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Max von Sydow, the tall, tragic-faced Swedish actor whose name was virtually synonymous with the films of Ingmar Bergman, has died. He was 90.

Variety has confirmed that the actor died on Sunday.

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Von Sydow, who became Bergman’s symbol for the modern man in such films as “The Passion of Anna” and “Shame” after making his Bergman debut as the errant knight in “The Seventh Seal,” also had an unusually prolific career in Hollywood and international films.

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He made his American debut in the role of Jesus Christ in George Stevens’ turgid 1965 epic “The Greatest Story Ever Told” and went on to make strong impressions with audiences in “The Exorcist,” Woody Allen’s “Hannah and Her Sisters,” David Lynch’s “Dune,” “Three Days of the Condor,” “Hawaii,” “Conan the Barbarian” and “Awakenings.”

Von Sydow worked for other Scandinavian directors as well, drawing an Oscar nomination for his role in Bille August’s “Pelle the Conqueror” and starring in Jan Troell’s acclaimed two-part epic “The Emigrants” and “The New Land.”

Most recently, the actor starred in “Game of Thrones” as the Three-Eyed Raven. He also appeared in “Kursk: The Last Mission” (2018) and “Lego Star Wars: The Force Awakens” (2017). In 2014 he was cast in J.J. Abrams’ continuation of the “Star Wars” saga, “Episode VII — The Force Awakens” as Lor San Tekka.

In 1955, the young actor was spotted by Bergman, for whom von Sydow worked onstage for a year before starring in “The Seventh Seal,” the film that put the director on the international map.

Von Sydow became Bergman’s on-screen alter ego and a regular Bergman player along with Gunnar Bjornstrand, Ingrid Thulin, Bibi Andersson, Gunnel Lindblom and Liv Ullman. He starred in “The Magician” and “The Virgin Spring” (a heart-breaking performance) and had a small role in “Wild Strawberries.” Von Sydow also starred in Bergman’s more personal, contemporary films such as “Hour of the Wolf,” “Shame,” “Through a Glass Darkly,” “Winter Light,” “The Passion of Anna” and “The Touch.” His clouded countenance expressed Bergman’s spiritual anguish with modern life.

He continued to appear onstage in Sweden and appeared briefly on Broadway twice: in 1977 in the Strindberg portrait “The Night of the Tribades,” which also starred Bibi Andersson and Eileen Atkins, and in 1982 opposite Anne Bancroft in “Duet for One.”

Despite such stage work, however, von Sydow worked regularly in English-language films, becoming one of the few foreign actors to do so. He was cast, somewhat strangely, in the central role of Christ in Stevens’ 1965 widescreen epic “The Greatest Story Ever Told,” and for several years in villain-type roles in films such as “The Quiller Memorandum,” “Hawaii,” “The Kremlin Letter” and “The Night Visitor.”

He was the central figure in William Friedkin’s 1973 blockbuster “The Exorcist” and would reprise the role of Father Merrin in “Exorcist II: The Heretic,” directed by John Boorman in 1977.

He also played the title role in the philosophical but bizarre film adaptation of Herman Hesse’s “Steppenwolf,” in 1974, and he racked up more bad-guy roles in “Three Days of the Condor” (menacing assassin), “Flash Gordon” (comicbook supervillain) and the James Bond film “Never Say Never Again” (it is said von Sydow had been offered the role of Dr. No, which he turned down in favor of the Christ role in “The Greatest Story Ever Told”). He even played Satan in 1993’s Stephen King adaptation “Needful Things.”