1. The Broken Kingdoms by N.K. Jemisin

“The extraordinary narrative from the perspective of a strong and independent woman who stands up for those she loves and displays an amazing amount of courage in a world unrewarding of such behavior, combined with the philosophical and current themes central in this novel, make The Broken Kingdoms a true gem of fantasy literature and a truly unique reading experience recommended to any reader. Part of my love for the fantasy genre comes from the fact that it allows authors to continuously push the boundaries of imagination. There is no greater example of such a feat than N.K. Jemisin’s The Broken Kingdoms, and I believe it is destined to become a fantasy classic—and perhaps even a literary classic.”

2. The Warded Man by Peter V. Brett

“Published in 2008, The Warded Man remains eerily relevant four years later, with the whistleblowers Bradley Manning, and now Edward Snowden, rocking the national conscience and challenging systems designed, rightly or wrongly, to help their society cope with fear. The War on Terror has utterly changed the world, and the constant presence of uncertainty has colored our government, society and interpersonal relationships. [..] The Warded Man is a highly courageous and relevant example of what fantasy looks like in this new world.”

Read Myke Cole’s nomination here.

3. Tigana by Guy Gavriel Kay

“Aside from the content, whose themes I feel will endure for the ages, the prose itself is breathtaking. [..] [Kay] has a way with description and worldbuilding that makes it seem like he has spent months researching. And he has. [..] This book is so well-written, so deep, so incredible that I refuse to spoil any element of it in the hopes of using that to entice you to read it. I want you to be able to enjoy each part for the first time just as I did. To laugh and gasp and maybe even cry as this incredible world and story unfolds.”

4. The Face in the Frost by John Bellairs

“The Face in the Frost had a formative influence on my ideas about fantasy storytelling in many ways. It’s both wondrous and prosaic. [..] The book is terrifying and funny by turns, and that sort of sensibility has always attracted me as a reader and influenced me as a writer. Like all good fantasy, the story is about fundamental human issues, such as friendship, loyalty, duty, sacrifice, betrayal, greed, facing your demons, dealing with consequences, choosing your path in life, and—of course—good and evil. And, overall, The Face in the Frost has a wonderful atmosphere that makes me want to crawl inside the world of the story and live there when I’m reading it—and I consider that an essential quality of good fantasy writing: to lure the reader into your elaborate world, rather than to bludgeon the reader with your excruciatingly laborious worldbuilding.”

Read Laura Resnik’s nomination here.

5. The Hum and the Shiver by Alex Bledsoe

“The Hum and the Shiver is exquisitely written. [..] The prose lives up to the evocativeness of the title, leaving behind a book that is as magical as it is musical and completely lacking in traditional fantasy clichés while using a few familiar elements to ground it in the genre. The Hum and the Shiver is a rare example of the fantasy genre. It’s perfectly placed during the early twenty-first century in a small community in Tennessee struggling to survive into the next generation. The fears, hopes, and motivations of each character ring true to that scenario, as do the challenges they face. The writing is impeccable; so much so that this book has remained clear in my head years after I read it.”

6. The Hobbit by J.R.R. Tolkien

“The Hobbit isn’t an intricate story filled with political scheming or gritty warfare, it’s a straight-up adventure story—it’s clean, classic fantasy. Its formula of taking a peaceful character and sending him on a dangerous quest has been copied time and time again in fantasy literature, but The Hobbit remains the originator and definitive work written in such a style. Is it old-fashioned? Absolutely. Does is seem simplistic when put side-by-side with more modern works? Sure. Regardless, The Hobbit hasn’t lost any of its magic or its all-ages appeal. There is no doubt in my mind that it will continue to be read and enjoyed by millions of people for years to come, and there is no doubt in my mind that it is the definitive fantasy novel. The Hobbit is a story for the ages.”

7. A Wizard of Earthsea by Ursula K. Leguin

“LeGuin’s Earthsea books make the grand case for a fantasy series: the fantasist tells the story of a world, the story of many peoples, and you can’t do that in a single book with a single protagonist. In LeGuin’s hands, the fantasy series becomes more than a single story chopped into pieces; it serves as a stage for perspectivism and contrast. [..] If I had been asked to name the best fantasy novel, I’m not sure if I would have given the same answer [..] but I was asked to nominate The Great Fantasy Novel, the book that stands in the same relation to fantasy as Moby Dick and The Grapes of Wrath and maybe Infinite Jest and Song of Solomon stand in relation to the American novel, a book that is not so much of its own kind as it is an exemplar of our tradition, and well, I think A Wizard of Earthsea is that book.”

Read Max Gladstone’s nomination here.

8. Something Wicked This Way Comes by Ray Bradbury

“Was Bradbury making a commentary about how things were simpler when he was young and coming of age? There’s certainly an aspect of nostalgia in the book. However, the ending is filled with hope for the future, not despair. [..] I think he wrote Something Wicked This Way Comes as a message of encouragement. I think he wrote it to let us know that there would always be the power of love—no matter how dark life might become, no matter the mistakes or bad choices, and no matter what horrors might randomly be visited upon them by outside forces. I think that’s a message that all Americans want to believe in. We don’t just want the happy ending, we expect the happy ending.”

Read Stina Leicht’s nomination here.

9. Perdido Street Station by China Miéville

“Like the city, like the story, like the very themes of the book—every one of these aesthetics can be appreciated on its own, but the true majesty of Perdido comes from seeing it as a whole: a book written in a precarious, stupefying, wondrous and staggering style that is uniquely its own. [..] There are great books—books that are, indeed, very good. Themes. Characters. Emotional impact. You find them several times a year, and perhaps more frequently than that. And there are great books—books that loom over the landscape, dominate it, define it. Perdido Street Station is one of the latter. It isn’t a Great Fantasy Novel, it is a Great Novel, full stop.”

Read Jared Shurin’s nomination here.

10. The Shadow of the Torturer by Gene Wolfe

“[G]iven that The Shadow of the Torturer is the first book of not only a four volume series, but an entire cycle of stories and novels, it might seem unfair and unreasonable to call this one book the Great Fantasy Novel. Nevertheless, a suite of stories and novels must start strongly or never be written. The Shadow of the Torturer is equaled and surpassed in some of the subsequent novels of the series. However, the stature of those later novels, in every case is dependent on it being a follow up, ultimately, of The Shadow of the Torturer. Thus, standing first, The Shadow of the Torturer is the greatest of the series and the cycle. With its ambiguous and odd ending, The Shadow of the Torturer also stands alone as a volume that engages and allows the reader to fill in the blank at the end.”

Read Paul Weimer’s nomination here.

11. The Mists of Avalon by Marion Zimmer Bradley

“The Mists of Avalon was such a sensation for me when I read it as a young woman. Women were no longer scenery by which the men passed on their way to greater deeds. The women plotted and moved through the story with their own rhythm and motives. I read it again in my thirties and forties, and each time, the story took on new dimensions. When I was asked to contribute to this series, this is the first novel that popped into my mind and it remains as one of my all-time favorites more than thirty years after I first read it. I find something different and new each time I read The Mists of Avalon, and it is that very timelessness that makes this one of the greatest fantasy novels that I have ever read.”

Read Teresa Frohock’s nomination here.

12. The Name of the Wind by Patrick Rothfuss

“Most of all, what keeps me coming back to The Name of the Wind again and again and again, is because it is a tragedy, and worse, it’s a tragedy that has already happened. We don’t know what, yet. But from the moment we meet Kvothe, a man ready for death, sadness fills the room. [..] But truly the most heartbreaking thing about The Name of the Wind, why the piece wins my nomination, is the terribly vicious hope that maybe it won’t be a tragedy. That somehow by the end of the story, there will be some redemption, some saving grace. That hope that Rothfuss gives us is so very bittersweet, and it is what makes The Name of the Wind my great fantasy novel pick.”

13. Deadhouse Gates by Steven Erikson

Deadhouse Gates is the second book in the Malazan Book of the Fallen series. Set in a brilliantly realized world ravaged by dark, uncontrollable magic, this thrilling novel of war, intrigue and betrayal confirms Steven Erikson as a storyteller of breathtaking skill, imagination and originality—the author who has written the first great fantasy epic of the new millennium.

This is a reader nomination.

14. American Gods by Neil Gaiman

Days before his release from prison, Shadow’s wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break. Scary, gripping and deeply unsettling, American Gods takes a long, hard look into the soul of America. You’ll be surprised by what and who it finds there…

This is a reader nomination.

15. The Talisman by Stephen King and Peter Straub

One of the most influential and heralded works of fantasy ever written, The Talisman is an extraordinary novel of loyalty, awakening, terror, and mystery. Jack Sawyer, on a desperate quest to save his mother’s life, must search for a prize across an epic landscape of innocents and monsters, of incredible dangers and even more incredible truths. The prize is essential, but the journey means even more. Let the quest begin.

This is a reader nomination.

16. The Lies of Locke Lamora by Scott Lynch

Orphan Locke Lamora leads elite thieves “Gentlemen Bastards” trained by priest Chains. In Venice-like city, as the “Thorn of Camorr”, he stings the wealthy nobles. But the Gray King kills mobster Capa Barsavi’s trusted, and uses Locke as his pawn to take control. Locke vows revenge, but is best skilled at lies. His opponent has more money, men, and power.

This is a reader nomination.

17. Elantris by Brandon Sanderson

Elantris was the capital of Arelon: gigantic, beautiful, literally radiant, filled with benevolent beings who used their powerful magical abilities for the benefit of all. Yet each of these demigods was once an ordinary person until touched by the mysterious transforming power of the Shaod. Ten years ago, without warning, the magic failed. Elantrians became wizened, leper-like, powerless creatures, and Elantris itself dark, filthy, and crumbling. A rare epic fantasy that doesn’t recycle the classics and that is a complete and satisfying story in one volume, Elantris is fleet and fun, full of surprises and characters to care about. It’s also the wonderful debut of a welcome new star in the constellation of fantasy.

This is a reader nomination.

18. Suldrun’s Garden by Jack Vance

The Elder Isles, located in what is now the Bay of Biscay off the the coast of Old Gaul, are made up of ten contending kingdoms, all vying with each other for control. At the centre of much of the intrigue is Casmir, the ruthless and ambitious king of Lyonnesse. His beautiful but otherworldly daughter, Suldrun, is part of his plans. He intends to cement an alliance or two by marrying her well. But Suldrun is as determined as he and defies him. Casmir coldly confines her to the overgrown garden that she loves to frequent, and it is here that meets her love and her tragedy unfolds. Political intrigue, magic, war, adventure and romance are interwoven in a rich and sweeping tale set in a brilliantly realized fabled land.