[EN] Interview with Aki Hata

Original CN TL and Pictures: here

CN TL： zegao​​​​​ (nyamazing)

EN QC by: @yujachachacha​​

Yuja did lots for this TL. Thank her guys =)

It was mostly delayed due to IRL stuff.

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The contents are under the cut.

Interview With Aki Hata The Radiance of Aqours: Searching for the Answer

Aki Hata—the composer and lyricist of all of the songs of “Love Live! Sunshine”.

The “answer” that was obtained from the youthfulness of Aqours as they ran with all their might is… From the song that gave Aqours their initial fame, “Step! ZERO to ONE”, To the song that lit up Season 2 Episode 12, “WATER BLUE NEW WORLD”. In addition to the songs for the subunits as well as the lyrical world of Saint Snow, In this interview, she discusses the feelings she had placed on the 1st and 2nd seasons of the TV anime.

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Q: How did you view the story of Season 2 of the TV anime Season 2?

I was reading the script as I wrote the lyrics, and I really cried every time. There are some things in this world that are unattainable no matter how hard one tries. The way they met that challenge really made me feel that it was “indescribably beautiful”. In addition, I feel that the 2nd season was a reflection of reality, it was really compatible. I was still in a state of confusion when I first wrote “Step! ZERO to ONE”, but at this point, in my heart this song has become a key note of the story. And afterwards when the second season kicked off rapidly, in the process the lyrics were gradually woven into the story. From there, I felt that fate had a hand in it. I personally feel that “this song being used here was really fitting, right?”. I don’t know if everyone has the same feeling that I did. From a state of confusion to hearts being one, it was really incredible.

Q: Did you see the performance at Metlife Dome during the 2L tour?

I did. Although the stage itself was very energetic, in terms of the atmosphere it was quite frigid (laughs). In a half-exposed environment, looking at their posture where they wanted to make the entire venue fall (for them), and to let their intent be transferred to everyone, I feel their determination in accepting this huge vacuum and to go all the way (with it).

Q: So that means you felt self-awareness and responsibility during the performance?

That’s right, I felt the intent and realization of “I wish to let everyone enjoy more”. As the previous project was hugely popular. “They’ll definitely be compared to that”, “if the effect wasn’t ideal, would it be my fault?” – For them to be able to take on all of this burden, I feel that they are very strong too.

Q: I feel that the songs by Aqours during 1st season, the charm point resides in a sense of “stumbling around”. The impression of the many lyrics was that: “Although I don’t know what the end result would be, but in any case let’s try it”. A feeling like that. It’s evidently different in the 2nd season. Or rather, should we say that feeling of stumbling was harmonized?

As by the 2nd season, they would have found their own goal. They weren’t becoming anyone, but rather were radiating their own light. They would have kept that glow firmly etched in their hearts. At that time, I was thinking, life’s own answers would remain in one’s heart’, this fact and the story are seamless aligned. It let me feel that there was a resonance – the answer was truly in one’s heart huh?

For the lyrics side on the 1st season, I wrote them with being very straightforward and plain in mind. For example, in “Kimi no Kokoro wa Kagayaiteru kai?”, I thought: Did they discover “it” at the very end by relentless asking questions like this? As without asking, they wouldn’t have found the answer.

Q: Let’s turn the focus to the period between Season 1 and Season 2 then. After “HAPPY PARTY TRAIN”, should we say that the model changed? It feels that the stumbling part of the lyrics was set aside for a while too.

That’s right, amongst them I added an element of more maturity in then. Although it is a new way forward, but it wasn’t 100% a happy feel to it. As I feel that, everyone would want to see an Aqours that grew up and would be able to sing sad songs, right?

Thus, although the main focus would be running towards the end goal, and how the destination could barely be seen, secondly it’s the reality of the story itself. Everyone would have realized it, if vaguely, but meeting any obstacle in reality, at times you would feel that: “Although you are seemingly able to ‘see’ the turning point, but in reality you can’t do anything about it.”

I feel that for this current generation, there are more harsh situations in reality that the current younger generation has to face. Rather, I should say that this is a generation where dreams are hard to achieve? Even if they wish to stumble and do their best, but problems in reality would be blocking them immediately. The story exists in a setting like this, so I feel that I definitely need to let everyone have that sense of foreboding to it.

Q: So that is to say, rather than searching for the truth between the layers of the story, you would rather focus on what is projected on the observers?

That’s right. I hope to create a situation where everyone would be able to accept it fully. At such times, one should let everyone enjoy a little “sadness”, as sadness is also a form of enjoyment too (laughs).

Q: (Laughs) Hata-sensei, among the songs in the 2nd season, which songs touched you the most while you were writing them?

I guess it would be “WATER BLUE NEW WORLD”? I like the beginning parts. So it has the lines, “Ashita e no tochuu janaku / ima wa ima da ne” (“It’s not halfway to tomorrow, now is now”). Basically it’s all towards the future, but there are no complex rhetorics to it at all.



Q: The incomparable happy “today” that only exists for that very instant - for one to understand this perspective and to sing this line, is truly saddening.

And, although we are speaking of the future, but I feel that everyone wouldn’t be able to project their mind set for going ahead. I feel that, the girls probably don’t totally know how their future would turn up. Although they noticed lots, but they won’t know everything. The world is filled with unknowns. They might not know, but they also seem to understand lots of things - rather one can say that it is a paradoxical sadness then?

Q: That is to say they have their own degree of self-awareness then? But for now, “this” is enough.

That’s right, that’s exactly it. As there aren’t many people who would be able to enjoy the present without being bound by the past. I feel that enjoying the present is a very wondrous thing, so I hope that everyone would try to enjoy it. As we all know, even if we truly wish to enjoy the present, we’ll be robbed of our feelings and vision by many various things. To express this point without complex jargon is difficult. Although adding the phrase “instant” would solve problems, I feel that they shouldn’t say that.

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Q: I feel that, the 2nd season’s OP “Mirai no Bokura wa Shitteru yo”, the most defining line of the lyrics was, “Mirai o doushiyou kana!? (“What shall we do about the future?!”). Although the future can be freely chosen, but the end result isn’t always what one hopes for. But at this stage, everyone still believes everyone’s future is up to their choosing.

That’s right. Singing “What shall we do about the future!” would perhaps have that unbelievable feel of “perhaps we can truly force the change” I guess? “Having the sky and seas as comrades” would also make one think: “Really??” This could also be due to them being exposed to warmth from lots of people, perhaps their inner soul having being touched by a sense of enjoyment to being loved as well?

I feel that, acceptance the truth that one is loved is something that is very difficult. If one is loved too strongly, one would always be a little suspicious, right?

But I feel that for them, perhaps they won’t ask “why”, but would rather “be able to accept straightforwardly” the truth that one is being loved by everyone. So for “the sky and sea as comrades”, the meaning of that should be their own hometown, the place that they lived on as their comrades?

Everyone really loves their hometown, this is what they call jimo ai (lit. “local love”) (laughs).

Q: With regards to “Awaken the power”, seeing the animation on Episode 9 of the TV anime I felt that, here comes a very incredible song, huh (laughs).

(Laughs) Ah, I really am very happy (about this). How do I put it, I have my own self-awareness on how narrow my views are, admitting it openly, will let one grow swiftly? However, process of noticing this point, I guess would be very painful? As one must let something that one had firmly believed in be wrecked after all. But that is only because one’s view is too narrow – briefly looking around the surroundings and one would realize, previously one would feel saddened about wasn’t depressing at all.

The moment one’s view is expanded, they’ll really want to try it out. You can also choose to retreat if one is afraid of being injured, so as long as you tightly hug the world you had previously, you’ll be able to be protected.

But if one knows all this, but still has the realization to say, “wait a minute…”, I would really want to have a toast to that courage (laughs)!

Q: (Laughs). The songs by Saint Snow are very low-toned with high BPM, in some sense the entire feel is the direct opposite of Aqours “sparking” feel. Are there any particular points of note while writing their lyrics then?



It’ll be “a battle with one’s heart inside” then, I guess? Their attitude towards dreams, the level of their self-awareness – through these comparisons, they displayed a sense of gentle innocence that is different from Aqours.

Q: For “DROPOUT?!”, the parts where Leah sings, the lyrics included, were especially great.

My goal was to show that: “Even if they were going to fall into despair, the soul would remain beautiful”. From the angle of my personal interest, I like this song very much as well. Suffering will let one grow up rapidly, so I also tried imagining in the direction where “Saint Snow” would need to go through many difficulties, this very harsh and serious route.

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Looking at Aqours, I became aware that being innocent isn’t embarrassing.





Q: For the second wave of the subunit songs, I even felt that Hata-sensei was being too serious about it! (laughs)

Well~~ Looks like the fact that I love the subunits is exposed, huh (laugh). Should I say I like them? I should say that I’m given more freedom to express them?

Q: CYaRon!’s “Kaigandoori de Matteru yo” is truly a masterpiece.

I especially like that song (laughs).







Q: The tune started off as a gentle stroll, but in the end nothing happened at all. That point itself was startling enough.

I thought about trying various things while writing songs about friendship, so I thought of how there I heard of a song from overseas that’s akin to a story by itself. That song would be like an image of youth. It would actually just be depicting something trivial, but everyone would have a strong and deep resonance of: “I can empathize with this feeling”. Although by itself is purely how one would not get along with friends, and was stubbornly walking down the streets by the seaside (laughs). But it carries a huge weight in one’s heart. It’s simply a small minor thing, but seemingly carries with it 80% of the world’s sadness with it.

Q: For Guilty Kiss, firstly the title song “Kowareyasuki”—it’s a staple Guilty Kiss song.

A sense of having absolutely no confusion.

Q: As for the coupling song, “Shadow gate to love”, I would like to ask directly, what exactly is “Shadow gate”? (Laughs)

(Laughs). I guess it’s… the self in one’s heart? … It’s like, “I might not let you turn back, all right? I would exist in one’s heart too.” Like that, although it does seem to be stirring it up a little. I considered two sides of things at this part. Although I do think that high school girls would say the phrase “musk” I guess (laughs), but I do want to let them say that.

Q: Amongst the lyrics of the second wave of the sub-unit songs, the phrase binetsu (微热, lit. feverish) didn’t appear even once, right?

It’s something that I sealed away intentionally. I’m trying to see how long I can hold it in without using it – while right now it’s getting hard for me to hold back (laughs).







Q: (Laughs). Speaking of this, I hope Hata-sensei could explain to us the charm of the phrase “微热/binetsu”.

All right. So we are chatting how Aki Hata likes about the phrase binetsu, right? (laughs). This is something before passion, the state where passion first began to show itself. That very brief, mythical state, that is the passion that I like the most. It still exists at the stage of fantastical love, or it perhaps can be something very brief. And I guess it means a disguised innocent passion? One’s thoughts might be pitiful but beautiful, amongst them it would reveal a tangible strand of mystic to it. One would be slightly dizzy with that knowledge - it would be a feeling like this. In one’s life, perhaps this is the state of mind that I would love the most. A young girl’s love can be called “binetsu”, a girl’s thoughts is surely “binetsu”. Perhaps all girls could emotionally understand this state of “binetsu”? A mystery that only girls know, a secret that belongs to girls – this would let people feel that it’s cute, right?

Q: The way that AZALEA let one immerse in them comes out strongly as well.

Of course I do like all the subunits, but AZALEA would probably have the highest synchronization with my personal feelings? I feel that this subunit, is a manifestation of priestesses to something that I would like to express. I guess this change happened during the 1st Live? After seeing their performance, it is my personal opinion that, I can let them carry even more (on their shoulders), I could let them walk on the direction of passion x philosophy (laughs)**.



**TL Note: Although uncertain, it could be a pun on “Tokimeki Bunruigaku” instead.

Q: (Laughs) I feel the same, that is why “GALAXY HidE and SeeK” became a MVP-level title as well.

Thank you very much. I feel that AZALEA expresses the sense of “loneliness” very strongly. Or should I say that that they are able to match the sense of unrealism and loneliness very strongly? I guess it’s probably in the direction of “the me that no one else notices were discovered by you”. A secret held between you and me?

Q: From now on, for 3rd Live Tour as well as the movie are waiting for Aqours. Do you have anything you wish to say to them?

For them who are on the stage, I guess I would like to say is probably, “Do show us more of what you got”? I purely hope to be able to continue watching on. Everyone have been working very hard, so I hope I can sing and play along with them more.

Q: At this point to Hata-sensei, what is “Love Live! Sunshine!!” and what is “Aqours”?

I guess it’s something like “an innocence that’s on the verge of being forgotten”? Looking at Aqours, I became aware that being innocent isn’t embarrassing at all. Although right now, as an adult there are things you wish to conceal, but looking at them I do feel that, showing that side wouldn’t be wrong at all.

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Aki Hata’s stories with books

If we’re counting data/information, my monthly intake would be huge. So if I really start sharing, one book wouldn’t be enough. But if it’s a recent one, then Leonardo’s Judas (レオナルドのユダ) by Mayumi Hattori (服部まゆみ) gets my shoujo heart thumping again.