“I have to try.”

The tragedy of Nephrite is Steven Universe’s longest side story, beginning with the very first episode and concluding five years later in the final episode of the show’s original run. How we feel about Nephrite at any given time indicates how we’re made to feel about Corrupted Gems as a whole at that point in the show. After Gem Glow, they’re monsters of the week. After Monster Buddies, they’re innocent but violent victims of…something. And after Monster Reunion, we know what that something is.

Ninety-two episodes in, we know of Yellow and Blue Diamond. We know they’re part of a a group called Great Diamond Authority, acting as Gem Matriarchs. We’ve seen an artistic representation of a third Diamond on the Moon Base. We’ve seen a four-part symbol with a white, yellow, blue, and pink diamond united as one. We got a hint of their musical cue as the Gems abandoned Earth in a flashback. And because the Diamonds are in charge, we also know that they’re responsible for some terrible things, from the forced fusion of Gem Shards to seeking of destruction of planets not only for reproduction, but revenge. The information is dripping in, and these Gems are shaping up to be the villains of the series, and thanks to that knowledge, all it takes is one sketch to emphasize their most heinous crime.

This is the episode where the horror of corruption sinks in, in the same way Keeping It Together reveals the horror of Cluster Gems. The Mother Centipeetle was a monster, and Centi was a pet, but this version trying desperately to communicate before she loses her sanity again is a person. She has memories spanning millennia but was trapped by her mind and her body by her own leaders. After a string of Beach City episodes with purely personal stakes, Monster Reunion’s depiction of a personal struggle representing an atrocity affecting a planet’s worth of Gems hits like a freight train. This isn’t just something the Diamonds did to their enemies: Nephrite, alongside countless other Corrupted Gems caught in the crossfire, was loyal to Homeworld, but that meant nothing.

Between the Cluster Gems and the Corrupted Gems, the Diamonds prove that they’re not content with just destroying the bodies of their opponents, but the souls of anyone that inconveniences them. We’ll learn a bit more about it in Nephrite’s fourth episode, Legs from Here to Homeworld, where it seems this corruption was unintentional (or at least unknown by Blue and Yellow Diamond), but Monster Reunion galvanized me against the Diamonds in a way no other episode has, and it does this by giving us a single, concrete character to sympathize with.

This is the second time this season Raven Molisee and Paul Villeco have given Steven an extensive conversation with an entity incapable of full communication, but unlike Gem Drill, Nephrite allows these artists to fully utilize their gift for character animation to tell their story. Molisee’n’Villeco episodes are distinguished by more exaggerated expressions than usual (see: the first act of Coach Steven, the climax of Rose’s Scabbard, Amethyst throughout Reformed, Steven-as-Lars in The New Lars), and that makes all the difference in enhancing our ability to relate with a growling alien cyclops bug. We don’t need words to tell us when Nephrite is scared, happy, curious, angry, or sad (we don’t even need tears to tell us that last one, but oof are they effective), and we’re able to empathize with her on a primal level thanks to her vivid expressions.

The other half of the Nephrite formula is master vocalist Dee Bradley Baker, who’s already performed as every Corrupted Gem in the series, as well as Lion. Baker’s prolific ability to give life to non-human characters make him virtually impossible to overrate, and he uses that gift to convey comprehensible communication from Nephrite with nothing but chirps and squawks. This is so much more effective than the cacophony of voices from the Cluster, allowing for an actual conversation of sorts between Steven and Nephrite.

This would be a very different episode if Nephrite was still just Centi from Monster Buddies, and we have Molisee, Villeco, and Baker to thank. It’s not enough to feel bad for an animal in pain again: we need to see, for lack of a better term, the human suffering of it all. And I feel so bad for this woman who doesn’t even get to have a real name for another sixty-one episodes.

The conversation itself centers around a terrific use of flashback. As Steven reminds Nephrite (and the audience, because it’s been a while since Monster Buddies) of their history, we get depictions of the past that fully resemble Steven’s experiences. But Nephrite can’t talk, so we don’t even get the simplified silhouettes that accompanied stories from Garnet in The Answer or Lapis in Same Old World. We get crayons and stick figures, the most childish means of communicating, that slowly gain animation as the story picks up.



Steven’s narration is a constant reminder that Nephrite doesn’t have a voice of her own, and that we’re getting bits and pieces of what actually happened. She can still sing along with him in her own way, and performs a flawless diamond salute, but can’t tell Steven the name of her commander, or how she felt about her crew, or any actual tales of the war. Honestly the most telling image is Nephrite’s very first picture, revealing that she sees herself as herself despite having never met Steven in that body. This is a sentient person, and we’re made to understand that before she reverts to a monster.

Allowing her to reunite with her crew is a brilliant move, because the show needs her to lose, but it would be unspeakably cruel to not give her anything in the process. We don’t get a happy ending, but we don’t wallow in bleakness either, and that’s a hard needle to thread when the subject matter is this horrendous. There are certainly real-world analogues to Nephrite’s plight, namely dementia and PTSD, but Monster Reunion benefits from being ultra-specific to the show’s lore instead of focusing on the same sort of allegory they did in Kiki’s Pizza Delivery Service and will do in Alone at Sea. When the lead character can’t talk and we’re dealing with this much character and plot work, going for a lesson beyond the general value of mercy would’ve probably made the episode collapse.

This is a fascinating episode in regards to Steven’s maturity, because beyond the use of crayons, he goes hard on the cute angle to manipulate the Crystal Gems in a way that seems to undermine his growing maturity; for reference, we’re an episode away from a story about the aftermath of abusive relationships. This childishness is especially interesting when you consider this is where he gets his healing powers back, a sign of his growing power. We see him casually float up to grab Nephrite’s bubble, and he’s an old pro at warping without assistance. All signs point to this being a more developed Steven than his puppy-dog eyes might indicate, and that might be the point.

I don’t want to speak to the writers’ intent given how far away Pool Hopping is, but Garnet’s inability to properly predict the future here is caused by the same problem she has in that episode: she’s seeing the likely outcomes of a Steven who’s still a child. True, there’s also the matter of all three of his guardians reverting to a lighter version of their stubbornness from Monster Buddies given their bias against Corrupted Gems, but I can’t help but think that Garnet would’ve been cool with the outcome we get had she seen it coming. It’s understandable that she might not have been able to predict Steven’s capacity to help, and that the only outcome of freeing Nephrite was mutual suffering.

We’re past the halfway point in Season 3, and are thus nearing the conclusion of the show’s second fifty-odd episode chunk. Major plot elements are winding down in anticipation of the life-altering story that Rose Quartz shattered Pink Diamond, and one of them is the idea of Steven acting like a little kid. This is the last time we’re going to see him act this way at length, even as a ploy, because even though he’s still a kid in Season 4 and beyond, he’s a young teenager who actually feels like a teenager somewhat consistently.

We also get a subtle premonition of Amethyst’s imminent focus, as she’s twice admonished by Pearl for making fun of Nephrite even though she’s not making fun of Nephrite either time. The feuding days of Amethyst and Pearl are long over, but there’s still a power dynamic between them that Monster Reunion quietly reignites. And Garnet is still in charge, ordering Amethyst to poof Nephrite in a way that’s frankly a bit uncharacteristic. Maybe it’s because we haven’t seen an actual fight with the three Gems working as an unfused team since Catch and Release (heck, we haven’t seen a fight against a Corrupted Gem since the Slinker in Reformed, unless you count the big crab in Rising Tides, Crashing Skies), but it sounds strange for Garnet to give a direct attack command. Amethyst is shown here to be the lowest-ranking Crystal Gem, not counting Steven, and this means everything to the season’s final arc.

There are certain things I would’ve loved to see as a fan thirsty for information, namely an actual translation of Nephrite’s writings. But it’s not as if we don’t get the picture(s) from her “conversation” with Steven, and eleven minutes isn’t enough time to tell this story and inject worldbuilding through text. It’s frustrating to not have all the answers, and a common complaint of Steven as a character is his lack of follow-up questions, but in this case he clearly knows the gist, and there’s no reason to think he couldn’t have gotten Pearl to translate offscreen if he was still interested.

So I’m glad we instead got a searing character-centric story that hurts enough that I almost never watch this episode. It takes a while, and it nearly costs Steven everything, but thank goodness we finally get justice for Nephrite.

Future Vision!

Our next chapter in Nephrite’s story is Legs from Here to Homeworld , where we finally learn that she’s a nephrite, that her commander was a hessonite, and that Blue and Yellow Diamond might not have been as intentionally malicious as we thought despite the abominable consequences. It’s crazy how important Nephrite ends up being, essentially paving the way for the Diamonds to begin reforming through Steven wanting to cure her and other Corrupted Gems.

, where we finally learn that she’s a nephrite, that her commander was a hessonite, and that Blue and Yellow Diamond might not have been as intentionally malicious as we thought despite the abominable consequences. It’s crazy how important Nephrite ends up being, essentially paving the way for the Diamonds to begin reforming through Steven wanting to cure her and other Corrupted Gems. Steven’s desire to write “I’m sorry” in Gem Scribble as he looks at the image of three diamonds, with hindsight, seems to indicate some subconscious knowledge of his indirect culpability in Nephrite’s corruption. Or he doesn’t at all and it’s just a coincidence.

Nephrite uses a white crayon to depict the Corruption Song, indicating White Diamond’s greater responsibility, and ultimately White Diamond’s key role in healing the damage.

We’re the one, we’re the ONE! TWO! THREE! FOUR!



Monster Reunion isn’t an episode I love to watch, because I don’t love to watch depictions of unbearable anguish, but it’s still an episode I love. Like Cry For Help, its sheer quality makes up for my infrequent rewatching.

Top Fifteen

Love ‘em



Like ‘em

Enh

No Thanks!

5. Horror Club

4. Fusion Cuisine

3. House Guest

2. Sadie’s Song

1. Island Adventure

(No official promo art, but artist Jonathan Traynor’s haunting sketch does just fine.)