Korins takes his visitors on a walk through the same scene shop that built the sets for the Vancouver Olympics — the exhibition, he says, has intentionally been built in order, as if it were a show, except it’s the scale of about 20 Broadway shows. There is an introductory gallery, where you will meet your guide, a cheerful, virtual version of musical creator Lin-Manuel Miranda smiling at you from a screen, welcoming you, and, as you walk through the rooms of the exhibition and hit various digital trigger points, talking in your ear like he’s your best friend. He’ll have a female pal, yet to be announced, Korins says, but it’s not so difficult for anyone familiar with “Hamilton” to speculate.