the vinyl is clean . So go on....... SOLD "A pleasant-enough folk outfit whose sound was characterised by Susan Traynor's fragile vocals , which are similar to those of 'Trees' & 'Spriguns', & some good guitar work.....The first album is rare enough , but the second is very difficult to track down , as it is alleged to have been withdrawn from sale". Were the thoughts of Vernon Joynson from a 'Tapestry of Delights'. Delightful harmonies & well crafted songs are my main impressions . The condition of both the cover & vinyl are also a delight . Only sticker remnants & a small cross on the back cover (see montage) stop it grading higher than EX . The vinyl is clean (M-)......serious offers please. SOLD "Some people love this , but to these ears (& mine!) it's an amateurish , monotonous , poorly played folk rock record.....This gets points for having been discovered really early in the collecting world : it was well known back in the early '80's". As you may have gathered I am not a great fan of this album . To me it sounds like it was recorded in a tin can , but to others it has a charming basement quality (hope I havn't hyped it too much!). Go on....I dare you.....buy it! SOLD Monsterously rare in this mono format. 'Tomorrow were one of the leading psychedelic bands of the era' As 'A Tapestry of Delights' astutely noted. The cover has what looks like a pair of staple holes bottom left hand corner ( hardly noticeable ) & the song 'Strawberry Fields Forever' underlined on the back. Still a nice EX however. The wax is clean. SOLD

�Bullshit 3 1/4� was a quantum leap away from all of Ben-Israel�s previous musical endeavours as evidenced by the title�s decided lack of commercial potential, the provocative cover artwork and songs that free-formed and furry-freaked all over the place. Ben-Israel�s production was economical and clean while the unorthodox arrangements work tremendously within all eight original songs. And throughout Ben-Israel rages about everything in front of him: from the hypocrisies of straight society to escapism via irresponsible drug use and if he had a dog he�d probably be down on all fours barking and snarling into the microphone. And although the lyrics are all sung in Hebrew, its lack of comprehension to foreign ears doesn�t detract because not only does the very out-there and emotional rock�n�roll that is �Bullshit 3 1/4� make the lyrics take a back seat, the dynamic range and shifting of the vocals between singing, screaming, and whispering speak meanings beyond language". To get the full review please go to Julian Cope Presents Head Heritage | Unsung | The Book of Seth ... . All I will add is that to these ears, it is a work of genius SOLD





One of the most totemic/rarest of early Japanese underground releases, 1973�s double LP set Oz Days.

With Les Rallizes Denudes�s side-long blaster and Taj Mahal Travellers� tempestuous comedown drones further bolstered by tracks from Miyako Ochi, Acid Seven and Minami Masato.

An amazing snapshot of the formative years of the Japanese underground , & it is in virginal condition. SOLD "This international group lived as a commune on the Spanish island of Deya & were acquaintances of Daevid Allen & Gilly Smyth . Their album is an attractive journey into the more mystical realms of hippie-folk, somewhere between Robin Williamson, Daevid Allen & some tracks by the German group Popol Vuh. Many songs have a strong Eastern touch....This album will satisfy any ardent fan of psych-folk...". Concluded 'Scented Gardens of the Mind'. This little beauty requires serious offers to extract it from our sweaty grasp! SOLD "A monster rarity, but one which also does the business musically. A first-class compilation of some super-rare tracks, its a fascinating insight of great things to come. John Brim, who co-recorded the 'Tough' with Elmore James, was the only artist to re-appear on Blue Horizon after this release. JB Hutto & Snooky Pryor certainly taped further material, while some of the other featured artists here, like Little Hudson, Eddie Hope & Danny Boy sank without trace. However , the undisputed highlight here, which makes the record indispensable, is its inclusion of 3 ultra-rare cuts by Howlin' Wolf, which documents his first ever recordings from 1951. Coupled with Ike Turner on piano, they remained unreleased cuts from his Crown sessions. A fascinating listening experience...Great stuff". These were the musings of Barry 'Vertigo' Winton, extracted from Record Collector July 2006. 99 copies of this deity status artifact were printed. To make the chance of obtaining this even more appealing, the ultra fragile cover was printed the wrong way round (flipbacks on the front cover!) The cover has rubbing to the spine (no split) & 1 or2 light creases, the vinyl is pristine...I'm afraid a pound or two of your flesh (or lots of money!) is required to secure this S.O.A.B.. Monstrously rare, heavy progressive masterpiece from the boot (the epicentre of progressive rock at the time). This copy has the SIAE stamp denoting its' an original. For further info regarding the band please go to:- www.italianprog.com/a_raminghi.htm . Its in immaculate nick, so serious offers please! SOLD " Elvis impersonator moonlighting as a psych genius in a nice blue haunted house sleeve"....."This is the kind of album that makes collecting so much fun"....."This is melodic 1970's psych like Michael Angelo & Bob Trimble with a great side long epic"....."Still,3/4 of a very special album is something to treasure, & everyone reading this needs to hear ( BUY! ) this". Gushed A.A of U.S. Premier league psych behemoth, looks clean, but due to cheap vinyl plays with occasional light static. Classy stuff none the less. I gather that this little beauty is musically akin to some privately pressed UK folkrock, a la Candida Pax/A to Austr. Pokora gives it 6* with a masterpiece symbol. This comes from a 'find' of 4 sealed copies a while back...intrigued!?! Catherine Howe, What A Beautiful Place. No one has been able to buy this lost folk classic for 35 years. Now its time has finally come, says Barney Hoskyns ***** Barney Hoskyns

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Sunday January 21 2007

What a beautiful album this is - the kind of lost MOR-folk classic we all hope to discover in the wake of Judee Sill, Vashti Bunyan, Linda Perhacs and their ilk. It's like some missing link between Sandy Denny and Karen Carpenter, or Ladies of the Canyon and Dusty in Memphis . Chicago's ultra-cool Numero label should be congratulated on unearthing it. Catherine Howe was a Kate Bush before her time, an English girl with a pretty face and an artlessly pretty voice who through pure serendipity was paired with eccentric American producer Bobby Scott. Over two weeks in February 1971, the 20-year-old Howe and 33-year-old Scott worked together at Soho's Trident Studios to create this lush masterpiece. But barely had it been released when the label that released it - CBS subsidiary Reflection - went belly-up. Nobody got to hear What a Beautiful Place bar a few journalists and industry insiders. Halifax-born Howe had touted songs around after her early training as an actress at London's Corona drama school. A chance encounter with Reflection's Andrew Cameron Miller led to 1969 demos and, eventually, the sessions at Trident. Classically-trained Scott, who had co-written the Beatles' 'A Taste of Honey' and the Hollies' 'He Ain't Heavy, He's My Brother', was instantly smitten by the wide-eyed wonder of the girl's songs and set to work writing the extraordinary orchestrations we hear on the album. To these ears, the intricate strings and haunting woodwind - courtesy of the LSO, no less - on songs such as 'My Child' and 'On a Misty Morning' recall nothing so much as the spooky melancholy of Bergen White's brilliant For Women Only (1969). If you love pure female voices sailing over oboes and harpsichords, look no further. 'It's Not Likely' suggests a more ethereal Sandy Denny; 'Words Through a Locked Door' could be Dusty Springfield covering Joni Mitchell. 'It Comes With the Breezes' is a wafting samba for a summer night, the gallivanting title track a pastoral Laura Nyro. Gracing every track, moreover, are Scott's frenetically funky piano fills. If What a Beautiful Place is a perfect artefact of its time, complete with a hazy cover image of Howe by the lake at Kenwood House, even then it was out of step with fashion. Happily, as the gorgeous bonus track 'In the Hot Summer' attests, Howe survived the disappointment of her debut's premature death and has recorded further albums. (Her most recent, Princelet Street, was released last year.) There is little for me to add, other than to say it's in lovely nick...serious offers please. SOLD "An unoriginal but aggressively exciting debut by a tight & powerful blues band who feature keyboards, steel guitar & gruff vocals. Slightly reminiscent of early Beefheart"...Melody Maker 2/5/70. "A four-piece whose album starts very promisingly with 'Memories', a melodic song with nice strings in the background. There are 3 other quiet songs, mostly in a blues vein, & the group really sound distinctive, particularly vocally. However, the other 8 songs are all very loud, bluesy group stuff. There's some good guitar, but nothing exceptional. Shame they didn't vary their sound a bit more"...Disc & Music Echo 2/5/70. Staggeringly rare major label blues rock, on a par with 'Leafhound', & this copy is in stunning condition. The cover is M-, NO laminate creasing, NO wear to seams & spine, NO tears, rips or feathering & NO writing . The vinyl is clean, with only 1 spindlemark to the labels (caused by me!)...serious offers please. SOLD Never thought I'd be putting a single into the auction section of this site.....However, this is no ordinary single; it just so happens to be the 1st piece of vinyl created by the greatest band on Earth! MGM obviously had great hopes for the band, as they miscredited it to JETHRO TOE! 'Aeroplane ', was in fact a song written by Anderson & recorded by the John Evan Smash, which featured (I believe), John Evan, Barrie Barlow & Jeffrey Hammond & obviously Gerald Bostock..... 'Sunshine day', was a Mick Abraham demo. The vinyl is in EX- nick visually (some hairlines but no scratches)...plays EX or better & comes in a MGM sleeve . SOLD A clean original UK copy of superb progressive behemoth....a must for all prog connoisseurs out their. Also included is the non album 45 "I'm Never Gonna Let You Go"/"You Must Be Joking" (EX/VG)...Jeez, aren't I good to you! "Their first LP has an intense westcoast sound similar to the second, although less evolved. One side is a long Bay Area-inspired (especially from 'Spare Chaynge') instrumental, the other side is more conventional. Worth checking out..." Concluded Patrick Lundborg. Along with 'Bent Wind', this has to be the rarest & most sort after artifact from across the pond,then turn right (north) to the frozen wilderness (geographically speaking!)) Both cover & vinyl are in really nice nick...this copy has been signed by Bob Bryden on the back cover (I have been told this is the only copy that he has autographed...don't know if that's true). Plus there is a name in biro discretely written on the back cover. SOLD "The first & more valuable of Gallery's two albums consists mainly of very delicate & refined interpretations of traditional themes, with notable similarities to Spriguns of Tolgus & (to a lesser extent) Tickawinda. The closing cut 'Icy Acres' is especially impressive, with a haunting, melancholy & crystalline atmosphere highlighted by Barbara Atkinson's (Seabourne's?) superb vocals". Were the thoughts extracted (painlessly!) from 'Galactic Ramble'. This is top notch acoustic folk & a joy to listen to. Along with 'Folkal Point' it is the rarest from the Midas stable. The cover has some almost unnoticeable staining (see montage) & has been signed on the back by the band. The vinyl is clean. It has in the past sold for 4 figure sums, so serious bids please. SOLD "...Musically, the album is steeped in traditional American folk & blues that feature Holman's gritty vocals, harmonica & slide guitar prominently. The record is decidedly uncommercial lyrically, revealing its underground intent through the course of its 10 songs which read like snapshots of an unusual life" "...There are a gazillion white boys who thought they could channel Blind Willie Johnson, but finding one who even came within driving-distance of accomplishing such a blasphemy is rare as hen's teeth. Bill Holmans, the guy whose record this is, is such a guy.....Lyrically, musically, this is a very strong record with strengths that become increasingly more apparent when I stopped trying to listen to it as a 'psychedelic' record." Were the informative views of 'F.A.F' & 'The Acid Archives'. This is the only copy I've had or seen with the fabled 'glitter' on the front cover. The insert has a hand written dedication from Mr Holmans....The album itself blows major label artefacts of this genre out of the water....excellent stuff! SOLD "It's rather tragic that the Zombies are splitting. But what a momentous last album they are leaving behind - quite the most outstanding record of the month for creativity, originality, sensitivity & sheer dimension....Their writing is now poetic &observant, sad & wistful, & if you like music with meaningful lyrics, it's joyful"...Disc & Music Echo, 11/5/68. There is little more to add, apart from telling you that this is the ludicrously rare mono copy & in dream condition. SOLD I'm not normally a great fan of Krautrock. This album, however, bares little relation to the 'Fausts', 'Amon Duuls' & 'Kraftwerks' of this world. This LP is a full on, guitar drenched, Westcoast acid jammer, a la 'Quicksilver' (I guess the label name says it all!). The ultra delicate cover is in pristine nick & the same can be said for the vinyl. A one off chance of picking up a wonderful album in sumptuous condition. SOLD "Basically the 2nd 'Julian's Treatment' album, this has a similar Hammond organ-fronted sound, but is musically more exploratory, with some lengthy, accomplished tracks, superb compositions & performances, & beautiful, haunting vocals from Jo Meek...". Remarked 'Galactic Ramble'. What makes this copy unique (& the envy of all your mates!), is that it comes with a 1st edition, Arlington Press hardback cover version of the book, & also includes an Arlington Press promo letter (telling you that an LP of the same name is on its way!) & a promo photo. The whole ensemble is in EX+ condition, or better. SOLD Jacks played in a distinct musical style fused with ambient psychedelic, surf, folk and jazz. The group had a dark, introspective sound with an exploratory, improvisational edge and sometimes headed into moody instrumental excursions. The Jacks typically employed reverb, tremolo and subtle fuzz-guitar and also utilized the vibraphone, organ and wind instruments such as the flute. Lead singer Yoshio Hayakawa sung in Japanese and typically ranged from a low, calm and tranquil voice to throaty, desperate sounding wails. Similarly, drummer Takasuke Kida would follow suit, going from subtle jazzy sounding fills to complicated, offbeat rhythms and manic cymbal crashes. This Fanclub only release is as good as it gets (condition wise) & comes with both the innersleeve & poster. A top notch euro dealer astutely summarised this album in just three words "Rare as fuck!" SOLD "Sounding much like the Nice at times, here is an interesting organ quartet that shows sparks of originality & plenty of drive. not a trailblazer, but there is a fair helping of listenable music" Melody Maker, 2/8/69. Actually recorded by Egg & Steve Hillage, but for contractual reasons they changed their name. This is a damn good psychedelic album, full of inventiveness. Nice nick as well.....so what are you waiting for? BUY IT! SOLD Formed in '72, this Dublin based band... 'deliver a selection of driving Farfisa/fiddle-fuzz jigs : think of East of Edens' 'Jig A Jig' & you're on the right track....Its a fairly one-dimensional album (one jig, to my philistine ears, sounds much like another), but does have some nice touches here & there' According to Galactic Ramble. To these ears, the album is far more diverse than has been given credit for above (I, for one CAN tell the difference between jigs'!) This copy comes with both the inner & poster & is in bloody good condition. SOLD "This is loud, & best when played on a big stereo at top volume. The Ghost has a conventional line-up of guitar, organ, bass & a female vocalist. Shirley Kent practically screams out the lyrics, & puts every ounce into every word, but she falls flat on the folk-type songs. 'Hearts & Flowers'....Paul Eastman plays a nice lead, controls volume & knows how to use dynamics, & Charlie Grima knows his limitations on the drums & sticks with them. If you like loud, aggressive music, this album is for you."- Melody Maker, 22/8/70. This copy came from & has been signed by Shirley Kent (see montage). The cover would be M- bar a 'ding' on the bottom right corner (again, see montage). The wax is clean. SOLD "This is one of those albums which will probably slip by unnoticed - which is a pity, for hear is a gentle voiced singer & pianist with a nice line in wistful, perceptive & sensitive little songs. The arrangements for guitar, euphonium, flute, oboe, cello & bass are tastefully done & out of the rut. The whole thing is just a shade too subtle & low key to sustain interest right through, but it has a refreshingly modest & unforced quality which deserves a hearing". - Melody Maker, 25/7/1970. Right, what we have hear is a 2 sided acetate with the unreleased mono mix of his self titled album. (The word 'Perception' is typed on the label, which I can only assume was the working title for the album). The obligatory 'pilot hole' can be seen through the label. This one off was sold to me, supposedly in EX+ condition (or "At least 8.5 out of 10" which was his (obnoxious asshole!) method of grading) . It quite clearly it is not.....visually I would grade side 1 as VG....there are 3 marks which cause roughly half a dozen clicks each. Side 2 has no marks so an EX grade would be fair. It plays, like all acetates do, with light background noise. I will not clean this due to its fragility. I would also recommend (if possible) for it to be played using a mono stylus & appropriate amplification for full sonic appreciation of this mix....it comes in a generic white sleeve. So there you have it, truly a 1 off, of this monstrous baroque-pop-sike artefact. "A beautifully refreshing little album, if you like soft songs composed with a sense of humour, feeling for romance & old-fashioned charm....The tunes are almost all painfully simple; that's their beauty. An outstanding album that's been too long in coming".- Melody Maker 10/7/71. "A highly talented writer, though a little out of the pop scene these days,& a composer with wide imagination. 'Harry The Earwig', for example, is whimsical & evocative. The 'friends aren't named, but there are some good & varied sounds - moments of ye olde Englishe, spasms of progressive. An unusual collection, well worth hearing".-Record Mirror 31/7/71 The cover would be a strong EX (slight wear to the 4 corners) if it was not for the fact that it is wavy (most likely caused by damp, although there are no other signs such as, staining or flaking). The vinyl itself is in perfect condition. The following has been extracted from the 'NECRONOMICON' website:- Tips zum Selbstmord, LP, 1972 "In the spring of 1972 Necronomicon recorded six tracks of their musical program at a very small studio in the Dutch town Kerkrade on a Revox double track tape machine. The LP was mastered by the Carl Lindstr�m GmbH, Cologne, and 500 copies were pressed. The title "Tips zum Selbstmord" (How to commit suicide) isn't meant as an instruction on how to end one's personal life; it rather refers to mankind, which is devastating the earth, and thus destroying its own basis for living. With the self-made cover they had something extraordinary in mind: it folds out five times and, in consequence, has six squares, which build a cross when completely unfolded. While one of its sides is blank, the other one is covered with drawings by Harald Bernhard. This unique concept of the band's name, the music, the lyrics, and the record's title found its completion with this design and the according illustrations. In the discography, there's an image of the unfolded cover. On the LP's orange label there's written in black, Best Prehodi F 60.634. This is a fictitious creation of their own, compiled by the initials of the band members' last names (Norbert Breuer's name was slightly "adjusted" for improved readability). Financially, the whole LP project was supported by Hubert Herwartz, a friend of the band."



Top of the pile on most krautrock want lists . The cover has a small sticker tear (white on white) under the word 'TIP' & light general wear to front & a tape strip to the top seam, other than that its in excellent shape. The #454 is written on 1 side of the label. The vinyl has the odd hairline & a mark side 2 track one which ticks lightly, but due to the ballistic assault on senses it is all but invisible. The whole LP plays EX or better. Not mint, but you would be hard pressed to find a better copy, & yes it does have "Made in Germany � Hersteller: Carl Lindstr�m GmbH, 5 K�ln 41" at the lower end of the label. Please don't offend me with silly offers! NEW "....Their album, 'Den Of Iniquity', has gone on to become one of the most sought- after collectors' items of the progressive era. The cover was striking & pictured a huge creature giving birth to human beings & another huge creature chucking them through the air - presumably to their deaths. It seems likely that some stores didn't stock the album at the time on account of the artwork. Musically, the album boasted a very varied fare. It included a re-recorded version of 'Locomotive's' classic 'Mr Armageddon', but its finest moments were 2 lengthy instrumentals, 'Rabbits' & 'Life Is So Unkind'. So sayeth 'A Tapestry Of Delights'. The stunning cover is worth you parting vast sums of your hard earned cash on its own. Luckily for you, the music is also of the highest order. The vinyl has the odd paper scuff, but plays close to M- throughout. The cover has a barely noticeable stain (back cover, bottom right hand corner), otherwise M-. SOLD "Former 'Beat Of The Earth' leader Phil Pearlman assembled this band in the early seventies & eventually recorded this magnificent rural-rock album in 1975. The album stands with the very best albums of the era, possessing a purely American sound & walking confidently past the shadow of its previous incarnation. Amazingly well produced for a private pressing. It is the very antithesis of his earlier releases that could be classified as garage (at a stretch, perhaps - they are not without a certain tangible sophistication ). No measureable degree of time or expense was spared in the creation of the album, which took over a year to assemble & is the most flawless snapshot of the California seventies underground scene you will ever hear." Concluded F.A.F. Along with 'Anonymous', this arabesque tinged cracker is at the pinnacle of 'lost' seventies Stateside artefacts. This copy came from Mr Pearlmans' ever diminishing personal stash, still in its shrink, unplayed & with the insert. Only a mutton headed fool (nothing personal!) would pass up the opportunity to purchase this jewel. NEW