The film goes through many tone changes: it starts as a borderline rape revenge movie, as Sylvia thwarts two men who have her tied to a tree, beaten and bruised. Her ability to easily overpower these two burly men give the audience the immediate impression that Sylvia is not as she seems. Feigning injury on the side of the road, she is picked up by Paw (Hollingsworth) and taken back to his isolated farm where he lives a simple life with his adult son, Caleb (Watson). Confident in her healing abilities and unwilling to be caught by law enforcement, she convinces the pair to allow her to stay at their farm in exchange for chores and much-needed “woman’s work” since the matriarch of the family has been deceased for many years.



Before long, she and Caleb develop a romantic relationship that definitely delivers on the “sex (a lot!)” promise from the trailer. Of course, Paw is lonely as well and Sylvia finds herself compelled to satisfy his carnal needs to avoid being sent back to the orphanage from whence she came (despite clearly being in her 20s). The tone shifts into downright goofy at this point as the men try to navigate the complexities of their newfound shared relationship with Sylvia. To add to the chaos, the town Reverend is dispatched to the farm by his absentee wife to investigate the goings on and inevitably gets pulled into the bizarre situation by the group in order to keep Sylvia safely on the farm.

