Set 1



Help On The Way-> Slipknot!-> Franklin's Tower, Little Red Rooster, Althea, When I Paint My Masterpiece, So Many Roads, The Music Never Stopped



Set 2



Iko Iko, Wave To The Wind-> Truckin'-> Spoonful-> He's Gone-> Drums-> Jam-> The Other One-> The Days Between-> Around & Around, E: Liberty



*with Ken Nordine

Related Music (Beta) question-dark Versions - Different performances of the song by the same artist Compilations - Other albums which feature this performance of the song Covers - Performances of a song with the same name by different artists Song Title Versions Compilations Covers Help On The Way -> Slipknot! -> Franklin's Tower Little Red Rooster Althea When I Paint My Masterpiece So Many Roads -> The Music Never Stopped Iko Iko Wave To The Wind -> Truckin' -> Spoonful -> He's Gone -> Drums -> Flibberty Jib On The Bippity Bop* -> The Island* -> Space -> The Other One -> Days Between -> Around And Around Liberty

Notes

*with Ken Nordine







Jerry Garcia - Lead Guitar, Vocals



Mickey Hart - Drums



Bill Kreutzmann - Drums



Phil Lesh - Electric Bass, Vocals



Bob Weir - Rhythm Guitar, Vocals



Vince Welnick - Keyboards, Vocals















*Matrix*















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SBD (shnid=120726):







Recording Info:



SBD -> Master Dat (44.1k)







Transfer Info:



Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC



(3 Discs Audio / 1 DVD FLAC)







All Transfers and Mastering By Charlie Miller



charliemiller87@earthlink.net



June 13, 2012







-----------------------------------------------------------------



AUD (shnid=119637):







Master Audience Recorded By Mr. Darby



AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)>



Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X



Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>



HDD>Amadeus Pro (Tracking/Fades/FLAC8)



Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo



SBE's Checked/Fixed With Trader's Little Helper



Metadata Tagging With Tag&Rename







Comments:Another Huge Thanks out to Mr. Darby For



recording and sharing his source for this final



show of the Rosemont Horizon 1993 run of shows!



Another excellent share from the Darby collection



of Grateful Dead Master Audiences!



AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!







[shnid=10538 patches the cut at the beginning of Masterpiece]



[3/28/12]







-----------------------------------------------------------------



Thank you to Charlie Miller for the SBD transfer,



to Mike Darby for recording the show on cassette,



and to Keo for the AUD transfer.







Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)



June 23, 2012























This was the first show my older brother, Ben, went to, who was the same guy who helped me get on the bus around this time, when I was 11 or 12 years old. I recall being particularly inspired after listening to a bootleg from his tape collection. The show was 9/27/72 at the Stanley Theatre, with the "Morning Dew" opener. I played that song over and over on that tape, without really venturing into the rest of the show. "Morning Dew" had such an ancient and familiar emotional quality to it, and Jerry's voice seemed timeless. The song transcended its immediate subject in the lyrics, and spoke some deeper level of age-old wisdom through the melody itself - and Jerry's guitar. It blew my mind.







Anyway, last summer I was walking down Wabash Avenue in Chicago under the 'L' tracks with Ben and asked him what his first show was (not sure why it took so long to ask that question). His words: "Rosemont '93, 'Help-Slip-Frank's' opener." That was it - nothing more to explain.







So, this matrix was the first time I actually listened to this show - because how can you listen to a '93 soundboard without being immediately turned off by the sound of the Grateful Dead playing into a cardboard box on the floor that's in some dark room back stage? It just doesn't make sense to hear Jerry's guitar playing to "nothing" and not reverberating in the room and ears of thousands of happy, hungry people. And NO guitar can resound in a room like Jerry's, so why not provide a more accurate picture of what went down? This makes all the difference sonically, in my opinion, and what makes it a "show" on tape.







And what a show it is! I perused a bunch of reviews online, and this show appears to be one of the top-rated shows of '93. Ken Nordine doing "Flibberty Jib On The Bippity Bop"? - gotta matrix THAT voice! And how about a "Days Between" for the ages, or that scorching "Other One"? "So Many Roads" is always a treat. So dig in and have fun! I recommend adding a little bass on your EQ to make up for the '93 soundboard sterility, which is why I haven't been too keen on working with '93 tapes in the first place. But there are, of course, worthy exceptions...as in Chicago '93, and my brother's first show.







JHS











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