Even though it seemed last week like everyone and your mom (and Mashable!) loved Star Wars: The Force Awakens, not all viewers are completely on board.

The seventh installment in the Star Wars franchise was met initially with near universal praise from audiences and critics alike. But now that the dust has settled, some writers are taking a second look at the film, analyzing its various plot holes and missed opportunities.

Here's what some of the critics are saying.

Warning: Spoilers ahead

Vice writer Brian Merchant says The Force Awakens is the "least interesting Star Wars yet, though he did add it's "far from the worst Star Wars movie".

"I’m not exactly delighted to be adding another branch to the Star Wars take tree. But the reviews are so effusive, success so roundly declared, I can’t help it. Because we’ve been played. We’ve been served up a pretty unoriginal reboot that adds few, if any, new ideas to our greatest commercial mythology. It’s the latest and maybe largest sign of a drift towards big screen sci-fi monoculture. And we’re lapping it up."

Washington Post writer Alyssa Rosenberg says the movie missed a major opportunity.

"While The Force Awakens is a hoot, it has a problem common to big action movies: villains who are not only dull, but also in this case, retreads of old ideas and dynamics. And The Force Awakens has less excuse than many other franchises not to do something great and smart with its core conflict."

Salon's Lili Loofbourow says the film has "glaring emotional blind spots."

"While some scenes are terrific, dynamic and beautifully paced — I’m thinking of the lightsaber duel and Poe and Finn’s first flight — the climax of the film asks the audience to project emotional resonance on a situation that has (and I cannot emphasize this enough) none. The Han-Ben relationship is among the emptiest I’ve ever been asked to mourn."

And The Huffington Post's Seth Abramson delved deep, rounding up the film's "40 unforgivable plot holes." Here are a few of them: