Ancient egyptian pyramids, greek gods and goddesses THE NEW VIEW OVER ATLANTIS

John Michell 1969

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"That this small gold pyramid ion was an integral part of the ancient egyptian

pyramids design is evident from the figures. Without it the dimensions are liot quite

complete, for if it were removed, the area of the Pyramid's side would be

99999'99 square cubits only. With the 5 cubic inches of gold pyramidion in

place, the figure of 100,000 square cubits represents the total area.

As the dimensions of the Great Pyramid are multiplied by the ratios of

the ancient number canon they expand to frame the dimensions of this earth,

and it is possible that they could have been taken further to represent the

dimensions of the grand orb (the circle described by the

earth's path round the sun), planetary-intervals and the measurements.

of time. Going the other way, into the microcosm, these same Pyramid

measures contract proportionally through a series of pyramidions at the

apex, shrinking from miles to inches, to mere specks and finally into the

world of the atom. The symbolism is of a seed, planted at the apex of the

Pyramid, programmed with all the numbers and ratios for its potential

growth. It is like that, smallest of all seeds, spoken of in the New

Testament, the 'grain of mustard', which grows up into the Tree of Life

encQmpassing the whole universe. The numerical patterns in the Pyramid's dimensions imply that the

capstone consisted of a succession of diminishing pyrami9ions, each forming

the tip of the one below it, with the small gold pyramid, 5 cubic inches in

volume, at the apex. Yet if the gold model is to represent the whole

structure in miniature, it must itself have a separate tip. This tiny

object, set in gold, could only have been some form of crystal. Esoteric

traditions about the use of crystals in the ancient world for attracting and

transmitting cosmic energies are echoed by modern seers, such as the

well-known 'Sleeping Prophet' of America, Edgar Cayce, who described visions

of the Atlantean crystal technology which empowered the last world

civilization and finally, by its abuse, brought about the cataclysm.

An illustration of how the small, golden, crystal-topped pyramidion could

have been held in place, together with the other layers making up the

capstone, is given by a strange hieroglyph which shows a truncated pyramid

topped by a staff or gnomon" SECRET CHAMBER

THE QUEST FOR THE HALL OF RECORDS

Robert Bauval

1

999

Page xxiii

EYE OF VIGILANCE "On the 3rd October 1998, a press conference was organised in Cairo for

Minister of Culture Farouk Hosni and the French composer Jean Michel Jarre.

The latter has been an international household name since the 1970s due to

the enormous success of his electronic high-tech music compositions

'Oxygene' and 'Equinox'. Jean Michel Jarre is also an ambassador for UNESCO

and has, since the 1980s, been organising extravaganzas of laser lights and

music for historical events. One of these was for the bicentennial of the

French Revolution in 1989, where more than two million spectators gathered

in the Champs-Elysees in Paris, from the Place de la Concorde all the way to

the new 'Paris 2000' Place de la Defense...........