KillerPigeon, also known as, Darren Elmy is one of those new entrants into the casting scene who aspires to become a well established caster in Dota 2. When I first begin my conversation with him, I immediately realize that he's humble and has a good sense of humour, and that's precisely the reason why the community has welcomed him with open arms. In this interview, we focus on KillerPigeon's journey into the casting scene that started only eight months ago, his sudden breakout into the scene that took everyone by surprise -- in a good way, his profound respect for Trent, AnneeDroid as well as Blitz and how they've helped him in growing as a caster, his visit to TI8 as a spectator as well as his future plans amidst other things like his advice to new casters making it into the scene and much more.Hi there, I'm Darren Elmy: better known as "KillerPigeon". I'm a play by play caster in the wonderful world of esports and specifically Dota 2. I live in the UK born and raised and I've been involved in the casting scene now for about 8 months. Before that I had a career in software dev.I graduated from university in 2015 with a BA in Computer Games Design, from there I eventually found myself falling into a blue chip company working with Microsoft products in a 2 year contract. As time went on I found myself growing kinda miserable actually. I began to realize that while I loved creating things, my true inspiration was inspiring and entertaining people: hence why Game Design had rung so true with me originally. It's why I started variety streaming about 8 months into that job and it wasn't until the start of 2018 that I realized I might just have a knack for esports casting. I guess you could say esports saved me: I was in a pretty down place and knew I didn't want to continue software dev. Then in an unexpected moment an amazing opportunity presents itself.That unexpected moment was Epicenter, they ran a contest for upcoming casters and I got recognition in no small part thanks to the community but also especially thanks toandthat acted as advocates. I guess you could say they kinda put an official "you should listen to this guy" stamp on me: validating what fans were saying in Reddit threads, listening to the casts and even having Trent jump on with me for my first duo-cast. I've still yet to hop on the mic with Trent again but hope to soon as it was pretty awesome and he opened my eyes to why duo casts are always better than solo casts! Then the real deal sealer: the part that made me realize "OMG, you could potentially do this" was when I checked my emails towards the end of the Epicenter closed qualifiers. There sitting as clear as day was an email asking me if I wanted to go to DreamLeague and be part of their talent lineup! Immediately I answered "Hell yes", followed by a bunch of newbie lan questions and several dozen "I've never flown before, HELP!" questions: big thanks to Matt for showing patience with that.So there I was, a new guy to the casting scene flying out to my first DPC lan just a few months after beginning this journey. It was all surreal: one moment I'm sitting at my desk at home receiving a bunch of praise, next thing I know I'm being flown out to one of the most loved events in the Dota scene! In all honesty? The experience was inspiring and amazing, everyone was helpful and understanding: from the talent, to production, even some players and managers. I walked away realizing that I hadn't made "contacts" or "networking tools", I'd made a series of friends. It's why when anyone asks me I usually refer to DL as my Swedish family.I guess people watched one too many Bond movies and got entranced? :P. I think it's kinda crazy, I've had this discussion with a few people and most agree there's a grind to it before you get your break: some people will view my grind as short, others will maybe complain I skipped it. I hear a lot of people go "you got lucky" and sure: I got lucky. But I think it's more about what you do to enable being lucky. The more times you put yourself in a position to get lucky, and the more times you prepare yourself for it: the more likely you'll be able to seize that "lucky opportunity" when it arrives. And I think people kind of have this misconception that I've "made it", I still think I've got a long way to go on this journey. I feel my casting is improving with every game I cast and that's because I'm aiming to criticize myself all the time, but also because I look to have fun with my job. At the same time there's still plenty of tournaments I've not made contact with yet that I'd love to.I don't think Cap is wrong, but it's a broad statement. I feel there can still be exceptions but I'd never encourage someone to pin their livelihood on it. Dota has such a huge pool of talented casters, it's a mixture of luck and uniqueness to get through now. If I was to look at my casting career from a strictly objective point: I'd be CRAZY to pin it all on Dota. The reason I do is because I love the game so much, and I love the people in this space so much as well. "Making it" in the world of Dota 2 now isn't just about a grind, it's about the situation, timing and probably a ton of other variables that aren't that clear. The story of how I make it through this esports world is relevant to me, but there might be 1 piece in 100 of the story that's relevant to someone else. I think the scary part for people is when they start thinking about it like a regular career: where you work as the assistant for 4 years then become the manager etc etc. Dota and in fact usually esports just isn't that.I mean I'm expecting a targeted rant by him after this is published :P. It was an amazing privilege to be involved in the qualifiers as a caster, my whole approach through this year is never expect anything: that way when I get something it feels 10 times more amazing and you learn to never take things for granted. From DL, to ESL qualifiers (and even appearing on the main events stream), to Epicenter and TI qualifiers: I've been overwhelmed and amazed at every turn. Then to go to TI8: even as a spectator, it's a magical experience. You meet so many people you've known online but never seen, you're almost guaranteed to run into all your friends. The atmosphere was mind-blowing and even if I strip away the fact this was my first TI: I think it would be fair to say this has been the best TI we've ever seen. From a logical business point though I wouldn't advise most people to not anticipate what they will have to cast or won't in the future. It feels amazing but is also very risky.

Rogers Arena, the venue for TI2018.

I don't think it's going to skewer opportunities as much as everyone is worrying it will. You have to remember that Majors and Minors are now in a different category compared to last season. Last season in most peoples eyes it was just about the point difference. This season there's going to be time between the old style of DPC events (the majors) where third party tournament can easily slot in. We're already seeing this with ESL Hamburg. I'd expect to see a lot of events still in-between official events and maybe some overlap with minors occurring: which may lead to opportunities for upcoming talent to cast the DPC minors. My biggest concern is how much support valve might have to leverage to keep minors going. The current idea is potentially game changing for upcoming tier 2/3 teams, but it feels like it could be terrible for obtaining sponsorship's: you have to realize what you're now proposing to sponsors: "Hi, we have this event we're running, we'll maybe get one or two of the best teams because they won't qualify for the major". I think it's an issue that won't be easy to resolve and we might see valve have to swoop in to save some tournaments. I like the concept because it's helping to fund upcoming players in tier 2/3 teams, but I'm worried that tournaments will sprout up at the same time boasting 4-8 of the tier1 teams and just steal the fire away from the minor. So I'd expect a similar number of qualifiers to last season for upcoming casters to prove themselves in, I think you just need to remember to have fun with it. Focus on what makes you a good caster and never ever fall into the entitlement trap of "I've been casting for x years, how come I haven't got an event yet". Just always be humble and take every opportunity that comes your way. People seem to forget that I proved myself in a qualifier to land a LAN (that wasn't even the LAN I was doing a qualifier for). Remember what I said: the more times you're in a position to get lucky, the more likely you will.It should make things more competitive, it forces teams to constantly prove why they're the best and why they should be at an event, and if they are the best: there's no reason they mind it too much. I think the biggest worry is whether teams just drop from minors in favour of these unofficial events. I'd expect many teams to pencil themselves in for unofficial events at the same time as minors are occurring. Also like I said, I think Dota is getting to a point where we can have these tournaments all year through, and now with this sort of format teams can feel less pressured to attend every event; as a result preventing the likelihood burnout occurs. It may also be that we now see a movement towards in studio production for qualifiers which I think would be awesome, anything that improves the level of production a cast can provide is a thumbs up in my eyes.I've got one or two things in the works, but those come with announcements later and there's still details to be confirmed. But hopefully the work will start stacking up as this next season begins! People have told me I need to get better at just making people aware I'm available, as so far I'm pretty terrible for just sitting back and seeing what happens: so that's definitely something for me to improve on this coming season!I managed to hold back from doing so as my budget was more or less filled in the trip costs itself. But apparently a lot of the things this year can be found online so that's not too bad. I did at least get my little Kunkka and Roshan figures so I can't complain.I'm about 4k mmr. Which apparently is pretty decent for a pbp. So I'm happy. But I'm always aiming to improve. A mixture of playing the game a lot and talking to coaches/players definitely helps me keep improving as a caster.Blitz. It was after we'd cast a game and he gave me some feedback and I was beating myself up. He told me "Don't worry. It's fine, what's important is you're listening to what everyone and anyone has to say. The moment you argue back then people stop trying to help you". I took that advice to heart and always listen to what anyone has to say. Whether it's talent. Players. Production or fans. It's about being able to receive that feedback and process what you can, take away from what's said and apply what you can.just want to say thanks to everyone that's supported me. This year has been amazing and hopefully the next even exceeds it. So many people have been kind enough to invite me into this amazing scene and I hope to help make it a better place for as long as I'm welcome here.If you would like to know more about my work, you can follow me at KarY . Images courtesy of Epicenter