“I own the show, it’s a very different thing,” he says. “I’m the studio on it. and we’re doing it at a very modest budget. And the reason I say that is it allows us in our own heads to take risks, tonal risks, and it’s a values system that isn’t about solving [problems] with money but coming up with the beauty of things like performance and lighting and texture of clothing and all the things we have access to that don’t necessarily mean you spend a ton of money.”