A trio of sequels are set to hit multiplexes this weekend, and hopefully with something for everyone; a comedy musical, an action thriller, and a horror film. Of the three, it seems like the safest bet for first place is Universal’s Mamma Mia: Here We Go Again, which is tracking for an opening of around $35 million. Meanwhile, Sony’s The Equalizer II hopes for second with around $25-30 million, while BH Tilt’s Unfriended: Dark Web is shooting for high single digits.

Mamma Mia is launching almost exactly a decade after its predecessor, which opened alongside The Dark Knight on a record breaking weekend in summer of 2008. Despite counter programming one of the biggest films of all time, the musical still managed to post an impressive $27 million opening ($35.8 million adjusted for inflation) and legged it out to a more than 5X multiplier. With extremely positive critical reception and a lack of women-oriented summer blockbusters, there’s a good chance that Here We Go Again could possibly crack $40 million.

The Equalizer II is, surprisingly enough, the first sequel for star Denzel Washington. The original Equalizer was a bit of a surprise hit back in September of 2014, opening with $34 million and cracking the century mark domestically. Washington has remained one of the few actors who can consistently draw a crowd (a few exceptions notwithstanding, such as Roman J. Israel, Esq.), but having him back in his action-star wheelhouse is definitely a safer bet. Sony wisely kept the budget lower than its predecessor ($62 million as opposed to the original’s $73) but it still has the sense of something that should be released in the fall rather than the heat of summer. Considering this September is fairly light in terms of competition, it will be interesting to see if The Equalizer II can successfully retain enough of its audience.

Finally, BH Tilt is hoping for their second hit of the summer in the form of Unfriended: Dark Web. The standalone follow up to the 2015 Blumhouse title is targeting a significantly smaller release, hitting just over 1,500 as opposed to the originals 2,700. While the first film received plenty of online attention due to its heavy marketing push and unique gimmick (much of which came in the form of using promotional clips in vines and meme videos), it didn’t amount to a whole lot, clocking in at $32 million domestically. That’s still impressive for a feature that cost just $1 million to make, but presumably its R rating kept many teens out who would otherwise take the bait for gimmicky slashers. Dark Web made a bit of a splash at SXSW and has garnered similar critical reception to the original, but without much attention online, it seems unlikely to crack $10 million this weekend – especially with its significantly smaller release. One marketing gimmick that may help is that the film supposedly has two different endings, spread randomly across different theaters. However, it seems like this will likely open in the $3-5 million range of most BH Tilt titles, rather than the mid-teens of typical Blumhouse releases.

Annapurna is capitalizing on Sorry to Bother You‘s impressive nationwide debut by expanding the surrealist comedy into over 1,000 locations, while A24’s dramedy hit Eighth Grade is expanding into 33 locations after its record breaking debut last weekend, and will supposedly give the film some form of nationwide expansion next weekend if all goes well. Lionsgate is opening their racial drama Blindspotting into 14 locations, and plans on a nationwide release next weekend.

Predictions

Mamma Mia! Here We Go Again – $38.5 million Hotel Transylvania 2 – $25 million The Equalizer II – $22 million Ant-Man and the Wasp – $14 million Skyscraper – $11 million

Unfriended: Dark Web – $5 million