Australian poet Dorothy Hewett in 1982.

Shocking news from Australia:

Stunning revelations of an Australian paedophile ring involving celebrity arts figures have been laid bare by the daughters of a prominent playwright.

Rozanna and Kate Lilley, the daughters of playwright and poet Dorothy Hewett, say they were forced into sex aged 15 by men including the late Bob Ellis and Martin Sharp, The Australian reports.

Sharp, Australia’s foremost pop artist, designed record covers and posters for Bob Dylan, Donovan and Eric Clapton and wrote songs for Clapton’s band, Cream.

Ellis was a political commentator, writer and film maker who penned 22 television and screenplays.

The Lilley sisters, who each have written new books, say their mother encouraged underage sex between her daughters and famous men she entertained at her Sydney house.

The sisters say the men enjoyed having young girls around and their mother, considered a left wing radical and admired feminist, encouraged their joining in the libertine sex scene of the times.

“We were these nubile girls … jailbait,” Kate Lilley said, describing her mother’s house as “a brothel without payment”.

Other men included a local film producer who is still alive and a poet who raped Kate Lilley when she was underage, plus renowned British erotic photographer, David Hamilton.

Known for his soft-lit images of prepubescent young girls, 83-year-old Hamilton took his own life in 2016 after a former model accused him of raping her in 1987 when she was 13 years old.

In the Woollahra terrace Hewett shared with her husband, writer Merv Lilley, a queue of famous men attended parties in the salon-like atmosphere where the sisters spent their early teens.

Sex was facilitated by Hewett who also slept with some of the men, while her husband had sex with other women.

When she turned 16 years old, Kate Lilley had already slept with six men and her younger sister Rozanna had slept with a dozen men by the time she reached the age of consent. . . .

At the age of 13, Rozanna Lilley was cast in the lesbian-themed film Journey Among Women about female convicts living in the bush.

Her mother, Dorothy Hewett, wrote the script.

You can read the whole thing. The “liberated” attitude of Dorothy Hewett — an “admired feminist” — sounds very much like what Moira Greyland has described growing up in the home of a famous novelist:

The daughter of famed science fiction author Marion Zimmer Bradley has written an autobiographical account revealing the horrors of growing up in a home raised by LGBT parents who repeatedly sexually abused her and her brothers.

“I have heard all the customary protestations. ‘Your parents were evil because they were evil, not because they were gay,’ but I disagree,” writes Moira Greyland in her new book, The Last Closet: The Dark Side of Avalon.

“The underlying problem is a philosophical one that is based on beliefs that are not only common to gay culture but to popular culture. And this is the central belief: All Sex is Always Right No Matter What,” she wrote. . . .

The book recounts Greyland’s life with her mother, who was the author of The Mists of Avalon and many other famous works of science fiction and fantasy, and her father, Walter Breen, who was a world-renowned authority on numismatics. Both identified as “gay,” both abused drugs and were involved in occult practices, and both were pedophiles, Greyland says, a claim that has been confirmed by her only surviving brother.

The couple’s LGBT ideology was constantly imposed on the children by both parents. . . .

You can read the rest of that, too. It is wrong to suppose that the “liberated” beliefs of the cultural elite will affect only “consenting adults.” Two years ago, I wrote about the worldview Bradley represented:

[E]vidence of Bradley’s bizarre perversion had been hidden in plain sight. Not only was she married to a bisexual pedophile, Walter Breen, who was rather notorious for his interest in young boys, but Bradley wrote lesbian pulp fiction under pseudonyms, including I Am a Lesbian (as Lee Chapman, 1962) and The Strange Women (as Miriam Gardner, 1967). Furthermore, Bradley quite pointedly rejected Judeo-Christian morality:

Bradley . . . professed a lifelong interest in the occult and in the early 1980s described herself as “neopagan,” explaining her faith as one that “rejects the Christian belief in man’s dominion over the earth.”

She said she also believed in clairvoyance, extrasensory perception and reincarnation. . . .

Marian Zimmer Bradley was a monster whose occult beliefs and deviant sexuality were widely viewed as “progressive” among leftist bohemian avant-garde intellectuals. . . .

Nudists, feminists, “swingers,” pedophiles, lesbians, witches — every kind of madness was unleashed from Pandora’s Box in the 1960s, and justified as a rejection of Christianity and sexual “repression.”

If there is no God, there is no moral law, and it is certain that many people who reject God’s law will act upon their godless beliefs.

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