Leaders of the Writers Guild of America have asked their 12,000 members for strike authorization, following two weeks of negotiations.

The WGA leaders have asserted that the talks with the Alliance of Motion Pictures & Television Producers, which launched March 13, have been unproductive and contain two major rollbacks in the guild’s health plan. The AMPTP accused the WGA of breaking off the talks.

“First, they have demanded that we make cuts to the plan – $10 million in the first year alone,” the WGA negotiating team said in a letter to members. “In return, they will allow us to fund the plan with money diverted from our own salaries. More, they’ve demanded the adoption of a draconian measure in which any future shortfalls to the plan would be made up by automatic cuts in benefits – and never by increases in employer contributions.”

“This, too, is unacceptable. The package, taken as a whole, is unacceptable – and we would be derelict in our duty if we accepted it.”

Sources have told Variety that the negotiations have centered in recent days on the health plan, which has been forced to draw on reserves in recent years.

The AMPTP responded to the guild’s letter Friday evening in a statement: “The WGA broke off negotiations at an early stage in the process in order to secure a strike vote rather than directing its efforts at reaching an agreement at the bargaining table. Keeping the industry working is in everyone’s best interests, and we are ready to return to negotiations when they are.”

The WGA accused the companies of offering “barely a single hard-dollar gain for writers” at a time when the six major media conglomerates are seeing $51 billion in yearly profits, acccording to the guild’s calculations.

The strike authorization vote — approved unanimously by the WGA negotiatprs — will take place with the current three-year contract expiring in five weeks on May 1. It comes 10-years after a bitter strike against the production companies that lasted 100 days, after WGA leaders sought a strike authorization a month before the expiration.

The letter did not give a timetable for conducting the vote.

“Therefore, your Negotiating Committee has voted unanimously to recommend that the WGAW Board of Directors and WGAE Council conduct a strike authorization vote by the membership,” the letter concluded. “Once again, we are committed to continue negotiating with the companies in good faith to get you the deal we all deserve. We will continue to update you as things progress.”

Here’s the entire letter:

Dear Colleague,

The initial two-week bargaining period agreed to by your Guild and the AMPTP concludes at the end of the day today. We do not yet have a deal. We will continue to bargain in good faith to make such a deal. But, at this point, we want to let you know where we stand.

We began the negotiations with two truths about the current state of the business at the heart of our proposals:

First, that these have been very profitable years for the companies. This past year they earned $51 billion in profits, a record.

Second, that the economic position of writers has declined sharply in the last five or so years. Screenwriters have been struggling for a long time. They are now joined by television writers, for whom short seasons are at the core of the problem. In the last two years alone, the average salary of TV writer-prod ucers fell by 23%. Those declines have not been offset by compensation in other areas. In Basic Cable and new media, our script fees and residual formulas continue to trail far behind those in broadcast – even though these new platforms are every bit as profitable as the old model.

In light of all this, we sought to tackle a number of issues that directly affect the livelihoods of all writers.

–We asked for modest gains for screenwriters, most particularly a guaranteed second-step for writers earning below a certain compensation level.

–We asked for a rational policy on family leave.

–We sought to address chronically low pay for Comedy Variety writers.

–We asked for 3% increases in minimums – and increases in the residual formula for High Budget SVOD programs commensurate with industry standards.

–We made a comprehensive proposal to deal with the pernicious effects of short seasons. This included a lim it on the amortization of episodic fees to two weeks, a proposal that sought to replicate the standard that had been accepted in the business for decades. It addressed, as well, the continued problems with Options and Exclusivity. And it sought to address the MBA’s outdated schedule of weekly minimums, which no longer adequately compensates writers for short terms of work.

–Finally, we sought to address script fee issues – in basic cable and streaming – but also in the case of Staff Writers. Unconscionably, our lowest paid members are now often held at the staff level for multiple seasons, with no compensation for the scripts they write.

What was the companies’ response to these proposals?

No, in virtually every case.

–Nothing for screenwriters. Nothing for Staff Writers. Nothing on diversity.

–On Family Leave they rejected our proposal and simply pledged to obey all applicable State and Fe deral laws – as if breaking the law were ever an option.

–On short seasons, they offered a counter-proposal that addressed the issue in name only – thus helping no one.

–They have yet to offer anything on minimums, or on HBSVOD.

–They have made some small moves on Options & Exclusivity – some small moves for Comedy Variety writers in Pay TV. But that is all.

On the last day of these two weeks, the companies’ proposal has barely a single hard-dollar gain for writers.

$51 billion in profits and barely a penny for those of us who make the product that makes the companies rich. But that’s not all.

In response to our proposal to protect our Pension and Health Plans, this has been their answer:

Nothing on Pension.

And on our Health Plan, two big rollbacks.

First, they have demanded that we make cuts to the plan – $10 million in the first year alone. In r eturn, they will allow us to fund the plan with money diverted from our own salaries.

More, they’ve demanded the adoption of a draconian measure in which any future shortfalls to the plan would be made up by automatic cuts in benefits – and never by increases in employer contributions.

This, too, is unacceptable. The package, taken as a whole, is unacceptable – and we would be derelict in our duty if we accepted it.

Therefore, your Negotiating Committee has voted unanimously to recommend that the WGAW Board of Directors and WGAE Council conduct a strike authorization vote by the membership.

Once again, we are committed to continue negotiating with the companies in good faith to get you the deal we all deserve. We will continue to update you as things progress.

Respectfully,

The Negotiating Committee Members of the WGA West and WGA East

Chip Johannessen, Co-Chair

Chris Keyser, Co-Chair

Billy Ray, Co-Chair

Alfredo Barrios, Jr.

Adam Brooks

Zoanne Clack

Marjorie David

Kate Erickson

Jonathan Fernandez

Travon Free

Howard Michael Gould

Susannah Grant

Erich Hoeber

Richard Keith

Warren Leight

Alison McDonald

Luvh Rakhe

Shawn Ryan

Stephen Schiff

David Shore

Meredith Stiehm

Patric M. Verrone

Eric Wallace

Beau Willimon

Nicole Yorkin

Howard A. Rodman, WGAW President, ex-officio

Michael Winship, WGAE President, ex-officio

David A. Goodman, WGAW Vice President, ex-officio

Jeremy Pikser, WGAE Vice President, ex-officio

Aaron Mendelsohn, WGAW Secretary-Treasurer, ex-officio

Bob Schneider, WGAE Secretary-Treasurer, ex-officio