It's a little sticky politically to make a movie in 2019 that arguably asserts that the best way for a powerful woman to find herself is to let her hair down and dance to Roxette. And yet that moment is a perfect example of what works about “Long Shot,” in that Theron and Rogen sell it in such a genuine and joyful way that it’s easy to dismiss the politics and just give oneself over to the charm of it all. In that sense, despite its very raunchy sense of humor, “Long Shot” is an incredibly old-fashioned rom-com, a genre that has often relied on the charm of its stars more than politics or social commentary. People didn’t fall in love with “Pretty Woman” because of its commentary on sex workers—they fell in love with the stars and their chemistry. This genre is often more about a look, a laugh, a connection than it is a statement, and Levine remembers that enough to keep “Long Shot” clicking for most of its over-long 115 minutes. He knows this movie lives and dies on how much we like his leads and want to see them find happiness, and so he only uses the Trump/Clinton connections as a side dish. The main course is less “The American President” and more “Pretty Woman” (and this really is a gender-reversed version of that story if you think about it).

But if so much of the success of “Long Shot” rests on the backs of its stars, how do they carry that weight? First of all, Seth Rogen hasn’t had this kind of rom-com leading role in a decade and he’s improved as an actor in that time, shedding some of his man-child tics while also keeping just enough of them to make Fred into a version of that self-defeating friend we all have. Rogen is very funny, but the movie belongs to Theron, who proves yet again that she can do literally anything. Very few actors can segue so seamlessly from “Mad Max: Fury Road” to “Tully” to this and not miss a single beat. Her comic timing is perfect, her chemistry with Rogen is believable, and she does something that often sinks political movies in that we buy her as a political leader. It’s a great performance. Returning to the aforementioned Roxette scene again, she has a beat at the end of it that cuts through everything that one could say is wrong with this movie by just being deeply human.

“Long Shot” could have been tightened in several places and the party goes a little too long, but it’s easy to see Levine and his team falling in love with Fred and Charlotte as much as I suspect audiences will when this is released. Whatever side of the political fence you’re on and whoever you voted for in 2016, it will be hard or you not to fall in love with them too.

This review was originally published from SXSW on March 10th.