Daniel Stessen’s creative voyage into the subconscious also proves to be an exciting new program because of how much it operates like absurdist theater during its first half. This is the sort of Adult Swim show that Samuel Beckett would get high and watch. Conversations are technically going on but at times it’s as if the lines are just random pieces of dialogue. You’re as bewildered and lost as Patient 88 is. Look, it’s a talking robot! Ahh, it’s a giant frog! The show does a great job at putting you in the place of its lost protagonist.

With this more erratic style of comedy fueling the program, the staff of Dream Corp that’s bringing all of this to life is made up of the strong comedic ensemble of Stephanie Allynne, Mark Proksch, Stephen Merchant (as a robot), and Jon Gries who is headlining the whole thing as Dr. Roberts. They all feed off of each other’s energy well and while the real focus is Dream Corp’s patients, this cast makes up a strong foundation that will help keep things moving in the right direction. While on the topic, the show’s rotating cast, in terms of its patient-of-the-week dynamic, is also a refreshing aspect. I would also think that such a concept will allow some big names to drop in from time to time due to the little commitment involved.

There’s a very obvious MYST3K vibe going on within Dream Corp LLC, but it’s frantic, guerilla quality also reminded me of stuff like Garth Marenghi’s Darkplace or the world that Terry Gilliam builds in Brazil in a lot of ways. All of this mad scientist riffing is merely prelude though to what this show is really all about, and that’s getting into these patients dreams. Dream Corp LLC records their dreams (and does a lot more with them too, if you’re able to make it through all of the boilerplate).

Dream Corp goes into their patients’ dreams in order to cure them of some sort of ailment, like impotence, alcoholism, or stage fright, with their dream ideally getting to the root of their problem This access of the dreams sees the episode flipping over to a rotoscoped look and it’s pretty damn beautiful. Like really gorgeous stuff. Adult Swim is pretty proud to publicize that this as their first rotoscoped series (and I can’t think of any other examples anywhere either), but after looking at how successful this looks, I wouldn’t be surprised if we got more down the road.

With Dream Corp coming from Daniel Stessen, this rotoscoping style is what he got known for and it’s also how his impressive independent film, The Golden Sparrow, is put together. Furthermore, the episode even has a justified use for this swap in style, rather than this pretty device being turned to for no good reason. Stessen uses the technique admirably and it’s easy to picture how future installments will use this device to great effect. It’s the perfect sort of pilot that gives you a great taste of what this show will be week-to-week, yet obviously the content within each patients’ dreams is going to be wildly different and allows the show variety within its conformity.