There’s been a lot of talk about selfies recently. The Oxford Dictionaries named “selfie” the word of the year for 2013, and “Museum Selfie Day,” last month, encouraged museumgoers to take creative selfies in front of art. But what distinguishes a selfie from an artist’s self-portrait? A smartphone and a Tinder account is the easy answer, but, in general, we ask more from a self-portrait than we do from a selfie: more consideration, more composition, more psychological insight and aesthetic care. From family photographs to annual staged series and quirky snaps captured in a street windows, here is a selection of my favorite self-portraits.





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LAWSON: At least once a year, I make a self-portrait. It’s an occasion for the artist to construct her representation through her own medium, be it a camera or a paintbrush or what have you. It’s an opportunity to declare who you are visually and who you aspire to be. A selfie is a smaller branch of self-portraiture—quick and less considered. A self-portrait considers the interiority of the artist; it’s a moment for self-reflection, to pause and to look at yourself. Deana Lawson , “Self-Portrait” (2012)LAWSON: At least once a year, I make a self-portrait. It’s an occasion for the artist to construct her representation through her own medium, be it a camera or a paintbrush or what have you. It’s an opportunity to declare who you are visually and who you aspire to be. A selfie is a smaller branch of self-portraiture—quick and less considered. A self-portrait considers the interiority of the artist; it’s a moment for self-reflection, to pause and to look at yourself.