I had high hopes that this new iPad would transform me into a rockstar designer. I mean, something this big should be life-changing… right?

In a lot of ways, the computing devices I use have to feel like extensions of me. I’m always sketching, creating, and ideating on my MacBook Pro. And I don’t regularly use an iPad for work, so the promise of iPad Pro as a device for creatives was particularly intriguing.

The reviews are out on iPad Pro, and they address how big it is, whether it’s worth the price, and whether it can or can’t replace a laptop for average consumers. But as a design director at Vox Media, I was more interested in whether I could run all of the apps I normally use on it.

After using the 12.9-inch iPad Pro at work for a few days, it exceeded my expectations. It's a high-performance device, for sure. The ability to move from app to app with ease, or use multiple apps at the same time, was key. The way the accessories integrated with the device made it a more useful iPad. But I wasn’t able to perform all my day-to-day tasks on it, and ended up reverting back to my laptop apps on more than one occasion. A typical day for me revolves around various Adobe Creative Cloud applications. So when I got the iPad Pro, I immediately downloaded Draw, Sketch, and Comp. These are mobile versions of the heavier desktop apps that I normally use, but I wanted to try integrating my current projects and tasks into the various apps. Then, I started on a bunch of new projects, using Draw to Then, I started on a bunch of new projects, using Draw to iPad Pro Trump Sketch , Sketch to put pen to tablet for a rough sketch of an infographic, and Comp to create mood boards and wireframes for a site design. I was able to easily share these with one of my designers to further flesh them out.

I particularly liked using Adobe Comp on the Pro. I could work this app into my daily workflow, for sure. Creating a wireframe was simple and fast. You just draw a box and quickly make an "X" in the middle and it instantly turns into a shape that you can move and adjust as well as fill with an image. Next, when you need a few lines of copy (what designer isn’t in need for a few quick lines of Greek?), you just draw a couple parallel lines and end it with a dot. This instantly turns into placeholder text. Images are easy to pop in and manipulate. Adobe's iPad products are good, but not as good as the real thing Another plus is that once you're logged into the Creative Cloud, you can send a fully editable file via the app to your desktop. I wasn’t expecting CC to be this seamless between devices. But I wasn’t quite as impressed with some of the other iPad Pro versions of the Adobe apps. For someone trying to do simple sketches or wireframes, the apps work. Anything heavier, I found too cumbersome and complicated to do, and ended up reverting back to my laptop programs. There were other things that I missed, too, like being able move shapes or control bounding boxes that I just couldn’t manage in these apps. I also found that shortcuts I use in Adobe Illustrator (which isn’t available for iPad Pro) didn’t work in Adobe Sketch or Draw. A lot of my design work takes place in Illustrator, and I was really hoping that the various apps would allow me the same flexibility as the desktop programs do.

On the other hand, Apple Pencil worked really, really well. I’ve tried a few different brands of styluses in the past, and never have I been wowed like I am with this one. It’s comfortable in the hand, it’s incredibly precise, and it felt natural. Using it with Apple Notes has virtually no lag. It’s fast and keeps up with my messy writing, almost making it better. I did notice that there was a little bit more latency when writing in other third-party apps, like Paper by FiftyThree and Adobe Sketch. But overall, using the Pencil to make a quick sketch saved me time. Usually, I’ll make a sketch for one of my designers on paper, take picture of it, email it, and then explain what some tiny squiggle is. Now, I just sketch with the Pencil and instantly email it from the iPad Pro. A lot of designers might be curious how the iPad Pro handles both multi-touch and a stylus. You can easily switch between Pencil and your finger, and the iPad knows the difference. Also, due to solid palm rejection software, there is little issue with your palm being on the screen as you write and sketch. I did notice the screen would pick up tiny marks from my bracelets, but there were no markings from my palm on the screen at the same time I was using the Pencil.