When the author Justin Spring finally tracked down the executor of Samuel Steward’s estate, he had no idea what this sexual outlaw and little-known literary figure had left behind after his death in 1993.

So he was taken unawares by the 80 boxes full of drawings, letters, photographs, sexual paraphernalia, manuscripts and other items, including an autograph and reliquary with pubic hair from Rudolph Valentino, a thousand-page confessional journal Steward created at the request of the sex researcher Alfred Kinsey, and a green metal card catalog labeled “Stud File,” which contained a meticulously documented record on index cards of every sexual experience and partner  Rock Hudson, Thornton Wilder, “One-eyed Sadist”  that Steward said he had had over 50 years.

An attic full of items contained a secret history of a little-documented strand of gay life in the middle decades of the 20th century. Steward’s experience stands in stark contrast to the familiar story of furtive concealment and persecution in the period before gay liberation. As new biographies of artists and writers like E.M. Forster detail the effects of sexual repression on their work, Steward’s history shows what a life of openness, when embraced, entailed day to day.