There are a few different versions of this track that got pressed, and I’ll be talking about Peter Lewicki’s remix, as the record itself easily outshines the album version. Not to mention, Lewicki was a pretty influential Chicago DJ, being the first in the city (alongside Kenny Jason) to mix records live on the radio. This version kicks off with a silly sounding patch on an ARP 2600 synthesizer, a sound which is more likely to be recognized these days for how Todd Terje used it on his seminal ‘Inspector Norse’ track. Your standard disco beat acts as the bedrock, while the rest of the groove is largely made up of two abbreviated but contrasting guitar parts, deep piano chords and an irresistible bass line. Lead vocals don’t come in until a little over two minutes into the piece, but Captain Sky sounds as sincere as he does strong and soulful. Strings and horns are mostly short and repetitious, while the lyrical themes range from individuality, exploration, and introspection. Each part of the arrangement complements each other so wonderfully, with a French horn and string accompaniment gently bringing the song to a close.



Moonchild is as deep as it is groovy, cinematic, yet undeniably funky and ahead of its time. Peter Lewicki’s remix had a very short run, promo-only release, making it a highly coveted single selling for upwards of $400 these days. Captain Sky would fade away to obscurity after a few more records and eventually be sampled by the likes of Public Enemy, De La Soul, Bob Sinclar and name dropped by the Sugarhill Gang and Wu-Tang Clan. Daryl Cameron is still active on social media these days, and has hinted at the return of Captain Sky, but until then, enjoy this piece of dance floor magic.