Timothy Lim, a talented freelance professional illustrator and cover artist, has been fired from Mount Olympus Comics because he took a job to create the cover for the subversive right-wing comic series Alt★Hero. After Alt★Hero creator Vox Day announced Lim’s contribution publicly, Lim received this message from his current employer.

Lim had begun work for Patriotika, Mount Olympus’s answer to SJW comics, because he had heard it would be pro-American and the SJWs who have taken over DC Comics and Marvel would hate it. “I found out about Patriotika from friends who had positive things to say about it,” Lim said. “I contacted the owner to volunteer my services for his next issue, free of charge, just to support a good cause. He decided to hire me for cover work on another title in the same universe, Valkyrie Saviors.”

But the goodwill took a bad turn when it became public that Lim was working with Vox Day. “When he saw the work that I had done for Alt★Hero, he was not enthused. Three days later he messaged me to tell me he would not print the Valkyrie Saviors cover or the Patriotika one which I was going to finalize the following week,” said Lim.

Conservatives are mocked in comics circles for claiming there is a blacklist in the industry, but the evidence points to work being withheld from writers and artists deemed too right-wing. Lim feels he is now on that list of unemployable deplorables. “I understand the decision, but it IS a blacklist. And these are things other writers and artists should know before taking on work,” he said. Lim feels that an artist’s job is to do the work he is hired for. “Recently I did two covers for a Bernie supporter for his book. Considering how political SJW Marvel is, practically every drawing I did for the company merchandise is a depiction of a narrative I disagree with. But I don’t live in an echo chamber and I carve out a living by taking on work I am asked to do and I fulfill it to the best of my ability. Some people cannot separate the work from the worker. The artist acts as a de facto ‘endorser’ of the work,” Lim explained.

Asked if Lim had ever been attacked by conservatives for drawing Bernie-themed covers, he laughed. “In seven years, not once has a conservative contacted me to shame me for my work or blacklist me for the clients that I had.” Lim’s major work includes Star Wars Adventures, Back to the Future, Street Fighter X G.I. Joe, TMNT and much more. He worked for seven years as a merchandising artist with properties that included Marvel, Lucasfilm, Valve, and Nickelodeon.

PJ Media reached out to Vox Day for his opinion of Lim’s blacklisting from Mount Olympus. “The fact that a comics publisher, of any political stripe, would refuse to utilize the work of an accomplished illustrator like Timothy Lim simply because he worked with someone else they don’t like is absurd, but more importantly, it is proof that they are less interested in producing quality content than they are in pursuing approval from social justice warriors.”

Day released Lim’s cover work for Alt★Hero to PJ Media saying, “We love Mr. Lim’s work. He absolutely nailed the essence of Dynamique’s character with the way he shows her sitting there so calmly despite all the devastation behind her.”

Lim hasn’t let the setback slow him down and has a new book coming out this month called “Thump:The First Bundred Days,” a children’s book about the election of Donald Trump shown through a tale of a tough-talking bunny. The artwork is fantastic and the book is a funny romp through modern American politics that would appeal to both adults and children. PJ Media was given an exclusive sneak peak and a sample of Lim’s Melania and Thump.

The response to his project has been typical leftist screeching and calls for book burning. From an article entitled “Go Away Nazis, No One Wants to Read Your White Supremacist Children’s Books,” on the blog The Mary Sue:

Looking through their catalogue, it’s almost tempting to reverse my feelings on book burning. We’ve got Go the F**k to Jail: An Adult Coloring Book of the Clinton Scandals, The Social Justice Warrior Handbook with a cover pull-quote from Ann Coulter, and my personal favorite from the garbage heap: Thump: The First Bundred Days, about the “winningest of bunnies” fighting all those “traitors and crooks and old establishment guard / And rabid media watchdogs unchained from their yard!”

The trouble is, Tim Lim is Asian. His response was epic.

Chuck Dixon, the Batman writer most known for co-creating the popular villain Bane and the man Bleeding Cool called “the most prolific comic book writer of all time,” has also been attacked for signing on with Alt★Hero. PJ Media spoke to Dixon about it.

“A couple fellow travelers called me out on Facebook when the news came out that I’d be contributing to the Alt★Hero project. They had the echo chamber on their pages with all the usual assumptions and name calling,” he said. A quick search on Twitter showed multiple sources calling Dixon a “Nazi.” The thing about Chuck Dixon going full Nazi is all the readers of a certain age (younger than me) who cut their Batman teeth on his stuff. — Whoa, Black Money (Bam-ba-Lam) (@Notintheface1) October 16, 2017 I know Chuck Dixon is a right wing asshole but I feel it's also important to note that who the fuck else would hire him — Mike (@mcgee_gorgo) October 15, 2017 Maybe DC Comics should kill off Bane due to his creator's (Chuck Dixon) Nazi views. — Ryan Malik ❄️ (@theaterfilms1) October 19, 2017

Dixon’s conservative politics have never been a secret. He wrote the graphic novel “Clinton Cash” during the last election, which hammered the Clintons for their dubious money-grabbing schemes. Dixon says the blacklisting began in the early 2000s. “I’ve experienced a steep drop in assignments since 2000. Primarily from the two largest comics publishers [Marvel and DC Comics]. The reason for this can only be my politics and a change in editorship at those companies,” he said. “Once upon a time, you could have a difference of opinion with an editor-publisher over political matters but still work together,” he continued. “I write escapist fiction and never interject any kind of agenda in my work. I kept my politics strictly personal. But the new crop of editors, at both companies, view everything through the lens of politics, and even though I had written thousands of pages and hundreds of comic scripts for both companies I was quickly made persona non-grata and un-hireable.”

Dixon has heard disturbing things from his former employers. “The editor-in-chief at one company proudly tells people that I will never work there again as long as he’s in charge,” he said. “A friend of people high up in both companies suggested that I apologize for my political beliefs in order to get assignments again. That’s never going to happen,” he promised. “I’m not playing victim here. I’ve found other outlets for my work and remain prolific, busy and creative.”

Dixon has the advantage of having his career take off in the ’90s before much of the political correctness took hold. Young artists like Lim are not so fortunate. “If it was like this when I started I would never have gotten started. Comics were all based out of New York then. ALL of my editors were left of center. But as long as I didn’t try to put my political beliefs in my work, it was all cordial and cool,” he remembered. “I got some of my biggest breaks from editors who despised my conservative views. None of that mattered when it came to making comics [back then],” he said. But it matters now. “Just being good at your job is no longer a guarantee of steady employment. There are lots of extremely talented comics pros who are either unemployed or way underemployed. They’re being replaced by minimally talented hacks producing mediocre (to astonishingly amateurish) work loaded with left-wing and gender politics.”

Dixon explained why he decided to work with Vox Day. “My decision to join with Vox on this project is because he offered me an interesting opportunity; a return to the kind of escapist superhero fantasy I used to be allowed to create at DC Comics and Marvel Comics. I’ve long lamented that the major comics publishers have walked away from their core audience over the past two decades,” he explained. “They ran from them by creating ham-handed preach-athons that scold the readers rather than entertain them. And just within the last year, the diversity movement in comics has ratcheted up to chase away even the last of the die-hard fans who were holding on to the hope that one day superhero comics would return to their core appeal as wish-fulfillment fantasies.”

Dixon believes that the answer to SJW culture is to carve out a counter-culture in the realm of entertainment. “The conservative movement has ceded the pop culture to the left. It’s time to take some of it back. And by producing classically structured and well-crafted adventure comics, projects like this could find that lost audience and bring them back to the medium they, and I, love so much,” he said.

Critics of Alt★Hero on the right say they think it will be equally as bad as the SJW preaching in comics, only from the other perspective. Dixon disagrees. “My series, Avalon, will not be a political polemic. I’m not into that at all. It will be escapist adventure fare free of the kind of screeds and lectures and scolding so prevalent in comics today,” he promised. “It’s going to be an action-packed, fast-paced action series with the kind of attention to characters and environments I always bring to my work. It’s not a soapbox by any stretch of the imagination. We are providing an alternative to the train wreck that mainstream superhero comics have become.”