Acquainted with the Night

I have been one acquainted with the night.

I have walked out in rain—and back in rain.

I have outwalked the furthest city light.

I have looked down the saddest city lane.

I have passed by the watchman on his beat

And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet

When far away an interrupted cry

Came over houses from another street,

But not to call me back or say goodbye;

And further still at an unearthly height,

One luminary clock against the sky

Proclaimed the time was neither wrong nor right.

I have been one acquainted with the night.

by Robert Frost (1874-1963)

Iambic Pentameter

Iambic pentameter is a metrical line in poetry that has been used since the beginning of the English language. Many have argued that it is the most naturally-occurring meter in the English language, and several famous epic poems have employed it.

Pentameter refers to the 5 feet that occur in the line. In poetry, a foot is a term used to delineate the units of rhythm in every line. Iambic refers to the type of foot that is being used: An iamb is a unit of rhythm with one unaccented syllable followed by an accented syllable. In the first line from Frost’s poem reproduced below, I have separated the five feet with vertical bars and marked the accented syllables with underscores.

I – have | been – one | ac – quain | ted – with | the – night.

The line should have a galloping rhythm that sounds like da-DA-da-DA-da-DA-da-DA-da-DA. When forced, such a line may sound wooden and strained. However, when executed skilfully, iambic pentameter can have a very natural grace. Take the lines, “I have stood still and stopped the sound of feet/ When far away an interrupted cry/ Came over houses from another street.” Here Frost sounds quite conversational. Though in fact, each of these lines is written in near-perfect iambic pentameter.