There is a two year age difference between Lee Scott and Milkavelli. At the time of their first conversation, they were around 18 & 16 years old. Milkavelli was already a fan of Antiheroes, so decided to take up Lee’s offer on visiting him in Liverpool. Upon meeting the emcees clicked, making a lot of music together. By 2006 they had a full length collaboration album ready, Tourettes Camp. All they needed now was a way to put it out, but prior to the era of digital distribution companies this task wasn’t as simple as it is today. “So we said we needed to register a business,” said Lee, revealing how Blah was co-started by breaking into internet hotspots. “Molotov, who now works for High Focus, he'd done a music management course and he knew how to do all these certain things. So me and him, we used to have to break into this... How do I describe it now? Kind of like an internet cafe, but for like students or something. I wasn't registered to it and at this time Molotov was no longer at Uni or something, so we used to sneak in and use the computers and that. Then we set up the business from there. Originally it was me, Molotov and Milkavelli. That's how it started in 2006, literally just to put out Tourettes Camp. But weirdly, the first project we ever put out was my The Wrong Bootleg Demo EP. But that's only because I was always making shit, right from day one I was making loads and loads of music. It's a mental illness, know what I mean? Years later, Reklews took over a lot of the admin side, because if I'm being honest I'm not really some admin type of guy. I've got business ideas, but I need someone else because I'm fucking insane ASD head. So Reklews took over for a while, he done a good job but then some things happened and he couldn't continue. So now Salar does that job, he runs the business. Shout outs Reklews.”

After forming the Blah brand, the make-shift UK hip-hop label quickly caught the nations attention. At the time, few had attempted to form a UK rap supergroup as manned as COTD; to hear 10+ emcees collaborate on an album would have been a rarity until Tourettes Camp, which contributed to the hype. Despite most members still being teenagers, the mischievous lyricism depicting their illicit lifestyles and demented thoughts struck chords across the country. “We just had a load of beats and then we just rapped,” shrugged Lee, looking back to recording Tourettes Camp.’ “It is what it is man. If I'm being honest, it's not like I'm ever going to even listen to the album. We were smashed off our heads, we had our one guy who lived in Waterloo, on the outskirts of Liverpool. He had a studio called Room With A View - shout out to Big Keith. We recorded most of the album in his studio, it was just more of a cypher album than anything. You know what I mean? We have little choruses, themes and whatever. But it was just a bunch of guys who were doing their rapping, who said let's make a thing. Power in numbers, strength in numbers and all that.”

“Weirdly actually,” said Lee, eyes widening as he sank further into recollection. “The Tourettes Camp album. This is a little weird fact, so basically... Originally before Children Of the Damned, me and Milk was doing a little project with Shakes and we made a bunch of tunes. Most of them tunes ended up being on Children Of The Damned, Tourettes Camp. We just switched them up and what have you. But yeah, that was the first album that we were both on. But we were just making a bunch of tunes, know what I'm saying.”