The awards of the International Jury have been presented with the following motivations:

Golden Lion for Best National Participation to Lithuania for the experimental spirit of the Pavilion and its unexpected treatment of national representation. The jury was impressed with the inventive use of the venue to present a Brechtian opera as well as the Pavilion’s engagement with the city of Venice and its inhabitants. Sun & Sea (Marina) is a critique of leisure and of our times as sung by a cast of performers and volunteers portraying everyday people.

Special mention as National Participation to Belgium. Unsparing in its humour, the Belgian Pavilion offered an alternative view of the under-recognised aspects of social relations across Europe. The uncanny staging of a series of fictional characters in the form of mechanised puppets based on folkloric stereotypes allow the Pavilion to act on several registers, while creating two if not more parallel realities.

Golden Lion for the Best Participant in the International Exhibition May You Live In Interesting Times to Arthur Jafa for his 2019 film The White Album (venue: Central Pavilion, Giardini), which, in equal measure, is an essay, a poem and portraiture. Jafa uses appropriated and original footage to reflect upon the issue of race. Just as the film critiques a moment fraught with violence, in tenderly portraying the artist’s friends and family, it also speaks to our capacity for love.

Silver Lion for a Promising Young Participant in the International Exhibition May You Live In Interesting Times to Haris Epaminonda for her carefully constructed constellations of images, objects, text, forms, and colours that are built out of fragmented memories, histories and imagined connections; for showing us that the personal and the historical can be compressed into a powerful yet loose web of multiple meanings.



This year, two Special Mentions were awarded to the following participants:

Teresa Margolles for her sharp and poignant works that deal with the plight of women grossly affected by the narcotics trade in her native Mexico, and for creating powerful testimonies by shifting existing structures from the real world into the Exhibition halls.

Otobong Nkanga for her ongoing and inspired exploration across media into the politics of land, body and time.