“This unnatural standard tuning frequency (440 hz), removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.” by L. C. Vincent (for henrymakow.com)



Prologue:



Vibration throughout the frequency spectrum of sound, heat, and light, is the organizational principle of matter. Sound is the organizational principle of our Universe, of physical matter and most importantly, living matter.







The science of Cymatics illustrates that when sound waves move thru a physical medium (air, water, sand, metallic particles, etc.) the frequency of the waves has a direct effect upon the structures which are created by the sound waves as they pass thru that particular medium. YouTube videos show these fascinating patterns and arrangements here:







The Musical Conspiracy

The TRUTH about the Musical Industry





Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.





Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.





Imagine that he bases the entire scale of musical artistic creation upon a frequency which would skew vibrations towards discord.





It sounds like science fiction. Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of “A” above middle C would henceforth be said to vibrate at precisely 440 cycles per second.





This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.





The standard tuning fork, which is set to vibrate the note “A” above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.





Despite the apparent “sweet music” a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what “music” they may be playing.





These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity. Additionally, they also stimulate the controlling organ of the body — the brain — into disharmonious resonance, which ultimately creates disease and war.





“MILITARIZATION OF MUSIC”





In a paper entitled “Musical Cult Control,” Dr. Leonard Horowitz writes:





The music industry “…features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness….” while the agents of this conspiracy provide ‘therapeutic’ pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires.”





He says, “Energy (vibration) impacts “life” (biology) and our bodies through the most common medium of life: water. Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes.

Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light.”



As noted, the Rothschild-Rockefeller (Illuminati) alliance chose “….to determine the musical factors capable of producing psycho pathology, emotional distress and ‘mass hysteria.’”



BAD VERSUS GOOD VIBRATIONS



The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.



However, the BSI — British Standards Institute — officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government. Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war. While 440Hz had been rejected by British musicians only 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.



As Dr. Leonard Horowitz concludes: “Music bioenergetically affects your body chemistry, psycho neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love.”



Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.



CONCLUSION



I don’t know if anyone can prove a direct link between aggression, disassociation, paranoia and violence to a tuning system that was promoted by both the Rockefellers and the Third Reich. However, just the fact that these two entities came together to push this standard is more than suspicious in my mind.



Although more than a few people have made the connection between the music of John Philip Sousa and his marching music as a stimulus to war, that specific link is in reference to composition, not frequency and vibration based on a tuning system.



“Intuitively, I think my sources are correct. But how does one go about proving that a specific frequency tuning is creating social stress, disharmony or physical violence and war? But the fact that the Rockefellers and the Third Reich pushed this tuning standard over the opposition of British musicians makes it suspicious, even sinister.”



The Rockefeller–Illuminati axis, their money and research, imposed this artificial tuning “standard” upon Mankind for the purpose of creating chaos. It continues to this day to funnel our minds and emotions along paths of negativity. It is high time for new, good vibrations to become ascendant and a “new standard” of vibrational tuning to emerge. It is time for the power of Love to triumph!







Additional Information

In Ancient Greece:





In Nazi Germany:





In 1939 Nazi propaganda minister Joseph Goebbels dictated 440Hz as the standard tuning pitch. This to let people think and feel in a certain manner, and to keep them a prisoner of a certain consciousness. This in spite of that Professor Dussaut from the Paris Conservatory wrote a referendum that was signed by 23,000 French musicians who all were for the preservation of the A= 432Hz. Freedom of choice in bringing back the frequency of the earth is what it’s all about today.





*** 432Hz quality ***

Music on a basis tone of A=432Hz is more transparent, more marked, clearer, gives an obvious musical picture and the Overtones and undertones moves more freely and can multiply themselves more. Music based on 440Hz represents emotions and locks up the head. By lowering the pitch 440Hz – 8Hz to 432Hz, the music changes.

Which first was painful to the ear changes into a beautiful, warm music whereby relaxation is natural. Overtones are decisive for the sound, this holds for instruments as well as the human voice. The piano tuned in A= 440Hz creates an artificial clarity and strengthens the high stress levels of today.

The instruments on which Mozart and Verdi composed their masterpieces were in 432Hz -is the same as C=256Hz- pitched. The original Stadivarius violin was developed to resonate at 432Hz.

Later Edited

This article raised some interesting debates, so this is the conclusion that I’ve come to.



440 Hz Vs. 432 Hz



Everything begins with a sound. Every sound has its own shape and color. When we are listening to music we can’t see the shapes or colors produced by it. But we know for fact now, that some of the songs (sounds) create harmonic shapes (and most certainly colors that we are not yet able to detect), while others are not able to create sacred geometry…just broken pieces.

This effect was noticed when solid granules (sugar/rice) arranged in harmonic shapes (sacred geometry) when exposed to music (sound’s vibration). It was also noticed in water experiments, when water was exposed to positive words (love, gratitude, etc.) — forming beautiful geometric shapes. The exact opposite effect took place when water was exposed to negative words.













You can watch the entire documentary here. I promise it will change your life forever.

My conclusion