When I was approached by Laura Hughes to draw the cover for Heroes Wanted, I jumped at the opportunity. As much as I’ve wanted to, I’d never had the chance to work on a book cover before, so I was over the moon.

After seeing the previous cover for the Lost Lore anthology by Andreas Zafiratos, who had set an incredibly high standard, I was a little nervous about how the work I had done previously would translate in this new field; but working with Laura and the team, my nervousness quickly turned to excitement.

What I tried to focus on in the initial sketch page was to have something dramatic, atmospheric and commercially eye-catching. To that end, I was experimenting with different compositions and ideas. One of the elements that I was hyper aware of was that as an anthology there would have to be more than one character, race, or even genre that I might have to add to the picture, so (as you can see above) I covered the page with idea diarrhoea to see what the general consensus would be on what looks good.

I really wanted to understand the mechanics of composition and how it can be used to attract someone from a couple of foot away so I studied the composition of some classics and after some input from the authors we narrowed the idea down to these images, each with their pros and cons:

With the composition chosen, it was time to populate the image with characters from the various stories. I used a spreadsheet that the authors had kindly provided detailing some characters, backgrounds and appearances, so I was able to get a general idea for the characters before reading up on them and hopefully nailing their characteristics.

As this was my first time drawing a book cover, I really didn’t want to fall into the trap of placing important elements where I knew text would be. I still wanted the image to work without it, but we thought it would be best to try a couple of text versions just to get a general idea of how the space might be used and what is “prime real-estate” for the juicy details.

With all the sketching, planning, notes, ideas and the go-ahead from the team, I got cracking. The process was a back and forth of trial and error, rendering, testing out an idea, rendering, looking at the picture from 5 feet away, on a big TV screen, flipping it horizontally back and forth, then more rendering, rinse, repeat.

Some of the things I kept in mind were to have some diagonals splitting the image, avoiding tangents as much as possible and using lighting and brightness to lead the eye to focal points in the image. Above all, though, I wanted to produce something that the authors would be pleased with. After my favourite part – adding all the FX – I sent along the final image:

And DONE! My small role in the creation of this incredible piece of work “Heroes Wanted” was over and left in the capable hands of designer Christian Bentulan, who added the typography and final touches:

EXCELSIOR!

HEROES WANTED is available in ebook (FREE!) and paperback now.

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