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June 28, 2007

World's smallest art gallery — 'There's plenty of room at the bottom'

Probably the first time ever that Richard Feynman's prophetic 1959 observation, which jump-started the nano paradigm, has been applied to the arts space.

And a wee small dram of a space it is, measuring precisely 12 by 14 x 19 — inches.

Read all about it in today's Washington Post Style section front page story by Rachel Beckman, which follows.

The photos below are from previous shows in the tiny gallery.

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At Locker 50B, A Little Gallery Goes a Long Way

It's easy to whiz by Locker 50B, oblivious to one of Richmond's most interesting contemporary art galleries. Even people who know to go to the fine arts building at Virginia Commonwealth University struggle to find it.

That's because the gallery, now in its fifth year, is housed in a locker. And not even a full-length locker — a cubbyhole. A basketball would fill the space, which measures 12 by 14 by 19 inches.

"A lot of people feel like they stumble upon it, almost," gallery director and curator Virginia Samsel [above, in front of the gallery] says. "We don't have a lot of signage. We're thinking up ways where we can have it be a little more visible without having flashing lights. But just so people do realize it's supposed to be there."

Since Samsel launched the gallery in 2002, she has held more than 50 exhibitions and displayed the works of about 200 artists, including students, professors, alumni and visiting artists such as James Siena, the New York-based abstract painter.

Step on the weight-sensitive welcome mat in front of the locker and the gallery's string of LED lights turns on. Peer through the Plexiglas window into the cubby to see the current exhibition, "Palpability," a group show of eraser-size sculptures, a painting and a self-portrait in pencil. The gallery is outfitted with white walls and hardwood floors, which Samsel bought at a dollhouse shop.

Samsel, 24, says she has always "worked small." She grew up in an artistic home — mom was a graphics designer, dad was a cartographer — and young Samsel liked to draw, crochet and sculpt tiny animals out of clay. When she was a VCU sophomore, a whole semester's worth of paintings and sculptures fitted into her supply locker. Friends joked that it was like a mini-art gallery, so Samsel decided to convert it into one.

Samsel graduated from VCU in 2004 and handed the gallery off to other students. It fell into disrepair, so last August VCU adopted Locker 50B as an official project of the university's art department and hired Samsel part time to run the space.

The dozen or so exhibitions a year get their own promotional cards and opening receptions. But forget vegetable crudites and wine: Samsel assigns each show a color and serves only food and drinks that fit the theme. "Palpability's" reception was purple-themed, so she served grape Kool-Aid, Nerds candy and purple Welch's Fruit Snacks.

"That's, like, typically Virginia Samsel," says Richard Roth, chairman of the VCU painting and printmaking department. "She's kind of an ironic person. The whole gallery is an ironic takeoff [on] the gallery."

The next show, opening July 13, is a group exhibition of student work from the VCUarts Summer Intensive Program. Samsel expects to display 16 students' work at a time, surpassing her previous record of a group show of 14.

Andy Kozlowski teaches the summer class. He also displayed tiny wooden crates in a Locker 50B show last fall.

"I want them to try and work miniature to begin with," he says. "We could make something big and scale it down digitally, but it really works best when the ideas are designed to be that size."

Roth sees Locker 50B itself as conceptual art, in the tradition of works such as Joseph Cornell's dioramas or Marcel Duchamp's "Box in a Valise," a 1935-41 piece for which he created miniature versions of his art and put them in a suitcase.

Roth always stops at Locker 50B when he gives tours to prospective students. They get more excited about the gallery than the art program's high ranking or expensive printmaking equipment, he says.

Getting art into Locker 50B carries some prestige, but name recognition doesn't sway Samsel's curatorial decisions. She turned down a proposal from Rob Pruitt, a New York painter and conceptual artist who visited VCU in 2002. He wanted to dress a hamster in a suit and give it a little desk to sit at, like a greeter at a gallery. Even though "it was definitely an interesting proposal," Samsel didn't want to take care of a hamster for a month, she says.

"The fact that really well-known people show right next to students, I think that's part of the beauty of it," Roth says. "It's very democratic. We're all equal in Locker 50B."

"Palpability" is on view through tomorrow at Locker 50B, 1000 West Broad St., Third Floor, Richmond. Free. 804-828-1696 The fine arts building is open Monday-Friday, 9 a.m.-5 p.m., except holidays.

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In case you fell asleep, tomorrow's the last day to see the current show: if you're being square 'cause you're not there, well, you'll just have to wait two weeks until July 13, 2007, when the next show opens.

Fair warning.

If you're thinking hey, there's no way I'm going, well, guess what?

You can go virtually, right here.

See what a little quantum tunnelling can do?

w00t!

Here's Locker 50B's MySpace self-description:

If you'd like to bypass the middleman and contact Ms. Samsel directly, you can do it here: samselva@vcu.edu

June 28, 2007 at 12:01 PM | Permalink

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Comments

that is so stupid:(

Posted by: | Nov 13, 2008 3:08:20 PM

Remember that scene from Men in Black? I can't recall if it was #1 or #2, but there's a scene where Will Smith's character opens a locker just like this one and checks in on a whole world of aliens living there. It was probably just a matter of time before someone should use the idea for something... /Zack

Posted by: Zack | Jun 28, 2007 6:01:54 PM

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