“But you don’t deserve that, do you?”

The dream is simple. We fade in to three flowers blowing in the wind. When Steven falls asleep again, we add a broken pink palanquin, and a trill of the signature Diamond music, but that’s it. None of the disorienting mix of the sleeping and waking worlds of Lion 3, none of the nightmares of Chille Tid, none of the lucid mastery of Kiki’s Pizza Delivery Service, just a few calm moments before waking up in tears. But of all the episodes about our slumbering hero, this is the one that’s called Steven’s Dream.

To me, the initial sensation was similar to nearing the end of Order of the Phoenix and, after hearing Voldemort’s view of Dumbledore many times over the course of the series, seeing that the next chapter was called The Only One He Ever Feared. This episode uses our knowledge of the past to set the bar high from the title alone, but unlike the Harry Potter chapter, it pulls the rug out from under us by making the dream the catalyst instead of the subject.

In the same way Mirror Gem spends its entire ominous runtime preparing us to meet Lapis Lazuli, Steven’s Dream is an eleven minute introduction to Blue Diamond. Both episodes develop a sense of foreboding with little hint of what’s to come, both give us a little bit of fun to lull us into a sense of ease before jolting us back into the mystery, both pit the Crystal Gems as opponents of sorts to Steven, and both have that wonderful pacing where the third act takes up half the episode so we have room to breathe. Mirror Gem has the advantage of blindsiding us with our first new Gem (and has a slower, eerier burn), but Steven’s Dream uses characters with eighty-six extra episodes of development to sell a mystery that our hero is actively trying to solve.

The most obvious way Steven’s Dream builds dread are the tears. It’s a device that works again and again and again on this show, especially when Steven is the one affected: his face is rarely sad when they come, and they’re huge without devolving into silly water spurts, so despite the empathy tears might otherwise bring, it’s instead an unsettling omen of danger, like the crocodile’s clock. Combined with the brevity of the first dream, the stark opening of the episode thrusts us into the emotional space that fills the next arc.



But we also get Pearl and Garnet providing more explicit concern. Pearl tries changing the subject, but when push comes to shove she covers her mouth for the second time since we were first told that Rose shattered Pink. While this and other acts of self-censorship become clearer after A Single Pale Rose, at this point we still know it’s in character for her to be uncomfortable about certain elements of the war; even going back to Ocean Gem, she’s hesitant to reveal that not all Gems were “good.”

More surprising is Garnet, to the point where Steven mentions how unusual it is for her to so openly obfuscate. She has her mysterious streak, sure, but she’s been blunt and honest for a while now, and was the Crystal Gem who confirmed the story of Pink Diamond. Estelle gets a terrific showcase here, giving full weight to Garnet’s fear while providing levity as she gets frustrated for making the secret sound more enticing.

This is my favorite kind of hint: the one you could feasibly suss the truth out of if you pause the episode and think about it, but is clear as day in retrospect. We’ve seen Garnet freeze in Keeping It Together, and we’ve seen her afraid in the lead-up to The Return, and both incidents involve Homeworld. The “her” in question could be Yellow Diamond, but The Answer showed us Garnet’s relationship with Blue Diamond. It just doesn’t click until we see the blue palanquin, and Garnet’s explanation after Greg’s abduction makes her resignation to fate all the sadder on rewatch.

(The movie where cows are abducted is a clearer hint in a show that’s all about foreshadowing through television screens, but I still didn’t see Blue Diamond coming.)

Amethyst, who was born long after the war and has little to contribute besides a joke and a great reaction shot, sorta sides with Steven at first, but soon falls into the background to enjoy the show. That’s three for three in terms of Gems not helping Steven find the truth, and for the first time since the revelation, he finally gets mad at them. I appreciate so much that it’s not played as a childish temper tantrum but an airing of legitimate grievances: he was already lied to by omission for ages, which he managed to forgive the Gems for, but past deception makes this new secret too much to handle. As Amethyst says, he deserves to know the truth he’s asking for, but he doesn’t get it. The irony is that another character deserves something he doesn’t ask for, but he gets it anyway.

In the words of Blue Diamond herself, Greg Universe should not be doomed on a dying world. True, the world isn’t actually dying, but given the information available, her judgment was sound. And part of the reason why is that, in stark contrast to the three Gems, the three named human characters we see in the episodes are helpers. Connie brings Buddy’s journal and is nothing but encouraging, and while the Universes could’ve afforded a plane ticket, Uncle Andy is the one who flies them to Korea. When the truth hits too close to home for the Gems, humans step up to the plate, and it’s such a powerful way to showcase the value of Steven’s mixed heritage.

But the more general reason Greg deserves to live is that he’s the best of us. Steven talks to him about Pink Diamond before we even get to the Gems, and to me it evokes that pivotal moment where it’s Greg, the human side of Steven’s family, who reveals that the Gems were invaders in The Return. In both conversations, Greg drives home that the past was a long time ago, and that he didn’t judge Rose or push her to talk about things she was uncomfortable with. It might not be helpful for Steven’s fact-finding hunt, but it shows that Greg’s priorities were straight and he values caring about others more than anything.

(I do wonder, though. Greg says here that Rose seemed to want to confess everything, but he said it didn’t matter. I guess we’ll never know just how much of the truth she was willing to confess.)

And of course, Greg is the one who accompanies Steven to Korea. This is a story that wouldn’t work without his wealth explaining their ability to take a tour, but goofy asides about watches aside, what’s more important is that Greg sticks up for his son and encourages his curiosity, even when it’s scary (and yeah, seeing an animator drawing you is probably pretty scary). He’s nervous about closing in on the secret, but trusts Steven enough to follow through. And it all leads to Greg meeting his sister-in-law.

The hints of our interloper’s identity grow more obvious as we close in; the “Please” sign in Pearl’s script shows us we’re close to something, but the blue palanquin raises more specific warning bells before we finally hear a new voice.

Lisa Hannigan is not like Susan Egan, Patti LuPone, or Christine Ebersole. For starters, she’s the only Diamond voice without an American accent. But something less noticeable from the episode alone is that she’s the only Diamond voice who hasn’t been on Broadway; Hannigan isn’t an actress of stage or screen, but a singer through and through, with just one voice acting role prior to Steven Universe (in the excellent Song of the Sea). This is is a different type of performer, but Blue is a different kind of Diamond: where her sisters each adapted in their own way in the aftermath of Rose’s rebellion, Blue never found a defense mechanism to distract herself, so she’s consumed at all times by grief.

Comparing Hannigan to LuPone in particular is inevitable, as they’re the first two Diamonds we meet (at least the first two that we know are Diamonds) and they’re such a stark contrast. Hannigan’s otherworldly voice, capable of soothing sorrow and icy rage, is a radical departure from LuPone’s sheer power. It’s something that becomes even clearer when they share the same screen, but for now, Blue’s melancholy sets her apart not only from Yellow but from Garnet’s depiction of the cruel overlord we saw in The Answer. We know at this point that the Diamonds have done horrible things, but Blue Diamond humanizes them in a way Yellow Diamond has only hinted at.

Greg and Blue’s exchange is a somber, touching, chilling affair. While there’s a certain level of comfort humans in this universe have with weird alien stuff compared to how we might act, Greg is especially tuned to be casual in this scenario; he may address this giant woman as “your highness,” but he’s otherwise speaking as a peer. As in Mr. Greg, we get a rare moment of him mourning Rose aloud, in a way that shows how often he really is thinking of her. But as we saw in Three Gems and a Baby, he’s able to work through it by pouring that love into Steven, and the person Blue Diamond was most likely to pour love into is the one she lost.



As the eerie Diamond harmonette drones, we see more and more of Blue beyond her hunched form. First her arm raises, then she straightens her back, then we see the bottom of her face, before she finally turns to face Greg (and us); each stage is brought about by conversation with Greg, and her wonder at his ability to relate with her. While the talk seems to be going well, the music erupts as Blue snatches Greg, rises to her full, terrifying height, and reveals her ship: not a hand, but an entire arm.

Even as she’s humanized, we see glimpses of the tyrant Garnet told us of, and that we’ll see more of in the future. Her soft bewilderment comes from a place of superiority, and she treats Greg as an animal to be saved even as he protests. She does care, but through the lens of absolute authority over her pearl and lesser races. It comes across as tolerance rather than true empathy, and that exact sort of cold half-affection was a major factor in Pink’s resentment of her older sisters.



And poor Steven, who tried to stop Greg from even approaching the situation, can’t do a thing to stop his only remaining parent from being taken. His floating is powered by happy feelings, and there just aren’t enough of those to reach a rocketing spaceship. Garnet’s rescue may seem convenient, but her frantic apology and explanation absolves her in my mind: on top of being scared out of her wits, she was trying to prevent a future where everyone got taken.

The cliffhanger is more of a call to action than a cut to black, and the episode does “resolve” in its own way: we wanted to know what Steven was dreaming about, and we certainly found out. The tragedy is that Steven was right to be curious, and Greg was right to be kind, and both are punished for it. Greg is mature enough to not assign blame for his abduction, but this is rocket fuel for Steven’s ever-growing martyr complex. One day Steven will be happy again, but he’s never quite the same after this nightmare of an encounter.

We’re the one, we’re the ONE! TWO! THREE! FOUR!



I compared this episode to Mirror Gem, which is my favorite lore episode of the series. While Steven’s Dream doesn’t rank quite as high due to the glut of other terrific episodes, it still squeezes into my top twenty for now.

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6. Horror Club

5. Fusion Cuisine

4. House Guest

3. Onion Gang

2. Sadie’s Song

1. Island Adventure