“My name’s Tim Miller, and I’m the director of ‘Terminator— Dark Fate.’ This scene starts in Dani Ramos and Diego Ramos’s workplace. They go to work at the factory where they’re making cars, and the terminator is tracking them there as well as Grace, the protector. So, you know, there are things that are hallmarks of the ‘Terminator’ movies, and then there are things where we feel like we could go freestyle and change things and bring something new. So the fight has this rhythm to it. There’s a whole lot of moments in it, but I think my favorite moments are really the Grace-ascendant moments where she has this sledgehammer and she’s just beatin’ the crap out of the Rev-9. And I think it’s really the first time you see just how strong she is. We shot this in two locations that is supposed to feel like one. We shot the wider shots and some of the chase parts of the scene at a Mercedes factory outside of Budapest in Hungary. But in the middle, we go into an assembly line area where we have the main area of the fight. And when that happens, we’re transitioning onto a set that was built on stage at Origo Studios in Hungary. And the reason we did that is because for stunts you really want a controlled environment because if people are going to get thrown on floors and into walls and onto work benches and have engines fall on them—” “My name is Grace.” ”—you really want all that stuff to be safe in a way that you can’t if you’re going into somebody else’s house to do it.”