JC: Well I haven’t started film school yet. I start week. July the 2nd. And so I don’t really know what that is going to be like. The most film school experience was just community college taking film classes. But, I wouldn’t say that’s a breeding ground for intense film study. So I don’t really know what that’s going to be like. In regards to switching from music to film, I mean I was doing both of them at the same time for a really long time. Music video directing was kind of a side job while my main focus was the band, but film was my first love. I felt really comfortable doing it. As I did more and more film, I felt more at home. I don’t really know, it’s kind of hard to describe the difference between them; they’re both very collaborative mediums: music and film. I think film is just maybe a different execution or a different end result you’re looking for. Or in some ways ahs a different hierarchy. A what a band is very much a democracy. At least our band was very much a democracy where everything kind of runs through the filter of five people. Decisions are made as diplomatically as they can be. One thing I’ve noticed with filmmaking is that even if you want things to be democratic, there is much more of a hierarchy structure. I think when I first started working on film projects, I viewed it or I was applying what I had learned in music, and I would always get weird, blank stares, like you just need to take the reigns stuff. I think over time the role of a director is to steer the ship. That doesn’t mean you should view it as a dictatorship where you are barking orders at people, but in the medium people do take the roles and the titles very seriously, what each person is there to do. It’s important to have a vision or have a voice, or know what you’re trying to accomplish because people are looking to you to get the end result. Where I think music is a lot more about digging into the process and finding it together. So, I don’t know. I think I’m interested in seeing how the two things blend together and taking what I’ve learned from music and applying it maybe just in terms of simplicity. I guess in terms of my approach or my overall disposition on a set might be different than some other directors who come from a different school of thought. Maybe that is something film school will try to hammer into me, but I like to be very collaborative with the people on set.