“The woman in the gold bracelets tells her friend:,” begins a poem by Barbara Kingsolver from her collection Another America/Otra America. A careful reading notices “gold bracelets,” suggesting more than affluence, opulence. The poem continues:

I had to fire another one.

Can you believe it?

She broke the vase

Jack gave me for Christmas.

It was one of those,

you know? That worked

with everything. All my colors.

I asked him if he’d mind

if I bought one again just like it.

It was the only one that just always worked. Her friend says:

Find another one that speaks English.

That’s a plus. The woman in the gold agrees

that is a plus.

The two women speak interchangeably about the fired domestic worker and the vase, both reduced to “one,” and “worked” is repeated about only the broken vase, an object for decoration and a Christmas gift. “It” and “colors” also haunt the conversation. In this brief poetic scene, the callousness of two affluent women about the value of an ornament over a worker (one who apparently is not a native speaker of English, and as suggested by the Spanish/English versions of all the poems and title of the collection, likely Latino/a) is couched in a larger context found in the poem’s title, “What the Janitor Heard in the Elevator.”

This flippant conversation is overheard by another worker, a janitor (who do you see as the “janitor”?), standing essentially unseen, unacknowledged beside these women (who do you see as these women?), trapped momentarily in an elevator.

Kingsolver’s stark and vivid poem captures, as does Kingsolver’s entire collection, the existence of two Americas, a slogan trivialized by politicians and ignored like the janitor by much of the public in the U.S.

The two Americas include the few and affluent, mostly white, who have virtually all the power and, as the poem shows, a voice in the nation and the remaining many, disproportionately middle-class, working-class, working poor, and poor as well as African American and, increasingly, Latino/a.

Let’s consider for a moment what students may be asked to do if presented with this poem in a public high school in the U.S., specifically in this expanding era of accountability and the encroaching specter of Common Core and the concurrent new high-stakes tests.

Based on my having been an educator during the entire past thirty years of the accountability era, I would suggest that this poem would be reduced to mechanistic analysis, in much the same way we have treated F. Scott Fitzgerald’s The Great Gatsby for decades.

While many are rightfully concerned that the Common Core will significantly decrease the focus on fiction and poetry in schools, we have yet to address that even if we maintain great poetry and fiction in the education of our children, we do them or that literature little service to allow those works to be reduced only to their literary parts, mere interchangeable fodder for identifying lination, stanzas, diction, symbolism, narration, characterization, setting, and the endless nuts and bolts deemed worthy of dispassionate analysis in school.

How many generations of students, for example, have examined at length the symbolism of the green light at the end of Daisy’s dock and Gatsby’ yellow car? How many students have been guided through the technical precision of Fitzgerald’s novel while never confronting his vivid challenge to the American Dream?

Have students been asked to look carefully at the corpses of Myrtle and George (the wrong kind of people, George a mere worker and Myrtle left like roadkill in the middle of the road) as well as Gatsby (the wrong kind of rich) floating dead in his pool? Have students been asked why Tom and Daisy (the right kind of rich) go on vacation in the wake of these deaths, seemingly untarnished because of the Teflon coating of their affluence?

Have students been asked to consider carefully why Tom hits Myrtle but bends to Daisy’s taunts?

These are distinctions of analysis—suggesting that Common Core and curriculum are trivial debates if we do not address what happens in the classroom and for whom.

Made in America: Segregation by Design

The technical approach to literature that ignores critical literacy is a subset of the larger technical debate about education and education reform that focuses policy and public attention on the details of schooling (public versus charter and private, Common Core, high-stakes testing, value added methods of evaluating teachers) and ignores the substance of schooling like a janitor trapped in an elevator with two wealthy women.

The substance of schooling today is a stark contrast to the moment of cultural consciousness stretching from the early 1950s into the 1970s when separate but equal was confronted and rejected. As society in the U.S. wrestled with integration of institutions, the cancer of segregation was merely shifted from separate schools to schools-within-schools: White and affluent students tend to sit in Advanced Placement, International Baccalaureate, and honors classes with experienced and qualified teachers and low student-teacher ratios while AA/ Latino/a and impoverished students tend to sit in remedial, test-prep, and tech-prep classes with new and unqualified teachers (in the twenty-first century that means often Teach for America recruits as temporary workers) and high student-teacher ratios.

In-school segregation has been driven by affluent parents, who use their privilege to insure that their children get theirs, and damn the rest. But segregation by design has now been joined by two powerful and corrosive mechanisms—charter schools and segregated higher education access.

Charter schools (see Charter Schools: A Primer and Current Education Reform Perpetuating, Not Curbing, Inequity) have failed to achieve the academic miracles proponents have promised, but charter schools have exposed the most predictable outcome of choice, segregation. As Sarah Carr has shown, New Orleans is a disturbing record of the charter schools flood, the role disaster capitalism plays in destroying equity and opportunity for “the deliberately silenced, or the preferably unheard,” African Americans and people trapped in poverty.

While schools-within-schools and charter schools highlight K-12 segregation by design in the U.S., as troubling is the entrenched privilege of affluence found in higher education, augmenting Matt Bruenig’s conclusion: “you are better off being born rich regardless of whether you go to college than being born poor and getting a college degree.”

Carnevale and Strohl have identified the separate and unequal access to higher education that constitutes the full picture of segregation by design in the U.S.:

The postsecondary system mimics the racial inequality it inherits from the K-12 education system, then magnifies and projects that inequality into the labor market and society at large…. Whites have captured most of the enrollment growth at the 468 most selective and well-funded four-year colleges, while African Americans and Hispanics have captured most of the enrollment growth at the increasingly overcrowded and under-resourced open-access two- and four-year colleges…. These racially polarized enrollment flows have led to an increasing overrepresentation of whites at the 468 most selective four-year colleges…. At the same time, African Americans and Hispanics are increasingly underrepresented at the most selective 468 four-year colleges…. At the same time, African Americans and Hispanics are increasingly underrepresented at the most selective 468 four-year colleges…. (Executive Summary, pp. 3, 6, 10, 12)

The inequitable access to elite higher education mirrors the inequitable access to quality K-12 education and to experienced and qualified teachers. Inequitable access, then, creates inequitable outcomes:

[H]igh-scoring African Americans and Hispanics are far more likely to drop out of college before completing a credential…. Among high-scoring students who attend college, whites are far more likely to complete a BA or higher compared to African Americans or Hispanics…. Each year, there are 111,000 high-scoring African-American and Hispanic students who either do not attend college or don’t graduate. About 62,000 of these students come from the bottom half of the family income distribution…. Racial inequality in the educational system, paired with low social and economic mobility in the United States, produces enormous differences in educational outcomes: Whites are twice as likely as African Americans and three times as likely as Hispanics to complete a BA or higher…. (Carnevale and Strohl, 2013, Executive Summary, pp. 24, 26, 28, 37)

Despite the meritocracy myth at the heart of the American Dream, then, Carnevale and Strohl conclude: “In the United States, parents’ education determines the educational attainment of their children” (Executive Summary, p. 38).

The cruel irony of education in the U.S. includes that most privileged children will find themselves in classrooms where color imagery (the gold bracelet in Kingsolver’s poem, the green dock light and yellow car in The Great Gatsby) will be the key to the already unlocked door leading to college and secure, high-paying jobs while AA and Latino/a as well as impoverished students are shown quite a different door.

All the while, the colors that matter—black, brown, white, and green—remain invisible and unspoken under the veneer of the American Dream of meritocracy that is less credible than any work of fiction soon to be dropped from the school day.