It was a closer race than expected for first place this weekend, and at several points it looked like the final Madea title may have wound up in the top spot, though ultimately the final Dragon sequel wound up holding onto it thanks to a stronger than expected Saturday. Meanwhile, Greta failed to impress in its nationwide release, while Apollo 11 did impressive numbers in its limited IMAX debut.

A Madea Family Funeral proved the franchise was far from dead, as it launched with an impressive $27 million. What’s more impressive is that these titles are usually playing in far fewer theaters than their counterparts, meaning Madea managed this number from just 2,442 locations, resulting in an excellent $11K per theater average – the highest of any film in the top 12. While critics and online audiences tend to lament the films, they have consistently proven to have a bankable audience. While they tend to be fairly front loaded, Madea should likely make it past $60 million when all is said and done, which is a pretty great result all things considered.

While it looked like it may have had to settle for second, How to Train Your Dragon held onto first with an estimated $30 million in its second weekend. That was a bit of a harsher drop than anticipatd, though given the rush from fans to see it as soon as possible, that shouldn’t come as a huge surprise.

The final nationwide release of the weekend – which wasn’t even supposed to be a wide release until a few weeks ago – was Focus Features Greta, which failed to justify its 2,411 location release with just $4.5 million. This debut is fairly similar to last years Unsane, which opened in around 400 fewer locations but with a very similar per theater average. Unsane lost almost all of its theaters in its third weekend to A Quiet Place, and a similar result is almost guaranteed for Greta with Us coming in three weeks. Originally, the title was set to be a limited release, before it was upped to a 2,000 theater count earlier in the week. That was then bumped to 2,411, though it isn’t exactly clear as to why; Greta hadn’t achieved nearly the same level of festival buzz or critical acclaim as titles like The Witch or Hereditary which followed similar release patterns, meaning this will likely be a write-off for Focus.

Among holdovers, Alita: Battle Angel continued its downward trend, clocking in an additional $7 million for a worldwide total of $350 million. Green Book expanded into its biggest theater count yet following Sunday’s Best Picture win, and was rewarded with an impressive $4.7 million this weekend. Despite a general lack of buzz online, Universal did manage to pull off a minor miracle by keeping this in theaters since Thanksgiving, as the title has quietly amassed over $75 million domestically and nearly $200 million worldwide.

In limited release, Neon’s documentary Apollo 11 opened in 120 IMAX locations where it pulled an impressive $1.6 million, for a per theater average of $13.7K. While it will likely lose basically all of these screens next weekend when Captain Marvel launches, it was certainly an interesting experiment. The large-format exhibitor seems to be moving towards more unconventional releases, as this marks the second documentary (following Free Solo) to play in IMAX this year. In limited release, A24’s festival acquisiton Climax opened in five locations to an impressive $24K per theater average. The indie studio also has Gloria Bell lined up for next weekend, followed by expansions for both.