Get breaking news alerts and special reports. The news and stories that matter, delivered weekday mornings.

LOS ANGELES — Critics loved "Logan Lucky" and gave a big collective shrug to "The Hitman's Bodyguard," but when it came to the test of the marketplace, audiences went their own way.

The two action flicks faced off this weekend, and "The Hitman's Bodyguard" emerged the victor with a chart-topping $21.6 million, according to studio estimates Sunday, while "Logan Lucky" sputtered on arrival with $8.1 million.

Samuel L. Jackson and Ryan Reynolds in "The Hitman's Bodyguard." Jack English / Summit Entertainment and Millenium Media/Lionsgate

Both had notable stars, "Logan Lucky" has Channing Tatum and Daniel Craig, while "The Hitman's Bodyguard" boasts Ryan Reynolds and Samuel L. Jackson, both were opening in over 3,000 theaters and both cost around $30 million to produce. Also, both were targeted toward adults, although "Hitman's" was R-rated and "Logan" was PG-13.

Let our news meet your inbox. The news and stories that matters, delivered weekday mornings. This site is protected by recaptcha

But when it came to reviews, critics vastly preferred "Logan Lucky," which boasts a "fresh" 93 percent Rotten Tomatoes score, while "The Hitman's Bodyguard" rests at a "rotten" 39 percent. And yet, when presented with the choice, audiences on the whole put their dollars toward "The Hitman's Bodyguard." Even the CinemaScore was flipped with "The Hitman's Bodyguard" earning a B+ and "Logan Lucky" a B — neither of which, it should be noted, is particularly promising for future word of mouth.

"It was a battle of the action ensemble cast movies. Audiences looked at these two action movies in the marketplace and made a decision," said Paul Dergarabedian, a senior media analyst for comScore. "I think for audiences, they're just looking for the fun of it ... ("The Hitman's Bodyguard") was critic proof. It provided a perfect escape."

Lionsgate, which distributed "The Hitman's Bodyguard," expects the film to play well into September.

While it's not an all-out flop, the stakes were a little higher for "Logan Lucky." The NASCAR heist pic was not only director Steven Soderbergh's big return to movies after a four-year retirement, but meant to also upend the traditional distribution model with crafty filmmaker-driven know-how, independent financing, foreign and streaming service sales, and a more concentrated and cheaper marketing push.

An $8.1 million debut from over 3,000 screens, however, isn't enough to make a game-changing splash. In fact, it's Soderbergh's lowest wide-opening since his "Solaris" remake, which opened to $6.8 million in 2002. "Solaris" did have a higher production budget than that of "Logan Lucky," though.

Prior to the film's release, Soderbergh told The Associated Press that he was prepared for any scenario.

"At least we got to do it the way we wanted to do it," he said.