The Guardian reports that Netflix has developed multiple strains of marijuana inspired by many of its original series, all inspired by a pop-up event that was held over the past few days to promote its new show Disjointed, which stars Kathy Bates as the owner of a weed dispensary. My favorite has to be the Arrested Development-influenced “Banana Stand Kush, intended for a “big yellow joint.” You can read about all the other strains at the link above.

Documentarian Errol Morris heads to Netflix with a six-part series called Wormwood, which stars Peter Sarsgaard and blends narrative and non-fiction storytelling to tell the tale of a man searching for the truth about his father’s death.

“This six-part series explores the limits of our knowledge about the past and the lengths we’ll go in our search for the truth. A family story of one man’s sixty-year quest to identify the circumstances of his father’s mysterious death. A quest which brings him face-to-face with some of the darkest secrets of the United States.”

Looks great to me. And while a December 15 release date may make it tough for people to give this priority over a new Star Wars film, maybe it could become this year’s Making a Murderer as that show that everyone binge watches over the holiday break.

Reese Witherspoon is joining her A Wrinkle in Time co-star Mindy Kaling to star in the seventh episode of the final season of The Mindy Project.

Here’s the trailer for season 2 of comedian Tig Notaro‘s Amazon show One Mississippi. I haven’t seen any of this show before, so I’ll let the official synopsis do the heavy lifting on this one:

In the second season of this critically acclaimed dramedy, it’s about moving forward in life, new beginnings, and finding love. As Tig, Remy, and Bill begin the next phases of their lives, they will need to learn how to function as a family and adapt to living together in Mississippi.

Variety has published a large profile about Star Trek: Discovery, and it’s peppered with a few pieces of information that are worth pulling out and mentioning on their own. Chief among them: the site’s sources confirm that original showrunner Bryan Fuller was “pushed out” by CBS brass because he fell behind on turning in scripts. (He also apparently clashed with David Semel, the director of the pilot.) The series ranks among one of the most expensive ever produced, with each episode costing around $8 million. That’s an awful lot for a show that, aside from the pilot, won’t be available to anyone outside of CBS All Access subscribers. But the network is making a show of confidence, so we’ll have to see if that pays off in viewers or if this new Star Trek crashes and burns before it can even hit the stratosphere.