Folk horror isn’t really a fiction genre per se. It usually refers to a certain kind of British horror movie that came out in the 70s, films like Wicker Man, Blood on Satan's Claw, and perhaps Witchfinder General, among others.

The Witch is currently making waves as a lovingly crafted period horror flick, so there's interest in these stories, be they set in the 17th century or today (can I claim Lords of Salem fits the genre? I can and I will). Stories of witchcraft, old gods and old religions, the blurred lines between the natural and the supernatural; they're really effective when combined with horror.

But if folk horror was a genre of fiction, what books would be its prophets?

Here's a short list of (mostly) recent novels and novellas to sink your teeth into.

Consider this entry as a stand-in for all the classics. Most Arthur Machen stories and novellas, Algernon Blackwood's body of work, Lord Dunsany, some of Robert Aickman's stories. If you're into classic horror or spooky folklore, you can't go wrong here.

The Great God Pan is a terrifying novella about a strange experiment to expand man's mind that of course leads to madness and murder (and I guess orgies, because yeah, Pan was into that stuff). It's a fast read and a strong recommend, especially if you've never read any Machen before, even though I prefer his Three Impostors (or even The White People).

Still, as far as folkloric horror goes, this is probably one of the best examples there is.

Devize, Glouwer, Rusk, Druir, Roke - these are the clans who make up the notorious Five-Family Coven. Four hundred years ago, this alliance of witches, changelings, and sorcerers sought to ruin and recreate the Earth in their own image, thwarted only by treachery that sent half of them to be burned alive.

Something a little bit different. We Will All Go Down Together is a short story collection about the five covens of a weird little Canadian town and what happens to them. A mix of novel and collection, the narrative is cohesive enough I'm liable to just call it a novel. It's steeped in folk monsters and things that go bump in the dark and the setting is interesting, at least to a non-Canadian.

Might be my favorite on this list.

A new arrival, The Loney came out this year to heavy critical acclaim. It's a welcome addition to the kind of book this list was made for. And it's set in Britain.

When the remains of a child are found on the coast of the area called The Loney by locals, a man is forced to come to terms with what happened there forty years earlier. When he was a child, his religious mother moved him and his disabled sibling to the same area. Together, they undertook a pilgrimage to a rock that would supposedly heal his brother.

Only the locals don't like strangers and they seem to have some really sinister beliefs. Beliefs that aren't exactly Christian...

Okay, so that came out a bit cheesy. It's still a terrifying novel and you should give it a spin, because you'll be seeing a lot more of Hurley in the years to come. Better hop on the bandwagon early.

A novel I've talked about here before, it's a really good example of pure folkloric horror. Written by a Brit, it's actually based on Scandinavian (Swedish, to be more specific) folklore about a goat-like being.

Four buddies head out into the deep woods of Northern Sweden. They get lost and encounter what are essentially the ruins of an old abandoned community. The old house they take refuge in for the night brings them nightmares and with them, the attention of something ancient.

The first half is really, really strong and incredibly creepy. The second half less so, but it all evens out.

Now, bear with me. Is this really a folk tale of horror?

Sorta. Yeah, it's 60's suburban America, but small town lore is integral to the tale. I wouldn't say it's a particularly scary book, but it's masterful storytelling nonetheless and it does have its creepy moments. They're just a bit far apart in this behemoth of a book.

Boy's Life is about a kid growing up in the South in the 60's. He witnesses a car accident; a car drives off a cliff and into the water. His father tries to help the occupants. The who, what and why of it all kicks off the plot thread that tuns through the novel, which is more or less a series of vignettes about growing up in the US during the 60s, intermixed with some spooky events and the undercurrent evil of middle America.

It's an easy read and one of my favorite books.