Read On is a regular feature in which The Dissolve’s staff recommends recent film pieces. Because there’s always someone writing something notable about the movies somewhere on the Internet.

Cut Print Film’s Jeff Rollins interviews Troma’s Lloyd Kaufman, who compares his latest film to the work of Quentin Tarantino:

“Quentin Tarantino has talent, we do not. It’s very different. But I can say of Return To Nuke ’Em High that it deals with many of the subjects of young people today like bullying, gay rights, foodstuffs, lots of these subjects as only a 68-year-old bourgeois man can deal with.”

RogerEbert.com’s Kevin B. Lee on the Ebertfest screening of Museum Hours:

“Museum Hours seems particularly well-suited to Ebertfest because it mirrors one’s experience of the festival. Over a few days, strangers meet and get to know each other by watching the same works of art. Through leisurely conversations between screenings, lives and minds are mutually revealed and exchanged. While conducting the post-screening Q&A, Ebertfest director Nate Kohn and I determined that this film essentially is the Ebertfest experience in Vienna.”

In a letter at The Hollywood Reporter, Gregg Allman asks the director of his biopic not to resume production after an on-set tragedy:

“When the idea of you producing the film first came about, I was genuinely excited about the possibility of sharing my story with fans around the world. Unfortunately, all of that changed for me on February 20 of this year. While there may have been a possibility that the production might have resumed shortly after that, the reality of Sarah Jones’ tragic death, the loss suffered by the Jones family and injuries to the others involved has led me to realize that for you to continue production would be wrong.”

Outlaw Vern on The Return Of Superfly:

“Return seems motivated by a producerly hope of exploiting new movements in black/youth culture. The kids, they like these rappers. These rappers, they like Superfly. Take for example the VHS cover (like [Superfly] T.N.T. it’s still not on DVD), which shows the very 1990 image of the words ‘SUPER FLY’ shaved into the back of a young man’s hi-top fade. That was their idea of how to illustrate the concept of this character existing in this time. As a fan of ridiculous shit I wish this was something that literally happens in the movie, unfortunately it’s some kind of, you know, metaphor or whatever. If it makes you feel better there is a part where a guy does freestyle bicycle tricks to distract some bad guys while Priest’s friend puts a bomb under their car. So there is some dated 1990 shit in there for sure.”