Here are a few examples from what I have been writing. Mostly small words as this is taking me ages.

に- breaks まま down into desired, potential or actual fragments, に is the peaks of the mountains. (‘で’ is the ascents and descents. How the peak was reached and what was done after the peak was reached). に just shows where the peak was, is, will, should or shouldn’t be. The changes in まま which did, didnt, will or wont happen. Put simply, if まま was a book に is the chapter titles and で is everything written in the chapter.

で- tells how まま goes from location to location, whether it be in space or time. It describes all the tools we use to take actions within まま, these tools can be objects, actions, or even time itself in the form of 時間. 時間 being one of our measuring tools for まま. We can look at で as the climb that leads to a goal(に). All it symbolises is how things within まま are changing. This happens in a forward in time manner, saying that one event changed or allowed the new state of まま. Lastly, and most importantly, a tool that で uses can be まま itself in the form of まで, signifying the end of まま、and what will happen before まま ends.

まで- As briefly just touched on まで is the limit (simply culmination of using まま as a tool to reach a place in time or space), it doesn’t mean ‘until’, ‘before’, ‘even’, or ‘including’. It simply means we are using まま itself as a vehicle for action. Here are a few examples.

私まで (even me) - I am using my まま to achieve something.

いつまで (until when) - which point in time within まま, is the point when まま will be used up.

今週末までに (before this week end) - This weekend is the limit/goal(に), within which we can use まま as a tool.

まだ- ま points to a place in まま, だ points to when something will come to be or is in a state of being, hence how it can be translated as yet, or still. The use of 未 simply shows that it lies somewhere ahead within まま.

では- で is where one action or interaction caused a new action to play out within まま, the は (or normal state or まま) has been changed. では？asking someone what happened after that is exactly how it looks. The asker seeks to know how は’s new state was effected by で.

には- に points out that the afore mentioned statement, is or was the intention or end goal (a peak), and something is either true because of it, or will require change to escape it. When the peak becomes the object of は, it shows the times within まま where no ‘で’ is causing any shifts.

は- は points toward an unchanging thing, any ままs default state, something that should by all rights appear the same at all times within まま. If は varies from its normal or expected state, が points it out. For example if you wake up one morning and the sun is blue. ‘太陽が青いだ！’ points out that the suns まま has been majorly shifted, in other words the は of the sun is lost. The reason why は so casually allows for contrasts to be made between different ままs is because it never has to worry about major shifts in meaning. On top of this, saying 私は simply conveys that you are about to express an ongoing (expected) state within your own まま.

が- が is used when something within まま stands out as a sharp peak that didn’t have time to become a は (ongoing state), or when lots of different まま’s are intersecting. This highlights how when the borders of まま are broken and lots of individual まま’s collide (students sitting in a classroom for example), one student sticking out for some reason is a が, because it breaks the continuity (read は) of the collective まま. Perhaps something dramatic has happened, this means a new まま can begin from が (very important) if the shock is great enough to まま. Think of it like a wave in まま, whereas は is still water.

てform- Just like how で shows how one state was reached, て shows how the time between states is being spent, by linking events. Unlike で, て looks at the whole picture and focusses on its ‘continual movement’, where で focusses more on the individual movements. One thing that lead to another.

まで- (part 2) Remember how I said で finishes events in まま？ Bingo. (Interval stop) we are marking the limit for a まま.

ら- You might be wondering why ら matters. It really… Really matters. ら shows us the start point for a new まま and the agents used from then onwards to describe that まま (pluralizing suffix, amount, direction)

Examples

彼ら- The boys (about to describe or clarifying something already described about a まま involving them)

あちら- That direction over there (about to describe or clarifying something about a まま involving over there)

いくら- いく being one of the volumes of measurement within まま, ら in this usage states that the amount of movement was enough to cause a state change, whether it be the purchasing of something, highlighting a certain amount of something, etc etc.

か- Not actually a question marker at all. か simply tries to define a place in まま that we want information from or want to highlight. This can be misconceived as a question because english thinks of time and space differently. か transforms the statement about まま into an interrogation. Literally simply pointing at it. 分かりませんですか？ Asks about (The spot within まま where you are in a state of not understanding) by pointing at it. Whoever you ask simply confirms or denies whether that is the place they exist in まま

から- This is where it starts to get fun. The か and ら from the previous points working together. か points at a location in time or space, ら points to a new state being created and who, what or where is involved in it. 駅から家に歩いた 駅(Our location)か(pinpoints 駅)ら(states that the pinpointing of 駅 is where our new phase in まま begins)家に(house is the goal of the new まま)歩いた(walking is how I reached the goal).

いつ- For me, いつ is the target of particles that try to isolate まま. いつ and も are two sides of a coin. も is everything that can possibly be in まま (except its owner), but isnt until specified. And いつ is everything that is already in まま but cant be seen unless we ask for information about it. か lets us grab hold of も and いつ and describe them. いつも act together as well by showing that all the not yet defined places in まま have points that can be defined and given ownership. Hence the meaning of forever or always or never wrapped into one, depending on what the verb says about it. も works by pointing to an external まま becoming included in our まま , and いつ by pointing to the existence of everything internal within まま (points to all the locations and times where something can be happening or not happening). いつ needs the help of other まま defining particles to be pinpointed. いつか、いつも、etc.

も- As stated alongside いつ, も tries to break barriers between まま’s, も reflects coming toward our まま, hence how so many も containing words can sound very personal, they are space invaders. Take もの in both its forms for example 物 and 者, one referring to all the psysical or tangible things, and one referring to ‘somebody’. Notice how 身 and 者 are very similar in meaning. But 身 acts as the nucleus of one まま, 者 is always the invader.