Interview with Miki Pannell about his days as guitarist for Demented Are Go

Questions by Nick Kemp

Demented Are Go 1989. (L-R Mark 'Sparky' Philips (below), Billy Favata (above), Miki Pannell, Chris Bond, Simon Cohen, Ant Thomas)

Demented Are Go 1989. (L-R Mark 'Sparky' Philips, Billy Favata, Ant Thomas, Simon Cohen, Chris Bond, Miki Pannell)

Where and when were you born? Where did you grow up? The Quay, Oreston. Plymstock, Plymouth, 1965. I’ve got the sea in my blood! What was the first music that you listened to? I grew up listening to boover boy glam rock. My heroes were Gary Glitter and the glam rock stars of 1973. All the music in the seventies was amazing. My four sisters and I were all disco freaks too until they invented punk rock. Do you come from a musical family? When did you first pick up the guitar? No. There were no musicians in the family but we all loved it. I was lucky that I passed the entrance to quite a good school where they had a great music department and everyone was obliged to play in a symphony orchestra from age eleven. I had to study violin, than the clarinet. I was useless. At break-time we would go to the music room and play punk on the Spanish guitars…. Who were your influences? 1930s swing. Louis Prima. Django. Motown, 50s Rock’n’roll. Western Swing. Chet Atkins and Jerry Reed. Sun Records, Scotty Moore. Abba, 1970s Glam, John Barry, Flamenco or anything with guitars. When did you first form a band? With whom? Did the Court Jesters play many gigs? What was life like in the squat? When I was sixteen I started playing with a hep-cat band called Rhythm Bound. The singer Jeff Thomas was a great songwriter and singer and I learnt a lot from him. The other guys in the band were Mark ‘Billy Boy’ Favata on double bass and Darren ‘Strut’ Ward on drums. We played our first gig supporting the Meteors. Talk about baptism of fire. Paul Fenech was really good to us in that group. When did you go to London? Me and the lads were all about 19-20 years old. It was 1985 I think. When I arrived the Brixton riots were in full swing. Bad times! Jeff didn’t want to move from Plymouth, so we went and found a crazy Welsh singer called George Scott Davis and changed the band name to Court Jesters. It was a wild adventure. We all lived in dodgy squats, played in the streets for a living and went out constantly to tons of gigs and parties. We constantly played practical jokes on each other. The group was always busking, rehearsing and learning the trade, but we weren’t really psychobilly, so we had trouble getting gigs with the Klub Foot crowd. We once played a gig and no one showed up, so we hopped in the van and Darren suggested ‘gatecrashing’ someone else’s show. We turned up at the 100 Club on Oxford St an hour later and they let us support some other group. Fenech continued to look after us and let us support them on numerous occasions. They were always winding us up. Once we played with the Meteors and Long Tall Texans in Cardiff. After we’d loaded tons of our equipment on the stage for the sound-check, Fenech told us the gig was going to be cancelled and we had to take it all down and load up the van. Once we’d stripped it all down, they told us the gig was back on, so we had to set it all up again. We were humping gear around for three hours. The Court Jesters were playing at the time that Demented were starting to get popular. The psychobilly scene was still buzzing. This was around 1986-87. We were hounded by the police for busking all the time. We ended up getting thrown into jail for playing in the tube trains. I’ve got a criminal record for ‘Playing musical instrument for reward’. There were other bands who busked a lot too. The Klingonz were mates; they had their spot in Covent Garden but we were more itinerant musicians.

The Court Jesters on tour in Wales. 1987?Accomodation the night before was a tent in a service station! (L-R. Darren Ward, Scott Davies, Miki Pannell.)

The Court Jesters loading up outside their squat in Aberfeldy House in South London. Nice collection of vintage Fender amps... (L-R. Darren Ward, Scott Davis, friend Steven Temlett, Billy Favata. Photo by Miki Pannell. Girlfriend Sharon on the first floor

The Court Jesters on tour in Wales. 1987? Tour of dodgy working men's clubs. (L-R. Scott Davies, Miki Pannell, Billy Favata, Darren Ward).)

The Court Jesters hanging about before a gig. ! (L-R. Scott Davies, Darren Ward, Miki Pannell, Billy Favata.)

When did you first meet Mark? What your initial impressions? We had met him first at the Klub Foot. Everyone, or the musicians at least, knew each other. A few times the Court Jesters supported them, so we were mates. That was the classic Demented line-up with Dick on guitar. That was the best Demented line-up by far. The group still didn’t have any punk or metal or horror rock influences. That’s what made it happen. Mark’s voice sounded so wild because it was in such contrast to the 50s style group. Plus Mark didn’t have the crazy reputation so much back then and everyone else was fairly nutty too. He was a nice guy. The drummer, on the other hand, was a total dickhead. How long after meeting him did you join Demented? About three or four years I think. Darren left the Court Jesters to play with Skizo which was disappointing for us. Nothing was happening for us as we weren’t psychobilly enough for the scene, but Skitzo were part of it. A few weeks later Sparky turned up at our squat, sprayed some paint on the walls and asked Billy and I to join. How long was it before you went to the studio? The next time we saw Sparky and Ant, which was about a week or two later, if I remember rightly. We never rehearsed. They weren’t interested in it and weren’t organised. We just started playing the old Demented set straight away and gigging. It sucked. I got into rock’n’roll to have fun and do something original. In Demented there was no rapport. By then, they were like a group of mercenaries. People were joining and leaving all the time. The group never really hung out together and consequently never had much of a laugh. It was like being a babysitter for Sparky who was constantly getting arrested and off doing his own thing. Sparky was becoming well-know and he enjoyed being absent. He was like a company chairman who’s always off on the golf course. The drummer marched around saying things like ‘Business is business.’ We could never find Sparky. All I remember is hanging about all the time smoking and drinking and doing nothing. I really wanted to do something – anything! How much input did you have in the writing of †he songs? When we got into the studio to record the ‘tunes’ we actually had no songs written and had never rehearsed. In four days we improvised a bunch of songs, recorded and mixed them - all under the influence of the free booze from the restaurant bar tab next door. My input was to try and put some music to Sparky’s ideas. He is actually quite skilled at coming up with original tunes without playing any instrument. He just has this natural talent for rockabilly, country and blues phraseology. He’d literally sing the melody and we’d put a basic track to it. Which isn’t my way of working at. But as I said in Demented no-one worked at anything.

Cover of Demented Are Go's 'The Day the Earth Spat Blood' Demented Are Go. Dr. Marten boots

