



“Ostalgie” is a German portmanteau of “Ost,” meaning “East,” and “nostalgie,” meaning “nostalgia,” because yes—many former East Germans remember life under communism quite fondly, and for a variety of reasons. There’s obviously some sentimentalism regarding one’s youth, (oppressive government or not, people like to reminisce on their salad days), but there was also distinctly East German culture, community, art and aesthetics. Combine all that with low unemployment and the absence of destitute poverty, of course people will miss some aspects of the lives they led on the other side of the Wall. This is not to say there isn’t an ambivalence to Ostalgie; for example, I doubt anyone much misses the Stasi.

The Stasi—the East German secret police and intelligence service—were notoriously covert, despite their massive numbers. In 1989, they employed 91,015 full-time agents and 173,081 informants—that’s 1.6% of the population of a country of 16.1 million. Now all the information on the Stasi has been declassified, and you can actually look at their materials in the utterly fascinating book, Top Secret: Images from the Stasi Archives. You can see documentation of training, raids and spy equipment, but my favorite part is the extensive collection of fashion recommendations for undercover agents.

There is a strange Ostalgie to the comically retro hair and clothes, but the sheer exhaustiveness of fashion represented is amazing. Some—like the above—actually manage to look like a farcical cartoon of a spy, an impression I assume didn’t resonate as such in East Germany. Others—like the one below—actually mimicked tourists, which is arguably even more conspicuous than a flashy fur coat. It’s when the looks are less ostentatious, though—reservedly classy ladies, hip youths clad in blue jeans and leather jackets, work uniforms etc.—that the photos feel truly ominous; these are people you’d never pick out of a crowd, people you’d never even notice. They might even be—and probably were—your neighbors.











































Thanks Ross Wolfe