If you wanna analyze it, I believe it all comes down to appeciating how far you can take it to a level of absurdity that still services as entertaining without derailing into complete nonsense.



I believe the enhanced and overexaggerated "woah"'s varied in volume and tone delivery along with the specific change of poses and in such a small time-frame sequence just hits that right amount of oddness to not drag for too long but enough to leave an impact on just how strange it is. Plus it's all a play on Crash's most well known "catchphrase", which happens to be the only consistent noise he makes through the whole trilogy.