Megan Thee Stallion alleged yesterday (March 1) that her record label 1501 Certified Entertainment was preventing her from releasing new music. The Houston rapper made the claims in an Instagram Live session, stating that the terms of her contract were not clear to her upon signing with 1501, and that when she asked to renegotiate the contract, she was barred from releasing new work. The rapper has now filed a lawsuit against the label seeking the termination of her contract, and a temporary restraining order has been granted to allow the new music’s release, TMZ reports and documents viewed by Pitchfork confirm.

Today, a district judge in Harris County Texas granted Megan Thee Stallion’s temporary restraining order request, which is designed to thwart 1501’s attempts to prevent her from releasing “new records” on Friday, March 6. The restraining order also reportedly prevents 1501 from threatening the rapper on social media. The order will expire on March 16 at 11:59 p.m. The rapper has since seemingly confirmed that the restraining order means fans can expect to hear new songs this week.

The lawsuit was filed today (March 2) against 1501 and label head Carl Crawford. Megan is suing for at least $1 million in damages and is asking for her contract to be declared null or terminated. The lawsuit claims that the contract dictates that 1501 is entitled to 60% of her recording income. The remaining 40% is reportedly allocated to Megan, however the suit claims that she must use that portion of revenue to pay featured artists, mixers, remixers, and engineers.

In a new interview with Billboard, Crawford issued a blanket denial of the allegations made in the lawsuit. “It's a whole lie,” Crawford said. “Nothing is true that she said.” While he confirmed that Megan gets a 60-40 split, he denied that her portion of the revenue is used to pay collaborators. (“Nah, I don't think that's true either,” he said.)

Elsewhere in the suit, Megan Thee Stallion and her lawyers detail the “unconscionable” nature of her contract. The contract gives 1501 and Crawford 50% of her publishing, 30% of her touring income, 30% of her merchandising, control of all merchandising rights, and a cut of what’s called her “passive income” (i.e. sponsorships and endorsement deals). The lawsuit also claims that 1501 has failed to account for any of the revenue they’ve earned “despite repeated requests,” calling all information shared by the label “purposefully and deceptively vague.”

Crawford confirmed to Billboard that 1501 takes 30% of her touring and merchandising income. “The reason why it was a 70-30 was because we gave up so much,” he said. “We gave up part of her masters right now, we gave her a 60-40 split. That's why we got so much on that side. We knew we did some stuff that people don't do.”

It’s also claimed in the lawsuit that 1501 made “false representations” about the company upon her signing, including an alleged claim that T. Farris, a music executive in Houston, was a label “partner” when he was actually a third-party consultant. It’s also claimed that 1501 failed to “explain the full nature of the contract.” Megan claims that she only signed due to a series of “misrepresentations and omissions.”

Crawford denied any role in the origins of Megan’s contract. “Her mom did the contract,” he said. “I’m new to the business. I let this guy T. Farris run my whole business, because I knew absolutely nothing about it. Zero. So he wrote your contract up. I didn’t do it.”