Limited Edition LP Record Record/Vinyl + Digital Album Limited edition of 50 records in a hand stamped and numbered white jacket with an artwork insert and poly lined sleeves.



Includes unlimited streaming of Noise Tape Self via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 2 days edition of 50 Purchasable with gift card Buy Record/Vinyl $20 USD Send as Gift

Digital Album Streaming + Download Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card Buy Digital Album $8 USD Send as Gift

LP Record Record/Vinyl + Digital Album 140g Aqua vinyl (edition of 100)

140g Black vinyl (edition of 200)

White poly lined inner sleeves

Full color reverse board printed jacket



Includes unlimited streaming of Noise Tape Self via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Sold Out

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about

With a quiet intensity over the last 12 years, Strategy has proven himself to be an incredibly resourceful and rewarding musician in both group settings and as a solo artist. In the latter guise, this Portland producer/multi-instrumentalist (aka Paul Dickow) has released a prolific amount of excellent work for quality indie labels such as Kranky, Orac, 100% Silk, Endless Flight, and Entr'acte, putting a cerebral yet sensual spin on dub, ambient, post rock, and house music.



For his Further Records debut, Noise Tape Self, Strategy delves ever deeper into his more ambient inclinations and experiments with tape loops. Most of the six tracks bear titles more suited for a library record, but Noise Tape Self lacks library music's faceless functionality; rather, it's an immersive soundtrack to stimulating one's imagination or losing one's bearings. Dickow says he became obsessed with making tape music in 2008, after tiring of using the computer as his main instrument. Fellow Portland producer/ingenious gear-tinkerer David Chandler (Solenoid) taught Dickow “how to make a tape loop that could be put inside a cassette tape. I got really into this, and got a 4 track, knowing this would allow me to have four synchronized loops per tape. I would then run each channel through a series of effects and 'perform' live mixes using the loops. I alternated between using source material of my own devising and using whatever source material happened to be on the cassettes I was hacking.”



Noise Tape Self kicks off with “Awesome Piano,” in which a fragment of a beautiful piano motif gets overwhelmed by a glorious vortex of static and distortion. We're immediately submerged in Strategy's alluring and disorienting world, where rupture and rapture converge. “Cassette Loop” is a gorgeous ambient piece with a lulling, aquatic quality that recalls such masters of uneasy listening as Rapoon, O Yuki Conjugate, and Aube. The self-descriptive “Ominous Lovely Piano” is a ghostly, microcosmic form of dub, an ultimate kind of headphone music of deep psychedelic interiority that's reminiscent of Paul Schütze's 1996 masterpiece, Apart. The hypnotic/amniotic ambience of “Lovely Loop” whispers of a peaceful eternity; this track could be an important step toward a new, improved strain of New Age. The album closes with “Rhen's Loop”; here's where the album really soars into the stratosphere and grows surreal wings. A five-dimensional headfuck of what sounds like analog-synth growls and whirs and desolate drones, “Rhen's Loop” is Doppler effected and disorienting, like a more somber take on Conrad Schnitzler's Ballet Statique. With Noise Tape Self, Strategy has found a way to build works of compelling, intimate grandeur with some of the humblest of sonic atoms. It's an alchemical wonder.

credits

released June 1, 2015



Written & produced by Paul Dickow

Mastered by Pete Swanson

Cut by CGB

Artwork by Chloe Harris

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