“I was hearing the same stories again and again about gendered division of labor, this idea that women get the coffee and men get to sit in the meetings. Those stories kept coming up, again and again and again.” So Green embarked on a screenplay, not about Weinstein specifically — in the finished film, the predatory boss has no name, and is never seen on screen — but a story of “one day in the life of this person with the least power at a very powerful organization.”