Hmmm I just realized I've never posted anything recorded on my console since I've bought it, soOverall I find it gives a little bit of a crunchier and a little less detailed sound than ITB, but smacking it hard can have some really nice effects ... overall I like it. It does have a 'sound' - I compared one of my tracks mixed ITB to the same track mixed on the console, without trying to match them, and the end result IMO was the ITB mix naturally sounded wider and 'more 3d', and the console mix sounded a little bit more veiled, but a little punchier with more character... it has a way of sort of sizzling the really top end. Note also that while I did rebuild the PSU, I doubt the caps in the channels have been changed for 20 years ...Vocals are just a freestyle, I just like throwing ideas down while I'm producing, don't expect them to make senseMixing is just a rough mix too, since there's no point over-obsessing on a console since you're gonna lose the whole mix anyway (I usually just record efx/etc that I *really* like and scrap the rest)Since I have the ability to throw in hardware and EQ every track now I try to get things as close as possible while producing before even hitting record ... sometimes I just print efx directly to a track if I feel it really needs to stay there.Everything tracked through the Allen & Heath Sigma 32 channel to a Ferrofish A16 MK2, and then back from the Ferrofish to the Sigma for mixing, recorded 2bus into Burl B2. KSM44 into the Allen & Heath pre's. I believe the track is mostly a mpc2kxl, s950, and an akai vx90. I think I just threw the chorus right into the DP4 and the vocal echo was from the sdd2000. Sequenced on the mpc2kxl - these days I get most of a track going before I even open a DAWI usually end up having to share output channels ITB since I only have 16 I/O for now ... eventually I'll go to 32 to fully use the console one day.Either way, the console makes everything more fun!