BFA painting exhibition,, features the artwork of Ann Haley, Mirielle Jefferson, and Tim Kent from May 2-6, 2014 at Ashmore Gallery in Savannah, GA. The work includes large scale paintings, sculptures, and mixed media that employ processes of removal to reveal the moment that exists between two entities. Haley utilizes methods of chance and reaction through video, performance, and large scale oil painting to explore the relationships found within the thresholds between extremes: the hidden and the exposed, the muted and the saturated, digital movement and organic movement, aesthetic knowledge and rejection of aesthetic knowledge. Jefferson is exploring the boundaries of realism and non-objectivity to create minimalist compositions filled by expanses of space and traces of shapes that allude to an absent image or thought. Geometric representations of recollections have been subject to deduction, leaving only details. Kent focuses on craftsmanship and exercises a reduction of color choice and mark making to highlight the sculptural form and explore the parallel nature that embodies painting and sculpture. Though from an array of approaches, Haley, Jefferson, and Kent each explore the notion of inter-; the moment between entities, whether it be visually, conceptually, mentally, or physically.